Sounds as diverse as Tropical Disco, Afro Funk, Highlife, Juju, Disco, Soukous & more combine effortlessly on the Debut full LP from Bosq & Kaleta. Brilliant songwriter and former member of legendary African groups like Fela Kuti’s Egypt 80 & King Sunny Ade’s African Beats, Kaleta helms the vocal duties with his signature chants in a mixture of Yoruba, Goun, French, English & Fon.

Bosq brings his renowned balance of organic & electronic production to give the album a current but timeless feel. A fantastic cast of guest musicians from as far and wide as Colombias Choco region on the Pacific Coast, to Brooklyn, to Port Novo, Benin & Lagos Nigeria bring a depth of musicianship & musical histories to the beautiful group of tracks. More

Boston born, Medellin based producer Bosq once again collaborates with the mighty Kaleta on his own Bacalao imprint. The perfect blend of modern production sensibilities and classic musicianship & soul. Having first worked together in 2013 on Bosq’s first original single Dem Know, they have strung together an impressive run of hits since.

Kaleta brings an incredible history to the project, being born in Port Novo, Benin, and raised in Nigeria, he was steeped in the world altering West African musical movements of Voodoo Funk & Afrobeat from their inception. Bosq himself has written and produced five full albums and countless singles and remixes, maintaining a consistent and recognizable fingerprint while fusing influences as varied as Funk & Disco, Salsa & Cumbia, Afrobeat & Jazz, even Hip Hop & Dancehall.

‘Meji Meji’ straddles the line between Afro Funk & Disco, with bubbling organ and Rhodes stabs, a massive horn section, layered percussion & vocals, and chants from ex-Egypt 80 member Kaleta. One of the biggest names in dance music, Folamour joins the fold pushing the underlying house groove to the forefront, creating a perfect dance floor version with a pulsing kick, deep bass line, and funky synth horn lines that dialogue back and forth with the live horn section. Dance floor tested and approved! Also included is the B-side ‘Sonayon’, a pure afro disco scorcher in which Kaleta sings a message of hope in his native Goun language.

DJ Support:

Yuksek, Colleen 'Cosmo' Murphy, Marcel Vogel, Richard Dorfmeister, Aroop Roy, Laroye, Lex, Faze Action, Darker Than Wax, Dicky Trisco, Pete Herbert, Harri Harrigan, Clive From Accounts, Jaye Ward, Hot Toddy, Moplen, Pete Gooding, DJ Rocca, Flash Atkins More

Sounds as diverse as Tropical Disco, Afro Funk, Highlife, Juju, Disco, Soukous & more combine effortlessly on the Debut full LP from Bosq & Kaleta. Brilliant songwriter and former member of legendary African groups like Fela Kuti’s Egypt 80 & King Sunny Ade’s African Beats, Kaleta helms the vocal duties with his signature chants in a mixture of Yoruba, Goun, French, English & Fon.

Bosq brings his renowned balance of organic & electronic production to give the album a current but timeless feel. A fantastic cast of guest musicians from as far and wide as Colombias Choco region on the Pacific Coast, to Brooklyn, to Port Novo, Benin & Lagos Nigeria bring a depth of musicianship & musical histories to the beautiful group of tracks. More

Boston born, Medellin based producer Bosq once again collaborates with the mighty Kaleta on his own Bacalao imprint. The perfect blend of modern production sensibilities and classic musicianship & soul. Having first worked together in 2013 on Bosq’s first original single Dem Know, they have strung together an impressive run of hits since.

Kaleta brings an incredible history to the project, being born in Port Novo, Benin, and raised in Nigeria, he was steeped in the world altering West African musical movements of Voodoo Funk & Afrobeat from their inception. Bosq himself has written and produced five full albums and countless singles and remixes, maintaining a consistent and recognizable fingerprint while fusing influences as varied as Funk & Disco, Salsa & Cumbia, Afrobeat & Jazz, even Hip Hop & Dancehall.

‘Meji Meji’ straddles the line between Afro Funk & Disco, with bubbling organ and Rhodes stabs, a massive horn section, layered percussion & vocals, and chants from ex-Egypt 80 member Kaleta. One of the biggest names in dance music, Folamour joins the fold pushing the underlying house groove to the forefront, creating a perfect dance floor version with a pulsing kick, deep bass line, and funky synth horn lines that dialogue back and forth with the live horn section. Dance floor tested and approved! Also included is the B-side ‘Sonayon’, a pure afro disco scorcher in which Kaleta sings a message of hope in his native Goun language.

DJ Support:

Yuksek, Colleen 'Cosmo' Murphy, Marcel Vogel, Richard Dorfmeister, Aroop Roy, Laroye, Lex, Faze Action, Darker Than Wax, Dicky Trisco, Pete Herbert, Harri Harrigan, Clive From Accounts, Jaye Ward, Hot Toddy, Moplen, Pete Gooding, DJ Rocca, Flash Atkins More

Bosq & Pat Kalla unite again for an uptempo disco funk floor filler with blazing horns, heavy percussion and disco tinged guitar & bass. Pat’s vocals, alternating between his trademark falsetto & hypnotic chants, perfectly tie together the tracks 70’s Funk, Disco & Afro influences.

The B-Side dub mix is a perfect DJ tool that focuses on the percussion breakdown, stretching out the groove and pushing the drums to the forefront. More

Bosq & Pat Kalla have been traveling parallel paths from across the Atlantic ocean without ever intersecting for too long. They have both been deeply involved in the modern / retro Afro Disco scenes in their respective countries but it wasn’t until the legendary French producer & label head GUTS asked Bosq to remix Pat Kalla & Le Super Mojo “Canette” that they met musically. That remix was received so well by the public as well as the artists themselves that they decided to work on an original track together.

“Mouna Power”, sung in a mix of French, English & the Cameroonian dialect of Pat’s heritage places Pat’s smooth vocals over Bosq’s raw & heavily layered, percussion & horn driven Disco Funk. The Dance Dub strips back some of the vocals, pushes the percussion even further up in the mix, and stretches out the grooves, focusing more on the infectious B-section than the original. This makes for a perfect body moving excursion that will let the dancers delve deeper into the groove while being carried along by the horn blasts and Pat’s chanted vocals. The record features the renowned horn section of the Bogota Orquesta Afrobeat, and djembe work from “Beto” Salas, a world class percussionist from Turbo on Colombias Caribbean coast. Bosq as usual handles all the rest of the percussion, instrumentation & production. More

Kerri Chandler returns to his own Kaoz Theory with Vol.3 of his archive focused ‘Lost & Found’ series.

Kerri Chandler and his Kaoz Theory imprint continues to move from strength to strength still after decades at the forefront of House music. In this ‘Lost & Found’ series, Chandler dives back into his vault to unearth forgotten gems and bring them into the limelight today. For this release, Kerri also revisits ‘Let It’ from his recent ‘Spaces and Places’ LP, reworking it with a new vocalist this time round, namely AbbieLee.

Kicking things off is new version of Let It (Give Me Back My Love), laid out across six minutes, employing shimmering Rhodes melodies, fluttering arpeggios, a bumpy bass groove and crisp drums intertwined with AbbieLee’s soulful vocal stylings. ‘Another Dawn (Vocal Mix)’ follows with jazzy, bruk-tinged drums, uplifting piano chords and pulsating subs running alongside enchanting vocal lines,On the flip-side, Kerri dives into more underground basement realms with the murky basstones, shuffled dusty drums and expansive reverberations of ‘The Bassline (Kerri’s DarkMix). ‘The Breeze’ then rounds out the EP with an electro tinged 808 jam, utilising the machines classic cowbell chimes, skippy snares, rumbling toms and thunderous kicks. More

Coming off a run of singles and an LP on Ubiquity Records, UK DJ/Producer Tigerbalm (aka Rose Robinson) brings her vibrant global sound to the RNT catalog with the Nina EP.

Of the two original songs that grace the A side, Nina is a pulsing boogie affair with driving percussion, catchy chants and punctuating sax, and Sisters shows a more balearic side of tropical with African guitar work and lilting soulful vocals.

The B-side sees two distinct remix takes on the title track, the first by RNT regular Elado who bumps up the tempo for a stomping acidic club mix, and Voilaaa who transforms the song into a driving and authentic classic Zouk arrangement. Grab this tiger! More

Veneno hits Dark Entries! Spain’s most loved transgender TV star arrives on the label in celebration of Madrid Pride on June 30th. Cristina Ortiz fled her home in Almeria at age 13. While working as a sex worker in the Parque del Oeste in Madrid, she was discovered by the TV program “Este Noche Cruzamos el Mississippi”. Her acerbic wit and candid descriptions of life as a sex worker (including graphic use of the microphone as a visual aid) struck program host and director Pepe Navarro, who recognized a star when he saw one. As a regular on the show, La Veneno (The Poison) became a TV sensation and an icon for the trans community. Her music career began in 1996 with the release of “Veneno Pa Tu Piel”, a sassy but mournful Eurobeat number about forbidden love with her johns. The flipside features “El Rap De La Veneno”, a house track over which Veneno improvises some of her famous catchphrases, including her iconic “Digoooo!”. The release was a hit, selling over 50,000 copies in Spain. Two different mixes of both tracks are included on this reissue. Each copy includes an insert with lyrics, notes, and a photo of La Veneno. Celebrate Madrid Pride with these ecstatic gay anthems! More

Bosq & Pat Kalla unite again for an uptempo disco funk floor filler with blazing horns, heavy percussion and disco tinged guitar & bass. Pat’s vocals, alternating between his trademark falsetto & hypnotic chants, perfectly tie together the tracks 70’s Funk, Disco & Afro influences.

The B-Side dub mix is a perfect DJ tool that focuses on the percussion breakdown, stretching out the groove and pushing the drums to the forefront. More

Vinyl Only!
A much welcome to a new Italian job...Colpo grosso is here with an uplifting double sider of disco magic.
Things up with a piece of disco house that is designed to feed your mind as much as for your feet. More

An historical live recording at The Brain Club that captures the unique vibe and flow of a brand new life-changing musical era in 1990 London Soho. Includes liner notes by The Brain club co-owner Sean McLusky, writer ("Bass, Mids, Tops") and DJ Joe Muggs and original sleeve art by the other The Brain club co-owner Mark Wigan, like you were back there. For fans of ambient, acid house, and fucking brilliant live music!!



TRACKLIST

A1. Irresitable Force - Medley #1
A2. Ramjac Corporation - Wikki Loop
A3. Ramjac Corporation - Para Ti
A4. Irresistible Force - Let's Go Swimming
A5. Ramjac Corporation - Massif
B1. Irresitble Force - Medley #2
B2. Ramjac Corporation - Keep on Turning On
B3. Irrestible Force - Finale



INFO



Back in the late 80s label owner Olivier Ducret entered 11 Wardour Street in London, home of the mighty Brain Club, a gallery · club · bar owned by Sean McLusky and Mark Wigan, where many (acid) house and techno visionaries played their early live on Thursday night to less than 50 people, that was quite intimate: Orbital, Simon Lovejoy, Mr Monday, If?, Doi-Oing, Nexus 21, Funtopia, Hi-Ryze, Adamski, 808 State, Ultramarine and of course, Mixmaster Morris's Irresistible Force and Irdial's RAMJAC Corporation. The energy and the creativity was incredible, at its peak, everything was fresh, innocent, naïve, new and oh so exciting. Boundaries in genre did not exist, and everyone was welcome aboard, no superstar, no business, just pure great fun. The crowd was eclectic, you could bump into Mark Moore or Neneh Cherry while the oung guns Andrew Weatherall or Steve Bicknell were spinning. This is most possibly where it all started for me & the label and this unique recording captures it all like no other, like a time capsule, impressively, and amazingly, a classic slice of British rave history unearthed via Switzerland. Just close your eyes and go back to the phuture.



The Irresistible Force is underground legend, ambient dj, writer, critic of corporate dance business (thanks for that) and producer Mixmaster Morris. He became involved with the emerging UK acid house scene, touring with The Shamen and releasing his first and still outstanding album "Flying High" on Caspar Pound's great Rising High Records (to be reissued on WRWTFWW with that classic T-Shirt "I Think Therefore I Ambient"). He played all raves, clubs, radios and festival, all around the world, did so many mixtapes and compilations and more albums, always so enjoyable and and still is one of the most truly enthusiastic DJ around. He's currently preparing 3 new albums to be release on Ninja Tune.

mixcloud.com/mixmastermorris



Ramjac Corporation is Paul Chivers, producer, percussionist, sound artist and teacher, with first release on the cult London label Irdial Discs, one of UK's unsung electronic pioneers, known for his voltaic live shows during the heady Summer of Love in 1988 and beyond. Jamming his own flavour of sampled beats live from his Atari and Emulator, Ramjac performed at the now legendary Sunrise, Energy and Back To The Future raves and went on to tour with Orbital, The Shamen and The Irresistible Force. Ramjac went from playing from 50 to 10,000 ravers in a matter of months. In 2018 London-based record label Emotional Rescue have announced the reissue of Ramjac Corporation’s debut extended player “Cameroon Massif!” mixing a love of techno and house with dub bass and break beats into a proto-jungle swirl.

ramjac.co.uk



Sean McLusky went on to set up Brainiak Records with Tim Fielding, the legendary Live At The Brain albums, then they went to mastermind various London clubs like Love Ranch, Club UK, Sonic Mook and Mr C's The End. Today Sean McLusky runs Whitechapel Gallery in Hackney where this album release party is held on 11.03.2022. Sean wrote liners notes for this album.

whitechapelgallery.org



Mark Wigan was an influential pioneer of urban art in New York, Tokyo and London during the 1980s and 90s. Amongst other, he did the whole The Brain club visuals, as well as several records sleeves for Frankie Bones, A Guy Called Gerald and Bobby Konders. His work explores and responds to anthropology and subcultures, evoking a magical symbolism and the collective unconscious, ancient motifs and the beginning of language itself he has created a whole universe of compelling artworks. He was also involved in illustrating the London club scene. Mark draw the visuals for this album.

www.markwigan.com



This album is for Steen who what there on the night, and Louis the dancing cat.

And to all that where around there then, and somehow still are.
More

Bosq & Pat Kalla have been traveling parallel paths from across the Atlantic ocean without ever intersecting for too long. They have both been deeply involved in the modern / retro Afro Disco scenes in their respective countries but it wasn’t until the legendary French producer & label head GUTS asked Bosq to remix Pat Kalla & Le Super Mojo “Canette” that they met musically. That remix was received so well by the public as well as the artists themselves that they decided to work on an original track together.

“Mouna Power”, sung in a mix of French, English & the Cameroonian dialect of Pat’s heritage places Pat’s smooth vocals over Bosq’s raw & heavily layered, percussion & horn driven Disco Funk. The Dance Dub strips back some of the vocals, pushes the percussion even further up in the mix, and stretches out the grooves, focusing more on the infectious B-section than the original. This makes for a perfect body moving excursion that will let the dancers delve deeper into the groove while being carried along by the horn blasts and Pat’s chanted vocals. The record features the renowned horn section of the Bogota Orquesta Afrobeat, and djembe work from “Beto” Salas, a world class percussionist from Turbo on Colombias Caribbean coast. Bosq as usual handles all the rest of the percussion, instrumentation & production. More

Boston born, Medellin based producer Bosq once again collaborates with the mighty Kaleta on his own Bacalao imprint. The perfect blend of modern production sensibilities and classic musicianship & soul. Having first worked together in 2013 on Bosq’s first original single Dem Know, they have strung together an impressive run of hits since.

Kaleta brings an incredible history to the project, being born in Port Novo, Benin, and raised in Nigeria, he was steeped in the world altering West African musical movements of Voodoo Funk & Afrobeat from their inception. Bosq himself has written and produced five full albums and countless singles and remixes, maintaining a consistent and recognizable fingerprint while fusing influences as varied as Funk & Disco, Salsa & Cumbia, Afrobeat & Jazz, even Hip Hop & Dancehall.

‘Meji Meji’ straddles the line between Afro Funk & Disco, with bubbling organ and Rhodes stabs, a massive horn section, layered percussion & vocals, and chants from ex-Egypt 80 member Kaleta. One of the biggest names in dance music, Folamour joins the fold pushing the underlying house groove to the forefront, creating a perfect dance floor version with a pulsing kick, deep bass line, and funky synth horn lines that dialogue back and forth with the live horn section. Dance floor tested and approved! Also included is the B-side ‘Sonayon’, a pure afro disco scorcher in which Kaleta sings a message of hope in his native Goun language.

DJ Support:

Yuksek, Colleen 'Cosmo' Murphy, Marcel Vogel, Richard Dorfmeister, Aroop Roy, Laroye, Lex, Faze Action, Darker Than Wax, Dicky Trisco, Pete Herbert, Harri Harrigan, Clive From Accounts, Jaye Ward, Hot Toddy, Moplen, Pete Gooding, DJ Rocca, Flash Atkins More

Vinyl Only

Colpo Grosso is back with another massive edits collection. More