Label:Chapelle XIV Music
Cat-No:CHXIV08
Release-Date:17.01.2025
Genre:House
Configuration:2LP
Barcode:3301618000145
backorder
Last in:31.01.2025
Add all to playlist
Play all
+ Show full info- Close
backorder
Last in:31.01.2025
Label:Chapelle XIV Music
Cat-No:CHXIV08
Release-Date:17.01.2025
Genre:House
Configuration:2LP
Barcode:3301618000145
Add all to playlist
Play all
Add all to playlist
Play all
1
Soulstatejazz - Is It Us?
Add all to playlist
Play all
2
Soulstatejazz - Back Again
Add all to playlist
Play all
3
Soulstatejazz - Rebels Reprise
Add all to playlist
Play all
4
Soulstatejazz - Getcha
Add all to playlist
Play all
5
Soulstatejazz - Meaning Shift
Add all to playlist
Play all
6
Soulstatejazz - Memetic Boogaloo
Add all to playlist
Play all
7
Soulstatejazz - Pole Star
Add all to playlist
Play all
8
Soulstatejazz - Counter Balance
Soulstatejazz, under the leadership of the multi-talented Tom Ellis, unveils their latest auditory adventure, “SOL 3”, released on Chapelle XIV. This double LP vinyl is a symphonic journey, demonstrating a matured finesse in blending jazz, electronic, and house music. Recorded in the creative hubs of Mark Hand’s studio in Hartlepool and the Malt Barn studio in Wales, “SOL 3” is an embodiment of musical innovation and collaborative spirit.
Tom Ellis, showcasing his virtuosic skills, handles drums, percussion, bass, guitar, piano, and synths, setting a dynamic foundation for the album. Mark Hand’s mastery of the Fender Rhodes and synths adds a melodic depth, complemented by Michiel Renger’s soulful tenor sax. Dave Elson’s contributions with electronic percussion and effects, coupled with Vicky Flint’s mesmerizing trumpet and flute, create a rich, multi-layered soundscape. The inclusion of Bugu Pala and Charles Morgan’s evocative vocals further enriches the album’s diverse palette.
“SOL 3” stands out as an exploration of rhythm, melody, and improvisation. It is an album where each track seamlessly transitions into the next, creating a continuous musical narrative that is both engaging and transformative. The ensemble’s ability to fuse diverse elements into a cohesive sound is remarkable, making “SOL 3” a testament to their creative evolution and a landmark in contemporary jazz and electronic music.
Released by Chapelle XIV Music and distributed by Yoyaku Distribution, “SOL 3” is not just an album; it’s an experience. It’s a vibrant, eclectic mix that is poised to become one of the standout releases of the year. This album is a must-have for aficionados of jazz, house, and electronic music, encapsulating the essence of live, improvisational brilliance.
Tracklist:
Part 1 :
A1. Is It Us? – 09’43
A2. Back Again – 06’14
B1. Rebels Reprise – 07’40
B2. Getcha – 06’43
Part 2 :
C1. Meaning Shift – 07’22
C2. Memetic Boogaloo – 06’51
D1. Pole Star – 06’25
D2. Counter Balance – 11’13
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tom Ellis, showcasing his virtuosic skills, handles drums, percussion, bass, guitar, piano, and synths, setting a dynamic foundation for the album. Mark Hand’s mastery of the Fender Rhodes and synths adds a melodic depth, complemented by Michiel Renger’s soulful tenor sax. Dave Elson’s contributions with electronic percussion and effects, coupled with Vicky Flint’s mesmerizing trumpet and flute, create a rich, multi-layered soundscape. The inclusion of Bugu Pala and Charles Morgan’s evocative vocals further enriches the album’s diverse palette.
“SOL 3” stands out as an exploration of rhythm, melody, and improvisation. It is an album where each track seamlessly transitions into the next, creating a continuous musical narrative that is both engaging and transformative. The ensemble’s ability to fuse diverse elements into a cohesive sound is remarkable, making “SOL 3” a testament to their creative evolution and a landmark in contemporary jazz and electronic music.
Released by Chapelle XIV Music and distributed by Yoyaku Distribution, “SOL 3” is not just an album; it’s an experience. It’s a vibrant, eclectic mix that is poised to become one of the standout releases of the year. This album is a must-have for aficionados of jazz, house, and electronic music, encapsulating the essence of live, improvisational brilliance.
Tracklist:
Part 1 :
A1. Is It Us? – 09’43
A2. Back Again – 06’14
B1. Rebels Reprise – 07’40
B2. Getcha – 06’43
Part 2 :
C1. Meaning Shift – 07’22
C2. Memetic Boogaloo – 06’51
D1. Pole Star – 06’25
D2. Counter Balance – 11’13
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Chapelle XIV Music
Label:Chapelle XIV Music
Cat-No:CHXIV011
Release-Date:19.07.2024
Genre:Electronic
Configuration:12"
Barcode:
backorder
Last in:12.11.2024
Add all to playlist
Play all
+ Show full info- Close
backorder
Last in:12.11.2024
Label:Chapelle XIV Music
Cat-No:CHXIV011
Release-Date:19.07.2024
Genre:Electronic
Configuration:12"
Barcode:
Add all to playlist
Play all
Add all to playlist
Play all
1
Shaun Soomro - Rage & Harmony
Add all to playlist
Play all
2
Shaun Soomro - The Laughing Heart
Add all to playlist
Play all
3
Shaun Soomro - Illusions Of You (Dub)
Add all to playlist
Play all
4
Shaun Soomro - Dusk God
Chapelle XIV Music, Yoyaku’s art gallery label, proudly welcomes Shaun Soomro with a sublime record. This release showcases 4 magical cuts for the mind, body & soul.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Chapelle XIV Music
Cat-No:CHXIV015
Release-Date:28.06.2024
Configuration:12"
Barcode:
backorder
Last in:16.12.2024
Add all to playlist
Play all
+ Show full info- Close
backorder
Last in:16.12.2024
Label:Chapelle XIV Music
Cat-No:CHXIV015
Release-Date:28.06.2024
Configuration:12"
Barcode:
Add all to playlist
Play all
Add all to playlist
Play all
1
Mattrogg - Fè Mwen (Tee Mix)
Add all to playlist
Play all
2
Mattrogg - Fè Mwen (Roggtrax Mix)
Add all to playlist
Play all
3
Mattrogg - Nwa Marimba
Add all to playlist
Play all
4
Mattrogg - Jamè Anko
Chapelle XIV Music proudly presents “Orizon Amoni” by the talented artist Mattrogg. This release reflects Matthieu Roggwiller’s unique musical journey, blending intricate rhythms and melodious keyboards inspired by Creole sounds.
“Orizon Amoni” showcases Mattrogg’s exceptional production skills and deep musicality, creating a captivating auditory experience. The tracks seamlessly fuse elements of early 80s Anglo-Saxon disco, sub-Saharan Africa disco and new-wave.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
“Orizon Amoni” showcases Mattrogg’s exceptional production skills and deep musicality, creating a captivating auditory experience. The tracks seamlessly fuse elements of early 80s Anglo-Saxon disco, sub-Saharan Africa disco and new-wave.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Chapelle XIV Music
Cat-No:CHXIV03B01V
Release-Date:01.09.2023
Genre:Techno
Configuration:12"
Barcode:
backorder
Last in:20.02.2024
Add all to playlist
Play all
+ Show full info- Close
backorder
Last in:20.02.2024
Label:Chapelle XIV Music
Cat-No:CHXIV03B01V
Release-Date:01.09.2023
Genre:Techno
Configuration:12"
Barcode:
Add all to playlist
Play all
Add all to playlist
Play all
1
Sato Aka Satoshi Tomiie - B01V
Add all to playlist
Play all
2
Sato Aka Satoshi Tomiie - A57V
Add all to playlist
Play all
3
Sato Aka Satoshi Tomiie - A56 (Take 2)
Add all to playlist
Play all
4
Sato Aka Satoshi Tomiie - A58V (Take 3)
Chapelle XIV Music proudly presents ‘B01V’ by the enigmatic Sato, aka Satoshi Tomiie. The tracks on this EP are produced and curated with DJs in mind, offering different takes and alternative versions of the much sought-after “Blue, Black And Grey.”
A1. ‘B01V’ – The album “Blue, Black And Grey” was a live recording, where the original ‘B01’ served as the second track of continuous play. ‘B01V’ presents an alternative version of ‘B01,’ while maintaining the deepness and vibe, this cut focuses on a DJ mix.
A2. A57V, B1. A56V, and B2. A58V are all different studio takes of A57, A56, and A58 from the album. Although they share similar titles and elements with the ones on the album, they sound like almost different compositions as they were all recorded during Satoshi’s live performances in the studio.”
This 12? pressing serves as a bridge between the mindful journey of the initial 8-tracker double album and the corporeal reality of the dancefloor, making it an essential piece for both collectors and DJs alike.
The sleeve follows the visual identity of the original, displaying Julien Gachadoat’s computer art, which encapsulates the sound frequencies of the album into tangible shapes. Here, these visuals are now reflecting the reinterpreted audio content, keeping the continuity and synergy between both releases intact.
Remember, this is a strictly limited release, designed for those seeking an alternative take on Sato’s mindful journey. Don’t sleep on this one.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1. ‘B01V’ – The album “Blue, Black And Grey” was a live recording, where the original ‘B01’ served as the second track of continuous play. ‘B01V’ presents an alternative version of ‘B01,’ while maintaining the deepness and vibe, this cut focuses on a DJ mix.
A2. A57V, B1. A56V, and B2. A58V are all different studio takes of A57, A56, and A58 from the album. Although they share similar titles and elements with the ones on the album, they sound like almost different compositions as they were all recorded during Satoshi’s live performances in the studio.”
This 12? pressing serves as a bridge between the mindful journey of the initial 8-tracker double album and the corporeal reality of the dancefloor, making it an essential piece for both collectors and DJs alike.
The sleeve follows the visual identity of the original, displaying Julien Gachadoat’s computer art, which encapsulates the sound frequencies of the album into tangible shapes. Here, these visuals are now reflecting the reinterpreted audio content, keeping the continuity and synergy between both releases intact.
Remember, this is a strictly limited release, designed for those seeking an alternative take on Sato’s mindful journey. Don’t sleep on this one.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Chapelle XIV Music
Cat-No:CHXIV06
Release-Date:09.06.2023
Genre:Pop
Configuration:LP
Barcode:
backorder
Last in:-
Add all to playlist
Play all
+ Show full info- Close
backorder
Last in:-
Label:Chapelle XIV Music
Cat-No:CHXIV06
Release-Date:09.06.2023
Genre:Pop
Configuration:LP
Barcode:
Add all to playlist
Play all
Add all to playlist
Play all
1
Beyondré - What You Need
Add all to playlist
Play all
2
Beyondré - Runaway
Add all to playlist
Play all
3
Beyondré - Uncomfort
Add all to playlist
Play all
4
Beyondré - What We Are
Add all to playlist
Play all
5
Beyondré - Too Soon
Add all to playlist
Play all
6
Beyondré - The Time Has Come
Add all to playlist
Play all
7
Beyondré - The Breeze
Chapelle XIV Music welcomes singer, songwriter, and musician André Baum and his Beyondré moniker with Berlin Blue: a conceptually versatile follow-up LP to 2014’s Beyondré Is Born EP. The making of the Berlin Blue spans three cities, two lockdowns, and one heartbreak making this a musical endeavor that reflects a journey of growth, both in self and sound, that Baum embraced in the past years. Channelling personal experiences and years of electronic experimentation in his broad and eccentric pop-leaning productions, Baum isn’t shy to blend influences to satisfying and moving results.
Berlin Blue’s story will start with first single and video “Runaway” out on April 14th. The second single “What You Need” will drop on May 12th. The full LP comes out on vinyl & digital on June 9th. Berlin Blue is a trip through self-discovery in dark times, woven with sensitive and thought-provoking vocals and innovative songs for body and mind: a fresh take on modern electronic music from the multi-talented New Yorker. Beyondré makes his mark as a genre-blending visionary, an explorer of analog circuitry, and a complex artist yearning to seek deeper and fearless truths – not just of sound, but also humanity. This is electronic music from the heart, for the heart.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Berlin Blue’s story will start with first single and video “Runaway” out on April 14th. The second single “What You Need” will drop on May 12th. The full LP comes out on vinyl & digital on June 9th. Berlin Blue is a trip through self-discovery in dark times, woven with sensitive and thought-provoking vocals and innovative songs for body and mind: a fresh take on modern electronic music from the multi-talented New Yorker. Beyondré makes his mark as a genre-blending visionary, an explorer of analog circuitry, and a complex artist yearning to seek deeper and fearless truths – not just of sound, but also humanity. This is electronic music from the heart, for the heart.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Chapelle XIV Music
Cat-No:CHXIV000
Release-Date:01.01.2023
Genre:Electronic
Configuration:3LP
Barcode:
backorder
Last in:02.02.2023
Add all to playlist
Play all
+ Show full info- Close
backorder
Last in:02.02.2023
Label:Chapelle XIV Music
Cat-No:CHXIV000
Release-Date:01.01.2023
Genre:Electronic
Configuration:3LP
Barcode:
Add all to playlist
Play all
Add all to playlist
Play all
1
Jacques & Canblaster - Trains des Anges
Add all to playlist
Play all
2
Voiski Feat. Crysta Patterson - -X-LalaChapelle
Add all to playlist
Play all
3
Antoine Bourachot - Apparition
Add all to playlist
Play all
4
Bambounou Feat. Jessie Hyde - By You
Add all to playlist
Play all
5
Algebra - Zenithal Views
Add all to playlist
Play all
6
Sakine - Crowd of Love
Add all to playlist
Play all
7
Aja - Hikari
Add all to playlist
Play all
8
I:Cube - Démon du Parking
Add all to playlist
Play all
9
Chris Korda - Tipping Points
Add all to playlist
Play all
10
Satoshi Tomiie - 4 am
Add all to playlist
Play all
11
Jean-Guillaume Cabanne - Woogie
Add all to playlist
Play all
12
NSDOS - BACT-OS
Add all to playlist
Play all
13
rRoxymore - Dirty Spoon
Add all to playlist
Play all
14
Janeret - Spacetime
Add all to playlist
Play all
15
Elli Form - Mirror
Compilation Vol. 1 by Chapelle XIV Music gathers unreleased tracks from Bambounou, Voiski, Chris Korda, Satoshi Tomiie, I:CUBE, rRoxymore, Jacques & Canblaster, Janeret, Cabanne, NSDOS… Between IDM, ambient, futuristic pop, jazz inspirations or deep house, the 15 tracks define the contours of the artistic identity of this new label, between young discoveries and emblematic artists in their fields.
Born from the collaboration between the Yoyaku record store and the Chapelle XIV art gallery, the sound of Chapelle XIV Music is designed for attentive listening, and include more pop sonorities with a wide electronic spectrum. We produced a Collector Edition Pack available in 200 copies gathering all three records of the compilation. The musical aesthetics of the release evolves with each record, going from IDM, to ambient, through jazz inspirations or deep house.
FR
Chapelle XIV Music réunit pour le premier volume de sa compilation des titres inédits de Bambounou, Voiski, Chris Korda, Satoshi Tomiie, I:CUBE, rRoxymore, Jacques & Canblaster, Janeret, Cabanne, NSDOS…. Entre IDM, ambient, pop futuriste, inspirations jazz ou deep house, les 15 morceaux définissent les contours de l’identité artistique de ce nouveau label, entre jeunes découvertes et artistes emblématiques de leur domaine.
Né de la collaboration entre le disquaire Yoyaku et la galerie d’art Chapelle XIV, les sonorités de Chapelle XIV Music ont vocation à une écoute attentive, et incluent des sonorités plus pop, avec un spectre électronique large. A l’occasion de la sortie de la compilation, nous avons réalisé un coffret collector en édition limitée. Cet objet d’art disponible en 200 exemplaires rassemblera les trois disques de la compilation, dont les esthétiques musicales évoluent au fil des tracks, allant de l’IDM, à l’ambient, en passant par des inspirations jazz ou encore de la deep house.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Born from the collaboration between the Yoyaku record store and the Chapelle XIV art gallery, the sound of Chapelle XIV Music is designed for attentive listening, and include more pop sonorities with a wide electronic spectrum. We produced a Collector Edition Pack available in 200 copies gathering all three records of the compilation. The musical aesthetics of the release evolves with each record, going from IDM, to ambient, through jazz inspirations or deep house.
FR
Chapelle XIV Music réunit pour le premier volume de sa compilation des titres inédits de Bambounou, Voiski, Chris Korda, Satoshi Tomiie, I:CUBE, rRoxymore, Jacques & Canblaster, Janeret, Cabanne, NSDOS…. Entre IDM, ambient, pop futuriste, inspirations jazz ou deep house, les 15 morceaux définissent les contours de l’identité artistique de ce nouveau label, entre jeunes découvertes et artistes emblématiques de leur domaine.
Né de la collaboration entre le disquaire Yoyaku et la galerie d’art Chapelle XIV, les sonorités de Chapelle XIV Music ont vocation à une écoute attentive, et incluent des sonorités plus pop, avec un spectre électronique large. A l’occasion de la sortie de la compilation, nous avons réalisé un coffret collector en édition limitée. Cet objet d’art disponible en 200 exemplaires rassemblera les trois disques de la compilation, dont les esthétiques musicales évoluent au fil des tracks, allant de l’IDM, à l’ambient, en passant par des inspirations jazz ou encore de la deep house.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP
backorder
Label:Chapelle XIV Music
Cat-No:CHXIV_20210205
Release-Date:25.11.2022
Genre:Electronic
Configuration:LP
Barcode:
backorder
Last in:30.01.2023
+ Show full info- Close

backorder
Last in:30.01.2023
Label:Chapelle XIV Music
Cat-No:CHXIV_20210205
Release-Date:25.11.2022
Genre:Electronic
Configuration:LP
Barcode:
1
Voiski - Foggy Monday Soup
2
Voiski - Wax Lyrica
3
Voiski - Just Go To Sleep, Please
4
Voiski - How I Wonder What Your Are
5
Voiski - Charming
Live recorded at Chapelle XIV.
Only 100 units.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Only 100 units.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Customers who bought this also bought this
12"
backorder
Label:Demon Music Group
Cat-No:DEMSING004
Release-Date:29.11.2024
Configuration:12"
Barcode:198846825267
backorder
Last in:27.01.2025
Add all to playlist
Play all
+ Show full info- Close
backorder
Last in:27.01.2025
Label:Demon Music Group
Cat-No:DEMSING004
Release-Date:29.11.2024
Configuration:12"
Barcode:198846825267
Add all to playlist
Play all
Add all to playlist
Play all
1
William DeVaughan - Be Thankful For What You Got
Add all to playlist
Play all
2
William DeVaughan - Blood Is Thicker Than Water
Introducing an essential reissue of this legendary SAM Records single Just How Sweet Is Your Love/I Found Love In You now on a 45 for the first time. These two tracks were originally released on the classic album Just How Sweet Is Your Love in 1980 which features other disco, boogie classics Free and Do Your Dance. Whilst the 12" version of this single is widely available, the 7" was only ever released on styrene. Demon Records Singles Club are delighted to present a 45 version now newly remastered by Phil Kinrade at Alchemy Mastering and housed in the legendary SAM Records house bag.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Studio Barnhus
Cat-No:barn108
Release-Date:07.02.2025
Genre:Drum + Bass
Configuration:LP Excl
Barcode:198704234194
in stock
Last in:10.01.2025
Add all to playlist
Play all
+ Show full info- Close

in stock
Last in:10.01.2025
Label:Studio Barnhus
Cat-No:barn108
Release-Date:07.02.2025
Genre:Drum + Bass
Configuration:LP Excl
Barcode:198704234194
Add all to playlist
Play all
Add all to playlist
Play all
1
Phatness - Fillerkiller
Add all to playlist
Play all
2
Phatness - Diplomatico Dub
Add all to playlist
Play all
3
Phatness - Brahbrah Dub
Add all to playlist
Play all
4
Phatness - Snkt Erik Jamboree
Add all to playlist
Play all
5
Phatness - Black Palm Tree
Add all to playlist
Play all
6
Phatness - Drifting
Add all to playlist
Play all
7
Phatness - Do That Again
Add all to playlist
Play all
8
Phatness - Olearies Dub
Add all to playlist
Play all
9
Phatness - Tuna Style
Add all to playlist
Play all
10
Phatness - Black Palm Dub
GENRE/S: Bass, Jungle, Experimental Beats
LP:
A1 Fillerkiller
A2 Diplomatico Dub
A3 Brahbrah Dub
A4 Snkt Erik Jamboree
A5 Black Palm Tree
B1 Drifting
B2 Do That Again
B3 Olearies Dub
B4 Tuna Style
B5 Black Palm Dub
Short Info:
A beautiful strange beast suddenly spawning at the centre of the Studio Barnhus universe: Here comes
Phatness, the mysterious side project of two Stockholm producers with connections to Trensum Tribe, Soft
Pace, Otonos and other more or less shadowy institutions of Swedish soundsystem culture.
On their joint debut Fillerkiller, true-school junglist rhythmics scatter around in a glorious haze of sounds
sourced from the most unexpected places. Fillerkiller arrives on 12’’ vinyl in early 2025, set to increase the
momentum of any pre-, main or after parties in the near and far future.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP:
A1 Fillerkiller
A2 Diplomatico Dub
A3 Brahbrah Dub
A4 Snkt Erik Jamboree
A5 Black Palm Tree
B1 Drifting
B2 Do That Again
B3 Olearies Dub
B4 Tuna Style
B5 Black Palm Dub
Short Info:
A beautiful strange beast suddenly spawning at the centre of the Studio Barnhus universe: Here comes
Phatness, the mysterious side project of two Stockholm producers with connections to Trensum Tribe, Soft
Pace, Otonos and other more or less shadowy institutions of Swedish soundsystem culture.
On their joint debut Fillerkiller, true-school junglist rhythmics scatter around in a glorious haze of sounds
sourced from the most unexpected places. Fillerkiller arrives on 12’’ vinyl in early 2025, set to increase the
momentum of any pre-, main or after parties in the near and far future.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Myor Massiv
Cat-No:MASSIV12
Release-Date:07.02.2025
Genre:Drum + Bass
Configuration:12"
Barcode:
backorder
Last in:14.02.2025
Add all to playlist
Play all
+ Show full info- Close
backorder
Last in:14.02.2025
Label:Myor Massiv
Cat-No:MASSIV12
Release-Date:07.02.2025
Genre:Drum + Bass
Configuration:12"
Barcode:
Add all to playlist
Play all
Add all to playlist
Play all
1
DJ Europarking - Old Stool
Add all to playlist
Play all
2
DJ Europarking - That Bloody Music
Add all to playlist
Play all
3
DJ Europarking - Brampton
Add all to playlist
Play all
4
DJ Europarking - The Pleasuredome
Tracklisting
A1 DJ Europarking - Old Stool
A2 DJ Europarking - That Bloody Music
B1 DJ Europarking - Brampton
B2 DJ Europarking - The Pleasuredome
Sales Note
Myor Massiv proudly welcomes DJ Europarking to their roster. Returning from his alien abduction to the off-world colonies, he treats us to a full EPs worth of hardcore goodies, further exploring the sounds of the early 90s. This should be played at high volume!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 DJ Europarking - Old Stool
A2 DJ Europarking - That Bloody Music
B1 DJ Europarking - Brampton
B2 DJ Europarking - The Pleasuredome
Sales Note
Myor Massiv proudly welcomes DJ Europarking to their roster. Returning from his alien abduction to the off-world colonies, he treats us to a full EPs worth of hardcore goodies, further exploring the sounds of the early 90s. This should be played at high volume!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP
backorder
Label:Heavenly Sweetness
Cat-No:HS263
Release-Date:08.11.2024
Genre:Jazz
Configuration:2LP
Barcode:3521381591422
backorder
Last in:31.01.2025
Add all to playlist
Play all
+ Show full info- Close
backorder
Last in:31.01.2025
Label:Heavenly Sweetness
Cat-No:HS263
Release-Date:08.11.2024
Genre:Jazz
Configuration:2LP
Barcode:3521381591422
Add all to playlist
Play all
Add all to playlist
Play all
1
Clarence Wilson - The Sacred Lion Dance
Add all to playlist
Play all
2
Gibson Kente - Saduva
Add all to playlist
Play all
3
The Soweto Boys - What You Say
Add all to playlist
Play all
4
The Drive - Zone No 6
Add all to playlist
Play all
5
The Cliffs - Revelation (feat Mankunku Ngozi)
Add all to playlist
Play all
6
The Four Sounds - Seven Steps Lament
Add all to playlist
Play all
7
The Jazz Ministers - Zandile
Add all to playlist
Play all
8
The Tailfeathers - Tail Feathers
Add all to playlist
Play all
9
Cassidy Clarke Band - Doctor L
Add all to playlist
Play all
10
Zim Ngqawana - Kubi
Add all to playlist
Play all
11
Johnny Dyani - Magwaza
While music traditions are often defined by established and protected sets of characteristics, popular music in South Africa betrays a willingness to adapt homegrown styles and an enthusiasm to adopt new influences. Musical currents like marabi, goema and mbaqanga help define what makes indigenous jazz unique, but it’s the eclecticism and hybridisation found in South African crates that keeps vinyl archaeologists like Fred “Voom Voom” Spider digging deeper. If we consider jazz to be a global musical dish, it follows that South Africa brings a distinct sonic salsa to the table. Spider calls it “Chakalaka Jazz” after the local tomato, onion and chilli relish that frequently accompanies South African meals. It’s the essential ingredient that unites and spices this diverse selection of tracks spanning the years 1969 through 2003. Featuring locals, exiles and expats with a reverent nod to the golden years of the 1970’s, these rare musical treasures are held together by that magical South African flavour.
Compiled by Fred Spider, Notes by Calum MacNaughton, Executive Producer: Franck Descollonges for Heavenly Sweetness
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Compiled by Fred Spider, Notes by Calum MacNaughton, Executive Producer: Franck Descollonges for Heavenly Sweetness
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Numero Group
Cat-No:NUMLP89
Release-Date:06.12.2024
Configuration:2LP
Barcode:0825764108911
backorder
Last in:06.02.2025
+ Show full info- Close
backorder
Last in:06.02.2025
Label:Numero Group
Cat-No:NUMLP89
Release-Date:06.12.2024
Configuration:2LP
Barcode:0825764108911
1
Joanna Brouk - The Space Between
2
Laraaji - Bethlehem
3
David Naegele - Eternal Sanctuary
4
David Casper - Carmel Valley Sunset
5
Don Slepian - Sea of Bliss
6
Vernal Equinox - Silent Dream - The Real Dream
7
Steven Cooper - Soulmate Suite Part 1
8
Peter Davison - Control
9
David Storrs - Night in the Vortex
10
Iasos - The Angels Of Comfort
11
Robert Slap & Suzanne Ghiglia - Ocean Echoes
12
Upper Astral - Crystal Cave (Back to Atlantis)
13
Alex Johnson - Music for Earth Orbit
14
Georges Boutz - After The Storm
15
Dervish - Somebodies
16
Peter Nothnagle - New Snow
17
Jordan De La Sierra - Music for Gymnastics
18
Master Wilburn Burchette - Eternal Light
The Numero Group guide to private issue new age. Featuring Laraaji, Iasos, Joanna Brouk, Don Slepian, Peter Davison, Master Wilburn Burchette, Jordan De La Sierra, David Casper, Robert Slap and 9 other pioneers of the Perrier underground. Adorned with Marcus Uzilevsky's Linear Landscapes, this 2xLP compilation is housed in a sturdy tip-on jacket and is accompanied by a 32-page booklet. The fourth world awaits.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP
backorder
Label:Jungle Fantasy
Cat-No:JF001LP
Release-Date:31.01.2025
Genre:House
Configuration:2LP
Barcode:8018344370019
backorder
Last in:17.02.2025
Add all to playlist
Play all
+ Show full info- Close
backorder
Last in:17.02.2025
Label:Jungle Fantasy
Cat-No:JF001LP
Release-Date:31.01.2025
Genre:House
Configuration:2LP
Barcode:8018344370019
Add all to playlist
Play all
Add all to playlist
Play all
1
Progetto Tribale - The Sweep
Add all to playlist
Play all
2
Onirico - Echo
Add all to playlist
Play all
3
Open Spaces - Artist In Wonderland
Add all to playlist
Play all
4
Alex Neri - The Wizard (Hot Funky Version)
Add all to playlist
Play all
5
M.C.J. - (To Yourself) Be Free (Instrumental Mix) [feat. Sima]
Add all to playlist
Play all
6
Mato Grosso - Titanic
Add all to playlist
Play all
7
Dreamatic - I Can Feel It (Part One)
Add all to playlist
Play all
8
Carol Bailey - Understand Me (Free You Mind) [Dreams Piano Remix]
Add all to playlist
Play all
9
The True Underground Sound Of Rome - Secret Doctrine (feat. Stefano Di Carlo)
Add all to playlist
Play all
10
Don Carlos - Boy
Add all to playlist
Play all
11
Lady Bird - Jazzy Doll (Odyssey Dub)
Volume 1 of this expertly curated project of 90s Italian House - put together by Don Carlos.
If Paradise was half as nice… by Fabio De Luca.
Googling “paradise house”, the first results to pop up are an endless list of European b&b’s with whitewashed lime façades, all of them promising “…an unmatched travel experience a few steps from the sea”. Next, a little further down, are the institutional websites of a few select semi-luxury retirement homes (no photos shown, but lots of stock images of smiling nurses with reassuring looks). To find the “paradise house” we’re after, we have to scroll even further down. Much further down.
It feels like yesterday, and at the same time it seems like a million years ago. The Eighties had just ended, and it was still unclear what to expect from the Nineties. Mobile phones that were not the size of a briefcase and did not cost as much as a car? A frightening economic crisis? The guitar-rock revival?! Certainly, the best place to observe that moment of transition was the dancefloor. Truly epochal transformations were happening there. From America, within a short distance one from the other, two revolutionary new musical styles had arrived: the first one sounded a bit like an “on a budget” version of the best Seventies disco-music – Philly sound made with a set of piano-bar keyboards! – the other was even more sparse, futuristic and extraterrestrial. It was a music with a quite distinct “physical” component, which at the same time, to be fully grasped, seemed to call for the knotty theories of certain French post-modern philosophers: Gilles Deleuze, Félix Guattari, Paul Virilio... Both those genres – we would learn shortly after – were born in the black communities of Chicago and Detroit, although listening to those vinyl 12” (often wrapped in generic white covers, and with little indication in the label) you could not easily guess whether behind them there was a black boy from somewhere in the Usa, or a girl from Berlin, or a pale kid from a Cornish coastal town.
Quickly, similar sounds began to show up from all corners of Europe. A thousand variations of the same intuition: leaner, less lean, happier, slightly less intoxicated, more broken, slower, faster, much faster... Boom! From the dancefloors – the London ones at least, whose chronicles we eagerly read every month in the pages of The Face and i-D – came tales of a new generation of clubbers who had completely stopped “dressing up” to go dancing; of hot tempered hooligans bursting into tears and hugging everyone under the strobe lights as the notes of Strings of Life rose up through the fumes of dry ice (certain “smiling” pills were also involved, sure). At this point, however, we must move on to Switzerland.
In Switzerland, in the quiet and diligent town of Lugano, between the 1980s and 1990s there was a club called “Morandi”. Its hot night was on Wednesdays, when the audience also came from Milan, Como, Varese and Zurich. Legend goes that, one night, none less than Prince and Sheila E were spotted hiding among the sofas, on a day-off of the Italian dates of the Nude Tour… The Wednesday resident and superstar was an Italian dj with an exotic name: Don Carlos. The soundtrack he devised was a mixture of Chicago, Detroit, the most progressive R&B and certain forgotten classics of old disco music: practically, what the Paradise Garage in New York might have sounded like had it not closed in 1987. In between, Don Carlos also managed to squeeze in some tracks he had worked on in his studio on Lago Maggiore. One in particular: a track that was rather slow compared to the BPM in fashion at the time, but which was a perfect bridge between house and R&B. The title was Alone: Don Carlos would explain years later that it had to be intended both in the English meaning of “by itself” and like the Italian word meaning “halo”. That wasn’t the only double entendre about the song, anyway. Its own very deep nature was, indeed, double. On the one hand, Alone was built around an angelic keyboard pattern and a romantic piano riff that took you straight to heaven; on the other, it showcased enough electronic squelches (plus a sax part that sounded like it had been dissolved by acid rain) to pigeonhole the tune into the “junk modernity” section, aka the hallmark of all the most innovative sounds of the time: music that sounded like it was hand-crafted from the scraps of glittering overground pop.
No one knows who was the first to call it “paradise house”, nor when it happened. Alternative definitions on the same topic one happened to hear included “ambient house”, “dream house”, “Mediterranean progressive”… but of course none were as good (and alluring) as “paradise house”. What is certain is that such inclination for sounds that were in equal measure angelic and neurotic, romantic and unaffective, quickly became the trademark of the second generation of Italian house. Music that seemed shyly equidistant from all the rhythmic and electronic revolutions that had happened up to that moment (“Music perfectly adept at going nowhere slowly” as noted by English journalist Craig McLean in a legendary field report for Blah Blah Blah magazine). Music that to a inattentive ear might have sounded as anonymous as a snapshot of a random group of passers-by at 10AM in the centre of any major city, but perfectly described the (slow) awakening in the real world after the universal love binge of the so-called Second Summer of Love.
For a brief but unforgettable season, in Italy “paradise house” was the official soundtrack of interminable weekends spent inside the car, darting from one club to another, cutting the peninsula from North to centre, from East to West coast in pursuit of the latest after-hours disco, trading kilometres per hour with beats per minute: practically, a new New Year’s Eve every Friday and Saturday night. This too was no small transformation, as well as a shock for an adult Italy that was encountering for the first time – thanks to its sons and daughters – the wild side of industrial modernity. The clubbers of the so-called “fuoriorario” scene were the balls gone mad in the pinball machine most feared by newspapers, magazines and TV pundits. What they did each and every weekend, apart from going crazy to the sound of the current white labels, was linking distant geographical points and non-places (thank you Marc Augé!) – old dance halls, farmhouses and business centres – transformed for one night into house music heaven. As Marco D’Eramo wrote in his 1995 essay on Chicago, Il maiale e il grattacielo: “Four-wheeled capitalism distorts our age-old image of the city, it allows the suburbs to be connected to each other, whereas before they were connected only by the centre (…) It makes possible a metropolitan area without a metropolis, without a city centre, without downtown. The periphery is no longer a periphery of any centre, but is self-centred”.
“Paradise house” perfectly understood all of this and turned it into a sort of cyber-blues that didn’t even need words, and unexpectedly brought back a drop of melancholic (post?)-humanity within a world that by then – as we would wholly realise in the decades to come – was fully inhuman and heartless. A world where we were all alone, and surrounded by a sinister yellowish halo, like a neon at the end of its life cycle. But, for one night at least, happy.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
If Paradise was half as nice… by Fabio De Luca.
Googling “paradise house”, the first results to pop up are an endless list of European b&b’s with whitewashed lime façades, all of them promising “…an unmatched travel experience a few steps from the sea”. Next, a little further down, are the institutional websites of a few select semi-luxury retirement homes (no photos shown, but lots of stock images of smiling nurses with reassuring looks). To find the “paradise house” we’re after, we have to scroll even further down. Much further down.
It feels like yesterday, and at the same time it seems like a million years ago. The Eighties had just ended, and it was still unclear what to expect from the Nineties. Mobile phones that were not the size of a briefcase and did not cost as much as a car? A frightening economic crisis? The guitar-rock revival?! Certainly, the best place to observe that moment of transition was the dancefloor. Truly epochal transformations were happening there. From America, within a short distance one from the other, two revolutionary new musical styles had arrived: the first one sounded a bit like an “on a budget” version of the best Seventies disco-music – Philly sound made with a set of piano-bar keyboards! – the other was even more sparse, futuristic and extraterrestrial. It was a music with a quite distinct “physical” component, which at the same time, to be fully grasped, seemed to call for the knotty theories of certain French post-modern philosophers: Gilles Deleuze, Félix Guattari, Paul Virilio... Both those genres – we would learn shortly after – were born in the black communities of Chicago and Detroit, although listening to those vinyl 12” (often wrapped in generic white covers, and with little indication in the label) you could not easily guess whether behind them there was a black boy from somewhere in the Usa, or a girl from Berlin, or a pale kid from a Cornish coastal town.
Quickly, similar sounds began to show up from all corners of Europe. A thousand variations of the same intuition: leaner, less lean, happier, slightly less intoxicated, more broken, slower, faster, much faster... Boom! From the dancefloors – the London ones at least, whose chronicles we eagerly read every month in the pages of The Face and i-D – came tales of a new generation of clubbers who had completely stopped “dressing up” to go dancing; of hot tempered hooligans bursting into tears and hugging everyone under the strobe lights as the notes of Strings of Life rose up through the fumes of dry ice (certain “smiling” pills were also involved, sure). At this point, however, we must move on to Switzerland.
In Switzerland, in the quiet and diligent town of Lugano, between the 1980s and 1990s there was a club called “Morandi”. Its hot night was on Wednesdays, when the audience also came from Milan, Como, Varese and Zurich. Legend goes that, one night, none less than Prince and Sheila E were spotted hiding among the sofas, on a day-off of the Italian dates of the Nude Tour… The Wednesday resident and superstar was an Italian dj with an exotic name: Don Carlos. The soundtrack he devised was a mixture of Chicago, Detroit, the most progressive R&B and certain forgotten classics of old disco music: practically, what the Paradise Garage in New York might have sounded like had it not closed in 1987. In between, Don Carlos also managed to squeeze in some tracks he had worked on in his studio on Lago Maggiore. One in particular: a track that was rather slow compared to the BPM in fashion at the time, but which was a perfect bridge between house and R&B. The title was Alone: Don Carlos would explain years later that it had to be intended both in the English meaning of “by itself” and like the Italian word meaning “halo”. That wasn’t the only double entendre about the song, anyway. Its own very deep nature was, indeed, double. On the one hand, Alone was built around an angelic keyboard pattern and a romantic piano riff that took you straight to heaven; on the other, it showcased enough electronic squelches (plus a sax part that sounded like it had been dissolved by acid rain) to pigeonhole the tune into the “junk modernity” section, aka the hallmark of all the most innovative sounds of the time: music that sounded like it was hand-crafted from the scraps of glittering overground pop.
No one knows who was the first to call it “paradise house”, nor when it happened. Alternative definitions on the same topic one happened to hear included “ambient house”, “dream house”, “Mediterranean progressive”… but of course none were as good (and alluring) as “paradise house”. What is certain is that such inclination for sounds that were in equal measure angelic and neurotic, romantic and unaffective, quickly became the trademark of the second generation of Italian house. Music that seemed shyly equidistant from all the rhythmic and electronic revolutions that had happened up to that moment (“Music perfectly adept at going nowhere slowly” as noted by English journalist Craig McLean in a legendary field report for Blah Blah Blah magazine). Music that to a inattentive ear might have sounded as anonymous as a snapshot of a random group of passers-by at 10AM in the centre of any major city, but perfectly described the (slow) awakening in the real world after the universal love binge of the so-called Second Summer of Love.
For a brief but unforgettable season, in Italy “paradise house” was the official soundtrack of interminable weekends spent inside the car, darting from one club to another, cutting the peninsula from North to centre, from East to West coast in pursuit of the latest after-hours disco, trading kilometres per hour with beats per minute: practically, a new New Year’s Eve every Friday and Saturday night. This too was no small transformation, as well as a shock for an adult Italy that was encountering for the first time – thanks to its sons and daughters – the wild side of industrial modernity. The clubbers of the so-called “fuoriorario” scene were the balls gone mad in the pinball machine most feared by newspapers, magazines and TV pundits. What they did each and every weekend, apart from going crazy to the sound of the current white labels, was linking distant geographical points and non-places (thank you Marc Augé!) – old dance halls, farmhouses and business centres – transformed for one night into house music heaven. As Marco D’Eramo wrote in his 1995 essay on Chicago, Il maiale e il grattacielo: “Four-wheeled capitalism distorts our age-old image of the city, it allows the suburbs to be connected to each other, whereas before they were connected only by the centre (…) It makes possible a metropolitan area without a metropolis, without a city centre, without downtown. The periphery is no longer a periphery of any centre, but is self-centred”.
“Paradise house” perfectly understood all of this and turned it into a sort of cyber-blues that didn’t even need words, and unexpectedly brought back a drop of melancholic (post?)-humanity within a world that by then – as we would wholly realise in the decades to come – was fully inhuman and heartless. A world where we were all alone, and surrounded by a sinister yellowish halo, like a neon at the end of its life cycle. But, for one night at least, happy.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Bogwoppa Records
Cat-No:BOG31
Release-Date:21.02.2025
Genre:Drum + Bass
Configuration:12"
Barcode:
pre-sale
Last in:-
Add all to playlist
Play all
+ Show full info- Close
pre-sale
Last in:-
Label:Bogwoppa Records
Cat-No:BOG31
Release-Date:21.02.2025
Genre:Drum + Bass
Configuration:12"
Barcode:
Add all to playlist
Play all
Add all to playlist
Play all
1
Secret Squirrel - Something New
Add all to playlist
Play all
2
Secret Squirrel - Sick Sensation
Add all to playlist
Play all
3
Secret Squirrel - Shockwave Sauce
Add all to playlist
Play all
4
Secret Squirrel - Spike Up
Tracklisting
A1 Secret Squirrel - Something New
A2 Secret Squirrel - Sick Sensation
B1 Secret Squirrel - Shockwave Sauce
B2 Secret Squirrel - Spike Up
Sales Note
Get ready to jump as Bogwoppa returns with 'SPIKE UP EP' from Secret Squirrel! Packed with throwback breaks and a badboy basslines, This exuberant release channels classic UK vibes with a modern edge into 4 bombastic tracks guaranteed to shake you out of your tree.
Don't miss out - Bogwoppa is back, and it's time to move!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Secret Squirrel - Something New
A2 Secret Squirrel - Sick Sensation
B1 Secret Squirrel - Shockwave Sauce
B2 Secret Squirrel - Spike Up
Sales Note
Get ready to jump as Bogwoppa returns with 'SPIKE UP EP' from Secret Squirrel! Packed with throwback breaks and a badboy basslines, This exuberant release channels classic UK vibes with a modern edge into 4 bombastic tracks guaranteed to shake you out of your tree.
Don't miss out - Bogwoppa is back, and it's time to move!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Over/Shadow
Cat-No:OSH33
Release-Date:17.01.2025
Genre:Drum + Bass
Configuration:12"
Barcode:
backorder
Last in:27.01.2025
Add all to playlist
Play all
+ Show full info- Close
backorder
Last in:27.01.2025
Label:Over/Shadow
Cat-No:OSH33
Release-Date:17.01.2025
Genre:Drum + Bass
Configuration:12"
Barcode:
Add all to playlist
Play all
Add all to playlist
Play all
1
Deep Blue - Destroyer VIP
Add all to playlist
Play all
2
Deep Blue - Close Your Eyes
Deep Blue debuts on Over/Shadow with 2 trademark tracks that have made it onto vinyl for the first time. Both were originally made in the 90’s and lost until recently. Close Your Eyes was a Fabio favourite that featured in his and Grooveriders legendary Kiss FM shows and Destroyer VIP did the rounds on dub plate only. Re-mastered for 2024 and cut by the legendary Simon at the Exchange.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Echo Chamber Sound
Cat-No:ECHO011
Release-Date:31.01.2025
Genre:Drum + Bass
Configuration:12"
Barcode:
backorder
Last in:04.02.2025
Add all to playlist
Play all
+ Show full info- Close
backorder
Last in:04.02.2025
Label:Echo Chamber Sound
Cat-No:ECHO011
Release-Date:31.01.2025
Genre:Drum + Bass
Configuration:12"
Barcode:
Add all to playlist
Play all
Add all to playlist
Play all
1
LQ & Midnight Dubs - Westwind Rebels
Add all to playlist
Play all
2
LQ - A Lovely Area
Add all to playlist
Play all
3
Pugilist & LQ - Wild & Erratic
Add all to playlist
Play all
4
Kloke & LQ - Computer Bubblers (Pugilist & Tamen remix)
Tracklisting
A1 LQ & Midnight Dubs - Westwind Rebels
A2 LQ - A Lovely Area
B1 Pugilist & LQ - Wild & Erratic
B2 Kloke & LQ - Computer Bubblers (Pugilist & Tamen remix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 LQ & Midnight Dubs - Westwind Rebels
A2 LQ - A Lovely Area
B1 Pugilist & LQ - Wild & Erratic
B2 Kloke & LQ - Computer Bubblers (Pugilist & Tamen remix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Dark Entries
Cat-No:DE-333
Release-Date:11.10.2024
Configuration:LP
Barcode:794811515852
in stock
Last in:14.01.2025
Add all to playlist
Play all
+ Show full info- Close
in stock
Last in:14.01.2025
Label:Dark Entries
Cat-No:DE-333
Release-Date:11.10.2024
Configuration:LP
Barcode:794811515852
Add all to playlist
Play all
Add all to playlist
Play all
1
Patrick Cowley - Iko Iko
Add all to playlist
Play all
2
Patrick Cowley - 20th Century Fox (Feat. Paul Parker)
Add all to playlist
Play all
3
Patrick Cowley - Ride My See-Saw
Add all to playlist
Play all
4
Patrick Cowley - Shakin' All Over
Add all to playlist
Play all
5
Patrick Cowley - I Had Too Much To Dream (Last Night)
Add all to playlist
Play all
6
Patrick Cowley - Pushin Too Hard
Add all to playlist
Play all
7
Patrick Cowley - Baby I Need Your Loving
Cybernetic disco maestro Patrick Cowley returns to Dark Entries with From Behind, a collection of grooving and ecstatic covers of 60s garage and soul cuts. Best known for his chart-topping disco anthems, Cowley left us with an incredible body of work before his tragic death in 1982 due to AIDS-related illness. Since 2009, Dark Entries has been working with Cowley’s friends and family to uncover the singular artist’s lesser-known sides, including his soundtracks for films on compilation albums School Daze, Muscle Up, and Afternooners. From Behind reveals yet another facet of Cowley’s myriad influences; garage and soul. As a tripped-out teenage music freak who arrived in 60’s San Francisco, it should come as no surprise that these psychedelic sounds, both heady and visceral, infuse Cowley’s oeuvre. Recorded during Cowley’s most productive period, ‘80-’82, these tracks show the master flexing his virtuosity while paying loving tribute to the songs that shaped him. A rough draft of Loverde’s “Iko Iko” contorts the jaunty Dixie Cups classic into a slithering, monstrous bathhouse groover, the song’s signature claps draped in cavernous reverb. An unexpected hi-NRG cover of The Doors’ “20th Century Fox” has Paul Parker on vocals, ironically twisting the original’s overt heterosexuality. Via Cowley’s vocoder, The Who’s “Shakin’ All Over” is transformed into a haunting meditation on the loss of bodily autonomy that AIDS inflicts, while the Moody Blues’ “Ride My See Saw” appears in instrumental, amped up and synthesized for dancefloor impact. We’re also graced with instrumental demo versions of The Seeds’ “Pushin’ Too Hard” and The Electric Prunes’ “Too Much To Dream (Last Night),” which later appeared on Paul Parker releases. Things close out with a swinging version of the Four Tops’ Motown classic “Baby I Need Your Loving”, Cowley later reimagined for R&B artist Carl Carlton. The record comes housed in a sleeve designed by Gwenaël Rattke and includes an insert with photos and liner notes written by Louis Niebur. Arriving on October 19th in celebration of what would have been Cowley’s 74th birthday, From Behind gives us yet another glimpse into Cowley’s world: iconic, erotic, and more than a little cheeky.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Cat In The Bag
Cat-No:CITP11
Release-Date:07.02.2025
Genre:Drum + Bass
Configuration:12"
Barcode:
backorder
Last in:14.02.2025
Add all to playlist
Play all
+ Show full info- Close
backorder
Last in:14.02.2025
Label:Cat In The Bag
Cat-No:CITP11
Release-Date:07.02.2025
Genre:Drum + Bass
Configuration:12"
Barcode:
Add all to playlist
Play all
Add all to playlist
Play all
1
Tommy The Cat - Island In The Sky
Add all to playlist
Play all
2
Tommy The Cat - My Shining Star
Add all to playlist
Play all
3
Starsky - Erebus
Add all to playlist
Play all
4
JDK - Changing
Tracklisting
A1 Tommy The Cat - Island In The Sky
A2 Tommy The Cat - My Shining Star
B1 Starsky - Erebus
B2 JDK - Changing
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Tommy The Cat - Island In The Sky
A2 Tommy The Cat - My Shining Star
B1 Starsky - Erebus
B2 JDK - Changing
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:YUKU
Cat-No:YUKU044
Release-Date:31.01.2025
Genre:Drum + Bass
Configuration:12"
Barcode:
backorder
Last in:14.02.2025
Add all to playlist
Play all
+ Show full info- Close
backorder
Last in:14.02.2025
Label:YUKU
Cat-No:YUKU044
Release-Date:31.01.2025
Genre:Drum + Bass
Configuration:12"
Barcode:
Add all to playlist
Play all
Add all to playlist
Play all
1
Aroma Nice - containr
Add all to playlist
Play all
2
Aroma Nice - bmw with blacked out windows and 2 subs in the back blasting michael bolton
Add all to playlist
Play all
3
Aroma Nice - moan
Add all to playlist
Play all
4
Aroma Nice - 15 thousand nutters
Add all to playlist
Play all
5
Aroma Nice - An Ode To No One
Add all to playlist
Play all
6
Aroma Nice - animosity funk
Tracklisting
A1 Aroma Nice - containr
A2 Aroma Nice - bmw with blacked out windows and 2 subs in the back blasting michael bolton
A3 Aroma Nice - moan
B1 Aroma Nice - 15 thousand nutters
B2 Aroma Nice - An Ode To No One
B3 Aroma Nice - animosity funk
Sales Note
40 copies available (of LTD pressing 200)
Transparent vinyl with splashes of colour
When conceptual art really kicked off in the mid twentieth century, many of its protagonists were so determined to purge art of its decorative frilliness, they turned more and more towards words, or rather, lack thereof. The likes of Duchamp, Dali, Breton, Reinhardt, each uncensored by the rational mind, made moves towards the absurd and the sublime, with varying
degrees of success and failure alike.
In this piece, what one finds is the artist attempting to convey a number of things, and asking a number of questions of us as the listener what do we seek in such art? In which ways are tobe intellectually, spiritually and sexually fulfilled by its visceral and confrontational abandonment of conventions? Is it incongruous
juxtaposition? Does it lead us as the audience to question
ourselves as living breathing beings, our hopes and truths, and our benign tastes so often dictating our choice and free will?
The piece is a natural extension of surrealism, dadaism and indulgence, themselves often strange bedfellows. Elaborate and provocative in its execution, displaying a signature of insatiable curiosity, and leaving no stone unturned, it portrays the artist as a provocateur of postmodernism, mysticism, and decadence.
It transgresses the elusive world of the subconscious more imaginatively than previous offerings. Its also a piece which stitches together the scraps of art and culture, politics and poetry, and science and exotica that could often be found in the Southport of the late noughties and beyond. An extremely clever conceit there could be any manner of things concealed within this record, but we as the listener will never know because as as soon as one opens the record, the art is destroyed, the value is lost, so we will never, ever find out.
Ones most overriding sensation is that the piece feels like a shit filled hand grenade which the artist has flung into our collective psyche. It is quite simply, a joke, and a very poor joke.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Aroma Nice - containr
A2 Aroma Nice - bmw with blacked out windows and 2 subs in the back blasting michael bolton
A3 Aroma Nice - moan
B1 Aroma Nice - 15 thousand nutters
B2 Aroma Nice - An Ode To No One
B3 Aroma Nice - animosity funk
Sales Note
40 copies available (of LTD pressing 200)
Transparent vinyl with splashes of colour
When conceptual art really kicked off in the mid twentieth century, many of its protagonists were so determined to purge art of its decorative frilliness, they turned more and more towards words, or rather, lack thereof. The likes of Duchamp, Dali, Breton, Reinhardt, each uncensored by the rational mind, made moves towards the absurd and the sublime, with varying
degrees of success and failure alike.
In this piece, what one finds is the artist attempting to convey a number of things, and asking a number of questions of us as the listener what do we seek in such art? In which ways are tobe intellectually, spiritually and sexually fulfilled by its visceral and confrontational abandonment of conventions? Is it incongruous
juxtaposition? Does it lead us as the audience to question
ourselves as living breathing beings, our hopes and truths, and our benign tastes so often dictating our choice and free will?
The piece is a natural extension of surrealism, dadaism and indulgence, themselves often strange bedfellows. Elaborate and provocative in its execution, displaying a signature of insatiable curiosity, and leaving no stone unturned, it portrays the artist as a provocateur of postmodernism, mysticism, and decadence.
It transgresses the elusive world of the subconscious more imaginatively than previous offerings. Its also a piece which stitches together the scraps of art and culture, politics and poetry, and science and exotica that could often be found in the Southport of the late noughties and beyond. An extremely clever conceit there could be any manner of things concealed within this record, but we as the listener will never know because as as soon as one opens the record, the art is destroyed, the value is lost, so we will never, ever find out.
Ones most overriding sensation is that the piece feels like a shit filled hand grenade which the artist has flung into our collective psyche. It is quite simply, a joke, and a very poor joke.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore