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ISBN: 978-1-913231-68-2
UK Hardcore Volume 1 features the likes of Basement Records, Dark Horse, Liquid Wax, Satin Storm, Symphony Sounds, Tone Def and many more.
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UK Hardcore Volume 1 features the likes of Basement Records, Dark Horse, Liquid Wax, Satin Storm, Symphony Sounds, Tone Def and many more.
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WAS - Word and Sound Medien GmbH
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Label:Velocity Press
Cat-No:VP042
Release-Date:05.07.2024
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ISBN:9781913231699
The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Techno, Drum & Bass, Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.
House Volume 1 features the likes of Trax, Music For Freaks, Sound Pak, Vulture Music and many more.
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The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Techno, Drum & Bass, Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.
House Volume 1 features the likes of Trax, Music For Freaks, Sound Pak, Vulture Music and many more.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Import Magazine
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Label:Velocity Press
Cat-No:VP032
Release-Date:22.09.2023
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ISBN: 978-1-913231-45-3
Recommended Retail Price: £7.00 / 8,5€
Drum & Bass Volume 1 features the likes of Metalheadz, Symmetry, Sofa Sound, Prototype, Commercial Suicide and many more
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Liebigstrasse 2-20
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Recommended Retail Price: £7.00 / 8,5€
Drum & Bass Volume 1 features the likes of Metalheadz, Symmetry, Sofa Sound, Prototype, Commercial Suicide and many more
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Import Magazine
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Label:Velocity Press
Cat-No:VP025
Release-Date:19.05.2023
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ISBN: 978-1-913231-42-2
Recommended Retail Price: £7.00 / 8,5€
The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.
Dubstep Volume 1 features the likes of Boka, Hyperdub, Skull Disco, Tempa, Uprise Audio and many more.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Recommended Retail Price: £7.00 / 8,5€
The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.
Dubstep Volume 1 features the likes of Boka, Hyperdub, Skull Disco, Tempa, Uprise Audio and many more.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Import Magazine
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Label:Velocity Press
Cat-No:VP024
Release-Date:19.05.2023
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ISBN: 978-1-913231-41-5
Recommended Retail Price: £7.00 / 8,5€
The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.
UK Garage Volume 1 features the likes of Casa Trax, Groove Yard, Locked On, Social Circles, Swing City and many more.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Recommended Retail Price: £7.00 / 8,5€
The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.
UK Garage Volume 1 features the likes of Casa Trax, Groove Yard, Locked On, Social Circles, Swing City and many more.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Import Magazine
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Label:Velocity Press
Cat-No:VP023
Release-Date:19.05.2023
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ISBN: 978-1-913231-40-8
Recommended Retail Price: £7.00 / 8,5€
The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.
Jungle Volume 1 features the likes of Dread, Legend, Moving Shadow, Rugged Vinyl, White House and many more.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Recommended Retail Price: £7.00 / 8,5€
The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.
Jungle Volume 1 features the likes of Dread, Legend, Moving Shadow, Rugged Vinyl, White House and many more.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Import Magazine
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Label:Velocity Press
Cat-No:VP026
Release-Date:19.05.2023
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ISBN: 978-1-913231-40-8
Recommended Retail Price: £7.00 / 8,5€
The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.
Jungle Volume 1 features the likes of Dread, Legend, Moving Shadow, Rugged Vinyl, White House and many more.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Recommended Retail Price: £7.00 / 8,5€
The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.
Jungle Volume 1 features the likes of Dread, Legend, Moving Shadow, Rugged Vinyl, White House and many more.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Queer communities have long transformed parties into something powerful: spaces where care flourishes, injustice gets challenged, and new worlds are danced into being. But today, DJs command huge fees while behind-the-scenes workers earn below minimum wage. Corporations profit from our culture while communities that created these spaces are displaced. As venues shut and workers burn out, it’s clear that something has gone deeply wrong.
Club Commons: Moving Bodies to Grow Movements in Queer Nightlife & Beyond by Anjali Prashar-Savoie takes you inside hidden stories of resistance and reinvention. We meet the people reshaping nightlife from below: abolitionist security teams creating safety without police, sober raves doubling as mental health support, radical childcare at parties, venues becoming worker cooperatives, and free party crews reclaiming public space. Through their work, we see how party-throwing skills build movements, how refusing to play changes everything, and why protecting queer nightlife means transforming who owns it.
Quotes
“When Anjali shines her perceptive light on dancefloor culture, everything is better illuminated. I can’t wait to read this book. It’s one we need.” Emma Warren (author of Dance Your Way Home/Up the Youth Club) “Anjali’s one of the most exciting and insightful voices writing about dance music today, bringing fresh perspectives, intellectual rigour and emotive power to a conversation that’s too often homogenous, superficial or cynically commercial. Club Commons promises to be an essential and overdue book: a chance to reexamine the queer history of club culture, celebrate and critique its present, and map out radical possibilities for its future.” Ed Gillett (author of Party Lines)
“Beautifully written and unique, Anjali Prashar-Savoie’s behind-the-scenes journey through queer nightlife is as thorough as it is fascinating. Documenting a world that commercial interests are rapidly destroying, Club Commons is proof that queer culture holds the key to a better future for the dancefloor and beyond.” Professor Sam Parsley (author of Minor Keys, coach, DJ and founder of In the Key, a directory and platform championing the careers of women, trans and non-binary electronic music producers)
“Club Commons: Moving Bodies to Grow Movements in Queer Nightlife & Beyond is a vital reminder of how important the dance floor is to connect, unfurl and envision new futures. The text highlights the historic and existing care work entangled with the club space, particularly in providing temporary sites of refuge and embodied joy for Black and LGBTQIA+ communities. This is juxtaposed with research on the corporate and carceral commodification of nightlife in recent years, which exposes the false premise that club spaces are always radical. This book affirms my belief that the non-commercial nightlife ecosystem is an essential part of our social change infrastructure, rather than a luxury. Club Commons is a call to action to reclaim this space on our own terms and revive the underground.” Camille Sapara Barton, (author of Tending Grief: An Embodied Guide to Being with Grief Individually and in Community)
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WAS - Word and Sound Medien GmbH
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Club Commons: Moving Bodies to Grow Movements in Queer Nightlife & Beyond by Anjali Prashar-Savoie takes you inside hidden stories of resistance and reinvention. We meet the people reshaping nightlife from below: abolitionist security teams creating safety without police, sober raves doubling as mental health support, radical childcare at parties, venues becoming worker cooperatives, and free party crews reclaiming public space. Through their work, we see how party-throwing skills build movements, how refusing to play changes everything, and why protecting queer nightlife means transforming who owns it.
Quotes
“When Anjali shines her perceptive light on dancefloor culture, everything is better illuminated. I can’t wait to read this book. It’s one we need.” Emma Warren (author of Dance Your Way Home/Up the Youth Club) “Anjali’s one of the most exciting and insightful voices writing about dance music today, bringing fresh perspectives, intellectual rigour and emotive power to a conversation that’s too often homogenous, superficial or cynically commercial. Club Commons promises to be an essential and overdue book: a chance to reexamine the queer history of club culture, celebrate and critique its present, and map out radical possibilities for its future.” Ed Gillett (author of Party Lines)
“Beautifully written and unique, Anjali Prashar-Savoie’s behind-the-scenes journey through queer nightlife is as thorough as it is fascinating. Documenting a world that commercial interests are rapidly destroying, Club Commons is proof that queer culture holds the key to a better future for the dancefloor and beyond.” Professor Sam Parsley (author of Minor Keys, coach, DJ and founder of In the Key, a directory and platform championing the careers of women, trans and non-binary electronic music producers)
“Club Commons: Moving Bodies to Grow Movements in Queer Nightlife & Beyond is a vital reminder of how important the dance floor is to connect, unfurl and envision new futures. The text highlights the historic and existing care work entangled with the club space, particularly in providing temporary sites of refuge and embodied joy for Black and LGBTQIA+ communities. This is juxtaposed with research on the corporate and carceral commodification of nightlife in recent years, which exposes the false premise that club spaces are always radical. This book affirms my belief that the non-commercial nightlife ecosystem is an essential part of our social change infrastructure, rather than a luxury. Club Commons is a call to action to reclaim this space on our own terms and revive the underground.” Camille Sapara Barton, (author of Tending Grief: An Embodied Guide to Being with Grief Individually and in Community)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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ISBN: 978-1-80578-002-1
Format: A4 Sized Hardback Book
phatmedia presents UK Rave Flyers 1988 – 1989 includes over 800 flyers from iconic events like Shoom, Hedonism, Future, Spectrum, Land Of Oz, Apocalypse Now, Hypnosis, Sunrise, RIP, Coozz, Trip, Sin, Genesis, Rage, Wetworld, Rave At The Cave, Boilerhouse, Trip City, the Hacienda and many more one-off and smaller promotions.
It also includes commentary from Dave Little, Andy Boilerhouse, Pez, Steve Reid (Shoom), Ellis Dee, Chalk E White, Nicky Holloway, Mr C, Ratpack & many more. Plus, photos from clubs of the era taken by Dave Swindells, Kevin Cummins, Peter J Walsh and Gavin Watson.
Quotes
“We would be lost without Dave’s incredible documentation of flyer history. If we didn’t have his absolute precision in sharing dates within the timeline. So much of the exact history would be lost. phatmedia is an asset to the entire rave scene and history.” Billy Daniel Bunter
“Rave flyers capture an essential piece of cultural history. More than just advertisements, they reflect the creative energy of the early rave scene and serve as a window into the underground music culture of the time. Each flyer tells a story about the events, people, and communities that helped shape the movement.” Eddie Richards
“This book is more than just a collection of flyers; it’s a time machine. It’s a tribute to the birth of a culture that shook the world. We built something from nothing. Every flyer, every illegal rave, every risk we took, it created a movement that would become a multi-million pound industry.” DJ Phantasy
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format: A4 Sized Hardback Book
phatmedia presents UK Rave Flyers 1988 – 1989 includes over 800 flyers from iconic events like Shoom, Hedonism, Future, Spectrum, Land Of Oz, Apocalypse Now, Hypnosis, Sunrise, RIP, Coozz, Trip, Sin, Genesis, Rage, Wetworld, Rave At The Cave, Boilerhouse, Trip City, the Hacienda and many more one-off and smaller promotions.
It also includes commentary from Dave Little, Andy Boilerhouse, Pez, Steve Reid (Shoom), Ellis Dee, Chalk E White, Nicky Holloway, Mr C, Ratpack & many more. Plus, photos from clubs of the era taken by Dave Swindells, Kevin Cummins, Peter J Walsh and Gavin Watson.
Quotes
“We would be lost without Dave’s incredible documentation of flyer history. If we didn’t have his absolute precision in sharing dates within the timeline. So much of the exact history would be lost. phatmedia is an asset to the entire rave scene and history.” Billy Daniel Bunter
“Rave flyers capture an essential piece of cultural history. More than just advertisements, they reflect the creative energy of the early rave scene and serve as a window into the underground music culture of the time. Each flyer tells a story about the events, people, and communities that helped shape the movement.” Eddie Richards
“This book is more than just a collection of flyers; it’s a time machine. It’s a tribute to the birth of a culture that shook the world. We built something from nothing. Every flyer, every illegal rave, every risk we took, it created a movement that would become a multi-million pound industry.” DJ Phantasy
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Label:Velocity Press
Cat-No:VP054
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ISBN: 978-1-913231-85-9
Format: Book
The story of hardcore begins in an industrial estate in outer Frankfurt in 1989 with a twenty-year-old hip hop head dreaming of being a rockstar, who becomes a doomsday techno prophet instead. From grisly episodic nightmares about the phuture of the planet, Dance or Die plots a dark positive route through the reinforced steel and concrete clubbing institutions of newly reunified Germany to the pre-criminalised outlaw rave movement of the early ’90s, where nosebleed sound systems reclaimed the streets, abandoned buildings and unmanned fields of Britain to party as a mode of resistance and symbol of ultimate freedom, before spiraling in exile through the warehouses and squats of Paris and Amsterdam, and the f*cking hostile wastelands of New York’s outer boroughs.
Examining the intercity axes that developed between crucible spaces and relentlessly touring DJs who sacrificed sleep and sanity for the mission; the youth subcultures that evolved in diehard tangent to the massive gabber movement in the Netherlands, and Number One’s Hardcore Warriors in North Italy; and the autonomous record distribution networks that evolved from stalls set up on the edge of London dancefloors, and from piling into vans to drive across state lines and country borders to sell enough vinyl to fill up the petrol tank, Dance or Die reveals the marrow-deep devotion that defines the global hardcore community to this day.
Riding in convoy behind the artists, promoters and fans who united across gaping sonic and social chasms in their pledge to live for the music or die, this countercultural history of hardcore navigates through the media stigmas, drug overdoses and football violence of the ’90s to the archivists and new generation who resuscitated the culture through the 2010s, whilst addressing the ideological conflict between success and selling out, and the wounding moral panics that have left permanent scars.
Hardcore isn’t for everybody, but everybody is welcome in this enduring phuture rave movement. And once you’re in, you’re in all the way, diehard and dancing to the death. Dance or Die!
“From Rotterdam gabber to Scottish ‘tartan techno’, from the industrial strength beats of Brooklyn to the hedonistic mayhem of UK hardcore, ‘Dance or Die’ explores some of the lesser-documented areas of rave culture with enthusiasm and journalistic vigour, affording them the historical significance they deserve.” Matthew Collin (author of Dream Machines, Rave On and Altered State)
“Holly Dicker‘s definitive chronicle charts the amazing, ridiculous rise of the most outrageous club music in history with a journalist’s eye and a raver’s mania.” Michaelangelo Matos (author of The Underground is Massive)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Format: Book
The story of hardcore begins in an industrial estate in outer Frankfurt in 1989 with a twenty-year-old hip hop head dreaming of being a rockstar, who becomes a doomsday techno prophet instead. From grisly episodic nightmares about the phuture of the planet, Dance or Die plots a dark positive route through the reinforced steel and concrete clubbing institutions of newly reunified Germany to the pre-criminalised outlaw rave movement of the early ’90s, where nosebleed sound systems reclaimed the streets, abandoned buildings and unmanned fields of Britain to party as a mode of resistance and symbol of ultimate freedom, before spiraling in exile through the warehouses and squats of Paris and Amsterdam, and the f*cking hostile wastelands of New York’s outer boroughs.
Examining the intercity axes that developed between crucible spaces and relentlessly touring DJs who sacrificed sleep and sanity for the mission; the youth subcultures that evolved in diehard tangent to the massive gabber movement in the Netherlands, and Number One’s Hardcore Warriors in North Italy; and the autonomous record distribution networks that evolved from stalls set up on the edge of London dancefloors, and from piling into vans to drive across state lines and country borders to sell enough vinyl to fill up the petrol tank, Dance or Die reveals the marrow-deep devotion that defines the global hardcore community to this day.
Riding in convoy behind the artists, promoters and fans who united across gaping sonic and social chasms in their pledge to live for the music or die, this countercultural history of hardcore navigates through the media stigmas, drug overdoses and football violence of the ’90s to the archivists and new generation who resuscitated the culture through the 2010s, whilst addressing the ideological conflict between success and selling out, and the wounding moral panics that have left permanent scars.
Hardcore isn’t for everybody, but everybody is welcome in this enduring phuture rave movement. And once you’re in, you’re in all the way, diehard and dancing to the death. Dance or Die!
“From Rotterdam gabber to Scottish ‘tartan techno’, from the industrial strength beats of Brooklyn to the hedonistic mayhem of UK hardcore, ‘Dance or Die’ explores some of the lesser-documented areas of rave culture with enthusiasm and journalistic vigour, affording them the historical significance they deserve.” Matthew Collin (author of Dream Machines, Rave On and Altered State)
“Holly Dicker‘s definitive chronicle charts the amazing, ridiculous rise of the most outrageous club music in history with a journalist’s eye and a raver’s mania.” Michaelangelo Matos (author of The Underground is Massive)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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ISBN: 978-1-913231-87-3
Format: Paperback Book
For a glorious ten-year period from 1995 to 2005, hip-hop music received a much-needed shot in the arm from a generation of determined and wildly creative rappers and producers. They rallied against the increasingly formulaic and shallow world of mainstream rap, as well as a music industry unwilling to listen.
By releasing music on their own terms as independent artists—many adopting the mantra of being “independent as fuck” as a mission statement—these hungry creatives reclaimed their artistic freedom and wore it as a badge of honour. Most importantly, they also made a lot of excellent hip-hop. What emerged was a vibrant underground music scene that stretched from New York to Los Angeles, with influence reaching across the world.
Independent As F**: Underground Hip-hop from 1995-2005 explores how a generation of rap artists rebelled against the major record labels and made music on their own terms, celebrating individuality and creative freedom. It also traces the history of some of hip-hop’s most respected artists, including MF DOOM, El-P, Mos Def, Kool Keith, and Madlib.
“Ben is an archivist of the highest regard. His Grown Up Rap pushes the myth and mythology aside for real powerful hip hop facts.” Chuck D
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
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Format: Paperback Book
For a glorious ten-year period from 1995 to 2005, hip-hop music received a much-needed shot in the arm from a generation of determined and wildly creative rappers and producers. They rallied against the increasingly formulaic and shallow world of mainstream rap, as well as a music industry unwilling to listen.
By releasing music on their own terms as independent artists—many adopting the mantra of being “independent as fuck” as a mission statement—these hungry creatives reclaimed their artistic freedom and wore it as a badge of honour. Most importantly, they also made a lot of excellent hip-hop. What emerged was a vibrant underground music scene that stretched from New York to Los Angeles, with influence reaching across the world.
Independent As F**: Underground Hip-hop from 1995-2005 explores how a generation of rap artists rebelled against the major record labels and made music on their own terms, celebrating individuality and creative freedom. It also traces the history of some of hip-hop’s most respected artists, including MF DOOM, El-P, Mos Def, Kool Keith, and Madlib.
“Ben is an archivist of the highest regard. His Grown Up Rap pushes the myth and mythology aside for real powerful hip hop facts.” Chuck D
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Label:Velocity Press
Cat-No:VP052
Release-Date:11.04.2025
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ISBN: 978-1-913231-82-8
Format: Paperback Book
They say nothing good happens after midnight, but in the case of creativity, that’s just not so. The night fosters a different kind of creativity: something urgent, spontaneous, carved out of necessity. Tracking the past, present and future of this complex dynamic, Selling The Night explores what happens when after-dark creativity influences wider culture and converges with everything from media, advertising, design and to gaming, fashion, hospitality, alcohol, beauty, tourism and far beyond. Also, as importantly, the implications of brands taking space within dance music as sponsors and supporters.
Author Andy Crysell speaks to DJs, promoters, marketers, academics, activists, archivists, policymakers, photographers, writers and designers. He samples KFC through to Fiorucci, Absolut and Red Bull, and moves from New York disco to the modern global underground.
Selling The Night witnesses how ideas migrate from subculture to influence the creative industries. It searches for lessons in improving the value exchange between dance music and brands, seeking something more symbiotic and less parasitic. All the while, it celebrates what makes after-dark ideas so special – the unique and democratising role they play.
“So much has changed in dance music over the decades. Selling The Night offers a very timely look at the role that brands and culture marketing have played in the past and will play in the future.” Kazim Rashid (Resident Advisor)
“The friction created when youth subcultures meet corporate cultures is long overdue a deconstruction, Selling The Night is necessary reading on how and why there is a transfer of time and money between consumer brands and cultural ecosystems; and what both sectors have to gain and lose through these relationships.” Finlay Johnson (Association For Electronic Music)
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Format: Paperback Book
They say nothing good happens after midnight, but in the case of creativity, that’s just not so. The night fosters a different kind of creativity: something urgent, spontaneous, carved out of necessity. Tracking the past, present and future of this complex dynamic, Selling The Night explores what happens when after-dark creativity influences wider culture and converges with everything from media, advertising, design and to gaming, fashion, hospitality, alcohol, beauty, tourism and far beyond. Also, as importantly, the implications of brands taking space within dance music as sponsors and supporters.
Author Andy Crysell speaks to DJs, promoters, marketers, academics, activists, archivists, policymakers, photographers, writers and designers. He samples KFC through to Fiorucci, Absolut and Red Bull, and moves from New York disco to the modern global underground.
Selling The Night witnesses how ideas migrate from subculture to influence the creative industries. It searches for lessons in improving the value exchange between dance music and brands, seeking something more symbiotic and less parasitic. All the while, it celebrates what makes after-dark ideas so special – the unique and democratising role they play.
“So much has changed in dance music over the decades. Selling The Night offers a very timely look at the role that brands and culture marketing have played in the past and will play in the future.” Kazim Rashid (Resident Advisor)
“The friction created when youth subcultures meet corporate cultures is long overdue a deconstruction, Selling The Night is necessary reading on how and why there is a transfer of time and money between consumer brands and cultural ecosystems; and what both sectors have to gain and lose through these relationships.” Finlay Johnson (Association For Electronic Music)
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Import Magazine
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Label:Velocity Press
Cat-No:VP049
Release-Date:07.03.2025
Genre:Merchandise
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ISBN: 978-1-913231-72-9
Synthesizer Evolution: From Analogue to Digital (and Back) author Oli Freke returns with a new volume in his Synthesizer Evolution A6 zine series. The first two volumes (Vintage Synths and Drum Machines & Samplers) focused on vintage electronic instruments from the 1970s and 1980s. Volume three moves into the 21st century, showcasing a selection of the most interesting, impactful, and—arguably—best synthesizers of the past two decades.
The synths in this book celebrate the vast range of sonic possibilities now available to musicians and producers. From analogue wonders to extraordinary digital creations, from tightly designed monosynths to open-ended polyphonic beasts, each one is more marvellous than the last!
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Synthesizer Evolution: From Analogue to Digital (and Back) author Oli Freke returns with a new volume in his Synthesizer Evolution A6 zine series. The first two volumes (Vintage Synths and Drum Machines & Samplers) focused on vintage electronic instruments from the 1970s and 1980s. Volume three moves into the 21st century, showcasing a selection of the most interesting, impactful, and—arguably—best synthesizers of the past two decades.
The synths in this book celebrate the vast range of sonic possibilities now available to musicians and producers. From analogue wonders to extraordinary digital creations, from tightly designed monosynths to open-ended polyphonic beasts, each one is more marvellous than the last!
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DE - 22113 Hamburg
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Import Magazine
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Label:Velocity Press
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ISBN: 978-1-913231-73-6
Synthesizer Evolution: From Analogue to Digital (and Back) author Oli Freke returns with a new volume in his Synthesizer Evolution A6 zine series. The modular resurgence of the past 25 years has been a wonder to behold. Where musicians were once chained to their DAWs, we are now liberated once again to wire, patch, and modulate in the real world, choosing from a mind-boggling array of options.
Modular Greats celebrates the fusion of art, logic, science, and serendipity in modular synthesis, highlighting some of the best-selling, most creative, and most impactful modules of the 21st century. Featured manufacturers include Make Noise, Mutable Instruments, TipTop Audio, Intellijel, Rossum Electro-Music, Doepfer—and many more!
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Synthesizer Evolution: From Analogue to Digital (and Back) author Oli Freke returns with a new volume in his Synthesizer Evolution A6 zine series. The modular resurgence of the past 25 years has been a wonder to behold. Where musicians were once chained to their DAWs, we are now liberated once again to wire, patch, and modulate in the real world, choosing from a mind-boggling array of options.
Modular Greats celebrates the fusion of art, logic, science, and serendipity in modular synthesis, highlighting some of the best-selling, most creative, and most impactful modules of the 21st century. Featured manufacturers include Make Noise, Mutable Instruments, TipTop Audio, Intellijel, Rossum Electro-Music, Doepfer—and many more!
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Label:Velocity Press
Cat-No:VP047
Release-Date:07.02.2025
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ISBN: 978-1-913231-79-8
Format: Hardback Book
Close The App, Make The Ting is a collection of ideas shared by Elijah that began in July 2021, as the Covid 19 lockdowns were ending in the UK. They started as simple notes questioning what the music and creative scenes would look like after being shut down for 18 months shared regularly on Instagram, then developed into a multimedia project that spanned visual installations, an album with grime MC Jammz, a club night and a lecture series that toured the world.
Close The App, Make The Ting: Transformative Prompts for the Modern Artist brings together the best of the ideas and the projects they inspired. This book is for anyone producing or thinking of producing creative work, that needs something outside of ‘advice’, these are evergreen artistic prompts that will inspire new ways of approaching being an artist in the 2020s.
The book is 25cm x 25 cm, and the 144 pages are printed on premium heavyweight paper.
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Format: Hardback Book
Close The App, Make The Ting is a collection of ideas shared by Elijah that began in July 2021, as the Covid 19 lockdowns were ending in the UK. They started as simple notes questioning what the music and creative scenes would look like after being shut down for 18 months shared regularly on Instagram, then developed into a multimedia project that spanned visual installations, an album with grime MC Jammz, a club night and a lecture series that toured the world.
Close The App, Make The Ting: Transformative Prompts for the Modern Artist brings together the best of the ideas and the projects they inspired. This book is for anyone producing or thinking of producing creative work, that needs something outside of ‘advice’, these are evergreen artistic prompts that will inspire new ways of approaching being an artist in the 2020s.
The book is 25cm x 25 cm, and the 144 pages are printed on premium heavyweight paper.
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Liebigstrasse 2-20
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Label:Velocity Press
Cat-No:VP045
Release-Date:21.10.2024
Genre:HipHop / Beats
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ISBN: 978-1-913231-61-3
David Kane explores the evolution of UK Rap.
Cover art by Trevor Jackson whose own history in UK Rap is something worth exploring.
In July 2019, eleven years after Jay-Z became the first hip-hop artist to headline Glastonbury, Stormzy became the first English rapper to follow suit. Wearing a customised stab-proof vest designed by Banksy, the South London rapper delivered an explosive performance and finished by thanking the “legends for paving the way,” name-checking Wiley, Dizzee Rascal, and Giggs. Despite how unlikely it seemed for decades, UK rap was now firmly a part of pop music and the greater hip-hop canon.
Rich, nuanced, and often misunderstood, the history of UK rap is a story of music that refused to stand still. Factoring in socioeconomics, gender, identity, music industry disruption, and innovation, What Do You Call It? charts the artform’s first four decades, beginning when rap landed on our island in the early 1980s. Shaped by sound system culture, inspired by punk, and accelerated by rave, it has evolved from Britcore, UK hip-hop, and trip-hop of the late twentieth century to garage, grime, and drill.
Through cultural theory, historical research, and original interviews with key figures and collaborators in the UK rap scene, from pioneers like Malcolm McLaren, Soul II Soul, Tricky, Roots Manuva, and Roll Deep to modern artists like Dave, CASISDEAD, Little Simz, Loyle Carner, and Skengdo x AM, adds a rich human dimension to the UK rap story — one that helped change British music and culture forever.
“A long overdue exploration of rap music in the UK and its longstanding – albeit overlooked – legacy and influence. In an era when UK rappers dominate the charts, star in major movies and TV shows and front huge advertising campaigns for multi-national corporations, Kane traces back the arduous journey from maligned sub-culture to celebrated mascot of neoliberal capitalism.” Jehst
“David Kane writes with a deft touch and possesses a disarming and deeply insightful interview style. Sparking life, humour, and sorrow across every page of more than three decades of UK rap history.” Charlie Dark MBE
“Kane builds bridges in a rich musical universe full of heroes and villains—and plot twists. With an inimitable style, he merges culture high and low to bring new meaning to the music. What Do You Call It? is a landmark tome for UK rap music.” Brian DiGenti, Wax Poetics
“A mind rich in ideas” Stanley Ledbetter, The New Yorker
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David Kane explores the evolution of UK Rap.
Cover art by Trevor Jackson whose own history in UK Rap is something worth exploring.
In July 2019, eleven years after Jay-Z became the first hip-hop artist to headline Glastonbury, Stormzy became the first English rapper to follow suit. Wearing a customised stab-proof vest designed by Banksy, the South London rapper delivered an explosive performance and finished by thanking the “legends for paving the way,” name-checking Wiley, Dizzee Rascal, and Giggs. Despite how unlikely it seemed for decades, UK rap was now firmly a part of pop music and the greater hip-hop canon.
Rich, nuanced, and often misunderstood, the history of UK rap is a story of music that refused to stand still. Factoring in socioeconomics, gender, identity, music industry disruption, and innovation, What Do You Call It? charts the artform’s first four decades, beginning when rap landed on our island in the early 1980s. Shaped by sound system culture, inspired by punk, and accelerated by rave, it has evolved from Britcore, UK hip-hop, and trip-hop of the late twentieth century to garage, grime, and drill.
Through cultural theory, historical research, and original interviews with key figures and collaborators in the UK rap scene, from pioneers like Malcolm McLaren, Soul II Soul, Tricky, Roots Manuva, and Roll Deep to modern artists like Dave, CASISDEAD, Little Simz, Loyle Carner, and Skengdo x AM, adds a rich human dimension to the UK rap story — one that helped change British music and culture forever.
“A long overdue exploration of rap music in the UK and its longstanding – albeit overlooked – legacy and influence. In an era when UK rappers dominate the charts, star in major movies and TV shows and front huge advertising campaigns for multi-national corporations, Kane traces back the arduous journey from maligned sub-culture to celebrated mascot of neoliberal capitalism.” Jehst
“David Kane writes with a deft touch and possesses a disarming and deeply insightful interview style. Sparking life, humour, and sorrow across every page of more than three decades of UK rap history.” Charlie Dark MBE
“Kane builds bridges in a rich musical universe full of heroes and villains—and plot twists. With an inimitable style, he merges culture high and low to bring new meaning to the music. What Do You Call It? is a landmark tome for UK rap music.” Brian DiGenti, Wax Poetics
“A mind rich in ideas” Stanley Ledbetter, The New Yorker
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MERCH
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Label:Velocity Press
Cat-No:VP043
Release-Date:13.09.2024
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ISBN: 978-1-913231-67-5
How You Make Me Feel: The Life & Legacy of Marcus Intalex is a tribute to the late, great producer/DJ and a genre-transcending story of passion, creativity and timeless underground music. It has unprecedented insider access to his life and legacy with interviews with Goldie, Calibre, DJ Flight, Doc Scott, Mark XTC and many more. It’s also visually captivating, packed with over 100 rare photos, artwork, and memorabilia.
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How You Make Me Feel: The Life & Legacy of Marcus Intalex is a tribute to the late, great producer/DJ and a genre-transcending story of passion, creativity and timeless underground music. It has unprecedented insider access to his life and legacy with interviews with Goldie, Calibre, DJ Flight, Doc Scott, Mark XTC and many more. It’s also visually captivating, packed with over 100 rare photos, artwork, and memorabilia.
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Liebigstrasse 2-20
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Label:Velocity Press
Cat-No:VP041
Release-Date:06.09.2024
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ISBN: 978-1-913231-66-8
Drumz Of The South: The Dubstep Years (2004-2007) is the first photography book to present the early days of dubstep in detail. It features over 200 photographs by Georgina Cook from events and radio stations such as FWD>> at Plastic People, DMZ and Rinse FM, plus pioneering producers, DJs and MCs like Burial, Skream and Benga, Mala & Coki, Loefah and Sgt Pokes, Plastician, Kode9, Hatcha & Crazy D, Skepta and Wiley.
Originally published in 2021 as a Kickstarter campaign, this second edition features a complete redesign, hardback cover and essays from Blackdown, Charlie Dark MBE, Emma Warren and others. The book is 24cm x 17cm, and the 224 pages are printed on heavyweight paper with a hardback cover.
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Drumz Of The South: The Dubstep Years (2004-2007) is the first photography book to present the early days of dubstep in detail. It features over 200 photographs by Georgina Cook from events and radio stations such as FWD>> at Plastic People, DMZ and Rinse FM, plus pioneering producers, DJs and MCs like Burial, Skream and Benga, Mala & Coki, Loefah and Sgt Pokes, Plastician, Kode9, Hatcha & Crazy D, Skepta and Wiley.
Originally published in 2021 as a Kickstarter campaign, this second edition features a complete redesign, hardback cover and essays from Blackdown, Charlie Dark MBE, Emma Warren and others. The book is 24cm x 17cm, and the 224 pages are printed on heavyweight paper with a hardback cover.
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Label:Velocity Press
Cat-No:VP042
Release-Date:05.07.2024
Genre:Merchandise
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ISBN:9781913231699
The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Techno, Drum & Bass, Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.
House Volume 1 features the likes of Trax, Music For Freaks, Sound Pak, Vulture Music and many more.
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The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Techno, Drum & Bass, Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.
House Volume 1 features the likes of Trax, Music For Freaks, Sound Pak, Vulture Music and many more.
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WAS - Word and Sound Medien GmbH
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Import Magazine
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Label:Velocity Press
Cat-No:VP039
Release-Date:10.05.2024
Genre:Merchandise
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ISBN: 978-1-913231-74-3
1994 was a year of fervent resistance against the encroaching Criminal Justice Act in the UK. Amidst the clamour of dissent, three historic demonstrations echoed through the streets of London, challenging the very fabric of authority and transforming the nature of peaceful protest, forever.
Through the lens of Matt Smith (Exist To Resist), witness the raw energy and unity of the protests that shook the capital. Each image in this zine is a testament to the power of the people, capturing not just moments frozen in time, but the spirit of a generation refusing to accept oppressive legislation.
Pages: 68
Size: A5 (21cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Front cover design: Tom Booth Woodger
Interior design: Jez Tucker
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1994 was a year of fervent resistance against the encroaching Criminal Justice Act in the UK. Amidst the clamour of dissent, three historic demonstrations echoed through the streets of London, challenging the very fabric of authority and transforming the nature of peaceful protest, forever.
Through the lens of Matt Smith (Exist To Resist), witness the raw energy and unity of the protests that shook the capital. Each image in this zine is a testament to the power of the people, capturing not just moments frozen in time, but the spirit of a generation refusing to accept oppressive legislation.
Pages: 68
Size: A5 (21cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Front cover design: Tom Booth Woodger
Interior design: Jez Tucker
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DE - 22113 Hamburg
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Contact: [email protected]More
Import Magazine
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Label:Velocity Press
Cat-No:VP037
Release-Date:10.05.2024
Genre:Merchandise
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ISBN: 978-1-913231-55-2
The Radio Phonics Laboratory by Justin Patrick Moore is the story of how electronic music came to be, told through the lens of the telecommunications scientists and composers who helped give birth to the bleeps and blips that have captured the imagination of musicians and dedicated listeners around the world.
Featuring the likes of Leon Theremin, Hedy Lamarr, Max Matthews, Hal 9000, Robert Moog, Wendy Carlos, Claude Shannon, Halim El-Dabh, Pierre Schaeffer, Pierre Henry, Francois Bayle, Karlheinz Stockhausen, Vladimir Ussachevsky, Milton Babbitt, Daphne Oram, Delia Derbyshire, Edgar Varese & Laurie Spiegel.
Quotes
“From telegraphy to the airwaves, by way of Hedy Lamarr and Doctor Who, listening to Hal 9000 sing to us whilst a Clockwork Orange unravels the past and present, Moore spirits us on an expansive trip across the twentieth century of sonic discovery. The joys of electrical discovery are unravelled page by page.”
Robin Rimbaud aka Scanner
“Embark on an odyssey through the harmonious realms of Justin Patrick Moore’s Radio Phonics Laboratory echoing the resonances of innovation and discovery. Witness the mesmerising fusion of telecommunications and musical evolution as it weaves a sonic tapestry, a testament to the boundless creativity within the electronic realm. A compelling pilgrimage for those attuned to the avant-garde rhythms of technological alchemy.”
Nigel Ayers (Nocturnal Emissions)
“In this captivating exploration of electronic music, Justin Patrick Moore unveils its evolution as guided by telecommunication technology, spotlighting the enigmatic laboratories of early experimenters who shaped the sound of 20th century music. A must-read for electronic musicians & sound artists alike—this book will undoubtedly find a prominent place on their bookshelves.”
Kim Cascone
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The Radio Phonics Laboratory by Justin Patrick Moore is the story of how electronic music came to be, told through the lens of the telecommunications scientists and composers who helped give birth to the bleeps and blips that have captured the imagination of musicians and dedicated listeners around the world.
Featuring the likes of Leon Theremin, Hedy Lamarr, Max Matthews, Hal 9000, Robert Moog, Wendy Carlos, Claude Shannon, Halim El-Dabh, Pierre Schaeffer, Pierre Henry, Francois Bayle, Karlheinz Stockhausen, Vladimir Ussachevsky, Milton Babbitt, Daphne Oram, Delia Derbyshire, Edgar Varese & Laurie Spiegel.
Quotes
“From telegraphy to the airwaves, by way of Hedy Lamarr and Doctor Who, listening to Hal 9000 sing to us whilst a Clockwork Orange unravels the past and present, Moore spirits us on an expansive trip across the twentieth century of sonic discovery. The joys of electrical discovery are unravelled page by page.”
Robin Rimbaud aka Scanner
“Embark on an odyssey through the harmonious realms of Justin Patrick Moore’s Radio Phonics Laboratory echoing the resonances of innovation and discovery. Witness the mesmerising fusion of telecommunications and musical evolution as it weaves a sonic tapestry, a testament to the boundless creativity within the electronic realm. A compelling pilgrimage for those attuned to the avant-garde rhythms of technological alchemy.”
Nigel Ayers (Nocturnal Emissions)
“In this captivating exploration of electronic music, Justin Patrick Moore unveils its evolution as guided by telecommunication technology, spotlighting the enigmatic laboratories of early experimenters who shaped the sound of 20th century music. A must-read for electronic musicians & sound artists alike—this book will undoubtedly find a prominent place on their bookshelves.”
Kim Cascone
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Label:Velocity Press
Cat-No:VP030
Release-Date:05.04.2024
Genre:Merchandise
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ISBN: 978-1-913231-52-1
Format: Paperback Book
From the cacophonous surrounds of London to the sea stacks of Orkney, via the abandoned military facilities of the Suffolk coast and the watery expanses of the Blackwater Estuary in Essex, from the quarries and neolithic sites of Snowdonia and the wide open skies of Norfolk to the hubbub of Nairobi and Berlin, the streets of Kyiv and the windblown wilds of Antarctica – music is everywhere. You just need to know or learn how to listen.
Ears To The Ground: Adventures in Field Recording and Electronic Music explores how electronic music producers and sound artists use field recordings and samples to document their environments. Author Ben Murphy takes you on a journey to discover how field recordings can create context, emotion, atmosphere, humour and meaning – and examine the most pressing topics of our times.
Composed of extensive interviews with music producers, the book will show how field recordings have become a vital way of understanding, celebrating and interrogating the landscape and the places we live. The book features interviews with Leafcutter John, KMRU, Ultramarine, Kate Carr, Erland Cooper, Proc Fiskal, Flora Yin-Wong, Langham Research Centre, Claire Guerin, Toshiya Tsunoda, Lawrence English, Heinali, Oliver Ho, Matthew Herbert, Matmos, Scanner, Felicia Atkinson and many more.
On its journey, the book takes in abandoned military test sites, remote bird colonies, estuaries, cities, coastlines, old quarries, neolithic burial grounds, scientific research centres and docklands, and ventures between Orkney, Edinburgh and Cork to Norfolk, Kent and Snowdonia, before heading to Kenya, Ukraine, Japan and Antarctica
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Format: Paperback Book
From the cacophonous surrounds of London to the sea stacks of Orkney, via the abandoned military facilities of the Suffolk coast and the watery expanses of the Blackwater Estuary in Essex, from the quarries and neolithic sites of Snowdonia and the wide open skies of Norfolk to the hubbub of Nairobi and Berlin, the streets of Kyiv and the windblown wilds of Antarctica – music is everywhere. You just need to know or learn how to listen.
Ears To The Ground: Adventures in Field Recording and Electronic Music explores how electronic music producers and sound artists use field recordings and samples to document their environments. Author Ben Murphy takes you on a journey to discover how field recordings can create context, emotion, atmosphere, humour and meaning – and examine the most pressing topics of our times.
Composed of extensive interviews with music producers, the book will show how field recordings have become a vital way of understanding, celebrating and interrogating the landscape and the places we live. The book features interviews with Leafcutter John, KMRU, Ultramarine, Kate Carr, Erland Cooper, Proc Fiskal, Flora Yin-Wong, Langham Research Centre, Claire Guerin, Toshiya Tsunoda, Lawrence English, Heinali, Oliver Ho, Matthew Herbert, Matmos, Scanner, Felicia Atkinson and many more.
On its journey, the book takes in abandoned military test sites, remote bird colonies, estuaries, cities, coastlines, old quarries, neolithic burial grounds, scientific research centres and docklands, and ventures between Orkney, Edinburgh and Cork to Norfolk, Kent and Snowdonia, before heading to Kenya, Ukraine, Japan and Antarctica
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Import Magazine
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Label:Velocity Press
Cat-No:VP035
Release-Date:16.02.2024
Genre:Merchandise
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ISBN: 978-1-913231-50-7
Format: Paperback Book
Having failed at rapping, what’s next for an endlessly passionate rap nerd? In this sequel to the acclaimed memoir Wiggaz With Attitude, it turns out what’s next is a sometimes controversial career in rap journalism.
Write Lines: Adventures in Rap Journalism tells the tale of hip-hop writing from the inside. From death threats to interviewing Lauryn Hill while she’s in the shower. From calling Jay-Z a c*** to his face, to letting a notorious rapper sleep in his bath, it’s a hilarious, anecdote-studded tale that takes in hip-hop's first-ever magazine and lifts the lid on rivalries, squabbles and how music journalism really works.
Brutally honest, and endlessly opinionated, this story is also a love letter to hip-hop as it changed seismically through the decades. Write Lines charts those changes from the front line through encounters with many of the greats of rap: Chuck D, Missy Elliott, RZA, Eminem, Jazzy Jeff and Gang Starr among them. This is an unfiltered tale of hip-hop that is both heartfelt and scabrously funny.
“With its relatable take on growing up in the 80s, Andrew Emery’s Wiggaz With Attitude marked his card as a vivid memoirist. He might have failed as a wannabe rapper, but the music he loved gained multitudes from his work for Hip-Hop Connection. A pivotal force in the magazine’s 90s/00s heyday, never short of a telling opinion or four, Andrew set a high bar for its other writers to reach. Write Lines is a transportive account of his many travails in that murky world. Packed with eye-watering encounters and witty asides, his compulsive, self-deprecating and brutally honest reflections will resonate widely and change perspectives on rap journalism forever.” - Andy Cowan, HHC Editor & Publisher, author of B-Side: A Flipsided History of Pop.
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format: Paperback Book
Having failed at rapping, what’s next for an endlessly passionate rap nerd? In this sequel to the acclaimed memoir Wiggaz With Attitude, it turns out what’s next is a sometimes controversial career in rap journalism.
Write Lines: Adventures in Rap Journalism tells the tale of hip-hop writing from the inside. From death threats to interviewing Lauryn Hill while she’s in the shower. From calling Jay-Z a c*** to his face, to letting a notorious rapper sleep in his bath, it’s a hilarious, anecdote-studded tale that takes in hip-hop's first-ever magazine and lifts the lid on rivalries, squabbles and how music journalism really works.
Brutally honest, and endlessly opinionated, this story is also a love letter to hip-hop as it changed seismically through the decades. Write Lines charts those changes from the front line through encounters with many of the greats of rap: Chuck D, Missy Elliott, RZA, Eminem, Jazzy Jeff and Gang Starr among them. This is an unfiltered tale of hip-hop that is both heartfelt and scabrously funny.
“With its relatable take on growing up in the 80s, Andrew Emery’s Wiggaz With Attitude marked his card as a vivid memoirist. He might have failed as a wannabe rapper, but the music he loved gained multitudes from his work for Hip-Hop Connection. A pivotal force in the magazine’s 90s/00s heyday, never short of a telling opinion or four, Andrew set a high bar for its other writers to reach. Write Lines is a transportive account of his many travails in that murky world. Packed with eye-watering encounters and witty asides, his compulsive, self-deprecating and brutally honest reflections will resonate widely and change perspectives on rap journalism forever.” - Andy Cowan, HHC Editor & Publisher, author of B-Side: A Flipsided History of Pop.
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Import Magazine
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Label:Velocity Press
Cat-No:VP034
Release-Date:26.01.2024
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Format: Paperback Book
ISBN: 978-1-913231-48-4
Let the Music Play: How R&B Fell in Love with 80s Synths is the overlooked story of how R&B, disco and funk were transformed by the explosion of music tech in the era of ghetto blasters and Ronald Reagan. It traces how pioneers like Stevie Wonder and Herbie Hancock inspired a new generation of black musicians and producers to reinvent music with a whole new set of rules.
From superstars like Prince and Sade to production geniuses like Kashif and Jam & Lewis, it tells the fascinating stories of the artists involved and how they made some of the best-loved records of the era – creating a blueprint for music today.
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ISBN: 978-1-913231-48-4
Let the Music Play: How R&B Fell in Love with 80s Synths is the overlooked story of how R&B, disco and funk were transformed by the explosion of music tech in the era of ghetto blasters and Ronald Reagan. It traces how pioneers like Stevie Wonder and Herbie Hancock inspired a new generation of black musicians and producers to reinvent music with a whole new set of rules.
From superstars like Prince and Sade to production geniuses like Kashif and Jam & Lewis, it tells the fascinating stories of the artists involved and how they made some of the best-loved records of the era – creating a blueprint for music today.
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DE - 22113 Hamburg
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Label:Velocity Press
Cat-No:VP031
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Format: Hardback Book, 27.2cm x 29.4cm
ISBN: 978-1-913231-44-6
Egostrip Book 1 is a beautifully designed collection of Dan Lish’s stunning character illustrations from the world of hip hop and beyond. There are 138 illustrations of pioneering artists from hip hop’s golden era, such as De La Soul, Madlib, DJ Premier, Mobb Deep, Nas, Cypress Hill, J.Period, J Dilla, Kool Keith, MF DOOM, The Roots, Biggie Smalls, A Tribe Called Quest, Biz Markie and The Beastie Boys.
The book is 27.2cm x 29.4cm, and the 160 pages are printed and bound on heavyweight 130gsm paper with a hardback cover. It’s also available as a limited edition 20cm square art print (see left for design).
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ISBN: 978-1-913231-44-6
Egostrip Book 1 is a beautifully designed collection of Dan Lish’s stunning character illustrations from the world of hip hop and beyond. There are 138 illustrations of pioneering artists from hip hop’s golden era, such as De La Soul, Madlib, DJ Premier, Mobb Deep, Nas, Cypress Hill, J.Period, J Dilla, Kool Keith, MF DOOM, The Roots, Biggie Smalls, A Tribe Called Quest, Biz Markie and The Beastie Boys.
The book is 27.2cm x 29.4cm, and the 160 pages are printed and bound on heavyweight 130gsm paper with a hardback cover. It’s also available as a limited edition 20cm square art print (see left for design).
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DE - 22113 Hamburg
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Cat-No:ISA1001
Release-Date:26.04.2024
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1
Anushka Chkheidze - A1 Rooftop Machines
2
Anushka Chkheidze - A2 Clean Clear White
3
Anushka Chkheidze - A3 4056
4
Anushka Chkheidze - A4 Underground
5
Anushka Chkheidze - B1 Stairs
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Anushka Chkheidze - B2 14th Floor
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Anushka Chkheidze - B3 NMR
8
Anushka Chkheidze - B4 Through The Window
LP
Special remarks:
180g
Tracklist LP:
A1 Rooftop Machines
A2 Clean Clear White
A3 4056
A4 Underground
B1 Stairs
B2 14th Floor
B3 NMR
B4 Through The Window
Having flown in from Tbilisi, Anushka Chkheidze found herself completely alone inside the empty and as yet unoccupied University of Basel's Biozentrum: just her, a piano, and the surrounding spaces. Over a two-week period the young Georgian musician and composer was able to explore the building, designed by Ilg Santer architects, with the piano, microphones, a mixing deck, a computer, and her voice. She also assembled a small choir from the Schola Cantorum Basiliensis music academy in Basel, who performed in an auditorium in the basement.
Anushka used her field recordings and compositional ideas from her on-site sessions to create the music for this album in the studio in Tbilisi, Georgia. The eight tracks are an acoustic and associative journey through the Biozentrum with a nonvisual form of perception: she encountered eight very different places in the building, and the spatial acoustics and nonvisible interior spaces all play their part.
'Clean Clear White' was mixed by Taylor Deupree (Pound Ridge, New York), mastered by Christoph Stickel (Vienna), cut by Sidney Claire Meyer at Emil Berliner Studios (Berlin), and pressed on 180 gram black vinyl by Optimal Media (Röbel/Müritz) with love and care to audiophile standards.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Special remarks:
180g
Tracklist LP:
A1 Rooftop Machines
A2 Clean Clear White
A3 4056
A4 Underground
B1 Stairs
B2 14th Floor
B3 NMR
B4 Through The Window
Having flown in from Tbilisi, Anushka Chkheidze found herself completely alone inside the empty and as yet unoccupied University of Basel's Biozentrum: just her, a piano, and the surrounding spaces. Over a two-week period the young Georgian musician and composer was able to explore the building, designed by Ilg Santer architects, with the piano, microphones, a mixing deck, a computer, and her voice. She also assembled a small choir from the Schola Cantorum Basiliensis music academy in Basel, who performed in an auditorium in the basement.
Anushka used her field recordings and compositional ideas from her on-site sessions to create the music for this album in the studio in Tbilisi, Georgia. The eight tracks are an acoustic and associative journey through the Biozentrum with a nonvisual form of perception: she encountered eight very different places in the building, and the spatial acoustics and nonvisible interior spaces all play their part.
'Clean Clear White' was mixed by Taylor Deupree (Pound Ridge, New York), mastered by Christoph Stickel (Vienna), cut by Sidney Claire Meyer at Emil Berliner Studios (Berlin), and pressed on 180 gram black vinyl by Optimal Media (Röbel/Müritz) with love and care to audiophile standards.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP Excl
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Label:Tbilisi Records
Cat-No:TBIL001
Release-Date:26.01.2024
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1
Aleksandre Kiladze's Jazz Choral - A1 - Morning Of Happiness - 03:23
2
Aleksandre Kiladze's Jazz Choral - A2 - Borjomi Valley - 02:50
3
Aleksandre Kiladze's Jazz Choral - A3 - Rainbow Of Dreams - 02:42
4
Aleksandre Kiladze's Jazz Choral - A4 - April In Tbilisi - 05:26
5
Aleksandre Kiladze's Jazz Choral - A5 - Tuxedo Junction - 02:39
6
Aleksandre Kiladze's Jazz Choral - B1 - Hymn To The Sun - 02:26
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Aleksandre Kiladze's Jazz Choral - B2 - My Heart - 05:01
8
Aleksandre Kiladze's Jazz Choral - B3 - Gurian - 02:14
9
Aleksandre Kiladze's Jazz Choral - B4 - Singing To Love - 03:19
10
Aleksandre Kiladze's Jazz Choral - B5 - Autumn Mood - 03:28
LP
One of the rarest Georgian [Soviet] releases ever
Previously unreleased song "Borjomi Valley"
New Georgian Reissue label TBILISI Records from Vodkast
GENRE/S:
Jazz, Vocal, Choral
TRACKLISTS:
A1 - Morning Of Happiness - 03:23
(Music: A. Kiladze; Lyrics: L. Beradze)
A2 - Borjomi Valley - 02:50
(Music: G. Bzvaneli; Lyrics: D. Kvitsaridze)
A3 - Rainbow Of Dreams - 02:42
(Music: A. Kiladze; Lyrics: L. Beradze)
A4 - April In Tbilisi - 05:26
(Music: A. Kiladze)
A5 - Tuxedo Junction - 02:39
(Music: E. Hawkins, B. Johnson, J. Dash; Lyrics: B. Feyne)
B1 - Hymn To The Sun - 02:26
(Music: A. Kiladze; Lyrics: V. Gogashvili)
B2 - My Heart - 05:01
(Music: G. Tsabadze; Lyrics: D. Kvitsaridze)
B3 - Gurian - 02:14
(Music: A. Kiladze)
B4 - Singing To Love - 03:19
(Music: A. Kiladze; Lyrics: I. Grishashvili)
B5 - Autumn Mood - 03:28
(Music: N. Qaadze; Lyrics: M. Kitia)
SHORT INFO:
As its maiden release, Tbilisi Records presents the recordings by one of the essential Georgian jazz formations of the 1980s. Alexandre Kiladze's Jazz Choral, formed in 1985, featured an impressive lineup of 11 vocalists complemented by a full band. Alongside standards, the ensemble's material contained many outstanding, stylistically versatile originals lushly arranged into the layered vocal harmonies juxtaposed against the band's tuneful, dynamic play. The polyphony Jazz Choral displays draws equally from Georgian folklore and vocal jazz band tradition. This singular fusion of these two culturally distinct elements creates a remarkable listening experience often emulated by newer Georgian jazz formations thereafter.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
One of the rarest Georgian [Soviet] releases ever
Previously unreleased song "Borjomi Valley"
New Georgian Reissue label TBILISI Records from Vodkast
GENRE/S:
Jazz, Vocal, Choral
TRACKLISTS:
A1 - Morning Of Happiness - 03:23
(Music: A. Kiladze; Lyrics: L. Beradze)
A2 - Borjomi Valley - 02:50
(Music: G. Bzvaneli; Lyrics: D. Kvitsaridze)
A3 - Rainbow Of Dreams - 02:42
(Music: A. Kiladze; Lyrics: L. Beradze)
A4 - April In Tbilisi - 05:26
(Music: A. Kiladze)
A5 - Tuxedo Junction - 02:39
(Music: E. Hawkins, B. Johnson, J. Dash; Lyrics: B. Feyne)
B1 - Hymn To The Sun - 02:26
(Music: A. Kiladze; Lyrics: V. Gogashvili)
B2 - My Heart - 05:01
(Music: G. Tsabadze; Lyrics: D. Kvitsaridze)
B3 - Gurian - 02:14
(Music: A. Kiladze)
B4 - Singing To Love - 03:19
(Music: A. Kiladze; Lyrics: I. Grishashvili)
B5 - Autumn Mood - 03:28
(Music: N. Qaadze; Lyrics: M. Kitia)
SHORT INFO:
As its maiden release, Tbilisi Records presents the recordings by one of the essential Georgian jazz formations of the 1980s. Alexandre Kiladze's Jazz Choral, formed in 1985, featured an impressive lineup of 11 vocalists complemented by a full band. Alongside standards, the ensemble's material contained many outstanding, stylistically versatile originals lushly arranged into the layered vocal harmonies juxtaposed against the band's tuneful, dynamic play. The polyphony Jazz Choral displays draws equally from Georgian folklore and vocal jazz band tradition. This singular fusion of these two culturally distinct elements creates a remarkable listening experience often emulated by newer Georgian jazz formations thereafter.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:arma
Cat-No:arma026
Release-Date:03.05.2024
Configuration:12" Excl
Barcode:
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1
COTENIUS X - A1. Cotenius X - Intro
2
COTENIUS X - A2. Cotenius X - Oceans in Flames
3
COTENIUS X - A3. Cotenius X - Burunduk
4
COTENIUS X - B1. Cotenius X - Plastic Bag (feat. Sergey Letov)
5
COTENIUS X - B2. Cotenius X - Fukushima Tuna (feat. Sergey Letov)
6
COTENIUS X - B3. Cotenius X - Melting Po
7
COTENIUS X - B4. Cotenius X - Udarnitsy
GENRE/S: Experimental Folk
TRACKLISTS:
A1. Cotenius X - Intro
A2. Cotenius X - Oceans in Flames
A3. Cotenius X - Burunduk
B1. Cotenius X - Plastic Bag (feat. Sergey Letov)
B2. Cotenius X - Fukushima Tuna (feat. Sergey Letov)
B3. Cotenius X - Melting Pot
B4. Cotenius X - Udarnitsy
SHORT INFO:
Cotenius X is an exploratory improvisational project of the Ukrainian sound artist Daria Redkina and the
Russian experimental vocalist Varya Pavlova aka Lisokot. Improvising together since 2017 they
incorporate folk, electronic and musique concrète elements into their spontaneous compositions. “Plastic
Bag” is a testament to collaboration - an archival reflection of the time the duo spent experimenting
together. Their theatrical performances involve impersonation or adoption of different characters and are
informed by social, political, historical, and site-specific narratives. The duo has been compared to The
Residents and see themselves carrying the psychedelic absurdity of the US group forward by giving it a
feminine twist.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLISTS:
A1. Cotenius X - Intro
A2. Cotenius X - Oceans in Flames
A3. Cotenius X - Burunduk
B1. Cotenius X - Plastic Bag (feat. Sergey Letov)
B2. Cotenius X - Fukushima Tuna (feat. Sergey Letov)
B3. Cotenius X - Melting Pot
B4. Cotenius X - Udarnitsy
SHORT INFO:
Cotenius X is an exploratory improvisational project of the Ukrainian sound artist Daria Redkina and the
Russian experimental vocalist Varya Pavlova aka Lisokot. Improvising together since 2017 they
incorporate folk, electronic and musique concrète elements into their spontaneous compositions. “Plastic
Bag” is a testament to collaboration - an archival reflection of the time the duo spent experimenting
together. Their theatrical performances involve impersonation or adoption of different characters and are
informed by social, political, historical, and site-specific narratives. The duo has been compared to The
Residents and see themselves carrying the psychedelic absurdity of the US group forward by giving it a
feminine twist.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Heist Recordings
Cat-No:heist082
Release-Date:19.04.2024
Genre:House
Configuration:12" Excl
Barcode:4251804144827
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Last in:14.03.2024
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Label:Heist Recordings
Cat-No:heist082
Release-Date:19.04.2024
Genre:House
Configuration:12" Excl
Barcode:4251804144827
1
Fouk - Mirage
2
Fouk - Coffee
3
Fouk - Tapioca
4
Fouk - Mirage (Elisa Bee Remix)
5
Fouk - Abalone
Format : Vinyl 12” (180 gr., Limited Full Cover)
Track list:
A1 Mirage
A2 Coffee
B1 Tapioca
B2 Mirage (Elisa Bee Remix)
B3 Abalone
Release Info:
Label mainstays Fouk just dropped the perfect dancefloor Bomb with ‘Mirage’ paired with a high-octane Elisa Bee remix
We all know Dutch duo Fouk from their soulful, bouncy take on house music. They’re also responsible for some of Heist’s biggest tracks like Kill Frenzy or their Lil Louis inspired 2021 release ‘Blue Steel’. On their new EP, the talented duo shows us a fresh side of their sound: the main-room hands-in-the-air-going-wild side. To top things off, Italian producer Elisa Bee made time in her busy schedule of DJ’ing and releasing for artists like Ben Sims on his Hardgroove imprint and Unknown to the Unknown to deliver a killer remix of the title track.
Fouk’s return to Heist after 3 years is a welcome one and with ‘Mirage’, they might just have given us their biggest house track in their decade spanning career. The track is built around a stuttering synth loop and a seductive female vocal chanting ‘What made you wanna…” The real star here is the bassline, which propels the track into a seriously infectious groove. Add some lush strings and moody changeovers and you’ve got yourself a full-blown dancefloor weapon. Mirage has been a staple in Dam Swindle’s sets for the past months and has been one of their set highlights ever since.
“Coffee” is one for the classic Fouk fans. It’s got lovely Rhodes, a joyous combination of whoo’s, snare-rolls and synth hits grooving on top of an infectious orchestral background loop. “Tapioca” is a hybrid latin-electronic groove that builds on punchy synths, live percussion and drunk keys to balance the energy of the track.
Elisa Bee’s remix of ‘Mirage’ is an intense percussive workout that builds on a breakbeat loop and a rave-bassline. The tempo is turned up a notch or 2 and that stutter synth and vocal of the original make this remix a wild warehouse affair.
Closing track of the EP is ‘Abalone’; A lovely bleep-house affair that still has a bit of that warehouse vibe. It’s got the perfect amount of distortion the drums while keeping things dreamy with some face-melting pads throughout the track.
As always, enjoy the music and play it loud!
Lars & Maarten
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Track list:
A1 Mirage
A2 Coffee
B1 Tapioca
B2 Mirage (Elisa Bee Remix)
B3 Abalone
Release Info:
Label mainstays Fouk just dropped the perfect dancefloor Bomb with ‘Mirage’ paired with a high-octane Elisa Bee remix
We all know Dutch duo Fouk from their soulful, bouncy take on house music. They’re also responsible for some of Heist’s biggest tracks like Kill Frenzy or their Lil Louis inspired 2021 release ‘Blue Steel’. On their new EP, the talented duo shows us a fresh side of their sound: the main-room hands-in-the-air-going-wild side. To top things off, Italian producer Elisa Bee made time in her busy schedule of DJ’ing and releasing for artists like Ben Sims on his Hardgroove imprint and Unknown to the Unknown to deliver a killer remix of the title track.
Fouk’s return to Heist after 3 years is a welcome one and with ‘Mirage’, they might just have given us their biggest house track in their decade spanning career. The track is built around a stuttering synth loop and a seductive female vocal chanting ‘What made you wanna…” The real star here is the bassline, which propels the track into a seriously infectious groove. Add some lush strings and moody changeovers and you’ve got yourself a full-blown dancefloor weapon. Mirage has been a staple in Dam Swindle’s sets for the past months and has been one of their set highlights ever since.
“Coffee” is one for the classic Fouk fans. It’s got lovely Rhodes, a joyous combination of whoo’s, snare-rolls and synth hits grooving on top of an infectious orchestral background loop. “Tapioca” is a hybrid latin-electronic groove that builds on punchy synths, live percussion and drunk keys to balance the energy of the track.
Elisa Bee’s remix of ‘Mirage’ is an intense percussive workout that builds on a breakbeat loop and a rave-bassline. The tempo is turned up a notch or 2 and that stutter synth and vocal of the original make this remix a wild warehouse affair.
Closing track of the EP is ‘Abalone’; A lovely bleep-house affair that still has a bit of that warehouse vibe. It’s got the perfect amount of distortion the drums while keeping things dreamy with some face-melting pads throughout the track.
As always, enjoy the music and play it loud!
Lars & Maarten
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Liebigstrasse 2-20
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Germany
Contact: [email protected]More
Label:Dirt Crew Recordings
Cat-No:DIRT151
Release-Date:10.05.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804181518
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Label:Dirt Crew Recordings
Cat-No:DIRT151
Release-Date:10.05.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804181518
1
Ben La Desh - Heel Goed
2
Ben La Desh - Lift Adrift
3
Ben La Desh - Fine Rise
4
Ben La Desh - Asanti
5
Ben La Desh - Expanding Signal
Genre: Deep House
Track list:
A1 Heel Goed
A2 Lift Adrift
B1 Fine Rise
B2 Asanti
B3 Expanding Signal
Release Info:
Our 20th celebration year continues with a very special comeback! It’s exactly ten years now since the last Ben La Desh release on our label, his sublime “Stellar Talk EP” hit big waves and together with the “Midnight Rendez-Vous EP” from 2012 he cemented himself in the lo-fi deep space house scene as an artist to look out for, no one produced deep house like he did back then. After a longer break from releasing music he is back and we think stronger as ever, with analogue gear and well curated sampling and live field recording we present you his “Fine Rise EP”.
The opener “Heel Goed” is an amazing track with that distinctive 909 beat and DX bass driven “La Desh” flavour and a truly wonderful vocal sample from a 90s TV commercial, hilariously funny and brilliant at the same time! We can’t wait to see the faces of people, especially on the Dutch dancefloors, when they try to figure out and discover what the ladies are talking about! Second A side track is the super funky “Lift Adrift” that flanges itself to outer space, etherical with chopped break beats and various percussive and rhythmic Pearl Syncussion layers running through effect pedals, Lift Adrift!
On the other side we start out with the deep title track “Fine Rise”. Here Ben treats us again to his trademark spaced out effects driven sound and on top a killer bass line and synth lead melody, reminiscent of the golden age of (good) trance music. Followed by the break beat gem that is “Asanti”, cautiously cut up breaks and layered machine drums with bubbly Syncussion sounds, rain drops falling down on different surfaces recorded in a garden in the French Drôme and processed African Kalimba. Did we already say Etherical? It is!
Closing out this great new record is the ambient piece “Expanding Signal”, an analogue tune that consists of field recordings and deep dubby chords, a building Juno pulse, swooshes and again a profound DX bassline, think of “Sun Electric” or “The Orb”.
Enjoy this one and play it loud on the dance floors or silently in your bedroom, it works everywhere as far as we are concerned!
All tracks mastered by Salz Mastering in Cologne. Photography & Art by Break 3000.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Track list:
A1 Heel Goed
A2 Lift Adrift
B1 Fine Rise
B2 Asanti
B3 Expanding Signal
Release Info:
Our 20th celebration year continues with a very special comeback! It’s exactly ten years now since the last Ben La Desh release on our label, his sublime “Stellar Talk EP” hit big waves and together with the “Midnight Rendez-Vous EP” from 2012 he cemented himself in the lo-fi deep space house scene as an artist to look out for, no one produced deep house like he did back then. After a longer break from releasing music he is back and we think stronger as ever, with analogue gear and well curated sampling and live field recording we present you his “Fine Rise EP”.
The opener “Heel Goed” is an amazing track with that distinctive 909 beat and DX bass driven “La Desh” flavour and a truly wonderful vocal sample from a 90s TV commercial, hilariously funny and brilliant at the same time! We can’t wait to see the faces of people, especially on the Dutch dancefloors, when they try to figure out and discover what the ladies are talking about! Second A side track is the super funky “Lift Adrift” that flanges itself to outer space, etherical with chopped break beats and various percussive and rhythmic Pearl Syncussion layers running through effect pedals, Lift Adrift!
On the other side we start out with the deep title track “Fine Rise”. Here Ben treats us again to his trademark spaced out effects driven sound and on top a killer bass line and synth lead melody, reminiscent of the golden age of (good) trance music. Followed by the break beat gem that is “Asanti”, cautiously cut up breaks and layered machine drums with bubbly Syncussion sounds, rain drops falling down on different surfaces recorded in a garden in the French Drôme and processed African Kalimba. Did we already say Etherical? It is!
Closing out this great new record is the ambient piece “Expanding Signal”, an analogue tune that consists of field recordings and deep dubby chords, a building Juno pulse, swooshes and again a profound DX bassline, think of “Sun Electric” or “The Orb”.
Enjoy this one and play it loud on the dance floors or silently in your bedroom, it works everywhere as far as we are concerned!
All tracks mastered by Salz Mastering in Cologne. Photography & Art by Break 3000.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:die orakel
Cat-No:orkl15
Release-Date:14.08.2020
Genre:House
Configuration:12" Excl
Barcode:4251804121033
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Label:die orakel
Cat-No:orkl15
Release-Date:14.08.2020
Genre:House
Configuration:12" Excl
Barcode:4251804121033
1
Gacha Bakradze - A1: Constant
2
Gacha Bakradze - A2: Big Cabin
3
Gacha Bakradze - A3: Western Arrogance
4
Gacha Bakradze - B: Inside
Tracklist:
A1: Constant
A2: Big Cabin
A3: Western Arrogance
B: Inside
Release Info:
Tbilisi-based artist Gacha Bakradze creates cinematic soundscapes on his Die Orakel debut entitled 'Western Arrogance' – a genre-transcending exploration of electro, breakbeats, trance and IDM.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1: Constant
A2: Big Cabin
A3: Western Arrogance
B: Inside
Release Info:
Tbilisi-based artist Gacha Bakradze creates cinematic soundscapes on his Die Orakel debut entitled 'Western Arrogance' – a genre-transcending exploration of electro, breakbeats, trance and IDM.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Toy Tonics
Cat-No:TOYT161
Release-Date:05.04.2024
Genre:House
Configuration:12" Excl
Barcode:0880655516114
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Label:Toy Tonics
Cat-No:TOYT161
Release-Date:05.04.2024
Genre:House
Configuration:12" Excl
Barcode:0880655516114
1
Kapote - The Party (Extended Version)
2
Kapote - The See Me (Extended Version)
3
Kapote - The Come On (Extended Version)
4
Kapote - The Slide
Tracklist 12":
A1) The Party (Extended Version)
A2) The See Me (Extended Version)
B1) The Come On (Extended Version)
B2) The Slide
A new Toy Tonics EP! By label boss Kapote!
4 tracks for the dancefloor inspired by Italo Disco, New Wave Funk and NYC 90ies House. A perfect sound for the new Y2K vibes on 2024 dancefloors.
A new Kapote release is a rare thing. Although he is a musician and producer in the first place he rarely releases music. Why? Because the last years he was busy djing every weekend around the world (as a regular at clubs like Berlin’s Panorama Bar and London’s Phonox but also Festivals like Melt or Kala) and creating the Toy Tonics madness with his label friends. The Berlin based label that is the home base for 15 international artists (Cody Currie, Coeo, Gee Lane, Athlete Whippet, Baby‘s Berserk, Stump Valley…) became THE brand for a colorful and diverse, innovative and ‘organic’ funk oriented post - digital dance music.
Kapote and his friends release music that connects analogue and band vibes with digital production in a very fresh and unique way. Influenced by European underground disco and American house as well as afro beats, new wave and soulful Electronica.
But he and his label also have achieved a great reputation for working with some of the hottest names in Berlin graphic design and art to release the limited edition Toy Tonics Shirts, the label own TT Pocket Poster Magazine, posters and organizing exhibitions and visual shows.
Kapote aka Mathias Modica was and his 3 members TT krew were busy building all this.
Including also the Toy Tonics Jams. The label parties that started in an illegal venue in Berlin 2020 and exploded in 2023. With more than 120 TT events all over Europe. Where the label represents his very own vison of sound, vibe and style. Kapote organized all this with his krew. And it looks like 2024 will be even busier. With Toy Tonics Events at clubs but also museums (Palais de Tokio/ Paris, Milano Design Festjval) or Kapote & Toy Tonics Crew playing with Kaytranada and Peggy Gou at Sonar Festival.
In case you missed the last production works of Kapote check out his album ‘What it is’. Originally relased 2019. Re-released with new songs 2023. Or some of the 5 EPs he did on Toy Tonics in the last 8 years.
In case you don’t know his work under the name of Munk on his former label Gomma records (RIP) check it out. Kapote aka Munk co- produced the first 2 albums of Danish band WhoMadeWho, NYC art freak The Rammellzee, disco albums for Peaches and Nancy Whang of LCD Soundsystem, singles with DJ Chloe and many others.
(Words by Clara de Vernies)
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1) The Party (Extended Version)
A2) The See Me (Extended Version)
B1) The Come On (Extended Version)
B2) The Slide
A new Toy Tonics EP! By label boss Kapote!
4 tracks for the dancefloor inspired by Italo Disco, New Wave Funk and NYC 90ies House. A perfect sound for the new Y2K vibes on 2024 dancefloors.
A new Kapote release is a rare thing. Although he is a musician and producer in the first place he rarely releases music. Why? Because the last years he was busy djing every weekend around the world (as a regular at clubs like Berlin’s Panorama Bar and London’s Phonox but also Festivals like Melt or Kala) and creating the Toy Tonics madness with his label friends. The Berlin based label that is the home base for 15 international artists (Cody Currie, Coeo, Gee Lane, Athlete Whippet, Baby‘s Berserk, Stump Valley…) became THE brand for a colorful and diverse, innovative and ‘organic’ funk oriented post - digital dance music.
Kapote and his friends release music that connects analogue and band vibes with digital production in a very fresh and unique way. Influenced by European underground disco and American house as well as afro beats, new wave and soulful Electronica.
But he and his label also have achieved a great reputation for working with some of the hottest names in Berlin graphic design and art to release the limited edition Toy Tonics Shirts, the label own TT Pocket Poster Magazine, posters and organizing exhibitions and visual shows.
Kapote aka Mathias Modica was and his 3 members TT krew were busy building all this.
Including also the Toy Tonics Jams. The label parties that started in an illegal venue in Berlin 2020 and exploded in 2023. With more than 120 TT events all over Europe. Where the label represents his very own vison of sound, vibe and style. Kapote organized all this with his krew. And it looks like 2024 will be even busier. With Toy Tonics Events at clubs but also museums (Palais de Tokio/ Paris, Milano Design Festjval) or Kapote & Toy Tonics Crew playing with Kaytranada and Peggy Gou at Sonar Festival.
In case you missed the last production works of Kapote check out his album ‘What it is’. Originally relased 2019. Re-released with new songs 2023. Or some of the 5 EPs he did on Toy Tonics in the last 8 years.
In case you don’t know his work under the name of Munk on his former label Gomma records (RIP) check it out. Kapote aka Munk co- produced the first 2 albums of Danish band WhoMadeWho, NYC art freak The Rammellzee, disco albums for Peaches and Nancy Whang of LCD Soundsystem, singles with DJ Chloe and many others.
(Words by Clara de Vernies)
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
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Label:kickin' up dust
Cat-No:KUD003
Release-Date:26.04.2024
Genre:House
Configuration:12" Excl
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Cat-No:KUD003
Release-Date:26.04.2024
Genre:House
Configuration:12" Excl
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1
Sound On Sound - Sweat
2
Sound On Sound - Particules
Introducing the latest release from Berlin's "kickin’ up dust" label: "Sound On Sound," a collaboration between Shan, known for his releases on labels like Running Back, Permanent Vacation, and Live at Robert Johnson, and his close friend Mr. Mellow. This production duo presents two tracks guaranteed to set dancefloors on fire this summer. Kickin’ off with 'Sweat' on the A-Side, Sound on Sound delivers six minutes of pure disco madness. This peak-time gem is driven by its signature funky bassline, lively chords, and heavy strings. Flipping to the B-Side, 'Particules' pays homage to the 80s with Italo and early House vibes. Deep and funky, this track promises to take listeners on a journey. (This a vinyl only release, download code incl. in every sleeve + digitally exclusive on Bandcamp)
Tracklist:
A Sweat
B Particules
-Produced by Mr. Mellow & Shan for What If? Productions
-Mixed and Master by Lopazz for Mixmastering
-Executive Producer: Tom Kutsche
Sound On Sound
https://www.instagram.com/sound.on.sound
https://www.discogs.com/de/artist/4590719-Shan-14
kickin’ up dust
https://kickinupdust.bandcamp.com
https://www.instagram.com/kickin_updust
https://soundcloud.com/kickin_updust
https://de.ra.co/promoters/100546
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A Sweat
B Particules
-Produced by Mr. Mellow & Shan for What If? Productions
-Mixed and Master by Lopazz for Mixmastering
-Executive Producer: Tom Kutsche
Sound On Sound
https://www.instagram.com/sound.on.sound
https://www.discogs.com/de/artist/4590719-Shan-14
kickin’ up dust
https://kickinupdust.bandcamp.com
https://www.instagram.com/kickin_updust
https://soundcloud.com/kickin_updust
https://de.ra.co/promoters/100546
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
in stock
Label:Definitive Recordings
Cat-No:DEFCLAS006
Release-Date:12.07.2024
Genre:House
Configuration:12" Excl
Barcode:844216060010
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Last in:28.06.2024
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Last in:28.06.2024
Label:Definitive Recordings
Cat-No:DEFCLAS006
Release-Date:12.07.2024
Genre:House
Configuration:12" Excl
Barcode:844216060010
1
Calisto - A Calisto - Get House (Josh Wink Interpretation)
2
Calisto - B1 Calisto - Get House (Remaster)
3
Calisto - B2 Calisto - Get House (Acapella Tool)
12"
GENRE/S:
Techno, House, Acid
3. TRACKLISTS:
A Calisto - Get House (Josh Wink Interpretation)
B1 Calisto - Get House (Remaster)
B2 Calisto - Get House (Acapella Tool)
SHORT INFO:
Definitive Recordings revisits 1994 house classic 'Get House' by Calisto with a new version by legend Josh Wink. The iconic house music classic 'Get House' by Calisto from 1994, is now being revitalized by the legendary house music pioneer Josh Wink. Josh Wink, renowned for his pioneering contributions to the Acid House movement, infuses his signature style into 'Get House,' breathing new life into the timeless anthem. The remix pays homage to the roots of electronic music while propelling it into the future, creating an immersive sonic experience that captivates listeners and ignites dance floors with its infectious energy. But the journey doesn't end there. Alongside Wink's groundbreaking remix, the release includes the raw and percussive original version of 'Get House,' straight from the depths of 1994. With a bassline that delves deep into the soul of the dance floor and cut-up vocals interlaced with stiff snares, this track delivers an edgy groove that remains as exhilarating as ever. Remastered for contemporary audiences, the original version retains its raw intensity while boasting enhanced clarity and depth. "I used to rock the original at parties and raves all over the world in the mid-'90s, and it was one of those special records of the time that combined house, acid house, and electro-breaks. It was perfect to segue from different styles as a DJ. One of my favorites on the mighty Definitive Recordings catalog!" says Josh Wink about the original. Adding to the excitement, the release also features the acapella version of 'Get House,' providing DJs and producers with a versatile tool for creative remixing and reimagining. 'Get House' by Calisto, including the Josh Wink remix, the original version, and the acapella, will be available on all major streaming platforms as well as on vinyl.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S:
Techno, House, Acid
3. TRACKLISTS:
A Calisto - Get House (Josh Wink Interpretation)
B1 Calisto - Get House (Remaster)
B2 Calisto - Get House (Acapella Tool)
SHORT INFO:
Definitive Recordings revisits 1994 house classic 'Get House' by Calisto with a new version by legend Josh Wink. The iconic house music classic 'Get House' by Calisto from 1994, is now being revitalized by the legendary house music pioneer Josh Wink. Josh Wink, renowned for his pioneering contributions to the Acid House movement, infuses his signature style into 'Get House,' breathing new life into the timeless anthem. The remix pays homage to the roots of electronic music while propelling it into the future, creating an immersive sonic experience that captivates listeners and ignites dance floors with its infectious energy. But the journey doesn't end there. Alongside Wink's groundbreaking remix, the release includes the raw and percussive original version of 'Get House,' straight from the depths of 1994. With a bassline that delves deep into the soul of the dance floor and cut-up vocals interlaced with stiff snares, this track delivers an edgy groove that remains as exhilarating as ever. Remastered for contemporary audiences, the original version retains its raw intensity while boasting enhanced clarity and depth. "I used to rock the original at parties and raves all over the world in the mid-'90s, and it was one of those special records of the time that combined house, acid house, and electro-breaks. It was perfect to segue from different styles as a DJ. One of my favorites on the mighty Definitive Recordings catalog!" says Josh Wink about the original. Adding to the excitement, the release also features the acapella version of 'Get House,' providing DJs and producers with a versatile tool for creative remixing and reimagining. 'Get House' by Calisto, including the Josh Wink remix, the original version, and the acapella, will be available on all major streaming platforms as well as on vinyl.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:!K7 Records
Cat-No:k7073
Release-Date:27.01.2021
Configuration:5LP
Barcode:
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Label:!K7 Records
Cat-No:k7073
Release-Date:27.01.2021
Configuration:5LP
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Originally released on Studio !K7 Records in 1998, Peter Kruder and Richard Dorfmeister's groundbreaking release, 'The K&D Sessions' reset the bar for what could be achieved in a compilation. Across an array of original tracks, dubs and infamous K&D Session remixes, the DJ and producer duo took the listener on a smoke-filled blunted journey that flowed flawlessly. Often compared to DJ Shadow's 'Endtroducing' for it's similarly deft craft of rhythm and quoted by Allmusic as "the most blissfully blunted music the world has ever heard", the album has sold over 1,000,000 copies to date and was included in Spin s Top 20 albums of 1999 .
The album has long since been deleted on Vinyl with original 4LP sets changing hands for 300+ on the collectors market and even a bootleg vinyl copy will set a buyer back over 100. Sixteen years later, this legendary album will be available as a long overdue 5LP reissue remastered by Bernie Grundman Mastering in Hollywood. Finally back in print in 180g vinyl.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The album has long since been deleted on Vinyl with original 4LP sets changing hands for 300+ on the collectors market and even a bootleg vinyl copy will set a buyer back over 100. Sixteen years later, this legendary album will be available as a long overdue 5LP reissue remastered by Bernie Grundman Mastering in Hollywood. Finally back in print in 180g vinyl.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Modern Obscure Music
Cat-No:MOM049
Release-Date:19.04.2024
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4251804180566
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Label:Modern Obscure Music
Cat-No:MOM049
Release-Date:19.04.2024
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4251804180566
1
MERZBOW - Tsubute Mosaic Part 1
2
MERZBOW - Tsubute Mosaic Part 2
Merzbow (aka Masami Akita), Animal Rights Activist, Writer, and Musician, an Iconic Figure in International Noise Scene
Renowned for his pioneering contributions to the noise music genre, Merzbow (aka Masami Akita) has solidified his position as one of its most significant and recognizable figures. From his groundbreaking utilization of tape loops to craft expansive industrial landscapes in the late 1970s, to his transition to laptop-generated static noise at the turn of the century, Merzbow has consistently pushed the boundaries of sonic experimentation.
Modern Obscure Music is delighted to unveil Merzbow's debut release on the label, "Tsubute Mosaic."
Tracklisting:
A. Tsubute Mosaic Part 1 - 19:06
B. Tsubute Mosaic Part 2 - 17:41
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Renowned for his pioneering contributions to the noise music genre, Merzbow (aka Masami Akita) has solidified his position as one of its most significant and recognizable figures. From his groundbreaking utilization of tape loops to craft expansive industrial landscapes in the late 1970s, to his transition to laptop-generated static noise at the turn of the century, Merzbow has consistently pushed the boundaries of sonic experimentation.
Modern Obscure Music is delighted to unveil Merzbow's debut release on the label, "Tsubute Mosaic."
Tracklisting:
A. Tsubute Mosaic Part 1 - 19:06
B. Tsubute Mosaic Part 2 - 17:41
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Cat-No:RECTIFIER003
Release-Date:08.03.2024
Genre:Techno
Configuration:12"
Barcode:
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Cat-No:RECTIFIER003
Release-Date:08.03.2024
Genre:Techno
Configuration:12"
Barcode:
1
Zesknel - Fly
2
Zesknel - With
3
Zesknel - Conviction
4
Zesknel - Fly (Shit And Shine Remix)
RECTIFIER003 is the third vinyl release from the Georgian independent collective, Mind Controlled Rectifier. This limited edition of 12'' EP comes with full-sleeve artwork and features tracks by the local producer Zesknel, including a remix by Shit and Shine. Find the digital redeem code inside.
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