RAWAX prouldy welcomes Costin Rp to the artist Family!
Costin is delivering since years quality releases for our Sister labelcalled Pleasure Zone and many other great Imprints.
It was more than about time to bring the man from Romania to RAWAX! We are very happy to present you two releases in the near future.

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RAWAX proudly presents Cold aka Isar Logi Arnarsson with his timeless Strobe Light Network/ Hyper Experience release ,
originally relased in 19985 on THULE Records! Our 2024 re-issue is re-mastered and it comes around with a new edit of "Hyper Experience" by Cold himself!

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4 years after his great "We Meet Again" EP , we are delighted to present you another fantastic release.

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4th release by Fresh & Low on their own RAWAX Treasures Series!
This time we have the honor to re-issue the first Fresh And Low record - origially released in 1995 on Strictly 4 Groovers/ DIY Communications!
This release comes also re-mastered and will be only available on vinyl!

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RAWAX proudly welcomes Janeret to the artist family! As big fans from day one, we are more than happy about this Fusion!
It's the first of hopefully many releases, we will do together. Momu EP is a fantastic debut, which couldn't sound better!
Highy recommended!

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RAWAX welcomes Vinyl Speed Adjust to the Family! We are very happy to present you this talented
Duo on our RWX-Series on two ep's.

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RAWAX welcomes Johnny Kick to the artist family!
We are very happy about this trip back in time - lovely 90's Retro Rave anthems here!

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RAWAX proudly presents the second release by Ricardo Villalobos on his own series!
This time we have the honor to release Ricardo under his Termiten Alias. "Nordhorn"
came originally out on LINEAR in 2002. The release will be re-mastered and viny only - don't sleep!

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We are very happy and honored to welcome the Electronic Music Legends, Roman Flügel & Jörn Elling Wuttke aka Acid Jesus to the RAWAX Family!
Our first collaboration will be the re-issue of Radium, Uranium Smuggle & Hibernation Drive!
All these tracks have been produced at Klangfabrik between 1995 - 1997
For the first time those three tracks will be available in this constellation on one record!

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RAWAX presents Orlando Voorn aka FIX. We are very happy to re-issue "Flash" which came out on iconic KMS Records in 1992!
Our version also contains the track "Dope Computer" from the original release plus "Face" and "Players Anthem" as bonus tracks.


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3rd release by Fresh & Low on their own RAWAX Treasures Series!
This time we have the honor to re-issue "Fresh And Low EP" , origially released in 1996 on Tronicsole/ U.K.
This release comes also re-mastered and will be only available on vinyl!

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RAWAX welcomes Rupert Hartick to the artist family!
We are very happy to present you this very talented Producer and DJ on our 24th edition of the RAWAX S-series. Rupert delivered here warm, trippy & soulful release which will see the light in Spring!
Highly recommended release from KONFUS Records- boss!

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A milestone in electronic music, is finally receiving its well-deserved re-release: Liaisons Dangereuses’ legendary self-titled debut album still fascinates today, through its innovative sound and the mystery encompassing it. Since its release in 1981, it has become a classic in electronic music. The 10 electrifying songs produced by Chrislo Haas (DAF) and Beate Bartel (Mania D. / Matador) – reinforced by Krishna Goineau’s French and Spanish Speech-Attack-Lyrics – created a unique style. The album – anything other than a Berlin or Düsseldorf ‘thing’ – was propelled to an international favourite. Songs such as “Peut Être... Pas” and “Los Niños Del Parque” played a decisive role in the development of Detroit and Chicago’s house sound, as well as various forms of European techno.

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RAWAX proudly presents the second release by Ricardo Villalobos on his own series!
This time we have the honor to release Ricardo under his Termiten Alias. "Nordhorn"
came originally out on LINEAR in 2002. The release will be re-mastered and viny only - don't sleep!

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We are very happy and honored to present you Ricardo Villalobos on his own RAWAX series!
You will find here past & present releases from the Mastermind, starting with the 25 Years
Anniversary edition of "808 The Bassqueen", formerly released on LoFi Stereo.
Special thanks goes out here to Christian Rindermann aka C-Rock!

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Composed in the aftermath of family tragedy, NY Graffiti’s Burden is an album full of peace anthems, psalms, dirges, and confessionals. In the pursuit of consolation, the tectonics of techno, dub, and post-club aesthetics are pushed past their margins onto new emotional plateaus.

Like the series of EP’s that NY Graffiti has released in recent years – including a split with Subtext affiliate UCC Harlo – Burden is an amalgam of dub-informed club music, acoustic emulations, and doom-scroll sourced social media chatter, filtered through the artist’s unique sonic palette that has developed over years on the fringes of New York’s contemporary club scene.

From the largely-improvised opener (and closer) “Approximation”, to the discord of the steppa-inflected track “98 Prayers”, and the dystopian ambiance of “Reach” (evoking early Hype Williams), Burden constantly reconfigures itself in search of catharsis. The album's seven tracks are dense and claustrophobic yet unexpectedly grounding. Amid the weight of grief, and the bleakness of our shared geopolitical realities, the NYC-based artist provides moments of solace that are intimate, direct, and revelatory.

Burden was initially released as a digital album earlier this year and is now available on vinyl through NY Graffiti’s own Peace Anthem Records and Switzerland-based Präsens Editionen. While the former has primarily focused on releasing NY Graffiti’s own projects, the latter is the publishing house of zweikommasieben Magazin and has released music and sound works by artists such as Anom Vitruv, Red On, Belia Winnewisser, Martina Lussi, Samuel Reinhard, and Magda Drozd

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Tracklisting
A1 Another Channel - Run Dub
A2 Another Channel - Amir Dub
A3 Another Channel - (Yes!) Badness
A4 Another Channel - Ael Na Dub
B1 Another Channel - Solid
B2 Another Channel - Ethiopian Dub
B3 Another Channel - Uranus
B4 Another Channel - Run (Babe Roots remix)

Sales Note
- 2024 orange vinyl repress -

Pure, distilled Dub. Upholding Jamaica's legacy as well as Germany's unequivocally influential Dub Techno spirit, Moonshine Recordings proudly welcomes their next addition to the roster. On the controls for the 9th full-length album release, a true-to-the-roots, all-analogue musician: Another Channel. Having put himself on the map with releases on Soukah's Blacksoil Records, Bristol's Transient Audio as well as on Australian imprint Modern Hypnosis, it's now time for the album release, we've all been waiting for. No computer involved as impeccable arrangements and analogue reverberations unfold. Live and direct in the original Dub mixing fashion, the Augsburg-based artist uniquely transports the sonic characteristics of Rhythm & Sound into the
present time.

Subtle vinyl crackles gently introducing meditative beats, 'Run Dub' sets the pace. Keen listeners find themselves embedded in lively echoes and reverbs, left to bask in smooth, sonic contemplation. Engineered to soothe the soul, timeless foundation sound. Intensified groove meets low-frequency pressure in 'Amir Dub' among haunting melodica fragments. '(Yes!) Badness' unsheathes its off-kilter swing, vocal and foley samples musing in the distance - further showcasing Another Channel's technical prowess. Heavy chord stabs and delicate overdrive counterpoint the immense scope of conjured space in 'Ael Na Dub', concluding a beautiful A-Side.

Lush chords lure us to the flip-side - 'Solid' kicks off with a staccato bass-line in the midst of lavish white noise surges and minimal drums. Rooted in endless feedback trails, steadily kept in check. Previously teased, the mighty 'Ethiopian Dub' steps through in full glory, carried by militant drum motion and forceful low-end. On a more spacious excursion, 'Uranus' takes a brightly lit stroll through the analogue Dub universe, led on by Another Channel's signature groove propulsion. Pointing back towards A-Side, prolific Dub proponent Babe Roots presents his musical qualities in a monumental remix of 'Run'.

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Established in 1948 by César Roldán, Discomoda is one of the earliest record labels of Venezuela and the oldest family operated label in the country. Home to one of the most complete folkloric and popular music catalogues of Venezuela, the label also invested heavily in Afro-Caribbean and tropical rhythms that became popular in the 60s and 70s.

In the 1960s and before the Salsa era truly kicked off, Venezuela had a significant dance orchestra and big band movement. Unlike local record competitors dedicated to selling foreign productions, Discomoda achieved its leading position by recording the most important national bands, including Los Megatones de Lucho, Orquesta Sonoramica and Super Combo Los Tropicales; all featured in this compilation.

Later on, surrounding the festivities for the 400th anniversary of Caracas in 1967, the word "Salsa", which had been recently coined by famed radio host Phidias Danilo Escalona, was formalized to identify an Afro-Caribbean musical style with growing popularity in Venezuela and beyond. By then, the country was among the top 20 music markets in the world, with the local label Discomoda leading the way, responsible for one out of every five records sold in the country.

With the prolonged celebrations approaching due to the 400 years of the city, Discomoda and other labels began to capitalize on this new musical style by betting on both established and new local bands, such as Nelson y sus Estrellas, Los Kenya, Principe y su Sexteto and Los Satélites. As a result, this would kick off what could be considered a golden era of Salsa in Venezuela and which lasted until the mid-70s.

As we approach the 80s and with the emergence of new musical styles and bigger multi-national record labels funded by larger pockets, a lot of the previously popular bands begin to disband or choose to leave the country. Nonetheless, a few artists, like Rodrigo Mendoza, La Renovación and Grupo Yakambu, were still pushing out quality music.

We are thrilled and honored to celebrate one of Venezuela's and, equally, Latin America's most significant record labels, and to share a slice of their enduring influence in advancing Venezuelan-made Salsa music.

A1 - Los Megatones de Lucho - El tumbaleque
A2 - Sonora Venezuela - Pero en Caracas
A3 - Los Megatones de Lucho - Muñeca
A4 - Al Ramos y su Orquesta - El candidato
A5 - Orquesta Sonoramica - Oye como suena
A6 - Microbanda Marabina - Maracaibo
B1 - Principe y su sexteto - Salsa de Guaguanco´
B2 - Genaro y sus All Stars - Mambo tema
B3 - Orquesta Universidad - Atado a un recuerdo
B4 - Los Kenya - No salgas de tu barrio
B5 - Nelson y sus Estrellas - Disparo goajira
C1 - Los Kenya - Pa' Puerto Rico
C2 - Principe y su sexteto - Analiza
C3 - Supercombo Los Tropicales - Juana Guaguanco´
C4 - Los Satélites - El tostao
C5 - Johnny Sedes y su Orquesta - Algo diferente
D1 - Los Satélites - Fiesta en Venezuela
D2 - Rodrigo Mendoza - Lija
D3 - La Renovación - Mi redención
D4 - Los Blanco - Corta el bonche
D5 - Grupo Yakambu - Si eres tú

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UK-based DJ and producer Wallace debuts on Phantasy Sound with an irresistible double A-side single, ‘Cravings (ft. Love Letters) / Concourse.’ Bubbling with sensuality and euphoria, both tracks reinforce Wallace’s burgeoning reputation as one of electronic music’s most impressive new voices, a crowning moment on Erol Alkan’s long-running label following a stellar run of singles for imprints including Cooking With Palms Trax, Rhythm Section, and Moxie's much-loved On Loop. Led by a longing, inquisitive performance from vocalist and underground house music luminary, Love Letters, ‘Cravings’ builds from a simple throbbing bass line to an eruption of lyrical and musical joy. Exploring onset desire – risk, uncertainty, and ultimately, reward – Wallace’s deep and celebratory arrangement interweaves with Love Letters’ queer perspective to deliver universal satisfaction. While ‘Cravings’ looks inward to find release, ‘Concourse’ goes for the jugular with a darker, more epic sensibility than Wallace has previously indulged. His flawless production touch seamlessly gifts magic to a widescreen techno epic that might not sound out of place on the terrace at Circoloco or else a field near early-nineties Frankfurt, repeatedly working his acid-oriented machines into a lather and conjuring cosmic drama from eerie, choral voices beneath a powerful groove.

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No one has lived a life quite like Marcos Valle. He became an overnight international sensation, fled a military dictatorship, dodged the Vietnam war draft, had his music sung by Homer Simpson, made enemies with Marlon Brando, and became an unsuspecting fitness guru for multiple generations. But to truly understand the great Brazilian composer, arranger, singer and multi instrumentalist, one must listen to his music.

Between the release of his first album in 1962 and today, Marcos Valle has released twenty-two studio albums traversing definitive bossa nova, classic samba, iconic disco pop, psychedelic rock, nineties dance and orchestral music. He has also had his songs recorded by some of the all time greats, including Frank Sinatra, Sarah Vaughn, Sergio Mendes, Elis Regina, and (last but not least), Emma Button of the Spice Girls. He has also had his music sampled by Jay-Z, Kanye West, Pusha T and many more.


With his twenty-third studio album Túnel Acustico, Valle set out to bring it all together.

“I believe my music is many things. It goes in different directions. I have many different ways of writing music, sometimes it’s melodies and harmony, sometimes the groove is the focus. But all the music I have made over my sixty year career is unified. It is all natural and it is all sincere. And this is what I wanted to bring to my new album.”

A prominent feature of Valle’s career has been his dual residence between Brazil and the USA. Originally moving over in the mid-sixties on the back of bossa nova’s international proliferation, Valle toured with Sergio Mendes and became hugely in demand as a composer and arranger. But the Vietnam War loomed and the threat of being drafted saw him return to Brazil. He spent the following years in Rio writing music for TV and film, as well as four cult favourite albums in collaboration with some of Brazil’s most groundbreaking musicians including Milton Nascimento, Azymuth, Som Imaginario and O Terco.

By 1975, Brazil's military dictatorship was at its most oppressive, making living and working increasingly difficult. Valle moved back to the US where he would reside in LA, writing songs for, and collaborating with the likes of Eumir Deodato, Airto Moreira, Chicago, Sarah Vaughn and Leon Ware, amongst others.

Túnel Acústico features two songs originally conceived during Valle’s time on the West Coast: “Feels So Good”, a stirring two-step soul triumph written in 1979 with soul icon Leon Ware, and the sublime AOR disco track “Life Is What It Is”, composed around the same time, with percussionist Laudir De Oliveira from the group Chicago.

Built around an unfinished demo Marcos found on a shelf in his house 44 years after it was made, the “Feels So Good” demo was restored with the help of producer Daniel Maunick, who also utilised AI stem-separation to remove the placeholder vocal ad-libs. Valle added Portuguese lyrics to sit alongside Ware’s vocal hook, as well as extra keyboards and percussion.

Also written in late seventies LA, “Life Is What Is It” was co-penned by Laudir De Oliveira from the band Chicago and first released on the bands’ Chicago 13 album with lyrics by Robert Lamb. Another nod to his good times in LA, Valle recorded his own version for Túnel Acústico, upping the tempo and deepening the groove for a blast of irresistible summer soul.

On Túnel Acústico, Valle's core band features two members of the renowned Brazilian jazz-funk group Azymuth: Alex Malheiros on bass and Renato Massa on drums. The rhythm section is completed by percussionist Ian Moreira, with additional contributions from guitarist Paulinho Guitarra and trumpeter Jesse Sadoc.

The contemporarily composed music on Túnel Acústico features an impressive lineup of guest lyricists, including renowned Brazilian artists: Joyce Moreno (Bora Meu Vem), Céu (Nao Sei), and Moreno Veloso (Palavras Tão Gentis) as well as Valle's brother Paulo Sergio Valle (Tem Que Ser Feliz).

The album closes with "Thank You Burt (For Bacharach)", a tribute to the legendary composer who passed away in 2023.



Credits:

Todo Dia Santo
(Marcos Valle)

Composition and Lyrics by Marcos Valle
Keys & Vocals: Marcos Valle
Drums: Renato Massa
Bass: Alex Malheiros
Percussion: Ian Moreira
Additional Percussion & FX: Daniel Maunick



Life Is What It Is
(Marcos Valle/Laudir de Oliveira)

Composition and Lyrics by Marcos Valle & Laudir De Oliveira
Keys & Vocals: Marcos Valle
Drums: Renato Massa
Bass: Alex Malheiros
Percussion: Ian Moreira
Guitar: Paulinho Guitarra



Assim Não Dá
(Marcos Valle)

Composition and Lyrics by Marcos Valle
Marcos Valle: Keys & Vocals
Patricia Alvi: Vocals
Drums: Renato Massa
Bass: Alex Malheiros
Percussion: Ian Moreira
Guitar: Paulinho Guitarra

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