Born in Croydon, UK in 1960 and working in Switzerland for decades, Michal Turtle has led astoried career as a composer, arranger, technician and producer, consistently aligned with someof the most exciting bands and projects within the realms of pop and experimental music. A figureas masterful in the realm of expansive ambient recordings as advertising jingles, its only in recentyears that Michals solo productions have gained acclaim and a cult following that continues togrow ever wider. Turtle made a long-awaited return earlier in 2020 with the extended On a Canvas Lived a Baby, aone-sided twelve of new material released on Planisphere Editorial. Now, the Basel based labelinvites a diverse and international cross-section of electronic musicians to reinterpret the artistsback-catalogue, each delivering a thoughtful remix driven by the same sense of curiosity,exploration and genre-blurring that Turtle himself helped pioneer. Each track on the remixescollection was originally recorded between 1980 and 1985, in between Turtles regular tours withestablished bands. TRACK LISTING A1. Phantoms Of Dreamland (LH Mix) A2. Men In Green (Neue Grafik Rework) A3. End Of An Era (Felicia Atkinson Fennel And Moon Mix) B1. Our Man In (D.K. Remix) B2. Rainwater Fjit (Jimmy Edgar Remix) B3. Phil 5 (Lucrecia Dalt Remix) B4. Ball Of Fire (object blue version) C1. Maid Of The MIst (Nick H?ppner Remix) C2. Spookie Boogie (Luca Dur?n Remix) D1. El Teb (Mehmet Aslan Remix) D2. Are You Psychic (Parco Palaz Remix pt I) D3. Are You Psychic (Parco Palaz Remix pt II) D4. Maid Of The Mist (Oso Leone Rework)

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Following their release of the Michael Turtle 12” last year, Music From Memory now publish ‘Phantoms of Dreamland’; a compilation of works by the UK musician recorded between 1983-1985. This double LP features tracks drawn from the recording sessions for Turtle’s album ‘Music From The Living Room’ and also collects material Turtle recorded shortly after that, for an album which would never materialise. With three tracks taken from ‘Music From The Living Room’ and the rest of the compilation entirely made up of unreleased tracks, ‘Phantoms of Dreamland’ draws on an illustrious period for Michael. In 1982, at the age of only 22, Michael Turtle set up a portable four track studio in his family’s South London home, over-running his parents' front room with synthesizers, amps and instruments. Here he would create layered and deeply hypnotic tracks that were often built around live jams with musicians he would invite to his home. Although the music can appear to be sample based, all instruments were played live and any voices or sound effects were recorded directly to tape or from tiny cassette loops. Combining electronics with live percussion throughout, ‘Phantoms Of Dreamland’ reflects a deep sense of musical exploration and creates a uniquely other-worldly musical language of its own.

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For the second installment in their 12” series Music From Memory present two deeply forward thinking electronic tracks from British musician Michal Turtle made between 1983-4. The first track ‘Are you Psychic?’ is taken from Turtle’s obscure ‘Music From The Living Room’ album which Michal recorded literally in the living room of his family’s South London house at the young age of 22. Over-running his parents' front room with various synthesizers, amps and instruments, and setting up a portable four track studio the ‘Music From The Living Room’ tracks were built around live jams that took place alone or sometimes with musicians he would invite to play alongside him. Whilst seemingly sample based the instruments were played live and any voices or sound effects were actually recorded directly to tape, or put onto tiny 2.5 second cassette loops. ‘Astral Decoy’ was made in the year following the release of his only solo LP and forms part of a series of unreleased tracks that reflect a growing interest in combining electronics with more analogue elements such as Xylophone and live percussion. At the same time this track draws inspiration from the sound of electro and boogie which Michal had become greatly interested in at the time, and in particular the work of musicians such as Grandmaster Flash. With access to the archives of the many recordings made at his family home, this 12” serves as an introduction to a wider compilation of Michal Turtles works which is to follow on Music From Memory.

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Konduku returns to the nest for the fifth and final installment on his Nous'klaer Audio K-series. A diverse four tracker embodying Konduku's signature style of poly grooves and vibrant euphonies. A flow from dark to light that marks the end of this special series of releases.

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DJ Support: Laurent Garnier, Danny Krivit, Chrissy T, Mousse T, Lenny Fontana, Danism & Train, Mr V, Quentin Harris, Natasha Kitty Kat, Eric Kupper DJ Pope, Danism + Train, Saison, Sean McCabe

Physical Education make their debut on SoSure Music with the ‘Sweet Talk EP'. Now based in Barcelona and Prague, Physical Education is the brainchild of Luke Scheybeler and David Philips. The duo’s production alias is synonymous with a soulful, jazzy, sample-heavy sound, meticulously crafted at their studio in the Pyrenees mountains. With a musical history than spans almost thirty years, Physical Education are producing music with a strong focus on musicianship and hardware-based production. Title track ’Sweet Talk’ is a smooth and superbly produced slice of jazz-influenced deep house while ‘Work On That Soon’, ‘Oscar’ and ‘Dreamsville’ (a vinyl only exclusive) are also included here and fully compliment this release to complete a standout debut EP.

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Gator wrestlers power pack... Beware..!

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Re-issue of the killer Baseline 87' twelve which had previously came out as a limited release on Sushitech in late 2011.

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The Long awaited release of My Life With The Wave Vol 2 is here. Mike Huckaby is finally ready to take you on another journey of skillful sound programming using the legendary Waldorf Wave Synthesizer.

Yes, this is Volume 2 of My Life With The Wave. 4 tracks of strictly deep house music made entirely from the Wave. Enjoy another experience of music made exclusively with this synthesizer, The Waldorf Wave.

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A favourite of some of the biggest DJs out there, including the likes of Floating Points and Theo Parrish, Queen Yahna - Ain't It Time is a slice of P&P gold that’s been crying out for an official reissue.

Succulent soul-soaked vocals with that top shelf disco production that effortlessly marries peaking strings with glorious horns and a conga-led percussion section. Smiles for miles - this is feel-good business right here with the instrumental nestled on the flip.

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Originally released as a 12” single in 1982, ‘Every Brother Ain’t A Brother’ was the final record from Brooklyn multi-instrumentalist and producer Freddie Thompson’s Panaché band. Built around a fully cleared sampled bassline from ‘The Message’ by Grandmaster Flash & The Furious Five, ‘Every Brother Ain’t A Brother’ plays out like a summertime stroll through New York in the early 80s. The streets are full of excitement, but as the lyrics, written by vocalist Denise Williams (not to be confused with Deniece Williams of ‘Let’s Hear It For The Boy’ fame) make it clear, they’re dangerous as well.

Thirty-nine years later, Isle of Jura is proud to present the first official 12” reissue of ‘Every Brother Ain’t A Brother’. A cult classic from the disco-rap era, the reissue includes the original vocal and instrumental versions of ‘Every Brother Ain’t A Brother’ plus a Jura Soundsystem special version with additional live percussion.

Originally made up of Freddie, his wife, the singer Debra Thompson and keyboardist Douglas Glover, Panaché formed at the behest of a local disco DJ, Carl Nelson. In the wake of Chic’s early singles, Carl felt a French name would give Freddie a competitive edge. “He explained it to us that it was a French word for style and elegance. Panaché, a step above chic,” Freddie reflects.

Business minded, Freddie formed his own label, Roché Records and joined SIRMA - The Small Independent Music Manufacturers Association. “It was very hard for the independent manufacturers to get airplay and distribution at the time, so we all came together,” he remembers. Through SIRMA, Freddie met Joe and Sylvia Robinson from Sugar Hill Records, who several years later, let him sample ‘The Message’ for ‘Every Brother Ain’t A Brother’.

In 1979, Panaché scored some radioplay when they covered ‘Not On The Outside’ by ‘60s D.C R&B group The Moments. Emboldened, they brought onboard backing vocalists and recorded their only album. This Is Panache saw the band blurring the boundaries between soul, jazz-funk and disco and become a sought after collectible.

By 1982, Debra had stepped back, and one of Panaché’s backing singers was center stage, Denise Williams. “Denise was good with writing poetry,” says Freddie. "She had one called ‘Every Brother Ain’t A Brother’. It was about the unrest that was going on in the city at the time. I thought I could do something with that.”

After releasing ‘Every Brother Ain’t A Brother’ in 1982, Panaché quietly moved from center stage to behind the scenes. Over the last thirty-nine years, Freddie has continued to work in the music industry as a session musician and producer. “As soon as we stopped trying to become stars as Panaché, we became busy working in the industry,” Freddie laughs.

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The 80s Italo disco /proto-house classic ‘MBO Theme’ by the mighty Klein & MBO, repressed! Comes with a heavy South African version on the flip. Huge Tip! “The MBO Theme” (1983) has been a dance floor favorite since decades, created by Mario Boncaldo and Tony Carrasco - the legendary Italian/US duo Klein & MBO. The track got support in NYC and Chicago by greats as Larry Levan, Frankie Knuckles and Ron Hardy.
The rare version on the flip is created by a South-African band called Warrior. Rush Hour explain how they came across the track: “We bumped into this version on a South African record digging trip. It took us a few months to realize the scarcity of this version. Ian Osrin, a well respected engineer in South-Africa who was involved in many 80ties and 90ties Bubblegum, Kwaito and South African disco records, explained us about music distribution in South Africa during apartheid. Because the country was culturally banned at the time, a lot of releases weren’t imported or exported. Even when a track was huge, like “The Klein & MBO Theme”. So South African musicians would create their own versions which were sold locally.

We got in contact with Tony Carrasco from Klein & MBO. He also hadn’t heard Warrior’s version before, but he liked it as much as we do!”

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DELUXE HARD-CARDBOARD SLEEVE COVER + 180g VINYL + OBI

A rare album, “Fisher” was originally released on the Nentu label in 1976.

Think Grant Green meets Eddie Hazel.



This LP has it all: gorgeous Soul Jazz, wahed-out fuzz Rock, dirty, head-nodding Funk Rhythms.

It's a monster psychedelic soul-funk instrumental album. This is less jazzy than the “Third Cup” and “The Next One Hundred Years”, released by Chicago’s Cadet label and more cosmic psych funk across both sides and gets super exploratory and trippy.



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