Label:All Nice Records
Cat-No:NICE001
Release-Date:01.03.2024
Genre:House
Configuration:12"
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Label:All Nice Records
Cat-No:NICE001
Release-Date:01.03.2024
Genre:House
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1
Bobby Dreams - Creepin'
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Bobby Dreams - Let Them Know
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Bobby Dreams - After Hours
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Bobby Dreams - Get Busy
Drop the needle and 'Let Them Know' – More than a title, it's a sonic herald for All Nice Records' entrance into the scene by Bobby Dreams. This debut isn't just music, it's the rhythm of a new label and the genesis of Bobby Dreams' sonic odyssey. Secure your exclusive vinyl – 'Let Them Know' isn't just a name; it's a groove, a vibe, the cool beginning of a relaxed stamp in electronic music. A limited edition collector's gem that encapsulates Bobby Dreams' musical genius inspired by early Chicago House with a touch of Portugal's South Coast.
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Label:All Nice Records
Cat-No:NICE002
Release-Date:28.06.2024
Genre:House
Configuration:12"
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Last in:09.08.2024
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Label:All Nice Records
Cat-No:NICE002
Release-Date:28.06.2024
Genre:House
Configuration:12"
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1
Lake Haze - Dune District
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Lake Haze - Voltage Vortex
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Lake Haze - Shoreline Circuitry
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Lake Haze - Electribe Echoes
Introducing NICE002 "Shoreline Circuitry" EP, the second release from All Nice Records, featuring the Portuguese producer Lake Haze. This EP will take you on a journey through pulsating house tracks, driven by 707 toms and hypnotic acid lines. "Dune District" kicks off with uplifting house vibes, distorted pads, and infectious rhythms. "Voltage Vortex" follows, offering a chill house groove with a heavy Chicago-inspired bassline. On the B-side, "Shoreline Circuitry" delivers rhythmic intensity with 707 toms and obscure acid lines. Closing the EP is "Electribe Echoes," a mesmerising track showcasing Lake Haze's sound mastery.
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Last in:24.06.2016
Label:rush hour
Cat-No:rh113lp
Release-Date:02.01.2012
Genre:House
Configuration:2LP
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Double LP with a selection of the tracks on the Resurrection CD last year...TIP! As last year's limited box set has been out of print for a while, we decided to press up a 2xlp version with 12 essential tracks from the original release that total 60 minutes. If you have missed the box set this is a great chance to own some of Virgo Four's essential Chicago house music! The tracks were selected from 100's of 4-track tapes that had been untouched and unreleased all these years due to local record business politics and disinterest. These demo recordings have been restored and mastered for release. Resurrection really shows the the rich, diverse and unique quality of Virgo Four, which leaves you wondering what impact they would have made on the (Chicago) house scene if they would have gotten released back in the day. Includes 'It's A Crime', which was also remixed by Caribou last year.
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LP Excl
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Label:Glossy Mistakes
Cat-No:GLOSSY021
Release-Date:22.03.2024
Configuration:LP Excl
Barcode:8425402803967
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Cat-No:GLOSSY021
Release-Date:22.03.2024
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1
Various Artist - A1. clä-sick - Morning in China
2
Various Artist - A2. La Sellrose Can Can - Aerobicise
3
Various Artist - A3. Linolium - Unit 25
4
Various Artist - A4. Sume ba Miyako
5
Various Artist - A5. Pink Label - Good Luck
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Various Artist - A6. NAME - N.H.K.
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Various Artist - A7. Picky Picnic - Kibo no Asu
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Various Artist - A8. ReveR - Performan
9
Various Artist - B1. NAME - Do We All Need Love
10
Various Artist - B2. Classic Pearl - Pearl
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Various Artist - B3. La Sellrose Can Can - Happy Morning
12
Various Artist - B4. clä-sick - Every Night
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Various Artist - B5. clä-sick - Black Nile
LP
GENRE/S: Synth Pop, Experimental, Minimal, New Wave
- Highly sought after compilation originally released in Japan in 1983
- Remastered from Master Tapes, first ever vinyl reissue
- One of a kind experimental and DIY artist from the influential Nippon era
TRACKLISTS:
Side A
A1. clä-sick - Morning in China
A2. La Sellrose Can Can - Aerobicise
A3. Linolium - Unit 25
A4. Sume ba Miyako
A5. Pink Label - Good Luck
A6. NAME - N.H.K.
A7. Picky Picnic - Kibo no Asu
A8. ReveR - Performan
Side B
B1. NAME - Do We All Need Love
B2. Classic Pearl - Pearl
B3. La Sellrose Can Can - Happy Morning
B4. clä-sick - Every Night
B5. clä-sick - Black Nile
SHORT INFO:
Celebrated new wave compilation from Japan reissued for the first time on Glossy Mistakes.
A much-cherished gem from the 1980s underground Japanese music scene returns as Soft Selection 84 is reissued by Glossy Mistakes for its 40th anniversary. Originally released on DIY label Soft, the compilation sees 13 tracks from nine acts spanning minimal, ambient, zolo and more for a beguiling listen.
The result is a charming time capsule of eclectic creativity in which nothing sounds dated. Take La Sellrose Can Can, whose two party jams predate Kero Kero Bonito's hyperpop by decades. In addition, an impeccable remastering from the original master tapes adds to the "could have been recorded yesterday" feel of the collection.
Soft Selection 84 also includes the eccentric Picky Picnic. One of the few featured artists with recordings beyond the anthology, the trio is an essential act for those curious about Japanese art pop of the era. There is also new wave introspection from Name, whose "Do We All Need Love" plays out as a sensual nod to John Lennon. In a similar vein is Clä-Sick, the recording name of Goro Some, the compilation's original producer and founder of Soft.
The record's rerelease comes with Some's blessing, along with his original artwork and photography. Ultimately, the listener is left tantalised by his selection and its bold excursions into no wave, synth pop, radioplay and bizzaro house. Most of the artists on this release would fade into obscurity, but the transient nature of the potential showcased has helped cement the compilation's reputation over the years.
Soft Selection will be released on vinyl LP by Glossy Mistakes on March 2024, with a remastering from the original master tapes.
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GENRE/S: Synth Pop, Experimental, Minimal, New Wave
- Highly sought after compilation originally released in Japan in 1983
- Remastered from Master Tapes, first ever vinyl reissue
- One of a kind experimental and DIY artist from the influential Nippon era
TRACKLISTS:
Side A
A1. clä-sick - Morning in China
A2. La Sellrose Can Can - Aerobicise
A3. Linolium - Unit 25
A4. Sume ba Miyako
A5. Pink Label - Good Luck
A6. NAME - N.H.K.
A7. Picky Picnic - Kibo no Asu
A8. ReveR - Performan
Side B
B1. NAME - Do We All Need Love
B2. Classic Pearl - Pearl
B3. La Sellrose Can Can - Happy Morning
B4. clä-sick - Every Night
B5. clä-sick - Black Nile
SHORT INFO:
Celebrated new wave compilation from Japan reissued for the first time on Glossy Mistakes.
A much-cherished gem from the 1980s underground Japanese music scene returns as Soft Selection 84 is reissued by Glossy Mistakes for its 40th anniversary. Originally released on DIY label Soft, the compilation sees 13 tracks from nine acts spanning minimal, ambient, zolo and more for a beguiling listen.
The result is a charming time capsule of eclectic creativity in which nothing sounds dated. Take La Sellrose Can Can, whose two party jams predate Kero Kero Bonito's hyperpop by decades. In addition, an impeccable remastering from the original master tapes adds to the "could have been recorded yesterday" feel of the collection.
Soft Selection 84 also includes the eccentric Picky Picnic. One of the few featured artists with recordings beyond the anthology, the trio is an essential act for those curious about Japanese art pop of the era. There is also new wave introspection from Name, whose "Do We All Need Love" plays out as a sensual nod to John Lennon. In a similar vein is Clä-Sick, the recording name of Goro Some, the compilation's original producer and founder of Soft.
The record's rerelease comes with Some's blessing, along with his original artwork and photography. Ultimately, the listener is left tantalised by his selection and its bold excursions into no wave, synth pop, radioplay and bizzaro house. Most of the artists on this release would fade into obscurity, but the transient nature of the potential showcased has helped cement the compilation's reputation over the years.
Soft Selection will be released on vinyl LP by Glossy Mistakes on March 2024, with a remastering from the original master tapes.
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12"
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Cat-No:DJKS1
Release-Date:09.02.2024
Genre:Detroit House
Configuration:12"
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Last in:11.03.2024
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Cat-No:DJKS1
Release-Date:09.02.2024
Genre:Detroit House
Configuration:12"
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1
Diners Club International - 1
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Diners Club International - 2
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Diners Club International - 3
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Diners Club International - 4
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Diners Club International - 5
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Diners Club International - 6
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Diners Club International - 7
New Ghettotech from Detroit
We've genuinely no idea who these guys are but if you're into Hi Tech, Surf Gang and the classic Belle Isle Tech / Straight Up Detroit Shit era DJ Assault stuff then look no further
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We've genuinely no idea who these guys are but if you're into Hi Tech, Surf Gang and the classic Belle Isle Tech / Straight Up Detroit Shit era DJ Assault stuff then look no further
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Label:Curtis Electronix
Cat-No:CRTSX011
Release-Date:01.03.2024
Genre:Electro
Configuration:12"
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Last in:15.07.2024
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Label:Curtis Electronix
Cat-No:CRTSX011
Release-Date:01.03.2024
Genre:Electro
Configuration:12"
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1
Dopplereffekt - Programmable Organism
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Dopplereffekt - Entity From Tetraspace
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Dopplereffekt - Tachyon Intelligence
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Dopplereffekt - Computronium
The 11th release on Curtis Electronix comes from one of the most influential figures in the history of electro. Infinite Tetraspace EP is a mind-altering combination of ambient beauties, ice cold machine-funk and spaced out 4/4 kickers that play with the concept of space and time, as expressed almost clearly in the title. Four next level cuts that push their electro even more into the future. We are very much glad they are back.
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LP
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Cat-No:DJKS3
Release-Date:09.02.2024
Genre:Detroit House
Configuration:LP
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Cat-No:DJKS3
Release-Date:09.02.2024
Genre:Detroit House
Configuration:LP
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Diners Club International - 1
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Diners Club International - 2
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Diners Club International - 3
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Diners Club International - 19
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Diners Club International - 20
New Ghettotech from Detroit
We've genuinely no idea who these guys are but if you're into Hi Tech, Surf Gang and the classic Belle Isle Tech / Straight Up Detroit Shit era DJ Assault stuff then look no further
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We've genuinely no idea who these guys are but if you're into Hi Tech, Surf Gang and the classic Belle Isle Tech / Straight Up Detroit Shit era DJ Assault stuff then look no further
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12"
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Label:Rush Hour Store
Cat-No:RH-STOREJPN12
Release-Date:19.04.2024
Genre:House
Configuration:12"
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Last in:18.10.2024
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Label:Rush Hour Store
Cat-No:RH-STOREJPN12
Release-Date:19.04.2024
Genre:House
Configuration:12"
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1
Katsuya Sano - I Need Luv
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Junichi Soma - Ubnormal Life
3
Shuji Wada - Endless Load
Reissue of early Japanese house outing by Junichi Soma, Shuji Wada and Katsuya Sayo. Comes with insert with liner notes.
All musical movements require a spark to set them alight; in the case of Japanese house music, that spark was provided by the forward-thinking resident DJs of The Bank in Roppongi, Tokyo. In 1989, to celebrate the ground-breaking club’s first birthday, the venue released a 12” EP featuring first-time productions from three of its DJs, Junichi Soma, Shuji Wada and Strong Katsuya AKS Katsuya Sayo.
Widely considered to be one of the first ever EP of house music produced in Japan, 1st Unit was never officially released. Instead, 500 of the 1000 copies pressed were given away at The Bank’s first birthday party, with the rest initially being sold not in local record stores, but rather the venue’s own in-house shop. Three decades on, the 12” is finally set to get its first worldwide release via Rush Hour’s Store JPN Series.
The record has its roots in The Bank’s willingness to give its ever-changing roster of DJs a free hand to play what they liked – at the time a rarity in Tokyo nightclubs, whose musical offerings usually revolved around strictly defined playlists. At The Bank in 1989, it was not only common to hear European body music and the kind of post-disco New York productions associated with Larry Levan’s sets at the Paradise Garage, but also acid house – something not offered at the time by other clubs in the city.
This cutting-edge blend of sounds, combined with the venue’s unique decor (it was modeled on the inside of a London bank, complete with a cashier’s window to take entrance fees), made The Bank a go-to spot for young party-goers, celebrities and forward-thinking Japanese musicians (Ryuichi Sakamoto was reportedly a weekly visitor).
When it came to celebrating the club’s birthday by cutting a unique record, it made sense for The Bank’s owners to turn to three of their most exciting resident DJs, who were assisted by Heigo Tani and Jun Ebi. The collective name, 1st Unit, was chosen to reflect the fact that all three resident DJs were debutants with no previous studio experience.
As this reissue proves, the music remains timeless, magical, and authentic to the sound of American house productions of the period – albeit with occasional twists,. Katsuya Sano’s EP opener, ‘I Need Love’, sounds like a twist on Larry Heard productions of the period – all jacking TR-909 drums, undulating analogue bass, dreamy JUNO synthesizer chords and evocative vocal samples.
The influence of Chicago acid house is also evident on Junichi Souma’s ‘Ubnormal Life’, whose unusual title contains what he says was an intentional misspelling. Driven forwards by restless drum machine handclaps, sweet chords and rising and falling melodic motifs, the track is an energetic and uplifting treat.
Perhaps the most influential of the three tracks at the time – within Japan at least – was Shuji Wada’s similarly misspelled ‘Endless Load’. Deeper and more melodic with a more expansive arrangement, the track’s combination of marimba-style lead lines, tribal drum patterns, dreamy chords and jazz-funk influenced bass offered a loose blueprint for the more successful and better-known Japanese deep house tracks that followed. More
All musical movements require a spark to set them alight; in the case of Japanese house music, that spark was provided by the forward-thinking resident DJs of The Bank in Roppongi, Tokyo. In 1989, to celebrate the ground-breaking club’s first birthday, the venue released a 12” EP featuring first-time productions from three of its DJs, Junichi Soma, Shuji Wada and Strong Katsuya AKS Katsuya Sayo.
Widely considered to be one of the first ever EP of house music produced in Japan, 1st Unit was never officially released. Instead, 500 of the 1000 copies pressed were given away at The Bank’s first birthday party, with the rest initially being sold not in local record stores, but rather the venue’s own in-house shop. Three decades on, the 12” is finally set to get its first worldwide release via Rush Hour’s Store JPN Series.
The record has its roots in The Bank’s willingness to give its ever-changing roster of DJs a free hand to play what they liked – at the time a rarity in Tokyo nightclubs, whose musical offerings usually revolved around strictly defined playlists. At The Bank in 1989, it was not only common to hear European body music and the kind of post-disco New York productions associated with Larry Levan’s sets at the Paradise Garage, but also acid house – something not offered at the time by other clubs in the city.
This cutting-edge blend of sounds, combined with the venue’s unique decor (it was modeled on the inside of a London bank, complete with a cashier’s window to take entrance fees), made The Bank a go-to spot for young party-goers, celebrities and forward-thinking Japanese musicians (Ryuichi Sakamoto was reportedly a weekly visitor).
When it came to celebrating the club’s birthday by cutting a unique record, it made sense for The Bank’s owners to turn to three of their most exciting resident DJs, who were assisted by Heigo Tani and Jun Ebi. The collective name, 1st Unit, was chosen to reflect the fact that all three resident DJs were debutants with no previous studio experience.
As this reissue proves, the music remains timeless, magical, and authentic to the sound of American house productions of the period – albeit with occasional twists,. Katsuya Sano’s EP opener, ‘I Need Love’, sounds like a twist on Larry Heard productions of the period – all jacking TR-909 drums, undulating analogue bass, dreamy JUNO synthesizer chords and evocative vocal samples.
The influence of Chicago acid house is also evident on Junichi Souma’s ‘Ubnormal Life’, whose unusual title contains what he says was an intentional misspelling. Driven forwards by restless drum machine handclaps, sweet chords and rising and falling melodic motifs, the track is an energetic and uplifting treat.
Perhaps the most influential of the three tracks at the time – within Japan at least – was Shuji Wada’s similarly misspelled ‘Endless Load’. Deeper and more melodic with a more expansive arrangement, the track’s combination of marimba-style lead lines, tribal drum patterns, dreamy chords and jazz-funk influenced bass offered a loose blueprint for the more successful and better-known Japanese deep house tracks that followed. More
LP
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Cat-No:DJKS4
Release-Date:09.02.2024
Genre:Detroit House
Configuration:LP
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Cat-No:DJKS4
Release-Date:09.02.2024
Genre:Detroit House
Configuration:LP
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1
Diners Club International - 1
2
Diners Club International - 2
3
Diners Club International - 3
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Diners Club International - 4
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Diners Club International - 5
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Diners Club International - 6
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Diners Club International - 7
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Diners Club International - 8
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Diners Club International - 11
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Diners Club International - 14
New Ghettotech from Detroit
We've genuinely no idea who these guys are but if you're into Hi Tech, Surf Gang and the classic Belle Isle Tech / Straight Up Detroit Shit era DJ Assault stuff then look no further
More
We've genuinely no idea who these guys are but if you're into Hi Tech, Surf Gang and the classic Belle Isle Tech / Straight Up Detroit Shit era DJ Assault stuff then look no further
More