1
Trystero - Ritmo Dellellica Con Rita
2
Trystero - La Lingua Rosso
3
Trystero - La Vostra Autonomia
4
Trystero - Rock Dei Pelicani Con Alexia
5
Trystero - The Intermezzo Of The Footloose Footman
6
Trystero - Suburra
7
Trystero - Trentanni Con Alexia
Trystero comprises Scottish/Luxembourgish producer Thomas Lea Clarke (aka MR TC) and Low Bat, otherwise known as one half of the formidable duo Jean-Luc. Their debut album, Sfumare e Vedere, was conceived over three days aboard Urban Boat, a 1960s barge transformed into an arts and performance space. Moored along the river just outside of Paris, the duo embarked on a joint residency, discovering their complementary creative energies and a mutual passion for all things strange and psychedelic.
As frontman, Low Bat is a fire-powered poet, his unparalleled stage presence resonating through Trystero's music. The French native and fluent German speaker has a natural flair for languages. For this project, he sings in a combination of Italian and English about love, loss, and class struggle, constructing surreal wordplay about pelicans and puttanesca. Meanwhile, Clarke's drone-lead electronic accompaniment takes its cues from sizzling acid, 1990s snap rhythms, post-punk, krautrock and shoegaze. Firmly rooted in these tripped-out genres, Trystero journeys to entirely new cosmic dimensions.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
As frontman, Low Bat is a fire-powered poet, his unparalleled stage presence resonating through Trystero's music. The French native and fluent German speaker has a natural flair for languages. For this project, he sings in a combination of Italian and English about love, loss, and class struggle, constructing surreal wordplay about pelicans and puttanesca. Meanwhile, Clarke's drone-lead electronic accompaniment takes its cues from sizzling acid, 1990s snap rhythms, post-punk, krautrock and shoegaze. Firmly rooted in these tripped-out genres, Trystero journeys to entirely new cosmic dimensions.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Trystero
1
Trystero - Riviere Olivier
2
Trystero - Coughin Red Green
3
Trystero - Buttering My Ears
4
Trystero - Bondax Dancefloor
5
Trystero - Green Flowers
6
Trystero - This Is The Future And That Is The Past
7
Trystero - The Lubber Fiend With Pussr
Trystero returns with their new album Humming Fuzz on Knekelhuis — a kaleidoscopic voyage deeper into the band’s expanding cosmos.
Built on plunging basslines, acid-drenched loops, and spiraling kraut-inspired guitar textures, the record drifts between hypnotic repetition and free-flowing, hallucinatory songwriting. It echoes the visionary spirit of Psychic TV and the genre-blurring universe of Weatherall, while carving out a raw, magnetic space of its own.
Recorded once again on a canal barge in the North of France, Humming Fuzz feels like a natural evolution from their debut Sfumare e Vedere — denser, more alive, and charged with electricity. Now expanded with Nelly on bass and Alexia on vocals, Trystero channels this expanded energy into their wild, expressive live performances, soon to ignite audiences on their upcoming tours.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Built on plunging basslines, acid-drenched loops, and spiraling kraut-inspired guitar textures, the record drifts between hypnotic repetition and free-flowing, hallucinatory songwriting. It echoes the visionary spirit of Psychic TV and the genre-blurring universe of Weatherall, while carving out a raw, magnetic space of its own.
Recorded once again on a canal barge in the North of France, Humming Fuzz feels like a natural evolution from their debut Sfumare e Vedere — denser, more alive, and charged with electricity. Now expanded with Nelly on bass and Alexia on vocals, Trystero channels this expanded energy into their wild, expressive live performances, soon to ignite audiences on their upcoming tours.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Knekelhuis
1
Trystero - Riviere Olivier
2
Trystero - Coughin Red Green
3
Trystero - Buttering My Ears
4
Trystero - Bondax Dancefloor
5
Trystero - Green Flowers
6
Trystero - This Is The Future And That Is The Past
7
Trystero - The Lubber Fiend With Pussr
Trystero returns with their new album Humming Fuzz on Knekelhuis — a kaleidoscopic voyage deeper into the band’s expanding cosmos.
Built on plunging basslines, acid-drenched loops, and spiraling kraut-inspired guitar textures, the record drifts between hypnotic repetition and free-flowing, hallucinatory songwriting. It echoes the visionary spirit of Psychic TV and the genre-blurring universe of Weatherall, while carving out a raw, magnetic space of its own.
Recorded once again on a canal barge in the North of France, Humming Fuzz feels like a natural evolution from their debut Sfumare e Vedere — denser, more alive, and charged with electricity. Now expanded with Nelly on bass and Alexia on vocals, Trystero channels this expanded energy into their wild, expressive live performances, soon to ignite audiences on their upcoming tours.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Built on plunging basslines, acid-drenched loops, and spiraling kraut-inspired guitar textures, the record drifts between hypnotic repetition and free-flowing, hallucinatory songwriting. It echoes the visionary spirit of Psychic TV and the genre-blurring universe of Weatherall, while carving out a raw, magnetic space of its own.
Recorded once again on a canal barge in the North of France, Humming Fuzz feels like a natural evolution from their debut Sfumare e Vedere — denser, more alive, and charged with electricity. Now expanded with Nelly on bass and Alexia on vocals, Trystero channels this expanded energy into their wild, expressive live performances, soon to ignite audiences on their upcoming tours.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Léo La Nuit - Intro
2
Léo La Nuit - Les Bourgeons
3
Léo La Nuit - Écoule Les Larmes
4
Léo La Nuit - La Mer Pleure Ft. Oliver Foster
5
Léo La Nuit - La Nuit D'orages
6
Léo La Nuit - Nausée
7
Léo La Nuit - Por Que Té Vas?
8
Léo La Nuit - Le Bruit Des Vagues
9
Léo La Nuit - Dans Le Noir
10
Léo La Nuit - Le Saut De Lange
11
Léo La Nuit - El Corazón De Poeta
12
Léo La Nuit - La Fin Du Tunnel
13
Léo La Nuit - Interlude
14
Léo La Nuit - Hear You Say
15
Léo La Nuit - Das Le Vent
16
Léo La Nuit - Une Berceuse Pour Avril
‘LE DON DES LARMES’, and was conceived and recorded during the artist's pregnancy — a time of deep transformation. It is a poetic offering to her newborn child, where the cycle of the seasons becomes a metaphor for birth, vulnerability, and renewal.
Her sound draws from the lullabies of her Kabyle childhood and the gentle melancholy of Algerian chaabi, carrying their echoes into a world entirely her own. LÉO LA NUIT is a Franco-Algerian writer and composer who weaves music as one might weave dreams — with tenderness, intuition, and a reverence for nature.
Through field recordings, intimate textures, and delicate pop melodies, LÉO LA NUIT invites us into her inner landscape. Her music breathes closely to the skin — fragile yet luminous — a collage of fleeting moments, stitched together with care. It is a world both grounded and dreamlike, where emotion flows freely, like tears given as a gift
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Her sound draws from the lullabies of her Kabyle childhood and the gentle melancholy of Algerian chaabi, carrying their echoes into a world entirely her own. LÉO LA NUIT is a Franco-Algerian writer and composer who weaves music as one might weave dreams — with tenderness, intuition, and a reverence for nature.
Through field recordings, intimate textures, and delicate pop melodies, LÉO LA NUIT invites us into her inner landscape. Her music breathes closely to the skin — fragile yet luminous — a collage of fleeting moments, stitched together with care. It is a world both grounded and dreamlike, where emotion flows freely, like tears given as a gift
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Helen Island - me & who ?
2
Helen Island - hot zone, regular day
3
Helen Island - Fame Gang
4
Helen Island - GHOST GUNS
5
Helen Island - INVINCIBL
6
Helen Island - Forever Starts Today
7
Helen Island - indivisibl
8
Helen Island - i know 3 45
9
Helen Island - Stalker Guardian Angel
10
Helen Island - Get rid of yourself
11
Helen Island - it’s going better
12
Helen Island - Capital Collectiv
13
Helen Island - feeling the sun, it’s lit !
14
Helen Island - missing flowers i think
15
Helen Island - Restless Lovers
16
Helen Island - Gore Lore
On the outskirts of the Parisian sprawl, we drift through the evening hush, our steps tracing the edges of a world half-lit.
The air crackles—charged, restless. Somewhere, we hear the city hums, a distant, roaring tide.
And there is this stranger, curious, starry-eyed, looking at us.
We stop, tilt our heads together, a faint smile :
« I scream, you scream ! Everyday is a new *silence*
It was all paradoxical
Fullness in the crisis
Silence is priceless »
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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The air crackles—charged, restless. Somewhere, we hear the city hums, a distant, roaring tide.
And there is this stranger, curious, starry-eyed, looking at us.
We stop, tilt our heads together, a faint smile :
« I scream, you scream ! Everyday is a new *silence*
It was all paradoxical
Fullness in the crisis
Silence is priceless »
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Reymour - Intro
2
Reymour - He's Changing
3
Reymour - On A Pulse
4
Reymour - Dix Mois
5
Reymour - Hors-série
6
Reymour - Documentary
7
Reymour - Sans éveil
8
Reymour - Interlude
9
Reymour - A l’éternelle
10
Reymour - L’odeur du tabac froid
11
Reymour - 2 Dreams in a night
12
Reymour - Partir sans dormir
13
Reymour - Sleepy Time
14
Reymour - La Scène
NoLand sounds like a story already experienced. A series of lyrical landscapes infused with deviant pop sonorities.
In the second album on Knekelhuis, Reymour gives us the keys to three years of life's passages through mist and clearings, delving deep into their innermost selves and emotions.
By merging new inspirations with new encounters, they weave and unravel their tale.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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In the second album on Knekelhuis, Reymour gives us the keys to three years of life's passages through mist and clearings, delving deep into their innermost selves and emotions.
By merging new inspirations with new encounters, they weave and unravel their tale.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Michel Banabila - Viva Voce
2
Michel Banabila - Vowels Of Love
3
Michel Banabila - Darker And Darker
4
Michel Banabila - Hometapers Tricky Universe
5
Michel Banabila - So Far Yet So Near
6
Michel Banabila - Your Words Against Mine
7
Michel Banabila - Rattles
8
Michel Banabila - Little Star
9
Michel Banabila - AI Brainfire
10
Michel Banabila - Sounds From An Uforgettable Place 1 (Uv Remix)
11
Michel Banabila - Unspeakable Visions
** info soon
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Stacks - For Silence
2
Stacks - On The Heels
3
Stacks - Seagulls
4
Stacks - I Want You
5
Stacks - Pleasure
6
Stacks - In Mazes
7
Stacks - Run Away
8
Stacks - Is It Ever
9
Stacks - We Love Them
Want, both lack and desire, is the sound of two brothers trying to sing sense into a burning world.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Archetype - Archetype
2
Archetype - Mental Is True
3
Archetype - Minute After Minute
4
Archetype - The Ick
5
Archetype - Illusions
6
Archetype - Trickster
7
Archetype - I See Numbers
8
Archetype - Final Chapter
The Ick — a sense of sanity amidst the storm of information. This album by Archetype is an abstract scream for something quite fragile — a polarizing society, disruptive isolation, and the fading collective experience. Utilizing dramatic vocals, industrial trip-hop, and post-punk-leaning electronics, Archetype marks the new moniker by the ever-versatile Viennese Rotterdammer, Leonard Prochazka. Following his manifold of concept-driven, instinctive musical output, Archetype's "The Ick" releases in 2024, following "Strapazen und Genesung" as Geier Aus Stahl on Knekelhuis in 2022.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Helen Island - U In The Red
2
Helen Island - It's So Easy
3
Helen Island - Goosebumps
4
Helen Island - Blazing
5
Helen Island - It's So Cool
6
Helen Island - Dressed To Shine
7
Helen Island - No Witness
8
Helen Island - My Bestie
9
Helen Island - Thank You
10
Helen Island - Marian 323
11
Helen Island - The Mirror Dance
12
Helen Island - Alice DJ
2025 Repress!
With insert
Ghastly and hallucinatory – 'last liasse' is a sign of the times, alternative pop record by helen island. Within this debut album, the artist captures the saccharine gaze of digital escapism through characteristic filtered high notes, cut-up genres, and processed vocals. Providing a comprehensive overview of helen island’s self-distributed initiatives, with the ethos of the Parisian Simple Music Experience collective, the twelve tracks set a solid musical score that resonates with the age to come.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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With insert
Ghastly and hallucinatory – 'last liasse' is a sign of the times, alternative pop record by helen island. Within this debut album, the artist captures the saccharine gaze of digital escapism through characteristic filtered high notes, cut-up genres, and processed vocals. Providing a comprehensive overview of helen island’s self-distributed initiatives, with the ethos of the Parisian Simple Music Experience collective, the twelve tracks set a solid musical score that resonates with the age to come.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
XIII - Rientro In Alona
2
XIII - Ladnaday (Feat. Sabina Kaufman)
3
XIII - Hardtmuth Feat. Hans Harsen
4
XIII - The Distance
5
XIII - Black Tropica Data
6
XIII - Where Are You Now
7
XIII - Il Calcio Della Rotta
8
XIII - Addendo Dell Pietra Feat. Anna Holmer
‘Permanent Rain’ is introspective listening. Lean back and let your ears catch a source that moves, breaths, resonates and rises, until a quiet truth swells upon us.
XII captures truth in all its honesty. Sometimes it feels so physical, it’s as if time and elements of nature are peeled of layer after layer.
This record combines songwriting with sonic hypnosis. A rhythmic, esoteric oasis, containing currents of mysticism, yet accompanied by contemporary electronics. Its elements translate to a brew of mutant raga, neofolk and tripped out celtic fantasies.
Ffo: Rapoon, Breadwoman, O Yuki Conjugate
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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XII captures truth in all its honesty. Sometimes it feels so physical, it’s as if time and elements of nature are peeled of layer after layer.
This record combines songwriting with sonic hypnosis. A rhythmic, esoteric oasis, containing currents of mysticism, yet accompanied by contemporary electronics. Its elements translate to a brew of mutant raga, neofolk and tripped out celtic fantasies.
Ffo: Rapoon, Breadwoman, O Yuki Conjugate
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Eye - Mata El Meta
2
Eye - Ti Amo
3
Eye - Jeannette (Braque Cover)
4
Eye - Le Croquis De La Femme
5
Eye - La Mort De La Maitresse
6
Eye - Le Croquis De La Femme (Demo Version)
7
Eye - Put Down
8
Eye - Carousel
9
Eye - Aam
10
Eye - Bad Jazz
11
Eye - Your Face Is A Picture
12
Eye - Fou De Toi
Laurène Exposito releases her 3rd album on Knekelhuis. Honolulu / Saigon is a collage of unreleased material, and previously on cassette released work. Some songs go even back to the era of Sabine and ties in wonderfully with Laurène’s previous work. She’s been performing some of these tracks back in the days. For sure a pleasant recognition.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
KiTA - Ceramic
2
KiTA - Hazel
3
KiTA - Palace
The Naarm/Melbourne based producer will unveil meticulously crafted tracks that breathe life, deliver crispness, evoke emotions, and pulsate with energy.
KiTA's music defies easy categorization, blending ambient, dub, and breakbeat with real instruments and orchestral elements. The album "Ceramic" takes us on a mesmerizing journey with its title track, a twelve-minute composition that intertwines groove-laden ambience, deep bass throbs, swirling guitars, enchanting strings, and atmospheric vocals.
The B side of the record embraces a club-oriented soundscape with infectious breaks and captivating hooks, offering a refreshing contrast to the prevailing musical landscape. The final track concludes the album with dub-influenced percussion, creating a captivating dance that evokes both melancholy and beauty, leaving room for personal interpretation and discovery.
Mastered by Wouter Brandenburg and artwork by Kae Kitzler and Steele Bonus.
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DE - 22113 Hamburg
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KiTA's music defies easy categorization, blending ambient, dub, and breakbeat with real instruments and orchestral elements. The album "Ceramic" takes us on a mesmerizing journey with its title track, a twelve-minute composition that intertwines groove-laden ambience, deep bass throbs, swirling guitars, enchanting strings, and atmospheric vocals.
The B side of the record embraces a club-oriented soundscape with infectious breaks and captivating hooks, offering a refreshing contrast to the prevailing musical landscape. The final track concludes the album with dub-influenced percussion, creating a captivating dance that evokes both melancholy and beauty, leaving room for personal interpretation and discovery.
Mastered by Wouter Brandenburg and artwork by Kae Kitzler and Steele Bonus.
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1
EYE - Acqua Vera
2
EYE - Luscinia
3
EYE - Tu Anima
4
EYE - Mirador
5
EYE - Sanatorium
6
EYE - Valentina
7
EYE - Non Siamo
8
EYE - Time To Display
2023 Repress!
EYE is back. Metamujer marks the third installment on the Knekelhuis label and we’re extremely happy to release this document of another chapter in Laurène Exposito’s life. Recorded on various locations ranging from the Swiss mountains to the chalky coasts of Brittany, Metamujer is an 8-track ode to salty love and closeness to nature, a tribute to a modest lifestyle à la Henry David Thoreau. Far from being praise for self-sufficiency, this new LP is deeply influenced by Laurène’s environment. We can hear Korg MS-10 created synthetic waves (Sanatorium) and birds (Luscinia), but one can also catch her singing in Italian, one of 3 languages spoken in Switzerland. Still minimalist and yet more aesthetically diverse, her new sounds are on the edge of EBM and synth pop, between classic minimal wave tunes and rustic ballads on acid.
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WAS - Word and Sound Medien GmbH
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Germany
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EYE is back. Metamujer marks the third installment on the Knekelhuis label and we’re extremely happy to release this document of another chapter in Laurène Exposito’s life. Recorded on various locations ranging from the Swiss mountains to the chalky coasts of Brittany, Metamujer is an 8-track ode to salty love and closeness to nature, a tribute to a modest lifestyle à la Henry David Thoreau. Far from being praise for self-sufficiency, this new LP is deeply influenced by Laurène’s environment. We can hear Korg MS-10 created synthetic waves (Sanatorium) and birds (Luscinia), but one can also catch her singing in Italian, one of 3 languages spoken in Switzerland. Still minimalist and yet more aesthetically diverse, her new sounds are on the edge of EBM and synth pop, between classic minimal wave tunes and rustic ballads on acid.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Purelink - Personal Velocity
2
Tammo Hesselink - Half Learned
3
Lara Sarkissian - Eternal Repose
4
Feloneezy - Lipstick On My Double Chin
5
Spivak - The Fucking Bed On The Floor
6
Civilistjavel - Fyrkant
7
Salamanda - Drink Wisdom
8
Hiroma Keo - Broken
9
Slowfoam - Mirror Stone
10
Ssiege - Virgo Oscura
Following up 2021’s compilation 'and felt like...', ' ...it wasn't really me' can be seen as the missing part of a diptych, only separated by the passage of time, yet whole in spirit. Again, a familiar company of singular artists showcase remarkable unity in diversity. Similar to its predecessor, a rustic gloom glues everything together into a seamless whole, enabling the collective to transcend each unique contributors' musical voice elegantly.
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1
Electric Party - Tension
2
Electric Party - Portrait Of Ezra Pound
3
Electric Party - Words From The Underground
4
Electric Party - Money On Your Mind
5
Electric Party - Catwalk
6
Electric Party - Caribe
7
Electric Party - Imagine A Blind Man Dreaming
8
Electric Party - Steps
9
Electric Party - A New Story Rehearsal Demo
Repress!
"Amsterdam, 1982. Smoke fills the streets, squatters clash violently with the police, uprising is in the air. In this disorderly mess, the worlds of activism, art, fashion, and nightlife converged into an explosion of creativity. Amidst all of this Electric Party, the brainchild of René van Rijn, released the ‘Work’ tape on Amsterdam label Fetisj, now a cult cassette for the few who remember.Forty years ago they created this unique blend of no wave, mutant disco, funk, and experimental music. It was around the time of the rise of the members-only club Mazzo, with all its prominent figures, the anarchy of the squatting movement, and the art academy connection. Everything took place in this inebriated twilight zone of blissful joy.This record consists of 3 of the best tracks from the ‘Work’ tape and 6 unreleased tracks from forgotten cassette tapes, all remastered and restored where necessary. Among them the unreleased anthem ‘Caribe’, which was recorded in Spain as the opening track for a Spanish discotheque in 1987.
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"Amsterdam, 1982. Smoke fills the streets, squatters clash violently with the police, uprising is in the air. In this disorderly mess, the worlds of activism, art, fashion, and nightlife converged into an explosion of creativity. Amidst all of this Electric Party, the brainchild of René van Rijn, released the ‘Work’ tape on Amsterdam label Fetisj, now a cult cassette for the few who remember.Forty years ago they created this unique blend of no wave, mutant disco, funk, and experimental music. It was around the time of the rise of the members-only club Mazzo, with all its prominent figures, the anarchy of the squatting movement, and the art academy connection. Everything took place in this inebriated twilight zone of blissful joy.This record consists of 3 of the best tracks from the ‘Work’ tape and 6 unreleased tracks from forgotten cassette tapes, all remastered and restored where necessary. Among them the unreleased anthem ‘Caribe’, which was recorded in Spain as the opening track for a Spanish discotheque in 1987.
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Germany
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1
Geier Aus Stahl - Wendeltreppe
2
Geier Aus Stahl - Wohin
3
Geier Aus Stahl - Leg Dich Hin
4
Geier Aus Stahl - Geschichten Aus Dem Narrenkasten
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Geier Aus Stahl - Sagen Mit Wörter
6
Geier Aus Stahl - Sauerrockreim
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Geier Aus Stahl - Der Große Beschleuniger
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Geier Aus Stahl - Unterland
9
Geier Aus Stahl - Für Immer
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Geier Aus Stahl - Zeitglas
Geier aus Stahl is one of the many artistic guises of Leonard Prochazka. No superfluous elements take away from the core experience of his sound. Somewhere a statement from David Byrne crossed our path, able to highlight something of the essence of Leonard's art: “No matter how alienated the subject or the singer might appear, the groove and its connection to the body would provide solace and grounding. But the edgy, uncomfortable stuff was still on the foreground”. The debut album 'Strapazen und Genesung' takes us to an exciting world that twists, squeaks and creaks, yet is grounded by an unmistakable groove.
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Germany
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1
De Ambassade - Duistre Kamers
2
De Ambassade - Zo Hoog Als De Bogen
3
De Ambassade - Geen Genade
4
De Ambassade - Malefica
5
De Ambassade - Verloren"
6
De Ambassade - Niet Van Mij
7
De Ambassade - Wat Voel Je Nou
8
De Ambassade - Laatste Uur
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De Ambassade - No Title
Repress!
Something was brooding in the furthest outskirts of Amsterdam. The isolated concrete suburbs of the western part of the city constituted the ideal dwelling place for the writing of De Ambassade's debut album Duistre Kamers.
Pascal Pinkert, accompanied by bass player Timothy Francis, searched for new horizons and managed to find them on this next chapter in the evolution of De Ambassade. Icy electronics display a love for NDW, ragas and raves. Beneath the surface lies a deeper Dutch language narrative celebrating free speech and thought, starkly in opposition with a world where alienation and solitude create ever more distance between all beings.
After releasing two, by now classic 7" ep's, a long player will shine brightly. The album release will feature a long awaited live performance with additional band member Mian.
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Germany
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Something was brooding in the furthest outskirts of Amsterdam. The isolated concrete suburbs of the western part of the city constituted the ideal dwelling place for the writing of De Ambassade's debut album Duistre Kamers.
Pascal Pinkert, accompanied by bass player Timothy Francis, searched for new horizons and managed to find them on this next chapter in the evolution of De Ambassade. Icy electronics display a love for NDW, ragas and raves. Beneath the surface lies a deeper Dutch language narrative celebrating free speech and thought, starkly in opposition with a world where alienation and solitude create ever more distance between all beings.
After releasing two, by now classic 7" ep's, a long player will shine brightly. The album release will feature a long awaited live performance with additional band member Mian.
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DE - 22113 Hamburg
Germany
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1
Stacks - Passengers Of Time
2
Stacks - Above Ground
3
Stacks - The Freedom To Pretend
4
Stacks - People Around
5
Stacks - Oh You
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Stacks - To Be Near
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Stacks - Break In Tune
8
Stacks - If Hope Is A Game
Stacks is the Belgian duo of Jan and Sis Matthé. These Antwerp residents build and undress different timbres and textures into vocal-hooked songs, flouting the rules of pop in the process. We at Knekelhuis appreciate this immensely and are delighted to work with them. ‘Love and Language’ is a romantic, moody pop-not-pop record in which everything falls perfectly into place.
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Germany
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Germany
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1
Jimmy Smack - Anguish
2
Jimmy Smack - Hating Life
3
Jimmy Smack - Depression
4
Jimmy Smack - Souls
5
Jimmy Smack - Cybernetic
6
Jimmy Smack - Death Is Certain
7
Jimmy Smack - The Scarlet Beast
8
Jimmy Smack - Batty
9
Jimmy Smack - Anguish Instrumental
Across two 7”s, Death Or Glory (1982) and Death Rocks (1983) and one 12”, Anguish (1982) Jimmy Smack carved his own bleak chasm amidst the LA Death Rock scene that he inhabited. After decades dormant in the crypt, Knekelhuis compiles Smack’s full recorded output, providing it a lavish place to rest on the Death Is Certain LP.
While his local punk contemporaries pursued aggressive hardcore and political punk, Jimmy Smack donned corpse paint (before it would later become synonymous with the European black metal movement) and found a home performing in venues like the Anti-Club, amongst other subterranean dwellers Christian Death, Dead Hippie and 45 Grave.
Even within this lurid milieu, Jimmy Smack stood alone. Hating Life (from Death Rocks) easily locates Jimmy within the negative-punk and KBD lexicon. However his recordings, consisting of voice, rhythm box and electrified bagpipe drones, otherwise veer closer to other-worldly avant-garde rituals. Jimmy’s background in theatre and performance art helping inform not only his menacing stage presence, but also spawning the singularity of his sound.
Death Is Certain comes housed in a printed inner sleeve featuring rarely seen archival photos, liner notes by Cooper Bowman and excerpts from an interview with Jimmy Smack conducted by Juan Mendez (Silent Servant)
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Germany
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While his local punk contemporaries pursued aggressive hardcore and political punk, Jimmy Smack donned corpse paint (before it would later become synonymous with the European black metal movement) and found a home performing in venues like the Anti-Club, amongst other subterranean dwellers Christian Death, Dead Hippie and 45 Grave.
Even within this lurid milieu, Jimmy Smack stood alone. Hating Life (from Death Rocks) easily locates Jimmy within the negative-punk and KBD lexicon. However his recordings, consisting of voice, rhythm box and electrified bagpipe drones, otherwise veer closer to other-worldly avant-garde rituals. Jimmy’s background in theatre and performance art helping inform not only his menacing stage presence, but also spawning the singularity of his sound.
Death Is Certain comes housed in a printed inner sleeve featuring rarely seen archival photos, liner notes by Cooper Bowman and excerpts from an interview with Jimmy Smack conducted by Juan Mendez (Silent Servant)
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Number 4 in the Bad Timin' series is here, featuring a quartet of shovel-ready tunes perfect for ur club set, radio show or gym session. Let the gains begin... Six months in the making, the "Sound Man" (aka Jex Opolis) spent the extended winter slumped in his studio crafting these tunes... "Pneumatic" builds pressure with crunchy synth riffs, while "Molecools" drops slide guitar over some proggy breaks. Filling out the EP are two mixes of "Catalytic," a tune that came to life after the muffler on Jexy's 2003 Toyota went kaput.
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Germany
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Germany
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Stevia / Susumu Yokota - Maverick
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Stevia / Susumu Yokota - Fruits Of The Planet
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Stevia / Susumu Yokota - Little Comets
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Stevia / Susumu Yokota - Paint It
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Stevia / Susumu Yokota - Sunny Side
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Stevia / Susumu Yokota - The Way
2023 Repress!
In 1997 and 1998, the late great Japanese composer, producer, and DJ Susumu Yokota released two of the most eclectic albums of his decades-long career, Fruits of The Room and Greenpeace. Recorded under his Stevia alias for Tokyo Techno pioneer DJ Miku’s Newstage Records/NS-COM, they were Yokota-san’s homage to the foundational days of club music in Japan.
This year, Glossy Mistakes are proud to present the first official vinyl editions of Fruits of The Room and Greenpeace, originally released on CD during the golden days of the format. Packaged in reimagined cover artwork created by the celebrated Japanese visual artist Masaho Anotani, these two albums perfectly capture the diversity at the heart of Yokota-san’s oeuvre. Across Greenpeace sees Yokota-san conjuring up a heady concoction of dusty loops, sampledelic breaks, kraut-rock and psychedelic downbeat. A remarkable listening experience based on the inspired era of a genius.
When Yokota-san wrote and produced the music on Fruits of The Room and Greenpeace in 1997, he was reflecting on the broader culture that surrounded dance music in Japan in the early to mid-nineties. It was an era when the psychedelic culture of late sixties America, the afterglow of UK acid house/rave, the new age movement and cyberpunk dovetailed together. Within DJ Miku and Yokota-san’s social circles, the thinking of Timothy Leary, Ram Dass, Allen Ginsberg, Jack Kerouac and William S. Burroughs electrified the air.
By 1996, the moment, brilliant and blinding as it was, was over. “We all felt that the rave scene fizzled out,” DJ Miku says. As he puts it, there was a collective feeling around him that it had all become too much. From the calm that followed, DJ Miku, Yokota-san and their open-eared peers made the decision to switch tracks and start from scratch. DJ Miku believes that with his Stevia releases, Fruits of The Room and Greenpeace, Yokota-san wanted to express the sweet and sour nature of the passing of those wild early days and his wish for true peace. “At the time, we saw eye-to-eye, with an implicit understanding of each other,” he explains. “Even now, twenty-five years later, I am confident it was like that.”
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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In 1997 and 1998, the late great Japanese composer, producer, and DJ Susumu Yokota released two of the most eclectic albums of his decades-long career, Fruits of The Room and Greenpeace. Recorded under his Stevia alias for Tokyo Techno pioneer DJ Miku’s Newstage Records/NS-COM, they were Yokota-san’s homage to the foundational days of club music in Japan.
This year, Glossy Mistakes are proud to present the first official vinyl editions of Fruits of The Room and Greenpeace, originally released on CD during the golden days of the format. Packaged in reimagined cover artwork created by the celebrated Japanese visual artist Masaho Anotani, these two albums perfectly capture the diversity at the heart of Yokota-san’s oeuvre. Across Greenpeace sees Yokota-san conjuring up a heady concoction of dusty loops, sampledelic breaks, kraut-rock and psychedelic downbeat. A remarkable listening experience based on the inspired era of a genius.
When Yokota-san wrote and produced the music on Fruits of The Room and Greenpeace in 1997, he was reflecting on the broader culture that surrounded dance music in Japan in the early to mid-nineties. It was an era when the psychedelic culture of late sixties America, the afterglow of UK acid house/rave, the new age movement and cyberpunk dovetailed together. Within DJ Miku and Yokota-san’s social circles, the thinking of Timothy Leary, Ram Dass, Allen Ginsberg, Jack Kerouac and William S. Burroughs electrified the air.
By 1996, the moment, brilliant and blinding as it was, was over. “We all felt that the rave scene fizzled out,” DJ Miku says. As he puts it, there was a collective feeling around him that it had all become too much. From the calm that followed, DJ Miku, Yokota-san and their open-eared peers made the decision to switch tracks and start from scratch. DJ Miku believes that with his Stevia releases, Fruits of The Room and Greenpeace, Yokota-san wanted to express the sweet and sour nature of the passing of those wild early days and his wish for true peace. “At the time, we saw eye-to-eye, with an implicit understanding of each other,” he explains. “Even now, twenty-five years later, I am confident it was like that.”
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Nadia Struiwigh - Nana (DJ Nobu Remix)
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Nadia Struiwigh - Dreaming About Rollercoasters (JakoJako Remix)
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Nous'klaer Audio is proud to present a stellar line-up of remixers for Nadia Struiwigh's third album Pax Aurora. DJ Nobu kicks things off with his mind-bending IDM version of Nana. Followed by JakoJako's pulsating hypnotic metamorphosis of Dreaming About Rollercoasters. On the flip, Om Unit turns the healing sounds of Organic into a powerful club tool fusing influences of jungle, dubstep & electronica. The record is completed by Norwegian classical artist Julia Gjertsen, whose layered pianos playfully transform Feroit into a stunning kosmische track.
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Germany
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DE - 22113 Hamburg
Germany
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Hamatsuki - Sea Of Nothingness
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Hamatsuki - Sulitkveteba
Apnea concludes an eventful 2023 with "Sulitkveteba EP" by Tbilisi's Hamatsuki. Recognized for past releases on Fantastic Planet and Mind Controller Rectifier, Hamatsuki crafts a three-track journey that explores the depths of music. Fusing sustained lo-fi pads, ethereal gated echoing vocals, and entrancing trippy acid lines, this EP resonates with a nostalgic rave essence. Each track takes listeners on a vivid sonic adventure, capturing the spirit of bygone rave eras while infusing a fresh perspective into the beats.
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DE - 22113 Hamburg
Germany
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Germany
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Funky Trip - 88
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Funky Trip - 88 (Petit Batou remix)
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Funky Trip - 88 (Barac remix)
Tracklisting
A1 Funky Trip - 88
A2 Funky Trip - 88 (Petit Batou remix)
B1 Funky Trip - 88 (Barac remix)
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A1 Funky Trip - 88
A2 Funky Trip - 88 (Petit Batou remix)
B1 Funky Trip - 88 (Barac remix)
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µ-Ziq - 4am
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µ-Ziq - Éire
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µ-Ziq - Allegro
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µ-Ziq - Houzz 13
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µ-Ziq - Belt & Carpet
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µ-Ziq - 1977 (Ft. Meemo Comma)
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µ-Ziq - Pillowy
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µ-Ziq - Froglets
Yellow Vinyl Repress!
When we established Balmat in 2021, neither of us could have imagined that within two years, we’d be putting out an album by one of our musical heroes: Mike Paradinas, aka µ-Ziq. The British producer has been an inspiration to label co-founders Albert Salinas and Philip Sherburne since the 1990s. In fact, his album-length remix project The Auteurs Vs µ-Ziq was one of the very first pieces of electronic music that Philip bought, way back in 1994. To have the opportunity to release his music now feels like a real full-circle moment.
Paradinas, of course, needs no introduction. Under a slew of aliases, chief among them µ-Ziq, the British artist revolutionized leftfield electronic music in the 1990s—coincidentally, this year marks the 30th anniversary of his debut album, Tango N’ Vectif, for his friend and sometime collaborator Aphex Twin’s Rephlex label—and his label Planet Mu has built up a formidable catalog of visionary, forwardlooking records, mapping virtually every corner of the electronic spectrum. With 1977, he turns the clock backward in a sense, and not just with the album’s title: Rooted in classic ambient and electronic sounds, these 15 tracks evoke the anything-goes spirit of the early ’90s, before the tools and tropes had calcified into cut-and-dried styles.
There’s no shortage of familiar sounds on 1977. There are echoes of raves and chillout rooms and transmissions from the fringes of techno; there are detuned synths and glistening reverb tails and, above all, gauzy vox pads, the eerie glue that holds it all together. The title, he says, is meant to invoke a general sense of nostalgia, bookmarking a year in his boyhood when he became more selfaware. More than anything, 1977 sounds like µ-Ziq distilled: Stripped of his signature breakbeats and customary chaos, Paradinas’ first-ever strictly (well, mostly) ambient album presents the essence of his music in a whole new light.
Along the way Paradinas touches on dark-ambient drones (“Marmite”), horror-film themes (“Belt & Carpet”), jungle breaks (“Mesolithic Jungle”), and even house music (“Houzz 13”), which marks the first bona fide dance-floor moment on Balmat to date). Yet the album never—to our ears, anyway— feels expressly retro. Rather, Paradinas plucks timeless sounds out of the ether and gives them a gentle tap, spinning them into unexpected new orbits. At times, 1977 feels like an experience of extended déjà vu: When we first listened to it, we had the sense that we already knew this music. It was as though we had heard it years ago, perhaps on a battered cassette tape lent to us by a friend, and been searching for it ever since. We hope you feel the same.
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DE - 22113 Hamburg
Germany
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When we established Balmat in 2021, neither of us could have imagined that within two years, we’d be putting out an album by one of our musical heroes: Mike Paradinas, aka µ-Ziq. The British producer has been an inspiration to label co-founders Albert Salinas and Philip Sherburne since the 1990s. In fact, his album-length remix project The Auteurs Vs µ-Ziq was one of the very first pieces of electronic music that Philip bought, way back in 1994. To have the opportunity to release his music now feels like a real full-circle moment.
Paradinas, of course, needs no introduction. Under a slew of aliases, chief among them µ-Ziq, the British artist revolutionized leftfield electronic music in the 1990s—coincidentally, this year marks the 30th anniversary of his debut album, Tango N’ Vectif, for his friend and sometime collaborator Aphex Twin’s Rephlex label—and his label Planet Mu has built up a formidable catalog of visionary, forwardlooking records, mapping virtually every corner of the electronic spectrum. With 1977, he turns the clock backward in a sense, and not just with the album’s title: Rooted in classic ambient and electronic sounds, these 15 tracks evoke the anything-goes spirit of the early ’90s, before the tools and tropes had calcified into cut-and-dried styles.
There’s no shortage of familiar sounds on 1977. There are echoes of raves and chillout rooms and transmissions from the fringes of techno; there are detuned synths and glistening reverb tails and, above all, gauzy vox pads, the eerie glue that holds it all together. The title, he says, is meant to invoke a general sense of nostalgia, bookmarking a year in his boyhood when he became more selfaware. More than anything, 1977 sounds like µ-Ziq distilled: Stripped of his signature breakbeats and customary chaos, Paradinas’ first-ever strictly (well, mostly) ambient album presents the essence of his music in a whole new light.
Along the way Paradinas touches on dark-ambient drones (“Marmite”), horror-film themes (“Belt & Carpet”), jungle breaks (“Mesolithic Jungle”), and even house music (“Houzz 13”), which marks the first bona fide dance-floor moment on Balmat to date). Yet the album never—to our ears, anyway— feels expressly retro. Rather, Paradinas plucks timeless sounds out of the ether and gives them a gentle tap, spinning them into unexpected new orbits. At times, 1977 feels like an experience of extended déjà vu: When we first listened to it, we had the sense that we already knew this music. It was as though we had heard it years ago, perhaps on a battered cassette tape lent to us by a friend, and been searching for it ever since. We hope you feel the same.
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DE - 22113 Hamburg
Germany
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Post Industrial Boys - 1971
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Post Industrial Boys - Lilian
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Post Industrial Boys - Strange
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Post Industrial Boys - I See
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Post Industrial Boys - Dreams
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Ché - The Incident (Raw Mix)
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Ché - The Incident (Smooth & Free Mix)
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Ché - The Incident (Wet Dream Mix)
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Ché - The Incident (Seduction Mix)
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Ché - The Incident (Prototype 1)
Classic 90's Larry Heard production for this x-rated* track by Ché on the updated re-issue of "The Incident". Originally came with four mixes on Trackmode Recordings from 1994. Now with extra "Prototype 1" version unearthed from the Alleviated archives. *NOTE: disclaimer included on original 12" release: "The scene expressed in this recording is a fantasy in the age of promiscuity and HIV (let alone full blown aids). The truth is, be careful about who you love and always wear a condom".
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Germany
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1
Sato Aka Satoshi Tomiie - B01V
2
Sato Aka Satoshi Tomiie - A57V
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Sato Aka Satoshi Tomiie - A56 (Take 2)
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Sato Aka Satoshi Tomiie - A58V (Take 3)
Chapelle XIV Music proudly presents ‘B01V’ by the enigmatic Sato, aka Satoshi Tomiie. The tracks on this EP are produced and curated with DJs in mind, offering different takes and alternative versions of the much sought-after “Blue, Black And Grey.”
A1. ‘B01V’ – The album “Blue, Black And Grey” was a live recording, where the original ‘B01’ served as the second track of continuous play. ‘B01V’ presents an alternative version of ‘B01,’ while maintaining the deepness and vibe, this cut focuses on a DJ mix.
A2. A57V, B1. A56V, and B2. A58V are all different studio takes of A57, A56, and A58 from the album. Although they share similar titles and elements with the ones on the album, they sound like almost different compositions as they were all recorded during Satoshi’s live performances in the studio.”
This 12? pressing serves as a bridge between the mindful journey of the initial 8-tracker double album and the corporeal reality of the dancefloor, making it an essential piece for both collectors and DJs alike.
The sleeve follows the visual identity of the original, displaying Julien Gachadoat’s computer art, which encapsulates the sound frequencies of the album into tangible shapes. Here, these visuals are now reflecting the reinterpreted audio content, keeping the continuity and synergy between both releases intact.
Remember, this is a strictly limited release, designed for those seeking an alternative take on Sato’s mindful journey. Don’t sleep on this one.
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A1. ‘B01V’ – The album “Blue, Black And Grey” was a live recording, where the original ‘B01’ served as the second track of continuous play. ‘B01V’ presents an alternative version of ‘B01,’ while maintaining the deepness and vibe, this cut focuses on a DJ mix.
A2. A57V, B1. A56V, and B2. A58V are all different studio takes of A57, A56, and A58 from the album. Although they share similar titles and elements with the ones on the album, they sound like almost different compositions as they were all recorded during Satoshi’s live performances in the studio.”
This 12? pressing serves as a bridge between the mindful journey of the initial 8-tracker double album and the corporeal reality of the dancefloor, making it an essential piece for both collectors and DJs alike.
The sleeve follows the visual identity of the original, displaying Julien Gachadoat’s computer art, which encapsulates the sound frequencies of the album into tangible shapes. Here, these visuals are now reflecting the reinterpreted audio content, keeping the continuity and synergy between both releases intact.
Remember, this is a strictly limited release, designed for those seeking an alternative take on Sato’s mindful journey. Don’t sleep on this one.
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Germany
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Command D - 0 Zone Feat. Cousin
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Command D - Cycles
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Command D - Esc
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Command D - Stat Point
Repress!
Command D's life in the lush, green surrounds of Sydney/ Eora shines through in his Animalia debut, with a warm, dubby four tracker. Diving between slinky downtempo and groovy dance-floor beats, balmy bass-lines, crisp percussion & blissful pads wrap the release in an atmosphere of blissful summer joy.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Command D's life in the lush, green surrounds of Sydney/ Eora shines through in his Animalia debut, with a warm, dubby four tracker. Diving between slinky downtempo and groovy dance-floor beats, balmy bass-lines, crisp percussion & blissful pads wrap the release in an atmosphere of blissful summer joy.
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Germany
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Answer Code Request & Amotik - LED
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Answer Code Request & Amotik - Hazardous
3
Answer Code Request & Amotik - Wide Range
Two Berlin techno icons merge their art for a first collaborative EP on Amsterdam's Delsin Records. The two prolific producers have been playing a series of back to back DJ sets in the past months before they joined forces in the studio. The result is a flawless combination of their own unique styles, atmospheric break-beats from Answer Code Request matching the impeccable grooves and deep subs of Amotik.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jammin’ Sam Miller - Opening (Destruction of the Space Colony)
2
Jammin’ Sam Miller - Theme of Super Metroid
3
Jammin’ Sam Miller - Spaceship (No SFX)
4
Jammin’ Sam Miller - Boss Confrontation 1
5
Jammin’ Sam Miller - To Planet Zebes
6
Jammin’ Sam Miller - Planet Zebes (Arrival on Crateria)
7
Jammin’ Sam Miller - Crateria (The Space Pirates Appear)
8
Jammin’ Sam Miller - Item Acquisition Fanfare (No SFX)
9
Jammin’ Sam Miller - Item Room
10
Jammin’ Sam Miller - Chozo Statue Awakens
11
Jammin’ Sam Miller - Brinstar Overgrown With Vegetation Area
12
Jammin’ Sam Miller - Mini Boss Confrontation
13
Jammin’ Sam Miller - Brinstar Red Soil Swampy Area
14
Jammin’ Sam Miller - Norfair Hot Lava Area
15
Jammin’ Sam Miller - Tension
16
Jammin’ Sam Miller - Boss Confrontation 2
17
Jammin’ Sam Miller - Theme of Samus
18
Jammin’ Sam Miller - Wrecked Ship
19
Jammin’ Sam Miller - Maridia Rocky Underwater Area
20
Jammin’ Sam Miller - Maridia Drifting Sandy Underwater Area
21
Jammin’ Sam Miller - Norfair Ancient Ruins
22
Jammin’ Sam Miller - Mysterious Statue Chamber
23
Jammin’ Sam Miller - Tourian
24
Jammin’ Sam Miller - Continue
25
Jammin’ Sam Miller - Samus Aran's Appearance Fanfare
26
Jammin’ Sam Miller - Mother Brain
27
Jammin’ Sam Miller - Ending
Territories: Worldwide
DLP: Limited Edition with exclusive artwork by Pierre Thyss and OBI strip
Tracklisting
A1. Opening (Destruction of the Space Colony)
A2. Theme of Super Metroid
A3. Spaceship (No SFX)
A4. Boss Confrontation 1
A5. To Planet Zebes
A6. Planet Zebes (Arrival on Crateria)
A7. Crateria (The Space Pirates Appear)
A8. Item Acquisition Fanfare (No SFX)
A9. Item Room
B1. Chozo Statue Awakens
B2. Brinstar Overgrown With Vegetation Area
B3. Mini Boss Confrontation
B4. Brinstar Red Soil Swampy Area
B5. Norfair Hot Lava Area
B6. Tension
B7. Boss Confrontation 2
C1. Theme of Samus
C2. Wrecked Ship
C3. Maridia Rocky Underwater Area
C4. Maridia Drifting Sandy Underwater Area
D1. Norfair Ancient Ruins
D2. Mysterious Statue Chamber
D3. Tourian
D4. Continue
D5. Samus Aran's Appearance Fanfare
D6. Mother Brain
D7. Ending
Info
WRWTFWW Records is happy to announce the first-ever physical release of Louisiana-based composer and producer Jammin’ Sam Miller’s full HD re-creation/restoration of the beloved Super Metroid video game soundtrack. The limited biovinyl double LP is packed with 27 tracks and features an exclusive artwork by French illustrator Pierre Thyss, as well as an obi strip.
Composed by Kenji Yamamoto and Minako Hamano, the soundtrack for 1994 SNES exploration / action-adventure / sci-fi / alien video game Super Metroid has always been a fan-favorite. A true masterclass in music storytelling, it beautifully evokes the epic and eerie adventure of the game’s protagonist Samus Aran with superb use of atmospheric sounds, space-operatic arrangements, rumbling bass, oppressive techno-futurist moods, tribal drums, and airy synth themes, admirably balancing the ominous feel of a dark menace and contemplative, even soothing, ambient soundscapes.
Jammin' Sam Miller assiduously recreated the soundtrack note by note, by finding the original equipment used to create it, translating the MIDI into a modern studio context, adding in keyboard samples, and re-mixing and re-mastering the whole score. He explains: "This was made possible by locating the original instrument samples from workstation keyboards and drum machines before they were put into the game and rebuilding the soundtrack from the ground up, applying some modern mixing techniques along the way to lift the veil of 16bit compression and create an updated listening experience."
Super Metroid is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of video game soundtracks, SNES, Metroid and Super Metroid and all of them, Samus Aran, atmoshpehric sounds, ambient music, synthwave, the 90s, Zebes Music, painstakingly recreating things.
- First ever release of Louisiana-based composer and producer Jammin’ Sam Miller’s full HD re-creation/restoration of the beloved Super Metroid video game soundtrack – on vinyl!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
DLP: Limited Edition with exclusive artwork by Pierre Thyss and OBI strip
Tracklisting
A1. Opening (Destruction of the Space Colony)
A2. Theme of Super Metroid
A3. Spaceship (No SFX)
A4. Boss Confrontation 1
A5. To Planet Zebes
A6. Planet Zebes (Arrival on Crateria)
A7. Crateria (The Space Pirates Appear)
A8. Item Acquisition Fanfare (No SFX)
A9. Item Room
B1. Chozo Statue Awakens
B2. Brinstar Overgrown With Vegetation Area
B3. Mini Boss Confrontation
B4. Brinstar Red Soil Swampy Area
B5. Norfair Hot Lava Area
B6. Tension
B7. Boss Confrontation 2
C1. Theme of Samus
C2. Wrecked Ship
C3. Maridia Rocky Underwater Area
C4. Maridia Drifting Sandy Underwater Area
D1. Norfair Ancient Ruins
D2. Mysterious Statue Chamber
D3. Tourian
D4. Continue
D5. Samus Aran's Appearance Fanfare
D6. Mother Brain
D7. Ending
Info
WRWTFWW Records is happy to announce the first-ever physical release of Louisiana-based composer and producer Jammin’ Sam Miller’s full HD re-creation/restoration of the beloved Super Metroid video game soundtrack. The limited biovinyl double LP is packed with 27 tracks and features an exclusive artwork by French illustrator Pierre Thyss, as well as an obi strip.
Composed by Kenji Yamamoto and Minako Hamano, the soundtrack for 1994 SNES exploration / action-adventure / sci-fi / alien video game Super Metroid has always been a fan-favorite. A true masterclass in music storytelling, it beautifully evokes the epic and eerie adventure of the game’s protagonist Samus Aran with superb use of atmospheric sounds, space-operatic arrangements, rumbling bass, oppressive techno-futurist moods, tribal drums, and airy synth themes, admirably balancing the ominous feel of a dark menace and contemplative, even soothing, ambient soundscapes.
Jammin' Sam Miller assiduously recreated the soundtrack note by note, by finding the original equipment used to create it, translating the MIDI into a modern studio context, adding in keyboard samples, and re-mixing and re-mastering the whole score. He explains: "This was made possible by locating the original instrument samples from workstation keyboards and drum machines before they were put into the game and rebuilding the soundtrack from the ground up, applying some modern mixing techniques along the way to lift the veil of 16bit compression and create an updated listening experience."
Super Metroid is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of video game soundtracks, SNES, Metroid and Super Metroid and all of them, Samus Aran, atmoshpehric sounds, ambient music, synthwave, the 90s, Zebes Music, painstakingly recreating things.
- First ever release of Louisiana-based composer and producer Jammin’ Sam Miller’s full HD re-creation/restoration of the beloved Super Metroid video game soundtrack – on vinyl!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More