Debuting on Token with his 'Blind Witness' EP, Pierce serves high-intensity cuts produced with finesse and flare. An architect of wide dimension, the producer works meticulously not only on the bite of his elements but the textures that glue everything together. Diving into immersion, Pierce executes four surgically precise tracks that burst at the seams and onto the dancefloor.
The balance of design to compliment each element is a tough feat, but Pierce funnels his expertise into very precise intention, making 'Blind Witness' a force to be reckoned with already so early in the year.



Tracklist

A1. Pierce - Blind Witness
A2. Pierce - There Is No Self
B1. Pierce - Vulnus
B2. Pierce - Secret Patterns

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Tracklisting
A1 Anton Mo - Summer Day
A2 Anton Mo - Make Me
A3 Anton Mo - Found You
A4 Anton Mo - China Town
B1 Stogov - So Good
B2 Stogov - Professional Chop
B3 Stogov - Dreamer

Sales Note
The DOBRO vinyl and cassette label has made a great record again. This time it's a split release by two A's of the label's residents from Russia. Anton Mo has settled on the a-side with fun disco house tracks, and Stogov has beautiful and groove house on the b-side. You will like the record both for listening at home and for the dance floor.



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NO RETURNS!
Indispensable heartbreakin' Disco House!

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Tracklisting
A1 Tensal - Renovatio
A2 Tensal - Yazuni
B1 Tensal - Zooe
B2 Tensal - Dextra

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Bass Culture welcomes Kerouac into the fold with a confident first statement on the label. The British producer arrives with a four-track debut EP that signals real depth and control, moving fluidly across house music’s many shades while keeping a sharp sense of groove throughout.

Active on a range of labels since 2001, Kerouac brings long-earned experience to the table, channelled here into focused, modern club tools rather than nostalgia. There’s maturity in the arrangements and restraint in the details, paired with an open-minded approach to rhythm and texture—qualities that sit naturally within the BC universe.

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Tracklisting
A1 Marco Shuttle - Sumud
A2 Marco Shuttle - Las Dunas de Taroa
B1 Marco Shuttle - Iso 50
B2 Marco Shuttle - Polylayering What I've Got

Sales Note
In an engrossing lattice of polyrhythmic beat science and deep atmospheric meditation, Samurai Music is thrilled to welcome Marco Shuttle to the fold for the Sumud EP.

Since his early years locked into the 00s London techno scene, Marco Sartorelli has developed as an artist entirely on his own terms. Through the rush of new ideas and cross-pollination that has characterised cutting-edge techno over the past 20-odd years, Sartorelli has travelled as Marco Shuttle from one considered stylistic concept to the next. On his own Eerie label and across expansive releases for respected outposts such as Spazio Disponibile, Incensio and Astral Industries, he's taken an exploratory approach to rhythm and spatial design while always drawing on intentional thematic frameworks, creating distinctive and immersive dance music in the process.

As Samurai Music continues to celebrate the rich seams of inspiration where deep techno and drum & bass intersect, Sartorelli's malleable, mysterious strain of drum work fits right in and sets a captivating tone for the label's operations in 2026. 'Sumud' is a steely drum mantra dealing in fractured patterns with the primal patina of the early Artificial Intelligence era, while 'Las Dunas de Taroa' leans on gently pulsing melancholia undulating at a half-time pace. 'Iso 50' taps into raw, analogue minimalism once more, evoking the sound of Roman Flugel's Ro70 records in their icy, alien formation. Completing the set, we're guided towards the tense electronica of 'Polylayering What I've Got', where uneasy melodic chimes interlock with intricately programmed drum machines.

There's a distinct sense of golden-era, mid-90s electronica coursing through Sumud EP, but Sartorelli shrouds the classic tools at his disposal in his subtle signature atmospherics, pushing towards a plain of expression that transcends time.

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Tracklisting
A1 mSdoS - Blacklights
A2 mSdoS - Atari
B1 mSdoS - Fantasy Island
B2 mSdoS - Rehearsel

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Sean Green - Press Release
Soul Quest Records celebrates its 20th release with a striking debut from the enigmatic Sean
Green!
Soul Quest Records reaches a milestone moment with its 20th release, welcoming a debut that
feels anything but new. Enter Sean Green… a mysterious new name whose sound suggests
deep roots, sharp instincts, and the quiet confidence of a seasoned producer operating under a
fresh alias. While details remain deliberately sparse, the music speaks volumes.
This four-track EP is a journey through deep, soulful house and broken beat, threaded together
by warmth, musicality, and an unmistakable sense of craft.
Opening track “Really Love” ft. Will Heard sets the tone beautifully. A deep and soulful house cut
driven by a funky, rolling bassline, it’s elevated by Will Heard’s silky-smooth vocal
performance… emotive, effortless, and perfectly at home on the Soul Quest imprint. It’s the kind
of track that works just as well on a late-night dancefloor as it does in a more intimate setting.
“Green Alot” shifts gears, stepping confidently into broken beat territory. Jazzy keys dance over
a syncopated groove, revealing Green’s love for classic bruk influences while keeping things
forward-looking and fluid.
With “I’d Rather Be With You”, the EP digs deeper. Grittier with electro break-beat energy with
equal measures of soul. Sublime vocal work and lush keys create a rich, emotional atmosphere
that lingers long after the track fades.
Closing cut “Hold On” pushes further into darker broken beat territory… tense, driving, and
hypnotic, rounding off the release with purpose and depth.
Marking 20 releases of Soul Quest Records, this ep feels like both a celebration and a
statement of intent. Whether Sean Green is a new voice or a familiar hand in disguise, one thing
is clear: this is a debut that demands attention.

A1 – Really Love ft. Will Heard
A2 – Green Alot
B1 – I’d Rather Be With You
B2 – Hold On

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And another new volume of the Meeting Of The Minds series is here, with 4 new collaborations I've done with other producers in the jungle scene!

"Casual Loop" is a collaboration that me & Submerse started working on in 2023 but it was another one of the tracks that I had lost due to my computer being stolen in early 2024, & I hadn't fully backed up everything I had done for a few months, including this track. This meant I had to re-do a lot of the work I had done with what Submerse had started but I was lucky enough to get it near identical to how it was sounding and ready for release. Submerse has been on Future Retro London a few times, with his EP release (FR033) & a track featured on the atmospheric VA EP (FR049) that came out late last year, I'm a huge fan of his musicality & his melodies, which made this track really fun to work on, even with all the obstacles faced!

My first interaction with Quaad goes way back to 2013, when he asked me for a guest mix for a radio show called The After Party that was on C89.5FM in Seattle (which is still up on my SoundCloud for anyone curious) and then before he started his current label (Heavy Sounds), he had started a label with Wetman called Vivid Recordings, which he was sending me the releases on (but I think in standard fashion, I kept forgetting to check them!). But it wasn't until 2022 when me & Dwarde played in Seattle with him and I saw his live Amiga set where he was playing a lot of his own music, & from then on, I was better aware of what he was doing & I got to hang out with him & know him a bit better, which is when I then fully started following what he was doing. Then eventually, we ended up doing a track together (he also uses FL Studio, just like me) and "Judge Dredd" is the end result of that.

Samurai Breaks is also someone that I've known of for a long time but didn't really properly connect with until recent years where I saw what he was doing with his label Super Sonic Booty Bangers, which also does events in Sheffield which I played for in 2024. It was quite an interesting collab because I don't think many people would have necessarily expected our styles to really gel well together but I think we managed to hit a nice midpoint between his craziness & mine haha

Fixate is most likely another person that people would not have anticipated as someone that I would collaborate with, mainly because the style of tune people know him for is more tied with the footwork/halftime sound that became popular in the 2010s, as well as his output as 1/2 of dubstep duo Leftlow, but he has made some jungle in the past & I'm always down for the challenge of stepping outside of my comfort zone to work with people who are not mainly based in the newskool jungle scene but have an appreciation for it. I found out about him through the releases he had on Exit Records from 2015 onwards, plus he was also a part of Richie Brains (the project in 2016 involving many artists forming a loose collective) so I was aware of what he was doing but I properly got to know him from when I went bowling with him, Dwarde & LMajor back in 2022 and then he sent me something to work on early last year (another FL Studio producer btw!), which I took my sweet time in starting it but eventually got done & here we are! And for those wondering, the track title (May Contain Traces) alludes to me & Fixate's shared allergy towards nuts (although his is a lot more severe than mine), which was the only thing I could think of to name the track after when it came down to it!

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Tracklisting
A1 ASC - Raijin
A2 ASC - Rasetsu
B1 ASC - Kyubi
B2 ASC - Shigure

Sales Note
Samurai Music offshoot SAIBAI welcomes legendary producer ASC to expand upon the label's widescreen strain of electronic music plumbing the depths between techno, electronica and broken beat.

ASC is the flagship project for James Clements, a prolific veteran of the scene who started releasing his distinctive twist on drum & bass back in the late 90s. Across a variety of aliases and many different label projects and collaborations, Clements has retained a strong artistic identity defined by steely atmospherics, rhythmic intrigue and precisely sculpted sound design. He brings those qualities to SAIBAI3.

On 'Raijin' the tempo prowls at 90 BPM, all the better to carry the bass snarls and haunted melodies hovering in the middle distance. 'Rasetsu' meanwhile hides its much sprightlier 150 pace behind a half time construction punctuated by a tactile, almost organic set of percussion. 'Kyubi' sinks into a deep, inky well of spatial sound design with just a light smattering of percussion and a weighty kick for guidance. 'Shigure' completes the picture with a mesmeric tapestry of shifting textures and brooding melancholy.

Clements has devoted much time recently to his ambient output, and it shows in the richness of the space he shapes around his needlepoint patterns, while his roots in more propulsive club music show their hand in subtle, understated ways. It's this balance that makes the release the perfect addition to SAIBAI's evolving story.

Limited to 200 copies

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Tracklisting
A1 JSPRV35 - Color
A2 JSPRV35 - E17
B1 JSPRV35 - System
B2 JSPRV35 - Transmission
B3 JSPRV35 - Endless

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