Territories: WORLD excluding Scandinavia

Indie Dance, Alternative, New Disco, Independent

TRACKLIST:
A1. Corridor Of Dreams feat. Systur (Sisy Ey) & Oilly Wallace
A2. Ugle (Drømmen Om Møn)
A3. So Much feat. Woolfy
A4. I Was There
A5. Tears We Haven’t Cried feat. Toby Ernest
A6. Save Me feat. Toby Ernest & Oilly Walace
B1. Conversations feat. Systur (Sisy Ey)
B2. Le Trois
B3. Love My Way feat. Jacob Bellens
B4. Club Paradisco
B5. Coming Home feat. Toby Ernest
B6. Reflector (Reprise)

SHORT INFO:
Just when you thought you had Kasper Bjørke figured out he comes back with another great musical surprise. His new album Puzzles, which will be released April 5th on hfn music, follows two recent collaborative EPs on Live at Robert Johnson and Mule Musiq as well as his second Kasper Bjørke Quartet neoclassical/ambient album Mother on Kompakt.
Puzzles is Kasper’s love letter to the sound of early 2000s New York - merged with his Scandinavian sense of producing songs that goes beyond conventional club music; combining disco tinged instrumentations mixed with elements of 80s funk, jazz and contemporary pop songwriting, creating something familiar yet, something very fresh and innovative at the same time.
The album includes collaborations with a wide range of musicians and vocalists. From California based indie-disco troubadour Woolfy (DFA, Rong, Permanent Vacation etc.) to the Icelandic dream-folk trio Systur aka Sísý Ey (who also featured on Kasper’s 2014 single Apart, where the Michael Mayer remix became a timeless club anthem), as well as other longtime collaborators and artist friends: Toby Ernest, Jacob Bellens, WhoMadeWho’s Tomas Høffding on bass, Posh Isolation affiliate Frederik Valentin on guitar and the young, rising jazz star Oilly Wallace on saxophone and flute. Essentially, the majority of Puzzles is played and recorded live, including the drums by Rasmus Littauer (School of X, MØ). Many of the songs emerged from chord progressions written during studio sessions between Kasper and Toby - which Kasper then produced into a colourful and effective album, rooted in an expressive live feeling far from programmed patterns.
Puzzles is a new step for Kasper as a producer and artist, showcasing his ability to move and flow freely between genres and expressions, however still deeply rooted in his love and affection for the classic disco groove - which is only natural after more than two decades as an active DJ.
Another piece has been added to the musical puzzle of Kasper Bjørke More

Territories: WORLD excluding Scandinavia

LP, Chrystal clear vinyl

GENRE/S: Alternative, Dream Pop, Indie Dance, Independent

TRACKLIST:
A1. Two Hearts
A2. Midnight Fay
A3. Melting Point
A4. Secret Sharing
A5. Hungry Moon
B1. Lunar Lander
B2. Reclaim The Night
B3. Nightmares
B4. Spell
B5. Tall Ship

SHORT INFO:
Lisbet Fritze and Louise Foo have shared artistic trajectories for half of their lives, having been two thirds of pop noir purveyors Giana Factory. As Glas, the duo reveals a patchwork of everyday observations rooted in significant life changes: moving countries, becoming a mother, keeping sane with and without a significant other. The music conveys a quest for balance, riding the line between doomy drama and playing it cool.
Their 10 song, self-produced debut, Kisses Like Feathers, will be released, worldwide in March 2023, through Hamburg’s hfn music. All lyrics, vocals and instruments were performed by Glas, and recorded in their studio. The album was mixed by Anders Trentemøller, with artwork by Brunswicker studio
The Copenhagen-based duo have never been short on inspiration. Lisbet has lent her vocal and guitar talents to Trentemøller, in both the studio and on stage. Louise has explored immersive music with avant-pop project SØSTR, along with her sister, Sharin Foo of The Raveonettes. Lisbet’s other life involves architectural design. Louise works with sound installations in a visual arts context. The musical ideas of these two polymaths find coherence in the newly-formed Glas.
Kisses Like Feathers embody Nordic duality. Dark at times, it also presents with an open ethereality. Some songs feel tailor-made for a club’s sound system. Others lend themselves to intimate, headphone moments. While Lisbet and Louise’s harmonious vocal stack is the common thread throughout the album, the musical fabric is interlaced with acoustic, electric, and electronic instruments. Lo-fi piano and acoustic guitars share a reciprocal space with rich, synthetic orchestration. Galloping, modern rhythms and folk arrangements are often featured in the same song. These elements, and so many others, buttress the pair’s hymns.


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Territories: WORLD excluding Scandinavia

LP, download code

TRACKLIST:
A1. It Ain’t No Wonder
A2. Glad You Came
A3. Not As Manic As I Used To Be
A4. Want What I Can’t Have
A5. Ride My Wave
B1. I Can’t Live My Life Like This
B2. Doing Fine feat. M.I.L.K.
B3. Nothing Comes Easy
B4. Stardust

SHORT INFO:
Jacob Bellens’ new solo Off My Meds took shape over two turbulent years in Jacob’s life. Several major life events happened back to back in a very short time, and it ended up breaking him down to a point of total exhaustion. The energy needed to uphold the outer self we all need to function was no longer there, and his inner actual beliefs and values began to show themselves one by one, which was not pretty to look at. Change was inevitable, simply because the price of not changing would be much higher in the long term.
The album is a pop-poem about accepting the premise of the life given to you. It is an ode to the perils of modern existence and our birthgiven right to love, laugh and cry, whatever hand we may have been dealt to begin with. Lyrically it is centered around self care and the courage to love someone and be loved in return. About taking responsibility for everything in your life instead of using your life history as an excuse for not living, no matter how tragic or unique your situation might be or seem to yourself.
Musically it draws upon an eclectic mix of influences and genres, while still maintaining a distinct underlying red thread throughout the album. It is a melancholic funk hybrid with a positive DNA, and though it sounds like pop music in the best sense of the word, it doesn’t quite look and feel like pop music. It is rather a collection of sounds and feelings put into words that are deeply personal - but personal for all.

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CD Digipac

GENRE/S: Pop, Indietronic, Electronic

TRACKLISTS:
01. Awake
02. In This
03. Universe
04. I Had To
05. Run
06. Thought It Was
07. The Only Way
08. Tumbled
09. Again And Again
10. I Am Never
11. Giving
12. Up
13. For The Blue Sky

SHORT INFO:
For The Blue Sky is a captivating, visionary and melancholic debut-album written out of the infinite, yet often clouded source of honesty by one of the most interesting new talent from the Nordics.
While the music floats through the sphere of electronic Pop with a distinctive undertone, the lyrics tell the story of a reflective mind treating everyday doubts and large feelings. If you have ever been feeling pressure or doubts related to giving your all and being your best self, chances are that Frum’s honest and courageous texts will resonate with you. Listening to Frum’s silky voice and the atmospheric and light vibes of the album, one can’t help but feel like being part of a movie. Frum aka Jenný Jónsdóttir Kragesteen is an artist from the Faroe Islands, 18 small islands in the North Atlantic. Growing up on these tiny islands, Frum has always had a profound curiosity for the world and space around her. This eventually led her to study a degree in philosophy.


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Territories: WORLD excluding Scandinavia, Germany/Austria

LP, download code

Tracklist:
A1. Isola
A2. Glassy
A3. Baybi
A4. Running
A5. Kites
A6. Bon Voyage
A7. Biarritz
B1. Palace
B2. Sommervej
B3. Grace
B4. Mirage
B5. RDVSpecial
B6. Viewwws

Release Info:
Sprinkles sounds like a utopian postcard - sent from the past and with hopes for the future.
Recorded and produced on his laptop, while spending extensive periods of time in a cabin by the beach in a remote part of Denmark, Kasper Bjørke draws on what currently feels like distant memories; experiences of energy and euphoria from club the countless DJ gigs around the world, during his career which spans over two decades. Rooted in a colorful sound - filled with light and warmth - the balearic vibes and dream house grooves merge with synth choirs, guitars, fretless and acid bass lines and intertwine playfully into a sonic stream of consciousness; a mirage of the past and what will be.
Visual artist Luca Bjørnsten´’s mesmerizing work “Sprinkles”, picturing an empty, lush and colorful garden with a large, romantic fountain perfectly embodies the surreal scenario that we have all become much too familiar with. The 13 track instrumental album follows a string of singles this spring and summer and is as a breath of fresh air and a much needed, warm ray of sunshine.

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Territories: WORLD excluding Scandinavia, Germany/Austria, Japan

LP, download code, 60x60 full colour poster

Tracklist:
A1. Amandas Lullaby
A2. Nevada (feat. Eivør)
A3. Diamond Breeze
A4. Labyrinth Faced Man
A5. Emma Spins
A6. Someone We Used To Love
A7. LSD Heart
B1. Guilty (Kill Me)
B2. The Gadget Song
B3. Amandas Dream
B4. Go Slow But Go
B5. Heavier in Life (feat. Lasse Ziegler)
B6. If You Want Capacity
B7. Hotel Ads

Release Info:
Lydmor's new album 'Capacity' is a musical maze full of alluring mysteries. At the same time, it is part of a process of liberation, which is about opening oneself up and discovering one's capacity. For her previous album, Lydmor travelled to Shanghai. But on her new album, Lydmor has mostly travelled deep into herself. 'Capacity' is a contrasting musical work where fiction and reality merge into a multifaceted sound universe. It is the electronic pop artist's most personal, complex and conceptual album to date. There is almost a David Lynch'ish cut about 'Capacity'. The album is like a winding maze where it is difficult to decipher what is real and what is an illusion. Like a book with countless narratives. Without conclusions. Ambiguous. Full of alluring mysteries, dreams, reflections and messages about gender, identity, love, guilt and liberation. Rich in contrasts: Black/white. Silence/noise. Weakness/strength. Fiction/reality. Labyrinth/compass.
Multiple media has compared the quirky voice to the likes of Grimes, Kate Bush or Björk but inevitably the comparisons fall short. (Kaltblut Magazine) - With brutal honesty, unbelievable vulnerability and yet dreamy, she sings the soul out in her pulsating electronic pop songs. The soft, bright voice is deceptive. Denmark's "hidden gem" is a must-listen. (Flux FM) - She is every bit as innovative as Madonna ever was when she started out. Lydmor ticks all the boxes; the girl has everything. For my money she’s the most ground-breaking, inventive artist in Europe right now, possibly in the world. (God Is In The TV, UK) - A unique artist who somehow manages to combine sophisticated and subtle balladry with strident electronic pop, I’ve declared previously that I believe she is only one step away from becoming a big name. Perhaps the feelings are supposed to be mutually inclusive, as the song swings musically from simply cold to complexly hot. It is one that does try to combine both sides of her song writing persona, the introverted balladry and the more elaborate, extrovert electro-pop. (Nordic Music Review) - Revolting pop pathos, primed with pumped up beats. (Negative White, Switzerland)
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Territories: WORLD excluding Scandinavia, Germany/Austria

LP, download code, printed innersleeve

Tracklist:
A1. Enterprise
A2. Summer Sadness
A3. Bread and Butter
A4. I Want You
A5. Daylight
B1. Sun Has Gone
B2. Heavy Duty
B3. Till The Walls Come Down Around Us
B4. Electric Tension

Release Info:
Entitled ‘My Heart Is Hungry And The Days Go By So Quickly’ Danish singer and songwriter Jacob Bellens presents his fifth solo album. Thanks to his unique voice and his talent for heartfelt melodies, over the years Jacob, also known as frontman of I Got You On Tape and Murder, has become one of the most distinctive figures on the Scandinavian music scene. Slightly darker in tone than its predecessors ‘Trail Of Intuition’ (2018) or ‘Polyester Skin’ (2016), the new album lets us see the world through Jacob’s eyes.
Somewhere between left-field pop and a classical singer/songwriter approach, the songs were recorded in two sessions with producer Mads Brinch, drummer Tobias Laust, bass player Jonas Westergaard, keyboardist Malthe Rostrup and guitarist Tobias Fuglsang. “So many good friends and amazing instrumentalists have contributed to the sound“, explained Jacob. “And mostly, people were playing what they felt the song needed, which was an incredibly inspiring way of just letting the process develop naturally, and take on a life of its own.” As such, the recordings give off a distinct light-footed and organic feel. Rich in metaphors, the lyrics deal with personal perceptions based on everyday life occurrences that at the same time hint at the meaning of life in general - or at least suggest a higher perspective. The sonical expression is timeless but also modernistic and the lyrical point of view is refreshingly diverse, never just black or white. The sad songs have uplifting, often surreal qualities, and the lighter, uptempo songs also invite to a certain darkness. A flower basket full of difficult emotions, sprinkled with magical fairy dust that somehow makes everything worthwhile.


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Territories: WORLD excluding Scandinavia, Germany/Austria

LP + download code

Tracklist:
A1. Here
A2. Feather
A3. Vanishing Point
A4. Staring At The Sun (Album Version)
A5. Diamond Dust
A6. Monolith
B1. First, Everything
B2. Hanami
B3. Carvings
B4. Ephemeral Objects
B5. Golden Hour
B6. Mojave Booth

Release Info
Comprising producer-engineer Joel Krozer ((Clark (Warp), Smerz (XL Recordings), When Saints Go Machine (Escho)) and Brian Della Valle (singer-songwriter of Of The Valley) the Copenhagen based duo got together when Joel heard Brian recording in the studio below his. Their encounter led to a series of late-night recording sessions, together with collaborator Søren Holme, that quickly became the cornerstone of their partnership and the formation of Fluqx. Monolith is the exceptional debut album of Fluqx and offers state of the art production and highly creative Electronica tracks with that special something. The sound of Fluqx is distinct - a merging of deeply warped synthesizers, swirling textures and Brian’s affecting vocals. There is a versatile range of sounds and atmospheres across these twelve tracks - from the delicate arpeggios of ‘Carvings’ and ‘Ephemeral Objects’, to the massive drum sounds and cutting synth leads of ‘Monolith’ and ‘Hanami’. Della Valle’s warm falsetto navigates through this dynamic landscape with ease and hooks the listener in on tracks like ‘Feather’ and ‘Staring At The Sun’, whilst providing space to breathe on tracks like ‘Here‘ and ‘Golden Hour‘. Elsewhere, ambient, droney textures are at the forefront on ‘Mojave Booth’ and ‘Diamond Dust’, maintaining the dreamy, otherworldly nature of the Fluqx sound.




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WORLD EXCL SCANDINAVIA; 10” colored white vinyl, limited edition

Tracklist:
A. Lovable (Trentemøller Remix)
B. Lovable (Trentemøller Remix Instrumental)

Release Info:
A new release this winter marks a landmark moment in an important musical story. Way back in little 2009, the label hfn music was born in Hamburg, and made its introduction to the world with the release of the Trentemøller compilation Harbour Boat Trips: 01 Copenhagen.
Founder Tobias Lampe wanted to start a label that was more broad in scope than his previous, more electronic-focused projects, and the compilation provided the perfect opportunity to launch one. In the 10 years since then, the label has survived the whirlpool waters of the early 21st century’s constantly changing music industry, and released everything from pop to art-punk, with artists ranging from New York to the Faroe Islands.
Now, they’re about to put out their 100th release. Fittingly, given the label’s focus on new and innovative music, and the historic aspect of the release, hfn100 sees one of hfn’s best songs of 2019 put into the hands of the man it all started with, Anders Trentemøller. His Danish compatriots Blaue Blume’s new album Bell Of Wool is one of hfn’s standout releases this year, and so hfn100 sees Trentemøller remix one of that record’s standout tracks, the fragile, but soaring “Lovable”.
In Blaue Blume’s original, “Lovable” is an airy, tormented song, a gossamer-delicate composition that carefully stitches together layers and layers of shining synths that gradually build up and up into a peak, before crashing into a subtle beat, a musical journey that mirrors vocalist Jonas Smith’s trip from anguish to numbness. Whereas the original’s music sounds woven together from light, Trentemøller takes it into darker territory. He hooks the song to a harsh, sparse beat leaving Smith’s vocals bare and isolated in the burnt-out, dystopic musical landscape he creates.
Trentemøller mirrors the original’s careful building up, adding new elements to fill in the song’s sound, before it collapses into a tough, noir disco groove. It’s a perfectly realised remix – Trentemøller keeps the original song’s skeleton and soul, but fills in the space with sonic touches that could be no one else’s but his.Ultimately, it’s a fitting song for hfn’s hundredth release. For a label that’s always been a platform for its boundary-pushing artists, a collaboration between two of them, that sees an already innovative song pushed into a bold new shape is the perfect way for hfn to step into the next 100 releases..
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Territories: WORLD excluding Scandinavia, Germany/Austria

LP + colored clear orange vinyl + download code

Tracklist:
A1. Water (feat. Toby Ernest)
A2. Seabird (feat. Christian d’Or & Toby Ernest)
A3. Du Du Du (feat. Tomas Høffding)
A4. Nothing Gold Can Stay (feat. Justin Strauss)
B1. Venetian Blinds
B2. Dreamers (A Tribute to Laurie)
B3. Oceans of Time

Release Info:
After a three year absence, Kasper Bjørke returns to hfn music with a sublime new double EP entitled
“Nothing Gold Can Stay”. Having followed a deeply personal ambient music path that last year led to
the release of “Kasper Bjørke Quartet: The Fifty Eleven Project” on Kompakt Records, (named 5th
Best Contemporary Album 2018 in The Guardian), Kasper has found his way back to producing some
of his signature leftfield danceable beats, which “the past decade has seen Bjørke steadily rising amongst the ranks of artful, eclectic electronic producers…” (XLR8R).The Double EP “Nothing Gold Can Stay” explores both the analogue and organic side of his production work on Side A - while Side B reflects on sounds that he would play today, in one of his nightclub DJ sets. Side A contains four collaborations with four friends from LA, New York and Copenhagen. “Water” feat. Toby Ernest, the slow mo opener to the EP, revives the partnership with Toby that was last seen on 2014’s After Forever album (on the single “Rush”). Toby also provides the vocals on the cover version of Alessi Brothers’ 1975 classic “Seabird” - a track that came about through Kasper’s friendship and musical synergy with DJ and vinyl digger Christian d’Or, who is lead crooning while Toby delivers his signature falsetto. The “Seabird” cover adds a distinct contemporary feeling to the original version while staying true and respectful to the delivery and mood of the songs core. The 2nd half of the release, Side B, is directly aimed at the floor. Having stepped away from releasing club jams for a few years, Kasper is clearly enjoying getting back to the business of making people move. Side B of Nothing Gold Can Stay is both a testament to Kasper’s versatility as a producer and an all-out dancefloor assault, made with precision and sensitivity.


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LP + mp3

Tracklist:
A1 The Oldest Sons Of The Oldest Sons
A2. Our Earlier Years
A3. Space Metal
A4. Palace Walls
A5. Epitaphs
B1. Hotels
B2. Neil Young/Cues
B3. Small Sacrifices
B4. J Girls
B5. July 9th

Release Info:
Made up of Dave Harrington (Darkside/Dave Harrington Group) and Benjamin Jay (NDF/Benoit & Sergio), Lights Fluorescent is, as the two describe it, an ‘experiment in the spaces between song and texture, idea and reference, past and present.’ On their debut album, The Oldest Sons Of The Oldest Sons, the duo develops an atmospheric, slant-pop sensibility that lists toward the experimental tendencies of improvisational and ambient music.
The result is a set of songs meant to be lived with. Entirely percussion-less, recordings drift on a tenderness of guitar, revenant feedback and vocals of autumnal intimation. Space Metal and July 9th process layers of bespoke noise and washed out chords to tarry with integral depth, light, and shadow, while Hotels distills country-western longing into its nth dimensional essence always unrequited.
From within these sonic panoramas, vocals emerge more as watercolor traces than coarse etchings. They aim to capture evocative, lyrical intensities, eschewing the solace of the literal. As such, the album favors 'the gestural, the implicit, and the miniature over the more adolescent urges of grand narratives and epic.’ These preferences map onto the album in all of its moves. J Girls reveals a hint of story buried, like its context, deep in whorls of feedback. Fleeting images of monuments, cathedrals, or epitaphs on tracks like Palace Walls or Small Sacrifices speak to a sense of memory and community paradoxically ungrounded by the material instantiations meant to keep things in place.


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Territories: WORLD excluding Scandinavia, Germany/Austria

LP + download code

Tracklist:
A1. Swimmer
A2. Someday
A3. Morgensol
A4. Vanilla
A5. Rain Rain
B1. Bombard
B2. Sobs
B3. Lovable
B4. New Navel

Release Info:
Blaue Blume are a Danish alternative art pop band with a deep connection to the romanticism of the early 80s UK scene. Referencing artists such as Talk Talk, The Smiths and Cocteau Twins, it's clear their influences are with the more sensitive, magical aspects of music - and the eternal questions of love, life and death. Following two singles (Lovable and Vanilla) the album Bell of Wool is finally with us. It’s suitably enchanting from start to finish. Two themes dominate Blaue Blume’s new album Bell Of Wool, darkness and adventure. With the record mostly made before singer Jonas Smith slipped into a depressive episode, the album’s lyrics and moods draw pictures of the darkness, anxiety and tension that would mark Smith’s depression. Sonically, the album sounds a distance away from anything they’ve done before. Indie and electro pop and rock are out, and instead the album is crafted from soft, glowing synthscapes, dawns and skies transformed into sounds. Even on hints of their older work, like on the acoustics of “Rain Rain”, the synthwork comes into the picture and swells the song into something bigger and more majestic. Opener “Swimmer” introduces the listener to the softness and subtlety of the new sound, whereas songs like “Morgensol” and “Bombard” show it at its biggest and more grand.



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Cassette + mp3
kds010 EAN: 4250382438496 Presale: 09.08.2019 Release: 23.08.2019


A1. Mtvare (??????)
A2. Kite
A3. Rash
A4. Cure
A5. Suli (????)
A6. Wave

B1. Kinder
B2. Heal
B3. Only
B4. Badiou
B5. Nectar
B6. When
B7. Hope
B8. Salt
B9. Dirt


Fleeing her Soviet ruled home of Tbisili at a young age with her parents, Saze grew up as a nomad living in Russia, France, Canada and the USA before finally settling down and pursuing a career in NYC. A classically trained musician and dancer, before long the Georgian turned her back on corporate life to pour her heart and soul into the arts. Becoming a diligent and versatile electronic music producer, DJ and live act, Sophia Saze is as comfortable sculpting intricate and atmospheric productions in the studio as she is decimating dancefloors with robust Techno and frenetic Breaks.
Reflecting on her turbulent life and how it’s formed her own identity, Saze composed her aptly titled debut album, ‘Self’. Released on cassette in two instalments, ‘Part I’ dropped in June and was critically acclaimed with support from the likes of BBC 6MUSIC’s Tom Ravenscroft, Mixmag, DJ Mag, XLR8R, Resident Advisor, Future Music, Attack Magazine, TRAX, Tsugi, Ransom Note and Groove Magazine, with the latter drawing a parallel between hers and Burial’s music.
Completing the journey, ‘Part II’ meanders through genres like Ambient, Hip Hop and Breaks, and features very personal insights including handpicked samples from Soviet television shows and VHS cassette recordings from her childhood.
Hidden allusions of her classical music education bring up distant memories and melt together the organic but thoroughly electronic ambience. Crackles, hushes and hisses are elaborated so well that the record virtually gushes over the ears like mountain torrents. It appears peaceful and quiet, then rousing and it is sparked with bewildering sounds. It lets scattered beats arise from the thicket and drown again in streams of noise. But in the end, especially the haunting seriousness of the album is compelling. As a concept album, ‘Self’ consists of short and precise tracks mixed together, signifying a proper way to redefine a musical work in the modern age.
Mixed by commended Kingdoms label head Francis Harris, Sophia Saze’s detailed sound-design is brought to the front for an illuminating listening experience.

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Casstte + mp3
kds009 EAN: 4250382438489 Presale: 31.05.2019 Release: 14.06.2019


A1. Salome
A2. Bare
A3. Tsminda
A4. Punches
A5. Howl
B1. Flower
B2. Orbits
B3. Volk
B4. De Dios
B5. Torn
B6. Safe
B7. Kera
B8. Mirror Mirror
B9. Aliens

Georgian artist Sophia Saze releases her debut two-part album 'Self' on Francis Harris' Kingdoms imprint, with part one dropping on cassette this June. "The record embodies my story of duality within the context of identity, insomuch as the idea that every person has a deeper layer we don't show on the surface."
Born in Tbilisi, Sophia Saze is the daughter of political refugees who's spent her life living in numerous different countries before eventually finding home in Brooklyn. Finding it difficult to find her own identity due to living a nomadic lifestyle, the classically trained musician became entangled with electronic music before becoming a key player within New York's nightlife scene and launching her Dusk & Haze imprint in 2017.
A reflection of her struggles throughout life, 'Self' is very much a memoir of the many different places she's lived during her journey, including Georgia, Russia, USA, France and Canada. Contrasting to her recent productions, which are geared more towards the dancefloor, her debut longplayer is downtempo and features a medley of musical influences - mixed in two parts and released as a concept album on cassette. Maintaining a sonically raw feel throughout, 'Self' draws the analogy of analog to modern day digital culture whilst also taking a stance against perfection, whether integrating the distance crackle of her machines or intentional off-beat piano notes in minor. Part One was conceived, for the most part, during a sleepless yet inspired 48-hour studio session. Processed field recordings accompany samples from her childhood, such as soviet cartoons and intimate VHS recordings of her family. The result is a well-seasoned and personal story portrayed in fourteen tracks mixed together.
"I feel the element of patience is somewhat of a lost commodity in our generation, particularly for albums. We're consumed by track to track interpretations and constantly searching for the next instant stimulation. With this record, I wanted to reiterate the idea that if you don't have the willingness to sit through the whole thing, then you're not stepping into it with the right mindset to begin with."
Every artist who collaborated on the record is handpicked, such as vocalist Ricardo Rivera. The final production was also mixed by Francis Harris himself. All of their involvement means they share a fragment of the concept.
Sophia Saze 'Self' LP drops on Kingdoms on 14th June (Part One) and 12th July (Part Two) 2019.
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LP + download code

Tracklist:
A1. Hiraeth
A2. Kismet (Kisnot Edit)
A3. Fukitall
B1. Speak Sweetly
B2. Morgenfrisk
B3. Eggo

Six years after his latest LP ‘Busted With A Bag Of Bliss’ came out on My Favourite Robot, Canadian indie electronica master Sid Le Rock returns with his fifth studio album ‘Scenic Route’.
The new LP, which will come out on April 26 via hafendisko, is the result of a year-long production process, marked by total creative freedom in the studio. “Reflecting the ethos of my over 15-year long music career, ‘Scenic Route’ is all about taking the long way — embracing my experiences and humility by continuing forth along a road less traveled, rather than seeking instant gratification and shortcuts in life,” Sid Le Rock says. With a total of eight LPs, four of which were released under his Sid Le Rock moniker, it’s clear that albums are the Berlin-based producer, live act, DJ and vocalist’s preferred form of expression. “I’m an album artist. I prefer the concept of an album, because it’s more intertwined with all your influences, your musical goals and directions, and you can get away with a lot more experimenting, expression and explorations than you can with an EP. EPs for me are foreplay,” he explains. Scenic Route is a musical journey through a wide palette of sounds, ranging from dancefloor tracks ‘Kismet’ and ‘Morgenfrisk’ to electro masterpieces ‘Speak Sweetly’ and ‘Hiraeth’. The album artwork has been created by Alex Solman, “the man behind the distinctive drawings for the Golden Pudel and one of the best visual artists working in music today” (Resident Advisor)
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CD, Digipac, 12 pages booklet

Tracklist CD/LP:
01. / A1. Pyrit: Time For Wind
02. / A2. A Place To Bury Strangers: Never Coming Back (Trentemøller Remix)
03. / A3. The Raveonettes: Expelled From Love
04. / A4. How Do I: Knowing Me, Knowing You
05. / A5. Kira Skov: I Celebrate My Life (Trentemøller Remix)
06. / B1. The Lollipops: Naked When You Come
07. / B2. Tropic Of Cancer: Children Of A Lesser God
08. / B3. Black Marble: Static
09. / B4. Trentemøller: One Eye Open (Trentemøller Remix HBT Edit)
10. / C1. John Maus: Hey Moon
11. / C2. Trentemøller: Transformer Man
12. / C3. Slowdive: Slomo
13. / D1. Moon Duo: Lost In Light
14. / D2. CTM: Paloma Pt.2
15. / D3. The KVB: In Deep
16. / D4. Levin Goes Lightly: 1989


Anders Trentemøller's career is a travel-heavy one, with his touring schedule taking him pretty much all over the world. But it's his home port that's inspired his latest project, the sprawling, stunning compilation mix 'Harbour Boat Trips Vol. 02: Copenhagen'. Clocking in at just over an hour long, the compilation sees Trentemøller curate and craft sixteen songs into a heavy, hazy mix that ranges from shoegaze to electronica, featuring both familiar and celebrated artists like A Place to Bury Strangers (with a new Trentemøller remix) and Slowdive to more obscure finds, as well as Trentemøller's own tracks and remixes, most notably a brand new Trentemøller cover of Neil Young's classic 'Transformer Man'.

The mix sees him pick up a thread he left off earlier in his career. In 2009 he put together 'Harbour Boat Trips - 01: Copenhagen', a compilation mix comprised of his favourite music, both Danish and international, from across four decades, loosely inspired by the motion and movement of Copenhagen's busy harbour. Closing in on a decade later, we're getting the second edition, with 'Harbour Boat Trips - 02' arriving this November.

"Sometimes, it's nice to take a break from my own stuff and present some of the music that I like and music that inspires me", says Trentemøller.

The diversity of his musical knowledge and taste is reflected in the variety of places and times the tracks are sourced from, from old Danish cult classics to some of the best new artists to surface in recent years like Paris' Pyrit and Posh Isolation's CTM. What perhaps unites the songs on the mix is their sense of heaviness, of artistic depth. There's nothing throwaway or frivolous here, a mix stretching from industrial to shoegaze instead hitting the listener in the hard places. Trentemøller's mixing highlights the qualities the songs share, their darkness but also their strange, cold beauty and ability to captivate.
Despite the songs being pulled from very different places, they share a certain spirit here they form a coherent artistic unit for an hour-long musical journey.

And according to Anders, that's the point of a project like this, to not just to collect a bunch of great songs, but to mix them in such a way that the compilation develops its own distinct artistic character, its own separate story and identity:

"I like it when a mix tells a story, and it's not just a compilation of different tracks. If the tracks together take you on some kind of journey, then it's interesting for me. That's also what I have been trying to do with this HBT release. It was very important to me that it's not just another compilation of songs but a bunch of songs that means something to me, carefully mixed together to one whole.

I think a good mix is not limited to just one style, I always try to mix music that I like without thinking of what style it is. Instead it's the mood and the atmosphere that make all these different songs blend together. It's the glue." says Trentemøller.

Like previous releases of the danish musician and producer Harbour Boat Trips Vol. 02 connects with the mood of a certain season of the year.

"I think this mix has a certain autumn vibe to it, it's quite dreamy, melancholic but also noisy and violent in certain places. I didn't want this mix to be a 'coffee table mix'. It can work as background music maybe, but I think you get the best out of it with your headphones on and letting yourself let go in the music, in the moods of the mix."

About the selection of songs Trentemøller says:
"They're songs that have followed me for years, but also songs I discovered only recently. What I like about doing a mix like this, is that I can introduce the listeners to some songs they maybe haven't heard before. A track like 'Naked When You Come' is a Danish song from the 60s by The Lollipops, a quite corny band. But they wrote this amazing song that is so unique in terms of melody and production. The intro or the core groove of it, it could easily be the foundation for a modern hip-hop tune.
Another example is a Danish band from the early 90s called How Do I, who made an incredible cover of the ABBA song 'Knowing Me, Knowing You'. Their version makes you feel the song and the lyrics much stronger through the way they approached it. It's stripped down, and the changeover between the verses and choruses gives me goosebumps. Suddenly you listen to the lyrics much more carefully, and it feels like the music somehow really fits the words in a perfect way in this cover version."

The lead single for the compilation is brand new Trentemøller release, a cover of Neil Young's 'Transformer Man', a song that wasn't an obvious choice for Anders at all. He says:
"Although I'm a huge Neil Young fan, I actually didn't know about this song until Marie Fisker (a frequent colaborator (editor's note)) played it to me when we sat down and thought about some songs that would be fun to cover for the mix. I wasn't a fan of the song and its sound in the first place, but the melody, especially the hookline, somehow caught me. The song with its super corny vocoder and disco-pop sound is quite far away from what I normally listen to and so it wasn't an obvious choice and instead I took it as a challenge to see in which direction we could take the song. I thought it could be interesting to get rid of all that disco/vocoder stuff and focus on the song itself and suddenly it shined in new splendor." It's the cover's colder, starker, more affecting sound that puts it in spiritual sync with the compilation. With Marie Fisker on vocals, it keeps the original's sense of alienation and anomie while bringing in into Trentemøller's stylistic space, music that's monochromatically beautiful and gripping.




More

LP, Gatefold Sleeve, Download-code

Tracklist CD/LP:
01. / A1. Pyrit: Time For Wind
02. / A2. A Place To Bury Strangers: Never Coming Back (Trentemøller Remix)
03. / A3. The Raveonettes: Expelled From Love
04. / A4. How Do I: Knowing Me, Knowing You
05. / A5. Kira Skov: I Celebrate My Life (Trentemøller Remix)
06. / B1. The Lollipops: Naked When You Come
07. / B2. Tropic Of Cancer: Children Of A Lesser God
08. / B3. Black Marble: Static
09. / B4. Trentemøller: One Eye Open (Trentemøller Remix HBT Edit)
10. / C1. John Maus: Hey Moon
11. / C2. Trentemøller: Transformer Man
12. / C3. Slowdive: Slomo
13. / D1. Moon Duo: Lost In Light
14. / D2. CTM: Paloma Pt.2
15. / D3. The KVB: In Deep
16. / D4. Levin Goes Lightly: 1989


Anders Trentemøller's career is a travel-heavy one, with his touring schedule taking him pretty much all over the world. But it's his home port that's inspired his latest project, the sprawling, stunning compilation mix 'Harbour Boat Trips Vol. 02: Copenhagen'. Clocking in at just over an hour long, the compilation sees Trentemøller curate and craft sixteen songs into a heavy, hazy mix that ranges from shoegaze to electronica, featuring both familiar and celebrated artists like A Place to Bury Strangers (with a new Trentemøller remix) and Slowdive to more obscure finds, as well as Trentemøller's own tracks and remixes, most notably a brand new Trentemøller cover of Neil Young's classic 'Transformer Man'.

The mix sees him pick up a thread he left off earlier in his career. In 2009 he put together 'Harbour Boat Trips - 01: Copenhagen', a compilation mix comprised of his favourite music, both Danish and international, from across four decades, loosely inspired by the motion and movement of Copenhagen's busy harbour. Closing in on a decade later, we're getting the second edition, with 'Harbour Boat Trips - 02' arriving this November.

"Sometimes, it's nice to take a break from my own stuff and present some of the music that I like and music that inspires me", says Trentemøller.

The diversity of his musical knowledge and taste is reflected in the variety of places and times the tracks are sourced from, from old Danish cult classics to some of the best new artists to surface in recent years like Paris' Pyrit and Posh Isolation's CTM. What perhaps unites the songs on the mix is their sense of heaviness, of artistic depth. There's nothing throwaway or frivolous here, a mix stretching from industrial to shoegaze instead hitting the listener in the hard places. Trentemøller's mixing highlights the qualities the songs share, their darkness but also their strange, cold beauty and ability to captivate.
Despite the songs being pulled from very different places, they share a certain spirit here they form a coherent artistic unit for an hour-long musical journey.

And according to Anders, that's the point of a project like this, to not just to collect a bunch of great songs, but to mix them in such a way that the compilation develops its own distinct artistic character, its own separate story and identity:

"I like it when a mix tells a story, and it's not just a compilation of different tracks. If the tracks together take you on some kind of journey, then it's interesting for me. That's also what I have been trying to do with this HBT release. It was very important to me that it's not just another compilation of songs but a bunch of songs that means something to me, carefully mixed together to one whole.

I think a good mix is not limited to just one style, I always try to mix music that I like without thinking of what style it is. Instead it's the mood and the atmosphere that make all these different songs blend together. It's the glue." says Trentemøller.

Like previous releases of the danish musician and producer Harbour Boat Trips Vol. 02 connects with the mood of a certain season of the year.

"I think this mix has a certain autumn vibe to it, it's quite dreamy, melancholic but also noisy and violent in certain places. I didn't want this mix to be a 'coffee table mix'. It can work as background music maybe, but I think you get the best out of it with your headphones on and letting yourself let go in the music, in the moods of the mix."

About the selection of songs Trentemøller says:
"They're songs that have followed me for years, but also songs I discovered only recently. What I like about doing a mix like this, is that I can introduce the listeners to some songs they maybe haven't heard before. A track like 'Naked When You Come' is a Danish song from the 60s by The Lollipops, a quite corny band. But they wrote this amazing song that is so unique in terms of melody and production. The intro or the core groove of it, it could easily be the foundation for a modern hip-hop tune.
Another example is a Danish band from the early 90s called How Do I, who made an incredible cover of the ABBA song 'Knowing Me, Knowing You'. Their version makes you feel the song and the lyrics much stronger through the way they approached it. It's stripped down, and the changeover between the verses and choruses gives me goosebumps. Suddenly you listen to the lyrics much more carefully, and it feels like the music somehow really fits the words in a perfect way in this cover version."

The lead single for the compilation is brand new Trentemøller release, a cover of Neil Young's 'Transformer Man', a song that wasn't an obvious choice for Anders at all. He says:
"Although I'm a huge Neil Young fan, I actually didn't know about this song until Marie Fisker (a frequent colaborator (editor's note)) played it to me when we sat down and thought about some songs that would be fun to cover for the mix. I wasn't a fan of the song and its sound in the first place, but the melody, especially the hookline, somehow caught me. The song with its super corny vocoder and disco-pop sound is quite far away from what I normally listen to and so it wasn't an obvious choice and instead I took it as a challenge to see in which direction we could take the song. I thought it could be interesting to get rid of all that disco/vocoder stuff and focus on the song itself and suddenly it shined in new splendor." It's the cover's colder, starker, more affecting sound that puts it in spiritual sync with the compilation. With Marie Fisker on vocals, it keeps the original's sense of alienation and anomie while bringing in into Trentemøller's stylistic space, music that's monochromatically beautiful and gripping.




More

LP + mp3 incl. bonus track

A1. Sermon To The Birds
A2. Carnivorous Flower
A3. Untitled #34
B1. Sunless
B2. Nightfall
B3. That Obscure Object
B4. The Nile

Kingdoms welcomes Finnish composer, producer, visual artist and filmmaker Hannu Karjalainen. His recording career now spans over a decade, beginning under the pseudonym Hannu and later under his full name for 'A Handful Of Dust Is A Desert' on Karaoke Kalk.

Now, this seven track mini album on Francis Harris' Kingdoms sees Karjalainen continue his explorations in new directions - touching on field recordings, soundscapes and esoteric instrumentation to build a truly meditative and moving record.

'Drift' begins with 'Sermon to the Birds', featuring beautiful plucked strings and ambient atmospheres, before 'Carnivorous Flower' casts us into enormous otherworldly dronescapes.
'Untitled #34' brings about a beat of sorts, but deeply deconstructed to a crawl, allowing acres of space between the hits and sub bass pulses. 'Sunless' is, conversely, a ray of light - bright, weightless pads provide the feeling of being completely cut adrift. Segueing into 'Nightfall', the tones become a little duskier and more intense, building throughout the track.
'That Obscure Object' is another trip into the space, as white noise and fragments of melody intersect. The album ends with 'The Nile' - a treated piano plays a haunting melodic sequence, seemingly suspended in air. It's a beautiful, emotional conclusion to an album that encourages the listener to take the time to experience its many pleasures.

More

Territory: World except France and Belgium

GENRE/S: Electronic / Techno / Dub

TRACKLISTS: CD

GENRE/S:

Electronic / Techno / Dub

TRACKLISTS:


CD

1.
THE DOUBLE BONG CLOUD (DENIAL I)
Deadbeat
07:29
2.
STRAIGHT NO CHASER (DENIAL II)
Deadbeat
07:31
3.
TOUGH LOVE (ANGER I)
Deadbeat
07:22
4.
BRICK STICK BLICK BLADE (ANGER II)
Deadbeat
07:35
5.
HUEY LEWIS VOTERS DUB (NEGOTIATION)
Deadbeat
07:29
6.
THINGS FALL APART (DEPRESSION)
Deadbeat
08:00
7.
WITH GRAND TREPIDITION (ACCEPTANCE I)
Deadbeat
07:24
8.
MOUNTAINS FROM MOLE HILLS (ACCEPTANCE II)
Deadbeat
07:30


4. SHORT INFO:
Over the past 24 years, Scott Monteith's Deadbeat project has spanned a dizzying array of musical references and genres, exploring everything from left-field reggae to downbeat experiments, purifying drone excursions and ambient noise, extranational percussion workouts, and hypnotic techno and house.

5. VITAL SALES POINTS:

In the last 24 years Scott Monteith's Deadbeat project has covered a dizzying array of musical references and genres, exploring everything from from left field reggae and downbeat experiments, purifying drone and ambient noise excursions, outer-national percussion work outs, and hypnotic techno and house.
On his first solo album in 5 years, Monteith offers up what is perhaps the most powerful, tightly dance floor focused album of his storied carrier, and a soul cleansing, poignant sound track to the fears and hardships of a world gone mad, entitled Kübler-Ross Soliloquies.
The Kübler-Ross model describes the five stages of grief: denial, anger, bargaining, depression and acceptance. A soliloquy is defined as an act of speaking one's thoughts aloud alone by oneself or regardless of any hearers.
Over the album's 8 tracks, Monteith explores each of these stages with a clear eyed focus and confidence that are a testament to his dual role as a kind, smiling musical selector and monkish technological nerd ball of the highest order.


More

2LP, Gatefold, Vinyl color: clear marble , 2023 repress

GENRE/S: Melodic House & Techno, Electronica, Organic House
TRACKLISTS:
A
1. Haussmann
2. What Is Real feat. Liset Alea
B
3. Polaroïd
4. Blisss
C
5. Santa Cruz
6. Here To Forget You feat. Liset Alea
D
7. Monolith Garden
8. Nairobi
soundcloud.com/rodriguezjrmusic | facebook.com/rodriguezjrmusic | instagram.com/rodriguezjrmusic
soundcloud.com/mobilee-records| facebook.com/mobilee
4. SHORT INFO:
Electronic music visionary Rodriguez Jr. presents his third album BLISSS on the revered
Berlin-based label Mobilee, set for release on both vinyl and digital this April. The LP sees his
creative imagination run free and results in his most inspired work to date.
Rodriguez Jr. has championed a captivating sound of melodic house and techno that cannot be
pigeonholed, his vast experience of electronica making him the world-renowned producer and live
performer he is today. In 2017 he released the stunning Baobab album, the follow up to his
impressive debut Bittersweet and BLISSS is the next exciting chapter to be unveiled. Inspired by the
deep rooted and wide ranging influences of Olivier Mateu including the literary atmospheres of
Modiano and monochromatic paintings of Pierre Soulages, BLISSS rewards fans both old and new
ARTIST: RODRIGUEZ JR.
TITLE: BLISSS (Limited Re-Press)
LABEL: MOBILEE RECORDSalike. The album also sees a new pop influenced side of Rodriguez Jr. on two tracks, collaborating
with Nouvelle Vague singer Liset Alea, creating beautiful moments of serene disruption.
“Amusing myself and not overthinking is a commitment in itself, especially today when dance music
has become something so extremely formatted; at times even taking itself too seriously. This album is
a decision to enjoy myself in the studio and use the palette of different ingredients and creative
methods of working that I’ve collected over the past 25 years. I was trying to not run after the apex of
an idea, but rather to let it take me somewhere else, this state of free creative consciousness is itself
a moment of Blisss.” Rodriguez Jr.
4. VITAL SALES POINTS:
- original pressing completely sold out
- new album Feathers & Bones arrived in 2023 and almost sold out
- 600.000 monthly listener on Spotify
- What Is Real hit 7 Million plays on Spotify
- Nairobi hit 4.5 Million plays on Spotify More

Territory: World except France and Belgium

GENRE/S: Electronic / Techno / Dub

TRACKLISTS: 2 x LP

1
FACE A
1.
THE DOUBLE BONG CLOUD (DENIAL I)
07:29
2.
STRAIGHT NO CHASER (DENIAL II)
07:31
FACE B
1.
TOUGH LOVE (ANGER I)
07:22
2.
BRICK STICK BLICK BLADE (ANGER II)
07:35
2
FACE C
1.
HUEY LEWIS VOTERS DUB (NEGOTIATION)
07:29
2.
THINGS FALL APART (DEPRESSION)
08:00
FACE D
1.
WITH GRAND TREPIDITION (ACCEPTANCE I)
07:24
2.
MOUNTAINS FROM MOLE HILLS (ACCEPTANCE II)
07:30


SHORT INFO:
Over the past 24 years, Scott Monteith's Deadbeat project has spanned a dizzying array of musical references and genres, exploring everything from left-field reggae to downbeat experiments, purifying drone excursions and ambient noise, extranational percussion workouts, and hypnotic techno and house.

VITAL SALES POINTS:

In the last 24 years Scott Monteith's Deadbeat project has covered a dizzying array of musical references and genres, exploring everything from from left field reggae and downbeat experiments, purifying drone and ambient noise excursions, outer-national percussion work outs, and hypnotic techno and house.
On his first solo album in 5 years, Monteith offers up what is perhaps the most powerful, tightly dance floor focused album of his storied carrier, and a soul cleansing, poignant sound track to the fears and hardships of a world gone mad, entitled Kübler-Ross Soliloquies.
The Kübler-Ross model describes the five stages of grief: denial, anger, bargaining, depression and acceptance. A soliloquy is defined as an act of speaking one's thoughts aloud alone by oneself or regardless of any hearers.
Over the album's 8 tracks, Monteith explores each of these stages with a clear eyed focus and confidence that are a testament to his dual role as a kind, smiling musical selector and monkish technological nerd ball of the highest order.

More

Territory: Available for the World Minus UK/EIRE & USA, Canada

Limited edition 12" vinyl, 1000 worldwide pressing

TRACKLIST
AA1 Stechmück (Rrose Remix)
AA2 Tempus (Alessandro Cortini Remix)
A1 Stechmück (Sleaford Mods Rework)
A2 Stechmück (Version)


Release Info:
Pole, aka innovative German electronic artist Stefan Betke, presents a limited edition 12" single with new exciting remixes of tracks from his latest album, Tempus.

This 12" sees the title track 'Tempus' remixed by long-time Nine Inch Nails contributor, label mate and "synth connoisseur" Alessandro Cortini. The vinyl also includes the track 'Stechmück' remixed by Californian interdisciplinary artist Rrose, reworked by UK's electro-punk duo Sleaford Mods and edited by Pole. The original song embraces the sound of Betke's dying Minimoog, which you can hear manipulated in different ways across the different versions.

Düsseldorf-native musician, producer and mastering engineer Pole is known for his unique musical language oscillating between melody and avant-garde in electronic music, with audible influences from Dub and Jazz music. Tempus contributed to his ongoing musical evolution, while retaining a relationship to previous work, with Pitchfork stating "It's the sound of an artist drawing from his repertoire while demonstrating that he is still looking to the future."
More

"For Better, For Worse" is the debut album by DJ Scientist, the founder and head of the Equinox Records label. The music on the album was produced between 2001 and 2006 and offers a unique, fully-sample based instrumental body of work that, even 6 years after its originally scheduled release date, has the power to spellbind and steer the listener into the widespread musical world of one of Germany's most passionate record collectors and artist.

Some tracks of the album were 'leaked' early. In 2006 on the "Journey Goodbye EP" and in the form of the song 'Raincoatman' which appeared on the first Equinox Records compilation. These early releases raised excitement levels for the album and fans of Scientist's unique approach. Unfortunately the album never materialised, partly due to the complexity of some of the songs, consisting of more than 50 layers. Moving from his hometown of Munich to Berlin in that period and coping with the increasing work the label was requiring of him as founder and manager also didn't help. Scientist then decided to focus on his collaboration with American rapper and multi-instrumentalist Ceschi Ramos in 2007, sealing the album off for a few more years. On the collaboration Scientist proved his skills as a producer across four singles and EPs (featuring popular cuts such as 'Same Old Love Song' and 'Bad Jokes') and an album, "The One Man Band Broke Up", released in 2010. The instrumental version of the album acted as Scientist's official solo debut. Until now…

In 2012 Scientist began to revisit the body of work that made up "For Better, For Worse" and finalised the tracks from the vast archive of finished and unfinished songs. In April he released "The Artless Cuckoo EP" which featured additional tracks from the same early production period that makes up the bulk of the album. The EP introduced the album, catching the attention of fans who had been waiting for quite some time.

"For Better, For Worse" therefore picks up from where "Journey Goodbye" had ended and where "The Artless Cuckoo" had restarted. All the tracks on the album show the musical power that resides in the "instrumental hip hop" genre, for lack of a better word. Despite the time it took to make and release, or perhaps precisely because of it, the album defines Scientist's talent and knowledge as a sample-based musician. Even if the crashing drums and melancholic samples which mark the music have now often been replaced by glitches and Dilla-esque drums elsewhere, the music on the album still sounds like little else in hip hop today. The instrumental side of the genre has rarely been purer, more powerful or more uncompromising.

It's with great pleasure that nearly 10 years after work on the music started Equinox Records finally gives spotlight to the man in the back. So stop, and listen. For better, and for worse.

A
(01) Outside Chatter (Intro)
(02) Ball Of Confusion
(03) World Of Stone
(04) The Death Of Hip-Hop (A Dedication)

B
(05) Raincoatman
(06) Nightdrive Memories

C
(07) Riding My Nightmare
(08) Chasing Fire (Part I & II)
(09) This Could Be The Last Time
(10) Autumn Leaves

D
(11) Anything About Nothing (Revised)
(12) Can't Someone Tell Me My Name?
(13) The Death Of Hip-Hop (Instrumental) (Vinyl Bonus Track)
More

180g 2xLP / Gatefold

Genre: Techno


Tracklist 12":

A1 - dek
A2 - nau
AA1 - ok
AA2 - sep
AA3 - ses
AAA1 - kvin
AAA2 - kvar
AAA3 - tri
AAAA1 - du
AAAA2 - unu
AAAA3 - nulo


Info:

This is the last album from Rico Puestel. After somehow three decades, Rico misses the cultural impact of Techno music as it has been and declares its spirits gone – at least personally. There's nothing more to tell. The self-consuming scene has reached its grotesque climax and left an empty shell of something once filled with so much passion, warmth, strength, heart and hope. The times just haven't changed – they lost their self-fulfilling purpose and authenticity.

Heavily influenced by prehistoric, tribal rhythms and trance-inducing dances within redundant structures, Techno music once had a natively true and unadulterated essence. A free spirit on the run. Rico found the right spot in time to gather all of his origins in Techno music for a last act of connecting to it. Being on an all-time high as a producer, he crafted the whole album on a course of twelve hours and relived all those deeply rooted moments and memories with Techno in fast motion. While the track titles are counting down from ten to zero in Esperanto, Rico clears up in peace and balance...

What once was, is now without form and void.
I left.
Everybody left.
Techno has left the building.

Farewell! More

NON RETOURNABLE!

Special remarks:
3x12" vinyl , repress edition in one color skleeve

Genre: Dub House, Deep House, House, Dub Techno

Tracklist 3x12":

A - Presence
B - Absence

C - Energy Flow
D - Insideout

E - Coronal Mass Ejections
F - Polar Night

Short Info:

Mojuba mothership is back from the hiatus with an epic musical triptych by no other than Grad_U, Lithuania's expert in all things dub! Presenting six atmospherical mesmerising dub house excursions over three 12"s with a whopping playtime of over one hour ready to serve you for various purposes on and offside the dance floor taking you on a transcendental journey musically speaking. Enjoy.


Vital Sales Points:
More

Territories: Worldwide no restrictions

Format Notes:
2024 first time double vinyl reissue with exclusive bonus track, 140g double vinyl, remastered audio with restored artwork


Track List:

A1 Intro 0:50
A2 WordPlay 3:17
A3 Spontaneity 4:08
A4 Rugged Ruff 3:08
A5 Interlude 0:29

B1 I Confess 4:06
B2 UKNOWHOWWEDU 3:35
B3 Interlude 1:09
B4 Total Wreck 3:26
B5 Innovation 3:23

C1 Da Jawn 5:19
C2 Interlude 1:05
C3 True Honey Buns (Dat Freak Sh*t) 3:41

D1 3 Tha Hard Way 4:12
D2 Biggest Part Of Me 4:51
D3 Path To Rhythm 3:24

Release Notes:

Bahamadia’s 1996 debut album Kollage is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With present the definitive double LP version of this eternal hip-hop classic, including the legendary "Path To Rhythm" which never appeared on the original LP or on vinyl, anywhere. An indelible VIBE from start-to-finish, Kollage presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true 90s hip-hop fanatics.

The entire Kollage project was recorded at D&D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her. Working with the cream of the mid-90s East Coast sound, Kollage is, accordingly, a record that demonstrates a varied musical taste with disparate influences, as Bahamadia has previously stated: “The title Kollage was a reflection of my state of mind. I first got interested in music from playing my parents’ and grandparents’ records, as well what I heard on the radio. I wanted Kollage to reflect that diversity both lyrically and sonically."

With intelligent, poetic lyricism and a laconic verbal style bursting with both warm texture and deceptive energy, Bahamadia’s flow was as inspired by Aretha and Nancy Wilson as it was Q-Tip, Schoolly D and Lady B. Swaggering out the gate, "WordPlay" finds Bahamadia confidently showcasing her considerable old-school battle-rhyme skills over a Guru beat that utilises an infectiously bouncy bassline with splashes of sultry jazz horns and a Jeru vocal snatch for the hook. Up next, the quietly shimmering and ruggedly beautiful "Spontaneity" is one of the most alluring on the record, Da Beatminerz crafting a brilliantly soulful and jazzy soundscape for Bahamadia's effortless vocals to float across. It's followed by "Rugged Ruff", where the rapper carefully constructs a swift off-beat flow over Premier's raw jazzy fire.

With smooth spacey synth vibes overseen by former Geto Boys producer N.O. Joe, "I Confess" is, without question, a fly love song and soothing (p)-funk groove. "UKNOWHOWWEDU" is an airy, chilled tribute to her hometown. Produced by Ski Beatz & DJ Redhanded, it rides a gloriously mellow break. It's a true Philly anthem, shouting out a who’s who of the entire city’s scene. Early banger "Total Wreck" follows, presenting a murky Guru instrumental elevated by jazzy horns. Bahamadia invokes the title's suggestion, firing her brilliant bars more aggressively than we’re accustomed to. More Beatminerz-brilliance comes in the way of "Innovation", an opportunity for the MC to invoke Freestyle Fellowship in her forward-thinking and literary verses. "Da Jawn" features hometown buddies The Roots, with Black Thought gliding into a back-and-forth with Bahamadia over ?uestlove’s warm, snapping percussion. With the strut club banger "True Honey Buns (Dat Freak Sh*t)", DJ Premier provides some laidback vibrant boom bap for Bahamadia to share a wild, cautionary tale about a night out with her girl, Kia.

Fan favourite "3 Tha Hard Way" is a hypnotically sinister cut, with Bahamadia, K-Swift and Mecca Star taking star turns to coast over DJ Premier’s raw beat whilst the tender "Biggest Part Of Me" is a heartfelt stunner dedicated to her son. Incredibly, only the European and Japanese CD versions of Kollage was released with the brilliantly breezy “Path To Rhythm”, featuring Ursula Rucker. Whilst ostensibly a "bonus track", it's anything but, to our ears. Very much in sonic conversation with KRS-One's stretched-out sleeper classic "Higher Level", it's absolutely essential so we had to include it, appearing on wax for the first time here, exclusively. Quite a coup.

Somewhat predictably, whilst Kollage was released to significant critical acclaim, it suffered from disappointing sales. In the intervening years - and for far too long - it was a criminally underrated record, an increasingly hidden gem. We hope this double LP reissue - which looks and sounds amazing - will go some way to correct this. This 2024 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. It's too bold and beautiful to remain overlooked and underserved.
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REPRESS!

1xLP, Standard Jacket, Printed Sleeves, Marketing Sticker, pressed on Black vinyl with White Splatter

About:
Enigmatic Society is the next offering from the multi-faceted, Grammy-nominated supergroup Dinner Party. Full of opulently intricate instrumentation and a range of sleek R&B to smooth neo-soul vocals, Enigmatic Society is mesmerizing in its entirety. The album features brilliant performances from the debut Dinner Party crew: Terrace Martin, Robert Glasper, Kamasi Washington and 9th Wonder, with additional help vocalists Phoelix, Arin Ray, Ant Clemons, Tank and producers Sounwave, Hi-Tek and Trevor Lawrence Jr. Enigmatic Society serves as a follow up to the group's 2020 debut self-titled album and continues as a celebration of Black joy, life, art, and culture, as it pays tribute to the duality that manifests in both the beauty and adversity in Black America. This deep sense of community and family flows throughout the project with the album's artwork designed by Kamasi Washington's sister, artist Amani Washington.


Tracklist:
1. Answered Prayer (feat. Phoelix)
2. Breathe (feat. Arin Ray)
3. Insane (feat. Ant Clemons)
4. Watts Renaissance
5. For Granted (feat. Arin Ray)
6. Secure (feat. Phoelix & Tank)
7. Can't Go (feat. Phoelix)
8. The Lower East Side
9. Love Love (feat. Arin Ray)

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2LP, Gatefold Sleeve, download code

Tracklist
A1. At First A Wide Space
A2. St. Catherine And The Calm
B1. Song For Aguirre
B2. Trivial Occupations
C1. Dalloway
C2. Recital Of Facts
C3. Parklife
D1. Minor Forms
D2. Beaumont
D3. No Useless Leniency

Release Info
'Trivial Occupations' is the third LP released under the Kingdoms and Scissor and Thread founder’s own name - and continues in the traditions of those landmark records. Having scaled to heights within the club scene and released almost a hundred records under different monikers, Francis Harris embarked on an altogether more personal journey as a composer of intimate, atmospheric pieces removed from the dancefloor.

Here, with 'Trivial Occupations', Harris dives deep into a new sound pallette - bringing the listener on a journey through various states over the almost one hour run time. The album was made over the course of four years in various studios with an array of notable players, bringing a diversity of perspectives and approaches encompassed within Harris stunning artistic studio approach. It was also mixed at Jack White’s Third Man Studios again with the help of long time collaborator and friend, Bill Skibbe.

'At First A Wide Space' opens up the album, setting the tone with a vista of soundscapes, merging synths, live strings by Kingdom’s artist Emil Abramyan. It sets the stage for what is perhaps the album’s (first) opus, 'St Catherine And The Calm'. Spanning over 12 minutes, drifting through ambient textures, shuffling beats and beautifully arpeggiated melodies and found recordings, it gives the listener a widescreen intimacy, not unlike the enveloping sensation of a cinematic experience. 'Song For Aguirre' is a more mournful affair, built around Abramyan’s cello, deep bass tones, pad washes and distant sounding horns from Greg Paulus, adding to the noir-ish 70’s soundtrack feel. 'Trivial Occupations' the album's title track and perhaps the centerpiece in terms of mood and tone, is a dizzying off kilter Jazz trip featuring a cast of remarkable jazz players, including vocalist Genevieve Marentette, Robb Reddy (tenor sax), Darkside member Dave Harrington on guitar and Will Shore (vibes).

Breaking up the album nicely, 'Dalloway', perhaps Harris’ most unique production to date, moves into Dancehall territory with a collaboration with Cameroon born but NY based singer, Kaïssa.

'Recital Of Facts' , one of the only beat driven songs on the LP, harkens back to the sound of Harris' last two albums with a melancholic groove paired with melodic bass fragments and the ever-present pad washes. 'Parklife' follows a similar vibe with the return of Greg Paulus’ mournful horns, but without any rhythmic underpinning, before the previous single 'Minor Forms' appears with its shuffling percussion and the singular sound of Will Shore’s Vibraphone, bringing about a climatic moment listening moment.

The final two tracks - 'Beaumont' and 'No Useless Leniency' both further explore the sense of space with which Harris has become so enamoured - creating textures and backdrops for piano (Beaumont) and horns (Useless Leniency).

It’s an album that is easy to get lost in - a structure suggesting no real beginning or end. Listening to it on loop offers the listener a chance to be fully immersed in the rich, melancholic tonalities of Harris’ sound universe..

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