Tracklisting
A1 NTTR-909 a.k.a. Nihad Tule & Roseen - Rebound
A2 NTTR-909 a.k.a. Nihad Tule & Roseen - Odyssey
B1 NTTR-909 a.k.a. Nihad Tule & Roseen - Hyperbell
B2 NTTR-909 a.k.a. Nihad Tule & Roseen - Dialogue

Sales Note
NTTR-909 is a collaboration project between Nihad Tule and Roseen.

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Classic Lovers Rock version of a Keni Burke masterpiece. First ever repress of a high demand 1983 release!

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One of the biggest, breakbeat channelling stompers out there, courtesy of the in-demand duo Borai and Denham Audio, finally gets an official release with three fiery remixes via Room Two Recordings. A track that’s ripped through airwaves and club dancefloors alike, ‘Make Me’ has all the hallmarks of a future classic. Doused in Amen breaks, rattling subs, rave stabs and an instantly recognizable mid ‘80s Donna Allen sample. Together the track feels like a long forgotten rave anthem from the ‘90s with its mix of high intensity breaks and soulful vocals.

With the original sample cleared, three producers step up to remix this undeniable anthem. First Sheffield’s Big Ang with her Rave To The Grave remix, playing homage to her hometown with a bassline and bleep flavoured rework. Mani Festo then hits hyperspace with his glitched out, jungle warper, before Paul Sirrell closes out proceedings serving up a huge slice of piano house heat.

DJ Support:
Peggy Gou, Prospa, Special Request, Annie Mac, DJ Seinfeld, Kolsch

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Thomass Jackson presents UFO HOUSE.

A fixture in Mexico's thriving electronic scene, the Argentinian import has made a name for himself alongside cohort Iñigo Vontier with a style that seamlessly blends haunted desert disco with gritty acid house and techno.

This EP might be his most cogent formulation yet, a mightily playable set of peak-time DJ-friendly tracks that bring enough mystery and wonkiness to a perfectly club-ready backbone. It's a conspiracy of sound, a cosmic abduction with pulsating rhythms and hypnotic bleeps sure to melt minds on the dance-floor.


DJ Feedback:

Tiefschwarz - "soooo gooood!!"

Roe Deers - "dope EP"

Matt FX - "an absolute tour de force EP. hard to pick a favorite, maybe guadalajara"

Justin Strauss - "great ep"

Kiki - "Cool trax!"

Mawimbi - "really like the acid touch in back in guadalajara"

Jerry Bouthier - "well put together madness yay!"

Phil smart - "Solid bunch of tracks, all great! Can't wait to test out on a dancefloor:)"

Vidis - "Cool stuff as per usual from señor Thomass. Young Woman in Kashmir and Back in Guadalajara are the faves."

Phred Noir - "Alll the tracks are so good, super happy to see Thomass back with sooo good tracks !"

Genish - "Back in Guadalajara for me ! fire"

Ayala (It) - "I'm a Thomas fan from years and years"

Kato - "mad fun”

Fabio Me Llaman Soltero - "Sublime work, always favorito Thomaaaaaazzzz"

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Rewind to 1997 and Uk's finest clubs are alight to the tech-house sounds emanating from South London. Terry Francis, a key figure in the scene, needs no introduction, Fabric resident, Wiggle co-founder, as well as part of the seminal Housey Doingz collective, 'Dubtown' was his first solo outing, all 4 tracks are instant classics, and the EP itself has become his most sought after release to date. The tracks themselves are varied and brilliant, EP opener 'Hannah's House' kicks off with an infectious bass line and builds with expertly programmed percussion. Simple yet effective riffs intertwine with warm pads and deep chord stabs. 'Hannah's Dub' strips the track down, eerie synths add a tuneful swagger without ever losing dancefloor appeal. 'As You Cry' broadens the sonic palette with swinging rhythms, crisp snares and dreamy chords that deliver the peak time funk and bump. Lastly 'Reggae's House' is a deep dub infused jam, acidic 303 touches combine effortlessly with pads and stabs, whilst echoing bursts of percussion make some real tripped out musical moments. All 4 tracks are deep winners, tweaked to maximum effect by a master of the genre. A rarity for decades now available once more. 'Dubtown' has been legitimately re-released with the full involvement of Terry Francis, lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!!

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Tracklisting
A1 Beste Hira - Pembe Bulutlar
A2 Alarico - Light Curve Hiss
B1 Stranger - Still Bitten
B2 OFF/GRID - No Brainer

Sales Note
Buckle up and fasten the spaceship seatbelts! The Third Room, the multidisciplinary techno project from the industrial heart of Germany, is about to fire another satellite in the orbit. A stunning various artists series between fierce meteors, bright suns, dark moons and shining comets will continue to define the Essen-based collective's sound vision which is as diverse and timeless as space itself. Convince yourselves of a well-considered, galactical curation that contains quality tracks from talents, locals and longstays.

On the first of four releases, established producers named Beste Hira, Stranger, Alarico and OFF/GRID put out a stunning yet humble peak-time record. Four laser-beaming tunes speak for themselves and mark the beginning of the next chapter in the T3R adventure.

Don't miss to ascend to higher spheres - secure your copy and pre-order one of the limited records now!

©? 2023 The Third Room
Mastering by Ahmet Sisman (The Third Room Studios)
Artwork by Daniel Bornmann & Elisa Jauch (Duat Agency)
Distribution by Triple Vision



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Italian legend Walter Del Vecchio aka Quiroga pays tribute to the acid house era on Hell Yeah with a new package that comes with two originals, an ambient mix and a remix from cult hero DMX Krew.

Quiroga released his last sublime album Passages on this label and it came as the latest entry into a discography filled with beauty and detail. He is a talented musician from Naples who has his own left-of-centre take on the Mediterranean sounds of the city, as he shows once again here with a house-leaning outing.

Quiroga has teamed up with cult musician Dario Bassolino and called upon Whodamanny's mixing skills for these new tracks. First is 'Once Again', a punchy and chunky house cut with skewed bass spraying about the mix. Its rough analogue edges are lit up by searing acid lines that never quit and will turn any party into a cauldron of intensity. The Ambient Version is a full-flavour downtempo workout that keeps the wild acid lines, adds in some FX, old-school piano chords and a yelping female vocal next to a blissful breakdown. 'Once Again' (DMX Krew Remix) is then a bumping acid-electro monster with fat drums and the manic 303 offset by serene chord work to make for a perfectly emotional dance floor delight.

'Freak The Funk' is a second original cut, as rides of crisp snares and snapping drum breaks blend with a warm bassline and smeared cosmic chords up top. It's a classy peak-time house cut with magical pixelated synth melodies.

Alongside superb artwork from PlanetLuke, this is another essential package from Hell Yeah.


DJ Support:

Sean Johnston (ALFOS), Kristian (AME), Fango, Front De Cadeaux, Sinchi Collective, Phat Phil Cooper, Balearic Gabba Sound System

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Legendary NYC label Nu Groove presents an unmissable vinyl package spotlighting two celebrated house selectors and their 2023 releases. First up on the A-side, Chicago native Ron Carroll presents two tracks from his ‘House Of Love EP’; ‘Mysteries’ aims to answer the question “Where does house come from?” as it namedrops fellow icons, while ‘Dreams’ is more forceful, asserting that “This is OUR house”.

Both feature Carroll’s distinctive vocals, their messages ringing clear and true over that classic, Chicago-club-ready sound. On the flip, Trilogy Inc. return with fresh originals ‘Awakening’, a bouncy club track built from smooth chords and a dynamic beat decorated with vocal house snippets, and ‘Hi Cycle’, continuing with energetic percussion and syncopated synth patterns to give a classic feel. Coming together on wax for the first time, these tracks are for the choice selectors seeking serious underground heat.

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If the name of this collection of traxxxoffends you, move on—there's no hope for you here. If,on the other hand, Toribio's salacious fun-pun cracked your cool exterior, here's an introductionto a set of bangers that helps exemplify New York's increasingly exuberant dancefloor, and what producer/DJ Cesar Toribio brings to it. His is a ribald, rhythmic take on dance music,neither for the weak of musical character (purists need not apply) nor for the weak of ass (-shaking). In fact, the proof is right there, in Toribio's label's and monthly party's name: Bring DatAss (BDA). This command is not optional, but *the* key ingredient for a good time.The four tracks Toribio has created for "Tongue In Cheeks," BDA's first release, comprise ahorny melting pot of tribal house and Linn-drum plug-ins,minimalist synth textures and basslines, hi-hats reminiscent of electro and freestyle classics, some of which are infused with New York's Latin club history and futures. The lead-off track, "No Pare," is based on theproducer's 808-driven reinvention of the call-and-response hook from Proyecto Uno's 1993merengue-house smash "El Tiburón," marking the first time the group has ever cleared asample of this Nuyodominican classic. We predict that "No Pare" will be a Fall 2023 monster."Cimarron Palace" may embrace Peoria's Bacardi drums, while "Anti Narcoleptic" is a hyper-hectic patch-heavy take on Berlin minimalism. But they both re-emerge in New York's funk. Aguest vocal appearance by The Illustrious Blacks also shows the breadth of Toribio's regard forthelocal community, especially how the Neo-Afro-Futuristic-Psychedelic-Surrealistic-HippysMonstah Black and Manchildblack infuse a dollop of booty into "Work Dat Shit." There's really no unifying formula, but if there was, it would be: Make it sexy. Make it(consensually) grindy.Make it funny to the point of ridiculous but so funky that the laughter becomes more fuel to thejoyous momentum propelling the movement. Then make it home—or try to.

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