UPC: 827170414860 Release: 10.12.2012
Tracklist 12": A1 – Cut Up B2 – Awake
The ‘Cut Up EP’ is Chad Andrew’s first chance to showcase his work on the label whose core artists and releases have directly shaped his sound, French imprint, Dissonant. With an intrinsic passion for musical creativity from childhood, it’s no wonder that Andrew’s deep, subliminal grooves and selection skills caught the attention of the Dissonant camp so quickly and after a season of stand out sets on the White Isle, there’s a definite sense that Chad Andrews is quickly coming into his own. Title track ‘Cut Up’ sets the scene for a delectably deep EP, where skillful percussion lines are hollow, sparse and driving, low end vocals keep you locked in the dance. Where ‘Cut Up’ takes you on a reckless journey of highs, recesses and sporadic interjections, B side ‘Awake’ works a subtler groove where soft pads and bass quivers set the tone for prime time dance floor focused hi hats. An impressive introduction to the Dissonant clique, Chad Andrew’s ‘Cut Up EP’ more than stands up against his key influencers’ offerings. With an unwavering commitment to studio time, and residencies planned for Ibiza 2013, expect a whole lot more from the Florida based artist in the New Year.

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Exclusive ! Release - Territory : Worldwide !

Tracklist
A1 DJ Koze Club Mix
B1 DJ Koze Mbira Remix
B2 DJ Koze Mbira Instrumental


DJ Koze comes up to task for the next re-construction of Michael Mayer & Joe Goddard's 'For You', following up from the re-interpretation by Diynamic's Solomun and Pachanga Boys.
The maverick of flawless productions develops two narratives for this remix package: The first is a club mix composed of layered, floor-raising chords while ruffling up the original vocals gradually and elegantly. The second is a Mbira remix, filled with African-inspired percussive inklings and sprinkled with effortless melodic flourishes. With two accompanying instrumental versions, DJ Koze takes us to the final curtain, closing the end chapter to Michael Mayer's acclaimed '&' project.


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LP 180g, beautiful embossed Chess Board Artwork Print, inner sleeve with artist picture and text by David Elliott, Sounds June 16, 1984

In anticipation of the 35th anniversary next year one of electronic music´s most influential recordings, the legendary E2-E4, from 12.12.1981 does get an official rerelease by Manuel Göttsching on his own Label MG.ART.
Carefully overseen by the Master himself

Total Time: 59:34
Tracks:
Ruhige Nervosität 13:00, Gemäßigter Aufbruch 10:00, ... und Mittelspiel 07:00, Ansatz 06:00, Damen-Eleganza 05:00, Ehrenvoller Kampf 03:00, Hoheit weicht (nicht ohne Schwung...) 09:00, ... und Souveränität 03:00, Remis 03:00



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Tracklist:

A1) Shaker
A2) Timmy's Dream (Ritual Dub)
B1) Made Of Brass
B2) Timmy’s Dream (Monday 5am Mix)

Short info:

Text

Burns & Tubbs finally return! 4 massive, percussive house tracks dubbed out, saxd up & driven by large baselines, these tunes will not miss to lighten up any dancefloor!






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Tracklist

A1 Session Victim Extended Remix
A2 Session Victim Dub Mix

B1 Bella Boo Remix
B2 Original



Short Info

40 Thieves classic hit "Don't Turn It Off" feat. Qzen on vocals gets the 2023 update with new versions by Sweden's finest Bella Boo and professional boundaries pushers Session Victim. Both remixes bring new facets of the original to the forefront and shine new light on this Permanent Vacation classic, which was initially releaseed in 2008.


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Territories: World excl. UK + North America

FORMAT 12" 180g vinyl

TRACKLIST
A1. Quantum Hydrodynamics 01:16
A2. Polymono Plexusgel 03:08
A3. Lost Vessel 05:52
B1. Species Of The Pod 03:53
B2. Drifting Into A Time Of No Future 03:33
B3. Devil Ray Cove 02:49

RELEASE INFO:

Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related
projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion
and Shifted Phases albums.
In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary
artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These
editions will be released sequentially, bimonthly, starting early-September 2022.
Just a month after the album release of 'Neptune's Lair' in September, its companion 12" 'Hydro Doorways' will be
second in the series, out on October 7th. In November, 'Harnessed The Storm' and 'Digital Tsunami' are coming,
followed by the release of Transllusion in February 2023. The series is completed by the long-awaited re-release of
'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope' - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label
history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.


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- 3x12“ gatefold vinyl – with turquoise foil embossing

Tracklisting:

LP
1. (A1) Sven Väth – Silvi‘s Dream (Damiano Von Erckert Remix)
2. (A2) Sven Väth – What I Used To Play (Roman Flügel Remix)
3. (B1) Sven Väth – The Worm (Robag Wruhme Remix)
4. (B2) Sven Väth – We Are (Jonathan Kaspar Remix)
5. (C1) Sven Väth – Feiern (Krystal Klear Remix)
6. (C2) Sven Väth – Mystic Voices (Benjamin Damage Remix)
7. (D1) Sven Väth – Nyx (PAS Deep Heet Remix)
8. (D2) Sven Väth – Butoh (Robert Hood Remix)
9. (E1) Sven Väth – Nyx (Planetary Assault Systems Remix)
10. (E2) Sven Väth – Being In Love (Harald Björk Remix)
11. (F1) Sven Väth – Catharsis (Mano Le Tough Remix)
12. (F2) Sven Väth – Silvi‘s Dream (Florian Hollerith Remix)

The life-affirming energy at the heart of Sven Väth‘s recent album Catharsis is revisited, reanimated,
and remixed by some of the most exciting names around, closing the circle on a superlative burst of
recent work that has not only given us the epic original LP, but also the extraordinary compilation What
I Used To Play.

Roman Flügel, Benjamin Damage, Robert Hood, Planetary Assault Systems, Mano Le Tough… do we
need to go on? This hand-picked list of luminaries have answered the call and certainly don’t
disappoint, each fusing their signature sound with Sven‘s DNA to create a wild, uncompromising
companion piece to the original album.

True to form, the running order is very much rooted on the dance floor, Silvi‘s Dream, revisited by
Damiano von Erckert, explodes like a Balearic sunrise. Dreamy strings with a touch of Detroit create a
lovely atmosphere while the beautiful piano sound goes right into your heart and appears as if you
could feel the warm sun on your skin. Roman Flügel’s acidic rework of What I Used To Play is a
homage to the 80s and the early sound of electronic music which creates nostalgic feelings and offers
a greatly produced retro soundscape à la Kraftwerk. Staying close to the original, but with the perfect
amount of spin, it’s a symbiotic interplay of synthetic bass pads, and a tiny bell melody. Robag
Wruhme’s cranking minimal funk takes us down The Worm-hole. A concise interference sound builds
up sustained tension, tangled but structured, deep and yet driving. Robag took over the deep and dirty
rhythms of the original perfectly and delivers a versatile piece. This opening salvo oozes quality and
sets things up perfectly for the electrified celebration of hi-octane technology come.

Jonathan Kaspar‘s growling interpretation of We Are provides a melancholic atmosphere with
fascinating percussion parts. Zaps shoot through the air like small laser pistols while we let ourselves
be carried away by the bass, the frisky vocal stutter effect is the icing on the cake. Speeding things up,
the euphoric trance that engulfs Krystal Klear’s epic version of Feiern. Expansive strings increase up
to ecstasy and guide us to a love-filled unity. This remix is sure to be an excellent peak-time smasher
for the open-air season. On to a wild ride of pure techno with Benjamin Damage, who delivers a dry
and uncompromising Berlin Techno version of Mystic Voices. Harder pace but the string synthesizer
harmony brings light to an otherwise gloomy environment. Next up is Luke Slater’s PAS Deep Heet
Mix to add a retro nineties vibe to proceedings on Nyx. Entering a rough space with gigantic clap
impacts, we are blessed with straightforward Techno. Shimmering and spooling, this groove hits the
mark. Then, as if it was ever in doubt, Sven‘s lofty place in the techno firmament is underlined by a
peak-time contribution by non-less than Detroit legend Robert Hood. Unmistakable, you must
recognize the signature Robert Hood drive on Butoh. Chord stabs fulfill the Detroit feeling with offtaking string elements and high-energy vocal transformations. It’s a warm embrace that triggers
emotions. Planetary Assault Systems then blasts things ever deeper into the cosmos on a second
outing of Nyx. Reduced and to the point but of course, true to form, with powerful tribal percussion
parts and intensive cutting hi-hats.

From there on in, the collection gradually re-enters the atmosphere, burning with a phosphorescent,
melancholy glow. Harald Björk extrapolates Being In Love into a hypnotic groove for the early hours. A
playful and atmospheric electronica interpretation to soothe our souls due to disharmonious synth
pads and a dreamy deformation of the original melody. Mano Le Tough harnesses the ethno-rhythms
and brooding energy of Catharsis into a low-slung, tribal stomper. Anomalous organ parts ring out and
link up with a trance-like sequence, summer feelings arouse as you feel like you can almost smell
Ibizan air. The collection comes full circle with a second equally seductive interpretation of Silvi‘s
Dream by Florian Hollerith. Stripped-down and hypnotic, the homage to Sven's girlfriend Silvi is
extended as a reverence to Sven himself. Sven's profound vocals clearly infuse time and space and
leave a forever-lasting memory of love.

By accident or design, it somehow leaves us with the reassuring sense that, although this specific part
of the journey may be drawing to a close, the mission of the man behind it all most definitely isn't.

written & produced by: Sven Väth & Gregor Tresher

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Part 2 of Hyenah’s fantastic Watergate 27 mix is ripe for the picking.

Tracklist:

A1) Super Flu - Effreticon
A2) Pablo Fierro - Reincarnation
B1) Kerri Chandler - Think of Something (Floyd Lavine Remix)
B2) Manoo - De’s Lullaby

Release Info:

The inspiring DJ/producer, RISE founder and integral Watergate resident has carefully selected and
curated a vibrant house mix that touches all corners of the genre and refreshingly showcases artists
outside the normal European hotspots.
The second sampler opens with Super Flu’s ‘Effreticon’, a track with the right amount of energy and
tweaked-out synth touches to keep your listeners guessing. Pablo Fierro shares his ‘Reincarnation’, filled
to the brim with tropical flavours. Floyd Lavine features again, following up his collaboration with Hyenah
on the first V.A sampler. This time the Cape Town-born, Berlin-based artist has re-worked Kerri
Chandler’s ‘Think of Something’ into a tribal monster, after the original first featured on Watergate
Records back in 2014. Lyon artist and former RISE guest Manoo’s ‘De’s Lullaby’ is awash in a river of
silky synths and uplifting rhythms.

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2023 Repress edition

Tracklisting:

1. The Healer
2. Silence
3. Kuda
4. Song Of The Woods Nymphs

Charlotte de Witte continues to establish herself as a driving force on the contemporary techno scene with The Healer, her second EP on seminal British imprint NovaMute. The four-tracker comes after the Belgian has fully broken through with a dark, dense and driving sound that is proudly unrelenting. Her meteoric rise has come off the back of a series of huge productions, plus standout sets at key festivals and clubs all around the world.
Charlotte's fresh and innovative sound is immediately laid bare on opener 'The Healer', with eight minutes of spine-tingling, hypnotic techno. The sleek drums and icy hi-hats soon cast their spell, as well-crafted synths unfold up top to bring real emotion. 'Silence' is another slice of tunnel vision techno with perfectly designed drums rolling on and synths peeling off the groove. It is trance inducing and otherworldly, with eerie voices adding to the all-consuming atmosphere. Then comes 'Kuda', a track built on monstrous kicks that hit hard and drive forward with real force. Filtered vocals bring character, and sharp edged percussion grows ever louder to take the track, and the club, to the next level. Last of all, 'Song Of The Wood Nymphs' shows another side to the producer with three minutes of suspensory synths and expansive ambient sounds that are filled with drama and tension.



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