1
Zbigniew Preisner - The Realm of Imagination 12:27
2
Zbigniew Preisner - Preserved in Memory 8:54
3
Zbigniew Preisner - In Beautiful Dreamland 4:06
4
Zbigniew Preisner - Unfinished Conversation 7:19
5
Zbigniew Preisner - Requiem for the World 5:43
Format: LP
GENRE/S: modern classical
TRACKLISTS:
SIDE A
1. The Realm of Imagination 12:27
2. Preserved in Memory 8:54
SIDE B
3. In Beautiful Dreamland 4:06
4. Unfinished Conversation 7:19
5. Requiem for the World 5:43
SHORT INFO:
Grand Canyon
the trip of a lifetime.
You're locked in beauty, the memories of the limestone, the secrets of the mountains.
When you approach them, you have the distinct impression that you're facing castles, monasteries, cities;
but they suddenly disappear, like fantastical dreams, illusions, or mirages.
You become a traveller in the land of dreams and Fata Morgana.
It's a place, where only Silence speaks.
And it was this Silence that inspired me to compose
"Melancholy".
Zbigniew Preisner
More
GENRE/S: modern classical
TRACKLISTS:
SIDE A
1. The Realm of Imagination 12:27
2. Preserved in Memory 8:54
SIDE B
3. In Beautiful Dreamland 4:06
4. Unfinished Conversation 7:19
5. Requiem for the World 5:43
SHORT INFO:
Grand Canyon
the trip of a lifetime.
You're locked in beauty, the memories of the limestone, the secrets of the mountains.
When you approach them, you have the distinct impression that you're facing castles, monasteries, cities;
but they suddenly disappear, like fantastical dreams, illusions, or mirages.
You become a traveller in the land of dreams and Fata Morgana.
It's a place, where only Silence speaks.
And it was this Silence that inspired me to compose
"Melancholy".
Zbigniew Preisner
More
More records from Zbigniew Preisner
Label:A Colourful Storm
Cat-No:ACOLOUR040
Release-Date:13.09.2024
Genre:Soundtracks
Configuration:LP Excl
Label:A Colourful Storm
Cat-No:ACOLOUR040
Release-Date:13.09.2024
Genre:Soundtracks
Configuration:LP Excl
1
Zbigniew Preisner - A1. Effroyables Jardins (Générique)
2
Zbigniew Preisner - A2. Sabotage
3
Zbigniew Preisner - A3. Arrestation
4
Zbigniew Preisner - A4. Le Trou
5
Zbigniew Preisner - A5. Effroyables Jardins par Leszek Mozdzer (1ère Version Piano)
6
Zbigniew Preisner - A6. Métamorphose à l'Hôpital
7
Zbigniew Preisner - A7. Une Vie pour une Vie
8
Zbigniew Preisner - B1. Effroyables Jardins (Ge?ne?rique 2e?me Variation)
9
Zbigniew Preisner - B2 Reminiscence
10
Zbigniew Preisner - B3 Mariage
11
Zbigniew Preisner - B4 Clown
12
Zbigniew Preisner - B5 Effroyables Jardins (Ge?ne?rique de Fin)
13
Zbigniew Preisner - B6 Effroyables Jardins par Leszek Mozdzer (2e?me Version Piano)
14
Zbigniew Preisner - B7 Effroyables Jardins par Leszek Mozdzer (3e?me Version Piano)
LP, Special remarks : Full-colour sleeve with new artwork, insert and postcard
Tracklist
A1. Effroyables Jardins (Générique)
A2. Sabotage
A3. Arrestation
A4. Le Trou
A5. Effroyables Jardins par Leszek Mozdzer (1ère Version Piano)
A6. Métamorphose à l'Hôpital
A7. Une Vie pour une Vie
B1. Effroyables Jardins (Ge?ne?rique 2e?me Variation)
B2 Reminiscence
B3 Mariage
B4 Clown
B5 Effroyables Jardins (Ge?ne?rique de Fin)
B6 Effroyables Jardins par Leszek Mozdzer (2e?me Version Piano)
B7 Effroyables Jardins par Leszek Mozdzer (3e?me Version Piano)
Shortinfo:
A Colourful Storm presents Effroyables Jardins, a soundtrack composed by Zbigniew Preisner for Jean Becker's eponymous film. Given limited distribution during its initial release, the soundtrack's lustre has only strengthened and it is now considered a lost gem of contemporary chamber composition. An understated triumph of the oeuvre of Preisner, who closely collaborated with Polish director Krzysztof Kie?lowski and was responsible for the film scores of Dekalog, The Double Life of Véronique and the Three Colours trilogy.
"Krzysztof and Zbigniew really found each other, as they were deeply complementary in their need of emotional expression," reflects actor Juliette Binoche upon her work in Three Colours: Blue. A Colourful Storm cites no other film leaving a greater impact on them than Three Colours: Red. These would be the last films the duo worked on together, before Kieslowski's retirement and untimely death.
Effroyable Jardins marks Preisner's post-Kieslowski era of solo composition, shifting from devotional harmonies into a beautifully restrained style of neo-Romanticism. It is his second soundtrack for Jean Becker, following Francis Ford Coppola's commission for The Secret Garden, the César-winning Élisa, and Edoardo Ponte's Between Strangers. Its leitmotif - a delicate, sparse melody for piano and organ, appears only during the opening sequence and, like Preisner's most powerful soundtracks, takes on a life of its own. Compositions for violin, harp and percussion are interspersed with haunting variations on a theme and a masterful use of silence. His music haunts the grieving Julie in Blue, soundtracks Valentine's epiphany in Red, and evokes the sublimity of moments in everyday life.
More
Tracklist
A1. Effroyables Jardins (Générique)
A2. Sabotage
A3. Arrestation
A4. Le Trou
A5. Effroyables Jardins par Leszek Mozdzer (1ère Version Piano)
A6. Métamorphose à l'Hôpital
A7. Une Vie pour une Vie
B1. Effroyables Jardins (Ge?ne?rique 2e?me Variation)
B2 Reminiscence
B3 Mariage
B4 Clown
B5 Effroyables Jardins (Ge?ne?rique de Fin)
B6 Effroyables Jardins par Leszek Mozdzer (2e?me Version Piano)
B7 Effroyables Jardins par Leszek Mozdzer (3e?me Version Piano)
Shortinfo:
A Colourful Storm presents Effroyables Jardins, a soundtrack composed by Zbigniew Preisner for Jean Becker's eponymous film. Given limited distribution during its initial release, the soundtrack's lustre has only strengthened and it is now considered a lost gem of contemporary chamber composition. An understated triumph of the oeuvre of Preisner, who closely collaborated with Polish director Krzysztof Kie?lowski and was responsible for the film scores of Dekalog, The Double Life of Véronique and the Three Colours trilogy.
"Krzysztof and Zbigniew really found each other, as they were deeply complementary in their need of emotional expression," reflects actor Juliette Binoche upon her work in Three Colours: Blue. A Colourful Storm cites no other film leaving a greater impact on them than Three Colours: Red. These would be the last films the duo worked on together, before Kieslowski's retirement and untimely death.
Effroyable Jardins marks Preisner's post-Kieslowski era of solo composition, shifting from devotional harmonies into a beautifully restrained style of neo-Romanticism. It is his second soundtrack for Jean Becker, following Francis Ford Coppola's commission for The Secret Garden, the César-winning Élisa, and Edoardo Ponte's Between Strangers. Its leitmotif - a delicate, sparse melody for piano and organ, appears only during the opening sequence and, like Preisner's most powerful soundtracks, takes on a life of its own. Compositions for violin, harp and percussion are interspersed with haunting variations on a theme and a masterful use of silence. His music haunts the grieving Julie in Blue, soundtracks Valentine's epiphany in Red, and evokes the sublimity of moments in everyday life.
More
Format: CD
GENRE/S: modern classical
TRACKLISTS:
SIDE A
1. The Realm of Imagination 12:27
2. Preserved in Memory 8:54
SIDE B
3. In Beautiful Dreamland 4:06
4. Unfinished Conversation 7:19
5. Requiem for the World 5:43
SHORT INFO:
Grand Canyon
the trip of a lifetime.
You're locked in beauty, the memories of the limestone, the secrets of the mountains.
When you approach them, you have the distinct impression that you're facing castles, monasteries, cities;
but they suddenly disappear, like fantastical dreams, illusions, or mirages.
You become a traveller in the land of dreams and Fata Morgana.
It's a place, where only Silence speaks.
And it was this Silence that inspired me to compose
"Melancholy".
Zbigniew Preisner
More
GENRE/S: modern classical
TRACKLISTS:
SIDE A
1. The Realm of Imagination 12:27
2. Preserved in Memory 8:54
SIDE B
3. In Beautiful Dreamland 4:06
4. Unfinished Conversation 7:19
5. Requiem for the World 5:43
SHORT INFO:
Grand Canyon
the trip of a lifetime.
You're locked in beauty, the memories of the limestone, the secrets of the mountains.
When you approach them, you have the distinct impression that you're facing castles, monasteries, cities;
but they suddenly disappear, like fantastical dreams, illusions, or mirages.
You become a traveller in the land of dreams and Fata Morgana.
It's a place, where only Silence speaks.
And it was this Silence that inspired me to compose
"Melancholy".
Zbigniew Preisner
More
More records from Preisner Productions
Format: CD
GENRE/S: modern classical
TRACKLISTS:
SIDE A
1. The Realm of Imagination 12:27
2. Preserved in Memory 8:54
SIDE B
3. In Beautiful Dreamland 4:06
4. Unfinished Conversation 7:19
5. Requiem for the World 5:43
SHORT INFO:
Grand Canyon
the trip of a lifetime.
You're locked in beauty, the memories of the limestone, the secrets of the mountains.
When you approach them, you have the distinct impression that you're facing castles, monasteries, cities;
but they suddenly disappear, like fantastical dreams, illusions, or mirages.
You become a traveller in the land of dreams and Fata Morgana.
It's a place, where only Silence speaks.
And it was this Silence that inspired me to compose
"Melancholy".
Zbigniew Preisner
More
GENRE/S: modern classical
TRACKLISTS:
SIDE A
1. The Realm of Imagination 12:27
2. Preserved in Memory 8:54
SIDE B
3. In Beautiful Dreamland 4:06
4. Unfinished Conversation 7:19
5. Requiem for the World 5:43
SHORT INFO:
Grand Canyon
the trip of a lifetime.
You're locked in beauty, the memories of the limestone, the secrets of the mountains.
When you approach them, you have the distinct impression that you're facing castles, monasteries, cities;
but they suddenly disappear, like fantastical dreams, illusions, or mirages.
You become a traveller in the land of dreams and Fata Morgana.
It's a place, where only Silence speaks.
And it was this Silence that inspired me to compose
"Melancholy".
Zbigniew Preisner
More
Label:Preisner Productions
Cat-No:PPLP004
Release-Date:24.11.2023
Genre:Electronic
Configuration:LP Excl
Label:Preisner Productions
Cat-No:PPLP004
Release-Date:24.11.2023
Genre:Electronic
Configuration:LP Excl
1
Zbigniew Preisner & Lisa Gerrard - A1. Hear me out
2
Zbigniew Preisner & Lisa Gerrard - A2. I'm praying for silence
3
Zbigniew Preisner & Lisa Gerrard - A3. If dreams were life
4
Zbigniew Preisner & Lisa Gerrard - A4. Believe in yourself
5
Zbigniew Preisner & Lisa Gerrard - B1. It's not all lost
6
Zbigniew Preisner & Lisa Gerrard - B2. If you could get back to the roots
7
Zbigniew Preisner & Lisa Gerrard - B3. It's not too late
8
Zbigniew Preisner & Lisa Gerrard - B4. Searching for a lost world
9
Zbigniew Preisner & Lisa Gerrard - B5. Into the light
1 Format: LP
2. GENRE/S: modern classical
3. TRACKLIST:
SIDE A
1. Hear me out 3:43
2. I'm praying for silence 5:32
3. If dreams were life 5:04
4. Believe in yourself 4:39
SIDE B
1. It's not all lost 3:17
2. If you could get back to the roots 4:28
3. It's not too late 4:35
4. Searching for a lost world 4:38
5. Into the light 4:20
4. SHORT INFO:
I can say that the album It's not too late has been created by chance.
Few years ago together with Lisa Gerrard we visited synagogue in a small town hundred kilometres from Cracow, Bobowa. When we entered the synagogue Lisa started to sing. It appeared that the place had spine-tingling acoustics. I said then to Lisa: " let's try to record something here".
The rule was simple: I prepared themes and we recorded live performance. Lisa heard what I was playing for the first time during the recording and she improvised. We recorded nine compositions in 45 minutes. It supposed to be a holiday joy.
Six years later I returned to the material we recorded and decided to finish it. What is left from the original recording is the voice of Lisa. I composed and recorded everything else in my studio. Dominik Wania played piano, Magdalena Pluta - cello and Jerzy G?owczewski- saxophone.
That's the way the album It's not too late came in to being.
We live in the most dangerous time since the Second World War.
Lisa Gerrard and I want to tell you about the world we share. Our weapon is music. It doesn't kill, it resurrects, and it brings hope to life.
It's not too late.
Zbigniew Preisner
More
2. GENRE/S: modern classical
3. TRACKLIST:
SIDE A
1. Hear me out 3:43
2. I'm praying for silence 5:32
3. If dreams were life 5:04
4. Believe in yourself 4:39
SIDE B
1. It's not all lost 3:17
2. If you could get back to the roots 4:28
3. It's not too late 4:35
4. Searching for a lost world 4:38
5. Into the light 4:20
4. SHORT INFO:
I can say that the album It's not too late has been created by chance.
Few years ago together with Lisa Gerrard we visited synagogue in a small town hundred kilometres from Cracow, Bobowa. When we entered the synagogue Lisa started to sing. It appeared that the place had spine-tingling acoustics. I said then to Lisa: " let's try to record something here".
The rule was simple: I prepared themes and we recorded live performance. Lisa heard what I was playing for the first time during the recording and she improvised. We recorded nine compositions in 45 minutes. It supposed to be a holiday joy.
Six years later I returned to the material we recorded and decided to finish it. What is left from the original recording is the voice of Lisa. I composed and recorded everything else in my studio. Dominik Wania played piano, Magdalena Pluta - cello and Jerzy G?owczewski- saxophone.
That's the way the album It's not too late came in to being.
We live in the most dangerous time since the Second World War.
Lisa Gerrard and I want to tell you about the world we share. Our weapon is music. It doesn't kill, it resurrects, and it brings hope to life.
It's not too late.
Zbigniew Preisner
More
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Plastikman - B1 Kriket
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Plastikman - B3 Outbak
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Plastikman - C1 Ethnik
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Plastikman - D2 Lasttrak
Territory: WW-UK/EIRE & USA,Canada
Limited Edition Double Vinyl
Pressed on bio-viny and packaged in environmental wrapping
ABOUT
In celebration of its 30th anniversary, Plastikman, aka Richie Hawtin, has remastered his groundbreaking second album, Musik, from the original tapes for a new limited bio-vinyl edition.
The record was first released in November 1994 through NovaMute and Plus 8, following the debut Plastikman album, Sheet One (1993). A masterclass in minimal techno, Musik quickly propelled Hawtin to new levels of success. The release followed Plastikman's first-ever live performance in a black vinyl-encased room at a semi-derelict Packard Plant in Detroit, where Hawtin was central to the burgeoning underground scene.
Before the full album hit the shelves, the track 'Plastique' (which was later described by Q as "...the flipside to Hawtin's early singles, all ticking percussion, feline acid tweaks, and cushioned sub-bass") set the stage for a more dance floor-friendly album, albeit one with an unsettling and sinister side.
The album, described by The Guardian as "music as you've never heard it before" and by The Wire, who made it one of their Albums of the Year, as "... a masterpiece", defined a moment in techno that still echoes today.
Now, 30 years later, the album has been remastered from the original tapes, reminding us why Plastikman is a name that still resonates and that the album's intensity - on and off the dance floor - has lost none of its potency in the intervening years.
Available on limited edition double bio-vinyl from Mute and NovaMute.
TRACKLIST
A1 Konception
A2 Plastique
B1 Kriket
B2 FUK
B3 Outbak
C1 Ethnik
C2 Plasmatik
C3 Goo
D1 Marbles
D2 Lasttrak
More
Limited Edition Double Vinyl
Pressed on bio-viny and packaged in environmental wrapping
ABOUT
In celebration of its 30th anniversary, Plastikman, aka Richie Hawtin, has remastered his groundbreaking second album, Musik, from the original tapes for a new limited bio-vinyl edition.
The record was first released in November 1994 through NovaMute and Plus 8, following the debut Plastikman album, Sheet One (1993). A masterclass in minimal techno, Musik quickly propelled Hawtin to new levels of success. The release followed Plastikman's first-ever live performance in a black vinyl-encased room at a semi-derelict Packard Plant in Detroit, where Hawtin was central to the burgeoning underground scene.
Before the full album hit the shelves, the track 'Plastique' (which was later described by Q as "...the flipside to Hawtin's early singles, all ticking percussion, feline acid tweaks, and cushioned sub-bass") set the stage for a more dance floor-friendly album, albeit one with an unsettling and sinister side.
The album, described by The Guardian as "music as you've never heard it before" and by The Wire, who made it one of their Albums of the Year, as "... a masterpiece", defined a moment in techno that still echoes today.
Now, 30 years later, the album has been remastered from the original tapes, reminding us why Plastikman is a name that still resonates and that the album's intensity - on and off the dance floor - has lost none of its potency in the intervening years.
Available on limited edition double bio-vinyl from Mute and NovaMute.
TRACKLIST
A1 Konception
A2 Plastique
B1 Kriket
B2 FUK
B3 Outbak
C1 Ethnik
C2 Plasmatik
C3 Goo
D1 Marbles
D2 Lasttrak
More
Label:Preisner Productions
Cat-No:PPLP004
Release-Date:24.11.2023
Genre:Electronic
Configuration:LP Excl
Label:Preisner Productions
Cat-No:PPLP004
Release-Date:24.11.2023
Genre:Electronic
Configuration:LP Excl
1
Zbigniew Preisner & Lisa Gerrard - A1. Hear me out
2
Zbigniew Preisner & Lisa Gerrard - A2. I'm praying for silence
3
Zbigniew Preisner & Lisa Gerrard - A3. If dreams were life
4
Zbigniew Preisner & Lisa Gerrard - A4. Believe in yourself
5
Zbigniew Preisner & Lisa Gerrard - B1. It's not all lost
6
Zbigniew Preisner & Lisa Gerrard - B2. If you could get back to the roots
7
Zbigniew Preisner & Lisa Gerrard - B3. It's not too late
8
Zbigniew Preisner & Lisa Gerrard - B4. Searching for a lost world
9
Zbigniew Preisner & Lisa Gerrard - B5. Into the light
1 Format: LP
2. GENRE/S: modern classical
3. TRACKLIST:
SIDE A
1. Hear me out 3:43
2. I'm praying for silence 5:32
3. If dreams were life 5:04
4. Believe in yourself 4:39
SIDE B
1. It's not all lost 3:17
2. If you could get back to the roots 4:28
3. It's not too late 4:35
4. Searching for a lost world 4:38
5. Into the light 4:20
4. SHORT INFO:
I can say that the album It's not too late has been created by chance.
Few years ago together with Lisa Gerrard we visited synagogue in a small town hundred kilometres from Cracow, Bobowa. When we entered the synagogue Lisa started to sing. It appeared that the place had spine-tingling acoustics. I said then to Lisa: " let's try to record something here".
The rule was simple: I prepared themes and we recorded live performance. Lisa heard what I was playing for the first time during the recording and she improvised. We recorded nine compositions in 45 minutes. It supposed to be a holiday joy.
Six years later I returned to the material we recorded and decided to finish it. What is left from the original recording is the voice of Lisa. I composed and recorded everything else in my studio. Dominik Wania played piano, Magdalena Pluta - cello and Jerzy G?owczewski- saxophone.
That's the way the album It's not too late came in to being.
We live in the most dangerous time since the Second World War.
Lisa Gerrard and I want to tell you about the world we share. Our weapon is music. It doesn't kill, it resurrects, and it brings hope to life.
It's not too late.
Zbigniew Preisner
More
2. GENRE/S: modern classical
3. TRACKLIST:
SIDE A
1. Hear me out 3:43
2. I'm praying for silence 5:32
3. If dreams were life 5:04
4. Believe in yourself 4:39
SIDE B
1. It's not all lost 3:17
2. If you could get back to the roots 4:28
3. It's not too late 4:35
4. Searching for a lost world 4:38
5. Into the light 4:20
4. SHORT INFO:
I can say that the album It's not too late has been created by chance.
Few years ago together with Lisa Gerrard we visited synagogue in a small town hundred kilometres from Cracow, Bobowa. When we entered the synagogue Lisa started to sing. It appeared that the place had spine-tingling acoustics. I said then to Lisa: " let's try to record something here".
The rule was simple: I prepared themes and we recorded live performance. Lisa heard what I was playing for the first time during the recording and she improvised. We recorded nine compositions in 45 minutes. It supposed to be a holiday joy.
Six years later I returned to the material we recorded and decided to finish it. What is left from the original recording is the voice of Lisa. I composed and recorded everything else in my studio. Dominik Wania played piano, Magdalena Pluta - cello and Jerzy G?owczewski- saxophone.
That's the way the album It's not too late came in to being.
We live in the most dangerous time since the Second World War.
Lisa Gerrard and I want to tell you about the world we share. Our weapon is music. It doesn't kill, it resurrects, and it brings hope to life.
It's not too late.
Zbigniew Preisner
More
Transparent Yellow Vinyl EP, printed on reverse board sleeve including double sided printed insert and packed in resealable protective sleeve. Inc DL Code.
The now iconic ‘Live from Studio S2’ memorizing performance gets a sought-after new pressing on limited transparent yellow vinyl, featuring all four tracks from the session.
Track Listing:
A1. Hawaii Oslo
A2. Glass
B1. Leaving
B2. Buka
Listen: https://listen.k7.com/6c9bb7e1-cc18-4f28-b5e9-feb050ef447d More
The now iconic ‘Live from Studio S2’ memorizing performance gets a sought-after new pressing on limited transparent yellow vinyl, featuring all four tracks from the session.
Track Listing:
A1. Hawaii Oslo
A2. Glass
B1. Leaving
B2. Buka
Listen: https://listen.k7.com/6c9bb7e1-cc18-4f28-b5e9-feb050ef447d More
Special Remarks: Double LP Gatefold +CD - Territory : World Ex France
Tracklist Vinyl:
A1. Cassius 1999 / A2. Feeling For You / A3. Crazy Legs / A4. La Mouche
B1. Chase / B2. Foxxy / B3. Planetz / B4. Hey Babe
C1. Mister Eveready / C2. Nulife / C3. Interlude / C4. Somebody
D1. Club Soixante Quinze / D2. Supa Crush / D3. Invisible / D4. Cassius 1999 Remix
The CD included in the LP features the 16 tracks in the same order
Short info:
1999…after the global supremacy of Oasis and Blur, the world is looking for some musical freshness. Some artists such as Daft Punk and Air have already contributed to globally popularise what the English called the "French Touch", a new term that refers to a large musical French movement.
The first album of Cassius is one of the key pieces of this growing genre, and demonstrates once again the variety of the trend. Indeed, after have cooperated for a long time with MC Solaar, one of France's 90's best rappers, the hip-hop influence of both Cassius members had to have an impact on their personal concept, and it did seduce a lot of listeners hungry for new musical flavours: more than 250 000 units sold worldwide and numerous unconditional fans…Before the release of their new album Ibifornia coming out this summer, we're taking you back to basics with a new release of Cassius' first album, for the ones who didn't have the opportunity to hear it, or for those who only have the CD, and would like to get themselves the vinyl edition !
More
Tracklist Vinyl:
A1. Cassius 1999 / A2. Feeling For You / A3. Crazy Legs / A4. La Mouche
B1. Chase / B2. Foxxy / B3. Planetz / B4. Hey Babe
C1. Mister Eveready / C2. Nulife / C3. Interlude / C4. Somebody
D1. Club Soixante Quinze / D2. Supa Crush / D3. Invisible / D4. Cassius 1999 Remix
The CD included in the LP features the 16 tracks in the same order
Short info:
1999…after the global supremacy of Oasis and Blur, the world is looking for some musical freshness. Some artists such as Daft Punk and Air have already contributed to globally popularise what the English called the "French Touch", a new term that refers to a large musical French movement.
The first album of Cassius is one of the key pieces of this growing genre, and demonstrates once again the variety of the trend. Indeed, after have cooperated for a long time with MC Solaar, one of France's 90's best rappers, the hip-hop influence of both Cassius members had to have an impact on their personal concept, and it did seduce a lot of listeners hungry for new musical flavours: more than 250 000 units sold worldwide and numerous unconditional fans…Before the release of their new album Ibifornia coming out this summer, we're taking you back to basics with a new release of Cassius' first album, for the ones who didn't have the opportunity to hear it, or for those who only have the CD, and would like to get themselves the vinyl edition !
More
Written and produced by Kieran Hebden.
Photography by Jason Evans.
Design by Jason Evans and Matthew Cooper.
P+C Text Records 2024
01 Loved 4:03 02 Gliding Through Everything 4:08 03 Storm Crystals 6:40 04 Daydream Repeat 6:09 05 Skater 4:16 06 31 Bloom 5:52 07 So Blue 5:30 08 Three Drums 8:16
More
Photography by Jason Evans.
Design by Jason Evans and Matthew Cooper.
P+C Text Records 2024
01 Loved 4:03 02 Gliding Through Everything 4:08 03 Storm Crystals 6:40 04 Daydream Repeat 6:09 05 Skater 4:16 06 31 Bloom 5:52 07 So Blue 5:30 08 Three Drums 8:16
More
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13
WhoMadeWho - Qualia
Globally renowned Danish group WhoMadeWho has returned with their 8th studio LP, the highly emotive and melodic Kiss & Forget, marking their first album release since 2022’s acclaimed UUUU. The ever-evolving outfit step into a new era with a vibrant collection of 13 tracks featuring indie electronic, pop, house, disco, synthwave, and more elements. Boasting an impressive list of album collaborators - RY X, Blue Hawaii, Adriatique, Kölsch, and nour - Kiss & Forget offers a concoction of diverse sounds that evoke the collective’s perpetually youthful spirit. Kiss & Forget is due for release on September 13th via the band’s imprint, The Moment. Despite their extensive and storied career, WhoMadeWho - comprised of Tomas Høffding, Tomas Barfod, and Jeppe Kjellberg - has been having one of their best years yet. Since announcing the album in late 2023, the band has teased fans with a series of singles that highlight the diverse sonic palette of Kiss & Forget. The nostalgic lead single, “Children,” boasting the angelic timbres of the Danish children’s choir Vesterbros Ungdomsgård, became an instant hit, earning Pete Tong’s highly sought-after “Essential New Tune” title on BBC Radio 1. This was followed by the ethereal “Love Will Save Me” featuring GRAMMY-nominated RY X, the dreamy “Kiss Me Hard” with Canadian indie duo Blue Hawaii, and “Heartless” with fellow venerated Danish electronic producer Kölsch.
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WORLD EXCL. FR & UK Limited Anniversary Release- double vinyl, second vinyl collecting the best mixes from various 12'' of 2006 & 2007. CD inside is the original album (bonus are exclusive to vinyl)
DJ MEHDI (R.i.p.!!) ´s Classic from 2006, now in a neat 2017 Anniversary re editoon for Because Music /ed banger´s 10th anniversary + Original CD + Bonus LP (Vinyl Only!).
the 10th anniversary re issue : double vinyl, second vinyl collecting the best mixes from various 12'' of 2006 & 2007. CD inside is the original album (bonus are exclusive to vinyl)
Original LP/CD:
A1 – Busy Being Born , A2 – I Am Somebody , A3 – Signatune , A4 – Boggin’, A5 – Always Be An Angel, A6 – Pony Rocking
B1 – Saharian Break, B2 – Lucky Boy, B3 – Wee Bounce, B4 – Leave It Lone , B5 – Hot-O-Momo , B6 – Constellation , B7 – Love Bombing
Bonus LP:
C1 SIGNATUNE - THOMAS BANGALTER EDIT C2 POCKET PIANO- BRODINSKI REMIX D1 I AM SOMEBODY - KENNY DOPE REMIX D2 LUCKY BOY- OUTLINES REMIXES
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DJ MEHDI (R.i.p.!!) ´s Classic from 2006, now in a neat 2017 Anniversary re editoon for Because Music /ed banger´s 10th anniversary + Original CD + Bonus LP (Vinyl Only!).
the 10th anniversary re issue : double vinyl, second vinyl collecting the best mixes from various 12'' of 2006 & 2007. CD inside is the original album (bonus are exclusive to vinyl)
Original LP/CD:
A1 – Busy Being Born , A2 – I Am Somebody , A3 – Signatune , A4 – Boggin’, A5 – Always Be An Angel, A6 – Pony Rocking
B1 – Saharian Break, B2 – Lucky Boy, B3 – Wee Bounce, B4 – Leave It Lone , B5 – Hot-O-Momo , B6 – Constellation , B7 – Love Bombing
Bonus LP:
C1 SIGNATUNE - THOMAS BANGALTER EDIT C2 POCKET PIANO- BRODINSKI REMIX D1 I AM SOMEBODY - KENNY DOPE REMIX D2 LUCKY BOY- OUTLINES REMIXES
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1
Chrystabell & David Lnych - She Knew
2
Chrystabell & David Lnych - The Sky Falls
3
Chrystabell & David Lnych - You Know The Rest
4
Chrystabell & David Lnych - So Much Love
5
Chrystabell & David Lnych - Two Lovers Kiss
6
Chrystabell & David Lnych - The Answers To The Questions
7
Chrystabell & David Lnych - With Small Animals
8
Chrystabell & David Lnych - Reflections In A Blade
9
Chrystabell & David Lnych - Dance Of Light
10
Chrystabell & David Lnych - Sublime Eternal Love
Tip!
Limited Clear Vinyl!
The origin of Chrystabell and David Lynch’s album Cellophane Memories comes from a vision that David experienced during a nighttime walk through a forest of tall trees, over the tops of which he saw a bright light. As he recalls it, the light became the lilt of Chrystabell’s voice and revealed a secret to him. It is from these mysterious convergences of light and sound, day and night, starry sky and black forest that Chrystabell and David’s collaboration has continued to blossom.
For Cellophane Memories, the two have traveled through different portals. Fittingly, many of the songs are set in fairytale forests, mountain peaks, swimming holes, crepus-cular highways and darkened bedrooms. These are the abodes of both loneliness and romance, the sorts of sublime landscapes where people often travel alone in search of a wayward lover. But they are also shapeless atmospheres—of color, weather and breath: blue and white skies, red roses, darkening thunderheads, swirling winds and summer perfumes, which quickly immerse the traveler in the supernatural sensations of other worlds.
Time is a mercurial creature in Chrystabell and David’s songs. The characters are little more than oblique sketches of time’s quotidian melodramas: people arrive and depart as strangers, strangers fall into despair and love, lovers part at the crossroads and re-unite in a dream. In this quantum matinee of everyday life, each character is both a star and a background extra. Elisions in time reappear over and over within Chrystabell’s vocals, which emerge and dissolve and loop back in layers of harmony and history. They are mantled by David’s, and late composer Angelo Badalamenti’s, orchestra of waldeinsamkeit-inspired strings, oneiric guitar glissandi and clouds of reverb, whose melodies are like the sensation of time pausing for a first kiss.
As with much of Chrystabell and David’s work from the past, Cellophane Memories returns us to a central question: what is a mystery? Alas, the riddle remains unanswered. But all mystery contains slivers of those conceits and feelings described above: the departing and the coming-back, the landscape, atmosphere and breath, the topsy turvy mechanisms of time, memories of the bygone, a distant light radiating from darkness, music within silence, love. More
Limited Clear Vinyl!
The origin of Chrystabell and David Lynch’s album Cellophane Memories comes from a vision that David experienced during a nighttime walk through a forest of tall trees, over the tops of which he saw a bright light. As he recalls it, the light became the lilt of Chrystabell’s voice and revealed a secret to him. It is from these mysterious convergences of light and sound, day and night, starry sky and black forest that Chrystabell and David’s collaboration has continued to blossom.
For Cellophane Memories, the two have traveled through different portals. Fittingly, many of the songs are set in fairytale forests, mountain peaks, swimming holes, crepus-cular highways and darkened bedrooms. These are the abodes of both loneliness and romance, the sorts of sublime landscapes where people often travel alone in search of a wayward lover. But they are also shapeless atmospheres—of color, weather and breath: blue and white skies, red roses, darkening thunderheads, swirling winds and summer perfumes, which quickly immerse the traveler in the supernatural sensations of other worlds.
Time is a mercurial creature in Chrystabell and David’s songs. The characters are little more than oblique sketches of time’s quotidian melodramas: people arrive and depart as strangers, strangers fall into despair and love, lovers part at the crossroads and re-unite in a dream. In this quantum matinee of everyday life, each character is both a star and a background extra. Elisions in time reappear over and over within Chrystabell’s vocals, which emerge and dissolve and loop back in layers of harmony and history. They are mantled by David’s, and late composer Angelo Badalamenti’s, orchestra of waldeinsamkeit-inspired strings, oneiric guitar glissandi and clouds of reverb, whose melodies are like the sensation of time pausing for a first kiss.
As with much of Chrystabell and David’s work from the past, Cellophane Memories returns us to a central question: what is a mystery? Alas, the riddle remains unanswered. But all mystery contains slivers of those conceits and feelings described above: the departing and the coming-back, the landscape, atmosphere and breath, the topsy turvy mechanisms of time, memories of the bygone, a distant light radiating from darkness, music within silence, love. More
Following the already classic Wamono A to Z trilogy, 180g presents an exceptional collection of jazz funk / rare groove tunes recorded in the mid-seventies at the Nippon Columbia studios by three giants of Japanese music: arranger Kiyoshi Yamaya, koto legend Toshiko Yonekawa and shakuhachi master Kifu Mitsuhashi.
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1
Johnny April - - She Had A Pikanese (feat. Mat Matthews Quartet)
2
Lu Elliott - - Common Sense
3
Lloyd Fatman - - No Big Thing (Pt.1& 2)
4
Billy J - - Teacher Teach Me
5
Wayne Johnson - - Scram Gravy Ain't Wavy (feat. Brigade)
6
4 Dimensions - - Hipper Snapper
7
The Villagers - - Funky Broadway
8
The Rippers - - Honesty
9
Exceptional Citizens Band - - Proud Mary
10
Gus Brendel - - Sax On The Rocks
11
The Hornets - - Seven Days To Tahiti
12
Bret Breitinger - - Jive Samba
13
Downtown Trio - - Summertime
14
ONYX - - Break It Loose (Pt.1)
15
The Shake And Bake Band - - Shake And Bake (Pt.1& 2)
16
Lou Jackson - - Outside Looking In
17
Energy Crisis - - Tough Times Blues
18
Soul Unlimited - - Do It
19
Soul Unlimited - - Darkside Of Town
** INITIAL 400 LPs CONTAIN A BONUS 7" SINGLE **
MOVEMENTS Vol.12 – A bag full of rare rhythm & blues, mod-jazz, and mid 70s funk. Side A starts with rhythm & blues from the 1960s. Most of the tracks were pulled from hopelessly obscure 7" singles. The only names of which some of you might be familiar with are most likely Mat Mathews and Lu Elliott. However, both original 45 RPM singles are pretty hard to find these days, especially in playable condition. Side B is all about deepfunk this time. "Hipper Snapper " is a prime example of that genre. Some say its groove is reminiscent of Charles Wright's "Express Yourself. Agreed! The Villagers are responsible for the first 'aha' moment. Their (previously unreleased!) version of "Funky Broadway" would have certainly astounded even Dyke & The Blazers. Representing Germany on this volume: The Rippers, also called the "Offenburg Beatles"! Back in the USA, John Fogerty has probably never heard of this heavy school-funk cover of "Proud Mary". Drum breaks galore! Side C begins with another German contribution. Saxophonist Gus Brendel delivers a mod-jazz belter of the highest order as do The Hornets. Definitely sure-shots for any dance floors! High time for 'aha' moment #2. Many bands have tried their hands on a cover version of the Nat Adderley jazz classic, incl. vibraphone player Bret Breitinger! The perfect choice to finish this side is Downtown Trio's smooth and groovy cover of Gershwin's "Summertime ". Side D is reserved for proper 1970s funk. ONYX's "Break It Loose " has become a certified Rare Groove classic. Here you can enjoy it for the first time with the blessing of the band! Glenn Doughty and his Baltimore Colts Shake and Bake Band of the 70's is the first musical group consisting of former NFL All-Pro players that Tramp Records has partnered with in its history! Watch out, "Shake and Bake " will be re-released on a good old 45 RPM single, too! Those of you who have been enjoying the detective work of the people behind the label over the past 21 years know that the Movements series can be easily considered as the flagship compilation series on Tramp. So, after having listened to the entire selection of this brand new volume we sincerely hope that we will have achieved our aim to surprise, delight, and enlighten you once again! More
MOVEMENTS Vol.12 – A bag full of rare rhythm & blues, mod-jazz, and mid 70s funk. Side A starts with rhythm & blues from the 1960s. Most of the tracks were pulled from hopelessly obscure 7" singles. The only names of which some of you might be familiar with are most likely Mat Mathews and Lu Elliott. However, both original 45 RPM singles are pretty hard to find these days, especially in playable condition. Side B is all about deepfunk this time. "Hipper Snapper " is a prime example of that genre. Some say its groove is reminiscent of Charles Wright's "Express Yourself. Agreed! The Villagers are responsible for the first 'aha' moment. Their (previously unreleased!) version of "Funky Broadway" would have certainly astounded even Dyke & The Blazers. Representing Germany on this volume: The Rippers, also called the "Offenburg Beatles"! Back in the USA, John Fogerty has probably never heard of this heavy school-funk cover of "Proud Mary". Drum breaks galore! Side C begins with another German contribution. Saxophonist Gus Brendel delivers a mod-jazz belter of the highest order as do The Hornets. Definitely sure-shots for any dance floors! High time for 'aha' moment #2. Many bands have tried their hands on a cover version of the Nat Adderley jazz classic, incl. vibraphone player Bret Breitinger! The perfect choice to finish this side is Downtown Trio's smooth and groovy cover of Gershwin's "Summertime ". Side D is reserved for proper 1970s funk. ONYX's "Break It Loose " has become a certified Rare Groove classic. Here you can enjoy it for the first time with the blessing of the band! Glenn Doughty and his Baltimore Colts Shake and Bake Band of the 70's is the first musical group consisting of former NFL All-Pro players that Tramp Records has partnered with in its history! Watch out, "Shake and Bake " will be re-released on a good old 45 RPM single, too! Those of you who have been enjoying the detective work of the people behind the label over the past 21 years know that the Movements series can be easily considered as the flagship compilation series on Tramp. So, after having listened to the entire selection of this brand new volume we sincerely hope that we will have achieved our aim to surprise, delight, and enlighten you once again! More
1
mood 2 swing - Do It Your Way
2
mood 2 swing - All Night Long
3
mood 2 swing - I Like It
Re issued in conjunction with George Morel / Groove On. Re mastered for 2014 from original Mood II Swing dats.
Absolutely killer Mood II Swing from 1996... More
Absolutely killer Mood II Swing from 1996... More
1
Chrystabell & David Lnych - She Knew
2
Chrystabell & David Lnych - The Sky Falls
3
Chrystabell & David Lnych - You Know The Rest
4
Chrystabell & David Lnych - So Much Love
5
Chrystabell & David Lnych - Two Lovers Kiss
6
Chrystabell & David Lnych - The Answers To The Questions
7
Chrystabell & David Lnych - With Small Animals
8
Chrystabell & David Lnych - Reflections In A Blade
9
Chrystabell & David Lnych - Dance Of Light
10
Chrystabell & David Lnych - Sublime Eternal Love
Tip!
The origin of Chrystabell and David Lynch’s album Cellophane Memories comes from a vision that David experienced during a nighttime walk through a forest of tall trees, over the tops of which he saw a bright light. As he recalls it, the light became the lilt of Chrystabell’s voice and revealed a secret to him. It is from these mysterious convergences of light and sound, day and night, starry sky and black forest that Chrystabell and David’s collaboration has continued to blossom.
For Cellophane Memories, the two have traveled through different portals. Fittingly, many of the songs are set in fairytale forests, mountain peaks, swimming holes, crepus-cular highways and darkened bedrooms. These are the abodes of both loneliness and romance, the sorts of sublime landscapes where people often travel alone in search of a wayward lover. But they are also shapeless atmospheres—of color, weather and breath: blue and white skies, red roses, darkening thunderheads, swirling winds and summer perfumes, which quickly immerse the traveler in the supernatural sensations of other worlds.
Time is a mercurial creature in Chrystabell and David’s songs. The characters are little more than oblique sketches of time’s quotidian melodramas: people arrive and depart as strangers, strangers fall into despair and love, lovers part at the crossroads and re-unite in a dream. In this quantum matinee of everyday life, each character is both a star and a background extra. Elisions in time reappear over and over within Chrystabell’s vocals, which emerge and dissolve and loop back in layers of harmony and history. They are mantled by David’s, and late composer Angelo Badalamenti’s, orchestra of waldeinsamkeit-inspired strings, oneiric guitar glissandi and clouds of reverb, whose melodies are like the sensation of time pausing for a first kiss.
As with much of Chrystabell and David’s work from the past, Cellophane Memories returns us to a central question: what is a mystery? Alas, the riddle remains unanswered. But all mystery contains slivers of those conceits and feelings described above: the departing and the coming-back, the landscape, atmosphere and breath, the topsy turvy mechanisms of time, memories of the bygone, a distant light radiating from darkness, music within silence, love. More
The origin of Chrystabell and David Lynch’s album Cellophane Memories comes from a vision that David experienced during a nighttime walk through a forest of tall trees, over the tops of which he saw a bright light. As he recalls it, the light became the lilt of Chrystabell’s voice and revealed a secret to him. It is from these mysterious convergences of light and sound, day and night, starry sky and black forest that Chrystabell and David’s collaboration has continued to blossom.
For Cellophane Memories, the two have traveled through different portals. Fittingly, many of the songs are set in fairytale forests, mountain peaks, swimming holes, crepus-cular highways and darkened bedrooms. These are the abodes of both loneliness and romance, the sorts of sublime landscapes where people often travel alone in search of a wayward lover. But they are also shapeless atmospheres—of color, weather and breath: blue and white skies, red roses, darkening thunderheads, swirling winds and summer perfumes, which quickly immerse the traveler in the supernatural sensations of other worlds.
Time is a mercurial creature in Chrystabell and David’s songs. The characters are little more than oblique sketches of time’s quotidian melodramas: people arrive and depart as strangers, strangers fall into despair and love, lovers part at the crossroads and re-unite in a dream. In this quantum matinee of everyday life, each character is both a star and a background extra. Elisions in time reappear over and over within Chrystabell’s vocals, which emerge and dissolve and loop back in layers of harmony and history. They are mantled by David’s, and late composer Angelo Badalamenti’s, orchestra of waldeinsamkeit-inspired strings, oneiric guitar glissandi and clouds of reverb, whose melodies are like the sensation of time pausing for a first kiss.
As with much of Chrystabell and David’s work from the past, Cellophane Memories returns us to a central question: what is a mystery? Alas, the riddle remains unanswered. But all mystery contains slivers of those conceits and feelings described above: the departing and the coming-back, the landscape, atmosphere and breath, the topsy turvy mechanisms of time, memories of the bygone, a distant light radiating from darkness, music within silence, love. More