Territories : ww -fr -benelux

Genre: Electronic / Club Music

London-based producer Tar Blanche, also known as a member of the dreampop band Yumi Zouma, unveils How to Dance Freely Without Social Anxiety, a 7-track journey through jazz-house, deep house, and chill-out lounge.
With a sound that resonates alongside artists like dublon, Table, and Berlioz, the English producer blends ambient textures, refined guitar riffs, and emotive productions, crafting an intimate yet hypnotic atmosphere. Signed to Délicieuse Records, Tar Blanche continues to push boundaries, cementing his place as one of the most exciting producers in modern electronic music.



Tracklist

A1. Solitude Becomes Harmony
A2. ?Never Let Me Go
A3. ?If You Can't Trust Your Heart
A4. ?Blowfish



B1. ?Torn To Pieces By A Crocodile In North Queensland
B2. ?Bluff Structure
B3. ?Apt To Sidewalk Stand



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His new EP, "Nostalgic For The Future", was inspired by an experience he had during a lucid dream that evoked a paradoxical and enigmatic feeling. Also influenced by the artists of his childhood such as Daft Punk, Alan Braxe or Jestofunk, this new project is imbued with house sounds.
By using artificial intelligence in the conception of "Nostalgic for The Future", Fhin proposes an innovative vision to tackle eternal and inexhaustible themes of music: love, the meaning of our existence or the intensity of our emotions.


A1. Tactile
A2. Everlastin
A3. Post Chagrin


B1. Sombrer
B2. a Roof
B3. Flat Head













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Tracklist
A1. Lady Light
A2. Killing Flowers
A3. Hide and Smile

B1. L in Vain
B2. Keep It On
B3. Soul Brother

Release Info:
Golf Trip is the new solo project of Gautier de Bosredon, former member of the Camel Power Club that he co-founded in 2013. The tracks he co-produced and co-wrote have now accumulated over 50 million listens on streaming platforms and the project is now touring all over Europe to present them.
Resulting from a writing that was done since his departure from the group, the music of Golf Trip is goovy and solar. The will to make a record which is soft and positive was the thread of all its realization. Long sessions allow the elaboration of a musical framework based on straight rhythmics, funky guitars and soft synthesizers.
A quiet fleet on board which the listener embarks for 6 tracks whose arrangements and mixing were realized by the Norwegian Olefonken (aka Hubbabubbaklubb).





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Tracklist :
A1. Keep It Moovin' (feat Smashish)
A2. Ayé
A3. AKA (feat Cobrawolfshark)
A4. June Shine
B1. Keep It Movin' feat. Smashish (Bosq Remix)
B2. Keep It Movin' feat. Smashish (Uptown Funk Empire)

Release Info:
Newcomer Izzy Wise delivers a wonderful funk and afrobeat upcoming EP Keep It Movin’, right before summer, on french label Délicieuse Records. After releasing on japanese institution Mule Musiq, the producer hits us with four serious disco-house burners.

"AKA", one of his most disco afro-beat tunes, is a straight-up boat party anthem with happy vibes. Huge brass instrumentation, strong 4/4 beat and a vocoded vocal are raising a tension towards the entire track which is bridging the gap between Fela Kuti and Moodymann.

On remix duties, french legend Uptown Funk Empire, the man of many projects (Voilaaa, Mr President, Patchworks) brings a dirty disco touch to the Keep It Movin’ single. On the other hand, Colombian sensation Bosq brings a latin flavoured take to the record single.

The San Francisco-based multiinstrumentalist and DJ has spent the last two decades literally exploring a world of music. Between working-out dance floors with the rotating door of eclectic musicians in Afrolicious, Braza, and his own global dance party Hi Life, to his own far-flung adventures DJing, playing in groups, and making recordings with people around Latin America, Africa and the Caribbean. His passion for live percussion and horns brings excitement and warmth to the sound system.





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Return EP for the danish producer Jesper Ryom. Three track of pure deep-house bliss. As a recall, the producer received high appraisal from the likes of Marek Hemman, Kink, La Fleur and got support on XLR8R, Resident Advisor and BBC 1 for his previous work that gathered millions of streams online.

From when he got his first multitrack recorder as a teenager, Jesper Ryom has been conveying moods through all kinds of genres of music. Over time, this has led the Berlin-based Dane to create a swirl of evocative, yet danceable atmospheres, drawing inspiration from hip hop and weaving in samples from an eclectic music collection. His sound is as emotive and climactic as the post rock that defined much of his musical upbringing, and while his music has been played for the dance floors around the world, his own private persona will rarely be found in clubs. It was 2010 that marked the beginning of a steadily growing catalogue of intricately assembled house tracks, conveying both buoyant dreams and melancholic moods. A homely perfectionist at heart, Jesper has made the rare choice of saying no to most gigs to focus instead on tracking down whichever sample or coincidental noise that can express the current state he is in - for the benefit of himself and his dedicated following.


Tracklist :

A1. Beaches
A2. Nights
B1. Forests


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The Ghia saga unfolds once more, but in this chapter, there's a new and unique twist. "Out of Luck" draws its roots from a previously lost track, originally composed by the group in 1985. This time around, the song has been expertly reworked by Marian Tone, with new vocals by Adriano Prestel. The outcome? Quite possibly one of the smoothest and most refreshing modern funk tunes you'll hear this year.

But let's rewind to the beginning of this adventure: Earlier this year, DJ Scientist stumbled upon another early Ghia composition tucked away in the depths of a master tape. It was a treasure too precious to remain unheard. Sadly, the original track couldn't see the light of day due to sound quality and issues with the original vocals. To make matters more disappointing, no instrumental version survived. Thus, the only way to share this catchy boogie funk track with the world was to recreate it from scratch.

Special remarks:
- Limited Edition of 300 copies, never to be repressed!
- Lost Boogie Funk tune from 1985, reworked by Marian Tone (of Key Elements, Sonar Kollektiv)
- Featuring Adriano Prestel (of Pho Queue, Guvvy)
- Mixed and Co-Produced by Ed Longo (of Cosmic Romance, Stella)
- Contains single mix and exclusive instrumental version
- Original track previously unissued
- Brown sleeve with hype sticker
- Clean 45 RPM cut
- Mastered by Robert Wenzel
- Leadsingle for the upcoming Ghia reworks project!


Side A
Out Of Luck feat. Adriano Prestel

Side B
Out Of Luck (Instrumental)


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12"

Tracklist:

A1 SIMONE DE KUNOVICH & PASCAL MOSCHENI - STONE ISLAND (ORIGINAL MIX)
A2 SIMONE DE KUNOVICH - LINGUA DI SOLE
B1 SIMONE DE KUNOVICH & PASCAL MOSCHENI - STONE ISLAND (FANTASTIC MAN REMIX)

Release Info:
#PF006 Late night visions of MTV in the late 90s are the main inspiration for the debut EP of
Polifonic’s mainstay Simone de Kunovich.
“Stone Island”, born from the collab with Pascal Moscheni, is the sun soaked musical manifesto
of the festival - energetic, uplifting, psychedelic.
On the flip side Australian veteran Fantastic Man is shaking things up with a modern Trance
interpretation of the original for guaranteed dance floor pleasure.
“Lingua di Sole” closes the EP on a mellow note, laidback yet acid tinged, closer to the
atmosphere’s of Simone’s precedent works on Mule Musiq.
Close your eyes and it feels like Puglia already.

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Tracklist:
A1) Yo Quiero (04:40 min)
A2) Jackesito (05:08 min)
B1) El Baile Sensual (05:26 min)
B2) Vocalsita (05:27 min)
B3) Te Siento (06:12 min)

Short Text:
John Heaven of "Mainline Magic Orchestra" fame delivers Hot 48° degrees celsius, sweat dripping —>
s**, all in one minimal house record. Mover!



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2LP, limited edition vinyl + booklet

Tracklist:
A1. HYbr:ID Ectopia Environment
A2. HYbr:ID Ectopia Elastic 1

B1. HYbr:ID Ectopia Quarks Minus
B2. HYbr:ID Ectopia Removing Infinities
B3. HYbr:ID Ectopia Elastic 2

C1. HYbr:ID Ectopia Interacting
C2. HYbr:ID Ectopia Radiation Mechanics

D1. HYbr:ID Ectopia Field 1
D2. HYbr:ID Ectopia Singularity
D3. HYbr:ID Ectopia Gravitation

Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.

Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx


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Tracklist:
A1) Flow My Tears
B1) Super Mana Drain
B2) Warp World

Short info:

Simone De Kunovich
Mythical Figure
Use variably, whenever you need: D.J. at MainStage, High Profile Fashion Event, Underground
Basement Club, Balearic Terrace Situation.
Gifted selector. Room filling presence. Oversized packaging.
He (here) deals three cards.
“Flow My Tears“ High Roller Euro House
„Super Mana Drain“ OMG Modern High Energy
„Warp Lord“ Early Morning, Playful Dark Eternal Bliss
„He who masters the sound glows“



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GENRE/S: House / Techno

TRACKLISTS:

A1. The Yuzer (DJ Plead Remix)
A2. SpaceSamba (Electronic Live Mix)
A3. The Yuzer (Deep Dub Mix)
B1. SpaceSamba (Huerta Mix)
B2. The Yuzer (Aubreys Solid Groove Mix)

SHORT INFO:

PSSSH 003x enlists a diverse range of producers to reimagine the labels third offering. DJ Plead, Huerta and Aubrey all turn in stellar remixes along with 2 new remixes from Dauwd himself. DJ Plead kicks things off with his signature bass heavy sound on his version of The Yuzer, setting a high bar for what’s to come. Accompanying him on the A-side are a couple of cuts from label founder Dauwd. The first, “Electronic Live Mix” of SpaceSamba is inspired by Dauwd’s live performance at Mutek 2022 while his Deep Dub Mix of The Yuzer could be some of his best work to date on the imprint. On the flip Huerta houses up SpaceSamba which an excellent dance floor ready remix and Aubrey rounds things off with a solid groove interpretation of The Yuzer.










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12"/EP - Limited

GENRE/S: Ambient/ Electronic

Tracklisting
---------------------------------------------------------
Medium: 1 // Side: // Track: 1

Artist: Alva Noto; Martin L. Gore; Willian Basinski
Title: Subterraneans
Playtime: 00:08:56
Explicit Lyrics: No
ISRC: UK6821719558
(P): 2022 NOTON
Country: Germany

Composer: David Bowie
---------------------------------------------------------
Medium: 1 // Side: // Track: 2

Artist: Alva Noto; Martin L. Gore; Willian Basinski
Title: Subterraneans (Instrumental)
Playtime: 00:08:58
Explicit Lyrics: No
ISRC: UK6821719559
(P): 2022 NOTON
Country: Germany

Composer: David Bowie
---------------------------------------


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Territory: WORLD

FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve

TRACKLIST

A. Maintain 04:56
B. The Golden Ratio (Version) 04:43

INFO

Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".

By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.

Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin Toler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.

Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.

Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.

Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst







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LP+ Postcard Insert

Tracklist

A1. A (Time 23:12)
B1. B (Time 23:24)

Shortinfo:
Percussionist extraordinaire Valentina Magaletti recorded live at Colourful Storm's showcase at Cafe Oto in 2021. Intricate, textural longform percussion pieces comprised of traditional drums, found objects, voice and electroacoustics conjured to hypnotic effect. A rare solo recording, following collaborations with Laila Sakini, Yves Chaudouët, Marlene Ribeiro and outings for Blume and Takuroku.

Extremely curious listening for fans of African Head Charge, The Necks, and followers of Magaletti's collaborative groups, including Moin, Vanishing Twin and Holy Tongue. First-time vinyl pressing following a short run of cassettes. Full-colour reverse-card sleeve with postcard and new artwork by Dennis Tyfus.


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Non Exclsuive LP -Format: Light Green LP

1. I Understand
2. You See
3. Constant Connection
4. Tending to Twenty
5. Folding
6. A Breeze
7. Away From It All
8. Easy To See
Cat No.: LSSN079

On their third album Constant Connection, West Australian-based Erasers create hypnotic compositions of synth,
guitar and voice, evoking the vast expanse of their native landscape and the shrouded emotions behid the senses.
Comprising of vocalist, synth player Rebecca Orchard and Rupert Thomas on guitar and synths, Erasers have
developed their earthly kosmische music into an open language based on drone, variation in repetition and minimal
song stuctures. Based in Perth, regarded one of the most isolated cities in the world, Orchard and Thomas’s music
has brewed in the city’s vibrant DIY/Outsider community and evolved into a meditation on landscape, power, the
shadow-world of human emotions and stream of consciousness. Constant Connection, with its waves of sound and
chant-like vocals evokes a trance that suggests an infinity just beyond the senses.
At the heart of each Erasers composition is the interplay between the instrumentation, played with stoic restraint and
recorded directly with minimal effects and the transcendental states induced in the listener. It’s a magic that is
performed in plain sight and all the more powerful for it. The recognisable vibrato of Fender Rhodes keyboards and
simple drum machine loops, the subtle strands of analog synth melodies that snake in and out of the ear, above all
the towering encantations of Rebecca Orchard’s undeniably Australian-accented hymns; all of this is presented with
minimal ostentation and yet it instantly engenders a dream state, hints at an infinity beyond the material.
Shades of John Cale’s 70s work with Nico, early 70s German synthesists Kluster and even fellow Australians
Fabulous Diamonds can be seen as stylistic touchstones for Constant Connection. Where Nico hinted at the
macabre and gothic, Rebecca Orchard’s similarly gliding vocal is more zoned in to a kind of oceanic openness, with
words becoming chants and spells that suggested themselves to the singer during recording sessions. It’s this
hidden hand of improvisatory, automatic writing that lends a sense of expanse to the music. On opener I
Understand, while the lyrics might hint at discontent the emotional spectrum it opens up is far more rich and
complex, as layered as the waves of droning chords that are the bedrock of each Erasers track. The title track talks
of flow, continuum and balance, the protagonist in the song seemingly weightless, gently pulled through a walking
reality that borders on dream. In Erasers’ world, it seems, the borders between reality and dream, consciousness
and sub-consciousness are blurred and eroded.
On Constant Connection, Erasers’ music might be deeply evocative of landscape but it’s never clear which one. The
vast, open terrain that surrounds Perth is dusty, burned by the sun into desert and Constant Connection feels like
the product of the heat and relative isolation, the altered states these elements can create. But it’s these altered
states of mind that appear to be the real landscape described by Erasers. It’s a landscape that’s hazy, in-and-out of
focus, with emotional undertows pushing and pulling you into a weightlessness. On album closer Easy To See the
band dispense with percussion all together, field recordings of the water at the edge of their native city ushering in
two duetting synths. Orchard’s vocal undulates with the flow, viewing both the geographical and psychological
landscape from the perspective of a consciousness not bound by bodies and from a timescale measured in
millennia. The album ends as it begins, with field recordings of the real world that the music seeps out from,
temporarily, before regressing back into the other realm it feels like it belongs to.
Between these two recorded hints of reality, Erasers manifest a deeply sensual dreamscape that constantly feels
like it’s dissolving at its seams. A desert psychedelia emanating from a real world that might not be that real in the
first place.

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Tracklist:
A1. Cold War (Nuclear War)
A2. Nuclear War (Part II)
A3. Nuclear Winter
A4. Human Clones
B1. Future Man
B2. The Elohim
B3. The Golden Age
B4. Star Gate

Release Info:
DMX Krew unearths the lost Cold War LP.
Created for 1983. Created in 2003. Released in 2023.
In mistrust and blindness mankind wages a COLD WAR, East against West in a spiraling
cycle of mindless escalation. For 40 years the madness continues until it reaches its
inevitable climax, NUCLEAR WAR. Armageddon is achieved at the push of a button, millions
of lives are destroyed. Those who are spared struggle for survival in the bleak conditions of
NUCLEAR WINTER. Acid rain destroys the landscape, darkness falls across the face of the
earth and hope is lost as the population falls prey to radiation sickness and cancer.
Deep underground, the last survivor works feverishly in his isolated laboratory. A lone
scientist attempting desperately to save mankind, he uses occult technology and
deep-frozen human tissue to create a group of 12 radiation-resistant HUMAN CLONES.
They set forth to rebuild and repopulate the planet, whilst the scientist continues his work to
improve and strengthen mankind. He develops a technique to fuse his own living flesh with
the transistorized mind of a supercomputer, transforming himself into FUTURE MAN.
Synergy of man and machine. Having transcended his mortal condition, he is now deemed
ready to meet THE ELOHIM, a race of super-evolved aliens who created mankind 40000
years ago and have been watching and waiting ever since for the day when man at last
becomes enlightened. They descend from the heavens in their storship telling Future Man to
rejoice, for the trials of mankind are over and they sing to him of their long wait and THE
GOLDEN AGE which is about to begin. Future Mom and the Clones are taken on board the
spacecraft whereupon the Elohim transport them through the STAR GATE to a planet
paradise where they are able to live in peace and happiness and once again become
prosperous and many.




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