Reissue of this italo classic from 1986. Comes with Flemming Dalum and DSTRTD SGNL remix.

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Reissue of this italo classic from 1986. Comes with Flemming Dalum remix.

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Reissue of this italo disco classic from 1986. Comes with remixes by Flemming Dalum and Italo4ever.

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Italo space disco classic from 1990. Comes with Flemming Dalum and DJ CON-T & Opposite Direction Remix.

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Reissue of this italo disco classic from 1986 with Flemming Dalum and DJ TinTin remixes!

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The world-famous hit “U Got 2 Let The Music” by Cappella, which first conquered the dance charts in 1993 and became a worldwide classic with its energetic beat and catchy chorus, is now available on a limited, colored 12” maxi vinyl. An absolute must-have for collectors and music lovers!

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talo disco reissue originally released in 1985. Comes with Flemming Dalum and A.P. Mono remixes.

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Reissue of this italo disco rarity from 1984. Comes with Flemming Dalum remixes.

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Reissue of this italo classic from 1985 with Flemming Dalum and R. Ricci remixes.

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Reissue of this italo disco rarity from 1983. Comes with Flemming Dalum and Vanzetti & Sacco remixes.

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Reissue of this italo disco classic from 1983. Comes with Flemming Dalum and Victor Ark remixes!

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Reissue of this classic from 1983.

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Reissue of this italo disco classic from 1984. Comes with Flemming Dalum remixes.

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
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Reissue of this italo disco classic from 1985. Comes with Flemming Dalum and Hysteric remixes.

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Reissue of this italo disco classic from 1984. Comes with Pulsedriver, John Laurant and MS Project remixes.

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Reissue of this italo disco classic from 1986.

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DE - 22113 Hamburg
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Reissue of this italo disco rarity from 1985 with Flemming Dalum and George Hysteric remixes.

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Aussie Dr Packer has remixed T- Connection – At Midnight on High Fashion Music. And with his name on the sleeve, for sure you know you have something great in your hands!

He skilfully undertakes the task of capturing and updating the distinctive Bahamas-Miami T.K. Disco sound, infusing it with his own flair and sass. Seamlessly blending nostalgia with contemporary elements and revitalising a classic disco vibe. Dr. Packer manages to retain the uplifting and energetic brilliance of the original. A refreshing take on a classic sound that solidifies its place as a standout in the rich tapestry of disco history.

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Real Velour's debut EP on Blaq Numbers comes to us from an unknown source in the early eighties. Its playful melodies and disco drum machines could be from mainland Europe, it's strange synth textures could be Japanese whilst its sardonic vocals could be from a post-industrial town in Thatcher's Britain; we just don't know.

What we do know is that in spite of its retro sound pallete, each track sounds fresh on any 21st century dancefloor. There is something indefinably new about these tracks; similar perhaps to the indefinable "Britishness" of 10cc in spite of their American accents and West Coast influences or the way Billy Childish somehow managed to make rock n roll sound alive again without changing it in any observable way.

Simply put: these are yesterday's sounds, tomorrow.

And who better to hold Real Velour's hand as he tries to navigate this strange retro-future than his two favourite sexy disco daddies, Donald Dust and Panthera Krause? Donald Dust's remagining of the title track on Spaceship In Tokyo puts us in New York territory, rendering it less angular, less Teutonic. There are shades of LCD Soundsystem, the Peech Boys and other artists from the Mutant Disco/No Wave scene whilst Panthera Krause's wild reinterpretation of the single, People Make Me Wanna Scream, is a fruity cocktail of freaky contradictions. Metallic and industrial rhythms blend perfectly with haunting synth pop textures. Panthera Krause finds the ghost in the machine and makes it dance!

The whole EP throbs with uninhibited glee. There is no coyness to be found here toward those genres that sometimes find themselves locked outside the fortress of "serious" dance music. While some techno bros gingerly dabble with Italo, Hi-NRG or J-Pop textures in some restrained, tasteful way as if to say "I like it... but I'm straight!", Real Velour jumps in with both feet.

This music is elegant without being aloof, playful without being ephemeral and it never abandons its primary objective - to make you dance!

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Vinyl Only!
We can't think of starting the year in a better way. The Legofunk saga delivers another gem. You can't miss it!

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Melbourne's Sgt Slick returns with another 4 supreb re-edits for his Recuts imprint. 20 years deep in the game, accolades aplenty, collabs with some the finest out there and a serious string of his own productions, Sgt Slick knows what works on the dancefloor and these edits showcase that to a T. Some out and out classics, reworked with the club clearly in mind.

Buy or Cry.

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Repress!

The legendary partnership of NYC's Disco godfather Tom Moulton and Philadelphia International Records has long been documented.
A truly explosive collaboration that yielded endless classic tracks for dancers and deep listeners alike, Moulton seemed to be totally in tune with the labels output and the direction it should go in. Luckily we've been enjoying the fruits of this labour for the last 30+ years with a lot of these PIR classics becoming ingrained in the psyche of the modern day music fan as the building blocks of House music.

The names alone hark to the legendary voices of the era, major stars including The O'Jays, The Futures, Jean Carne & The Jones Girls all feature with classic after classic getting the TJM treatment. Moulton's supreme ear on this special PIR reissue 2 x 12" see's some all-time classics from the aforementioned artists in their full, unabridged, unedited Disco glory. The selections on this EP are absolutely top-shelf, flawless in fact. One could argue that these are the 'definitive' versions of these anthems. Pure Disco gold essentials. Anyone with even a passing interest in Disco will most certainly need this record in their possession, the 2012 pressing of this EP is super in demand among those in the know and it can change hands for £100+ second hand, so a repress was desperately needed.

These tracks are fully licensed and reissued in conjunction with Tom Moulton and PIR and all relevant rights holders. Remastered from original source materials to the highest spec and pressed onto top quality vinyl, courtesy of Above Board distribution for 2019.

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Repress!

Melbourne's Sgt Slick slides on over with five of his finest re-edits on a newly formed label Sgt Slick Recuts. 20 years deep in the game, accolades aplenty, collabs with some the finest out there and a serious string of his own productions, Sgt Slick knows what works on the dancefloor and these edits showcase that to a T. Some out and out classics, reworked with the club clearly in mind.

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Giorgio Records teams up with Bordello A Parigi for the reissue of this beautiful italo disco tearjerker, originally released in 1984 in very limited quantities. Straight from the original master tapes provided by the maestro himself; Rodolfo Grieco.

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"Stop the World" is another captivating song released in 1984 by Eyes Records, written by three names who certainly need no introduction. Ivana Spagna, Larry Pignagnoli and Ottavio Bacciocchi. However, their artistic depth and their fundamental contribution to Italo-Disco (and not only) in their respective roles should be remembered: Ivana, an excellent lyricist and singer (also for third parties) who became the great pop star still today considered the most graceful in circulation; Larry, who deserves a handful of Grammy Awards for his countless arrangements (but it is enough to mention "Easy Lady" and "Call Me") and finally the modest and precious Ottavio with his excellent Studio Master 33 from Cremona, among the first to find the right sound of Italo-Disco already in the early 80s.. Their contribution then married perfectly with the artistic direction curated by Salvy Lauria and Giacomo Danesi. It's worth highlighting the approximately 6 minute instrumental track of "Stop The World", it's a dance floor killer. Giuliano Saglia and Silvio Trisolino are right in wanting to re-propose only and exclusively the two original songs which after 40 years have been perfectly remastered by Dom Scuteri. Best Record is right to carry out all the work of this wonderful jewel, after having already reissued Blue Gas, Future State and Lily Ann, the other praiseworthy productions of the reborn Milanese label. Aficionados do well not to miss this other reissue of an Italo Disco classic from the 80s !!!

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One-off electronic disco project of 1984 for the unmistakable sounds of the Yamaha DX7 - especially the notorious "tubular bells" during the verses - introduced at the end of '83, but which didn't catch on in Italo-Disco until the following year. "Dancing Dode" has the strangest spelling ever. Whoever created this truly amazing super theme barely knew English as the word "dode" does not exist in English. This explains why some Italo-Disco songs have obvious grammatical errors even on the original records. The artist or the authors thought that [du:d] would be written "dode" in English, but in reality it's "dude"... which means a meticulous and elegant man, potentially homosexual, in short a gay type, "King /Queen" of disco dancing like in that film with J.T.. The role of disco in the 80s was a ground for negotiating rights throughout history, so most people didn't care too much about choosing and hating someone's sexual orientation, but dancing, listening to music and this song with a beautiful melody is perhaps the rarest Italo-Disco song ever made.

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Starting his career with appearances on BBC Radio 1 and signing with Elton Johns label as a teenager, Maldwyn Pope's presence in music has been rich and productive from an early age eventually leading to working with people like Cliff Richards, Art Garfunkel and Bonnie Taylor. However, his presence in Italo-Disco has been quite scarce, but completely on point. "Altered State" is a masterpiece amongst enthusiasts and collectors of dancefloor sleaze and downtempo wellness. Heavy rock influence meets Rimini with this one off experiment from the seasoned multi instrumentalist. Original instrumental remix done by none other than Alessandro Novaga, the entity responsible behind one of Ron Hardy's favorite DJ tools (Faces Drums). B-side features an 11 minute excursion into a completely new altered state of dubby delayed trance, for special cosmic holes only. Re-issued with new full artwork.

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Disco Segreta resurrects an extraordinary chapter from the captivating world of late 1970s Italian disco music!

In this installment, we pay homage to Sicilian producer, Franco D’Accardi, hailing from Palermo.

Franco assumed the helm of the small record label ASA (Artisti Siciliani Associati), known for its diverse catalog, which included progressive rock, folk, and a sprinkling of disco. In 1978, Franco’s path crossed with that of American model Adrienne Edwards while in Sicily.

He enlisted her talents to contribute vocals to two tracks, “Mystic Night” and “Disco Dancing,” which were released in 1979 on a 45 RPM record limited to 1500 copies, exclusively distributed in the local area.

While “Disco Dancing” on the B-side offers a fantastic rendition of Stanley Turrentine’s disco classic, “Mystic Night” stands out as an electrifying, enigmatic, and seductive disco masterpiece. It’s a captivating fusion of drums, congas, snares, slap-bass, and mind-bending synthesizer work, where Adrienne’s voice harmonizes with a deep male voice, attempting to entice her.

In short, “Mystic Night” is an utterly unique and indispensable gem in the landscape of underground Italian disco, marking the twilight of the golden disco era.

After extensive efforts, Disco Segreta is reissuing these remarkable Italian disco treasures, fully remastered to meet contemporary standards.

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A previously unreleased remix of Gabriels' seminal track ‘Love & Hate In A Different Time’ lands from Greg Wilson and Ché Wilson.

Perfectly encapsulating the Wilson’s revered fusion of nu-disco and 80s electro, the duo gives new life to a somewhat untouchable classic; recontextualizing the lauded original into an authentic, funk-driven builder suited for any dancefloor. A mastery in respectable yet individual remixing.


DJ Feedback:

Demuja - yesss gonna be my next closer!

Mousse T - so well done, love this

Auntie Flo - Excellent!

LTJ Bukem - Love it!

Chris Duckenfield - A subtle & more gently propulsive dancefloor meditation of an instant classic

Chrissy - nice one!

Busy P - original was already perfect. this remix give it another twist and i love it!

Denney - wicked

The Knocks / James Patterson - hard.

Tom / Groove Armada - brilliant rework

Death On The Balcony - love it!

Sam Divine - Dope!

Crazy P - nicely done

Malente - AMAZING

Elliot Adamson - My fave so far of the remixes

Severino / Horse Meat Disco - yeeees

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