Special Remarks :

Insert with liner notes + interviews written by Gerd Janson


Tracklist

A1. Sensory Productions - Deep Introspection
A2. Body Moods - Agitate It (B.T.S. "Groove Dub)

B1. DJ Disciple Hide-A-Way
B2. U96 - Come Together (Subtle Dub Mix)
B3. VDT - Strangest Music (Boris Dlugosh Edit)

After the happily received and critically acclaimed Running Back Mastermix retrospective of Hamburg's seminal Front club by Klaus Stockhausen & Boris Dlugosch, another look at the playlists, hits, classics and unclassics is overdue. Now, the menu is solely set to the nineties - well after Stockhausen's departure and into Dlugosch's prime at said club.
Starting the dance is the sought-after evergreen Deep Introspection. Produced by Rob Mello and Zaki Dee for the legendary Jump Cutz series on their Luxury Service outfit in 1995, it's as ageless as deep house can be and on heavy rotation since its release. Same goes for Agitate It by Body Moods from 1993. Still an insider tip, and touched by the hands of Jazz-N-Groove it wouldn't sound out of place on a Louie Vega tape from that time.
The flip comes with DJ Disciple's Street Experience from 1993 and its Todd-Terry-esque Hide-A-Way. Snare roll, please. Rounding off with two home made co-productions by Boris Dlugosch himself: the remix for U96's Come Together (yes, the one from the submarine-movie-score-sampling techno chart topper Das Boot) and his exclusive edit for VDT Strangest Music. Both proofing the fact that to what seems odd at the beginning (if classic US house is the indicator), can withstand the test of time and even gradually mature. Collector's, progammer's, dancer's and DJ Use only. To be continued…




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2023 repress

Tracklist
A1. Electric Baile (Enzo Elia Vocal Edit)
A2. Electric Baile (Enzo Elia Dub Edit)
A3. Electric Baile (Enzo Elia Bonus Beats)
B1. Pushin’ Too Hard (Gerd Janson Mega mix)
B2. Pushin’ Too Hard (Gerd Janson Instrumix)


Shortinfo:
Master Plan was the Chicago based dance music project of Pepper Gomez and Tom O’Callahan. Spanning from 1984 to 1986, the groups development is in sync with the dance music scene of Chicago during that era. While their first record „Pushin’ Too Hard“ is a Windy City version of the NYC club music of the time and its European cross-pollination, „Electric Baile“ from two years later down the line is almost a quantum jump into house music. With the engineering help of Matt Warren, it bears the marks of Ron Hardy, Chip E, Farley Jackmaster Funk or the WBMX dance party craze, if you will. Here you have remastered and updated versions by Enzo Elia and Gerd Janson. The first ones’ edit attempt of „Electric Baile“ ignited this edition. A custom-tailored main mix is completed by a dub and useful bonus beat version to do, what DJs used to do. Concluded by two edits of „Pushin’ Too Hard“ by GJ, you get two great slices of yesterday that are still major dance music blue prints today.




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Tracklist

A1. Reality
A2. Fantasy
B1. Puzzle
B2. Halle Weissensee

Halle Weissensee (or Weißensee if you wish) starts where Sascha Funke’s last Ep for Running Back stopped. Mesmerizing house and techno music that interweaves classic forms with modern means and looks through the lenses of nostalgia with an open mind.
The Halle was a former engine plant in Berlin that got converted into a rave areal for the now legendary Mayday raves and one of the birthplaces and leading spots of the nineties. Coincidentally and unknowingly, 1993’s winter edition was attended by Funke and Gerd Janson and a conversation about it spawned this record. Don’t be mislead: this is not a retro rave fest, but an ode to the esprit of the times, the possibilities if an envisioned future and maybe most of all an afterglow. While Reality (sounding like a Relief record if the label would have been a topic at Bauhaus university) and the warped bleepiness of Halle Weissensee itself come closest to the actual sound aesthetic of that very night, Fantasy invokes the language of contemplative deep house from vintage New York, while Puzzle evokes a notion of what the same thing could be with the prefix progressive instead. Reality often falls short behind fantasy, but once in a while both complement each other very well.


Short: Halle Weissensee is Sascha Funke’s second Ep for Running Back. Named after the legendary rave warehouse, its four tracks far from being a retro rave. Mesmerizing house and techno music that interweaves classic forms with modern means and looks through the lenses of nostalgia with an open mind. An ode to the jackin’ Relief sound meets bleep tracks, contemplative deep house and progressive hypnotism.







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Tracklist 12":

A1) Monkeys
A2) Neon Beach
A3) The Fourth
B1) Monkeys (musclecars Remix feat. Kamaal)
B2) Neon Beach (Demi Riquísimo Remix)


A new Toy Tonics EP. It’s the second by Venezuelan house DJ and producer Gee Lane. Including amazing remixes by NYC mainstay musclecars!

Gee Lane’s debut EP Metamorphosis (with remixes by Demi Riquísimo and Divorce From New York Remix & PIEK ) came out last October.
But as Virginie (her real name) is a steady name of tue Toy Tonics crew now and plays almost every weekend at one of the worldwide Toy Tonics Jams it makes sense to put out a follow up fast.

Gee Lane originally from Caracas now in Barcelona is a passionate DJ and vinyl digger with an extraordinary positive energy and attitude. A DJ diva in a positive way. A unique personality with a very strong style (in music but also as a person) and very elaborated ability to read and play with the dancers. Like the first EP also this one was recorded in Barcelona and Berlin with a little help by Robin Braum from Athlete Whippet. The music reflects well her roots and passion for everything what came out from New York’s dance culture. You can hear influences from the 80‘ promo disco scenes as well as the 1990 Body & Soul/ Francois Kervorkian / Joe Claussell universe. In fact Gee Lane after being raised in Caracas and musically educated by her father from a very early age, (a composer and musician) she moved to New York at a very young age in the late 90's where she fell in love with the HOUSE scene. And especially everything that happened at the famous and influential ’Body & Soul’ club.

This culture increased her curiosity to become a DJ (and vinyl digger herself) who is not just interested in house music but wants to explore other genres such as funk, Hip-Hop, jazz and Latin sounds and include these vibes into her DJ sets. A vinyl collector (and long time record shop employee) since then, she is known for her musical eclecticism that leads her to mix everything what she wants ...

Gee Lane now is a steady member of the Toy Tonics Krew and is already playing the Toy Tonics Jams all around Europe.














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Tracklist 12":

A1 EDEN 123 (SUNDAY CLUB)
A2 CLUBBERS PARADISE (BE A CYBERSPACE CADET MIX)
B1 HOLISTIC HEAVEN (INTERNATIONAL)
B2 FREQUENCY OV TRUTH

In the annals of German techno history of the early 90s, Mannheim's Milk Club was always something like the dirty little brother between Berlin's Tresor and Frankfurt's Omen - not as cocky as the two big siblings, but secretly all the more clever. Less pretentious than the Äppelwoi metropolis, less dirty than the capital and, despite squaring the circle, less straightforward than both together. Instead, they delight with breakdancers of almost Wigan Casino-like elegance. Very British, even in the musical mix of house, techno and breakbeats, breakbeats, breakbeats. A club like a kind of mother raising the nightclubbers with her milk.

Devi g. pay tribute to this club with their MILK EP. on Pudel Produkte.
Devi g. are Dirk Mantei aka Dman (DJ and former manager of the Milk Club) and Oliver Bradford (one half of Thee Church Ov Acid House and resident DJ at the equally legendary Brückenkopf parties in Mainz). Pudel Produkte because, well, Golden Pudel Club - Legend binding.

A four-part promenade mix is on offer that has it all. It contains house, techno and, yes, breakbeats, breakbeats, breakbeats.

There are:

EDEN 123 (SUNDAY CLUB):
a light-footed breakbeat ride across psylocibin-laden summer meadows, driven by pyromaniac shamanistic power.

CLUBBERS PARADISE (BE A CYBERSPACE CADET MIX):
which wraps the rave classic We are i.e. around a sheet metal framework of breakbeats, drenching it in acid-soaked bass waves.

HOLISTIC HEAVEN (INTERNATIONAL):
where vacuum cleaner-carrying milk droids perform unheard-of rituals in the low-frequency forest before one of the finest 303 melodies dissolves everything into bliss.

FREQUENCY OV TRUTH:
which invites you to techno dance with a blunt droning bass drum and then stimulates your ov power with a back and forth twirling acid sequence.

Four tracks that transfer the milk legend into the 21st century with 90s-inspired rave finesse.
Dross for the posse. Or as the connoisseur says: effervescent tablet in the brain, highly recommended!

And did I mention the breakbeats?

Tim Lorenz aka Superdefekt





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Territories: World excl. UK

FORMAT 12" vinyl, generic sleeve, dl card

TRACKLIST
1. / A1 Machine Alliance 05:38
2. / A2 Symbiosis 05:25
3. / B1 Technopoly Dream 05:21
4. / B2 Ode To The D 05:13

Digital Bonus:
5. / DX1 Replicants 04:55
6. / DX2 System & Structure 05:08
7. / DX3 Human In The Loop 04:35


At what point does a new tool or technology become so integral to a process as to be intrinsic? And what happens if that technology starts to subordinate its user?
By reflecting on these questions Machine Alliance, the new EP by Irish producer Kerrie on Tresor Records, connects her music to the sci-fi origins of techno and electronic music in general.
With inspiration from classic books and films of the genre such as The Machine Stops, The Matrix, and Blade Runner as well as modern explorations in art and philosophy like Free Your Mind and Technopoly, the EP’s title takes on two opposing but intersecting meanings.
One, based on the potential for machines to take over or replace humans, is a key idea of sci-fi that seems closer to reality with the arrival of machine learning and real artificial intelligence.
The second has a much more positive view, one where the “alliance” is between the artist and machine to create the music, a process she places immense value on, being both cathartic and therapeutic, whilst also being a vehicle of addition and expansion: “I feel that it’s a collaboration…the machines are precise in their timing and I add the human touch (literally) in the live performance which adds natural imperfections, so we both provide something the other can’t. There’s also an element of growth; the machines get updates and so are always expanding in terms of their musical capabilities. And the more I push my own technical abilities I feel we are growing together in a constant synchronised dance.”
This “dance” results in four tracks (plus three digital-only bonuses) of classic machine funk which combine the aforementioned ideas in sci-fi with a deep lifelong affection for techno. Tracks like Ode to the D, and Technopoly Dream display this love through her choice of sounds and structure, both intentional and subconscious, while Replicants, and Human in the Loop project into other genres to fully round this release off as a contemporary example of music rooted in both past and future.



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2022 repress

UPC: 827170548664 12" release date : June 23rd, 2014
Tracklist: A. China Tree (feat. Piper Davis) B. Southern Sun (feat. Piper Davis)
Info
Hamburg's Martin Stimming has defined a unique shade of deepness through years of association with Diynamic Music; melodic and meditative, quietly compelling and possessing a delicate strength. Stimming now enters the Pampa Records fold with two tracks of dancefloor material that magnify the opposing sides of his studio psyche.
"China Tree" is a spiky affair that sacrifices melodic sweetness for primal bass and drums, with a raw edge and exaggerated percussion that intensifies into sharp angles. Whispers become ominous and arrive with a sense of foreboding, driving the track's inky sounds to the final dissolve of machine meltdown and mournful strings at its end.
"Southern Sun" is its opposing force, building on whispered phrases and melodic shadows that appear and disappear between each beat. Micro sounds are layered and woven into a rich, undulating fabric that shifts and gleams like a kaleidoscope. As sun-drenched and dreamy as it is, the track's unwavering tempo, eventual female vocal, and closing piano solo define its clear melodic purpose.




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