New release on P&D recordings with Official re-issue of Gene Hunt “Body Heat” released on Dust Trax in 1999, Great Jack House tune by innovator chicago sound. Second track done by phil weeks & Didier Allyne & Krakatoa boys loop done in 2008 in toscana with prophet sound Tribute to E-dancer “Human Bomb” Track

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Official from re-edition done by Phil Weeks & Didier Allyne from Gene Hunt with released on Svek in 1996 Jazzy: Synth riffs with 808 bass drums. Get Freaky oldschool feel and toughen the tune into techno status like Robert Amarni Style.The Man: Candido sample like old moodymann house track. House or Techno ?

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Phil Weeks & Didier Allyne presents EP remix with 2 tracks done in 2008 & 2010 before their first EP which will be out in September 2015 Il Mio remix released in 2008 with Burning influence is today hard to find on vinyl & never released in digital & played by Jus Ed in 2009 on RTS FM Video . On B Side,P&D (Phil Weeks & Didier Allyne) has revisited San Francisco killer producer EBE with Jam hypnotic Techno out on PND04 (Sold out at this days) & played by Marcel Dettmann.

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Official re-edtion by Phil Week & Didier Allyne with “Sir” Kai Alcé. released in Late Night Essentials in 2003 “Dirty South Dirt” is fro Theo Parrish fans incredible patterns. Don’t miss it. More

Official re-edtion by Phil Week & Didier Allyne with Sunkiss aka David Alvarado.Released on Groove on in 1996 & hard to find this days. Apogee/Eclipse are deepest dub techno. Will appeal too all Basic Channel/Deepchord fans.

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P&D Recordings, the label run by Phil Weeks (Robsoul) and Didier Allyne (Syncrophone) has quietly gone about it’s business since 2008, re-releasing slabs of classic house music that have influenced the pair over the years. Having now reached their 5th Anniversary, Phil and Didier are releasing a compilation CD of the very best tracks they have licensed.Artists gracing P&D vinyl, and now this compilation CD, have included some of the dons of Detroit and Chicago such as Rick Wade, Chez Damier, Ront Trent, Joshua, Mike Dunn and Johnny Fiasco, as well as other US and worldwide stars like Jesper Dahlback, Mood II Swing, The Rhythmist and Quitefrut. The CD also includes two P&D productions, the collaboration between Phil and Didier, with final track ‘Closer’ being exclusive to the release.The simply titled ‘P&D Recordings 5th Anniversary Compilation’ represents the raw essense of house music from it’s founding fathers in the cities that gave birth to the now multi-faceted genre. There are no sub-genres on display here, every track is unadulterated House music at it’s most pure. Didier Allyne mainstay of the local techno stage, Didier Allyne embodies has some kind of underground Already in the mid 90ies: A record store clerk, distributor, artist and DJ & Founder Syncrophone Phil Weeks is a house music purist. Whether DJing or producing, the Parisian with the huge personality delivers raw beats influenced in equal measure by classic Chicago house and nu-school French flair, underpinned with a hip-hop attitude. His long running Robsoul Recordings also defines him as one of the most skilled label heads in underground house music. More

For his 5th Birthday, P&D Recordings (Phil Weeks & Didier Allyne) released another two classics from Rick Wade. This release is the follow of Night Station..;with Night Track which was out on Elevate (Daniel Bell Label) in 1995 & “Cold Fusion” was on the same Album “Dark Ascencion – Music Is” from Big Daddy in 2002. Sweet Darkness & Limited Edtion for Collector lovers on marbled Vinyl Edition ! Another piece of Wax for your ears & one bonus on the wax when you will have it in your hands !

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We’re really proud to re-release another great Chicago Producer after Mike Dunn,Joshua, Chez Damier or Ron Trent of the second generation : Boo Williams. For this official re-edition, you can listen production which was on Relief & Guidance from Mr William's signature bubbling basslines, as well as floating disco strings, lovely ethereal vibes, and solid, weighty kick drums Classic !


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Limited released on P&D Recordings with version by Zadig (Construct Re-Form) & P&D (Phil Weeks & Didier Allyne)

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Phil Weeks & Didier Allyne begin this new year with new Chicago House classic for Dancefloor lovers ! Johnny Fiasco, one of the most chicago artist in 90’s began his career as a DJ at some of the first underground "house" parties in Chicago, and in '88 he landed a residency at Smart Bar with Mark Farina. Three years later he turned a potentially devastating incident into a source of motivation to focus on his career as a producer and began to record for Moonshine, Radikal Fear and the world-renowned Cajual Records. His outstanding musical accomplishments have attracted worldwide attention to this humble artist, and his ongoing musical endeavors continue to play a major role in defining the past, present and future of house music.For this re-edition,you can fin the title called “Conduction” ! the huge title released in 1995 on Cajual & today hard to find ! This title is one of favorite track of all Chicago house lovers ! You can also find “Kalimba” another huge underground track was on Moody Grooves Vol.1…. Just real music for real people !

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One of the best duo US producers, Mood II Swing aka John Ciafone & Lern Springsteen, produced one of classic House music released in 1995 on Music For Ears / Power Music. “Move Me” …Now on P&D for official re-release. Hard to Find at this days & sell on Ebay or Discogs for 70€, you maybe heard this incredible track which almost 15 years old it was quite ahead of it's time looking back now on the last Sebo K’s Watergate 04 mix or Levon Vincent’s mnml ssgs mx46 mix. A kick dragged so to very low frequencies and a grimed out snare grinded trough dub effects. Mood II Swing at their darkest hours !



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Seond release after sucess of MD.3 "Pressure Cooker" re-edition on P&D (Phil Weeks & Didier Allyne) explore this time another Classic Item from 90's. European Classic Anthem "What Time is Mr Templar" & "Real Jazz"From Mr Jesper Dalhback.. ! The Nordic Connection was on the top with ! What Time is Mr Templar"which is the Svek Classic Release. First heard on Josh Wink's Profound Sounds vol 1 mix cd. Works well with both house and techno sets n°2 top playlist (All the time best of) from Matthew Dear aka Audion Actually HARD TO FIND on Vinyl & see on Discogs or Ebay@ 80€ ! Powerful titles & Amazing Sounds ! No Digital Release
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Repress!

* A legendary yet long lost crown jewel from the early 80s Japanese Electronic and Jazz Rock scene
* new powerful master, much appreciated by the artist
* 2LP in UV-glossy laminated gatefold sleeve with OBI
* includes A1 Poster 60x60cm and lyric sheet
* vinyl comes in Japanese Katta innersleeves

Mariah was a Japanese outfit in the field of art pop, way back in the very late 70s and early 80s with 5 albums up their score from 1980 to 1983. The album from 1979 entitled as “Mariah” was actually made before the band Mariah was formed, and was released as a solo album by Yasuaki Shimizu. The album at hand is the fifth and for the time being last album in this row, released as a double vinyl back in 1983. Original copies, that are at least in very good condition, are hard to find. The brand new reissue on Everland, unlike the original and the first vinyl reissue from 2015, comes housed in a thick and artfully designed gatefold sleeve with OBI, which finally does justice to the progressive spirit of the music you will find here.

The musical basement of Utakata No Hibi is a fusion of dreamy synthesizer pop and haunting new wave music, that could be found all around the globe back in 1983. In the vein of TEARS FOR FEARS or more adventurous DAVID BOWIE stuff, with a touch of KRAFTWERK or even BRIAN ENO here and there, but all this gets spiced up with an atmosphere of Japanese traditionalism, with a few bits and pieces from the old music from this Far East island, which sounds so magic to us Westeners. The progressive, wacky art pop of this project was led by the popular Japanese composer and musician Yasuaki Shimizu, a relentlessly exploratory saxophonist who even dared to rework Johann Sebastian Bach’s cello suites for saxophone.

As brilliant as this man is, the music on „Utakata No Hibi“ turns out to be. And the master himself approved and much appreciated the brandnew remastering of this album by assisting a highly professional team of sound engineers who dusted off the ancient tape reels. For certain the record sounds and feels 80s through and through, electronic to the very rhythmical bone of each song sugar coated with catchy melodies that resemble Japanese classic and Enka music, which is a kind of folksy pop music. The listener gets directly drawn into a feverish dream of steaming Far Eastern cities and their darkest and most depraved corners where you find everything cheap in sleazy bars and unlighted backyards and alleys. The next moment he strolls through a beautiful Japanese park surrounded by a sea of blossoms. This change in mood and style you will experience in the sparsely instrumented tune „Shisen“, which indeed comes closest to classic Japanese folk tunes without any too catchy and pop oriented melodies. But we certainly find these harmonies allover the album. Some tunes even feel like ancient BEACH BOYS compositions and Brian Wilson creations played by a then contemporary electronic pop act and sung in Japanese.

An amazingly colorful album with songs that are based on solid substance rather than cheap pop structures. This is music for the bold listeners and music lovers and this awesome reissue should quickly find it’s way into the record collections of 80s synth and art pop aficionadoes.

Yasuaki Shimizu did what he wanted with MARIAH, pushed the borders of popular music further than anybody would have thought. Listen to a track like „Shonen“ with a repetitive rhythm pattern that hypnotizes you and somehow silky melodylines by saxophone and synth piano upon which a female voice sings in a very spiritual way. Praising pop or whatever this can be called, it is sheer magic put in music. I wonder if this would have made it into the charts back then, but you never know. It is a piece of musical art that shall be listened to. More

"Please welcome: It’s The Arps! Oslo’s magic music maker Todd Terje has already gained a wunderkind like reputation for his gentle yet potent productions (we won’t mention the “E” word here) on labels like Full Pupp, Permanent Vacation or Running Back on top of being one of the best remixers money can buy (Shit Robot, Bryan Ferry, Dølle Jølle et cetera et cetera). What is there left for him to do? Establish a label of his own! “It’s The Arps” is the starting signal for Olsen. And what a splendid one it is. Created from scratch and solely on the mythical synthesizer ARP 2600 (check www.letsnerd.com for help), it features four tracks (reads instant classics) that couldn’t be a better follow-up to his 2011 super hit EP “Ragysh”. Towering over the assortment is the laser crime scene called “Inspector Norse”. Defying genres and blinkers, this is finest goose bumps dance music that makes you whistle along, laughing and crying all at the same time – but the rest isn’t half bad either. The short, but sweet “Myggsommer” gives away Terje’s secret love for quirky exotika, whereas “Swing Star Pt 1” and its brother have a (balearic) brilliance and witchery to them that is rarely found nowadays. Powered by Smalltown Supersound and housed in a beautiful sleeve courtesy of Bendik Kaltenborn (www.benkalt.no). 100% Arp 2600 and 200% Todd Terje!"

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Reissue of the classic. More

Repress!

A mysterious release, not only for its unique expressive style but also because it isn't even known when it was initially recorded let alone its release date. According to non profit Studio Piccolo owner Vincent Bruley, it could have been recorded during the 70s and eventually released in the early 90s, sometime throughout Nilton Castro's time in Paris making music for contemporary dance classes (often led by his wife). This album was originally intended for accompanying dancers in classes with an emphasis on rhythm and coordination. Given Nilton's background and expertise in percussion, the focal point of this album is to present an array of Afro Brasilian rhythms performed by himself with additional moments of choir, flute and keys/metallophone. Effortless due to Nilton's prowess and unburdened by typical financial pressures (often behind the release of a record), the result feels like charmingly unadulterated and pure expression throughout the entire album. But what really takes the listener to places of unheard-of bliss is “Ondes (Les Vagues)” a track that has plagued the curiosity of diggers and collectors for a while now. With its harmony crescendos elegantly coming and going as per the title, overlayed on Nilton's subtle percussive patterns, an aural landscape of illusory beauty - listening is believing. Remastered and officially re-issued with its original artwork. More

4 of the biggest tunes by this groundbreaking artschool-guys band who mixed Nu Wave with Funk, Disco and Polyrhythmics. included are "Cavern" - which formed the basis for "White Lines" - "optimo", "scraper' and "out" More

After the highly anticipated debut album "Sugar Honey Iced Tea!," the dynamic NYC duo strikes once more with a double pack of alternate versions and remixes. Craig Handfield and Brandon Weems, better known as musclecars, have unveiled a dance music masterpiece, now graced by the touch of house music legends Louie Vega and Maurice Fulton.

This double pack showcases multiple versions of "Tonight," remixed by dance music maestro Louie Vega, who momentarily stepped away from his Masters At Work ventures to infuse this project with his magic. The main remix unfolds like an epic journey adorned with orchestral elegance, while the dub versions range from festival anthems (NV South Jersey Mix) to tracks that echo the early Masters At Work essence (Louie Vega’s Bronx Dub).

Additionally, we are gifted a new version of "Hello?" reimagined by Maurice Fulton. In this version, Maurice's signature live bass lines intertwine with exuberant, hard-hitting percussion, casting a whimsical light on the deep, introspective original.

Complementing the remixes from musclecars' esteemed inspirations, we encounter two new versions of "Ha Ya! (Eternal Life)" and "Water," both stripped of percussion to reveal the stunning arrangements, textures, and harmonies. These renditions are accompanied by a full side of musclecars’ dance odyssey "I Don’t Remember The Last Time I Saw Stars."

The Double Honey Pack is a tour de force. It’s a rarity to witness two legends unite to elevate an already stellar project, yet Vega and Fulton achieve just that. Meanwhile, Weems and Handfield meticulously peel back the layers, allowing the intricate details to shine. This promises to be the release of the summer!

A1. Tonight (05:55)
A2. Tonight (Louie Vega Bronx Dub) (05:50)
B1. Tonight (Louie Vega Remix) (08:22)
C1. Hello? (Maurice Fulton Remix) (06:44)
C2. Ha Ya! (Eternal Life)(Planetarium Mix) (07:38)
D1. I Don’t Remember The Last Time I Saw Stars (11:10) More