1
Disrupt - Arcade Addict
2
Disrupt - Proper Tings
Two lost & found lofi nuggets from the Jahtari vault, appearing on 7" floppy disc for the veryfirst time. "Arcade Addict" is the original Dub cut of Mikey Murka's "Sensi Addict", a version of thesweet Ujama classic that came out as a Jahtari Net-7" in 2006. Sprinkled with field recordingsfrom early 80s Arcade Halls (done by kids with a walkman) this little oddity never made it tovinyl until now. "Proper Tings" on B is taken from a home made video from 2012, originally made to showthe capabilities of a DIY Synth project using a Commodore C64 home computer sound chip,the growly SID synth.Sounds are made from scratch, sequenced out on a MPC - and the ensuing Dub jam turned outto be a lucky shot, eventually shaping up as Paul St. Hilaire's "Who Goes There". There's araw, beautiful 8bit magic to this Dub, finally making it to wax for the first time.
More
More records from Disrupt
1
Disrupt - Escape Pod 13
2
Disrupt - Crash Site Camping
3
Disrupt - Setting Out
4
Disrupt - Beach Observatory
5
Disrupt - Passage Through Jelly Shroom Cave
6
Disrupt - Enjoying A Coffee At Abandoned Base
7
Disrupt - Flashbacks From Home
8
Disrupt - Anomaly Detected
9
Disrupt - The Mass Relay
10
Disrupt - Infinity Fabric
'...lost contact with scientist team looking into the energy signature on Psylos Prime. Just
entered orbit, on my way to investig... SYSTEM ERROR---'
Last words from seasoned psychonaut Disrupt, and the beginning of 'Under Triple Suns', a
gripping SonicFiction paperback novel, cut to holo-disk for the very first time.
Dubbed-out loop clusters, foggy melody nebulas and hazy layers of alien field recordings are
held together by otherworldly off-the-grid rhythms, shaping the experience into an highly
immersive sonic tale of crash-landing on a mysterious planet.
Out on the Jahtari-sublabel Zonedog the album follows the trail of previous space exploration
endaevours like 'Omega Station' and 'The Recreation Room'. Coming with beautiful
vintage-SciFi water color artwork by Ellen G.
--- SIGNING OFF... More
entered orbit, on my way to investig... SYSTEM ERROR---'
Last words from seasoned psychonaut Disrupt, and the beginning of 'Under Triple Suns', a
gripping SonicFiction paperback novel, cut to holo-disk for the very first time.
Dubbed-out loop clusters, foggy melody nebulas and hazy layers of alien field recordings are
held together by otherworldly off-the-grid rhythms, shaping the experience into an highly
immersive sonic tale of crash-landing on a mysterious planet.
Out on the Jahtari-sublabel Zonedog the album follows the trail of previous space exploration
endaevours like 'Omega Station' and 'The Recreation Room'. Coming with beautiful
vintage-SciFi water color artwork by Ellen G.
--- SIGNING OFF... More
More records from Jahtari
1
Blaze Dem - Roots Defender
2
Disrupt - Kozure Okami
3
John Frum - January Dub
4
Rootah - Holy Mount Part 2
Back in circulation after over a decade, Jahtari's seminal "Jahtarian Dubbers Vol. 1 EP" receives the long-awaited reissue treatment, reviving the raw, 8-bit-infused dub vibes that defined a new era of digital roots music.
Originally released in 2008 and quickly disappearing into dub obscurity, this heavyweight 12" returns with four essential cuts that perfectly encapsulate the Jahtari sound—where chiptune meets the echo chamber.
The EP kicks off with Blaze Dem's "Roots Defender", a hypnotic concotion of deep basslines and eerie samples from a Swedish cult ritual, setting a heavy tone right from the start. disrupt's cinematic "Kozure Okami" follows, channeling Black Ark vibes through 8-bit synth explorations.
On the flip, John Frum delivers the hauntingly beautiful "January Dub", while Rootah's slomo slammer "Holy Mount Part 2" closes the EP with Lynchian, echo-soaked vibrations that linger long after the needle lifts.
Timeless tracks, mastered by CGB-1 at D&M in Berlin for maximum impact. Pivotal piece of Dub music! More
Originally released in 2008 and quickly disappearing into dub obscurity, this heavyweight 12" returns with four essential cuts that perfectly encapsulate the Jahtari sound—where chiptune meets the echo chamber.
The EP kicks off with Blaze Dem's "Roots Defender", a hypnotic concotion of deep basslines and eerie samples from a Swedish cult ritual, setting a heavy tone right from the start. disrupt's cinematic "Kozure Okami" follows, channeling Black Ark vibes through 8-bit synth explorations.
On the flip, John Frum delivers the hauntingly beautiful "January Dub", while Rootah's slomo slammer "Holy Mount Part 2" closes the EP with Lynchian, echo-soaked vibrations that linger long after the needle lifts.
Timeless tracks, mastered by CGB-1 at D&M in Berlin for maximum impact. Pivotal piece of Dub music! More
1
Maffi - Bling Riddim
2
Maffi - Skudduel Riddim
3
Maffi - Ghetto Riddim
4
Maffi - King Riddim
5
Maffi - Morkt Igen Riddim
6
Maffi - Asoni Riddim
7
Maffi - Jon Jovi Riddim
8
Maffi - Another Lara Riddim
9
Maffi - Faktura Riddim
10
Maffi - The Dream Commodore Riddim
Ten bad boy digi riddims from the myspace era by Copenhagen’s Maffi crew, dubbed out into 3D space by disrupt in 2024. Raw, minimalist CyberDancehall at its best, nostalgic and oddly futuristic at the same time, this album is quickly becoming RoboCop’s favorite playlist when going to work.
…………………………………………………………………
Maffi Promotions a.k.a. Maffi Boys come straight outta 1773 Kbh V, Copenhagen, Denmark. Originally founded in 1990 by the two homeboys, lazy body Moog and Junior the Rat, Maffi Promotions have been a steady producer of simple digital riddims for years. Hanging out in the streets of Hummel City Junior & Moog used to entertain their friends with the primitve riddims of the Maffi sound. Not knowing that they would do the exact same thing fifteen years later, they continued to believe that one day they would move up the ladder, break out of the underground and reach for the stars.
Now, after finally adopting a little sense of realism, the two homeboys have realised that stardom is nothing compared to spamming people on myspace. So the two stoners decided to get a couple of friends together and turn up the bass online. Together with their sound crew FIREHOUSE, Maffi deal nuff weed and gyals!
Maffi Boys are very dedicated to the art of playing Sensible World of Soccer, rolling weed joints with Manitou tobacco and keeping it real in a Vesterbro-style. So watch out! And don’t test! We’ll be putting up new riddims on a weekly basis. We have nuff things brewing – including a delicious chicken!
………………………………………………………………
Growing up in the streets of Hummel City, Vesterbro, MOOG learned the pleasures of sleeping late, playing Sensible World Of Soccer and picking up hot gyals at an early age. He has spent most of his life trying to master these crucial skills. Taking a break from the dog race, Moog is currently focused on reaching a higher understanding of reggae-science and weedology.
JUNIOR experienced the necessity of rolling well-made spliffs at an early age. Incorporating the aestethic heritage of Scandinavian design, he has spent most of his life perfectionizing this old and traditional art form. Junior is currently taking his ph.d. in digital reggae by buying crates of 80’s 7? and selecting for his sound system Firehouse.
– from myspace.com/maffipromotions 2006 More
…………………………………………………………………
Maffi Promotions a.k.a. Maffi Boys come straight outta 1773 Kbh V, Copenhagen, Denmark. Originally founded in 1990 by the two homeboys, lazy body Moog and Junior the Rat, Maffi Promotions have been a steady producer of simple digital riddims for years. Hanging out in the streets of Hummel City Junior & Moog used to entertain their friends with the primitve riddims of the Maffi sound. Not knowing that they would do the exact same thing fifteen years later, they continued to believe that one day they would move up the ladder, break out of the underground and reach for the stars.
Now, after finally adopting a little sense of realism, the two homeboys have realised that stardom is nothing compared to spamming people on myspace. So the two stoners decided to get a couple of friends together and turn up the bass online. Together with their sound crew FIREHOUSE, Maffi deal nuff weed and gyals!
Maffi Boys are very dedicated to the art of playing Sensible World of Soccer, rolling weed joints with Manitou tobacco and keeping it real in a Vesterbro-style. So watch out! And don’t test! We’ll be putting up new riddims on a weekly basis. We have nuff things brewing – including a delicious chicken!
………………………………………………………………
Growing up in the streets of Hummel City, Vesterbro, MOOG learned the pleasures of sleeping late, playing Sensible World Of Soccer and picking up hot gyals at an early age. He has spent most of his life trying to master these crucial skills. Taking a break from the dog race, Moog is currently focused on reaching a higher understanding of reggae-science and weedology.
JUNIOR experienced the necessity of rolling well-made spliffs at an early age. Incorporating the aestethic heritage of Scandinavian design, he has spent most of his life perfectionizing this old and traditional art form. Junior is currently taking his ph.d. in digital reggae by buying crates of 80’s 7? and selecting for his sound system Firehouse.
– from myspace.com/maffipromotions 2006 More
1
Pupajim - I Am A Robot
2
Disrupt - Robot Version
Obscure digi dub gem from 2010 by French one-of-a-kind vocal scientist Pupa Jim, available on wax for the first time since its initial short run 14 years ago.
Programmed by the Maffi crew, the Copenhagen riddim experts of the myspace era, this relentless 7? module aged oddly well, with its futuristic AI-theme and timeless simplicity.
Jahtari main electrician disrupt is taking a closer look into the strippped down riddim schematics on the flip side, kicking it with a minimum set of transistors to wreak maximum havoc dubwise.
>> Run this program:
10 DUB
20 A
30 GOTO 10 More
Programmed by the Maffi crew, the Copenhagen riddim experts of the myspace era, this relentless 7? module aged oddly well, with its futuristic AI-theme and timeless simplicity.
Jahtari main electrician disrupt is taking a closer look into the strippped down riddim schematics on the flip side, kicking it with a minimum set of transistors to wreak maximum havoc dubwise.
>> Run this program:
10 DUB
20 A
30 GOTO 10 More
1
The Other Others - The Birth Of May Ayim
2
The Other Others - Daze Days
3
The Other Others - The Race
4
The Other Others - Our Daily Bread Battle
5
The Other Others - This Little Poem
6
The Other Others - Outside Last Night
7
The Other Others - Can't Trust
8
The Other Others - Vibrate
Experimental Deephouse Afro-futurism album by Dub poetry free spirit Jasmine Tutum, with production by OG Jahtari lads disrupt and Rootah as The Other Others, oscillating between spaced out soundscapes, floaty hoovers and heavy movers.
Tokyo-born, grown up in Jamaica and living in Germany (with various stops in-between) Jasmine’s wild biography translates into sonic territory with this LP, drawing inspiration from Grace Jones and Theo Parrish, newworldaquarium and Roger Robinson alike. More
Tokyo-born, grown up in Jamaica and living in Germany (with various stops in-between) Jasmine’s wild biography translates into sonic territory with this LP, drawing inspiration from Grace Jones and Theo Parrish, newworldaquarium and Roger Robinson alike. More
1
Tapes - C-700 Funk
2
Tapes - M-208 Funk
3
Tapes - Mt-40 Funk
4
Tapes - Jx5n Funk
5
Tapes - K5sysex
6
Tapes - Man Becoming A Duck
7
Tapes - Surge Funk
8
Tapes - Parrot Salsa
Heavy hitting SNES-Funk album from Tapes, returning to Jahtari for his first full length LP with eight solid 16bit Slap Crackers! TIP!
Constructed with data rips from Super-Nintendo ROMs, a Sequential Circuits Drum Tracks and a heavy dose of Kawai K1, each of these gems unfold into epic compositional mastery reminiscent of 1980s Japanese kids TV, with sparkly sprinkles of synth wizardry thrown on top.
‘Funk Plates Vol. 1’ sees Tapes depart as a riddim driven Digi-Dub contributor with a sharp handbrake U-turn on the Neo high way to funky-town. A perfect soundtrack for a spaced out Sunday morning and just as potent on the club hifi! (Quack!) More
Constructed with data rips from Super-Nintendo ROMs, a Sequential Circuits Drum Tracks and a heavy dose of Kawai K1, each of these gems unfold into epic compositional mastery reminiscent of 1980s Japanese kids TV, with sparkly sprinkles of synth wizardry thrown on top.
‘Funk Plates Vol. 1’ sees Tapes depart as a riddim driven Digi-Dub contributor with a sharp handbrake U-turn on the Neo high way to funky-town. A perfect soundtrack for a spaced out Sunday morning and just as potent on the club hifi! (Quack!) More
1
Cosmic Threat - Space Is The Place
2
Cosmic Threat - Cocoon
3
Cosmic Threat - Here Is Not There
4
Cosmic Threat - Equinox
5
Cosmic Threat - Faden (Extended)
6
Cosmic Threat - Midori
Six Black Hole jazz dubs by Cosmic Threat, coming together in one truely epic album straight from the astral echo chamber. Jammed over various sessions in an empty Leipzig club during lockdown, Kiki Hitomi, disrupt and bass clarinet black belt Volker Hemken (from Gewandhausorchester Leipzig) are keeping the track structures in constant warp mode, psychically locking in with the machines and freely exploring all the sonic territory inbetween Sun Ra and Prince Jammy.
This highly hypnotic spiritual sequel to Kiki Hitomi’s 'Karma No Kusari' (2016) comes on red vinyl and with hand-painted artwork by Ellen G. More
This highly hypnotic spiritual sequel to Kiki Hitomi’s 'Karma No Kusari' (2016) comes on red vinyl and with hand-painted artwork by Ellen G. More
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Bloto - Kaluze
2
Bloto - Mady
3
Bloto - Czarnoziemy
4
Bloto - Bagna
5
Bloto - Czarne ziemie
6
Bloto - Redziny
7
Bloto - Bielice
8
Bloto - Ziemie zdegradowane przez czlowieka
9
Bloto - Glina
10
Bloto - Gleby brunatne
4th Press - 600 copies only
It didn't take long for Bloto to become a thing, shrouded by underground secrecy. First, there was the gig during Spring Break 2019 in Poznan where the Blue Note club was packed to the brim. That event gave momentum to 4 more performances in Warsaw and Wroclaw, with no music released at that time. Then, the first pressing of the vinyl was sold out within 24 hours without any single nor cover revealed.
The word about Bloto has spread, increasingly gaining ground, reaching Japan, where the album will also be available on CD. No one expected such a turn of events. In fact, neither did the band itself; after all, Bloto came to being accidentally, yet naturally, like a puddle after a rainy day.
It all started in the summer of 2018 when EABS was touring and the band had a day off. As they were approaching Tricity, people were getting off and eventually there were only four musicians. An evening off, a well-tuned rhythm section on the road, harmonious as can be, and a great deal of creative potential within the members of Bloto band forming at that very moment stirred up common enthusiasm. The album was created without much deliberation, stemming from the need of the heart and the joy of making music together. As a result, 90 minutes of music was recorded of which about 40 made it to “Erozje”.
The music is deeply rooted in brutal hip-hop grooves, referring to the sound of 90’s New York. Dirty and uncompromising, this music’s strength lies in the drums and bass as its sound refers to classics such as Wu-Tang Clan and Company Flow. Radical in a sense, it also captures the atmosphere of the times in which it is created. The times of the planet on the verge of disaster, distinct social divisions, hate speech, growing nationalism, police brutality, nepotism, and various political deals. All this is happening before our eyes. The soil of the world as we know it is eroding right now.
Tracklist:
A1 - Kaluze
A2 - Mady
A3 - Czarnoziemy
A4 - Bagna
A5 - Czarne ziemie
A6 - Redziny
B1 - Bielice
B2 - Ziemie zdegradowane przez czlowieka
B3 - Glina
B4 - Gleby brunatne More
It didn't take long for Bloto to become a thing, shrouded by underground secrecy. First, there was the gig during Spring Break 2019 in Poznan where the Blue Note club was packed to the brim. That event gave momentum to 4 more performances in Warsaw and Wroclaw, with no music released at that time. Then, the first pressing of the vinyl was sold out within 24 hours without any single nor cover revealed.
The word about Bloto has spread, increasingly gaining ground, reaching Japan, where the album will also be available on CD. No one expected such a turn of events. In fact, neither did the band itself; after all, Bloto came to being accidentally, yet naturally, like a puddle after a rainy day.
It all started in the summer of 2018 when EABS was touring and the band had a day off. As they were approaching Tricity, people were getting off and eventually there were only four musicians. An evening off, a well-tuned rhythm section on the road, harmonious as can be, and a great deal of creative potential within the members of Bloto band forming at that very moment stirred up common enthusiasm. The album was created without much deliberation, stemming from the need of the heart and the joy of making music together. As a result, 90 minutes of music was recorded of which about 40 made it to “Erozje”.
The music is deeply rooted in brutal hip-hop grooves, referring to the sound of 90’s New York. Dirty and uncompromising, this music’s strength lies in the drums and bass as its sound refers to classics such as Wu-Tang Clan and Company Flow. Radical in a sense, it also captures the atmosphere of the times in which it is created. The times of the planet on the verge of disaster, distinct social divisions, hate speech, growing nationalism, police brutality, nepotism, and various political deals. All this is happening before our eyes. The soil of the world as we know it is eroding right now.
Tracklist:
A1 - Kaluze
A2 - Mady
A3 - Czarnoziemy
A4 - Bagna
A5 - Czarne ziemie
A6 - Redziny
B1 - Bielice
B2 - Ziemie zdegradowane przez czlowieka
B3 - Glina
B4 - Gleby brunatne More
1
Yasar Akpençe - Desert Wind
Yasar Akpençe was born in 1966 in Istanbul (Tu¨rquiye) and can be consider as one of the best world darbouka player.
He began his career in music at the age of 9 by playing Congo and carried on with the darbuka at 13 and made his musical dream come true by working with famous musicians. Akpençe has performed as a guest musician on numerous albums as well as being the founder of the percussion collective known as « Harem Group ».
Yasar has performed with almost every major artist in Turkey, spanning many genres including pop, traditional. gypsy, jazz, arabesque and contemporary.
The track « Desert Wind » was released in 2004 on his cd album « Passion Percussion » and we ‘re very proud to reissue it for the first time on vinyl. This track is a dance floor classic ! A perfect tool for DJ’s all over the world More
He began his career in music at the age of 9 by playing Congo and carried on with the darbuka at 13 and made his musical dream come true by working with famous musicians. Akpençe has performed as a guest musician on numerous albums as well as being the founder of the percussion collective known as « Harem Group ».
Yasar has performed with almost every major artist in Turkey, spanning many genres including pop, traditional. gypsy, jazz, arabesque and contemporary.
The track « Desert Wind » was released in 2004 on his cd album « Passion Percussion » and we ‘re very proud to reissue it for the first time on vinyl. This track is a dance floor classic ! A perfect tool for DJ’s all over the world More
1
Tony Touch - Apaga La Luz (Tony Touch OG Mix)
2
Tony Touch - Apaga La Luz (Mike Dunn Re-Touch)
3
Tony Touch - Apaga La Luz (David Guetta Remix)
4
Tony Touch - Apaga La Luz (Pablo Fierro Raw Dub)
5
Tony Touch - Apaga La Luz (Two Soul Fusion Remix)
6
Tony Touch - Apaga La Luz (Two Soul Fusion Beat-Sax Mix)
7
Tony Touch - Apaga La Luz (David Morales Remix)
8
Tony Touch - Apaga La Luz (David Morales Alt Mix)
Apaga La Luz” has proven itself to be a bonified club hit with the Tony Touchand Pablo Fierro mixes released last summer 2022. A new buzz has beencreated with the brand new 2023 remixes by Two Soul Fusion AKA Louie Vega & Josh Milan, David Morales, Mike Dunn, and David Guetta. Yes you heard correct, these all star super talents have lent their expertise and made it work once again on dance floors worldwide in a big way. Just click on play and let the remixes take control. Dancefloors at festival and clubs have been blowing up all summer to this sureshot fire choon championed by David Guetta, David Morales, Mike Dunn, Louie Vega, Anané Vega, Seth Troxler, Marco Corola, Paco Osuna, The Martinez Brothers, Pablo Fierro, and many more. Stream it, or load it in digital form, coming soon September 29, 2023 on Vega Records and what a true honor it is to have these leaders in thegame contribute their craft to these incredible remixes. Double Pack 12” Vinyl mastered by the DON of mastering Herb “Pump” Powers and Original cover art by artist RULER conceptualized by Pucci. Get the decks ready !!!
More
1
Wade Dyce - Humble
2
Wade Dyce - Humble (Dub Version)
3
Wade Dyce - Humble (Version)
Wade "Jimmy" Dyce was an original member of Cultural Roots. He was a vocalist and played a key role in shaping the
sound of the group. Cultural Roots emerged as a four-part harmony group for producer Donovan Germain in the late
1970s, releasing « Revolutionary Sounds » and « Mr Bossman » which counts among ‘Jah Shaka's favourite tunes’. Then
they released « Hell A Go Pop », one of the Greensleeves label’s lesser-known classics.
In the early 80's, Wade Dyce produced alone three songs at Chris Stanley's famous Music Mountain studio. Wade Dayce
surrounds himself with the best musicians of the time, namely the Revolutionaries, but does not remember the exact
formation apart from Sly Dunbar on drums and Bongo Herman on percussion. « Humble », « Money Mare » and « Hide
& Seek » are three forgotten songs that can be described as killer roots from the middle of the 80s and which you can
(re)discover again through this reissue on the original Moving On label. For this release, Jamwax worked with Parade
Studio for this original and unique Disco 45 cover graphic creation.
Today, Wade, now sixty-seven years old, is living in Salem, Massachusetts, where he graduated in 2010 as a mental-health
specialist. Long live to the Cultural Roots !
A1. Humble
B1. Humble (Dub Version)
B2. Humble (Version) More
sound of the group. Cultural Roots emerged as a four-part harmony group for producer Donovan Germain in the late
1970s, releasing « Revolutionary Sounds » and « Mr Bossman » which counts among ‘Jah Shaka's favourite tunes’. Then
they released « Hell A Go Pop », one of the Greensleeves label’s lesser-known classics.
In the early 80's, Wade Dyce produced alone three songs at Chris Stanley's famous Music Mountain studio. Wade Dayce
surrounds himself with the best musicians of the time, namely the Revolutionaries, but does not remember the exact
formation apart from Sly Dunbar on drums and Bongo Herman on percussion. « Humble », « Money Mare » and « Hide
& Seek » are three forgotten songs that can be described as killer roots from the middle of the 80s and which you can
(re)discover again through this reissue on the original Moving On label. For this release, Jamwax worked with Parade
Studio for this original and unique Disco 45 cover graphic creation.
Today, Wade, now sixty-seven years old, is living in Salem, Massachusetts, where he graduated in 2010 as a mental-health
specialist. Long live to the Cultural Roots !
A1. Humble
B1. Humble (Dub Version)
B2. Humble (Version) More
1
Carlos Nino & Idris Ackamoor & Nate Merc - We Love You So Much
2
Carlos Nino & Idris Ackamoor & Nate Merc - Heaven Cruise Heaven Humming 2
3
Carlos Nino & Idris Ackamoor & Nate Merc - Lightning Progression
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Carlos Nino & Idris Ackamoor & Nate Merc - Group Effervescence With Jesse Peterson
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Carlos Nino & Idris Ackamoor & Nate Merc - Wylde Life Thyme Decoration
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Carlos Nino & Idris Ackamoor & Nate Merc - Friends Now
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Carlos Nino & Idris Ackamoor & Nate Merc - Time On Earth
Free, Dancing . . . is the first release by a new trio with percussionist and producer Carlos Niño, luminary multi-instrumentalist Idris Ackamoor (of The Pyramids) and wizard guitarist, producer Nate Mercereau. They have been playing concerts together in California since June 2022, sharing a unique vibrant sound, findings and energetics... Including download code for the full album.
Artwork by Nep Sidhu. More
Artwork by Nep Sidhu. More
1
Temudo - Shapeless
2
Temudo - D Is For Dissonance
3
Temudo - Rap Over This
4
Temudo - The Ecosystem Track
5
Temudo - Da Papps (Mix 3)
6
Temudo - Da Papps (Mix 2)
7
Temudo - The Zone
Tracklisting
A1 Temudo - Shapeless
A2 Temudo - D Is For Dissonance
B1 Temudo - Rap Over This
C1 Temudo - The Ecosystem Track
C2 Temudo - Da Papps (Mix 3)
D1 Temudo - Da Papps (Mix 2)
D2 Temudo - The Zone
Sales Note
Temudo returns to HAYES with Shapeless LP. A dynamic and encompassing body of work unfolds across seven tracks, highlighting the breadth and depth of his signature sound - brooding, heads-down, masterfully executed works of texture, dynamism, and tense atmospherics, complemented by intricate percussion. More
A1 Temudo - Shapeless
A2 Temudo - D Is For Dissonance
B1 Temudo - Rap Over This
C1 Temudo - The Ecosystem Track
C2 Temudo - Da Papps (Mix 3)
D1 Temudo - Da Papps (Mix 2)
D2 Temudo - The Zone
Sales Note
Temudo returns to HAYES with Shapeless LP. A dynamic and encompassing body of work unfolds across seven tracks, highlighting the breadth and depth of his signature sound - brooding, heads-down, masterfully executed works of texture, dynamism, and tense atmospherics, complemented by intricate percussion. More
1
Nassau Track Authority - Rain (extended instrumental)
2
Nassau Track Authority - Captured (extended instrumental)
3
Nassau Track Authority - Brake (instrumental)
4
Nassau Track Authority - Leather It (instrumental)
Whhhooaaaaaa !!
These Compass Point recordings became the bed for some iconic songs, however the backing tracks themselves were missing in action.
Washed up on a distant shore, the original tapes have revealed these previously unheard Instrumentals, showcasing the talents of Shakespeare, Dunbar, Badarou & crew.
Catch these legendary heavyweight grooves on 180g 12" Vinyl Limited Edition EP
More
These Compass Point recordings became the bed for some iconic songs, however the backing tracks themselves were missing in action.
Washed up on a distant shore, the original tapes have revealed these previously unheard Instrumentals, showcasing the talents of Shakespeare, Dunbar, Badarou & crew.
Catch these legendary heavyweight grooves on 180g 12" Vinyl Limited Edition EP
More
LP with obi. Toshiyuki Miyama & The New Herd's 1972 Jazz, big band masterpieces re-released on clear green color vinyl! Nio dances and pigeons dance. A mysterious melody that flows in a strong groove. Pursuing the possibilities of big band sound, this is the true essence of new hard and its climax.
TRACKLIST
A1.Kakurenbo
A2.Kitsune no Yomeiri Koushinkyoku
A3.Enka ni Taisuru Kanashimi
A4.Niou to Hato
A5.Hakuchou no Nemurutoki
B1.Sumidagawa no Nagare
B2.Kiganbi
B3.Seijinshiki
INFO
Japanese jazz and big band masterpieces re-released on clear green color vinyl!
Nio dances and pigeons dance. A mysterious melody that flows in a strong groove. Pursuing the possibilities of big band sound, this is the true essence of new hard and its climax.
New Hard, led by Toshiyuki Miyama, is one of Japan's leading big bands. Since the release of ``Perspective'' in 1969, they have opened up new horizons in big band jazz with their cutting-edge sound. This work "Niou to Hato" is one of the representative works of new hard released in 1972. Kozaburo Yamaki was in charge of the entire composition and arrangement, and deeply pursued one of his long-standing themes: "Japan." Japanese features, traditions, and scenes expressed through elaborate, multi-layered arrangements and performances. A profound and dynamic melody with a Japanese atmosphere that can be described as mysterious. Starting with "Seijinshiki," which is led by a strong groove, the album is lined up with songs full of deep flavor and great excitement. This is the true essence of new hard work and its climax.
text by Yusuke Ogawa (universounds/Deep Jazz Reality) More
TRACKLIST
A1.Kakurenbo
A2.Kitsune no Yomeiri Koushinkyoku
A3.Enka ni Taisuru Kanashimi
A4.Niou to Hato
A5.Hakuchou no Nemurutoki
B1.Sumidagawa no Nagare
B2.Kiganbi
B3.Seijinshiki
INFO
Japanese jazz and big band masterpieces re-released on clear green color vinyl!
Nio dances and pigeons dance. A mysterious melody that flows in a strong groove. Pursuing the possibilities of big band sound, this is the true essence of new hard and its climax.
New Hard, led by Toshiyuki Miyama, is one of Japan's leading big bands. Since the release of ``Perspective'' in 1969, they have opened up new horizons in big band jazz with their cutting-edge sound. This work "Niou to Hato" is one of the representative works of new hard released in 1972. Kozaburo Yamaki was in charge of the entire composition and arrangement, and deeply pursued one of his long-standing themes: "Japan." Japanese features, traditions, and scenes expressed through elaborate, multi-layered arrangements and performances. A profound and dynamic melody with a Japanese atmosphere that can be described as mysterious. Starting with "Seijinshiki," which is led by a strong groove, the album is lined up with songs full of deep flavor and great excitement. This is the true essence of new hard work and its climax.
text by Yusuke Ogawa (universounds/Deep Jazz Reality) More
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Black Truth Rhythm Band - Ifetayo
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Black Truth Rhythm Band - You People
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Black Truth Rhythm Band - Save D Musician
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Black Truth Rhythm Band - Kilimanjaro
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Black Truth Rhythm Band - Aspire
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Black Truth Rhythm Band - Umbala
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Black Truth Rhythm Band - Imo
Soundway presents a long-awaited remaster and re-cut of the 1976 album ‘Ifetayo’ by Black Truth Rhythm Band, an important and overlooked chapter in Trinidad’s rich musical history that blends West African influences with jazz, funk and the social commentary of the calypso tradition.
Led by the charismatic Oluko Imo (who went on to record with Fela Kuti and perform with members of Fela’s Egypt 80 band ), the group drew on the strong connections to Yoruba culture and Orisa traditions in Trinidad, looking to Africa for inspiration and reflecting the burgeoning Black Power movement of the time.
Recorded at KH studios in Port of Spain, Ifetayo (Yoruba for ‘Love excels all’) was the group’s sole album release. Imo contributed lead vocals and played bass, kalimba, conga, flute and percussion, channelling music from both sides of the Atlantic into a distinctive and unique slice of Afro Trinidadian expression.
Includes bonus track “Imo” not included on the original LP More
Led by the charismatic Oluko Imo (who went on to record with Fela Kuti and perform with members of Fela’s Egypt 80 band ), the group drew on the strong connections to Yoruba culture and Orisa traditions in Trinidad, looking to Africa for inspiration and reflecting the burgeoning Black Power movement of the time.
Recorded at KH studios in Port of Spain, Ifetayo (Yoruba for ‘Love excels all’) was the group’s sole album release. Imo contributed lead vocals and played bass, kalimba, conga, flute and percussion, channelling music from both sides of the Atlantic into a distinctive and unique slice of Afro Trinidadian expression.
Includes bonus track “Imo” not included on the original LP More
(2022 Japanese pressing, with obi, Clear vinyl) Part of the Deep Jazz Reality series! The popular work 'Leeward' is affectionately known as 'Mabumi's Fan' among fans. This is the second album recorded in 1978 by Mabumi Yamaguchi, a saxophonist who was active in the George Otsuka Group and the Colgen Band (later The Players).
TRACKLIST
A1. Dawn
A2. Dewdrop
B1. Distant Thunder
B2. Leeward
INFO
A bouncy groove. beautiful melody. Hard bop, jazz rock, fusion. No label can capture the essence of this work. The pure crystal is now shining once again.
The popular work 'Leeward' is affectionately known as 'Mabumi's Fan' among fans. This is the second album recorded in 1978 by Mabumi Yamaguchi, a saxophonist who was active in the George Otsuka Group and the Colgen Band (later The Players). The titles/themes of all four songs, ‘Dawn (Yoake),’ ‘Dewdrop (Tsuyu),’ “Distant Thunder (Enrai),’ and ‘Leeward (Kazashimo),’ unfold before your eyes as vivid images in harmony with the musicality.
A groove that combines dynamism and elasticity. A dignified yet beautiful melody that touches your heart. Hard bop, jazz rock, fusion. All of these apply, but none of them can tell you the essence of this work. It doesn't need any labels, it's just a pure masterpiece. – text by Yusuke Ogawa (universounds/Deep Jazz Reality) More
TRACKLIST
A1. Dawn
A2. Dewdrop
B1. Distant Thunder
B2. Leeward
INFO
A bouncy groove. beautiful melody. Hard bop, jazz rock, fusion. No label can capture the essence of this work. The pure crystal is now shining once again.
The popular work 'Leeward' is affectionately known as 'Mabumi's Fan' among fans. This is the second album recorded in 1978 by Mabumi Yamaguchi, a saxophonist who was active in the George Otsuka Group and the Colgen Band (later The Players). The titles/themes of all four songs, ‘Dawn (Yoake),’ ‘Dewdrop (Tsuyu),’ “Distant Thunder (Enrai),’ and ‘Leeward (Kazashimo),’ unfold before your eyes as vivid images in harmony with the musicality.
A groove that combines dynamism and elasticity. A dignified yet beautiful melody that touches your heart. Hard bop, jazz rock, fusion. All of these apply, but none of them can tell you the essence of this work. It doesn't need any labels, it's just a pure masterpiece. – text by Yusuke Ogawa (universounds/Deep Jazz Reality) More
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Fresh & Low - Sea Of Desire
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Fresh & Low - Espresso
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Fresh & Low - Where The Wolves Once Roamed
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Fresh & Low - Where The Wolves Return
RAWAX proudly presents the second release by legendary Fresh & Low from Scotland on their own RAWAX TREASURES SERIES!
This GEM was ariginally released in 1997 on Crucial Sounds. We will re-issue this beauty with new mastering in March 2024. More
This GEM was ariginally released in 1997 on Crucial Sounds. We will re-issue this beauty with new mastering in March 2024. More
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Oluko Imo - Oduduwa
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Oluko Imo - Were Oju Le (The Eyes Are Getting Red)
Reissue of the 80s 12” single from Trinidadian musician Oluko Imo (Black Truth Rhythm Band), featuring Fela Kuti and Femi Kuti.
Recorded between Lagos and New York in 1988, the tracks sit at the fault line of the Trinidad-Yoruba connection, blending calypso heritage with the Afrobeat and jazz of Nigeria
On the A-side, title track ‘Oduduwa’ is a brooding slice of peak-era Transatlantic Afrobeat, blending a heartfelt plea for social justice and equality with a haunting piano line, shuffling drums and ethereal sax solo.
The song takes its name from Oduduwa, the founder of the Ife Empire, who is also seen as a divine Orisha (deity) in Yoruba culture, one that is often evoked by musicians and activists in Trinidad as a signifier of Yoruba heritage on the island.
On the flip, ‘Eyes Are Getting Red (Were Oju Le)’ is a long-lost slice of low slung Afrobeat featuring both Fela and Femi Kuti. Classic Nigerian horns and keys combine with Oluko Imo’s Caribbean-influenced guitar and Fela’s virtuoso sax solo, bridging the musical gap between Lagos and Port of Spain. More
Recorded between Lagos and New York in 1988, the tracks sit at the fault line of the Trinidad-Yoruba connection, blending calypso heritage with the Afrobeat and jazz of Nigeria
On the A-side, title track ‘Oduduwa’ is a brooding slice of peak-era Transatlantic Afrobeat, blending a heartfelt plea for social justice and equality with a haunting piano line, shuffling drums and ethereal sax solo.
The song takes its name from Oduduwa, the founder of the Ife Empire, who is also seen as a divine Orisha (deity) in Yoruba culture, one that is often evoked by musicians and activists in Trinidad as a signifier of Yoruba heritage on the island.
On the flip, ‘Eyes Are Getting Red (Were Oju Le)’ is a long-lost slice of low slung Afrobeat featuring both Fela and Femi Kuti. Classic Nigerian horns and keys combine with Oluko Imo’s Caribbean-influenced guitar and Fela’s virtuoso sax solo, bridging the musical gap between Lagos and Port of Spain. More