Spin Department has returned with a new split EP, Side a featuring the Flip EP, and Side B the Level 0 EP featuring fellow NYC based artist CL3AN. The A side is bouncy and playful deep house, featuring rolling bass lines, punchy synths, and clever micro-sampling. This is a proper dance floor ready release that would fit well on any sunny festival day. Side B is more reserved, similar driving grooves and rolling bass, but more subdued and contemplative productions with the added touch of collaborator CL3AN. Spin Department continues to explore the realm of ‘minimal maximalism’ that has informed their sound since their debut EP in 2020.

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Sorting Days EP is the second release from duo Spin Department, consisting of the two co-founders of Tri Music Group, Brian Thabault & TESSUB. Three minimal trancy groovers with bouncing synths and lush sonic textures. The EP features an expansive and jazzy 12 minute remix of the title track from German trio Wareika

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Repress!

Kindred labels Animalia and NAFF co-release a collaborative project by Priori and Cousin.

Seamlessly bridging the artists’ individually honed styles, Numina displays four carefully crafted, beautifully understated, ultra-deep tracks that oscillate between club workouts and bass meditations. Hi-def and tripped to the core, this is dub for complex organisms.

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Following from a.s.o. 's self-titled LP, we have a set of remixes taking their trip-hop torch songs in new and different directions.
Under his Lew E moniker, Lewie Day takes 'Go On' for a trip to trance-town. Brooding minor key menace as Alia Seror-O'Neil's melancholic vocal gets twisted into strange shapes, eventually becoming an instrument of its own. Mutating from the organic to the synthetic during an adrenaline-racing breakdown. Day sounds like he's having a great deal of fun playing with and defying the conventions of the genre.
Maara explores a similar space on her re-rub of 'My Baby's Got It Out For Me'. Once again, Seror-O'Neil's voice is flexed and warped, spinning around the stereo field, as emotive as she ever sounds but more abstracted. Gossamer light with a heavyweight trance chassis - an iron fist in a lace glove.
Rising star Cousin moves in an earthier and more dubwise fashion on his remix of 'Falling Under.' His trademark shuffling, layered percussion comes with gnarly electronics and blissed-out synths. All the while, that vocal refrain leads us through the bong smoke toward the light. A work of restraint and release, the perfect fit for a.s.o.
Purelink's redo of 'Rain Down' is closer stylistically to the original. Bubbling synth-bass grooves atop a breakbeat, the vocal chopped and diced tastefully. Balearic street soul vibes, a hypnotic and heady five minutes. Beautiful business.



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Lips & Rhythm Records return with a hot little Balearic number from Bad Kids Beach Club, a new project from Jesse Sizmo & Seb Hall, featuring a bumping remix by Ibiza-based producer Camilo Miranda.


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The SOUP collective return with their second manifestation of cultural reincarnation.

Four more soundsystem specific artefacts for the discerning dancer...


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French production duo and live act Atomic moog debuts on the Delsin Cameron series with their Programm EP. Operating in a deep techno niche since 2015 they've put out an excellent run of mesmerizing, introvert dancefloor techno for labels like Lowless, Subosc and Norwegian techno platform Monument. Here on Delsin they crafted the next chapter of their vibrant modular quest, sub heavy and sparkling at the same time, sparsely arranged subtle techno jams.

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Voices From the Lake (consisting of Donato Dozzy and Neel) mark the 10th anniversary of their influential self-titled album with a fully remastered reissue on Spazio Disponibile. It arrives in full on vinyl for the first time, as well as on digital formats, first quarter of 2023 as the pair continues to play select live shows around the world. The release will see the light of day as a 4-set vinyl LP release, including download. Italians Dozzy and Neel have been friends united by a shared vision of music since their teenage years. They are immaculate sculptors of sound who fuse evocative ambient and leftfield techno into multi-layered soundscapes. For many years they worked as established solo artists but came together in 2011 to craft what is now regarded as one of techno's most pure and absorbing listening experiences. It's often said that the best music comes about as a happy accident, and that is certainly true of Voices From the Lake. The career-defining album first arose in the thoughts of Dozzy and Neel when the latter was preparing a mix for the former's wedding and named it Voices From The Lake. It was a pertinent title that stuck in the mind: both grew up by waters around the coast of Italy, and in their early days the pair even held private parties on the shores of a lake. Fittingly, Japan's celebrated Labyrinth festival at that time was also held by a river and a lake in the middle of a forest on a serene mountainside. It was that exact setting the pair envisaged when making music to play live on stage. During preparations, they "accidentally" wrote an entire album. It has only ever been performed live a few times - once at Japan's Labyrinth festival in 2011, at London's Barbican, Barcelona's Mira Festival, Paris' Marathon Festival and once during 2022's Amsterdam Dance Event. Those shows saw the pair using banks of analogue and digital equipment to improvise in the moment and essentially remix the album live on stage. That spontaneity is captured in the original Voices From the Lake recordings and on later LPs such as Live at Maxxi in 2015, and the most recent EP Quarto Freddo from 2020. But the debut album remains a standout achievement. A decade on, it's quiet intensity, musical storytelling and slowly unfolding tension remain in a class of one. Each sound is meticulously designed and placed, and the spaces left behind are just as important in conveying such a captivating mood and emotion. Rather than traditional kick drums, hi-hats or snares, this is music crafted from layers of real-world sound - dripping water, chirping birds, rustling leaves or a distant breeze - and it's that which defines the album's organic allure. From deeply contemplative to cautiously optimistic, pastoral organic scenes to more underwater worlds, Voices From the Lake is a cohesive collection of tracks that add up to one inseparable whole.

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Tracklisting
A1 Aural Imbalance - Atmospheric Entry
A2 Aural Imbalance - Lysithea
B1 Aural Imbalance - Altered Perception
B2 Aural Imbalance - Mountain Sky

Sales Note
A1 - Atmospheric Entry
Aural Imbalance opens his latest Spatial EP with an immense, synth-laden track edited to perfection. Wonderfully robust rolling amens, programmed with inspired analogue sensibilities capture the timeless essence of yesteryear, an anxious, wistful undertone punctuates the surrounding melodies, resulting in a slice of inspired jungle which will fit neatly in your record box as well as being that perfect Sunday evening number you can quietly lose yourself to.

A2 - Lysithea
Opening with an immediate dancefloor impact, Lysithea utilises an addictive, memorable breakbeat pattern with thrusting snares and excitable hi-hats to craft a classic old school serenity, riddled with the washing waves of ambient soundscapes that intersect jubilantly to the breaks. A piece which demonstrates Aural Imbalance's versatility in the genre, blending an abundance of both adjacent and paradoxical techniques to the mix.

AA1 - Altered Perception
Thick, enveloping atmospheric synths open Altered Perception, a track perfect to reset the mind with delicately balanced serene tones and a smooth drumloop. The breakdown arrives and the star of the show reveals itself for the second half, an unforgettable earworm melodic bassline that elevates the track to new heights. When the graceful outro knowingly takes its bow, you will be left to reflect on something quite special.

AA2 - Mountain Sky
Aural Imbalance closes the EP in style with an uneasy array of effects stuttering around tense synths to create an eerie introduction to Mountain Sky, before finely edited Hot Pants breaks and a delicious 808 bassline begin their calculated phonic onslaught to the ears. We are treated to an impressive medley of classic atmospheric inspiration here, rounded of superbly with a nicely elongated outro.

Words by Chris Hayes.

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14 track Studio from Fabien Guiraud released by HIDD

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Official Reissue

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Glasgow's finest Austin Ato is first out of the blocks off this mysterious new series “I Love Your Edits” with a 4 track EP of Disco Edits & Reworks following on from his work on Classic Music Company, Percolate, Phonica White, Defected, Me Me Me, Futureboogie, Delusions Of Grandeur and our very own Pantai People.

Two tracks on the funkier edge, whilst two are full on face-melters, both will tear the floors up.

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The disco maestro we know as Al Kent returns to GAMM with a follow up to his amazing 'Stranger Danger' 12"...

Just like its precursor, this is a highly personal release to Al Kent, as he not only created the musical reworks but also the full artwork from top to bottom.
The release comes with Al's beautiful design in a full-colour sleeve, inners etc...it's a truly eye-catching 12" to have in your collection :)

As for the music, Al delivers as always with three solid productions that range from Philly-style disco (Welcome To The Dub), Jazz-Funk (Dubanova) and a truly amazing end piece entitled 'Happiness & Peace' that is both psychedelic and beautiful at the same time...our fave cut if you ask us (check check).

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Tracklisting:
A1 Enzo Leep - Diesel Soul
A2 Izaakson - Moon Star
B1 Kozac - Makuta
B2 Vithz - Just Try

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