1
SAMA - There's Not A Lot To Say
2
SAMA - Benefit The Masses
3
SAMA - Fragments Of Distrust
4
SAMA - Gentle Reminder
Tracklisting
A1 SAMA - There's Not A Lot To Say
A2 SAMA - Benefit The Masses
B1 SAMA - Fragments Of Distrust
B2 SAMA - Gentle Reminder
Sales Note
Nine months after the well received MXMN002, SAMA is back on his own imprint with his third release. 4 tracks, all centered around a general theme; each track consists of textural soundscapes and heavy growl-like sounds, but with vastly different flavours.
Whereas "There's Not A lot To Say" is the most subdued and atmospheric track, "Benefit The Masses" is the more in-yourface track, driven by a heavy broken-beat kick pattern. On the B-side, "Fragments Of Distrust" is a more tribal and groovy track, and to top it off "Gentle Reminder" is the most driving track, with a forward-pushing locked groove. Long story short: there should be a track in there for everyone's needs.
As with the first two releases, the artwork is painted by Argentinian artist Ric Santesteban.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 SAMA - There's Not A Lot To Say
A2 SAMA - Benefit The Masses
B1 SAMA - Fragments Of Distrust
B2 SAMA - Gentle Reminder
Sales Note
Nine months after the well received MXMN002, SAMA is back on his own imprint with his third release. 4 tracks, all centered around a general theme; each track consists of textural soundscapes and heavy growl-like sounds, but with vastly different flavours.
Whereas "There's Not A lot To Say" is the most subdued and atmospheric track, "Benefit The Masses" is the more in-yourface track, driven by a heavy broken-beat kick pattern. On the B-side, "Fragments Of Distrust" is a more tribal and groovy track, and to top it off "Gentle Reminder" is the most driving track, with a forward-pushing locked groove. Long story short: there should be a track in there for everyone's needs.
As with the first two releases, the artwork is painted by Argentinian artist Ric Santesteban.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from SAMA
1
SAMA - Phoneutria
2
SAMA - A Last Speck Of Light
3
SAMA - Silence Is For The Elite
4
SAMA - Tiger Mosquito
Tracklisting
A1 SAMA - Phoneutria
A2 SAMA - A Last Speck Of Light
B1 SAMA - Silence Is For The Elite
B2 SAMA - Tiger Mosquito
Sales Note
SAMA strikes down with his fifth techno outing on Maximalist_Minimalist since the opening of the label in 2022.
The title track 'Phoneutria' is one of SAMA's most favourite techno tracks, created from a desire to awaken people from their hypnosis in a set and to create a highlight, rather than trying to blend in. This semi broken-beat track is by far the most requested track in SAMA's recent sets, and has been turning heads since the summer of 2023, getting heavy early rotation from Rodhad and Rene Wise. Phoneutria is filled to the brim with details, percussion and a heavy roaring bass demanding attention.
Right after being struck by the opener track's wall of sound, the beatless 'A Last Speck Of Light' creates a soft, cozy space that invites the listener into a state of stillness. 'A Last Speck Of Light' doesn't try to take you anywhere, but is rather a moment suspended. A fragment of time that simply is, asking nothing but presence.
The B-side of MXMN005 is reserved for the more functional tracks, without losing the intricacies of SAMA's perfectionism. 'Silence Is For The Elite' is a modern track with crisp and fun jittery sounddesign, built around a heavy groove.
The last track of the EP, 'Tiger Mosquito', is the most forward-pushing of the four, with a very straight groove and dark, buzzing and almost aggravating textures and atmospherics, hence the name.
All in all, MXMN005 shows exactly why Maximalist_Minimalist earns its name. Tracks ranging from extremely minimalist and intimate to thunderous and filled to the brim with details. Music that doesn't take itself too serious, and music that absolutely, and proudly, does.
The artwork, as always, has been painted by Argentinian painter Julian 'Ric' Santesteban, showing a new colour palate for the first time in the MXMN series, accompanied by 5 eyes for the fifth and maybe most personal techno release to date for the label.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 SAMA - Phoneutria
A2 SAMA - A Last Speck Of Light
B1 SAMA - Silence Is For The Elite
B2 SAMA - Tiger Mosquito
Sales Note
SAMA strikes down with his fifth techno outing on Maximalist_Minimalist since the opening of the label in 2022.
The title track 'Phoneutria' is one of SAMA's most favourite techno tracks, created from a desire to awaken people from their hypnosis in a set and to create a highlight, rather than trying to blend in. This semi broken-beat track is by far the most requested track in SAMA's recent sets, and has been turning heads since the summer of 2023, getting heavy early rotation from Rodhad and Rene Wise. Phoneutria is filled to the brim with details, percussion and a heavy roaring bass demanding attention.
Right after being struck by the opener track's wall of sound, the beatless 'A Last Speck Of Light' creates a soft, cozy space that invites the listener into a state of stillness. 'A Last Speck Of Light' doesn't try to take you anywhere, but is rather a moment suspended. A fragment of time that simply is, asking nothing but presence.
The B-side of MXMN005 is reserved for the more functional tracks, without losing the intricacies of SAMA's perfectionism. 'Silence Is For The Elite' is a modern track with crisp and fun jittery sounddesign, built around a heavy groove.
The last track of the EP, 'Tiger Mosquito', is the most forward-pushing of the four, with a very straight groove and dark, buzzing and almost aggravating textures and atmospherics, hence the name.
All in all, MXMN005 shows exactly why Maximalist_Minimalist earns its name. Tracks ranging from extremely minimalist and intimate to thunderous and filled to the brim with details. Music that doesn't take itself too serious, and music that absolutely, and proudly, does.
The artwork, as always, has been painted by Argentinian painter Julian 'Ric' Santesteban, showing a new colour palate for the first time in the MXMN series, accompanied by 5 eyes for the fifth and maybe most personal techno release to date for the label.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
SAMA - Onyankopon
2
SAMA - I Reject What I Just Said
3
SAMA - One Small Mistake
4
SAMA - And All Of A Sudden, I Was Free
Tracklisting
A1 SAMA - Onyankopon
A2 SAMA - I Reject What I Just Said
B1 SAMA - One Small Mistake
B2 SAMA - And All Of A Sudden, I Was Free
Sales Note
Previously releasing tracks and EPs on several respected big room labels such as Drumcode, Kraftek and Noir, Dutch DJ/producer SAMA announces the arrival of his new darker, grittier label Maximalist_Minimalist. Showcasing his new sound, the Utrecht- based DJ/producer delivers four hard-hitting, groove-led techno tracks built with intricate sound design and a perfectionist mindset.
Leading the release is 'Onyankopon', a dark and dubby number with a chunky groove and gritty percussion. 'I Reject What I Just Said' enters harder and more driving territories, with textured sound design meeting polyrhythmic synth stabs and eerie atmospheres. The B-side starts with the trippy leads and atonal pads of 'One Small Mistake', before 'And All Of A Sudden, I Was Free' closes out the release with a driving roller.
"I've felt the need to reinvent myself, to really create my own identity, and not attach myself too much to other labels anymore. For this reason, I ultimately set up this imprint: to provoke myself to become the artist that I so much adore and aspire to be. That's why this brand will serve as an extension of myself; my creative identity, if you will." - SAMA
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 SAMA - Onyankopon
A2 SAMA - I Reject What I Just Said
B1 SAMA - One Small Mistake
B2 SAMA - And All Of A Sudden, I Was Free
Sales Note
Previously releasing tracks and EPs on several respected big room labels such as Drumcode, Kraftek and Noir, Dutch DJ/producer SAMA announces the arrival of his new darker, grittier label Maximalist_Minimalist. Showcasing his new sound, the Utrecht- based DJ/producer delivers four hard-hitting, groove-led techno tracks built with intricate sound design and a perfectionist mindset.
Leading the release is 'Onyankopon', a dark and dubby number with a chunky groove and gritty percussion. 'I Reject What I Just Said' enters harder and more driving territories, with textured sound design meeting polyrhythmic synth stabs and eerie atmospheres. The B-side starts with the trippy leads and atonal pads of 'One Small Mistake', before 'And All Of A Sudden, I Was Free' closes out the release with a driving roller.
"I've felt the need to reinvent myself, to really create my own identity, and not attach myself too much to other labels anymore. For this reason, I ultimately set up this imprint: to provoke myself to become the artist that I so much adore and aspire to be. That's why this brand will serve as an extension of myself; my creative identity, if you will." - SAMA
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
SAMA - End All
2
SAMA - Kill The Heat
3
SAMA - Forced To Revolt
4
SAMA - Tripping Over Wires
Tracklisting:
A1 SAMA - End All
A2 SAMA - Kill The Heat
B1 SAMA - Forced To Revolt
B2 SAMA - Tripping Over Wires
Sales Note
Half a year after the Dutch DJ/producer's debut release on his new Maximalist_Minimalist imprint, SAMA makes his return with MXMN002. Cementin the venture into his new, gritty sound, the release sees his pitch-perfect production moulded into another set of four hard-hitting, club-ready techno tracks.
Leading the release, 'End All' combines gritty shakers, hard kicks, and synth stabs for an eerie, atmospheric lead track. 'Kill The Heat' follows with dark arpeggiators over modulating rhythms and robust drums. On the flip, 'Forced To Revolt' kicks off the B-side with an intense vibe, placing the focus on evolving and interweaving synthesis, before 'Tripping Over Wires' closes the release with its groovy percussion and trippy melodic sensibilities.
Artwork by Ric Santesteban.
"Meeting points,
the end is the beginning.
Echoes of a conversation
where revelation promises revolution.
My feet in the future
mark the direction of my movement,
and my mind in the present
turns illusion into experience.
I let go, I trust
and flow with the sound
of my silence."
- Ricardo Julian Santesteban
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 SAMA - End All
A2 SAMA - Kill The Heat
B1 SAMA - Forced To Revolt
B2 SAMA - Tripping Over Wires
Sales Note
Half a year after the Dutch DJ/producer's debut release on his new Maximalist_Minimalist imprint, SAMA makes his return with MXMN002. Cementin the venture into his new, gritty sound, the release sees his pitch-perfect production moulded into another set of four hard-hitting, club-ready techno tracks.
Leading the release, 'End All' combines gritty shakers, hard kicks, and synth stabs for an eerie, atmospheric lead track. 'Kill The Heat' follows with dark arpeggiators over modulating rhythms and robust drums. On the flip, 'Forced To Revolt' kicks off the B-side with an intense vibe, placing the focus on evolving and interweaving synthesis, before 'Tripping Over Wires' closes the release with its groovy percussion and trippy melodic sensibilities.
Artwork by Ric Santesteban.
"Meeting points,
the end is the beginning.
Echoes of a conversation
where revelation promises revolution.
My feet in the future
mark the direction of my movement,
and my mind in the present
turns illusion into experience.
I let go, I trust
and flow with the sound
of my silence."
- Ricardo Julian Santesteban
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Maximalist_Minimalist
1
SAMA - Phoneutria
2
SAMA - A Last Speck Of Light
3
SAMA - Silence Is For The Elite
4
SAMA - Tiger Mosquito
Tracklisting
A1 SAMA - Phoneutria
A2 SAMA - A Last Speck Of Light
B1 SAMA - Silence Is For The Elite
B2 SAMA - Tiger Mosquito
Sales Note
SAMA strikes down with his fifth techno outing on Maximalist_Minimalist since the opening of the label in 2022.
The title track 'Phoneutria' is one of SAMA's most favourite techno tracks, created from a desire to awaken people from their hypnosis in a set and to create a highlight, rather than trying to blend in. This semi broken-beat track is by far the most requested track in SAMA's recent sets, and has been turning heads since the summer of 2023, getting heavy early rotation from Rodhad and Rene Wise. Phoneutria is filled to the brim with details, percussion and a heavy roaring bass demanding attention.
Right after being struck by the opener track's wall of sound, the beatless 'A Last Speck Of Light' creates a soft, cozy space that invites the listener into a state of stillness. 'A Last Speck Of Light' doesn't try to take you anywhere, but is rather a moment suspended. A fragment of time that simply is, asking nothing but presence.
The B-side of MXMN005 is reserved for the more functional tracks, without losing the intricacies of SAMA's perfectionism. 'Silence Is For The Elite' is a modern track with crisp and fun jittery sounddesign, built around a heavy groove.
The last track of the EP, 'Tiger Mosquito', is the most forward-pushing of the four, with a very straight groove and dark, buzzing and almost aggravating textures and atmospherics, hence the name.
All in all, MXMN005 shows exactly why Maximalist_Minimalist earns its name. Tracks ranging from extremely minimalist and intimate to thunderous and filled to the brim with details. Music that doesn't take itself too serious, and music that absolutely, and proudly, does.
The artwork, as always, has been painted by Argentinian painter Julian 'Ric' Santesteban, showing a new colour palate for the first time in the MXMN series, accompanied by 5 eyes for the fifth and maybe most personal techno release to date for the label.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 SAMA - Phoneutria
A2 SAMA - A Last Speck Of Light
B1 SAMA - Silence Is For The Elite
B2 SAMA - Tiger Mosquito
Sales Note
SAMA strikes down with his fifth techno outing on Maximalist_Minimalist since the opening of the label in 2022.
The title track 'Phoneutria' is one of SAMA's most favourite techno tracks, created from a desire to awaken people from their hypnosis in a set and to create a highlight, rather than trying to blend in. This semi broken-beat track is by far the most requested track in SAMA's recent sets, and has been turning heads since the summer of 2023, getting heavy early rotation from Rodhad and Rene Wise. Phoneutria is filled to the brim with details, percussion and a heavy roaring bass demanding attention.
Right after being struck by the opener track's wall of sound, the beatless 'A Last Speck Of Light' creates a soft, cozy space that invites the listener into a state of stillness. 'A Last Speck Of Light' doesn't try to take you anywhere, but is rather a moment suspended. A fragment of time that simply is, asking nothing but presence.
The B-side of MXMN005 is reserved for the more functional tracks, without losing the intricacies of SAMA's perfectionism. 'Silence Is For The Elite' is a modern track with crisp and fun jittery sounddesign, built around a heavy groove.
The last track of the EP, 'Tiger Mosquito', is the most forward-pushing of the four, with a very straight groove and dark, buzzing and almost aggravating textures and atmospherics, hence the name.
All in all, MXMN005 shows exactly why Maximalist_Minimalist earns its name. Tracks ranging from extremely minimalist and intimate to thunderous and filled to the brim with details. Music that doesn't take itself too serious, and music that absolutely, and proudly, does.
The artwork, as always, has been painted by Argentinian painter Julian 'Ric' Santesteban, showing a new colour palate for the first time in the MXMN series, accompanied by 5 eyes for the fifth and maybe most personal techno release to date for the label.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
SAMA - Onyankopon
2
SAMA - I Reject What I Just Said
3
SAMA - One Small Mistake
4
SAMA - And All Of A Sudden, I Was Free
Tracklisting
A1 SAMA - Onyankopon
A2 SAMA - I Reject What I Just Said
B1 SAMA - One Small Mistake
B2 SAMA - And All Of A Sudden, I Was Free
Sales Note
Previously releasing tracks and EPs on several respected big room labels such as Drumcode, Kraftek and Noir, Dutch DJ/producer SAMA announces the arrival of his new darker, grittier label Maximalist_Minimalist. Showcasing his new sound, the Utrecht- based DJ/producer delivers four hard-hitting, groove-led techno tracks built with intricate sound design and a perfectionist mindset.
Leading the release is 'Onyankopon', a dark and dubby number with a chunky groove and gritty percussion. 'I Reject What I Just Said' enters harder and more driving territories, with textured sound design meeting polyrhythmic synth stabs and eerie atmospheres. The B-side starts with the trippy leads and atonal pads of 'One Small Mistake', before 'And All Of A Sudden, I Was Free' closes out the release with a driving roller.
"I've felt the need to reinvent myself, to really create my own identity, and not attach myself too much to other labels anymore. For this reason, I ultimately set up this imprint: to provoke myself to become the artist that I so much adore and aspire to be. That's why this brand will serve as an extension of myself; my creative identity, if you will." - SAMA
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 SAMA - Onyankopon
A2 SAMA - I Reject What I Just Said
B1 SAMA - One Small Mistake
B2 SAMA - And All Of A Sudden, I Was Free
Sales Note
Previously releasing tracks and EPs on several respected big room labels such as Drumcode, Kraftek and Noir, Dutch DJ/producer SAMA announces the arrival of his new darker, grittier label Maximalist_Minimalist. Showcasing his new sound, the Utrecht- based DJ/producer delivers four hard-hitting, groove-led techno tracks built with intricate sound design and a perfectionist mindset.
Leading the release is 'Onyankopon', a dark and dubby number with a chunky groove and gritty percussion. 'I Reject What I Just Said' enters harder and more driving territories, with textured sound design meeting polyrhythmic synth stabs and eerie atmospheres. The B-side starts with the trippy leads and atonal pads of 'One Small Mistake', before 'And All Of A Sudden, I Was Free' closes out the release with a driving roller.
"I've felt the need to reinvent myself, to really create my own identity, and not attach myself too much to other labels anymore. For this reason, I ultimately set up this imprint: to provoke myself to become the artist that I so much adore and aspire to be. That's why this brand will serve as an extension of myself; my creative identity, if you will." - SAMA
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
SAMA - End All
2
SAMA - Kill The Heat
3
SAMA - Forced To Revolt
4
SAMA - Tripping Over Wires
Tracklisting:
A1 SAMA - End All
A2 SAMA - Kill The Heat
B1 SAMA - Forced To Revolt
B2 SAMA - Tripping Over Wires
Sales Note
Half a year after the Dutch DJ/producer's debut release on his new Maximalist_Minimalist imprint, SAMA makes his return with MXMN002. Cementin the venture into his new, gritty sound, the release sees his pitch-perfect production moulded into another set of four hard-hitting, club-ready techno tracks.
Leading the release, 'End All' combines gritty shakers, hard kicks, and synth stabs for an eerie, atmospheric lead track. 'Kill The Heat' follows with dark arpeggiators over modulating rhythms and robust drums. On the flip, 'Forced To Revolt' kicks off the B-side with an intense vibe, placing the focus on evolving and interweaving synthesis, before 'Tripping Over Wires' closes the release with its groovy percussion and trippy melodic sensibilities.
Artwork by Ric Santesteban.
"Meeting points,
the end is the beginning.
Echoes of a conversation
where revelation promises revolution.
My feet in the future
mark the direction of my movement,
and my mind in the present
turns illusion into experience.
I let go, I trust
and flow with the sound
of my silence."
- Ricardo Julian Santesteban
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 SAMA - End All
A2 SAMA - Kill The Heat
B1 SAMA - Forced To Revolt
B2 SAMA - Tripping Over Wires
Sales Note
Half a year after the Dutch DJ/producer's debut release on his new Maximalist_Minimalist imprint, SAMA makes his return with MXMN002. Cementin the venture into his new, gritty sound, the release sees his pitch-perfect production moulded into another set of four hard-hitting, club-ready techno tracks.
Leading the release, 'End All' combines gritty shakers, hard kicks, and synth stabs for an eerie, atmospheric lead track. 'Kill The Heat' follows with dark arpeggiators over modulating rhythms and robust drums. On the flip, 'Forced To Revolt' kicks off the B-side with an intense vibe, placing the focus on evolving and interweaving synthesis, before 'Tripping Over Wires' closes the release with its groovy percussion and trippy melodic sensibilities.
Artwork by Ric Santesteban.
"Meeting points,
the end is the beginning.
Echoes of a conversation
where revelation promises revolution.
My feet in the future
mark the direction of my movement,
and my mind in the present
turns illusion into experience.
I let go, I trust
and flow with the sound
of my silence."
- Ricardo Julian Santesteban
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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A2. Glory Night Tool
B1. Just Chill
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Info:
Butch’s unmistakable music has always worn the influence of disco proudly on its sleeve. Both his mega-hit No Worries and his first contribution to the Running Back catalogue, Desire, are essentially modern-day disco records. The same goes for his return to the label with Glory Night—perhaps even more so, thanks to its vintage engineering and authentic aural treatment. Equipped with the genre’s signature sounds and arranged like a lost disco edit from the late ’70s, Butch applies the lotions and potions that today’s dancers demand, creating one of those peak-time sensations that make him unique—complete with confetti, a firecracker breakdown on top, and an extra rhythm section bonus tool included. Just Chill and Just Fly continue that narrative. While the first appeals to fans of R&B or funk samples (though no recordings were harmed in the process), it is catchy as hell and creates an inescapable maelstrom. The second, meanwhile, draws on the principles of deep house and exercises itself in contemplation. Be that as it may, here are a couple of tracks that work on almost any floor and at any time. Or, to quote Giorgio Moroder: “Disco is music for dancing, and people will always want to dance.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Glory Night
A2. Glory Night Tool
B1. Just Chill
B2. Just Fly
Info:
Butch’s unmistakable music has always worn the influence of disco proudly on its sleeve. Both his mega-hit No Worries and his first contribution to the Running Back catalogue, Desire, are essentially modern-day disco records. The same goes for his return to the label with Glory Night—perhaps even more so, thanks to its vintage engineering and authentic aural treatment. Equipped with the genre’s signature sounds and arranged like a lost disco edit from the late ’70s, Butch applies the lotions and potions that today’s dancers demand, creating one of those peak-time sensations that make him unique—complete with confetti, a firecracker breakdown on top, and an extra rhythm section bonus tool included. Just Chill and Just Fly continue that narrative. While the first appeals to fans of R&B or funk samples (though no recordings were harmed in the process), it is catchy as hell and creates an inescapable maelstrom. The second, meanwhile, draws on the principles of deep house and exercises itself in contemplation. Be that as it may, here are a couple of tracks that work on almost any floor and at any time. Or, to quote Giorgio Moroder: “Disco is music for dancing, and people will always want to dance.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Genre: Techno
Tracklist 12":
A1 Antic Soul – Coral
A2 Antic Soul – Frostbite
B1 Antic Soul – Clay
B2 Antic Soul - Obsidian
Short Info: High effective big room optimized Dub Techno workouts
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12":
A1 Antic Soul – Coral
A2 Antic Soul – Frostbite
B1 Antic Soul – Clay
B2 Antic Soul - Obsidian
Short Info: High effective big room optimized Dub Techno workouts
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Collectors Edition - Transparent Vinyl!
Synaptic marks the second album of SIT on Sushitech, the latest visionary project from Cristi Cons and Vlad Caia. A true meeting of minds, the album was born from deep friendships and inspired studio collaborations.
Crafted through extended, boundary pushing sessions, Synaptic brings together a stellar cast of like minded artists, Silverlining, O.Bee, Jay Tripwire, Jamie Leather, DeWalta, Sublee, Cezar, Joe Rolet, Lawrence, Christopher Ledger and Mischa Blanos.
A powerful and immersive listening experience, it's an intricate blend of textures, moods and rhythms that captures the collective energy of some of the scene's most innovative producers, specially released as part of the label's 20th anniversary.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Synaptic marks the second album of SIT on Sushitech, the latest visionary project from Cristi Cons and Vlad Caia. A true meeting of minds, the album was born from deep friendships and inspired studio collaborations.
Crafted through extended, boundary pushing sessions, Synaptic brings together a stellar cast of like minded artists, Silverlining, O.Bee, Jay Tripwire, Jamie Leather, DeWalta, Sublee, Cezar, Joe Rolet, Lawrence, Christopher Ledger and Mischa Blanos.
A powerful and immersive listening experience, it's an intricate blend of textures, moods and rhythms that captures the collective energy of some of the scene's most innovative producers, specially released as part of the label's 20th anniversary.
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1
Session Victim - A1 - Behind The Glass (Jimpster Remix)
2
Session Victim - A2 - Make It Happen /w Nebraska
3
Session Victim - B1 - Too Soft To Be Loud /w Viken Arman
4
Session Victim - B2 - Hubcap Candy /w Nebraska
5
Session Victim - B3 - Behind The Glass
Berlin-Hamburg duo Session Victim return to the ever-reliable Delusions Of Grandeur imprint
with Chapter Two of their Sidequests trilogy, marking yet another high point in their almost
twenty year journey through heartfelt, sample-rich music. Overflowing with analog warmth, sundrenched textures and irresistible grooves, the release also features a stellar remix from label cofounder and deep house pioneer Jimpster who kicks off the EP.
Here he takes Behind The Glass into spaced out house-not-house territory. With crisp drum
programming, trademark Rhodes, and subtle pads that build over time, his version delivers that
late-night sophistication he's known for—steering the downtempo original in a clubbier direction
without losing its blissed-out essence.
Up next we have a brand new collaborative effort with long time friend, label mate and fellow
sample nerd Nebraska. Make It Happen is a dusty, slo-mo house groove featuring delicate
keys, euphoric strings and that unmistakable sense of journey. It’s just the kind of low-slung epic
house they do best—intimate yet club-ready, nostalgic but never retro.
Flipping over, Too Soft To Be Loud, another collaboration with Viken Arman, follows with a
jazzy, almost samba-esque rhythm and swirling atmospherics. Loose percussion, catchy guitar
riffs and Rhodes stabs collide with off-kilter dub FX and soft vocal snippets giving the track a
laid-back, live-band feel that harks back to their See You When You Get There era.
Hubcap Candy dives deep into funk territory. Nebraska’s on point boogie bassline drives the
track forward as crunchy drums and layers of synths create a dreamlike haze. It’s loopy, moody,
and finds Session Victim at their very best.
Closing out the EP we have the original of Behind The Glass, a headsy, beatdown piece that
slowly unfolds over an unconventional brass-like bassline and delicate guitar textures, paying
homage to the golden age of Trip Hop haziness and it’s pioneer turntable spirit.
Blending crate-digging sensibilities with forward-thinking production, this latest release solidifies
Session Victim’s reputation as genre-blurring tastemakers, and their chemistry with Delusions Of
Grandeur remains as strong as ever
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with Chapter Two of their Sidequests trilogy, marking yet another high point in their almost
twenty year journey through heartfelt, sample-rich music. Overflowing with analog warmth, sundrenched textures and irresistible grooves, the release also features a stellar remix from label cofounder and deep house pioneer Jimpster who kicks off the EP.
Here he takes Behind The Glass into spaced out house-not-house territory. With crisp drum
programming, trademark Rhodes, and subtle pads that build over time, his version delivers that
late-night sophistication he's known for—steering the downtempo original in a clubbier direction
without losing its blissed-out essence.
Up next we have a brand new collaborative effort with long time friend, label mate and fellow
sample nerd Nebraska. Make It Happen is a dusty, slo-mo house groove featuring delicate
keys, euphoric strings and that unmistakable sense of journey. It’s just the kind of low-slung epic
house they do best—intimate yet club-ready, nostalgic but never retro.
Flipping over, Too Soft To Be Loud, another collaboration with Viken Arman, follows with a
jazzy, almost samba-esque rhythm and swirling atmospherics. Loose percussion, catchy guitar
riffs and Rhodes stabs collide with off-kilter dub FX and soft vocal snippets giving the track a
laid-back, live-band feel that harks back to their See You When You Get There era.
Hubcap Candy dives deep into funk territory. Nebraska’s on point boogie bassline drives the
track forward as crunchy drums and layers of synths create a dreamlike haze. It’s loopy, moody,
and finds Session Victim at their very best.
Closing out the EP we have the original of Behind The Glass, a headsy, beatdown piece that
slowly unfolds over an unconventional brass-like bassline and delicate guitar textures, paying
homage to the golden age of Trip Hop haziness and it’s pioneer turntable spirit.
Blending crate-digging sensibilities with forward-thinking production, this latest release solidifies
Session Victim’s reputation as genre-blurring tastemakers, and their chemistry with Delusions Of
Grandeur remains as strong as ever
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1
Oliver Dollar & Seven Davis Jr. - - Speaker's Bleed
2
Oliver Dollar & Nils Ohrmann - - The New Is Here ft. APROPOS (Hallelujah Dub)
3
Oliver Dollar & Brillstein - - Pill Popper (La Boix Dubb)
4
Oliver Dollar & ADMN - - Before You ft. APROPOS (Sev's Joyful Dub)
Oliver Dollar presents part four of his Contemporary series on Rekids. The EP precedes his upcoming album on the label, enlisting Seven ‘Sev’ Davis Jr. and Nils Ohrmann, alongside dub reinterpretations by La Boix and Sev. Germany’s Oliver Dollar returns to Radio Slave’s Rekids with Contemporary Part Four, Parts one through three featured collaborations with Austin Ato, Brillstein, Harvard Bass, Hazmat Live, Boogs, and many more, winning support from the likes of Nightmares on Wax, Anja Schneider, Laurent Garnier, Carista, Jennifer Cardini, Dam Swindle, and others. For this next chapter of Oliver Dollar’s ‘Contemporary’, elements of Dub serve as the unifying thread, opening part four with ‘Speakers Bleed’, a jazz-in?ected House cut from Oliver and Classic Music Company and Ninja Tune artist Seven ‘Sev’ Davis Jr. Hypnotic vocals swirl through deep, groove-laden rhythms, setting the tone for the EP’s ?uid, atmospheric feel before Oliver reunites with Golden Gate club resident and long-time collaborator Nils Ohrmann for the Hallelujah Dub of ‘The New Is Here’. The track features the soulful voice of Detroit songwriter and Contemporary series regular APROPOS while gospel-tinged background vocals and rich textures sit over an infectious percussive rhythm. On the ?ip, Oliver Dollar & Brillstein’s ‘Pill Popper’ from Contemporary Part Two is reworked by La Boix, the duo of LA”s Thee Mike B (aka Brillstein) and producer Salva, whose credits include work with RL Grime, Kurupt, E-40, and the Grammy-nominated album of ScHoolboy Q, as well as remixes for Rihanna, Boys Noize and Nelly Furtado. Their version is a late-night, low-slung trip, with echoing keys and vocals drifting through deep basslines. Closing the EP, Seven Davis Jr. returns for a dub of ‘Before You’, Oliver’s collaboration with ADMN from Contemporary Part One. Retaining APROPOS’ heartfelt vocal from the original, Sev layers bright, soul-drenched synths over rolling drums, delivering an irresistible, feel-good ?nale.
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1
Martha Pinel - Espirito de Estado
2
Martha Pinel - Assim (w/ Gabto)
3
Martha Pinel - Uber Moto
4
Martha Pinel - Uber Moto (Lipelis Remix)
Tracklist 12":
A1) Espirito de Estado
A2) Assim (w/ Gabto)
B1) Uber Moto
B2) Uber Moto (Lipelis Remix)
A new Toy Tonics artist! Brazilian DJ, vinyl collector, party promoter, and style aficionado Martha Pinel has joined the Toy Tonics family.
Originally from Rio de Janeiro, where she is a well-established DJ and a prominent figure in the lifestyle scene, Martha also resides in Berlin, where she became friends with the Toy Tonics crew.
She is the creator of Assembleia, a celebrated party in Rio de Janeiro known for its laid-back and unpretentious atmosphere. Assembleia has also become a Carnival sensation, hosting unforgettable annual editions that are now a highlight of the season. In Brazil, she is also known as the co-founder of the Croma project, where fashion and music merged to revolutionize Rio de Janeiro's alternative scene. She has been featured on the cover of GQ Brazil, which named her one of the "13 artists giving voice to the generation that is changing the world."
Martha has been DJing worldwide at festivals such as KALA Festival, Paris Fashion Week, DGTL, and Boiler Room. She has made a name for herself in the diggers scene, sharing the stage with DJs such as Hunee, Antal, Yusu, Sam Ruffillo, Prins Thomas, and many others.
Martha is passionate about discovering music daily and crafts dynamic, non-linear sets that play with the audience's emotions. Known for her bold approach, her sets are always powerful and brimming with personality. They seamlessly blend ethnic musical influences with cutting-edge productions from Brazil and beyond, incorporating African and Middle Eastern sounds, space disco, Italo disco, Balearic beats, house, and its subgenres.
Martha Pinel's debut EP, Real Rio, was born during a moment of rediscovery in her hometown, Rio de Janeiro, after spending a long time abroad. This project is a celebration of that reconnection, capturing the city's most authentic and visceral aspects-a place where beauty and chaos coexist, with dramatic highs and lows.
In the track "Uber Moto," Martha reflects on the urban phenomenon of app-based motorcycles, which have become a symbol of the city.
"Espírito de Estado," on the other hand, is a track that embodies the spirit of the Carioca Carnival, the greatest party in the world.
Finally, "Assim" offers a personal reinterpretation of Marcos Valle's classic Estrelar. In this track, Martha and Gabto leave their mark on this Brazilian music icon, reflecting on the concept of Body Culture-it's often said that it's impossible to walk along Ipanema Beach without noticing the Carioca cult of the body.
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A1) Espirito de Estado
A2) Assim (w/ Gabto)
B1) Uber Moto
B2) Uber Moto (Lipelis Remix)
A new Toy Tonics artist! Brazilian DJ, vinyl collector, party promoter, and style aficionado Martha Pinel has joined the Toy Tonics family.
Originally from Rio de Janeiro, where she is a well-established DJ and a prominent figure in the lifestyle scene, Martha also resides in Berlin, where she became friends with the Toy Tonics crew.
She is the creator of Assembleia, a celebrated party in Rio de Janeiro known for its laid-back and unpretentious atmosphere. Assembleia has also become a Carnival sensation, hosting unforgettable annual editions that are now a highlight of the season. In Brazil, she is also known as the co-founder of the Croma project, where fashion and music merged to revolutionize Rio de Janeiro's alternative scene. She has been featured on the cover of GQ Brazil, which named her one of the "13 artists giving voice to the generation that is changing the world."
Martha has been DJing worldwide at festivals such as KALA Festival, Paris Fashion Week, DGTL, and Boiler Room. She has made a name for herself in the diggers scene, sharing the stage with DJs such as Hunee, Antal, Yusu, Sam Ruffillo, Prins Thomas, and many others.
Martha is passionate about discovering music daily and crafts dynamic, non-linear sets that play with the audience's emotions. Known for her bold approach, her sets are always powerful and brimming with personality. They seamlessly blend ethnic musical influences with cutting-edge productions from Brazil and beyond, incorporating African and Middle Eastern sounds, space disco, Italo disco, Balearic beats, house, and its subgenres.
Martha Pinel's debut EP, Real Rio, was born during a moment of rediscovery in her hometown, Rio de Janeiro, after spending a long time abroad. This project is a celebration of that reconnection, capturing the city's most authentic and visceral aspects-a place where beauty and chaos coexist, with dramatic highs and lows.
In the track "Uber Moto," Martha reflects on the urban phenomenon of app-based motorcycles, which have become a symbol of the city.
"Espírito de Estado," on the other hand, is a track that embodies the spirit of the Carioca Carnival, the greatest party in the world.
Finally, "Assim" offers a personal reinterpretation of Marcos Valle's classic Estrelar. In this track, Martha and Gabto leave their mark on this Brazilian music icon, reflecting on the concept of Body Culture-it's often said that it's impossible to walk along Ipanema Beach without noticing the Carioca cult of the body.
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Germany
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1
Rick Wade - So Juicy
2
Rick Wade - Midnight Hustler
3
Rick Wade - Turn Out
4
Rick Wade - Lonely Symphony
Rick Wade on Norm Talley's Upstairs Asylum are words that will excite any true school house heads. Wade is a production machine who turns out always no-frills, trusty and tracky grooves of the sort that are always essential for building a vibe in a set, and Talley's a fellow Detroit head who has long been helping to shape the house sound. 'So Juicy' begins with a flourish, lavish strings and chunky drums that slide along nicely. 'Midnight Hustler' sinks into a slightly more steamy and deep sound with hints of 60s US soul and funky licks, 'Turn Out' is a more traditional deep house roller with a comic vibe and 'Lonely Symphony' brings some cinematic string drama to a breezy blend of house beats.
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1
SIT - Horizons
2
SIT - Passes Feat. Silverlining
3
SIT - Placebo Feat. O.Bee
4
SIT - The Tunnel Feat. Jay Tripwire
5
SIT - Wag Feat. Jamie Leather
6
SIT - In Our Minds Feat. Dewalta
7
SIT - Multiplex Feat. Sublee
8
SIT - Convergence Feat. Cezar
9
SIT - Athletic Club Feat. Joe Rolet
10
SIT - Skywalking Feat. Lawrence
11
SIT - From A Distance Feat. Christohper Ledger
12
SIT - Last Dance Feat. Mischa Blanos
Synaptic marks the second album of SIT on Sushitech, the latest visionary project from Cristi Cons and Vlad Caia. A true meeting of minds, the album was born from deep friendships and inspired studio collaborations.
Crafted through extended, boundary pushing sessions, Synaptic brings together a stellar cast of like minded artists, Silverlining, O.Bee, Jay Tripwire, Jamie Leather, DeWalta, Sublee, Cezar, Joe Rolet, Lawrence, Christopher Ledger and Mischa Blanos.
A powerful and immersive listening experience, it's an intricate blend of textures, moods and rhythms that captures the collective energy of some of the scene's most innovative producers, specially released as part of the label's 20th anniversary.
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Crafted through extended, boundary pushing sessions, Synaptic brings together a stellar cast of like minded artists, Silverlining, O.Bee, Jay Tripwire, Jamie Leather, DeWalta, Sublee, Cezar, Joe Rolet, Lawrence, Christopher Ledger and Mischa Blanos.
A powerful and immersive listening experience, it's an intricate blend of textures, moods and rhythms that captures the collective energy of some of the scene's most innovative producers, specially released as part of the label's 20th anniversary.
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1
Peter LC - Milano by Night (Original Mix)
2
Peter LC - Driving to Sacramento (Original Mix)
3
Peter LC - Golden Age (Original Mix)
4
Peter LC - Detroit Disciples (Original Mix)
NO Return!
RAW SOUL returns with a four-track heater from rising Italian producer Peter LC (RAWAX, Discodelic Records, Disco Disco Records) - a bold, deep, and groove-rich statement crafted for the club.
On RAWSOUL, Peter delivers timeless house aesthetics with a fresh edge: melodic yet driving, raw but full of soul. Each track reflects the label's core ethos - honoring classic influences while sounding unmistakably current. The Lecce-born talent brings a deep-rooted passion for vinyl and disco, inherited from his father, into a modern context. With early support from tastemakers and a warm, grounded vibe to match his talent, it was clear from our first call: this guy's the real deal.
Mastered by Nico Lahs, this EP is a crystal-clear statement from a producer who's just getting started.
A1. Peter LC - Milano by Night (Original Mix)
A2. Peter LC - Driving to Sacramento (Original Mix)
B1. Peter LC - Golden Age (Original Mix)
B2. Peter LC - Detroit Disciples (Original Mix)
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RAW SOUL returns with a four-track heater from rising Italian producer Peter LC (RAWAX, Discodelic Records, Disco Disco Records) - a bold, deep, and groove-rich statement crafted for the club.
On RAWSOUL, Peter delivers timeless house aesthetics with a fresh edge: melodic yet driving, raw but full of soul. Each track reflects the label's core ethos - honoring classic influences while sounding unmistakably current. The Lecce-born talent brings a deep-rooted passion for vinyl and disco, inherited from his father, into a modern context. With early support from tastemakers and a warm, grounded vibe to match his talent, it was clear from our first call: this guy's the real deal.
Mastered by Nico Lahs, this EP is a crystal-clear statement from a producer who's just getting started.
A1. Peter LC - Milano by Night (Original Mix)
A2. Peter LC - Driving to Sacramento (Original Mix)
B1. Peter LC - Golden Age (Original Mix)
B2. Peter LC - Detroit Disciples (Original Mix)
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1
Isolee - - Beau Mot Plage (Freeform Reform Parts I & II)
2
Greenskeepers - - Bang In Your Face?
3
Various Artists - Iz & Diz - Mouth (Pepe Bradock Mix for Friends)
4
Markus Nikolai - - Bushes (Derrick Carter's First Re-Creation) [Version 1.2]
5
Folamour - - Devoted To U
6
Crazy P - - One True Light
7
Girls Of The Internet - - When U Go
8
Sophie Lloyd - - Calling Out
Once again, this 2x12" release is beautifully presented in a raw reverse board sleeve, a tactile nod to Classic's earliest releases. Inside, are deep teal and green GMUND card stock inner sleeves with embossed detailing elevate the package into a collector's item worthy of the music it holds. Record One opens with one of the most revered remixes in house history. Isolee's 'Beau Mot Plage' (Freeform Reform Parts 1 & 2), originally licensed from Germany's Playhouse and lovingly reworked by Freeform Five's Anu Pillai with a live ensemble. It's a sprawling, euphoric journey that helped define Classic's international reach and is still widely regarded as one of the greatest house records ever pressed. Up next is Greenskeepers' off-kilter banger 'Bang in Your Face?', showcasing the quirky, 'G-swing' sound for which James Curd and his crew became known for during their long-standing relationship with the label. On the flip, Pépé Bradock's jaw-dropping rework of Iz & Diz's 'Mouth' takes center stage-a remix composed entirely from human sounds, equal parts sensual and surreal. Universally praised, it's a masterclass in sonic innovation and remains one of the most acclaimed house remixes of all time. The side closes with Markus Nikolai's beloved 'Bushes', The First Re-Creation (Version 1.2) by Classic co founder Derrick Carter-a distinctive and maximalist edit that draws out the Latin horns, strings, and quirky vocals, turning a cult hit into a distinctly 'Classic' anthem. Record Two captures Classic's renewed energy in the 2010s.? Folamour's 'Devoted To U' from his Umami LP is a 10-minute odyssey in groove-warm, progressive, and cinematic, with soaring piano lines and narrative richness. Then comes Crazy P's 'One True Light', shimmering with spacey textures, cosmic energy, and the deep, effortless groove the band has perfected over decades. On Side D, we have Girls of the Internet's lush and emotionally rich 'When U Go', blending soulful vocals with clean, spacious production that balances melancholy with movement. Closing out Volume 2 is Sophie Lloyd's now iconic 'Calling Out', featuring the unstoppable vocal force of Dames Brown. A modern gospel-disco-house anthem, the track glows with raw energy, live instrumentation, and spiritual fire-cementing its place as one of Classic's defining moments of the last decade.
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1
Home & Garden ft. Collette - - Sexuality...He's 2 Young (JT's Porno Beat Down Remix)
2
Brett Johnson - - Jiffy Pop
3
Tiefschwarz - - Acid Soul
4
Roy Davis Jr. - - About Love (Solid Groove Remix)
5
JT Donaldson ft. Liv.e - - Stay Inside
6
Dam Swindle - - Hey Mister
7
Luke Solomon & Amp Fiddler - - Come On Over
8
Honey Dijon ft. Dave Giles II, Cor.Ece & - Work
The third and final volume of Classic's 30th Anniversary vinyl series brings the party full circle - blending deep catalogue cuts, future-forward house, and tracks from the label's tight-knit family of collaborators. Like the volumes before it, this 2x12" release arrives in a raw reverse board outer sleeve, a nod to the aesthetic of Classic's earliest releases. Inside, bold yellow and red GMUND card stock inner sleeves with embossed detailing reflect the label's long-standing commitment to design, artistry, and collectability. Record One kicks off with a certified Classic family affair. Home & Garden's 'Sexuality...He's 2 Young' features the unmistakable voice of DJ Colette, a staple of Classic's early era. Included here is JT Donaldson's Porno Beat Down Remix-a stripped, low-slung rework with an irresistibly funky bass line and pure dance floor chemistry. Brett Johnson's 'Jiffy Pop', from his legendary Bounce! EP, follows up with a jittery, swaggering groove that epitomises Brett's playful, funk-laced production style. Infectious, weird, and entirely unforgettable. On the flip, Tiefschwarz's 'Acid Soul' delivers a moody, muscular roller. Originally released during their prolific run on Classic in the early 2000s, it fuses baritone sax stabs, a Berlin-borne bass line, and a sultry vocal into a deeply spiritual house cut. Roy Davis Jr. closes Side B with the propulsive 'About Love' (Solid Groove Remix)-a tough and driving interpretation by Dave Taylor that's long been a DJ favourite in the Classic vaults. Record Two showcases Classic's more recent sonic evolutions. JT Donaldson's return to the label in 2019 came with 'Stay Inside', a rich and breezy groove featuring the soulful voice of Liv.e. It's an elegant and understated slice of modern house with timeless appeal. Then comes Dam Swindle's funk-charged 'Hey Mister'. A punchy, bass-driven jam built around a 70s reggae-disco vocal sample. Raw and infectious, it's been lighting up dance floors worldwide since its release. Luke Solomon's catalogue on Classic is vast, but 'Come on Over', his collaboration with Amp Fiddler, earns its place here. Seeing vinyl release for the first time, this cut overflows with musicality. Amp's passionate vocal, free-time breakdowns, and deep funk grooves deliver pure emotional punch. And to close, a modern masterpiece: Honey Dijon's 'Work' (Extended Mix), taken from her 'Black Girl Magic' LP. Featuring Dave Giles II, Cor.Ece, and Mike Dunn, this powerhouse track brings together fierce vocal performances, live instrumentation, and top-tier production. It embodies everything Classic stands for: collaboration and innovation on the dance floor.
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1
Andre Zimmer - Hypnotizing
2
Andre Zimmer - That’s Right
3
Andre Zimmer - Kwon’s Anthem
4
Andre Zimmer - Hours
Tracklist:
A1 - Hypnotizing
A2 - That’s Right
B1 - Kwon’s Anthem
B2 - Hours
Toronto/Berlin producer and Big Trouble Records founder Andre Zimmer has emerged as one of house and techno’s hottest commodities, fresh off his scorching fabric Records release with Carlita. Now he joins DJ Tennis’s Life and Death label with the announcement of his 4-track Kwon Anthem EP, out September 19.
Arriving alongside the announcement is the lead single “Hypnotizing” — a piano-driven, ethereal cut that highlights Zimmer’s ability to channel rave nostalgia into shimmering, emotive house designed for peak dance floor moments.
The EP also features the standout track “That’s Right”, which has already been making waves across clubs worldwide. With early support from Peggy Gou, Jennifer Loveless, Massimilliano Pagliara, Alinka, Jorkes, Luigi Di Venere, and more — including rotations at Panorama Bar and viral fan videos from Bella and beyond — it’s quickly becoming one of Zimmer’s most in-demand productions.
Across Kwon Anthem EP, Zimmer balances hypnotic, orchestral breakdowns, progressive trance textures built from Roland SRX patches (“Kwon’s Anthem”), and a cosmic, downtempo detour structured around a 707 jam (“Hours”). It’s his most ambitious and wide-ranging statement yet — and a fitting debut on Life and Death.
With support from underground tastemakers and appearances at clubs and parties worldwide, Zimmer’s DJ sets reaffirm a classic but forward-thinking approach to house music.
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A1 - Hypnotizing
A2 - That’s Right
B1 - Kwon’s Anthem
B2 - Hours
Toronto/Berlin producer and Big Trouble Records founder Andre Zimmer has emerged as one of house and techno’s hottest commodities, fresh off his scorching fabric Records release with Carlita. Now he joins DJ Tennis’s Life and Death label with the announcement of his 4-track Kwon Anthem EP, out September 19.
Arriving alongside the announcement is the lead single “Hypnotizing” — a piano-driven, ethereal cut that highlights Zimmer’s ability to channel rave nostalgia into shimmering, emotive house designed for peak dance floor moments.
The EP also features the standout track “That’s Right”, which has already been making waves across clubs worldwide. With early support from Peggy Gou, Jennifer Loveless, Massimilliano Pagliara, Alinka, Jorkes, Luigi Di Venere, and more — including rotations at Panorama Bar and viral fan videos from Bella and beyond — it’s quickly becoming one of Zimmer’s most in-demand productions.
Across Kwon Anthem EP, Zimmer balances hypnotic, orchestral breakdowns, progressive trance textures built from Roland SRX patches (“Kwon’s Anthem”), and a cosmic, downtempo detour structured around a 707 jam (“Hours”). It’s his most ambitious and wide-ranging statement yet — and a fitting debut on Life and Death.
With support from underground tastemakers and appearances at clubs and parties worldwide, Zimmer’s DJ sets reaffirm a classic but forward-thinking approach to house music.
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