Especial is a label always on a mission to unearth left-of-centre perspectives on club music. This new EP, Be Honest, is just that from long-time friends Lipelis and Arsenii, who are based in Belgrade and New York but seek inspiration in the New York sounds of the 80s and hook up with Gayana for some woozy and lovelorn vocal additions. 'Be Honest' is a dubbed out and swaggering deep disco groove that comes as long, dub and cappella versions on the A-side. The 12" dance mix brings some superb house drums into the picture and the Dubplate VIP is a fresh jungle rhythm. This is an EP with something for all. More

The always adventurous Especial label is back on its world travels once more for another cultured EP, this time from Jonne Lyden aka 53X. This is a widescreen bass exploration with trance-tinged steppas looking firmly to the future from the Finnish-born artist. He has a background in punk bands but a trip to Berlin turned his ear and now he makes experimental fusions that draw on everything from industrial to Berghain to Detroit for inspiration. His tunes are mostly started out as live jams and then edited into what we have here - club-ready sounds, rich atmospherics, acid, breaks and hypnotic rhythms. More

(Emotional) Especial and Giraffi Dog join forces once more to offer up the second installment of their concept EP series. It is focussed on live and studio collaborations and this one comes in two halves: the first half kicks off with '6th Chakra' (feat DJ Deflektorschild) - a fully live deep house and hi-tek soul exploration with mind-expanding synths and Detroit drum sounds. 'King OTN' is a jack dup acid cut ripped with cosmic synth details and 'DX Metero' has sheet metal synths lashing about next to ethereal synths and busted drum breaks. 'Starfather' is a star-facing closer with elegant piano notes dancing over serene grooves. A vital showcase of this essential live artist. More

Frankfurt's celebrated producer, Philip Lauer returns to Especial, this time teaming up with Berlin based vocalist Dena for a special collaboration, covering Julie Stapleton's soulful House classic with a modern interpretation across a number of versions (vinyl and digital).

After the success of the Hotel Lauer EP on Especial way back in 2016, Lauer has continued his ascendency with albums for Permanent Vacation and Running Back, as well as releasing a string of sure-fire, dancefloor friendly EPs for the likes of Cin Cin, Futureboogie and Skatebard's Digitalo Enterprises.

Born and raised in Bulgaria, before making the move the music mecca of Berlin, Denitza Todorova has a carved a path with her electronic, dance pop stylings across releases for the likes of K7 and Kitsune Music. First appearing on Make It Stay from Lauer's last album, it jumped out as the perfect partnership to bring the raw, soulful and uplifting sounds of the cult V4 Visions label up to date. Founded by Alex Palmer, the label was part of the UK's early 90s club sound, releasing street soul, deep house and more, in Where's Your Love Gone, Palmer and 18-year-old writer/vocalist Julie Stapleton hit on the perfect marriage of Lovers Rock and Street Soul yearning with the haunting sounds of US House. Presented as a new take on the classic, but with utmost respect, the EP starts with the Club Mix, a Larry Heard bassline joins a marimba melody, lifting Dena's vocals of youth's lost love and pain. This is followed by the Demo Mix, a warm, beautiful string laden original take that Lauer and the label felt had to be included.

DJ Slyngshot is welcomed to provide a deep, tech remix. A name to watch via his releases on his YAPPIN label and recent EP for Workshop, his remix is an analogue twist of hypnotic, raw dub techno percussion and counter breaks builds as string and piano join. The EP ends in the Synthapella, as bongos, cowbell and whistle are added to create a drifting Balearic version for late summer nights and dawn that highlight Dena's vocals in a 'sunrise' light. More

Ever since the first white labels appeared at the end of Summer 2013, [Emotional] Especial has been putting out music that is slightly left of (club music) centre. Influenced as much by and including dub, electro, disco, proto-house, house and techno, guided more by a feeling than a sound.

This thinking has been that exemplified by every 10th release being a label sampler - a showcase of unreleased tracks or remixes of what has come before, plus the odd one off cut by an artist to watch. Some 4 years since the last Sampler, the label's 40th release presents new label heads Giraffi Dog, returning after their recent "live" Multiverse EPs, here teaming up with GF Rich for a breaks anthem. Sub bass rising, the persistent build leads to piano before drop and Acid mayhem ensues, highlight why G Dog are such a producer to watch.

Label mainstay Alphonse returns, with White Pepper from the "Stolen Sunrise EP", here remixed by House stalwart Toby Tobias. Having released for a who's who of labels including REKIDS, ESP Institute, Delusions Of Grandeur and Futureboogie, the illusion these past years of who is Alphonse can finally revealed as Toby himself. The remix of his alter ego takes the 'Balearics' of the original and adds breaks and 303, all retaining a laid back feeling for summers return.

On the flip, the label welcomes rising star, Remotif. With a series of EPs showcasing a growing talent, his recent Coymix release sealed the deal. Here, his comedically titled Beam Me Up Softwoiii belies a party anthem, where breaks and arps rise in unison before an Aphex sunrise burst, drops and heads down in pure dance.

Akio Nagase returns to close with another of his Japanese folk meets lilting 303 Acid House. An Okinawa traditional folk song, conveying a life lesson, here to Hosenka flower is laid across slo-mo acid bubbles to quirkily and perfectly complete another 10th release of the Especial path. More

Especial presents a 2 EP live concept collaboration with Berlin's Giraffi Dog. With live tours cancelled due the on-going changing world, the idea of bringing their live set to vinyl - an opera for your innerspace, while constrained from outerspace - was born.

Setting up Doom Chakra Tapes with DJ Deflektorschild in 2016, Max Webber's project first released the L'Existence Du Reve cassette album as a blueprint for the Giraffi Dog sound, with some tracks appearing on the acclaimed vinyl debut for Aiwo Recs, before a split 7" for the WARNING label series followed.

Teaming up with friend Max Heesen (Dessous, Poker Flat) to take the project live, their backgrounds in punk and hip-hop shine in their take on breakbeat driven club culture.

Recording live in the studio, as a different state of meditation, MCPs trigger drum machines, the duality of live synth and vocoder, while tape machines, reverb and FX looped, twisted and filtered for an inter-mind festival

Cut as a continuous mix, tracks like Concorida, Jam X and Multiverse, are a manifestation of their sets dropped from small basements in Berlin to fields in the outskirts of Paris, this first EP acts as a hypothesis for the parallel, the other, the alternate, the infinite. More

Especial returns to Alphonse's masterpiece with a 2022 repress of this EP of afro-dub-house to basement breaks, backed by imperious remixes from then rising stars The Pilotwings and DJ Normal 4.

While Alphonse debut techno-breaks-poem Same For Me came with its own soliloquy of life and the transcendental mediations of dance. Head-scratching and indifference ensued as the EP, backed with Junior Fairplay's monstrous-amen remix, slipped by all but the most 'switched on' heads - thanks Zaltan!

Now back, but still keeping to the shadows, with more sound system shaking cuts via the afro leaning Smokey and breaks pump of Glint AM. Smokey is a true heir to a unique British take on House. Congas, bongos, kick, dub bass lines and chants riding twisted fx - a true Warriors Dance.

Next Glint AM takes things back. Skipping hats atop an 808 throb before Detroit inspired strings and Akai vocals await a Mayday bass to lift hands and hearts. This is no pastiche but born of life's love and experience, of misty mornings, standing on beaten up trucks, arms a lot, higher and higher.

Time then to hand remixing duties to rising brothers from other mothers. The Pilotwings retake of Smokey shows a crew at the height of their powers, stripping the beats back to allow time and space to ascend - letting it all float away. Things are closed by - one to watch - DJ Normal 4. An old head at heart, member of Cologne's Aiwo Records and name to check, his deeper take on Glint AM includes a nod to the atmospherics of Biosphere and Leiner while keeping things, always, always, always looking to the future. More

Especial welcomes the return of Akio Nagase, Osaka's own 303 specialist, with a second EP of acid infused world music. After the success of his Asia orientated EP, here his ethno-inspired dance comes to and from Africa, the mother.

With a history of making reggae influenced electronics under the Makedub alias, his development to acid master continues to showcase a skill at fusing samples, effects and found sound in a dub-desk mix that is body moving and catchy at the same time.

With a mission to bring the music of the world closer, Acid Maasai Collecthiv sets the scene with TB 303 weaving around dub heavy bass, crossing the Athi river, seeking spirits to bind. Countries and continents are tribes and with a reopening world, the dance can encompass all; open minds to bring unity.

This is exemplified on the ethereal Morisyen Acid. Sound design, Mauritian samples and creole vibrate perfectly with Akio's acid work and simple but effective "predominately" repetitive beats to uplift like the Tamarind sunrise.

Acid mantra as mind-gateway continues with Serengeti Summer. An heir to Whoktish, this is Not Reggae, the 808 and 303 in harmony; a jam of man, machine and samples to bring today's ethno-blue storytelling through consciousness.

Closing is Jua, interweaving the fabric of life, passing down from generations the primal with the psychedelic beat to communal gathering, Akio presents the music with love and respect.
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Whitelabel!!
Especial presents a 2 EP live concept collaboration with Berlin's Giraffi Dog. With live tours cancelled due the on-going changing world, the idea of bringing their live set to vinyl - an opera for your innerspace, while constrained from outerspace - was born.

Setting up Doom Chakra Tapes with DJ Deflektorschild in 2016, Max Webber's project first released the L'Existence Du Reve cassette album as a blueprint for the Giraffi Dog sound, with some tracks appearing on the acclaimed vinyl debut for Aiwo Recs, before a split 7" for the WARNING label series followed.

Teaming up with friend Max Heesen (Dessous, Poker Flat) to take the project live, their backgrounds in punk and hip-hop shine in their take on breakbeat driven club culture.

Recording live in the studio, as a different state of meditation, MCPs trigger drum machines, the duality of live synth and vocoder, while tape machines, reverb and FX looped, twisted and filtered for an inter-mind festival

Cut as a continuous mix, tracks like Concorida, Jam X and Multiverse, are a manifestation of their sets dropped from small basements in Berlin to fields in the outskirts of Paris, this first EP acts as a hypothesis for the parallel, the other, the alternate, the infinite. More

Akio Nagase joins Especial with an EP of global acid tracks. Centred around his heritage, Osaka based Nagase infuses his sounds with a mixture of dub and ethno-dance, wrapped in 303 infused mid-tempo 4/4 grooves.

Making music for over 20 years, as well as running his Makedub parties, Nagase has released for Sound Channel, Darker Than Wax and cult Japanese digital label Chillmountain. It is here, on the latter, that the connection was made and his tracks unearthed.

Rearranged, re-edited and remixed especially for vinyl, Jurassic Shanghai Acid starts, fusing sound effects, dialogue and samples atop squelching acid beats. Following is Mongol 303, as Khoomii throat singing and acid vibrations loop and flow across the Altai Mountains down to Steppe Plains - Madrugada Eterna.

Okinawa Yunta crosses the South China Sea to home, perfectly mixing unique folk song from Taketomi Island reconstructed with Nagase's gentle, wiggling acid accompaniment. The incessant repetitive groove an Acid mantra, flowing through consciousness to move mind and body.

The bpm's rise for the close. Saigon Acid mixes tradition and Acid House for fun, a 3AM basement jam where Dan Nhi meets 808 and Nagase presents his ethno-acid love in. More

Moscow duo Odopt debut on the label with an EP of discordant, darkroom bangers for the end of days. Following acclaimed releases for Born Free, Discos Capablanca and Hivern. Ivan & Grisha - former residents of the infamous Denis Simachev Bar who glided aboard the Salon des Amateurs, Sameheads, Opium, Golden Pudel, 20:44 caravan with ease - present a 4 tracker of propulsive techno-house chamber music for these modern times.

Starting with A14 their nefarious, sonic industrial funk is on max. Samples reverberate around a dystopian shell, before playful tonalities swirl you higher. As hands to the sky as Odopt will ever witness. There is true beauty in the night.

A dense atmosphere prevails Keylat, it's darker EBM variations jack the master; voices scattering over schematic, metallic melodies before percussion is tamed, fading to a soporiphic realism.

Rolling, squelchy, acid, we embrace Sample Commerce Shot. Bending, growling, dive-bombing limbs and minds, its sleazy pursuit hard to resist as cavernous flashes lung from neo arpeggios to lock you in the groove.

Holy Motor$ the perfect finale. Brooding, virulent, hulking. A monage of momentum, menace, machine music; its haunting nervy bass for the slaughter. Take my hand. Let's walk. Most likely we'll laugh in the next life. More

Kris Baha had a big year in 2019 with the release of his debut album on CockTail d'Amore and an EP on Pinkman, and now the Australian body music man in Berlin is back with a high-pressure heater for [Emotional] Especial. "Barely Alive" is the kind of sinewy proto-industrial cut that will appeal to fans of Ministry's earlier work, when the synths reigned supreme and there was pop to match the noir. Especial then call on a cast of remixers to interpret the track in different ways, from Timothy J Fairplay amping up the dystopian disco tropes to Das Ding creating a sleek electro-funk twist with the original's gothic undertones intact. More

Project Runaway brings together two of Tel Aviv's new breed of talented DJ / producers in a meeting of tripped out, expansive, psychedelic, club music. Landing on Especial to expand horizons is Met, their debut EP of deep, percussive dubs for late night tribes.
A name on many leftfield lips, Alek Lee's journey continues following two acclaimed solo releases for the wonderful Antinote crew and new project, Shame On Us (alongside Naduve and Yovav Arzi) for that brightest star, Hivern Discs. Teaming up with the sound production skills of Stephan Bazbaz they create Project Runaway. Holding down his own citywide residencies, Bazbaz has developed a studio mastery of minimal dub, crispy house and trippy techno via a growing stream releases on numerous labels, as well as setting up his own No Wave records in 2016.
After their welcoming, simple, yet wall quaking remix of Persian (EES031), Met, or 'dead' in Hebrew, bring their strands together as one sound. In original form, a vibrating drum takes on bass backbone is broadened with tight layers of percussion overtones and warped vocal interplay. Lee's psychedelic imaginings are a perfect fit across Bazbaz's wide production expanse, before horns raise the heat to extreme.

For deeper DJs and big system dwellers, Met (Dub) does as it should, stripping away and opening wide. Hand percussion and vox ride the channels, coming in and out of the mix, while dub stabs transfix and could run for days. A meeting of minds, drums, psychedelics and pure club love.
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And so Especial comes to its 30th release. As with the EES010 and EES020 the 12" is given over as a "Sampler EP" of alternate versions, dubs and unreleased cuts that deserve their time in the spotlight. Again featuring a label's who's who, with Fairplay, Paton and Baha appearing, but also new crews in vogue with Roy Of The Ravers back, joined by the esteemed Freeform Five plus a debut from Bal5000. First up, sees the return of Junior Fairplay in the mixing desk hands of the ever kenetic Roy Of The Ravers. After turning in a twisted bleeptastic remix on Junior's recent "Faxes From The Future" EP (EES029), here in the aptly titled Remix 2, Roy strips everything back for a succinct and short stormer. Deeper, dubbier, dirtier, Roy does the acid-tinged bass and kick better than any, snapping those hats to ride. Next comes another of those Jamie Paton reversions that slowly seep in your brain for days. He's all there and more, taking Freeform Five's digi-only Throwing Stones and with drudge beats, soft keys, drunk-funk pads, snap-claps and 909 kick all underpinning (Ali Love's) dubbed vocals to the haunting refrain only he can find. Another Paton love dub for the more open-minded DJ to melt hearts and minds. On the flip, we are delighted to release on vinyl Kris Baha's now cult retake of those brightest stars, Red Axes. Only previously released by brethren Multi Culti as an digi-only for the Waiting For A Surprise Remixes EP, after many years of cat calls and reminders, here at last for the vinyl heads is this monster drug-thug. Recorded some 3 years back when Baha was a relatively unknown, now a debut LP imminent for dem CockTail's boyz, this is right time for such a club killer to be spun loud and proud. To close, a new "Kids" on the block. Picked up on and then sat on for too long, Bal5000 has since had an acclaimed EP for our Invisible Inc. friends in the north and so it's right to let this pure electro flyer...fly. Coming on like a 6am party lifter, the electro beats nod to Geist and Jesrani, but with it's own funk and vibe that just keeps going higher and higher until the nods are smiles and smiles are skips and shuffles to the beat (the street). After 26 releases in 3 crazy years, last years solo (Paton) release was a nice stop and breath, so where Especial goes next is unknown. With some discoveries now flown the coup and new headz bringing their own new sound, plans are afoot to keep on keeping on and to bring something old and new to the floor...or the door. You choose More

"[Emotional] Especial returns in 2018 after a supremely quiet 2017 as batteries were recharged and life happened. In mind is the introduction of new duo, Weird Weather and their debut EP, Bamboo Room. Slotting perfectly in the label family with 4 cuts covering dark basement club music through to calmer, balmier moments. LJ Horstman and D Thornley, conjoined metal nerds from opposite ends of the London suburbs who bonded over love of dub mixes, create Weird Weather. This debut collects tracks from four years of jamming, constructing, dubbing and re-dubbing. Cheap synths played with strict finger musicianship; deep bass over 4/4, clattering Roland drum boxes and analogue pads and submerged vocals calling out over the noise of the digital Coffee Maker. Full spectrum of influences are apparent for the heads with nods to Yello, Jah Shaka and the Horn "Megamixes" of Frankie Goes To Hollywood and ZTT alumini - all go in the dub blender with a slug of 80s rock bombast. 4 demos passed down and the mixing desk skills of homeboys Mr TJ Fairplay and Mr J Paton are added for good measure. To start, Sequence 5 is a one-take body-music desk dub. The relentless riding rhythms and faint harmonics pull you to the floor in unknown fashion. Trash Dolphin follows as an aquatic New-Wave meets NY-house in-joke that went too far. Sample bits out the window to reach nirvana. Taking the flip is Bamboo Room. A sub 90 bpm, euphoric mind-melter for the post Ambient House generation. The true winner with tranquil(ity) bass and psychedelic (research) lab trip shifts. Seamlessly completed with the poolside 'Ormus Mix' for the suave recliners. Thanks to Eric Dan for phantom support via the LCD screen. Onwards and upwards. " More

After a deceptively quite 2017, Especial picks up the pace pace by welcoming back the peroxide, youth filled Fairplay (re)version and a 2nd EP of old-skool-meets-the-new-school flavoured House and Breaks to lock, jock and spin. After the criminally overlooked 'How Do You Like Me Now?' EP - how is Classic Version not a...classic...version? - Junior gets back on the (lino) floor. The EP starts with a look north to the 'other city of 7 hills' that birthed a Warp'd British retake on House in his bleep-dub ode, End Of Love. The autobiographical title belies a forward approach with his trademark echobox kick'n'hats underpinning uplifting keys and nodding bleep finger solo. Who to join the party then, than another man of mystery, Roy Of The Ravers. After his debut EP on sister label Emotional Response became a most played from Aphex et al, it is only right bring him to E'Special. His brooding, hoover rush Remix 1 heightens the vibes with a heads down bleeping half-steppa. Righteous! The flip is given over to Junior's roots, bringing the hip-hopper back with the anthemic The Shazsquatch Goes Back Into The Woods. No shoc(k) horror here, just more upwardly mobile breakbeat meets UK techno licks. You can hear Fairplay at one with man and machine, pushing a sound that looks back but most definitely goes forward with 'Sunrise' on the mind. To close is the swagger of EP title cut, Faxes From The Future. Hair of the (black) dog fuses a swinging break with proto-dub-meets-Giallo stylings to rework the senses and say, now is (still) the time! A return to making the noise while keeping tongue planted firmly in cheek. What are u like? Top. Buzz. "
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After a couple of releases for the label, including notable remixes, plus the excellent recent 7 for Hoga Nord Rekords, Jamie returns to warm glow of Especial for a collective vinyl only EP of 4 unreleased remixes brought together for limited release. Opening is his dark, brooding rework of See You In The Dark from Sexy Merlin's 2012 cassette only release Heater. Taking the 2mins + plus original and feeding it through modular and space echo environs, this long form remix has been alighting dance floors whenever aired. Throbbing bass and phased, twisted vocals pull the track deeper, all with that neu-wave touch that has become Jamie's hallmark whether sought or not! Next Jamie turns to the Eastern melodies of Guy Schalom. The drummer and percussionist first came in to Paton's orbit via his partnership within Cage & Aviary and his remix here strips the original to his affinity with dub and bass. Horns rise and fall, driven by snare and guitar in a unique reversion of a version in the truest (es)sense. Roots and vulture y'all. The B-side heads back deep with his wonderful remix of Gatos Negros's Overdrive. Taken from the bands 7th Life album on Spain's Rotten City, the interplay with arpeggio, bass and vocals shows why Jamie has his own unique following. Closing the EP sees a return to a relationship first seen via Cage & Aviary's remixes of Blancmange in 2014. A mutual admiration achieved, the band requested a special remix of their rerecorded 1982 classic Feel Me. Jamie rebuilds the track with a nod to it's past, his own sound and also, as a final homage to nights remembered at the Brixton HQ years of World Unknown, where the original was such a highlight. Here comes a love song "
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Joining the dots after last years reissue of Plus Instruments early 80s post-punk music on the Bodies EP on Emotional Rescue, Especial now looks at their return to recent music production, taking the song Love Is Enough from the recent Trancesonics album and giving it the all encompassing label remix treatment. Returning to releasing music after over 30 years hiatus, the now solo, multi-instrumentalist and vocalist Truus de Groot, showed she had lost none of the unique off-kilter dance inflicted avant-pop observations. With the release of Trancesonics things come full circle, bringing Truus' right back to her roots. On hearing Love Is Enough's thumping 4/4 kick, sliding hats, white noise and mind-worming vocals seemed in tune with what Especial is about - warped, tripped -out, dub inspired dance floor music that retains an ear for melody and at times, pop leaning, it was a calling not to be ignored. Richard Sen then, leads the way with a trademark killer Chicago inspired bump'n'strings cut that takes Truus' vocals to the horror chamber. Next, Khidja show why they are names to watch with their retake, mixing double bass and vibes interplay, trippy fx and haunting refrain, all wrapped in a killer groove that signal a duo totally on their game. On the flip, it was a perfect fit to get Luke Solomon in to do one of his special 'mad-hatter' skat style remixes. Jumpin' and bumpin' across the floor this is Music For Freaks. Finally, homeboy Jamie Paton does it again with twisted, bubbling dub, riding snares, arps on arps, a multi-layered, live on the mixing desk work-out for mind and feet. Is Love enough? Maybe. Or it could be Dub is enough? Time will tell. Dot to dot.
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Reissue of the highly sought-after 7” from 1979 by Chicago reggae outfit Gypsy Fari.

Gypsy Fari was a project born in the south side of Chicago, after a chance meeting between St Kitts expat Leroy Webster and local music grad Kevin Coleman. The pair set out to blur the boundaries of genre with their unique brand of music,spearheaded by Webster’s Caribbean roots and fused with the soul and blues the midwest is famous for.

A striking stand-out of the band’s repertoire comes via their debut recording, laid down at Curtis Mayfield’s legendary Curtom Studios. The EP opens with Chi-Town Reggae - a super-charged blend of reggae and disco, led by Websters infectious vocal, steeped in soul and powered by a relentless rhythm section. Hail Jah follows closely, written on the hilltops of the outskirts of Kingston, Jamaica, it’s a deadly roots reggae missile that pays homage to Websters beginnings.

Once dubbed by a local news outlet “Gypsy Fari are to Chicago reggae what Muddy Water is to Chicago blues” - now remastered, repackaged and made available again for the first time since its initial release. More

"A brittle metronome in a delirious tension landscape, WOMEN'S HOUR are a Glasgow based experimental post-punk duo featuring Contort Yourself head honcho Murray CY and artist Jenny Wicks. Creating noise, harmony and disquiet washed in synth and repetitive guitar, rough beats and distorted vocals, WOMEN'S HOUR are constantly trying to embrace the shouting in their heads."

On this, their debut release, a 12 track lp, a true to form jagged 80s post-punk affair, the two piece bring to life the day to day in the grim North through their music. One can almost feel the chill coming from the brittle window panes of the dank drafty flats, filled with asbestos paint, busted heaters, and no hot water flowing for who knows how long. Desperate, urgent, coming close to falling apart, yet pulling it together to make it through to the next song...this is as "British" as it gets (yes we know Scotland is its own thing guys, don't shoot) The sun hasn't shown its face for many months, wind blows through the deserted streets, change jingles around in your pocket, a hungry dog barks. This is the music of Women's Hour. Limited to 300 copies, one time pressing. Includes insert and art by Jenny Wicks of Women's Hour. More

Repress!

Detroit a city of great contrasts. Feats of engineering that spurred the world forward. For a few decades wealth and prosperity. Hi-tech dreams seemed achieved. But with the dream also comes nightmares…..Traffic Jams, Predatory Insurance Companies prey on municipalities with no mass transporation, freeways built specifically to ruin minority prosperity & to build walls between people. Beautiful countries all over the world wrecked at war over the thirst for oil, entire neighborhoods decimated when the corporate greed for profit forces engineers to build throw away cars that are quickly replaced by better built foreign competition. Even Worse……Climate change. Detroit the city that knows the best NO CORPORATIONS SHOULD DICTATE CITY FUNCTION the people should……listen to the sound and learn from it……or deal with the Lo-tech reality that Corporate greed actually is so good at building. UR the future UR the change…… More

After a two-year pause, the PIV label returns with a new release on its ‘Limited’ vinyl only sub label. This time in good company by two legends in the making: Fabe and Alexander Skancke. PIVLIM, as the sublabel is called, focusses on the more underground sound of house music. Fabe provides 3 original very unique sounding tracks, with Alexander showing off his skills on the high energy driving remix. The tracks have shown their effectiveness countless times on dancefloors around the globe, so be sure to get your copy now, as only a limited amount will be pressed on vinyl only.


DJ Support: Lauren Lo Sung, Rossi, Chris Stussy, M-High, Fabe, Alexander Skancke. More

Seven suites of deep and sprawling sonic meditations built around ‘call and response’ improv sessions between Randy Raine-Reusch and Michael Red.

Slow and tempered recordings of Asian flutes, African harps, temple gongs and a myriad of obscure instruments from Randy Raine-Reusch's deep collection mutate and ebb into swirling gossamers of tone. Sonic incantations stretched and magnified further by Red's Sends. An otherworldly play between light and shadow worlds; at times idyllic and light-filled, at times dark and eerie– all engrossing. Dream-reality reconciliations weave between the spectral world of Michael Red's sound processes and the direct physicality of Raine-Reusch's playing. The tension across the pieces builds between the live playing and processing techniques, dutifully revealing a growing familiarity with collective transcendence through sound (bigger than the sum of its parts). Real-time interactive dream music.

Initially realized over the course of a few days in Randy’s instrument museum in Vancouver BC [December, 2014] 'ERAS' is made up of processed, and sometimes multi tracked, improvisations between Randy and Michael. Through these sessions Randy would choose instruments he sensed possibilities within, and Michael then revealed and sculpted these possibilities. Both resonating, sensing sonic structures, environmental nuances, and further worlds in each other’s art, all within the moment. Being present for each other, they acted on instinct, trusting a first thought, trusting each other; committing, responding to that commitment, then mutating and letting go. Always moving forward, synthesizing and letting the living moment lead the way.

The recordings were left to distill and mature for many years before the composers felt it was ready. With minimal judicious edits and a very light dusting of FXs, both careful to preserve the direct and intuitive process that permeates the recording, ERAS now emerges. More

Following his impressive debut EP ‘Mirror In Man’, which touched on cosmic folk jams and Balearic pop, the Belgium singer-producer Mozes Mosuse aka Movulango has announced his second project ‘The Irony’, a 5 track EP out 24th November via Soulwax’s DEEWEE label. Movulango’s musical paintings are a visual and intuitive reflection of what it feels like to be him. His weekly radio show, Radio Atlantis on StuBru, Belgium, is a clever alias he uses to explore different worlds, deconstruct existing music and blend it with his own musical experiments. His latest project ‘The Irony’ is further insight into Movulango's devine mind, building deeply personal stories on feeling and emotion that bundle into soaring melodies and lyrics. You can try your best to understand what it all means or you can sit back and let them bewitch your mind and soul. More

Paranoid London, the electronic band of Gerardo Delgado and Quinn Whalley, has become synonymous with stripping acid house back down to its basics, rescuing the sound from smiley faces, rave, and sugary excess while paying respects to its gay, black, American roots. Performing mainly live with hardware only, often with vocal guests, as well as unique hybrid DJ sets, the duo has established a tongue in cheek, grumpy punk sound and attitude without taking it too seriously. Following 2019’s latest album PL and a bunch of 12” singles and edits, their new long-player Arseholes, Liars, and Electronic Pioneers refers to the cavalcade of c***s we find ourselves surrounded by. Our only respite being the joy that musical geniuses bring. The cover artwork and gatefold of the vinyl reflect this with a collage-like poster including personalities of all kinds, from politicians and royalty to music legends. When we asked them to highlight key music pioneers from their picks, they mentioned American electro don Aldo Marin, British producer Andrea Parker and Post Punk band WIRE. Inspired by early ‘90s British prog house on the likes of Sabres Of Paradise Records and Guerilla Records, the album presents a step up on their production while the anarchic attitude remains unaltered, unadulterated and undiluted. In Quinn’s words: the album has a slightly more Hi-Fi sound than previous efforts, but retains the urgency and punk rock attitude that we're known for. It was tested over the summer, where it lit up festival stages at Glastonbury, Houghton, Love International, and many, many others. As expected, PL has recruited a bunch of special guests on vocals including Primal Scream’s Bobby Gillespie, US house veteran Monica “DJ Genesis” Lockett, the novo-New Romantic/gothic, Jennifer Touch, and Joe Love, from Fat Dog, Brixton’s current ones-to-watch. As well, previous collaborators Josh Caffe and Mutado Pintado return for new recordings. All bring something unique to the party, while integrating perfectly with PL’s Fuck you! circuitry. More