1
Spaßbremse - Freiheit
2
Die Abstände - Horchet
3
Polyzysten - Gehorchen
4
Pimmelbett - Infinite Nature Of Dreams
5
Die Supersymmetrischen Teilchen - Einsamkeit
6
Leh Kokott - un Bouton
7
Betonmascha - Abbruch
8
Fräuleinschein - Kartoffelpüree
9
Bruchstück - Dietrich
10
unknown* - KdR-Tango
11
Omas Jukebox Für Andi - Selbstbefriedigung
12
Puncikàk - Uiuiui
13
Die Flöhe - Kaufrausch
14
Drunken Sinkers - Raumschiffbruchrettungsdienst
For eighteen revolutions of the sun, they have engaged in the ephemeral symphony of real-time discourse, sans pretentious airs. Two to nine illustrious ladies of Berlin, weaving through the rich tapestry of styles and narratives, have, over time, summoned forth nearly two hundred ensembles. Genre: Concept-Pep. Each performance, each musical troupe, irrevocably entangled in the prose and nomenclature of all participants, venue, and set-up. Repetition, though a rarity, has, in some instances, been grudgingly sanctioned. Yet, lo and behold, there exists now: Festplatte. A compendium.
Upon the A-side, Spassbremse, possessed of an angelic voice, yearns for the elusive essence of liberty, whilst Die Abstände in somber, pulsating offbeat, smirkingly, critique the dominion of control. Pimmelbett, with lyrical poise, and epic reverie, expounds upon the "Infinite Nature of Dreams." Subsequently, as Die supersymmetrischen Teilchen indulge in elegiac ruminations on solitude, Leh Kokott jubilantly resurrects their 2015 summer opus, "un Bouton."
On the B-side, Fräuleinschein assumes a fourfold rhythm, contemplating, in the process, the ethereal sustenance of "Kartoffelpüree", provoking an unknown ensemble to mourn their local tavern in Finnish tradition. The vigor of self-pleasure is exalted in the blues, and Puncikák, in the manner of Balkan minstrels, melodiously intones a pressing yearning through the entirety of her available vocal range. Die Flöhe and the Drunken Sinkers, therein, finalize the anarchic symphony.
In the ethereal cadence of the vocals, the very essence of each musician reveals itself, accompanied by the harmonious assembly of a classical musical ensemble, punctuated by playful ornamentations, and the enchanting resonance of that alluring cello. Festplatte - an ode to the platter of revelry. In the heart of punk, a serpentine melody entwines itself within the confines of your auditory senses. More
Upon the A-side, Spassbremse, possessed of an angelic voice, yearns for the elusive essence of liberty, whilst Die Abstände in somber, pulsating offbeat, smirkingly, critique the dominion of control. Pimmelbett, with lyrical poise, and epic reverie, expounds upon the "Infinite Nature of Dreams." Subsequently, as Die supersymmetrischen Teilchen indulge in elegiac ruminations on solitude, Leh Kokott jubilantly resurrects their 2015 summer opus, "un Bouton."
On the B-side, Fräuleinschein assumes a fourfold rhythm, contemplating, in the process, the ethereal sustenance of "Kartoffelpüree", provoking an unknown ensemble to mourn their local tavern in Finnish tradition. The vigor of self-pleasure is exalted in the blues, and Puncikák, in the manner of Balkan minstrels, melodiously intones a pressing yearning through the entirety of her available vocal range. Die Flöhe and the Drunken Sinkers, therein, finalize the anarchic symphony.
In the ethereal cadence of the vocals, the very essence of each musician reveals itself, accompanied by the harmonious assembly of a classical musical ensemble, punctuated by playful ornamentations, and the enchanting resonance of that alluring cello. Festplatte - an ode to the platter of revelry. In the heart of punk, a serpentine melody entwines itself within the confines of your auditory senses. More
More records from YNFND
1
ali dada - abolish the police
2
ali dada - start
3
ali dada - sum
4
ali dada - bern
5
ali dada - ohnedi
6
ali dada - tone print
7
ali dada - arriv
8
ali dada - federici
9
ali dada - ui
GREEN MARBLED VINYL! LIMITED TO 300 UNITS! INCL. LINER NOTES + STICKER
Swiss intergalactic 3 piece experimentalists lean on a Dadaist theme for their late-night, jam-inspired, and smokey beat laden trip to the cosmos.
Distilling surf rock, jazz and ambience, energised and patched together with spoken word samples, wind instruments and, blunted hip hop beats, ali dada’s album SUM is their invitation to dadaversum’ - their eccentric universe of sound and emotion.
Featuring Orlando Ludens (guitar & ambient soundscapes), Rulla (beats & field recordings) and Max Licht (brass & trombone), experimentation is the trio’s constant and SUM is the result of jams and associative distillation’ always with a fluid sense of genre.
Whilst SUM clearly takes new and furtive steps, ali dada’s sound is wholly their own. Nothing feels rigid here and rules don’t apply. Improvisation lingers in the air, even after the last note fades. A series of sound sketches, dense in detail, stylistically rich, SUM gives licence to couch-melt, sungaze or for those used to wintry climes, add another log on the fire.
“The songs often emerge from imperfect elements or mistakes, like from a loop or glitch. or something I played that wasn’t quite clean and building on that becomes the challenge ” recalls Orlando. Rulla adds “I play a lot of instruments, very, very badly and in music production, I’m trained to craft something awesome out of wonky sounds. That’s how songs emerge from unusual sounds”.
As for who played the double bass, no one remembers. Who belongs to the band and who doesn’t is open to interpretation. Though a core group exists the spotlight remains on experimentation through jam sessions. ali dada is a construct, a dadaverse.
Highlights include the album’s opener 'abolish the police', a mix of guitars, weirded-out wind instruments and Häuserfrau’s ever chilled vocal presence. 'tone print' is the band’s first single from the album, which combines sliding guitar, the infamous psychedelic Tim as a narrator, some early CPU game sound-splats and a meteoric dope beat, providing the head nodding groove. 'ohnedi'’s ambient charm features some gorgeous manipulated choir moments and some fidgety electronic synths. More
Swiss intergalactic 3 piece experimentalists lean on a Dadaist theme for their late-night, jam-inspired, and smokey beat laden trip to the cosmos.
Distilling surf rock, jazz and ambience, energised and patched together with spoken word samples, wind instruments and, blunted hip hop beats, ali dada’s album SUM is their invitation to dadaversum’ - their eccentric universe of sound and emotion.
Featuring Orlando Ludens (guitar & ambient soundscapes), Rulla (beats & field recordings) and Max Licht (brass & trombone), experimentation is the trio’s constant and SUM is the result of jams and associative distillation’ always with a fluid sense of genre.
Whilst SUM clearly takes new and furtive steps, ali dada’s sound is wholly their own. Nothing feels rigid here and rules don’t apply. Improvisation lingers in the air, even after the last note fades. A series of sound sketches, dense in detail, stylistically rich, SUM gives licence to couch-melt, sungaze or for those used to wintry climes, add another log on the fire.
“The songs often emerge from imperfect elements or mistakes, like from a loop or glitch. or something I played that wasn’t quite clean and building on that becomes the challenge ” recalls Orlando. Rulla adds “I play a lot of instruments, very, very badly and in music production, I’m trained to craft something awesome out of wonky sounds. That’s how songs emerge from unusual sounds”.
As for who played the double bass, no one remembers. Who belongs to the band and who doesn’t is open to interpretation. Though a core group exists the spotlight remains on experimentation through jam sessions. ali dada is a construct, a dadaverse.
Highlights include the album’s opener 'abolish the police', a mix of guitars, weirded-out wind instruments and Häuserfrau’s ever chilled vocal presence. 'tone print' is the band’s first single from the album, which combines sliding guitar, the infamous psychedelic Tim as a narrator, some early CPU game sound-splats and a meteoric dope beat, providing the head nodding groove. 'ohnedi'’s ambient charm features some gorgeous manipulated choir moments and some fidgety electronic synths. More
1
Jaja - Bajoo
2
Jaja - Chan Chara
3
Jaja - El Ritmo
4
Jaja - Cura Del Sentimiento
5
Jaja - Tropical Bird
6
Jaja - Ceu
1
M.RUX - Tobak
2
M.RUX - Chops
3
M.RUX - W.C.CON
4
M.RUX - Because
5
M.RUX - The Promise
6
M.RUX - Cecegi
7
M.RUX - 8
8
M.RUX - Remember
REKORDER is "a kind of retrospective of myself", says M.RUX about his second, long-awaited solo album. For over 10 years, Marten Rux aka M.RUX appears as a DJ, producer, editor, remixer and multi-instrumentalist all over the world and has developed an idiosyncratic sound that opens up subtle fields of tension: M.RUX mixes a sound between experimental sound design and hooklines that stay in your ears forever. Between wild percussion and contemplative harmonies, between ecstasy and meditative calm. In his DJ and live sets, M.RUX usually steps up to the controls with a smile, discreetly bobbing his head, while the audience goes wild. He circumnavigates clichés with trustworthy certainty and develops his very own guiding threads in his selection beyond BPM or genre straitjackets. One constant is his warm, often stoically slow kick drum, which holds all that playfulness together. REKORDER is a manifestation of this typical M.RUX sound. Similar to his concept album "Vermonische Melodien" from 2020 (on the Pingipung label), the artist's curiosity is directed towards the musical visions of the past. When new music technology projected great visions of the future and when new sounds had not yet solidi ed into clichés. REKORDER refers to the recording device, spelled in a German way, because most of the recordings were made in Germany (and in England as well). Phonography is a miracle that has only been around for 150 years: Technology gifts upon us prosthetics for remembering sound. Every recording is a process, and every playback a new performative act. Recordari (Latin) is a beautiful word. It literally means to take something to heart (cor) once again (re-). This doesn't just refer to remembering, but also to a ponderous, loving, sometimes doubtful contemplation. It is a perfect headline for M.RUX’ approach to processing sound. REKORDER draws deeply from its own archive, which has ourished quite splendidly during the pandemic. Multi-instrumentalist M.RUX mixes his own recordings of banjo, guitar, auto-harp, synths, percussion and jews harp with fragments from sessions with friends that have accumulated since 2020. They unfold in the process of re-listening in the mix and transform into a solid musical tapestry. A typical gesture for this album? M.RUX bows deeply to the history of pop music - especially the blues and its melancholy, coolness and shuf ing groove. The harmonic framework of the album is based on blues scales throughout. Instead of conveying blue emotions via lyrics or the tone of the voice, as the original genre does, the synthesizer takes on this role on REKORDER. With his sound design, M.RUX achieves an ecstatic sorrow in his melodies, this gurgling portamento that is reminiscent of R&B (or even the ingenious title melody of the series "Bojack Horseman”). If voices are heard on REKORDER, then as hypnotic fragments that guide us through the groove as conjunctions: "Because...", says the voice in the track of the same name. That's enough. There are no lyrics, no literal weariness, no love-songs or storytelling, REKORDER processes all of this into timbres and groove as vessels for the album’s individual, contemplative melancholy. Never forgetting, with a gentle smile, to swing a leg.
More
1
M.RUX - Tobak
2
M.RUX - Chops
3
M.RUX - W.C.CON
4
M.RUX - Because
5
M.RUX - The Promise
6
M.RUX - Cecegi
7
M.RUX - 8
8
M.RUX - Remember
*LIMITED RED COLOURED VINYL!*
REKORDER is "a kind of retrospective of myself", says M.RUX about his second, long-awaited solo album. For over 10 years, Marten Rux aka M.RUX appears as a DJ, producer, editor, remixer and multi-instrumentalist all over the world and has developed an idiosyncratic sound that opens up subtle fields of tension: M.RUX mixes a sound between experimental sound design and hooklines that stay in your ears forever. Between wild percussion and contemplative harmonies, between ecstasy and meditative calm. In his DJ and live sets, M.RUX usually steps up to the controls with a smile, discreetly bobbing his head, while the audience goes wild. He circumnavigates clichés with trustworthy certainty and develops his very own guiding threads in his selection beyond BPM or genre straitjackets. One constant is his warm, often stoically slow kick drum, which holds all that playfulness together. REKORDER is a manifestation of this typical M.RUX sound. Similar to his concept album "Vermonische Melodien" from 2020 (on the Pingipung label), the artist's curiosity is directed towards the musical visions of the past. When new music technology projected great visions of the future and when new sounds had not yet solidi ed into clichés. REKORDER refers to the recording device, spelled in a German way, because most of the recordings were made in Germany (and in England as well). Phonography is a miracle that has only been around for 150 years: Technology gifts upon us prosthetics for remembering sound. Every recording is a process, and every playback a new performative act. Recordari (Latin) is a beautiful word. It literally means to take something to heart (cor) once again (re-). This doesn't just refer to remembering, but also to a ponderous, loving, sometimes doubtful contemplation. It is a perfect headline for M.RUX’ approach to processing sound. REKORDER draws deeply from its own archive, which has ourished quite splendidly during the pandemic. Multi-instrumentalist M.RUX mixes his own recordings of banjo, guitar, auto-harp, synths, percussion and jews harp with fragments from sessions with friends that have accumulated since 2020. They unfold in the process of re-listening in the mix and transform into a solid musical tapestry. A typical gesture for this album? M.RUX bows deeply to the history of pop music - especially the blues and its melancholy, coolness and shuf ing groove. The harmonic framework of the album is based on blues scales throughout. Instead of conveying blue emotions via lyrics or the tone of the voice, as the original genre does, the synthesizer takes on this role on REKORDER. With his sound design, M.RUX achieves an ecstatic sorrow in his melodies, this gurgling portamento that is reminiscent of R&B (or even the ingenious title melody of the series "Bojack Horseman”). If voices are heard on REKORDER, then as hypnotic fragments that guide us through the groove as conjunctions: "Because...", says the voice in the track of the same name. That's enough. There are no lyrics, no literal weariness, no love-songs or storytelling, REKORDER processes all of this into timbres and groove as vessels for the album’s individual, contemplative melancholy. Never forgetting, with a gentle smile, to swing a leg. More
REKORDER is "a kind of retrospective of myself", says M.RUX about his second, long-awaited solo album. For over 10 years, Marten Rux aka M.RUX appears as a DJ, producer, editor, remixer and multi-instrumentalist all over the world and has developed an idiosyncratic sound that opens up subtle fields of tension: M.RUX mixes a sound between experimental sound design and hooklines that stay in your ears forever. Between wild percussion and contemplative harmonies, between ecstasy and meditative calm. In his DJ and live sets, M.RUX usually steps up to the controls with a smile, discreetly bobbing his head, while the audience goes wild. He circumnavigates clichés with trustworthy certainty and develops his very own guiding threads in his selection beyond BPM or genre straitjackets. One constant is his warm, often stoically slow kick drum, which holds all that playfulness together. REKORDER is a manifestation of this typical M.RUX sound. Similar to his concept album "Vermonische Melodien" from 2020 (on the Pingipung label), the artist's curiosity is directed towards the musical visions of the past. When new music technology projected great visions of the future and when new sounds had not yet solidi ed into clichés. REKORDER refers to the recording device, spelled in a German way, because most of the recordings were made in Germany (and in England as well). Phonography is a miracle that has only been around for 150 years: Technology gifts upon us prosthetics for remembering sound. Every recording is a process, and every playback a new performative act. Recordari (Latin) is a beautiful word. It literally means to take something to heart (cor) once again (re-). This doesn't just refer to remembering, but also to a ponderous, loving, sometimes doubtful contemplation. It is a perfect headline for M.RUX’ approach to processing sound. REKORDER draws deeply from its own archive, which has ourished quite splendidly during the pandemic. Multi-instrumentalist M.RUX mixes his own recordings of banjo, guitar, auto-harp, synths, percussion and jews harp with fragments from sessions with friends that have accumulated since 2020. They unfold in the process of re-listening in the mix and transform into a solid musical tapestry. A typical gesture for this album? M.RUX bows deeply to the history of pop music - especially the blues and its melancholy, coolness and shuf ing groove. The harmonic framework of the album is based on blues scales throughout. Instead of conveying blue emotions via lyrics or the tone of the voice, as the original genre does, the synthesizer takes on this role on REKORDER. With his sound design, M.RUX achieves an ecstatic sorrow in his melodies, this gurgling portamento that is reminiscent of R&B (or even the ingenious title melody of the series "Bojack Horseman”). If voices are heard on REKORDER, then as hypnotic fragments that guide us through the groove as conjunctions: "Because...", says the voice in the track of the same name. That's enough. There are no lyrics, no literal weariness, no love-songs or storytelling, REKORDER processes all of this into timbres and groove as vessels for the album’s individual, contemplative melancholy. Never forgetting, with a gentle smile, to swing a leg. More
1
Tofu Resistance - Ruled By A Bread
2
Tofu Resistance - Deutschland Muss Sterben Damit Wir Atmen Können
Tofu Resistance returns with his new ep “Thori´dur”, marking his 3rd release on YNFND after his full length debut “1//23“ in 2019.
This EP sits comfortably between both the world of beats and a more relaxed environment. Returning to his roots, Tofu Resistance aka Tobias Kleine remembers his early influences of sample based music and classy hip hop grooves.
The result is a sonorous sketch of deceleration, answering with bouncy rhythms to nod your head to. You can hear him playing the drums, guitars and various other instruments on this record. A beautiful blend of organic and electronic production, adding his unique Tofu flavor. More
This EP sits comfortably between both the world of beats and a more relaxed environment. Returning to his roots, Tofu Resistance aka Tobias Kleine remembers his early influences of sample based music and classy hip hop grooves.
The result is a sonorous sketch of deceleration, answering with bouncy rhythms to nod your head to. You can hear him playing the drums, guitars and various other instruments on this record. A beautiful blend of organic and electronic production, adding his unique Tofu flavor. More
1
Kundan Lal - Paky Life
2
Kundan Lal - Ovo Rhaps
3
Kundan Lal - Tudamus
4
Kundan Lal - Vulgar Dragons
Two years after his hypnotic debut album Periodic Perciotic, wanderer of the worlds Kundan Lal returns with new outernational downbeats! Three of the tracks on "???? | Majlis" are based on Pakistani dance classics by Muhammad Ashraf (PAKY LIFE), Khalil Ahmed (OVO RHAPS), Sohail Rana & the Five Caps (VULGAR DRAGONS), and one on turkish psychedelia by Mogollar (TUDAMUS). Selected micro-sequences of these old recordings are tangled up in a dubby soup of Dr. John-esque swamp percussion, off-beat bass lines, droney organs, a creaking synthesizer assembly and the trademark oriental field recordings by Kunsaf Halil, which are spread all over the record. "???? | Majlis" can perhaps be seen as the missing link between Débruit and the Contact Field Orchestra.
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1
DJ Relax - Development (Imposter Syndrome Mix)
2
DJ Relax - Prototrek
3
DJ Relax - Liquid Rats (Environment Mix)
4
DJ Relax - Beach Goth (A.D.H.D Re-work)
This is the genesis point for Yugambeh Country (Burleigh, Queensland) based imprint 100 FOLD. Forward facing yet with a respectful, almost romantic eye tuned into the deepest echelons of electronica and dance music so desperate for a revisit. Healthy doses of deep, esoteric atmosphere and high-tech abstraction are treated with care and precision equally.
We are softly welcomed with the peaceful entrance of Development (Imposter Syndrome B Side Mix), guided by native fauna field recordings and foley. Electronic dub energies are glued together with tropical island paradise level ambience, waves of effortlessly full pads and lush bass pulses evaporate into mist. A moment of reflection and centring before a second act of chunky and bombastic beats, dancing in harmony with the soothing nature of it’s humble beginnings. Prototrek brings us a fat slice of deep space pastoralism, high functioning trip-hop from the deepest reaches of the cosmos. The soundtrack to an interstellar journey towards unknown frontiers and endless paradigm-shifting possibilities. starting off the B side is Liquid Rats (Environment Mix). True downtempo and psybient of the highest order. Tranquil, dynamic and effortless.
Finishing up on the B side is the insanely warehouse ready Beach Goth (A.D.H.D Re-work). Straight up late 90’s/early 00’s electro and big beat with genius level intellect, a “Need For Speed: High Stakes” type beat. High octane drums, nitrous infused breaks and laser accurate bleeps all riding a bassline with infinite torque. Sounds for hitting the accelerator deep in the night and not looking back. Big “Tokyo Drift” energy on the tubular bells near the end, sending this piece high into the stratosphere. Full dichotomous flip on the records finisher; Smoking With Laraaji. Digital whip-birds announce your arrival at this atmospheric finale, warm synthetics and naturalistic percussion closes this pentalogy in the only way that feels right. With a sense of triumph and optimism. Something we could all use more of in our lives.
This record is a deeply human experience, meticulously crafted by the artist and lovingly mastered by Smallville records alumni Moomin. The energy of the natural, terrestrial moments are shared effortlessly with an otherworldly, cosmic vision of a utopic rave society. More
We are softly welcomed with the peaceful entrance of Development (Imposter Syndrome B Side Mix), guided by native fauna field recordings and foley. Electronic dub energies are glued together with tropical island paradise level ambience, waves of effortlessly full pads and lush bass pulses evaporate into mist. A moment of reflection and centring before a second act of chunky and bombastic beats, dancing in harmony with the soothing nature of it’s humble beginnings. Prototrek brings us a fat slice of deep space pastoralism, high functioning trip-hop from the deepest reaches of the cosmos. The soundtrack to an interstellar journey towards unknown frontiers and endless paradigm-shifting possibilities. starting off the B side is Liquid Rats (Environment Mix). True downtempo and psybient of the highest order. Tranquil, dynamic and effortless.
Finishing up on the B side is the insanely warehouse ready Beach Goth (A.D.H.D Re-work). Straight up late 90’s/early 00’s electro and big beat with genius level intellect, a “Need For Speed: High Stakes” type beat. High octane drums, nitrous infused breaks and laser accurate bleeps all riding a bassline with infinite torque. Sounds for hitting the accelerator deep in the night and not looking back. Big “Tokyo Drift” energy on the tubular bells near the end, sending this piece high into the stratosphere. Full dichotomous flip on the records finisher; Smoking With Laraaji. Digital whip-birds announce your arrival at this atmospheric finale, warm synthetics and naturalistic percussion closes this pentalogy in the only way that feels right. With a sense of triumph and optimism. Something we could all use more of in our lives.
This record is a deeply human experience, meticulously crafted by the artist and lovingly mastered by Smallville records alumni Moomin. The energy of the natural, terrestrial moments are shared effortlessly with an otherworldly, cosmic vision of a utopic rave society. More
1
Adlas - A1 - Convergence
2
Adlas - A2 - Model Training
3
Adlas - B1 - Rush
4
Adlas - B2 - III Equipped
12" non retournable!
Repress Edition. / white stamped sleeve
Genre: Techno, Hardgroove, Dub Techno
Tracklist 12":
A1 - Convergence
A2 - Model Training
B1 - Rush
B2 - III Equipped
Short Info:
Please welcome Adlas to the label family with his debut for a.r.t.less called Convergence EP. Adlas is no stranger to the electronic music scene and some of you might actually know him from the Berlin party series called KRACH together with DJ Ion or from his fantastic releases on ACR, the label of Berghain resident Answer Code Request. When Adlas told us he is working on more four-to-the-floor focussed Techno jams, we were really hyped and couldn't wait to hear his approach on the matter. We settled on four magnificent driving and mesmerising tracks that tick all the right boxes, think swinging Dub Techno, DJ Power Tools with a tribal twist & Hardgroove spirit and an undeniable deepness factor. Enjoy the music! Limited edition in hand-pulled screen-printed cover.
More
Repress Edition. / white stamped sleeve
Genre: Techno, Hardgroove, Dub Techno
Tracklist 12":
A1 - Convergence
A2 - Model Training
B1 - Rush
B2 - III Equipped
Short Info:
Please welcome Adlas to the label family with his debut for a.r.t.less called Convergence EP. Adlas is no stranger to the electronic music scene and some of you might actually know him from the Berlin party series called KRACH together with DJ Ion or from his fantastic releases on ACR, the label of Berghain resident Answer Code Request. When Adlas told us he is working on more four-to-the-floor focussed Techno jams, we were really hyped and couldn't wait to hear his approach on the matter. We settled on four magnificent driving and mesmerising tracks that tick all the right boxes, think swinging Dub Techno, DJ Power Tools with a tribal twist & Hardgroove spirit and an undeniable deepness factor. Enjoy the music! Limited edition in hand-pulled screen-printed cover.
More
1
Christian Gaubert - It
2
Christian Gaubert - Man On A Wire
3
Christian Gaubert - Sweet And Fool Like A Child
4
Christian Gaubert - Going Ups And Coming Downs
5
Christian Gaubert - Sweet Maryline
6
Christian Gaubert - Keep On ! Keep On
7
Christian Gaubert - We're Together
8
Christian Gaubert - Running Wave
LP DELUXE EDITION
180g. VINYL + HARD CARDBOARD COVER + OBI
Killer French Boogie, Jazz-Funk album by the prolific arranger/composer Christian Gaubert, feat. Some of the key musicians of the French jazz scene of the 70s.
French Soul masterpiece with the Rare Groove classic “Sweet Maryline” and “Sweet and Fool Like a Child” beautifully reissued here and remastered from the original master tapes.
_____________________________________________________
released October 9, 2023
Piano [Fender Rhodes], Piano, Synthesizer – Christian Gaubert
Arranged By – Christian Gaubert
Baritone Saxophone – Jean-Louis Chautemps, Romain Mayoral
Bass Guitar – Jannick Top
Drums – Dino Latore
Drums, Percussion – Jean Schultheis
Electric Guitar – Claude Engel, Raymond Gimenes
Percussion – Marc Chantereau
Tenor Saxophone – Alain Hatot, Jean Pierre De Barba, Patrick Bourgoin
Trombone – Christian Guizien, Hamid Belhocine, Jacques Bolognesi
Trumpet – André Lidli, Freddy Houseplan, Kako Bessot, Tony Brenes
Vocals – Last Exit
Licensed by GM Musipro More
180g. VINYL + HARD CARDBOARD COVER + OBI
Killer French Boogie, Jazz-Funk album by the prolific arranger/composer Christian Gaubert, feat. Some of the key musicians of the French jazz scene of the 70s.
French Soul masterpiece with the Rare Groove classic “Sweet Maryline” and “Sweet and Fool Like a Child” beautifully reissued here and remastered from the original master tapes.
_____________________________________________________
released October 9, 2023
Piano [Fender Rhodes], Piano, Synthesizer – Christian Gaubert
Arranged By – Christian Gaubert
Baritone Saxophone – Jean-Louis Chautemps, Romain Mayoral
Bass Guitar – Jannick Top
Drums – Dino Latore
Drums, Percussion – Jean Schultheis
Electric Guitar – Claude Engel, Raymond Gimenes
Percussion – Marc Chantereau
Tenor Saxophone – Alain Hatot, Jean Pierre De Barba, Patrick Bourgoin
Trombone – Christian Guizien, Hamid Belhocine, Jacques Bolognesi
Trumpet – André Lidli, Freddy Houseplan, Kako Bessot, Tony Brenes
Vocals – Last Exit
Licensed by GM Musipro More
1
Fantastic Man - Spiritual Guidance
2
Fantastic Man - The Beach
3
Fantastic Man - Novara (Progressive Fantasy)
4
Fantastic Man - Novara (Progressive Mindfuck)
Repress!
Basic Spirit welcomes the first out-of-house artist to the label, our dear friend Fantastic Man. A household name at this point, FM hedges the Basic Spirit catalogue into a deeper, more euphoric territory, with four tracks that quite frankly melted our hearts and minds when we heard them. It's a big heads-down record, which gets a big thumbs up from us. More
Basic Spirit welcomes the first out-of-house artist to the label, our dear friend Fantastic Man. A household name at this point, FM hedges the Basic Spirit catalogue into a deeper, more euphoric territory, with four tracks that quite frankly melted our hearts and minds when we heard them. It's a big heads-down record, which gets a big thumbs up from us. More
1
a.s.o. - Go On (Lew E Remix)
2
a.s.o. - My Baby's Got It Out For Me (Maara R
3
a.s.o. - Falling Under (Cousin's Dive Dub)
4
a.s.o. - Rain Down (Purelink's Say Less Mix)
5
a.s.o. - Go On (Extended Remix)
Repress!
Following from a.s.o. 's self-titled LP, we have a set of remixes taking their trip-hop torch songs in new and different directions.
Under his Lew E moniker, Lewie Day takes 'Go On' for a trip to trance-town. Brooding minor key menace as Alia Seror-O'Neil's melancholic vocal gets twisted into strange shapes, eventually becoming an instrument of its own. Mutating from the organic to the synthetic during an adrenaline-racing breakdown. Day sounds like he's having a great deal of fun playing with and defying the conventions of the genre.
Maara explores a similar space on her re-rub of 'My Baby's Got It Out For Me'. Once again, Seror-O'Neil's voice is flexed and warped, spinning around the stereo field, as emotive as she ever sounds but more abstracted. Gossamer light with a heavyweight trance chassis - an iron fist in a lace glove.
Rising star Cousin moves in an earthier and more dubwise fashion on his remix of 'Falling Under.' His trademark shuffling, layered percussion comes with gnarly electronics and blissed-out synths. All the while, that vocal refrain leads us through the bong smoke toward the light. A work of restraint and release, the perfect fit for a.s.o.
Purelink's redo of 'Rain Down' is closer stylistically to the original. Bubbling synth-bass grooves atop a breakbeat, the vocal chopped and diced tastefully. Balearic street soul vibes, a hypnotic and heady five minutes. Beautiful business.
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Following from a.s.o. 's self-titled LP, we have a set of remixes taking their trip-hop torch songs in new and different directions.
Under his Lew E moniker, Lewie Day takes 'Go On' for a trip to trance-town. Brooding minor key menace as Alia Seror-O'Neil's melancholic vocal gets twisted into strange shapes, eventually becoming an instrument of its own. Mutating from the organic to the synthetic during an adrenaline-racing breakdown. Day sounds like he's having a great deal of fun playing with and defying the conventions of the genre.
Maara explores a similar space on her re-rub of 'My Baby's Got It Out For Me'. Once again, Seror-O'Neil's voice is flexed and warped, spinning around the stereo field, as emotive as she ever sounds but more abstracted. Gossamer light with a heavyweight trance chassis - an iron fist in a lace glove.
Rising star Cousin moves in an earthier and more dubwise fashion on his remix of 'Falling Under.' His trademark shuffling, layered percussion comes with gnarly electronics and blissed-out synths. All the while, that vocal refrain leads us through the bong smoke toward the light. A work of restraint and release, the perfect fit for a.s.o.
Purelink's redo of 'Rain Down' is closer stylistically to the original. Bubbling synth-bass grooves atop a breakbeat, the vocal chopped and diced tastefully. Balearic street soul vibes, a hypnotic and heady five minutes. Beautiful business.
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Atlantic Brain - A1 Brother
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Atlantic Brain - A2 Sticky Fingers
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Atlantic Brain - A3 Brother (Alan Dixon Piano Reprise Remix)
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Atlantic Brain - B1 Brother (Alan Dixon Love Attack Remix)
5
Atlantic Brain - B2 The New Normal
EP, Genre: Deep House, Disco
Tracklist 12":
A1 Brother
A2 Sticky Fingers
A3 Brother (Alan Dixon Piano Reprise Remix)
B1 Brother (Alan Dixon Love Attack Remix)
B2 The New Normal
Short Info:
With a long and winding career working with Kris Menace, remixing the likes of Depeche Mode and LCD Soundsystem,
being remixed by Deadmau5, composing filmmusic,the Munich-based producer Philip Leroi now lands his Atlantic Brain-project
for a full EP on Internasjonal. He has previously contributed to our Internasjonal Space Station Compilation 1.
Wonderboy Alan Dixon contributes with not less than 2 remixes of "Brother", while Prins Thomas helped
tighten the mixdown slightly.
Internasjonal HQ September 2023
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Tracklist 12":
A1 Brother
A2 Sticky Fingers
A3 Brother (Alan Dixon Piano Reprise Remix)
B1 Brother (Alan Dixon Love Attack Remix)
B2 The New Normal
Short Info:
With a long and winding career working with Kris Menace, remixing the likes of Depeche Mode and LCD Soundsystem,
being remixed by Deadmau5, composing filmmusic,the Munich-based producer Philip Leroi now lands his Atlantic Brain-project
for a full EP on Internasjonal. He has previously contributed to our Internasjonal Space Station Compilation 1.
Wonderboy Alan Dixon contributes with not less than 2 remixes of "Brother", while Prins Thomas helped
tighten the mixdown slightly.
Internasjonal HQ September 2023
More
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Yuto Takei - Tinu
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Yuto Takei - Water Index 92
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Yuto Takei - Usual Nikko
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Yuto Takei - Ev22
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Yuto Takei - From Outer 273
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Yuto Takei - Balabadur
Tokyo based Yuto Takei's latest work is an assortment of numbers that represents fairly well his versatility as a music maker. His capability of painting afterglow soundscapes with a cinematic approach is counterpoised by an almost obsessive interest in percussive experiments. The sparse presence of subtle natural field recordings together with vast open sonic spaces is recurrently sustained by repetitive semi-artificial and frantic cosmic repetitions. Comes with a riso-printed insert, handstamped innersleeve, and a label sticker.
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Gary Martin And Javonntte - Zurvan
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Gary Martin And Javonntte - The Infinite Time Mix 1
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Gary Martin And Javonntte - The Infinite Time Mix 2
Exhausted from a 3 years in the making album called Lagarius released in 2023. Gary Martin had a plan to not work in the studio this summer until he realized his Facebook keyboard playing friend named Brian Mars was a.k.a. Javonntte the writer of an exceptional good song on The Mahogany compilation released that year. Gary created the beat for The Infinite Time and Brian sent the bass line and the keys. Then, picking the exotic scale called Persian was how the creation of Zurvan started. Gary Made the beat and Brian sent the bass line and the keys and Lot’s of Teknotika studio wizardry followed to complete this concept Ep.
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