Errare Humanum Est comes from the Latin proverb "To err is human" as a musician and a human-being, you are constantly facing "mistakes" on your compositional work and your instrumental interpretation, Felipe Gordon presents his second conceptual album under this premise, you should accept and make mistakes as a crucial part of art and life. During late 2022 and beginning of 2023, the musician and producer worked on a new long play in his home studio "El Dorado" in Bogot?, Colombia. Trying to create a whole new concept and universe he re-visited some forgotten musical sketches, going from breakbeats, synthesis, boom bap, deep acid and house music Felipe presents us his new album, a melting pot of musical ideas, again not trying to achieve a club track filled long play but a whole listening experience, not focusing only on dancing matters but also on every day musical enjoyment. With the forward-thinking distribution and collaboration from the Rotterdam based power house, Clone Records and looking for a way to create a more independent environment for his releases, Felipe is creating his own "Wide Awake", a new record label focused only on sharing and creating a platform for his constant output. As in "A Landscape Onomatopeya" (Felipe's first LP) Primer Ocaso took over the editorial design on their talented hands, creating an amazing Gatefold 2X12'' - 140 Gr Solid White Album edition

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Repress!

* A legendary yet long lost crown jewel from the early 80s Japanese Electronic and Jazz Rock scene
* new powerful master, much appreciated by the artist
* 2LP in UV-glossy laminated gatefold sleeve with OBI
* includes A1 Poster 60x60cm and lyric sheet
* vinyl comes in Japanese Katta innersleeves

Mariah was a Japanese outfit in the field of art pop, way back in the very late 70s and early 80s with 5 albums up their score from 1980 to 1983. The album from 1979 entitled as “Mariah” was actually made before the band Mariah was formed, and was released as a solo album by Yasuaki Shimizu. The album at hand is the fifth and for the time being last album in this row, released as a double vinyl back in 1983. Original copies, that are at least in very good condition, are hard to find. The brand new reissue on Everland, unlike the original and the first vinyl reissue from 2015, comes housed in a thick and artfully designed gatefold sleeve with OBI, which finally does justice to the progressive spirit of the music you will find here.

The musical basement of Utakata No Hibi is a fusion of dreamy synthesizer pop and haunting new wave music, that could be found all around the globe back in 1983. In the vein of TEARS FOR FEARS or more adventurous DAVID BOWIE stuff, with a touch of KRAFTWERK or even BRIAN ENO here and there, but all this gets spiced up with an atmosphere of Japanese traditionalism, with a few bits and pieces from the old music from this Far East island, which sounds so magic to us Westeners. The progressive, wacky art pop of this project was led by the popular Japanese composer and musician Yasuaki Shimizu, a relentlessly exploratory saxophonist who even dared to rework Johann Sebastian Bach’s cello suites for saxophone.

As brilliant as this man is, the music on „Utakata No Hibi“ turns out to be. And the master himself approved and much appreciated the brandnew remastering of this album by assisting a highly professional team of sound engineers who dusted off the ancient tape reels. For certain the record sounds and feels 80s through and through, electronic to the very rhythmical bone of each song sugar coated with catchy melodies that resemble Japanese classic and Enka music, which is a kind of folksy pop music. The listener gets directly drawn into a feverish dream of steaming Far Eastern cities and their darkest and most depraved corners where you find everything cheap in sleazy bars and unlighted backyards and alleys. The next moment he strolls through a beautiful Japanese park surrounded by a sea of blossoms. This change in mood and style you will experience in the sparsely instrumented tune „Shisen“, which indeed comes closest to classic Japanese folk tunes without any too catchy and pop oriented melodies. But we certainly find these harmonies allover the album. Some tunes even feel like ancient BEACH BOYS compositions and Brian Wilson creations played by a then contemporary electronic pop act and sung in Japanese.

An amazingly colorful album with songs that are based on solid substance rather than cheap pop structures. This is music for the bold listeners and music lovers and this awesome reissue should quickly find it’s way into the record collections of 80s synth and art pop aficionadoes.

Yasuaki Shimizu did what he wanted with MARIAH, pushed the borders of popular music further than anybody would have thought. Listen to a track like „Shonen“ with a repetitive rhythm pattern that hypnotizes you and somehow silky melodylines by saxophone and synth piano upon which a female voice sings in a very spiritual way. Praising pop or whatever this can be called, it is sheer magic put in music. I wonder if this would have made it into the charts back then, but you never know. It is a piece of musical art that shall be listened to.

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Gallegos, first name Oliver - deals in feelings rather than genres. The productions on his debut effort for RS INTL channel a 90’s rave euphoria. Luscious pads swirl amidst pitched down jungle drums, celestial strings and philosophical vocal snippets that evoke ecstatic joy.

It’s no mean feat to induce a feeling of elation without the means of a synthetic intervention - but Ollie seems to have cracked the code - taking us there with harmony, texture and rhythm alone - nothing synthetic here: this is alchemy at play... The EP - which in all honesty feels more like a mini album - is a real journey across 5 songs and 29 minutes. It’s about equally split between driving rhythmic compositions created with movement in mind, and pensive ambient detours that are more sonic meditations than anything else. The album reaches its most dizzying heights when these two elements come together in unison for the title track, “Memories You’ve Memorised'' - a widely road-tested future classic which blends scattered Juno chords, arpeggiated church organ and 80s vocal samples to a tear-jerking crescendo.

Memories You’ve Memorised elevates Oliver Gallegos to the top tier of modern electronic composition. There’s comparisons to be made to Primal Scream, Underworld and even Aphex Twin - but after all is said and done, we’re witnessing the coming of age of a future pioneer.

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Tracklisting
A1 Harrison BDP - Aether
A2 Harrison BDP - Third Time Lucky
B1 Harrison BDP - That wasn't a micro-dose
B2 Harrison BDP - Bottled up

Sales Note
Shall Not Fade welcome the legend Harrison BDP back to their Lost Palms sister label for his NINTH release with the Bristol label!

'Third Time Lucky' EP is four deep, dubby, spaced out, meditative jams perfect for those late night rave moments!

Third Time Lucky EP drops June 7th via Lost Palms.

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Placid aka Paul Wise is the chief operator at ‘We’re Going Deep’ – an online community and record label, born out of a lifelong affair with the many shades of electronic rhythm and obsession for collecting records since 1988. On a mission to share and release new music via his We’re Going Deep imprint: you’ll find only the best in Acid, Electro, IDM, Techno and Deep House for the dance floor, front room or even just your headphones.

Bringing the sounds of another highly experienced underground House and Techno fusionist to the next WGD solo series edition, Mark Thibideau is an enduring force. Hailing from Wallaceburg (Ontario) alongside his twin Brother Matt, he has been conjuring his own brand of sonic sorcery as far back as the 90s via various aliases and projects. Renown for his deeply soaked sound design that straddles the depths of Basic Channel’s aesthetic with a more altogether velours finish. Thibideau has graced the likes of Joule and Berg Audio in recent times, releasing some much sought after EPs.

Offering up 4 equally silk edged yet powerfully crafted dub infused grooves, going against convention and heading straight for the B side, the EP kicks off with the refreshing roll of B1 “Overcome Gravity” – a breezy flight through the upper reaches of the atmosphere. Combining tightly swung percussion with shimmering synthesis, all wrapped in undulating elements that basque in the warm glow of a mid summers evening. It’s a much welcome invitation. Accompanied with the slightly more introspective tones of B2 “The Fading Future” – minor chords lead to metronomic beats, leaving the bassline follow their path as the track twists and turns to take hold. An equally masterful trip to other worldly territory, you can’t help but admire his poise.

On the flip side, A1 “Circulate” ramps up the energy factor a notch as Thibideau unleashes a slice of pure understated, bass rumbling, heady workout all shot through a slow filter. The type of hypnotic cut that’s designed to do maximum damage at HIGH volume. Seriously restrained magic! It conjures up the magic of Mike Huckaby’s (RIP) Mix of “The Final Step”. Ending on the upward trajectory of A2 “Rotation”, here he continues his mission in the same vein but with more open frequencies – propelling to the outer reaches and leaving you wanting a whole lot more.

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You’d be hard pressed not to have been completely won over by Lovebirds and vocalist Stee Downes magnetic ‘Want You In My Soul’ back in 2011. A record that is as blissful as it is absorbing, a true crossover that seemed to appeal to everyone and anyone, skyrocketing prices up to £200 for an original on Discogs. South Street continue their incredible run with a fully remastered, officially licensed reissue of this cherished cut.
Clocking in at over eight minutes ‘Want You In My Soul’ is as pure a modern deep house anthem as you’ll get. An extended intro that gradually builds in intensity from the echoing pads to the shimmering arps, before the pulsing synths and Stee Downes instantly recognisable soul infused vocals come to the fore. Packed with passion, brimming with emotion it’s about as sun kissed as you can get without getting burnt.
On the flip, the never before released ‘Summer In London’ edit, that gets straight down to business, shortening the lengthy intro and adding extra percussive touches for a more DJ friendly take on the original.
A highly sought-after EP, finally given the reissue it deserves - a must-have in any collection.

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Tracklisting
A1 Sanna Mun - Inferno
B1 Sanna Mun - Inferno (Benales remix)
B2 Sanna Mun - Inferno (Toru Katsuta remix)

Sales Note
Reciting from Dante's eponymous poem, Sanna Mun experiments with her vocals in the dub-influenced single "Inferno". The record features a driving remix from French favorite Benales and an enigmatic reinterpretation, plus a digital bonus, by rising Japanese artist Toru Katsuta.

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For the 15th anniversary of this timeless classic, !K7 Records are re-issuing Tosca’s seminal album ‘No Hassle’ in an audiophile 3LP format.

Tracklist:
1.1My First
1.2Elitsa
1.3Springer
1.4Birthday
2.1Oysters In May
2.2Joe Si Ha
2.3Elektra Bregenz
2.4Fondue
3.1Rosa
3.2Raymondo
3.3Mrs. Bongo
3.4No Hassle

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