Label:Music From Memory
Cat-No:MFM066
Release-Date:15.12.2023
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1
Joan Bibiloni - Nits De La Sultana
2
The Zenmenn - The Legend Of Haziz
3
Stroer - When You Stopped Sleeping
4
Androo - W.I.O. Micmac Mix
5
Joel Graham - Cool Blue Pool
6
Jonny Nash - Dream It Right
7
Terekke - Just Ducking Around
8
Mei Honeycomb - Squeaky Eye Syndrome
9
Tombolo - Continental Drift
10
Kuniyuki Takahashi - Forest Dust
11
Yu Su J. Wilson - Mitti Attar
12
Gigi Masin - Panama Girl
13
Ocean Moon - The Ecstatic Alarm
14
Michal Turtle - Borrowed Times
15
Ramzi - Baci
16
Suso Saiz - Kailas
17
Dea - Undecenial
2023 marks the tenth year of Music From Memory; a decade of groundbreaking archival releases, cross-generational collaborations and long-standing creative partnerships with our ever-expanding community of artists.
To celebrate this milestone, earlier this year we asked our roster of artists to submit a piece of music for an anniversary compilation. As submissions gradually came in, we were blown away by what we received and slowly began to piece them together into what was to become “10”.
Featuring work from artists who were present during the formation of the label, such as Gigi Masin, Joan Bibiloni and Michal Turtle, as well as artists like The Zenmenn, RAMZi and Dea, who have helped the label expand over subsequent years, “10” serves as a natural bookmark of where we are musically, whilst simultaneously reflecting on the label's rich musical past.
In keeping with the Music From Memory ethos, the music of “10” spans both time and space, with submissions ranging from Vito Ricci's 'Da Hamptons' (1985) to Yu Su & J. Wilson's 'Mitti Atar' (2023). It crosses the globe, with a total of 10 countries represented across 17 tracks. The final result is an immersive musical compilation that flows perfectly from start to finish.
Tragically, during the last few weeks of finalising MFM066, label co-owner Jamie Tiller passed away in a sudden accident. “10” was always intended to be a way to reflect on the journey of Music From Memory. The fact that it is now also one of the last releases that the team all worked on together adds a whole other level of reflection and makes it all the more special.
* incl. insert liner notes by John Gómez) Artwork by Bráulio Amado. Design by David McFarline. More
To celebrate this milestone, earlier this year we asked our roster of artists to submit a piece of music for an anniversary compilation. As submissions gradually came in, we were blown away by what we received and slowly began to piece them together into what was to become “10”.
Featuring work from artists who were present during the formation of the label, such as Gigi Masin, Joan Bibiloni and Michal Turtle, as well as artists like The Zenmenn, RAMZi and Dea, who have helped the label expand over subsequent years, “10” serves as a natural bookmark of where we are musically, whilst simultaneously reflecting on the label's rich musical past.
In keeping with the Music From Memory ethos, the music of “10” spans both time and space, with submissions ranging from Vito Ricci's 'Da Hamptons' (1985) to Yu Su & J. Wilson's 'Mitti Atar' (2023). It crosses the globe, with a total of 10 countries represented across 17 tracks. The final result is an immersive musical compilation that flows perfectly from start to finish.
Tragically, during the last few weeks of finalising MFM066, label co-owner Jamie Tiller passed away in a sudden accident. “10” was always intended to be a way to reflect on the journey of Music From Memory. The fact that it is now also one of the last releases that the team all worked on together adds a whole other level of reflection and makes it all the more special.
* incl. insert liner notes by John Gómez) Artwork by Bráulio Amado. Design by David McFarline. More
More records from Music From Memory
Label:Music From Memory
Cat-No:MFM074
Release-Date:06.12.2024
Configuration:2LP
Barcode:0731628580888
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1
Suso Saiz - Distorted Clamor
2
Suso Saiz - Sweet Elephant
3
Suso Saiz - The Horizon Did It
4
Suso Saiz - Memory Crusher
5
Suso Saiz - Electromagnetic Ride
6
Suso Saiz - Your Hand In My Peace
7
Suso Saiz - ...And The Volcano
8
Suso Saiz - That Lives In Me
9
Suso Saiz - Quiet Races
10
Suso Saiz - Green Stones
11
Suso Saiz - I Look For What Is In Me From The Earth
'Distorted Clamor', the latest full-length album from legendary Spanish ambient composer Suso Saiz. Marking his eighth release with our label, the album showcases Saiz at his spellbinding best, continuing a prolific creative phase in a career that spans over 40 years.
Building upon 'Resonant Bodies' and 'Nothing Is Objective', his most recent full length releases for Music From Memory, Saiz's dedication to experimentation and conceptual approach to sound lie at the centre of 'Distorted Clamor'.
Discussing his process and the concept behind the album, Saiz says: “Thousands of beings cry out for their lives, for the sustainability of their habitats, for their future.
Their clamouring together generates a distorted, deafening and incomprehensible noise. Trying to go deeper into that distortion and understand all the voices and discover the strength and beauty in all of them. This was the first image I had when I started composing Distorted Clamor. Can distortion and all those sounds (clicks, clips, ticks, tocs, pluks, crashes) that we normally discard, generate beauty? This question has also accompanied the entire whole project.”
The transit of sound through various materials is also central to the work, with Saiz using water, wood, and metals as filters and sound-transforming pedals. The album was created without the use of synthesizers, relying entirely on acoustic sounds that were transformed in an unnatural way to achieve something completely new.
Spanning eleven compositions, Saiz's mastery of timbre and ability to paint layers of sound with the subtlest of touches stand out unmistakably to the listener. As always, his radiant drones are a nest of hidden feelings; they glisten with complex emotions and textures, teasing out moods of vulnerability and hope.
Sleeve art and design by Michael Willis.
Snippets follow soon.
More
Building upon 'Resonant Bodies' and 'Nothing Is Objective', his most recent full length releases for Music From Memory, Saiz's dedication to experimentation and conceptual approach to sound lie at the centre of 'Distorted Clamor'.
Discussing his process and the concept behind the album, Saiz says: “Thousands of beings cry out for their lives, for the sustainability of their habitats, for their future.
Their clamouring together generates a distorted, deafening and incomprehensible noise. Trying to go deeper into that distortion and understand all the voices and discover the strength and beauty in all of them. This was the first image I had when I started composing Distorted Clamor. Can distortion and all those sounds (clicks, clips, ticks, tocs, pluks, crashes) that we normally discard, generate beauty? This question has also accompanied the entire whole project.”
The transit of sound through various materials is also central to the work, with Saiz using water, wood, and metals as filters and sound-transforming pedals. The album was created without the use of synthesizers, relying entirely on acoustic sounds that were transformed in an unnatural way to achieve something completely new.
Spanning eleven compositions, Saiz's mastery of timbre and ability to paint layers of sound with the subtlest of touches stand out unmistakably to the listener. As always, his radiant drones are a nest of hidden feelings; they glisten with complex emotions and textures, teasing out moods of vulnerability and hope.
Sleeve art and design by Michael Willis.
Snippets follow soon.
More
Label:Music From Memory
Cat-No:MFM034
Release-Date:15.11.2024
Genre:Alternative/Electronic
Configuration:LP
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1
Richenel - I Need Your Love Again
2
Richenel - You've Got The Love
3
Richenel - Memo
4
Richenel - Rap Apocalypse
5
Richenel - It Takes Time
6
Richenel - Perfect Stranger
Music From Memory return with a further six tracks from Dutch musician Richenel. Continuing with recordings taken from his debut album 'La Diferencia’, originally released in 1982 on the cult Amsterdam cassette only label Fetisj, the tracks on Music From Memory’s second EP ‘Perfect Stranger’ includes alternate takes drawn from Richenel’s personal copy of the album alongside a further composition which didn’t make it onto the original Fetisj cassette.
Studying set and costume design whilst making a name for himself as a singer and performer in Amsterdam’s underground clubs, Richenel played with several disco acts and cultivated an extravagant cross-gender stage persona before connecting with members of the local label. Hooking up through their time together at the Rietveld art academy in Amsterdam, Fetisj was an experimental multi media collective which revolved around a loose mix of various young artists and musicians. Having developed a house band with artists going by a number of different pseudonyms the label set up their own small makeshift studio and would produce and sell the cassettes through their distribution network and at events across the city. Recorded amongst the turmoiled punk and squatter scene of Amsterdam against a backdrop of drugs and social unrest, the ‘La Diferencia’ sessions reflect a unique mix of punk aesthetics with a synthesized bedroom funkiness.
A somewhat illustrious figure in Dutch pop history with his flamboyant appearance as well as having one of the more exceptional male voices to come out of the country, Richenel would go on to record a number of successful albums and hit singles in the Netherlands and beyond. This largely unknown album on Fetisj however, seems to embody the spirit of another time; a particularly unique and richly creative moment in Amsterdam’s musical and cultural history and one that is deserving of a much wider audience.
‘Perfect Stranger’ is co-compiled by Orpheu De Jong More
Studying set and costume design whilst making a name for himself as a singer and performer in Amsterdam’s underground clubs, Richenel played with several disco acts and cultivated an extravagant cross-gender stage persona before connecting with members of the local label. Hooking up through their time together at the Rietveld art academy in Amsterdam, Fetisj was an experimental multi media collective which revolved around a loose mix of various young artists and musicians. Having developed a house band with artists going by a number of different pseudonyms the label set up their own small makeshift studio and would produce and sell the cassettes through their distribution network and at events across the city. Recorded amongst the turmoiled punk and squatter scene of Amsterdam against a backdrop of drugs and social unrest, the ‘La Diferencia’ sessions reflect a unique mix of punk aesthetics with a synthesized bedroom funkiness.
A somewhat illustrious figure in Dutch pop history with his flamboyant appearance as well as having one of the more exceptional male voices to come out of the country, Richenel would go on to record a number of successful albums and hit singles in the Netherlands and beyond. This largely unknown album on Fetisj however, seems to embody the spirit of another time; a particularly unique and richly creative moment in Amsterdam’s musical and cultural history and one that is deserving of a much wider audience.
‘Perfect Stranger’ is co-compiled by Orpheu De Jong More
Label:Music From Memory
Cat-No:MFM069
Release-Date:25.10.2024
Genre:Alternative/Electronic
Configuration:LP
Barcode:0731628580819
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Cat-No:MFM069
Release-Date:25.10.2024
Genre:Alternative/Electronic
Configuration:LP
Barcode:0731628580819
1
Dead Sound - Pure Blue
2
Dead Sound - Illusion
3
Dead Sound - Force Of Nature
4
Dead Sound - Into The Void
5
Dead Sound - Eye In Disguise
6
Dead Sound - Coming Home
7
Dead Sound - From The Perspective Of A Stone
8
Dead Sound - A New Kind Of Love
Music From Memory is thrilled to introduce Dead Sound, the collaborative project of Marco Sterk (aka Young Marco) and Berlin-based pop-auteur John Moods. Both artists are no strangers to the label; Sterk forms one third of the trio Gaussian Curve, while Moods released the 2022 album ‘Hidden Gem’ with The Zenmenn.
Their collaboration was both planned and spontaneous; Sterk initially reached out in 2022 expressing his desire to work with Moods. The pair finally got together in 2024 to produce ‘Into The Void’, an album that burst into life over the course of a few creatively charged days in each other’s company.
Moods’ dream-like, emotionally charged music wears its heart on its sleeve; its very human vulnerability makes it a perfect match for Sterk’s strong sense of melody and textural sonic visions.
‘Into The Void’ carries these psychedelic traits in its DNA, but they exist layered deep amongst the shadows. Painting on a wide canvas that effortlessly skips between genres, the pair weave anything that inspires them into a truly unique tapestry; a bold attempt to touch at the beyond.
Exploring the space between perception (level of the mind) and the nature of the universe (actual level of reality) seems traditionally like an impossible task. But there’s gotta be a time and a space for the profound and this album invites the listener to go deep, letting go of concepts such as love and opening oneself up to one’s own authentic journey. This transformative force of healing is a central theme of ‘Into The Void’, a path that is lined with light and darkness in equal measure. But, as Moods says, “do not skip the darkness, let that door open and swallow you. And maybe you’ll find, it's not as dark as you perceived at first."
Sleeve art by Michael Willis. More
Their collaboration was both planned and spontaneous; Sterk initially reached out in 2022 expressing his desire to work with Moods. The pair finally got together in 2024 to produce ‘Into The Void’, an album that burst into life over the course of a few creatively charged days in each other’s company.
Moods’ dream-like, emotionally charged music wears its heart on its sleeve; its very human vulnerability makes it a perfect match for Sterk’s strong sense of melody and textural sonic visions.
‘Into The Void’ carries these psychedelic traits in its DNA, but they exist layered deep amongst the shadows. Painting on a wide canvas that effortlessly skips between genres, the pair weave anything that inspires them into a truly unique tapestry; a bold attempt to touch at the beyond.
Exploring the space between perception (level of the mind) and the nature of the universe (actual level of reality) seems traditionally like an impossible task. But there’s gotta be a time and a space for the profound and this album invites the listener to go deep, letting go of concepts such as love and opening oneself up to one’s own authentic journey. This transformative force of healing is a central theme of ‘Into The Void’, a path that is lined with light and darkness in equal measure. But, as Moods says, “do not skip the darkness, let that door open and swallow you. And maybe you’ll find, it's not as dark as you perceived at first."
Sleeve art by Michael Willis. More
2LP
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Label:Music From Memory
Cat-No:MFM072/VRD03
Release-Date:18.10.2024
Genre:Electronic
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Barcode:0731628580840
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Genre:Electronic
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1
Dub Squad - Blown Fruit
2
Akio / Okihide - Phoenix At Desert
3
Palomatic - Flutter
4
Virgo - Prelude
5
Ambient 7 - Escape
6
Web - The Cycle Of Seasons
7
Yukihiro Fukutomi - 5 Blind Boys
8
Katsuya Hironaka - Pause
9
Riow Arai - 1969
10
Modern Living - Snow Bird
11
Missing Project - Poisson Davril Galaxy Dub
12
Drawing Future Life - 1969
The next installment of MFM's popular multi-artist compilation Virtual Dreams: 'Virtual Dreams - Ambient Explorations In The House And Techno Age, Japan 1993-1999'. As with Part One, released in 2020, 'Virtual Dreams II' shines a light on house and techno-adjacent music that helped redefine the definition of ambient music during the 1990s.
The focus of Part One heavily fell on music from techno and house producers in Europe, eagerly exploring new soundtracks for chill-out rooms and re-imagining the potential future of club culture from new perspectives. For Part Two, we narrow the lens to focus on a unique time and place, namely Japan between 1993-1999. Despite missing out on the 'Acid House Fever', club culture was beginning to take shape in Japan during the early '90s. In contrast to the rest of the world, where ambient techno / IDM emerged as a by-product or response to the scene, 'listening techno', as it is known in Japan, was a central pillar of the culture right from the start.
'Virtual Dreams II' aims to shine a light on this unique moment in time where the thread of ambient music weaved its way through the music of an emerging club culture. This period saw the birth of many great Japanese techno labels such as Sublime Records, Transonic Records, Syzygy Records, Frogman Records, and Form@ Records, following in the late '90s. 'Virtual Dreams II' features ambient, chill-out, and intelligent techno from these leading labels alongside other lesser-known but equally influential imprints, as well as ambient deviations from Japanese house producers. Much of the music featured has only ever been released on CD.
'Virtual Dreams II' is compiled by Eiji Taniguchi and Jamie Tiller, who have worked closely together on previous Music From Memory releases such as 'Heisei No Oto' and 'Dream Dolphin - Gaia'. It is also the final project Jamie Tiller worked on before his tragic passing in 2023. Jamie had been researching, planning, and compiling this version of Virtual Dreams even before the first chapter was released, believing that there were many great tracks in Japan that fit the concept of the series. Knowing how much love and energy he put into compiling it gives it an extra special place in our hearts.
Compiled by Jamie Tiller and Eiji Taniguchi with artwork by Kenta Senekt, design by Steele Bonus and liner notes by Itaru W. Mita, More
The focus of Part One heavily fell on music from techno and house producers in Europe, eagerly exploring new soundtracks for chill-out rooms and re-imagining the potential future of club culture from new perspectives. For Part Two, we narrow the lens to focus on a unique time and place, namely Japan between 1993-1999. Despite missing out on the 'Acid House Fever', club culture was beginning to take shape in Japan during the early '90s. In contrast to the rest of the world, where ambient techno / IDM emerged as a by-product or response to the scene, 'listening techno', as it is known in Japan, was a central pillar of the culture right from the start.
'Virtual Dreams II' aims to shine a light on this unique moment in time where the thread of ambient music weaved its way through the music of an emerging club culture. This period saw the birth of many great Japanese techno labels such as Sublime Records, Transonic Records, Syzygy Records, Frogman Records, and Form@ Records, following in the late '90s. 'Virtual Dreams II' features ambient, chill-out, and intelligent techno from these leading labels alongside other lesser-known but equally influential imprints, as well as ambient deviations from Japanese house producers. Much of the music featured has only ever been released on CD.
'Virtual Dreams II' is compiled by Eiji Taniguchi and Jamie Tiller, who have worked closely together on previous Music From Memory releases such as 'Heisei No Oto' and 'Dream Dolphin - Gaia'. It is also the final project Jamie Tiller worked on before his tragic passing in 2023. Jamie had been researching, planning, and compiling this version of Virtual Dreams even before the first chapter was released, believing that there were many great tracks in Japan that fit the concept of the series. Knowing how much love and energy he put into compiling it gives it an extra special place in our hearts.
Compiled by Jamie Tiller and Eiji Taniguchi with artwork by Kenta Senekt, design by Steele Bonus and liner notes by Itaru W. Mita, More
Label:Music From Memory
Cat-No:MFM071
Release-Date:30.08.2024
Configuration:LP
Barcode:0731628580833
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Release-Date:30.08.2024
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Barcode:0731628580833
1
Total Blue - The Path
2
Total Blue - Corsair
3
Total Blue - Heart Of The World
4
Total Blue - Jaguarundi
5
Total Blue - Dorian Dial
6
Total Blue - Chaparral
7
Total Blue - Bone Chalk
8
Total Blue - Pearl Plains
Introducing ‘Total Blue’, the Los Angeles-based trio of Nicky Benedek, Alex Talan, and Anthony Calonico. Despite collaborating for over a decade, ‘Total Blue’ represents a new chapter in their artistic journey together as a trio.
Embracing chance, inviting the unknown, and guided by a spirit of sheer play and exploration, ‘Total Blue’ was driven by a desire to ‘touch the beyond’ in pursuit of an elusive vibe the three had been chasing for years.
Alex, Nick, and Anthony envision ‘Total Blue’ as the all-encompassing full picture, a place where the real and the imaginary begin to blur; a destination reached not through escapism but by expanding one's perspective; a widened scope of vision where personality both shines and disintegrates.
Across the album, their mission statement is expertly achieved with subtlety and delicate human touch; painting with a lush palette of digital synths, Akai EVI wind synthesizer, fretless bass, and guitar, the trio masterfully balance texture and color, evoking wide expansive vistas that stretch from Los Angeles right out to the furthest reaches of sky and sea. This is ‘Total Blue’ - a place of time and timelessness where echoes of history and tradition merge with rootless inhuman sonics.
Art and design by Michael Willis. More
Embracing chance, inviting the unknown, and guided by a spirit of sheer play and exploration, ‘Total Blue’ was driven by a desire to ‘touch the beyond’ in pursuit of an elusive vibe the three had been chasing for years.
Alex, Nick, and Anthony envision ‘Total Blue’ as the all-encompassing full picture, a place where the real and the imaginary begin to blur; a destination reached not through escapism but by expanding one's perspective; a widened scope of vision where personality both shines and disintegrates.
Across the album, their mission statement is expertly achieved with subtlety and delicate human touch; painting with a lush palette of digital synths, Akai EVI wind synthesizer, fretless bass, and guitar, the trio masterfully balance texture and color, evoking wide expansive vistas that stretch from Los Angeles right out to the furthest reaches of sky and sea. This is ‘Total Blue’ - a place of time and timelessness where echoes of history and tradition merge with rootless inhuman sonics.
Art and design by Michael Willis. More
Label:Music From Memory
Cat-No:MFM067
Release-Date:02.08.2024
Configuration:12"
Barcode:0731628580796
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Cat-No:MFM067
Release-Date:02.08.2024
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Barcode:0731628580796
1
Gaussian Curve - Winter Sun
2
Gaussian Curve - Fever Dream
The return of Gaussian Curve - Gigi Masin, Jonny Nash and Marco Sterk’s much-loved trio are back for the first time since their 2016 sophomore album 'The Distance', presenting two new tracks entitled 'Winter Sun' and 'Fever Dream'.
Both tracks originate from recording sessions that took place in Amsterdam in 2016 for 'The Distance'. Despite not finding a place on the final album and being left as unfinished sketches for six years, the tracks represent an important part of the Gaussian Curve story which the band felt compelled to complete. Coinciding with the decision to perform a handful of live shows in 2022, they finally revisited the sketches, mixing and arranging them with the goal of giving them the full release that they deserve.
The trio’s trademark sound hits from first moments of 'Winter Sun'; a lush slow builder with all the classic GC ingredients; Nash’s airy and spacious guitar lines interplay with Masin’s warm rhodes, underpinned by Sterk’s subtle use of electronics and the minimal rhythm of a CR-78 drum machine.
On 'Fever Dream', the trio subtly expand their palette; a gently building 303 bass line and 808 rhythm form the foundations of the piece, with Masin’s vocals adding to a slow-burning intensity. Arguably a fuller sound hinting at new areas of exploration for the trio, but unmistakably Gaussian Curve.
Graphic art by Qiu Yang, design by Steele Bonus, More
Both tracks originate from recording sessions that took place in Amsterdam in 2016 for 'The Distance'. Despite not finding a place on the final album and being left as unfinished sketches for six years, the tracks represent an important part of the Gaussian Curve story which the band felt compelled to complete. Coinciding with the decision to perform a handful of live shows in 2022, they finally revisited the sketches, mixing and arranging them with the goal of giving them the full release that they deserve.
The trio’s trademark sound hits from first moments of 'Winter Sun'; a lush slow builder with all the classic GC ingredients; Nash’s airy and spacious guitar lines interplay with Masin’s warm rhodes, underpinned by Sterk’s subtle use of electronics and the minimal rhythm of a CR-78 drum machine.
On 'Fever Dream', the trio subtly expand their palette; a gently building 303 bass line and 808 rhythm form the foundations of the piece, with Masin’s vocals adding to a slow-burning intensity. Arguably a fuller sound hinting at new areas of exploration for the trio, but unmistakably Gaussian Curve.
Graphic art by Qiu Yang, design by Steele Bonus, More
Label:Music From Memory
Cat-No:MFM013
Release-Date:26.07.2024
Genre:Alternative/Electronic
Configuration:12"
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1
The System - Almost Grown
2
The System - Vampirella
3
The System - Find It In Your Eyes
4
The System - Pendy! You're In Some Awful Danger
2024 Repress!
Music From Memory continue their 12? series with the release of an EP. This 4 track comp holds 3 tracks from the LP and one unreleased.. Tip! More
Music From Memory continue their 12? series with the release of an EP. This 4 track comp holds 3 tracks from the LP and one unreleased.. Tip! More
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Cat-No:MFM053
Release-Date:12.07.2024
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1
Jun Sato - Lorang
2
Fumihiro Murakami - Miko
3
Tadahiko Yokogawa - Stop Me
4
Love Peace Trance - Yeelen
5
Ichiko Hashimoto - Lete
6
Yosui Inoue - Pi Po Pa
7
Eiki Nonaka - Phlanged Vortex Clip
8
X Cara - Night In Aracaju
9
Poison Girl Friend - Nobody
10
Dream Dolphin - Take No Michi
11
Keisuke Sakurai - Harai Cd Version
12
Hiroki Ishiguro - Unity
13
Dido Shizuru Ohtaka Michiaki Kato - Mermaid
14
Keisuke Kikuchi - Retro Electric
Repress!
Music From Memory is excited to announce a special compilation that they’ve been working on for some time now; MFM053 – VA – Heisei No Oto – Japanese Left-field Pop From The CD Age (1989-1996). Compiled by long-time friends of the label, Eiji Taniguchi and Norio Sato, Heisei No Oto delves into a world of music released almost exclusively on CD and brings together a fascinating selection of discoveries from a little known and overlooked part of Japan’s musical history.
The last ten or so years have seen a global wave of interest in Japanese music encompassing ambient, jazz, new wave and pop records from the 1980s, some of which is increasingly considered the most innovative and visionary music of that time. Although some music from this period, in the form of ‘City Pop’ or ‘rare groove’ records, had been coveted by collectors and DJs for a number of years, most Japanese music from the time was little known outside and often even within Japan.
Sometime around the mid 2000s, two Osaka record store owners, Eiji Taniguchi of Revelation Time and Norio Sato of Rare Groove, along with a handful of deep Japanese diggers such as Chee Shimizu of Organic Music records in Tokyo, began to explore beyond the typical ‘grooves’ or ‘breaks’. Much like their counterparts in Europe and the US, they began delving into home-grown ambient, jazz, new wave and pop records, discovering visionary music, often driven by synthesizers or drum computers, that broke beyond the typical confines of their genres.
Spending tireless hours in local record stores and embarking on digging trips across the country, Eiji Taniguchi and Norio Sato, much like Chee Shimizu, have been at the forefront of unearthing and introducing many of the very Japanese records now loved and sought after around the world. Yet as YouTube algorithms and vinyl reissues would transport such music into the global consciousness and demand and therefore scarcity intensified for such records, so Eiji and Norio have recently begun to turn their attention to CDs.
The title of the compilation Heisei No Oto refers to the sound of the Heisei era, which began in 1989 and corresponds to the reign of Emperor Akihito until his abdication in 2019. Marking the culmination of one of the most rapid economic growths in Japanese history, 1989 also coincided with the music industry’s final shift away from vinyl in favour of CDs. And, although compact discs were first introduced seven years earlier it wasn’t until late into the ‘80s that, beyond dance music labels, CDs became the exclusive format for major and independent labels in Japan and throughout the world.
This however didn’t signal the end of the innovation in Japan. Many of those same musicians who have become known for their work in the ‘80s would continue to produce outstanding music well into the mid ‘90s, as greater innovation and advances in musical equipment allowed Japanese musicians and producers to refine and explore new sounds. While musicians such as the seminal Haruomi Hosono, whose productions feature on a number of tracks, would continue to push the boundaries of these new technologies, these technological advances also meant less established musicians were able to make use of increasingly affordable but state-of-the-art equipment.
Including music by Haruomi Hosono as well as Yasuaki Shimizu, Toshifumi Hinata and Ichiko Hashimoto who have become known and loved around the world in recent years, Hesei No Oto also features Japanese pop star Yosui Inoue, producers Jun Sato and Keisuke Kikuchi in aaddition to less established artists from the contemporary, jazz, new wave, pop and dance music scenes. Bringing together a selection of tracks that seem to define these specific genres and in fact move fluidly between a number of them, the music on the compilation is again underscored by experimentations with synthesizers and drum computers though with something of a gentle Pop sensibility. Reimagined here then under the encompassing term ‘Left-field Pop’, this is an exciting chapter in Japanese musical history that has only just begun to be fully explored.
VA - Heisei No Oto - Japanese Left-field Pop From The CD Age (1989-1996) is a 2xLP/2xCD that includes liner notes by Chee Shimizu and artwork by Hagihara Takuya and is released on February 28th. More
Music From Memory is excited to announce a special compilation that they’ve been working on for some time now; MFM053 – VA – Heisei No Oto – Japanese Left-field Pop From The CD Age (1989-1996). Compiled by long-time friends of the label, Eiji Taniguchi and Norio Sato, Heisei No Oto delves into a world of music released almost exclusively on CD and brings together a fascinating selection of discoveries from a little known and overlooked part of Japan’s musical history.
The last ten or so years have seen a global wave of interest in Japanese music encompassing ambient, jazz, new wave and pop records from the 1980s, some of which is increasingly considered the most innovative and visionary music of that time. Although some music from this period, in the form of ‘City Pop’ or ‘rare groove’ records, had been coveted by collectors and DJs for a number of years, most Japanese music from the time was little known outside and often even within Japan.
Sometime around the mid 2000s, two Osaka record store owners, Eiji Taniguchi of Revelation Time and Norio Sato of Rare Groove, along with a handful of deep Japanese diggers such as Chee Shimizu of Organic Music records in Tokyo, began to explore beyond the typical ‘grooves’ or ‘breaks’. Much like their counterparts in Europe and the US, they began delving into home-grown ambient, jazz, new wave and pop records, discovering visionary music, often driven by synthesizers or drum computers, that broke beyond the typical confines of their genres.
Spending tireless hours in local record stores and embarking on digging trips across the country, Eiji Taniguchi and Norio Sato, much like Chee Shimizu, have been at the forefront of unearthing and introducing many of the very Japanese records now loved and sought after around the world. Yet as YouTube algorithms and vinyl reissues would transport such music into the global consciousness and demand and therefore scarcity intensified for such records, so Eiji and Norio have recently begun to turn their attention to CDs.
The title of the compilation Heisei No Oto refers to the sound of the Heisei era, which began in 1989 and corresponds to the reign of Emperor Akihito until his abdication in 2019. Marking the culmination of one of the most rapid economic growths in Japanese history, 1989 also coincided with the music industry’s final shift away from vinyl in favour of CDs. And, although compact discs were first introduced seven years earlier it wasn’t until late into the ‘80s that, beyond dance music labels, CDs became the exclusive format for major and independent labels in Japan and throughout the world.
This however didn’t signal the end of the innovation in Japan. Many of those same musicians who have become known for their work in the ‘80s would continue to produce outstanding music well into the mid ‘90s, as greater innovation and advances in musical equipment allowed Japanese musicians and producers to refine and explore new sounds. While musicians such as the seminal Haruomi Hosono, whose productions feature on a number of tracks, would continue to push the boundaries of these new technologies, these technological advances also meant less established musicians were able to make use of increasingly affordable but state-of-the-art equipment.
Including music by Haruomi Hosono as well as Yasuaki Shimizu, Toshifumi Hinata and Ichiko Hashimoto who have become known and loved around the world in recent years, Hesei No Oto also features Japanese pop star Yosui Inoue, producers Jun Sato and Keisuke Kikuchi in aaddition to less established artists from the contemporary, jazz, new wave, pop and dance music scenes. Bringing together a selection of tracks that seem to define these specific genres and in fact move fluidly between a number of them, the music on the compilation is again underscored by experimentations with synthesizers and drum computers though with something of a gentle Pop sensibility. Reimagined here then under the encompassing term ‘Left-field Pop’, this is an exciting chapter in Japanese musical history that has only just begun to be fully explored.
VA - Heisei No Oto - Japanese Left-field Pop From The CD Age (1989-1996) is a 2xLP/2xCD that includes liner notes by Chee Shimizu and artwork by Hagihara Takuya and is released on February 28th. More
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Cat-No:MFM070
Release-Date:05.07.2024
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1
Tim Koh & Sun An - Bye Bye Betty
2
Tim Koh & Sun An - Moments Of Joy
3
Tim Koh & Sun An - Lemongrass Citronella
4
Tim Koh & Sun An - Can't Stand In The Past
5
Tim Koh & Sun An - Besafe Airtel
6
Tim Koh & Sun An - Today Only Happens Once
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Tim Koh & Sun An - Incense Holder
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Tim Koh & Sun An - Salt And Sugar Look The Same
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Tim Koh & Sun An - A Lead Balloon
10
Tim Koh & Sun An - Sandalwood In The Summer
11
Tim Koh & Sun An - How They Made It
12
Tim Koh & Sun An - Somewhere In Time
13
Tim Koh & Sun An - Old Plates And Desirable Traits
14
Tim Koh & Sun An - Drawing To Relax And Pass The Time
15
Tim Koh & Sun An - The Maybes Are Endless
16
Tim Koh & Sun An - Yume-No-Yume
17
Tim Koh & Sun An - Twice
18
Tim Koh & Sun An - Expected To Fade
Music From Memory is pleased to announce the upcoming release of ‘Salt And Sugar Look The Same’, a collaborative album from Tim Koh and Sun An.
Tim Koh is an American multi-instrumentalist and visual artist born and raised in Los Angeles. He has been touring, releasing music and showing art works internationally for nearly two decades. Sun An is a Southern California-based graphic designer, art director, and sound designer who has self-released music since 2012.
‘Salt And Sugar Look The Same’ plays somewhat like a dreamlike collage; across 18 short compositions, finger-picked guitars melt with electronics and warped samples to create a form of American Primitivism bent and refracted through Tim and Sun’s unique lens.
Their collaborative journey unfolded gradually, exchanging snippets via email over the span of a year or so, Sun in LA and Tim in Berlin. Amidst personal struggles and uncertainties, the act of recording and composing became a refuge, a safe space where they could navigate life's complexities together. Though they didn't converse much, mostly just sending music, their musical dialogue spoke volumes, shaping a narrative that evolved naturally over time. As they shared their musical ideas, they discovered a profound sense of connection and understanding with one another. The music became a conduit for healing, bridging the gaps between them and offering comfort in times of need.
Their musical influences and backgrounds anchored them. From reminiscing about past scenes to exploring cultural intricacies of being Korean American in Los Angeles, infused with a natural sense of shared identity, their collaboration reflected a mergence of old and new memories into a hallucinatory, dream-like experience. Across the 18 compositions that make up the album, incense emerges as a poignant motif, symbolizing the passage of time. Each incense stick becomes a vessel carrying the essence of moments gone by, while the holder becomes the custodian of these ephemeral memories.
‘Salt And Sugar Look The Same’ invites the listener on a boundary-transcending journey of introspection, joy, and pain, creating an experience that lingers long after the last note fades.
Sleeve art by Brian DeGraw, design by David McFarline. More
Tim Koh is an American multi-instrumentalist and visual artist born and raised in Los Angeles. He has been touring, releasing music and showing art works internationally for nearly two decades. Sun An is a Southern California-based graphic designer, art director, and sound designer who has self-released music since 2012.
‘Salt And Sugar Look The Same’ plays somewhat like a dreamlike collage; across 18 short compositions, finger-picked guitars melt with electronics and warped samples to create a form of American Primitivism bent and refracted through Tim and Sun’s unique lens.
Their collaborative journey unfolded gradually, exchanging snippets via email over the span of a year or so, Sun in LA and Tim in Berlin. Amidst personal struggles and uncertainties, the act of recording and composing became a refuge, a safe space where they could navigate life's complexities together. Though they didn't converse much, mostly just sending music, their musical dialogue spoke volumes, shaping a narrative that evolved naturally over time. As they shared their musical ideas, they discovered a profound sense of connection and understanding with one another. The music became a conduit for healing, bridging the gaps between them and offering comfort in times of need.
Their musical influences and backgrounds anchored them. From reminiscing about past scenes to exploring cultural intricacies of being Korean American in Los Angeles, infused with a natural sense of shared identity, their collaboration reflected a mergence of old and new memories into a hallucinatory, dream-like experience. Across the 18 compositions that make up the album, incense emerges as a poignant motif, symbolizing the passage of time. Each incense stick becomes a vessel carrying the essence of moments gone by, while the holder becomes the custodian of these ephemeral memories.
‘Salt And Sugar Look The Same’ invites the listener on a boundary-transcending journey of introspection, joy, and pain, creating an experience that lingers long after the last note fades.
Sleeve art by Brian DeGraw, design by David McFarline. More
Label:Music From Memory
Cat-No:MFM068
Release-Date:03.05.2024
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1
Contours - Bike Shed
2
Contours - Elevation 1
3
Contours - Elevation 2
4
Contours - Elevation 3
5
Contours - Balafon C
6
Contours - Pots
7
Contours - Arp Phase
Music From Memory is delighted to present ‘Elevations’, a new album from Manchester based artist Tom Burford, aka Contours.
Drawing heavily on his background as a drummer and percussionist, ‘Elevations’ began as an exploration of the Balafon, a Malian tuned percussion instrument, before organically growing into its final form; a delicate suite of compositions centered around rhythmical interactions of percussion, synthesizer and strings.
Recorded during the pandemic and the period following, the album reflects a desire to lose oneself in the expanse of nature - the title ‘Elevations’ being a direct nod to the mountainous area of Cumbria where Tom grew up. The album also represents the joy of creating with friends; it features performances from several of his musical contemporaries, many of which were recorded at his home in Manchester. Slowly taking shape, the final result is a record that seamlessly blends electronic and acoustic, operating at the intersection of Minimalism, Jazz, Fourth World and Contemporary Classical music. More
Drawing heavily on his background as a drummer and percussionist, ‘Elevations’ began as an exploration of the Balafon, a Malian tuned percussion instrument, before organically growing into its final form; a delicate suite of compositions centered around rhythmical interactions of percussion, synthesizer and strings.
Recorded during the pandemic and the period following, the album reflects a desire to lose oneself in the expanse of nature - the title ‘Elevations’ being a direct nod to the mountainous area of Cumbria where Tom grew up. The album also represents the joy of creating with friends; it features performances from several of his musical contemporaries, many of which were recorded at his home in Manchester. Slowly taking shape, the final result is a record that seamlessly blends electronic and acoustic, operating at the intersection of Minimalism, Jazz, Fourth World and Contemporary Classical music. More
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Label:Music From Memory
Cat-No:MFM031
Release-Date:26.04.2024
Genre:Alternative/Electronic
Configuration:2LP
Barcode:0783024551337
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Genre:Alternative/Electronic
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1
v.a. - Nightfall In Camp - Cada Dia
2
v.a. - Stroer Duo Howard Fine - Nomad Song
3
v.a. - Tony Hymas - Pictures Of Departure
4
v.a. - Violet Eves - Listen Over The Ocean
5
v.a. - Miko & Mubare - Komoma Ya-Ya-Ya
6
v.a. - Piscine Et Charles - Quart De Tour, Mon Amour
7
v.a. - John Makin & Friends - No Lie
8
v.a. - Nonobstant - Jessica
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v.a. - Wolfgang Klingler, Thomas Heimes, Hans-Christian Mittag - Nach Dienst
10
v.a. - Sound On Sound - Depression
11
v.a. - Pete Brandt's Method - What You Are
12
v.a. - Lost Gringos - Tambo Machay
13
v.a. - Vanakos - I Hate Disco.. Not The Dance
14
v.a. - Brenda And The Beachballs - Dancing Thru' The Night
15
v.a. - Patrick Forgas - Sex Move
16
v.a. - Xavier Jouvelet - Oeuf En Clock
17
v.a. - Lou Blic - Mineralite
18
v.a. - Steve Beresford - Comfortable Gestures
19
v.a. - Bill Nelson's Orchestra Arcana - The Whole City Between Us
20
v.a. - Harte 10 - Happy New Year
21
v.a. - Monica Rypma - Hey, Where You Goin!
Repress!
Uneven Paths: Deviant Pop From Europe, 1980-1991 is the second multiple artist compilation on Music From Memory and is compiled by record connoisseur Raphael Top-Secret and label man Jamie Tiller. The compilation brings together twenty one tracks from across the continent; exploring the more unusual and unexpected sides of Pop music produced during that period.Drawing material from cult experimental artists such as Steve Beresford, Brenda Ray and Bill Nelson alongside one-off independent musical projects rescued from the fringes, ’Uneven Paths’ focuses on a selection of tracks that go beyond the confines of mainstream pop music but which also transcend expectations of much of the ’experimental’ music of the time. This is music with one foot in the avant-garde and another foot firmly rooted within the sensibilities of Pop; where Jazz musicians detour into Synth-Pop, Punk bands break into Boogie jams, and student doctors jam out on odd melodies with synthesizers and drum machines during their night shifts. More
Uneven Paths: Deviant Pop From Europe, 1980-1991 is the second multiple artist compilation on Music From Memory and is compiled by record connoisseur Raphael Top-Secret and label man Jamie Tiller. The compilation brings together twenty one tracks from across the continent; exploring the more unusual and unexpected sides of Pop music produced during that period.Drawing material from cult experimental artists such as Steve Beresford, Brenda Ray and Bill Nelson alongside one-off independent musical projects rescued from the fringes, ’Uneven Paths’ focuses on a selection of tracks that go beyond the confines of mainstream pop music but which also transcend expectations of much of the ’experimental’ music of the time. This is music with one foot in the avant-garde and another foot firmly rooted within the sensibilities of Pop; where Jazz musicians detour into Synth-Pop, Punk bands break into Boogie jams, and student doctors jam out on odd melodies with synthesizers and drum machines during their night shifts. More
Label:Music From Memory
Cat-No:MFM003
Release-Date:26.04.2024
Genre:Soul/Funk
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Cat-No:MFM003
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1
Joan Bibiloni - The Boogie
2
Joan Bibiloni - El Cumpleaños Se Jaimito
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Joan Bibiloni - Valerie
4
Joan Bibiloni - Sobrevivir
5
Joan Bibiloni - El Salto Del Martin
6
Joan Bibiloni - Val, I Vuw Ya
7
Joan Bibiloni - Una Vida Llarga I Tranquila II
8
Joan Bibiloni - Migas
9
Joan Bibiloni - Sa Fosca
10
Joan Bibiloni - La Española
Staying on the Mediterranean coast for their third release, Music From Memory this time shift their attention to the work of Mallorcan musician Joan Bibiloni. TIP!
Primarily a guitarist, Bibiloni was creating music at an early age, releasing his first single at the tender age of 15. In his twenties he formed Spanish progrock outfits Zebra and Euterpe where he would meet Pepe Milan, the two of them becoming the bluesy folk duo 'Milan & Bibiloni'. Bibiloni himself would later go on to play with a number of luminary musicians such as Larry Coryell, Daevid Allen and John Cage to name but a few.
In 1982 Bibiloni set up his own label Blau in order to highlight the muchoverlooked work of musicians not only on his home island of Mallorca but across the Balearic Islands. In doing so he created a platform not only for
local talent but also for his own music to breathe a new life, much influenced by the landscape and life that surrounds the islands.
Whilst Bibiloni's first solo releases on his Blau imprint have stronger echoes of contemporary Jazz fusion of the time, it is on the album known as 'Una Vida Llarga I Tranquila' where Bibiloni really began to experiment with new soundsand technologies; fusing tape loops, drum computers and synthesizers.
Taking these more electronic infused works as a departure point for the compilation and drawing on material from across his following five albums, El Surï sets out to highlight Joan Bibiloniïs unique ambient fusion and sun-drenched Mediterranean beach boogie. More
Primarily a guitarist, Bibiloni was creating music at an early age, releasing his first single at the tender age of 15. In his twenties he formed Spanish progrock outfits Zebra and Euterpe where he would meet Pepe Milan, the two of them becoming the bluesy folk duo 'Milan & Bibiloni'. Bibiloni himself would later go on to play with a number of luminary musicians such as Larry Coryell, Daevid Allen and John Cage to name but a few.
In 1982 Bibiloni set up his own label Blau in order to highlight the muchoverlooked work of musicians not only on his home island of Mallorca but across the Balearic Islands. In doing so he created a platform not only for
local talent but also for his own music to breathe a new life, much influenced by the landscape and life that surrounds the islands.
Whilst Bibiloni's first solo releases on his Blau imprint have stronger echoes of contemporary Jazz fusion of the time, it is on the album known as 'Una Vida Llarga I Tranquila' where Bibiloni really began to experiment with new soundsand technologies; fusing tape loops, drum computers and synthesizers.
Taking these more electronic infused works as a departure point for the compilation and drawing on material from across his following five albums, El Surï sets out to highlight Joan Bibiloniïs unique ambient fusion and sun-drenched Mediterranean beach boogie. More
Label:Music From Memory
Cat-No:MFM052
Release-Date:01.12.2023
Genre:House
Configuration:LP
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1
Yu Su - Xiu
2
Yu Su - Futuro
3
Yu Su - Touch-Me-Not
4
Yu Su - Gleam
5
Yu Su - Melaleuca
6
Yu Su - Klein
7
Yu Su - Dusty
8
Yu Su - Melaleuca (At Night)
2023 Repress!
Music From Memory are excited to present the debut LP of Kaifeng born, Vancouver based artist Yu Su in collaboration with Chinese label bié Records. Titled 'Yellow River Blue' it is our first release of 2021 and the second collaboration between label and artist, following up on the strongly received EP 'Roll With The Punches' from 2019 on Second Circle.
Named after the world’s most heavily silted river, 'Yellow River Blue' is Yu Su's personal musical autobiography, constructed around stories of chasing something inconceivable. Written and recorded in different continents in between August 2019 and March 2020, all songs seek to musically translate years of moving and touring, temporarily settling, and the feelings of both being turned away and accepted. In her own words, “The world is my home and it isn’t, but as long as there is generosity of water and mud...” It is an homage to her home beside the Yellow River.
Yu Su's debut album consists of eight songs that are versatile in both writing and aesthetics. Versatile individually, consistent as a whole. Yu Su is in a class of her own, dodging the obvious while combining sounds and inspirations of various origins into a new destination that sounds like her home in the here and now. It's a release that is constantly in motion and moves fluently between contemporary pop, ethereal sound compositions and dance-floor experiments.
'Yellow River Blue' comes as part of a collaboration with Yu Su's co-founded new label bié Records and will be released as MFM052 in vinyl format by Music From Memory on January 25th 2021, after seeing a full digital album release via bié on January 22nd in the new Year of the Ox, according to the Chinese zodiac. Both formats come in different exclusively designed artworks. More
Music From Memory are excited to present the debut LP of Kaifeng born, Vancouver based artist Yu Su in collaboration with Chinese label bié Records. Titled 'Yellow River Blue' it is our first release of 2021 and the second collaboration between label and artist, following up on the strongly received EP 'Roll With The Punches' from 2019 on Second Circle.
Named after the world’s most heavily silted river, 'Yellow River Blue' is Yu Su's personal musical autobiography, constructed around stories of chasing something inconceivable. Written and recorded in different continents in between August 2019 and March 2020, all songs seek to musically translate years of moving and touring, temporarily settling, and the feelings of both being turned away and accepted. In her own words, “The world is my home and it isn’t, but as long as there is generosity of water and mud...” It is an homage to her home beside the Yellow River.
Yu Su's debut album consists of eight songs that are versatile in both writing and aesthetics. Versatile individually, consistent as a whole. Yu Su is in a class of her own, dodging the obvious while combining sounds and inspirations of various origins into a new destination that sounds like her home in the here and now. It's a release that is constantly in motion and moves fluently between contemporary pop, ethereal sound compositions and dance-floor experiments.
'Yellow River Blue' comes as part of a collaboration with Yu Su's co-founded new label bié Records and will be released as MFM052 in vinyl format by Music From Memory on January 25th 2021, after seeing a full digital album release via bié on January 22nd in the new Year of the Ox, according to the Chinese zodiac. Both formats come in different exclusively designed artworks. More
Label:Music From Memory
Cat-No:MFM065
Release-Date:17.11.2023
Configuration:LP
Barcode:0731628580765
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1
The Habitat Ensemble - Two Voices In The Field
2
The Habitat Ensemble - Maringotka
3
The Habitat Ensemble - Rounded Edges
4
The Habitat Ensemble - Clay
5
The Habitat Ensemble - Moments
6
The Habitat Ensemble - Male Kapky
7
The Habitat Ensemble - Vitr A Ja
8
The Habitat Ensemble - Die Vergessenen Orte
9
The Habitat Ensemble - And Bamboo
10
The Habitat Ensemble - Let Magicien De La Foret
11
The Habitat Ensemble - Outro
Repress!
Self-titled debut album of Habitat Ensemble, a new musical collective headed up by musician Marius Houschayer.
The collective originates deep in the south of the Czech Republic, on the border with Austria, amongst the idyllic hills and fields of a village called Maríž, where a summer school of outsiders and creatives have been gathering since the 1990s. Enriching each other through intercultural exchange, summer school participants have created a unique gathering of artistic expression and interdisciplinary research.
Originally grown out of the idea of translating the unique energy of the community and its environment into a musical journey where each member makes their own individual contribution, during the summer of August 2022, The Habitat Ensemble became an exciting vehicle for connection and co-creation.
Whether it be musical experimentation, composition, poetry, song or dance, Habitat Ensemble, having started as a series of multidisciplinary workshops, slowly developed into a unique musical recording. The album serves to conjure the unique nature, community, experimentation surrounding the school and the collective’s search for harmony across all of these, both musical and spiritual. More
Self-titled debut album of Habitat Ensemble, a new musical collective headed up by musician Marius Houschayer.
The collective originates deep in the south of the Czech Republic, on the border with Austria, amongst the idyllic hills and fields of a village called Maríž, where a summer school of outsiders and creatives have been gathering since the 1990s. Enriching each other through intercultural exchange, summer school participants have created a unique gathering of artistic expression and interdisciplinary research.
Originally grown out of the idea of translating the unique energy of the community and its environment into a musical journey where each member makes their own individual contribution, during the summer of August 2022, The Habitat Ensemble became an exciting vehicle for connection and co-creation.
Whether it be musical experimentation, composition, poetry, song or dance, Habitat Ensemble, having started as a series of multidisciplinary workshops, slowly developed into a unique musical recording. The album serves to conjure the unique nature, community, experimentation surrounding the school and the collective’s search for harmony across all of these, both musical and spiritual. More
Label:Music From Memory
Cat-No:MFM063
Release-Date:28.07.2023
Genre:Alternative/Electronic
Configuration:LP
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1
Philipp Otterbach - The Dahlem Diaries Pt. 1
2
Philipp Otterbach - Half Brain Naked
3
Philipp Otterbach - Left Hand Society
4
Philipp Otterbach - Talkoot
5
Philipp Otterbach - Small Town Nights
6
Philipp Otterbach - Geoluread
7
Philipp Otterbach - Gottischlag Ft. Gatto Fritto
8
Philipp Otterbach - Solid Maybe
9
Philipp Otterbach - Malarkeys
10
Philipp Otterbach - Happy And I Skipped
The new LP by Krefeld-born, Berlin-based artist Philipp Otterbach entitled 'The Dahlem Diaries'.
Recorded in a little-visited corner of the German capital, 'The Dahlem Diaries' is a convergence of ideas, sketches and tracks, both old and new, most of which were produced between 2020-2022. Whilst eerie atmospheres, electronics and drums have played a pivotal role in Philipp’s earlier releases, his latest is a rather more introspective affair, in which the guitar takes a leading role. A role Otterbach uses to quietly bring light and hope to his music.
Speaking about his writing process, Philipp explains that, based around his original compositions, “Friends were nice enough to contribute additional parts on their instruments which I then reworked, put together and re-contextualized. The recordings encapsulate a very specific moment in time, one that would have sounded perhaps very different the day before or after.”
Combined with a strong use of effects and field recordings, 'The Dahlem Diaries' feels somewhat like a scene or fragment from a story, in which the narrative remains undefined. It is a playful album that is something of a blurred underwater adventure, sounding as bright as it is hazy, even psychedelic at times, yet with an almost melancholic positivity. In Philipp’s own words: “It could be an album about friendship and being at one with myself, whilst at the same time bringing a certain seriousness to my music, but not necessarily to myself; there is also a playful humour hidden in there. ”
Artwork by David McFarline. More
Recorded in a little-visited corner of the German capital, 'The Dahlem Diaries' is a convergence of ideas, sketches and tracks, both old and new, most of which were produced between 2020-2022. Whilst eerie atmospheres, electronics and drums have played a pivotal role in Philipp’s earlier releases, his latest is a rather more introspective affair, in which the guitar takes a leading role. A role Otterbach uses to quietly bring light and hope to his music.
Speaking about his writing process, Philipp explains that, based around his original compositions, “Friends were nice enough to contribute additional parts on their instruments which I then reworked, put together and re-contextualized. The recordings encapsulate a very specific moment in time, one that would have sounded perhaps very different the day before or after.”
Combined with a strong use of effects and field recordings, 'The Dahlem Diaries' feels somewhat like a scene or fragment from a story, in which the narrative remains undefined. It is a playful album that is something of a blurred underwater adventure, sounding as bright as it is hazy, even psychedelic at times, yet with an almost melancholic positivity. In Philipp’s own words: “It could be an album about friendship and being at one with myself, whilst at the same time bringing a certain seriousness to my music, but not necessarily to myself; there is also a playful humour hidden in there. ”
Artwork by David McFarline. More
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Label:Music From Memory
Cat-No:MFM062
Release-Date:23.06.2023
Genre:World Music
Configuration:2LP
Barcode:0731628580727
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Label:Music From Memory
Cat-No:MFM062
Release-Date:23.06.2023
Genre:World Music
Configuration:2LP
Barcode:0731628580727
1
Dream Dolphin - Gaia (Ethereal Fantasy)
2
Dream Dolphin - Stars
3
Dream Dolphin - Tour 5 Modern Blue Asia ~ Soundscapes For Ocean Therapy (Like A Music Therapy)
4
Dream Dolphin - Healing Moon - Tsuki No Iyashi Umi No Mahou
5
Dream Dolphin - The Genesis: Yoga (New Age Ambience)
6
Dream Dolphin - Voyage (Dive To The Future Sight)
7
Dream Dolphin - Iruka Tachi To Asonda Kioku / Under Water
8
Dream Dolphin - Rain
9
Dream Dolphin - L.E.A. (Mirror Coordinate Mix)
10
Dream Dolphin - The Rebirth / (Jinsei Nante Konnamono) Sou Omotta Shunkan Ni Jinsei Wa Owaru
11
Dream Dolphin - Cosmic Blue Image-Repsect-Love Anata Ga Jiyu Ni
12
Dream Dolphin - Naru Toki / Into The Blue (Haha Naru Umi Ga Rhythm De Oshiete Kureru Koto)
13
Dream Dolphin - Love Ate Alien
14
Dream Dolphin - Daichi No Uta
15
Dream Dolphin - Island Humming
Gaia: Selected Ambient & Downtempo Works (1996-2003)’ is a new in-depth compilation of works by Japanese musician Dream Dolphin. Co-compiled by Eiji Taniguchi, it draws from a vast discography of music oscillating between IDM, Pop and Electronic Dance Music. First appearing on Eiji’s compilation ’Heisei No Oto - Japanese Left-field Pop From The CD Age (1989-1996)’, this selection of rediscoveries, further shines a light on the singular musician known as Dream Dolphin and her place in Japan’s rich electronic music legacy.
Dream Dolphin was originally an Ambient and Electronic project by the Japanese artist referred to simply as Noriko, who moved from studying classic Italian songs as a child, to increasingly being inspired by artists such as PIL, Yellow Magic Orchestra, KLF and movies such as ‘2001: A Space Odyssey’ and ‘Le Grand Bleu’. The music she released under the name Dream Dolphin, from the age of sixteen, is unique and versatile in style, encompassing Ambient, IDM, Techno, Trance and Drum & Bass, whilst fusing natural sounds with her own spoken word lyrics.
Dream Dolphin released an incredible twenty albums in just eight years. In addition to her own projects, she has also put together a number of fascinating compilations herself, as well as composing ambient music to be used in hospitals and other caring contexts. ‘Gaia: Selected Ambient & Downtempo Works (1996-2003)’ contains 15 tracks thoughtfully selected from various albums that until now were only released on CD format. More
Dream Dolphin was originally an Ambient and Electronic project by the Japanese artist referred to simply as Noriko, who moved from studying classic Italian songs as a child, to increasingly being inspired by artists such as PIL, Yellow Magic Orchestra, KLF and movies such as ‘2001: A Space Odyssey’ and ‘Le Grand Bleu’. The music she released under the name Dream Dolphin, from the age of sixteen, is unique and versatile in style, encompassing Ambient, IDM, Techno, Trance and Drum & Bass, whilst fusing natural sounds with her own spoken word lyrics.
Dream Dolphin released an incredible twenty albums in just eight years. In addition to her own projects, she has also put together a number of fascinating compilations herself, as well as composing ambient music to be used in hospitals and other caring contexts. ‘Gaia: Selected Ambient & Downtempo Works (1996-2003)’ contains 15 tracks thoughtfully selected from various albums that until now were only released on CD format. More
Label:music from memory
Cat-No:MFM064
Release-Date:09.06.2023
Configuration:LP
Barcode:0731628580758
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Last in:14.06.2023
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Label:music from memory
Cat-No:MFM064
Release-Date:09.06.2023
Configuration:LP
Barcode:0731628580758
1
Androo - Preface Bonjour
2
Androo - Shhhht Introduction
3
Androo - Wyatt Revolt
4
Androo - Autonomia
5
Androo - Ah Balbec
6
Androo - Obsessions. Etoiles. Neurones
7
Androo - Giant Steps Alternate Take
8
Androo - Bcp De Bruit Pr Rien Si Jav Sus
9
Androo - Equipments Guattarix Mix
10
Androo - Clou Vis
11
Androo - Moments Notice Part 1
12
Androo - Moments Notice Part 2
13
Androo - Judso Danc Theate
14
Androo - Club Geography
15
Androo - Original J Dub
16
Androo - Djs Argen Capital Plus-Valuxe
17
Androo - Subversion Seduction
18
Androo - Histories Sans Livres
19
Androo - Tout Ca
20
Androo - Outro En Finir Avec Les Clubs
Swiss based artist Androo, who previously released on MFM sub label Second Circle, returns with his debut LP 'Club Salon Theatre'.
Far from an album in traditional form, 'Club Salon Theatre' explores its potential as a musical collage of sound. Recorded during 2021 and the beginning of 2022, it is the result of Androo's desire to draw connections between diverse fragments of music and art.
Originally born out of the Dub sound-system scene in Geneva and with a continued love for the modal music of the likes of John and Alice Coltrane and Pharoah Sanders, Androo has long put improvisation at the center of his practice. His understanding of dub music as an integral part of the experimental music tradition, with ties to the school of Musique Concrète for instance, and with trap music as another vital ingredient, has as much to do with the form as with the method. With the studio as a laboratory for experimentation, Androo utilizes a variety of outboard instruments as well as working in-the-box, but it’s his classic “dub style” technique of mixing at the hardware console that leaves its quintessential mark throughout the whole record.
'Club Salon Theatre' is a rich patchwork of imagined scenes, emotive melodies, flying rhythms, harmonic changes, loose improvisations, with an almost romantic thread running through it. Like a collection of musical poems, gently arranged in what is sometimes sparse musical language. Far from a patchwork of scattered and disjointed inspirations, there is a real unity and singularity at work, resulting in a record which can be enjoyed as a collection of sonic poems, simultaneously nonchalant and earnest, sentimental and playful.
Full Tracklisting:
A0. Préface, Bonjour
A1. (shhhht) Introduction
A2. Wyatt revolt
A3. Or,
A4. Autonomia
A5. – Ah balbec!
A6. Obsessions. étoiles. neurones
A7. Giant steps (alternate take)
A8. Bcp de bruit pr rien (si jav sus)
A9. Pensées
A10. Equipments (guattarix mix)
A11. Clou, vis
A12. Moment’s notice (part 1)
B1. Moment’s notice (part 2)
B2. Judso Danc Theate
B3. Club géography
B4. Original J dub
B5. Djs, Argen, capital, plus-valuxe
B6. Subversion, seduction
B7. Histoires sans livres
B8. Tout ça
B9. UZI
B10. Outro (en finir avec les clubs) More
Far from an album in traditional form, 'Club Salon Theatre' explores its potential as a musical collage of sound. Recorded during 2021 and the beginning of 2022, it is the result of Androo's desire to draw connections between diverse fragments of music and art.
Originally born out of the Dub sound-system scene in Geneva and with a continued love for the modal music of the likes of John and Alice Coltrane and Pharoah Sanders, Androo has long put improvisation at the center of his practice. His understanding of dub music as an integral part of the experimental music tradition, with ties to the school of Musique Concrète for instance, and with trap music as another vital ingredient, has as much to do with the form as with the method. With the studio as a laboratory for experimentation, Androo utilizes a variety of outboard instruments as well as working in-the-box, but it’s his classic “dub style” technique of mixing at the hardware console that leaves its quintessential mark throughout the whole record.
'Club Salon Theatre' is a rich patchwork of imagined scenes, emotive melodies, flying rhythms, harmonic changes, loose improvisations, with an almost romantic thread running through it. Like a collection of musical poems, gently arranged in what is sometimes sparse musical language. Far from a patchwork of scattered and disjointed inspirations, there is a real unity and singularity at work, resulting in a record which can be enjoyed as a collection of sonic poems, simultaneously nonchalant and earnest, sentimental and playful.
Full Tracklisting:
A0. Préface, Bonjour
A1. (shhhht) Introduction
A2. Wyatt revolt
A3. Or,
A4. Autonomia
A5. – Ah balbec!
A6. Obsessions. étoiles. neurones
A7. Giant steps (alternate take)
A8. Bcp de bruit pr rien (si jav sus)
A9. Pensées
A10. Equipments (guattarix mix)
A11. Clou, vis
A12. Moment’s notice (part 1)
B1. Moment’s notice (part 2)
B2. Judso Danc Theate
B3. Club géography
B4. Original J dub
B5. Djs, Argen, capital, plus-valuxe
B6. Subversion, seduction
B7. Histoires sans livres
B8. Tout ça
B9. UZI
B10. Outro (en finir avec les clubs) More
12"
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Label:Music From Memory
Cat-No:MFM028
Release-Date:26.05.2023
Configuration:12"
Barcode:0783024551320
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Last in:24.09.2018
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Label:Music From Memory
Cat-No:MFM028
Release-Date:26.05.2023
Configuration:12"
Barcode:0783024551320
1
Terekke - Unother
2
Terekke - Nuwav2
3
Terekke - Wav1
4
Terekke - Ambien
5
Terekke - Arrpfaded
6
Terekke - Soft G
7
Terekke - 220 G
8
Terekke - L8r H8r
Repress!
Terekke drifts gracefully onto Music From Memory with a long player of looping ambient pad pressure...BIG TIP!'The recording of Improvisational Loops began in 2012 during yoga classes at Body Actualized Center in NYC. In the spirit of past ’New Age’ or Minimal music, it aims to open up a space within the room giving the listener a chance to explore inward or outward. It was recorded using a digital synthesizer, reverb, and looper." Terekke, January 2018' More
Terekke drifts gracefully onto Music From Memory with a long player of looping ambient pad pressure...BIG TIP!'The recording of Improvisational Loops began in 2012 during yoga classes at Body Actualized Center in NYC. In the spirit of past ’New Age’ or Minimal music, it aims to open up a space within the room giving the listener a chance to explore inward or outward. It was recorded using a digital synthesizer, reverb, and looper." Terekke, January 2018' More
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Last in:01.11.2024
Label:Mr Bongo
Cat-No:MRBLP195
Release-Date:01.10.2021
Genre:Funk
Configuration:LP
Barcode:
1
Minoru Muraoka - Take Five
2
Minoru Muraoka - Mogamigawa Funauta
3
Minoru Muraoka - The Positive & The Negative
4
Minoru Muraoka - And I Love Her
5
Minoru Muraoka - The House Of The Rising Sun
6
Minoru Muraoka - Do You Know The Way To San Jose
7
Minoru Muraoka - Soul Bamboo
8
Minoru Muraoka - Call Me
9
Minoru Muraoka - Scarborouge Fair
Japanese jazz/breakbeat, folkloric mega-rarity as hallowed the likes of DJ Shadow, Cut Chemist, Egon and co. Uniquely combines traditional Japanese instrumentation with Western jazz influences.
Minoru Muraoka plays ‘shakuhachi’ – a traditional bamboo Japanese flute – joined by his band members accompanying him on the ‘koto’ (strings) and ‘tsutsumi’ (drum) amongst others, to create their ‘Shakuhachi Jazz’ sound.
Official Mr Bongo reissue. Gatefold single LP. More
Minoru Muraoka plays ‘shakuhachi’ – a traditional bamboo Japanese flute – joined by his band members accompanying him on the ‘koto’ (strings) and ‘tsutsumi’ (drum) amongst others, to create their ‘Shakuhachi Jazz’ sound.
Official Mr Bongo reissue. Gatefold single LP. More
LP Excl
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Label:WRWTFWW
Cat-No:wrwtfww071
Release-Date:27.10.2023
Configuration:LP Excl
Barcode:4251804142281
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Last in:12.12.2023
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Label:WRWTFWW
Cat-No:wrwtfww071
Release-Date:27.10.2023
Configuration:LP Excl
Barcode:4251804142281
1
Daisaku Kume - A1. Azuma's Theme (Gnossienne No. 1 - Erik Satie)
2
Daisaku Kume - A2. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (End Title)
3
Daisaku Kume - A3. Kiyohiro's Theme
4
Daisaku Kume - A4. Kiyohiro's Theme II
5
Daisaku Kume - B1. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (Main Title)
6
Daisaku Kume - B2. Fear (Gnossienne No. 1 - Erik Satie)
7
Daisaku Kume - B3. Intorno all'idol mio (Antonio Cesti)
8
Daisaku Kume - B4. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (Main Title - Saxophone Version)
LP: 45rpm Cut, Inside Out Printed Sleeve, Sticker
WORLDWIDE
Genre: Soundtrack, Classical, Smooth Jazz, Modern Western
Tracklisting LP
A1. Azuma's Theme (Gnossienne No. 1 - Erik Satie)
A2. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (End Title)
A3. Kiyohiro's Theme
A4. Kiyohiro's Theme II
B1. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (Main Title)
B2. Fear (Gnossienne No. 1 - Erik Satie)
B3. Intorno all'idol mio (Antonio Cesti)
B4. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (Main Title - Saxophone Version)
Info
WRWTFWW Records is thrilled to announce the official reissue of Daisaku Kume's original soundtrack for the highly acclaimed 1989 Japanese crime/drama movie Violent Cop. Available for the first time outside of Japan, the album comes in a limited edition of 500 copies worldwide with a 45 rpm cut providing full audio pleasure and an iconic record sleeve featuring the movie director and star: the one and only "Beat" Takeshi Kitano!
Violent Cop marks Kitano's directorial debut - a gritty neo-noir in which he stars as a rogue detective fighting a sadistic crime syndicate, only to discover widespread internal corruption in the police force. Poetic, minimalistic, with a superb balance between small soothing moments of beauty and vertiginous sudden violence, the film spearheaded a superb international career for the multi-talented filmmaker, actor, and comedian, which includes works such as Sonatine, Hana-Bi, and Battle Royale. The release of the soundtrack on vinyl presents an excellent opportunity for fans to explore the musical underpinnings of one of Kitano's earliest creations.
Daisaku Kume, known for his work as the keyboardist for late 70s fusion bands T-Square and Prism, showcases versatile musical prowess on the soundtrack, taking listeners on a sonic journey through a blend of genres including magnificent Erik Satie re-interpretations, melancholic smooth jazz sometimes reminiscent of Taxi Driver, ambient-classical, and modern Western atmospherics. It's the perfect setting for Kitano's stoic but tormented lonesome urban cowboy character. Raw power mixed with timeless elegance.
Violent Cop (Original Soundtrack) by Daisaku Kume follows the recent release of the soundtrack from another groundbreaking Japanese movie, Shin'ya Tsukamoto's Tokyo Fist (1995), with music by industrial visionaries Chu Ishikawa & Der Eisenrost, also currently available on WRWTFWW Records.
Points of interests
- For fans of good movies, good soundtracks, Takeshi Kitano and Erik Satie, furniture music in a modern Western setting, ambient, minimalism, classical, Japanese crime movies of the 90s, Daisaku Kume, Taxi Driver, nice looking record sleeves.
- First official reissue of the soundtrack for classic Japanese crime/drama movie Violent Cop (1989) directed by and starring the legend (Beat) Takeshi Kitano.
More
WORLDWIDE
Genre: Soundtrack, Classical, Smooth Jazz, Modern Western
Tracklisting LP
A1. Azuma's Theme (Gnossienne No. 1 - Erik Satie)
A2. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (End Title)
A3. Kiyohiro's Theme
A4. Kiyohiro's Theme II
B1. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (Main Title)
B2. Fear (Gnossienne No. 1 - Erik Satie)
B3. Intorno all'idol mio (Antonio Cesti)
B4. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (Main Title - Saxophone Version)
Info
WRWTFWW Records is thrilled to announce the official reissue of Daisaku Kume's original soundtrack for the highly acclaimed 1989 Japanese crime/drama movie Violent Cop. Available for the first time outside of Japan, the album comes in a limited edition of 500 copies worldwide with a 45 rpm cut providing full audio pleasure and an iconic record sleeve featuring the movie director and star: the one and only "Beat" Takeshi Kitano!
Violent Cop marks Kitano's directorial debut - a gritty neo-noir in which he stars as a rogue detective fighting a sadistic crime syndicate, only to discover widespread internal corruption in the police force. Poetic, minimalistic, with a superb balance between small soothing moments of beauty and vertiginous sudden violence, the film spearheaded a superb international career for the multi-talented filmmaker, actor, and comedian, which includes works such as Sonatine, Hana-Bi, and Battle Royale. The release of the soundtrack on vinyl presents an excellent opportunity for fans to explore the musical underpinnings of one of Kitano's earliest creations.
Daisaku Kume, known for his work as the keyboardist for late 70s fusion bands T-Square and Prism, showcases versatile musical prowess on the soundtrack, taking listeners on a sonic journey through a blend of genres including magnificent Erik Satie re-interpretations, melancholic smooth jazz sometimes reminiscent of Taxi Driver, ambient-classical, and modern Western atmospherics. It's the perfect setting for Kitano's stoic but tormented lonesome urban cowboy character. Raw power mixed with timeless elegance.
Violent Cop (Original Soundtrack) by Daisaku Kume follows the recent release of the soundtrack from another groundbreaking Japanese movie, Shin'ya Tsukamoto's Tokyo Fist (1995), with music by industrial visionaries Chu Ishikawa & Der Eisenrost, also currently available on WRWTFWW Records.
Points of interests
- For fans of good movies, good soundtracks, Takeshi Kitano and Erik Satie, furniture music in a modern Western setting, ambient, minimalism, classical, Japanese crime movies of the 90s, Daisaku Kume, Taxi Driver, nice looking record sleeves.
- First official reissue of the soundtrack for classic Japanese crime/drama movie Violent Cop (1989) directed by and starring the legend (Beat) Takeshi Kitano.
More
Label:Dance Trax
Cat-No:DANCETRAX055
Release-Date:28.07.2023
Genre:House / Techno
Configuration:12"
Barcode:
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Last in:22.03.2024
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Label:Dance Trax
Cat-No:DANCETRAX055
Release-Date:28.07.2023
Genre:House / Techno
Configuration:12"
Barcode:
1
Dajusch - It's The E
2
Dajusch - Dance Like A Villain
3
Dajusch - The Rhythm My Love
Spandau’s Dajusch debuts on Dance Trax with 3 tracks of high octane techno-jak-trax - road tested in clubs worldwide to full effekt!
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12"
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Cat-No:INT-507
Release-Date:22.09.2015
Genre:House
Configuration:12"
Barcode:
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Last in:31.01.2024
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Cat-No:INT-507
Release-Date:22.09.2015
Genre:House
Configuration:12"
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1
Disco Revisited - Tonights The Night
2
Disco Revisited - When Loves The Feelin (Tps 2015 Unreleased Reedit)
3
Disco Revisited - Gonna Roc U All Nite
4
Disco Revisited - Gonna Roc U All Nite (Instrumental)
Label:chiwax classic edition
Cat-No:CCE034
Release-Date:15.09.2021
Genre:techhouse
Configuration:12"
Barcode:
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Last in:31.01.2024
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Last in:31.01.2024
Label:chiwax classic edition
Cat-No:CCE034
Release-Date:15.09.2021
Genre:techhouse
Configuration:12"
Barcode:
1
Brian Harden - Play Time"
2
Brian Harden - come on
3
Brian Harden - animal instincts
4
Brian Harden - simon's revenge
RAWAX proudly welcomes Brian Harden to the label family! We are very happy to present you one of his most wanted releases back on vinyl early 2021! It's the re-mastered version of "Play Time", which came originally out on legendary Relief Records in 1995!
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Last in:26.03.2024
Label:Axis
Cat-No:AX116
Release-Date:26.01.2024
Genre:Techno
Configuration:12"
Barcode:
1
Millsart - Just Like A (Vernacular Objects)
2
Millsart - Transistor Love
3
Millsart - Peace From The Virgo Cluster
4
Millsart - Methane Bubbles
The next chapter in Axis Expressionist Series, A collection of vinyl and limited digital releases, curated by Millsart, an alias of Jeff Mills, of his most eclectic and transcendent compositions that derive from his Every Dog Has Its Day project aswell as new unreleased works.
TRACKLISTING
A1. Millsart - Just Like A (Vernacular Objects)
A2. Millsart - Transistor Love
B1. Millsart - Peace From The Virgo Cluster
B2. Millsart - Methane Bubbles
INFO
X-Ray Zulu refers all the things that could be defined as correct, as right and as perfect in an imperfect World and context. It serves as a barometric meter of all harmonious things. And with this balance, there is a certain amount of clarity and certainty about what is connected to this subject. A strong mind or opinion, passion, dedication and devotion. Essentially, this release is about undeniably and incontestable truth.
- Millsart
("Vernacular Objects" was released in digital as "Every Dog Has Its Day. Vol.13" (2020). "Just Like A (Vernacular Objects)" is a different mix.)
More
TRACKLISTING
A1. Millsart - Just Like A (Vernacular Objects)
A2. Millsart - Transistor Love
B1. Millsart - Peace From The Virgo Cluster
B2. Millsart - Methane Bubbles
INFO
X-Ray Zulu refers all the things that could be defined as correct, as right and as perfect in an imperfect World and context. It serves as a barometric meter of all harmonious things. And with this balance, there is a certain amount of clarity and certainty about what is connected to this subject. A strong mind or opinion, passion, dedication and devotion. Essentially, this release is about undeniably and incontestable truth.
- Millsart
("Vernacular Objects" was released in digital as "Every Dog Has Its Day. Vol.13" (2020). "Just Like A (Vernacular Objects)" is a different mix.)
More
LP Excl
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Label:Growing Bin Records
Cat-No:GBR016
Release-Date:25.02.2022
Configuration:LP Excl
Barcode:4251804124300
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Last in:29.11.2022
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Last in:29.11.2022
Label:Growing Bin Records
Cat-No:GBR016
Release-Date:25.02.2022
Configuration:LP Excl
Barcode:4251804124300
1
Shelter - Variation Abyssale I
2
Shelter - Immersion
3
Shelter - La Vie à L'Ombre
4
Shelter - Plénitude Azotée
5
Shelter - Parade
6
Shelter - Interlude
7
Shelter - Variation Abyssale II
8
Shelter - Dans La Jungle De Varech
9
Shelter - Hors d'Haleine
10
Shelter - Fumeurs Noirs
11
Shelter - Synthi Outro
Release Date: June 25th 2018 - 2022 Repress Edition
Tracklist:
A1. Variation Abyssale (Part 1)
A2. Immersion
A3. La Vie à L‘Ombre
A4. Plénitude Azotée
A5. Parade
A6. Interlude
B1. Variation Abyssale (Part 2)
B2. Dans la Jungle de Varech
B3. Hors d_Haleine
B4. Fumeurs Noirs
B5. Synthi Outtro
Info:
Last time we heard from the Growing Bin, Basso was sat at the water‘s edge, trousers rolled up, toes inthe tide, savouring a Falanghina while Eleventeen Eston went with the wave. Now we move from theshoreline to the ocean shelf, led on an underwater adventure by young Parisian Shelter. Where previousreleases have seen the synth-obsessed Frenchman take his inspiration from Caribbean rhythms orBalearic attitudes, this marine missive sees Shelter turn to the lavish world of the library, creating his analternate score to Jean Faurez’ 1960 documentary short.More submersible than snorkel, our journey begins in the very dark of the deep, mystical harp trillsechoing through the inky blackness, picking up the bioluminescent shimmer of an Abraliopsis Squid.Gradually we make our way into the light, cruising past shoals of silver scales and underwater forests.‚Immersion’ offers a placid, percolating rhythm and billowing pads, providing sonic symmetry for thedancing leaves, while the spheric soundscape of ‘La Vie A L’Ombre’ bubbles away like an underwatervolcano. The optimistic ambience of ‘Plenitude Azotee’, brimming with delicate melody and glisteningsequences, perfectly captures the wide-eyed wonder of a reef dive, before drifting into the serenity of‘Parade’, an aquatic acquaintance of A.R.T. Wilson’s ‘Overworld’. A brief foray into shark fin funk seesout the A-side, before we’re back amid the beauty of the ocean floor; ‘Variation Abyssale II’ echoing thealbum opener but with even more poetry. The exotic and otherworldly sine waves of ‘Dans La Jungle DeVarech’ simultaneously sound like a rainforest canopy, alien landscape and coral microcosm, expandingour horizons nicely ahead of the adrenaline rush of ‘Hors D’Haleine’. Shelter then sets us at ease with thetidal tonality and subtle shuffle of ‘Fumeurs Noirs’, a sublime synthetic suite, then leaves us to marvel atthe soft focus splendour of ‘Synthii Outro’.This is Jules Verne by way of Vangelis, just grab your goggles and take the plunge…(words by Patrick Ryder)
More
Tracklist:
A1. Variation Abyssale (Part 1)
A2. Immersion
A3. La Vie à L‘Ombre
A4. Plénitude Azotée
A5. Parade
A6. Interlude
B1. Variation Abyssale (Part 2)
B2. Dans la Jungle de Varech
B3. Hors d_Haleine
B4. Fumeurs Noirs
B5. Synthi Outtro
Info:
Last time we heard from the Growing Bin, Basso was sat at the water‘s edge, trousers rolled up, toes inthe tide, savouring a Falanghina while Eleventeen Eston went with the wave. Now we move from theshoreline to the ocean shelf, led on an underwater adventure by young Parisian Shelter. Where previousreleases have seen the synth-obsessed Frenchman take his inspiration from Caribbean rhythms orBalearic attitudes, this marine missive sees Shelter turn to the lavish world of the library, creating his analternate score to Jean Faurez’ 1960 documentary short.More submersible than snorkel, our journey begins in the very dark of the deep, mystical harp trillsechoing through the inky blackness, picking up the bioluminescent shimmer of an Abraliopsis Squid.Gradually we make our way into the light, cruising past shoals of silver scales and underwater forests.‚Immersion’ offers a placid, percolating rhythm and billowing pads, providing sonic symmetry for thedancing leaves, while the spheric soundscape of ‘La Vie A L’Ombre’ bubbles away like an underwatervolcano. The optimistic ambience of ‘Plenitude Azotee’, brimming with delicate melody and glisteningsequences, perfectly captures the wide-eyed wonder of a reef dive, before drifting into the serenity of‘Parade’, an aquatic acquaintance of A.R.T. Wilson’s ‘Overworld’. A brief foray into shark fin funk seesout the A-side, before we’re back amid the beauty of the ocean floor; ‘Variation Abyssale II’ echoing thealbum opener but with even more poetry. The exotic and otherworldly sine waves of ‘Dans La Jungle DeVarech’ simultaneously sound like a rainforest canopy, alien landscape and coral microcosm, expandingour horizons nicely ahead of the adrenaline rush of ‘Hors D’Haleine’. Shelter then sets us at ease with thetidal tonality and subtle shuffle of ‘Fumeurs Noirs’, a sublime synthetic suite, then leaves us to marvel atthe soft focus splendour of ‘Synthii Outro’.This is Jules Verne by way of Vangelis, just grab your goggles and take the plunge…(words by Patrick Ryder)
More
Cat-No:iml010
Release-Date:18.01.2019
Genre:Space Disco/House
Configuration:Vinyl Album Excl
Barcode:4251648410485
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Last in:29.11.2018
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Last in:29.11.2018
Cat-No:iml010
Release-Date:18.01.2019
Genre:Space Disco/House
Configuration:Vinyl Album Excl
Barcode:4251648410485
Obscure Kraut record inspired by the black forest, cold lakes and the south-west wind. Recorded in two days in the countryside of Valley by Daniel Meuzard aka Feater and Franco Spenzini.
Downsized production for maximum spiritual release.
Tracklist :
A1 Eins
A2 Drei
A3 Vier
B1 Fu nf
B2 Sechs
B3 Sieben
More
Downsized production for maximum spiritual release.
Tracklist :
A1 Eins
A2 Drei
A3 Vier
B1 Fu nf
B2 Sechs
B3 Sieben
More
LP Excl
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Label:Editions Swellito
Cat-No:SWELLITO1
Release-Date:24.09.2021
Configuration:LP Excl
Barcode:3760300311363
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Last in:30.09.2021
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Last in:30.09.2021
Label:Editions Swellito
Cat-No:SWELLITO1
Release-Date:24.09.2021
Configuration:LP Excl
Barcode:3760300311363
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Edith Progue - A1. 4 A.M
2
Edith Progue - A2. 5 A.M.
3
Edith Progue - A3. 8A.M.
4
Edith Progue - A4. 10 P.M
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Edith Progue - A5. 12 P.M
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Edith Progue - B1. 2 P.M.
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Edith Progue - B2. 4 P.M.
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Edith Progue - B3. 6 P.M.
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Edith Progue - B4. 12 A.M.
LP
This magnificent project was born in 2006 on one of the most famous labels in the world Mille plateaux . It was in 2006 and just in CD. It was important that a vinyl version existed.
Genre: Ambient
Tracklist 12": Face A :
1. 4 A.M
2. 5 A.M.
3. 8A.M.
4. 10 P.M
5. 12 P.M
Face B :
1. 2 P.M.
2. 4 P.M.
3. 6 P.M.
4. 12 A.M.
Short Info:
This magnificent project was born in 2006 on one of the most famous labels in the world Mille plateaux . It was in 2006 and just in CD. It was important that a vinyl version existed.
Edith Progue is the project of Paris-based musician, Bernie Swell. After having formed izdatso as a gathering of musicians and visual artists in 1999, Bernie Swell has slowly but surely moved to a more minimal approach towards digital composing. Timeline consists of a chronological report of the different moods experienced by the composer over a 24-hour period of time spent in an apartment overlooking the dark waters of Canal St. Martin in Paris. The dreamy environment created by the melodic sound of an acoustic piano is only troubled by the intrusion of a few micro-electronic beats and sounds. The music was created as an attempt to reconcile the noisy environment that surrounds day-to-day modern urban life with the inner peace that can eventually be found through meditation. While listening to these pieces, you might leave the TV or radio on, or hear a cell phone's new message alert, a fridge sub-bass might rumble or, more simply, an opened window on a busy street would constructively mix with these hypnosonic soundscapes, revealing the hidden art behind any intruding noise/sound manifestation.
More
This magnificent project was born in 2006 on one of the most famous labels in the world Mille plateaux . It was in 2006 and just in CD. It was important that a vinyl version existed.
Genre: Ambient
Tracklist 12": Face A :
1. 4 A.M
2. 5 A.M.
3. 8A.M.
4. 10 P.M
5. 12 P.M
Face B :
1. 2 P.M.
2. 4 P.M.
3. 6 P.M.
4. 12 A.M.
Short Info:
This magnificent project was born in 2006 on one of the most famous labels in the world Mille plateaux . It was in 2006 and just in CD. It was important that a vinyl version existed.
Edith Progue is the project of Paris-based musician, Bernie Swell. After having formed izdatso as a gathering of musicians and visual artists in 1999, Bernie Swell has slowly but surely moved to a more minimal approach towards digital composing. Timeline consists of a chronological report of the different moods experienced by the composer over a 24-hour period of time spent in an apartment overlooking the dark waters of Canal St. Martin in Paris. The dreamy environment created by the melodic sound of an acoustic piano is only troubled by the intrusion of a few micro-electronic beats and sounds. The music was created as an attempt to reconcile the noisy environment that surrounds day-to-day modern urban life with the inner peace that can eventually be found through meditation. While listening to these pieces, you might leave the TV or radio on, or hear a cell phone's new message alert, a fridge sub-bass might rumble or, more simply, an opened window on a busy street would constructively mix with these hypnosonic soundscapes, revealing the hidden art behind any intruding noise/sound manifestation.
More
Label:Transatlantic
Cat-No:TAR019
Release-Date:17.11.2023
Genre:Electronic
Configuration:2LP
Barcode:
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Last in:17.10.2024
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Last in:17.10.2024
Label:Transatlantic
Cat-No:TAR019
Release-Date:17.11.2023
Genre:Electronic
Configuration:2LP
Barcode:
1
nthng - Unlimited ()
2
nthng - Infinity
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nthng - Memories
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nthng - Mad World
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nthng - Tryot
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nthng - Wordless Mass
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nthng - Stabilize
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nthng - Untitled
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nthng - There Is A Place For Me
Written & Produced by nthng
Designed by Maciej Przezak (MJWP3.com)
Mastered & Cut at Scape by Isabel and Stefan
Pressed at RAND Muzik
Published on Transatlantic More
Designed by Maciej Przezak (MJWP3.com)
Mastered & Cut at Scape by Isabel and Stefan
Pressed at RAND Muzik
Published on Transatlantic More
2LP
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Label:En Avant La Zizique !
Cat-No:EALZ3003
Release-Date:27.05.2022
Genre:World Music
Configuration:2LP
Barcode:
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Last in:27.09.2024
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Last in:27.09.2024
Label:En Avant La Zizique !
Cat-No:EALZ3003
Release-Date:27.05.2022
Genre:World Music
Configuration:2LP
Barcode:
1
Cleo Page - Googie Train
2
Cleo Page - Leaving Mississipi
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Cleo Page - Red Nigger
4
Cleo Page - I Got A Girl
5
Cleo Page - Wine
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Cleo Page - California Style
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Cleo Page - Roll Your Belly Slow
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Cleo Page - Boot Hill
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Cleo Page - Guitar Lullabye
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Cleo Page - California Prison Farm
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Cleo Page - A. Black Man (Too Tough To Die) Part. 1
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Cleo Page - B. Black Man (Too Tough To Die) Part. 2
EALZ! Records & brand new label A.D.S team up to pay tribute to the mysterious bluesman and producer : Cleo Page.
Born in Louisiana, this L.A.-based musician worked with the great Johnny Otis, hang out on Central Avenue’s clubs and possibly jammed with top West Coast bluesmen like Jessie Allen, Pete “guitar” Lewis, Jimmy Nolen, Lafayette Thomas.
Curley Page for some, Sly Williams for others, difficult to follow his career and in definitive, little is known about him despite his “big deal” recently approved by blues specialists : Cleo Page IS the man who wrote and recorded the original Boot Hill, a blues classic covered many times up until now.
Cleo Page who lived in California since 14 years-old has been crossing Blues, Rhythm & Blues and proto-Rock'n'Roll in a personal way. He will run his own labels in the heart of Watts just after the 1965 riots. Those tragic events deeply influenced his laid-back groovy sounds, powerful guitar playing, organ-driven garage Blues with strong political and social messages. Somewhere between the first electric recordings of Howlin' Wolf and… Black Diamond Heavies!
You're about to discover 12 rare tracks probably recorded between late ‘60s and early ‘70s. This brand new release includes the ultra-rare track "Black Man part. 1 & 2".
Material reissued here for the first time in an arty/artisanal trifold Vinyl LP and a bonus Vinyl 7inch
TRACKLIST LP
A1. Googie Train
A2. Leaving Mississipi
A3. Red Nigger
A4. I Got A Girl
A5. Wine
B1. California Style
B2. Roll Your Belly Slow
B3. Boot Hill
B4. Guitar Lullabye
B5. California Prison Farm
TRACKLIST 7"
A. Black Man (Too Tough To Die) Part. 1
B. Black Man (Too Tough To Die) Part. 2 More
Born in Louisiana, this L.A.-based musician worked with the great Johnny Otis, hang out on Central Avenue’s clubs and possibly jammed with top West Coast bluesmen like Jessie Allen, Pete “guitar” Lewis, Jimmy Nolen, Lafayette Thomas.
Curley Page for some, Sly Williams for others, difficult to follow his career and in definitive, little is known about him despite his “big deal” recently approved by blues specialists : Cleo Page IS the man who wrote and recorded the original Boot Hill, a blues classic covered many times up until now.
Cleo Page who lived in California since 14 years-old has been crossing Blues, Rhythm & Blues and proto-Rock'n'Roll in a personal way. He will run his own labels in the heart of Watts just after the 1965 riots. Those tragic events deeply influenced his laid-back groovy sounds, powerful guitar playing, organ-driven garage Blues with strong political and social messages. Somewhere between the first electric recordings of Howlin' Wolf and… Black Diamond Heavies!
You're about to discover 12 rare tracks probably recorded between late ‘60s and early ‘70s. This brand new release includes the ultra-rare track "Black Man part. 1 & 2".
Material reissued here for the first time in an arty/artisanal trifold Vinyl LP and a bonus Vinyl 7inch
TRACKLIST LP
A1. Googie Train
A2. Leaving Mississipi
A3. Red Nigger
A4. I Got A Girl
A5. Wine
B1. California Style
B2. Roll Your Belly Slow
B3. Boot Hill
B4. Guitar Lullabye
B5. California Prison Farm
TRACKLIST 7"
A. Black Man (Too Tough To Die) Part. 1
B. Black Man (Too Tough To Die) Part. 2 More
Label:Mechatronica
Cat-No:mtron036
Release-Date:25.04.2025
Genre:Electro
Configuration:12"
Barcode:
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Last in:25.01.2024
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Last in:25.01.2024
Label:Mechatronica
Cat-No:mtron036
Release-Date:25.04.2025
Genre:Electro
Configuration:12"
Barcode:
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Serge Geyzel - Ready?
2
Serge Geyzel - Things Happen
3
Serge Geyzel - Sag
4
Serge Geyzel - It's Gonna Get Stuck In Your Head
5
Serge Geyzel - Energy Status
6
Serge Geyzel - Sceptic
Repress
Tracklisting
A1 Serge Geyzel - Ready?
A2 Serge Geyzel - Things Happen
A3 Serge Geyzel - Sag
B1 Serge Geyzel - It's Gonna Get Stuck In Your Head
B2 Serge Geyzel - Energy Status
B3 Serge Geyzel - Sceptic
Sales Note
Serge Geyzel debuts on Mechatronica with a killer collection of hypnotic electro, twisted acid lines, futuristic breaks and gut-wrenching machinefunk. More
Tracklisting
A1 Serge Geyzel - Ready?
A2 Serge Geyzel - Things Happen
A3 Serge Geyzel - Sag
B1 Serge Geyzel - It's Gonna Get Stuck In Your Head
B2 Serge Geyzel - Energy Status
B3 Serge Geyzel - Sceptic
Sales Note
Serge Geyzel debuts on Mechatronica with a killer collection of hypnotic electro, twisted acid lines, futuristic breaks and gut-wrenching machinefunk. More