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A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
Tracklist
1.Clearer 03:51
2.Alison 04:15
3.Popkiss 04:18
4.Chelsea Guitar 02:50
5.Fearon 04:23
6.Meet Johnny Rave 02:47
7.Elle 01:39
8.Air France 02:29
9.Try Happiness 03:51
10.A Gentle Sigh 03:24
11.Stephanie 03:09
12.River 05:09
13.Nimbus 04:24
14.Hit 05:08
15.Dirty Mags 04:38
16.Loony Tunes 03:15
17.Toulouse 02:27
18.Love Yourself 04:16
19.Melancholia 03:38
20.Marco Polo 03:40
21. What Do People Do All Day? 03:41
Shortinfo:
"One Sunday afternoon in 1990, I had a phone call from Keith saying that Sarah Records had received the demo cassette the two of us had recorded on a 4-track in a friend's shed and were interested in putting out two of the songs as a single. They were Clearer and Alison. Delighted by this news, we booked some recording time with a studio we'd regularly used in our previous incarnation as Feverfew, the White House in Weston-super-Mare. This was the first time we'd ever played a note of music that was using someone else's money, so the pressure was being felt. We recorded Clearer, Fearon and Chelsea Guitar, with Clearer becoming Sarah 55, the first of eight singles for the band across two labels. At that time, we were still toying with a name for ourselves and had settled with the Art Bunnies. While driving us back home from Weston, though, I declared that I really couldn't see how people would take us seriously with a name like that. Disappointed, Keith (Girdler) then got out a piece of paper upon which he'd written several other contenders. These included Opal Trumpet, the Smiling Monarchs and (thankfully) Blueboy."
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release.
More
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
Tracklist
1.Clearer 03:51
2.Alison 04:15
3.Popkiss 04:18
4.Chelsea Guitar 02:50
5.Fearon 04:23
6.Meet Johnny Rave 02:47
7.Elle 01:39
8.Air France 02:29
9.Try Happiness 03:51
10.A Gentle Sigh 03:24
11.Stephanie 03:09
12.River 05:09
13.Nimbus 04:24
14.Hit 05:08
15.Dirty Mags 04:38
16.Loony Tunes 03:15
17.Toulouse 02:27
18.Love Yourself 04:16
19.Melancholia 03:38
20.Marco Polo 03:40
21. What Do People Do All Day? 03:41
Shortinfo:
"One Sunday afternoon in 1990, I had a phone call from Keith saying that Sarah Records had received the demo cassette the two of us had recorded on a 4-track in a friend's shed and were interested in putting out two of the songs as a single. They were Clearer and Alison. Delighted by this news, we booked some recording time with a studio we'd regularly used in our previous incarnation as Feverfew, the White House in Weston-super-Mare. This was the first time we'd ever played a note of music that was using someone else's money, so the pressure was being felt. We recorded Clearer, Fearon and Chelsea Guitar, with Clearer becoming Sarah 55, the first of eight singles for the band across two labels. At that time, we were still toying with a name for ourselves and had settled with the Art Bunnies. While driving us back home from Weston, though, I declared that I really couldn't see how people would take us seriously with a name like that. Disappointed, Keith (Girdler) then got out a piece of paper upon which he'd written several other contenders. These included Opal Trumpet, the Smiling Monarchs and (thankfully) Blueboy."
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release.
More
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1
Blueboy - So Catch Him
2
Blueboy - Cosmopolitan
3
Blueboy - Marble Arch
4
Blueboy - The Joy Of Living
5
Blueboy - Fleetway
6
Blueboy - Also Ran
7
Blueboy - Boys Don't Matter
8
Blueboy - Self Portrait
9
Blueboy - Lazy Thunderstorms
10
Blueboy - Finistere
11
Blueboy - Always There
12
Blueboy - Imipramine
13
Blueboy - So Catch Him (Reprise)
2024 repress
LP - A Colourful Storm's reissue series of Blueboy's seminal Sarah Records albums culminates with Unisex, arguably the finest moment of the trio of Keith Girdler, Paul Stewart and Gemma Townley and a bona fide indie-pop classic.
- 2019 Reissue On Vinyl (Originally Released on Sarah Records /UK) - Full-colour reverse card sleeve with printed lyric sheet designed by Matt Haynes.
Tracklist
Tracklist
A1. So Catch Him
A2. Cosmopolitan
A3. Marble Arch
A4. The Joy Of Living
A5. Fleetway
A6. Also Ran
B1. Boys Don't Matter
B2. Self Portrait
B3. Lazy Thunderstorms
B4. Finistere
B5. Always There
B6. Imipramine
B7. So Catch Him (Reprise)
Shortinfo:
A Colourful Storm's reissue series of Blueboy's seminal Sarah Records albums culminates with Unisex, arguably the finest moment of the trio of Keith Girdler, Paul Stewart and Gemma Townley and a bona fide indie-pop classic. The first vinyl issue since 1994, the album has gained an immense cult following in all corners of the world and stands as an almost forgotten pinnacle of pop songwriting. “I just want to kiss you in new places, to savour the joy of living, liking you..." Full-colour reverse card sleeve with printed lyric sheet designed by Matt Haynes.
More
LP - A Colourful Storm's reissue series of Blueboy's seminal Sarah Records albums culminates with Unisex, arguably the finest moment of the trio of Keith Girdler, Paul Stewart and Gemma Townley and a bona fide indie-pop classic.
- 2019 Reissue On Vinyl (Originally Released on Sarah Records /UK) - Full-colour reverse card sleeve with printed lyric sheet designed by Matt Haynes.
Tracklist
Tracklist
A1. So Catch Him
A2. Cosmopolitan
A3. Marble Arch
A4. The Joy Of Living
A5. Fleetway
A6. Also Ran
B1. Boys Don't Matter
B2. Self Portrait
B3. Lazy Thunderstorms
B4. Finistere
B5. Always There
B6. Imipramine
B7. So Catch Him (Reprise)
Shortinfo:
A Colourful Storm's reissue series of Blueboy's seminal Sarah Records albums culminates with Unisex, arguably the finest moment of the trio of Keith Girdler, Paul Stewart and Gemma Townley and a bona fide indie-pop classic. The first vinyl issue since 1994, the album has gained an immense cult following in all corners of the world and stands as an almost forgotten pinnacle of pop songwriting. “I just want to kiss you in new places, to savour the joy of living, liking you..." Full-colour reverse card sleeve with printed lyric sheet designed by Matt Haynes.
More
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Label:A Colourful Storm
Cat-No:ACOLOUR013
Release-Date:01.11.2024
Genre:Indie Rock/Alternative
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1
Blueboy - Candy Bracelet
2
Blueboy - Cloud Babies
3
Blueboy - Too Good To Be True
4
Blueboy - Fondette
5
Blueboy - Sea Horses
6
Blueboy - Clear Skies
7
Blueboy - Happiness And Smiles
8
Blueboy - Amoroso
2024 Repress
LP - The legendary first Album - 2019 Reissue On Vinyl (Originally Released on Sarah Records /UK)
Tracklist
A1. Candy Bracelet
A2. Cloud Babies
A3. Too Good To Be True
A4. Fondette
B1. Sea Horses
B2. Clear Skies
B3. Happiness And Smiles
B4. Amoroso
Shortinfo:
Blueboy's first and now legendary album finally reissued by Australian label A Colourful Storm. Presented for the first time on vinyl since its release in 1992, the recording by Keith Girdler, Gemma Townley, Paul Stewart, Lloyd Armstrong and Mark Andes is immortalised in Sarah Records history as an evergreen of indie-pop and modern DIY. "...the sort of feelings that rarely escape from the Sarah daydream factory" wrote NME at the time. Long overdue reissue with original artwork faithfully restored by Sarah Records' own Matt Haynes. Full colour reverse-card sleeve with printed insert and lyrics sheet.
More
LP - The legendary first Album - 2019 Reissue On Vinyl (Originally Released on Sarah Records /UK)
Tracklist
A1. Candy Bracelet
A2. Cloud Babies
A3. Too Good To Be True
A4. Fondette
B1. Sea Horses
B2. Clear Skies
B3. Happiness And Smiles
B4. Amoroso
Shortinfo:
Blueboy's first and now legendary album finally reissued by Australian label A Colourful Storm. Presented for the first time on vinyl since its release in 1992, the recording by Keith Girdler, Gemma Townley, Paul Stewart, Lloyd Armstrong and Mark Andes is immortalised in Sarah Records history as an evergreen of indie-pop and modern DIY. "...the sort of feelings that rarely escape from the Sarah daydream factory" wrote NME at the time. Long overdue reissue with original artwork faithfully restored by Sarah Records' own Matt Haynes. Full colour reverse-card sleeve with printed insert and lyrics sheet.
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Label:A Colourful Storm
Cat-No:ACOLOUR008
Release-Date:01.11.2024
Genre:Indie Rock/Alternative
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1
Blueboy - Joined-Up Writing
2
Blueboy - Miss UK
3
Blueboy - Love Yourself
4
Blueboy - By Appointment
5
Blueboy - Marco Polo
6
Blueboy - Jennifer Yeah!
7
Blueboy - Disco Bunny
8
Blueboy - Chadwick
9
Blueboy - Ask The Family
10
Blueboy - Bradford, Texas
11
Blueboy - Angel At My Table
LP - 2024 repress (Originally Released on Sarah Records /UK)
Tracklist
A1. Joined-Up Writing
A2. Miss UK
A3. Love Yourself
A4. By Appointment
A5. Marco Polo
B1. Jennifer Yeah!
B2. Disco Bunny
B3. Chadwick
B4. Ask The Family
B5. Bradford, Texas
B6. Angel At My Table
Shortinfo:
"You've got to listen to this band, you'll really like them, I know." A Colourful Storm presents the first-time vinyl issue of one of the true treasures of modern pop music: Blueboy's The Bank Of England. The group of Paul Stewart, Keith Girdler, Cath Close, Ian Gardner and James Neville are Sarah Records royalty alongside The Field Mice, Heavenly, The Wake and The Orchids, and this is the final recording from arguably the most beautiful, afflicted band of 90's indie-pop and DIY. Mastered from the original recording tapes with assistance More
Tracklist
A1. Joined-Up Writing
A2. Miss UK
A3. Love Yourself
A4. By Appointment
A5. Marco Polo
B1. Jennifer Yeah!
B2. Disco Bunny
B3. Chadwick
B4. Ask The Family
B5. Bradford, Texas
B6. Angel At My Table
Shortinfo:
"You've got to listen to this band, you'll really like them, I know." A Colourful Storm presents the first-time vinyl issue of one of the true treasures of modern pop music: Blueboy's The Bank Of England. The group of Paul Stewart, Keith Girdler, Cath Close, Ian Gardner and James Neville are Sarah Records royalty alongside The Field Mice, Heavenly, The Wake and The Orchids, and this is the final recording from arguably the most beautiful, afflicted band of 90's indie-pop and DIY. Mastered from the original recording tapes with assistance More
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1
Blueboy - A1. Clearer
2
Blueboy - A2. Alison
3
Blueboy - A3. Popkiss
4
Blueboy - A4. Chelsea Guitar
5
Blueboy - A5. Fearon
6
Blueboy - B1. Meet Johnny Rave
7
Blueboy - B2. Elle/Air France
8
Blueboy - B3. Try Happiness
9
Blueboy - B4. A Gentle Sigh
10
Blueboy - B5. Stephanie
11
Blueboy - C1. River
12
Blueboy - C2. Nimbus
13
Blueboy - C3. Hit
14
Blueboy - C4. Dirty Mags
15
Blueboy - C5. Loony Tunes
16
Blueboy - D1. Toulouse
17
Blueboy - D2. Love Yourself
18
Blueboy - D3. Melancholia
19
Blueboy - D4. Marco Polo
20
Blueboy - D5. What Do People Do All Day?
2LP Gatefold sleeve, Artwork Insert, Postcard
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
Tracklist
A1 Clearer
A2 Alison
A3 Popkiss
A4 Chelsea Guitar
A5 Fearon
B1 Meet Johnny Rave
B2 Elle/Air France
B3 Try Happiness
B4 A Gentle Sigh
B5 Stephanie
C1 River
C2 Nimbus
C3 Hit
C4 Dirty Mags
C5 Loony Tunes
D1 Toulouse
D2 Love Yourself
D3 Melancholia
D4 Marco Polo
D5 What Do People Do All Day?
Shortinfo:
"One Sunday afternoon in 1990, I had a phone call from Keith saying that Sarah Records had received the demo cassette the two of us had recorded on a 4-track in a friend's shed and were interested in putting out two of the songs as a single. They were Clearer and Alison. Delighted by this news, we booked some recording time with a studio we'd regularly used in our previous incarnation as Feverfew, the White House in Weston-super-Mare. This was the first time we'd ever played a note of music that was using someone else's money, so the pressure was being felt. We recorded Clearer, Fearon and Chelsea Guitar, with Clearer becoming Sarah 55, the first of eight singles for the band across two labels. At that time, we were still toying with a name for ourselves and had settled with the Art Bunnies. While driving us back home from Weston, though, I declared that I really couldn't see how people would take us seriously with a name like that. Disappointed, Keith (Girdler) then got out a piece of paper upon which he'd written several other contenders. These included Opal Trumpet, the Smiling Monarchs and (thankfully) Blueboy."
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
More
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
Tracklist
A1 Clearer
A2 Alison
A3 Popkiss
A4 Chelsea Guitar
A5 Fearon
B1 Meet Johnny Rave
B2 Elle/Air France
B3 Try Happiness
B4 A Gentle Sigh
B5 Stephanie
C1 River
C2 Nimbus
C3 Hit
C4 Dirty Mags
C5 Loony Tunes
D1 Toulouse
D2 Love Yourself
D3 Melancholia
D4 Marco Polo
D5 What Do People Do All Day?
Shortinfo:
"One Sunday afternoon in 1990, I had a phone call from Keith saying that Sarah Records had received the demo cassette the two of us had recorded on a 4-track in a friend's shed and were interested in putting out two of the songs as a single. They were Clearer and Alison. Delighted by this news, we booked some recording time with a studio we'd regularly used in our previous incarnation as Feverfew, the White House in Weston-super-Mare. This was the first time we'd ever played a note of music that was using someone else's money, so the pressure was being felt. We recorded Clearer, Fearon and Chelsea Guitar, with Clearer becoming Sarah 55, the first of eight singles for the band across two labels. At that time, we were still toying with a name for ourselves and had settled with the Art Bunnies. While driving us back home from Weston, though, I declared that I really couldn't see how people would take us seriously with a name like that. Disappointed, Keith (Girdler) then got out a piece of paper upon which he'd written several other contenders. These included Opal Trumpet, the Smiling Monarchs and (thankfully) Blueboy."
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
More
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Cat-No:ACOLOUR050
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1
Simon Fisher Turner - A1. Bluenow1, Out-of-Tune Piano, St Mary's Hospital Basement, Electriksnippets
2
Simon Fisher Turner - A2. Bluenow2, Virus, Hurricane Bomber
3
Simon Fisher Turner - A3. Derek Jarman Reads White Lies
4
Simon Fisher Turner - B1. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Grea
5
Simon Fisher Turner - B2. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Grea
6
Simon Fisher Turner - B3. Electriksnippets
7
Simon Fisher Turner - B4. Terre Thaemlitz's Remix of Shishapangma, Remixed by Simon Fisher Turner
LP / Special remarks : Full-colour sleeve, postcard, liner notes by Simon Fisher Turner. Terre Thaemlitz Remix appears on vinyl only
Tracklist
A1. Bluenow1, Out-of-Tune Piano, St Mary's Hospital Basement, Electriksnippets
A2. Bluenow2, Virus, Hurricane Bomber
A3. Derek Jarman Reads White Lies
B1. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Great Rissington Organ, Bertrand Russell Gives Sound Advice
B2. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Great Rissington Organ
B3. Electriksnippets
B4. Terre Thaemlitz's Remix of Shishapangma, Remixed by Simon Fisher Turner
Shortinfo:
Where to begin with a figure like Simon Fisher Turner? From teenage stage and screen star to illustrious recording artist for Creation and Mute and score composer of Caravaggio, Blue and The Epic of Everest - via a stint with The The and collaborations with Derek Jarman, David Lynch and Tilda Swinton - Turner embodies a distinctly British sensibility and boundless curiosity for sound. For A Colourful Storm, discovering Deux Filles, his mysterious project with Colin Lloyd-Tucker that has since been reissued by Dark Entries, was a significant moment in shaping their identity.
In August 2023, A Colourful Storm presented Simon Fisher Turner and Time is Away at Spanners, London. Performed at the tail end of Blue Now, a series of events celebrating Derek Jarman's last feature film, Blue, the recording reveals a lifetime of significant events and influences. Terre Thaemlitz's remix of Turner's Shishapangma (Comatonse Recordings, 2015) is reworked and appears on vinyl only, Jarman is privately recorded reading White Lies, Bertrand Russell is sampled, and Turner records his brother practising the Great Rissington organ for their father's funeral.
"My wife and I lived in Brixton, near the venue, on Coldharbour Lane, 20 years ago. We were above a takeaway shop. The air extractor was a nightmare and the flat smelled of grease. The market was a great place to buy fish. We adopted a giant snail, who we called Ayrton. I used to take him all over town and he loved lettuce and tomatoes. There was a wonderful small pizza shop too, which was so delicious. But back to the music. Brixton is music and I'm a lucky man."
More
Tracklist
A1. Bluenow1, Out-of-Tune Piano, St Mary's Hospital Basement, Electriksnippets
A2. Bluenow2, Virus, Hurricane Bomber
A3. Derek Jarman Reads White Lies
B1. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Great Rissington Organ, Bertrand Russell Gives Sound Advice
B2. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Great Rissington Organ
B3. Electriksnippets
B4. Terre Thaemlitz's Remix of Shishapangma, Remixed by Simon Fisher Turner
Shortinfo:
Where to begin with a figure like Simon Fisher Turner? From teenage stage and screen star to illustrious recording artist for Creation and Mute and score composer of Caravaggio, Blue and The Epic of Everest - via a stint with The The and collaborations with Derek Jarman, David Lynch and Tilda Swinton - Turner embodies a distinctly British sensibility and boundless curiosity for sound. For A Colourful Storm, discovering Deux Filles, his mysterious project with Colin Lloyd-Tucker that has since been reissued by Dark Entries, was a significant moment in shaping their identity.
In August 2023, A Colourful Storm presented Simon Fisher Turner and Time is Away at Spanners, London. Performed at the tail end of Blue Now, a series of events celebrating Derek Jarman's last feature film, Blue, the recording reveals a lifetime of significant events and influences. Terre Thaemlitz's remix of Turner's Shishapangma (Comatonse Recordings, 2015) is reworked and appears on vinyl only, Jarman is privately recorded reading White Lies, Bertrand Russell is sampled, and Turner records his brother practising the Great Rissington organ for their father's funeral.
"My wife and I lived in Brixton, near the venue, on Coldharbour Lane, 20 years ago. We were above a takeaway shop. The air extractor was a nightmare and the flat smelled of grease. The market was a great place to buy fish. We adopted a giant snail, who we called Ayrton. I used to take him all over town and he loved lettuce and tomatoes. There was a wonderful small pizza shop too, which was so delicious. But back to the music. Brixton is music and I'm a lucky man."
More
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1
Troth & Jon Collin - Poet's Recollection
2
Troth & Jon Collin - Whispering Sand
3
Troth & Jon Collin - The Womb It Wanders
4
Troth & Jon Collin - Serra Cantica
5
Troth & Jon Collin - Lune River
6
Troth & Jon Collin - Nocturnal House
7
Troth & Jon Collin - Hallow
8
Troth & Jon Collin - Shepherd's Hill
Special remarks : Full-colour reverse-card sleeve, postcard
Tracklist
A1 Poet's Recollection
A2 Whispering Sand
A3 The Womb It Wanders
A4 Serra Cantica
B1 Lune River
B2 Nocturnal House
B3 Hallow
B4 Shepherd's Hill
Shortinfo:
Debut collaborative album from Troth, the Nipaluna-based duo of Amelia Besseny and Cooper Bowman, and kindred spirit and legendary Mancunian free-form guitarist Jon Collin. A lavish dreamscape conjuring the dramatic beauty of uncharted mountains and streams, it documents both the crystilisation of ideas first shared during an Australian encounter in early 2023 and years of mutual appreciation.
Troth’s sonic universe, a constellation of drifting atmospherics, bedroom pop impulse and modern classical motifs, is deeply intimate and never rushed. Recent sides Forget The Curse and Idle Easel and live performances supporting the likes of Maxine Funke and Treasury of Puppies have seen Besseny’s soaring, celestial voice take centre stage, delicately adorned with Bowman’s synthesiser flourishes and homespun instrumentation. At their heart lies Bowman’s tireless collaborative instinct: his decade-long involvement in the Australian underground and his countless musical outfits (including contemporary trio Th Blisks, with Besseny and Yuta Matsumura).
Summer 2023 saw the duo host two shows for Collin in their former home of Mulubinba, regional New South Wales. Collin is perhaps best known for his playing, deconstructing and reconfiguring of the guitar and other stringed instruments, realised in solo works on his own Early Music and Winebox Press imprints, and collaborations on a trio of albums with Demdike Stare and live sessions with Sarah Hughes and Bill Nace. His unique style of playing, sometimes delicate, at other times frictional, refutes expectations of traditional instruments and fits perfectly within both Troth’s ethos and their lush sonic mise-en-scène.
The objects of devotion perhaps symbolise the group’s devotion towards each other during their music-making process, and the fruits from which they are borne. “I think, any music I have a hand in, is a dialogue with by the people I'm making it with. It's an ongoing conversation between people and sound”, reflects Bowman. The sacredness and ominousness of remote Tasmania is just as affecting, the interplay of Besseny’s haunting vocal washes, Bowman’s sparse instrumentation and Collin’s ritualistic strum evoking the eeriness that lurks beneath the seemingly limitless Australian landscape. “When I think about it, it sounds like being together at the bottom of the Earth. Watching, listening and playing together with no-one else in sight."
More
Tracklist
A1 Poet's Recollection
A2 Whispering Sand
A3 The Womb It Wanders
A4 Serra Cantica
B1 Lune River
B2 Nocturnal House
B3 Hallow
B4 Shepherd's Hill
Shortinfo:
Debut collaborative album from Troth, the Nipaluna-based duo of Amelia Besseny and Cooper Bowman, and kindred spirit and legendary Mancunian free-form guitarist Jon Collin. A lavish dreamscape conjuring the dramatic beauty of uncharted mountains and streams, it documents both the crystilisation of ideas first shared during an Australian encounter in early 2023 and years of mutual appreciation.
Troth’s sonic universe, a constellation of drifting atmospherics, bedroom pop impulse and modern classical motifs, is deeply intimate and never rushed. Recent sides Forget The Curse and Idle Easel and live performances supporting the likes of Maxine Funke and Treasury of Puppies have seen Besseny’s soaring, celestial voice take centre stage, delicately adorned with Bowman’s synthesiser flourishes and homespun instrumentation. At their heart lies Bowman’s tireless collaborative instinct: his decade-long involvement in the Australian underground and his countless musical outfits (including contemporary trio Th Blisks, with Besseny and Yuta Matsumura).
Summer 2023 saw the duo host two shows for Collin in their former home of Mulubinba, regional New South Wales. Collin is perhaps best known for his playing, deconstructing and reconfiguring of the guitar and other stringed instruments, realised in solo works on his own Early Music and Winebox Press imprints, and collaborations on a trio of albums with Demdike Stare and live sessions with Sarah Hughes and Bill Nace. His unique style of playing, sometimes delicate, at other times frictional, refutes expectations of traditional instruments and fits perfectly within both Troth’s ethos and their lush sonic mise-en-scène.
The objects of devotion perhaps symbolise the group’s devotion towards each other during their music-making process, and the fruits from which they are borne. “I think, any music I have a hand in, is a dialogue with by the people I'm making it with. It's an ongoing conversation between people and sound”, reflects Bowman. The sacredness and ominousness of remote Tasmania is just as affecting, the interplay of Besseny’s haunting vocal washes, Bowman’s sparse instrumentation and Collin’s ritualistic strum evoking the eeriness that lurks beneath the seemingly limitless Australian landscape. “When I think about it, it sounds like being together at the bottom of the Earth. Watching, listening and playing together with no-one else in sight."
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Label:A Colourful Storm
Cat-No:ACOLOUR008
Release-Date:01.11.2024
Genre:Indie Rock/Alternative
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Barcode:4260544823596
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1
Blueboy - Joined-Up Writing
2
Blueboy - Miss UK
3
Blueboy - Love Yourself
4
Blueboy - By Appointment
5
Blueboy - Marco Polo
6
Blueboy - Jennifer Yeah!
7
Blueboy - Disco Bunny
8
Blueboy - Chadwick
9
Blueboy - Ask The Family
10
Blueboy - Bradford, Texas
11
Blueboy - Angel At My Table
LP - 2024 repress (Originally Released on Sarah Records /UK)
Tracklist
A1. Joined-Up Writing
A2. Miss UK
A3. Love Yourself
A4. By Appointment
A5. Marco Polo
B1. Jennifer Yeah!
B2. Disco Bunny
B3. Chadwick
B4. Ask The Family
B5. Bradford, Texas
B6. Angel At My Table
Shortinfo:
"You've got to listen to this band, you'll really like them, I know." A Colourful Storm presents the first-time vinyl issue of one of the true treasures of modern pop music: Blueboy's The Bank Of England. The group of Paul Stewart, Keith Girdler, Cath Close, Ian Gardner and James Neville are Sarah Records royalty alongside The Field Mice, Heavenly, The Wake and The Orchids, and this is the final recording from arguably the most beautiful, afflicted band of 90's indie-pop and DIY. Mastered from the original recording tapes with assistance More
Tracklist
A1. Joined-Up Writing
A2. Miss UK
A3. Love Yourself
A4. By Appointment
A5. Marco Polo
B1. Jennifer Yeah!
B2. Disco Bunny
B3. Chadwick
B4. Ask The Family
B5. Bradford, Texas
B6. Angel At My Table
Shortinfo:
"You've got to listen to this band, you'll really like them, I know." A Colourful Storm presents the first-time vinyl issue of one of the true treasures of modern pop music: Blueboy's The Bank Of England. The group of Paul Stewart, Keith Girdler, Cath Close, Ian Gardner and James Neville are Sarah Records royalty alongside The Field Mice, Heavenly, The Wake and The Orchids, and this is the final recording from arguably the most beautiful, afflicted band of 90's indie-pop and DIY. Mastered from the original recording tapes with assistance More
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Label:A Colourful Storm
Cat-No:ACOLOUR013
Release-Date:01.11.2024
Genre:Indie Rock/Alternative
Configuration:LP Excl
Barcode:4251648413523
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1
Blueboy - Candy Bracelet
2
Blueboy - Cloud Babies
3
Blueboy - Too Good To Be True
4
Blueboy - Fondette
5
Blueboy - Sea Horses
6
Blueboy - Clear Skies
7
Blueboy - Happiness And Smiles
8
Blueboy - Amoroso
2024 Repress
LP - The legendary first Album - 2019 Reissue On Vinyl (Originally Released on Sarah Records /UK)
Tracklist
A1. Candy Bracelet
A2. Cloud Babies
A3. Too Good To Be True
A4. Fondette
B1. Sea Horses
B2. Clear Skies
B3. Happiness And Smiles
B4. Amoroso
Shortinfo:
Blueboy's first and now legendary album finally reissued by Australian label A Colourful Storm. Presented for the first time on vinyl since its release in 1992, the recording by Keith Girdler, Gemma Townley, Paul Stewart, Lloyd Armstrong and Mark Andes is immortalised in Sarah Records history as an evergreen of indie-pop and modern DIY. "...the sort of feelings that rarely escape from the Sarah daydream factory" wrote NME at the time. Long overdue reissue with original artwork faithfully restored by Sarah Records' own Matt Haynes. Full colour reverse-card sleeve with printed insert and lyrics sheet.
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LP - The legendary first Album - 2019 Reissue On Vinyl (Originally Released on Sarah Records /UK)
Tracklist
A1. Candy Bracelet
A2. Cloud Babies
A3. Too Good To Be True
A4. Fondette
B1. Sea Horses
B2. Clear Skies
B3. Happiness And Smiles
B4. Amoroso
Shortinfo:
Blueboy's first and now legendary album finally reissued by Australian label A Colourful Storm. Presented for the first time on vinyl since its release in 1992, the recording by Keith Girdler, Gemma Townley, Paul Stewart, Lloyd Armstrong and Mark Andes is immortalised in Sarah Records history as an evergreen of indie-pop and modern DIY. "...the sort of feelings that rarely escape from the Sarah daydream factory" wrote NME at the time. Long overdue reissue with original artwork faithfully restored by Sarah Records' own Matt Haynes. Full colour reverse-card sleeve with printed insert and lyrics sheet.
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Cat-No:ACOLOUR014
Release-Date:01.11.2024
Genre:Indie Rock/Alternative
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Barcode:4251648415886
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Genre:Indie Rock/Alternative
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Barcode:4251648415886
1
Blueboy - So Catch Him
2
Blueboy - Cosmopolitan
3
Blueboy - Marble Arch
4
Blueboy - The Joy Of Living
5
Blueboy - Fleetway
6
Blueboy - Also Ran
7
Blueboy - Boys Don't Matter
8
Blueboy - Self Portrait
9
Blueboy - Lazy Thunderstorms
10
Blueboy - Finistere
11
Blueboy - Always There
12
Blueboy - Imipramine
13
Blueboy - So Catch Him (Reprise)
2024 repress
LP - A Colourful Storm's reissue series of Blueboy's seminal Sarah Records albums culminates with Unisex, arguably the finest moment of the trio of Keith Girdler, Paul Stewart and Gemma Townley and a bona fide indie-pop classic.
- 2019 Reissue On Vinyl (Originally Released on Sarah Records /UK) - Full-colour reverse card sleeve with printed lyric sheet designed by Matt Haynes.
Tracklist
Tracklist
A1. So Catch Him
A2. Cosmopolitan
A3. Marble Arch
A4. The Joy Of Living
A5. Fleetway
A6. Also Ran
B1. Boys Don't Matter
B2. Self Portrait
B3. Lazy Thunderstorms
B4. Finistere
B5. Always There
B6. Imipramine
B7. So Catch Him (Reprise)
Shortinfo:
A Colourful Storm's reissue series of Blueboy's seminal Sarah Records albums culminates with Unisex, arguably the finest moment of the trio of Keith Girdler, Paul Stewart and Gemma Townley and a bona fide indie-pop classic. The first vinyl issue since 1994, the album has gained an immense cult following in all corners of the world and stands as an almost forgotten pinnacle of pop songwriting. “I just want to kiss you in new places, to savour the joy of living, liking you..." Full-colour reverse card sleeve with printed lyric sheet designed by Matt Haynes.
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LP - A Colourful Storm's reissue series of Blueboy's seminal Sarah Records albums culminates with Unisex, arguably the finest moment of the trio of Keith Girdler, Paul Stewart and Gemma Townley and a bona fide indie-pop classic.
- 2019 Reissue On Vinyl (Originally Released on Sarah Records /UK) - Full-colour reverse card sleeve with printed lyric sheet designed by Matt Haynes.
Tracklist
Tracklist
A1. So Catch Him
A2. Cosmopolitan
A3. Marble Arch
A4. The Joy Of Living
A5. Fleetway
A6. Also Ran
B1. Boys Don't Matter
B2. Self Portrait
B3. Lazy Thunderstorms
B4. Finistere
B5. Always There
B6. Imipramine
B7. So Catch Him (Reprise)
Shortinfo:
A Colourful Storm's reissue series of Blueboy's seminal Sarah Records albums culminates with Unisex, arguably the finest moment of the trio of Keith Girdler, Paul Stewart and Gemma Townley and a bona fide indie-pop classic. The first vinyl issue since 1994, the album has gained an immense cult following in all corners of the world and stands as an almost forgotten pinnacle of pop songwriting. “I just want to kiss you in new places, to savour the joy of living, liking you..." Full-colour reverse card sleeve with printed lyric sheet designed by Matt Haynes.
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Label:A Colourful Storm
Cat-No:ACOLOUR040
Release-Date:13.09.2024
Genre:Soundtracks
Configuration:LP Excl
Barcode:4251804182454
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Genre:Soundtracks
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1
Zbigniew Preisner - A1. Effroyables Jardins (Générique)
2
Zbigniew Preisner - A2. Sabotage
3
Zbigniew Preisner - A3. Arrestation
4
Zbigniew Preisner - A4. Le Trou
5
Zbigniew Preisner - A5. Effroyables Jardins par Leszek Mozdzer (1ère Version Piano)
6
Zbigniew Preisner - A6. Métamorphose à l'Hôpital
7
Zbigniew Preisner - A7. Une Vie pour une Vie
8
Zbigniew Preisner - B1. Effroyables Jardins (Ge?ne?rique 2e?me Variation)
9
Zbigniew Preisner - B2 Reminiscence
10
Zbigniew Preisner - B3 Mariage
11
Zbigniew Preisner - B4 Clown
12
Zbigniew Preisner - B5 Effroyables Jardins (Ge?ne?rique de Fin)
13
Zbigniew Preisner - B6 Effroyables Jardins par Leszek Mozdzer (2e?me Version Piano)
14
Zbigniew Preisner - B7 Effroyables Jardins par Leszek Mozdzer (3e?me Version Piano)
LP, Special remarks : Full-colour sleeve with new artwork, insert and postcard
Tracklist
A1. Effroyables Jardins (Générique)
A2. Sabotage
A3. Arrestation
A4. Le Trou
A5. Effroyables Jardins par Leszek Mozdzer (1ère Version Piano)
A6. Métamorphose à l'Hôpital
A7. Une Vie pour une Vie
B1. Effroyables Jardins (Ge?ne?rique 2e?me Variation)
B2 Reminiscence
B3 Mariage
B4 Clown
B5 Effroyables Jardins (Ge?ne?rique de Fin)
B6 Effroyables Jardins par Leszek Mozdzer (2e?me Version Piano)
B7 Effroyables Jardins par Leszek Mozdzer (3e?me Version Piano)
Shortinfo:
A Colourful Storm presents Effroyables Jardins, a soundtrack composed by Zbigniew Preisner for Jean Becker's eponymous film. Given limited distribution during its initial release, the soundtrack's lustre has only strengthened and it is now considered a lost gem of contemporary chamber composition. An understated triumph of the oeuvre of Preisner, who closely collaborated with Polish director Krzysztof Kie?lowski and was responsible for the film scores of Dekalog, The Double Life of Véronique and the Three Colours trilogy.
"Krzysztof and Zbigniew really found each other, as they were deeply complementary in their need of emotional expression," reflects actor Juliette Binoche upon her work in Three Colours: Blue. A Colourful Storm cites no other film leaving a greater impact on them than Three Colours: Red. These would be the last films the duo worked on together, before Kieslowski's retirement and untimely death.
Effroyable Jardins marks Preisner's post-Kieslowski era of solo composition, shifting from devotional harmonies into a beautifully restrained style of neo-Romanticism. It is his second soundtrack for Jean Becker, following Francis Ford Coppola's commission for The Secret Garden, the César-winning Élisa, and Edoardo Ponte's Between Strangers. Its leitmotif - a delicate, sparse melody for piano and organ, appears only during the opening sequence and, like Preisner's most powerful soundtracks, takes on a life of its own. Compositions for violin, harp and percussion are interspersed with haunting variations on a theme and a masterful use of silence. His music haunts the grieving Julie in Blue, soundtracks Valentine's epiphany in Red, and evokes the sublimity of moments in everyday life.
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Tracklist
A1. Effroyables Jardins (Générique)
A2. Sabotage
A3. Arrestation
A4. Le Trou
A5. Effroyables Jardins par Leszek Mozdzer (1ère Version Piano)
A6. Métamorphose à l'Hôpital
A7. Une Vie pour une Vie
B1. Effroyables Jardins (Ge?ne?rique 2e?me Variation)
B2 Reminiscence
B3 Mariage
B4 Clown
B5 Effroyables Jardins (Ge?ne?rique de Fin)
B6 Effroyables Jardins par Leszek Mozdzer (2e?me Version Piano)
B7 Effroyables Jardins par Leszek Mozdzer (3e?me Version Piano)
Shortinfo:
A Colourful Storm presents Effroyables Jardins, a soundtrack composed by Zbigniew Preisner for Jean Becker's eponymous film. Given limited distribution during its initial release, the soundtrack's lustre has only strengthened and it is now considered a lost gem of contemporary chamber composition. An understated triumph of the oeuvre of Preisner, who closely collaborated with Polish director Krzysztof Kie?lowski and was responsible for the film scores of Dekalog, The Double Life of Véronique and the Three Colours trilogy.
"Krzysztof and Zbigniew really found each other, as they were deeply complementary in their need of emotional expression," reflects actor Juliette Binoche upon her work in Three Colours: Blue. A Colourful Storm cites no other film leaving a greater impact on them than Three Colours: Red. These would be the last films the duo worked on together, before Kieslowski's retirement and untimely death.
Effroyable Jardins marks Preisner's post-Kieslowski era of solo composition, shifting from devotional harmonies into a beautifully restrained style of neo-Romanticism. It is his second soundtrack for Jean Becker, following Francis Ford Coppola's commission for The Secret Garden, the César-winning Élisa, and Edoardo Ponte's Between Strangers. Its leitmotif - a delicate, sparse melody for piano and organ, appears only during the opening sequence and, like Preisner's most powerful soundtracks, takes on a life of its own. Compositions for violin, harp and percussion are interspersed with haunting variations on a theme and a masterful use of silence. His music haunts the grieving Julie in Blue, soundtracks Valentine's epiphany in Red, and evokes the sublimity of moments in everyday life.
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Label:A Colourful Storm
Cat-No:ACOLOUR048
Release-Date:05.07.2024
Configuration:LP Excl
Barcode:4251804181532
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1
Eddie Marcon - A1. Doily
2
Eddie Marcon - A2. Horizon
3
Eddie Marcon - A3. Crystals of Rabbit
4
Eddie Marcon - A4. Toratolion
5
Eddie Marcon - B1. Dead Plant
6
Eddie Marcon - B2. Gaikotsu
7
Eddie Marcon - B3. New Season
8
Eddie Marcon - B4. Amuinbow
LP - Full-colour sleeve, Japanese lyric sheet insert, postcard
Tracklist
A1. Doily
A2. Horizon
A3. Crystals of Rabbit
A4. Toratolion
B1. Dead Plant
B2. Gaikotsu
B3. New Season
B4. Amuinbow
Shortinfo:
A Colourful Storm presents the first vinyl edition of Yahho no Potori, a treasured recording by one of the most cherished contemporary Japanese folk outfits, Eddie Marcon.
Comprised of the core duo of Eddie Corman and Jules Marcon, Eddie Marcon was formed in Himeji in 2001, following Corman's involvement in noise-rock duo Coa and Shinsuke Michishita's fabled psychedelic outfit, LSD March. Marking a stylistic shift into delicate, acoustic territories, the duo would release dozens of albums and singles, mostly self-released through their Pong-Kong imprint, that have seen little distribution outside of Japan.
Recorded over a particularly humid summer and autumn, Yahho no Potori sees Eddie Marcon drifting from the delicate psychedelia of their debut EP into traditional song-based structures. A touching document of joy, tenderness and wistfulness, Marcon's deft yet effortless strum sets a stylish backdrop for Corman's voice to ascend. Desirous yet self-assured, Corman breathes life into an intimate space adorned by the elegant instrumentation of Yashuhisa Mizatani, Yoriro Tatekawa, Ran Mizutani and Saya Ueno, whose ingenuous collaborative instinct has been gifted to listeners through collectives such as Tenniscoats, Maher Shalal Hash Baz and Spirit Fest. Here, she also lends her engineering prowess, having produced the album.
Devotees of ambitious yet beautifully understated songwriting, as well as followers of Reiko and Tori Kudo, Nagisa Ni Te and Ai Aso, will find much to adore in the songs of Eddie Marcon. An intense and devastating recording, A Colourful Storm is proud to give new life to a shimmering, underappreciated gem.
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Tracklist
A1. Doily
A2. Horizon
A3. Crystals of Rabbit
A4. Toratolion
B1. Dead Plant
B2. Gaikotsu
B3. New Season
B4. Amuinbow
Shortinfo:
A Colourful Storm presents the first vinyl edition of Yahho no Potori, a treasured recording by one of the most cherished contemporary Japanese folk outfits, Eddie Marcon.
Comprised of the core duo of Eddie Corman and Jules Marcon, Eddie Marcon was formed in Himeji in 2001, following Corman's involvement in noise-rock duo Coa and Shinsuke Michishita's fabled psychedelic outfit, LSD March. Marking a stylistic shift into delicate, acoustic territories, the duo would release dozens of albums and singles, mostly self-released through their Pong-Kong imprint, that have seen little distribution outside of Japan.
Recorded over a particularly humid summer and autumn, Yahho no Potori sees Eddie Marcon drifting from the delicate psychedelia of their debut EP into traditional song-based structures. A touching document of joy, tenderness and wistfulness, Marcon's deft yet effortless strum sets a stylish backdrop for Corman's voice to ascend. Desirous yet self-assured, Corman breathes life into an intimate space adorned by the elegant instrumentation of Yashuhisa Mizatani, Yoriro Tatekawa, Ran Mizutani and Saya Ueno, whose ingenuous collaborative instinct has been gifted to listeners through collectives such as Tenniscoats, Maher Shalal Hash Baz and Spirit Fest. Here, she also lends her engineering prowess, having produced the album.
Devotees of ambitious yet beautifully understated songwriting, as well as followers of Reiko and Tori Kudo, Nagisa Ni Te and Ai Aso, will find much to adore in the songs of Eddie Marcon. An intense and devastating recording, A Colourful Storm is proud to give new life to a shimmering, underappreciated gem.
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Label:A Colourful Storm
Cat-No:ACOLOUR046
Release-Date:05.04.2024
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1
Unchained - A1. Largo
2
Unchained - A2. Dru
3
Unchained - A3. Rond-Point
4
Unchained - B1. Gabbeh
5
Unchained - B2. Rambler
6
Unchained - B3. Drac
LP + Double-Sided Insert, Postcard
A1. Largo
A2. Dru
A3. Rond-Point
B1. Gabbeh
B2. Rambler
B3. Drac
Shortinfo:
A Colourful Storm begins 2024 with a luxurious suite of daydreaming introspection courtesy of Unchained, the longstanding solo project of Nathaniel Davis who was last seen on vinyl in the final Blackest Ever Black release. Recorded at home between 2020 and 2023, Gabbeh is the latest expression of Davis's guitar-based instrumental musings and represents a stylistic evolution of his self-released noise tapes and CD-Rs into romantic, bossa nova-influenced melody-making. He wrote the tracks sporadically, with minimal instrumentation and intervention. Electric guitar, bass improvisations and rhythms from an old drum machine are layered and given new life, the space between them softly breathing with minutiae of the everyday: the buzz of cicadas, the passing of cars, the whistling of passersby. The psychogeography of Grenoble, Davis' home since 2018, played a conscious role in the weaving of Gabbeh's fabric: "I think certain songs reflect, in ways, Grenoble's natural surroundings. 'Drac' is named after the river that flows from the mountains down to the city… 'Dru' is the name of a well-known peak near Chamonix". Opener 'Largo' sets the mood, its primitive samba rhythm concealed by a cloud of saudade. The bebop sensibility follows suit, the tension between its angular picks and percussive shuffle a wondrous balancing act, while the intoxicating sway of 'Rambler' is perhaps the most poignant expression of longing and loss we've heard in recent years. Highly recommended for fans of Durutti Column, Maurice Feebank, Toninho Horta.
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A1. Largo
A2. Dru
A3. Rond-Point
B1. Gabbeh
B2. Rambler
B3. Drac
Shortinfo:
A Colourful Storm begins 2024 with a luxurious suite of daydreaming introspection courtesy of Unchained, the longstanding solo project of Nathaniel Davis who was last seen on vinyl in the final Blackest Ever Black release. Recorded at home between 2020 and 2023, Gabbeh is the latest expression of Davis's guitar-based instrumental musings and represents a stylistic evolution of his self-released noise tapes and CD-Rs into romantic, bossa nova-influenced melody-making. He wrote the tracks sporadically, with minimal instrumentation and intervention. Electric guitar, bass improvisations and rhythms from an old drum machine are layered and given new life, the space between them softly breathing with minutiae of the everyday: the buzz of cicadas, the passing of cars, the whistling of passersby. The psychogeography of Grenoble, Davis' home since 2018, played a conscious role in the weaving of Gabbeh's fabric: "I think certain songs reflect, in ways, Grenoble's natural surroundings. 'Drac' is named after the river that flows from the mountains down to the city… 'Dru' is the name of a well-known peak near Chamonix". Opener 'Largo' sets the mood, its primitive samba rhythm concealed by a cloud of saudade. The bebop sensibility follows suit, the tension between its angular picks and percussive shuffle a wondrous balancing act, while the intoxicating sway of 'Rambler' is perhaps the most poignant expression of longing and loss we've heard in recent years. Highly recommended for fans of Durutti Column, Maurice Feebank, Toninho Horta.
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Label:A Colourful Storm
Cat-No:ACOLOUR047
Release-Date:05.04.2024
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1
Unchained - A1. Tennessee
2
Unchained - A2. Genevieve
3
Unchained - A3. Dawngarden
4
Unchained - A4. Superwillow
5
Unchained - A5. Embryo
6
Unchained - B1. Head X'Change
7
Unchained - B2. Mark, Ring Me
8
Unchained - B3. Cyclone
9
Unchained - B4. For Iris
LP + Double-Sided Insert, Postcard
Tracklist
A1. Tennessee
A2. Genevieve
A3. Dawngarden
A4. Superwillow
A5. Embryo
B1. Head X'Change
B2. Mark, Ring Me
B3. Cyclone
B4. For Iris
Shortinfo:
Head X'Change is the new album by Scythe, a long-distance collaborative project of David West and R.A. Jones. First appearing on two cloak-and-dagger cassettes distributed by Low Company in 2019 and 20, Scythe's "expertly modulated space blues and isolationist architectures" betrayed a uniquely sleep-deprived, DIY take on kosmische atmospheres, where brittle, decaying synthesiser loops found solace in endless trails of feedback and reverb. X'Change was recorded with modest instrumentation but grand ambition, recounting a journey, a memory... of leaving earth, a loved one, a body. Lifting off from tense, unnerving Tennessee, an ode is made to Genevieve, for perhaps the last time. Landing in eerily familiar valleys and amongst the lunar debris of Dawngarden and Superwillow, marvelling back at Earth inflicts a feeling of tininess and innocence, captured in the stargazing blues of Embryo. The titular track then marks a sudden inward trajectory and shift in mood: cool winds and amorphous bursts of black and deep blue emanate from fissures, ominously foreshadowing tunnelling paranoia. "Mark, Ring Me" is a distant plea for human contact... but it may all be too late, for the aching psychedelia For Iris grieves alone into the abyss. For fans of Cluster, Craig Leon, Pete Namlook, space travel...
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Tracklist
A1. Tennessee
A2. Genevieve
A3. Dawngarden
A4. Superwillow
A5. Embryo
B1. Head X'Change
B2. Mark, Ring Me
B3. Cyclone
B4. For Iris
Shortinfo:
Head X'Change is the new album by Scythe, a long-distance collaborative project of David West and R.A. Jones. First appearing on two cloak-and-dagger cassettes distributed by Low Company in 2019 and 20, Scythe's "expertly modulated space blues and isolationist architectures" betrayed a uniquely sleep-deprived, DIY take on kosmische atmospheres, where brittle, decaying synthesiser loops found solace in endless trails of feedback and reverb. X'Change was recorded with modest instrumentation but grand ambition, recounting a journey, a memory... of leaving earth, a loved one, a body. Lifting off from tense, unnerving Tennessee, an ode is made to Genevieve, for perhaps the last time. Landing in eerily familiar valleys and amongst the lunar debris of Dawngarden and Superwillow, marvelling back at Earth inflicts a feeling of tininess and innocence, captured in the stargazing blues of Embryo. The titular track then marks a sudden inward trajectory and shift in mood: cool winds and amorphous bursts of black and deep blue emanate from fissures, ominously foreshadowing tunnelling paranoia. "Mark, Ring Me" is a distant plea for human contact... but it may all be too late, for the aching psychedelia For Iris grieves alone into the abyss. For fans of Cluster, Craig Leon, Pete Namlook, space travel...
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Label:A Colourful Storm
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1
Valentina Magaletti - A1. A
2
Valentina Magaletti - B1. B
LP+ Postcard Insert
Tracklist
A1. A (Time 23:12)
B1. B (Time 23:24)
Shortinfo:
Percussionist extraordinaire Valentina Magaletti recorded live at Colourful Storm's showcase at Cafe Oto in 2021. Intricate, textural longform percussion pieces comprised of traditional drums, found objects, voice and electroacoustics conjured to hypnotic effect. A rare solo recording, following collaborations with Laila Sakini, Yves Chaudouët, Marlene Ribeiro and outings for Blume and Takuroku.
Extremely curious listening for fans of African Head Charge, The Necks, and followers of Magaletti's collaborative groups, including Moin, Vanishing Twin and Holy Tongue. First-time vinyl pressing following a short run of cassettes. Full-colour reverse-card sleeve with postcard and new artwork by Dennis Tyfus.
More
Tracklist
A1. A (Time 23:12)
B1. B (Time 23:24)
Shortinfo:
Percussionist extraordinaire Valentina Magaletti recorded live at Colourful Storm's showcase at Cafe Oto in 2021. Intricate, textural longform percussion pieces comprised of traditional drums, found objects, voice and electroacoustics conjured to hypnotic effect. A rare solo recording, following collaborations with Laila Sakini, Yves Chaudouët, Marlene Ribeiro and outings for Blume and Takuroku.
Extremely curious listening for fans of African Head Charge, The Necks, and followers of Magaletti's collaborative groups, including Moin, Vanishing Twin and Holy Tongue. First-time vinyl pressing following a short run of cassettes. Full-colour reverse-card sleeve with postcard and new artwork by Dennis Tyfus.
More
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1
Blueboy - A1. Clearer
2
Blueboy - A2. Alison
3
Blueboy - A3. Popkiss
4
Blueboy - A4. Chelsea Guitar
5
Blueboy - A5. Fearon
6
Blueboy - B1. Meet Johnny Rave
7
Blueboy - B2. Elle/Air France
8
Blueboy - B3. Try Happiness
9
Blueboy - B4. A Gentle Sigh
10
Blueboy - B5. Stephanie
11
Blueboy - C1. River
12
Blueboy - C2. Nimbus
13
Blueboy - C3. Hit
14
Blueboy - C4. Dirty Mags
15
Blueboy - C5. Loony Tunes
16
Blueboy - D1. Toulouse
17
Blueboy - D2. Love Yourself
18
Blueboy - D3. Melancholia
19
Blueboy - D4. Marco Polo
20
Blueboy - D5. What Do People Do All Day?
2LP Gatefold sleeve, Artwork Insert, Postcard
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
Tracklist
A1 Clearer
A2 Alison
A3 Popkiss
A4 Chelsea Guitar
A5 Fearon
B1 Meet Johnny Rave
B2 Elle/Air France
B3 Try Happiness
B4 A Gentle Sigh
B5 Stephanie
C1 River
C2 Nimbus
C3 Hit
C4 Dirty Mags
C5 Loony Tunes
D1 Toulouse
D2 Love Yourself
D3 Melancholia
D4 Marco Polo
D5 What Do People Do All Day?
Shortinfo:
"One Sunday afternoon in 1990, I had a phone call from Keith saying that Sarah Records had received the demo cassette the two of us had recorded on a 4-track in a friend's shed and were interested in putting out two of the songs as a single. They were Clearer and Alison. Delighted by this news, we booked some recording time with a studio we'd regularly used in our previous incarnation as Feverfew, the White House in Weston-super-Mare. This was the first time we'd ever played a note of music that was using someone else's money, so the pressure was being felt. We recorded Clearer, Fearon and Chelsea Guitar, with Clearer becoming Sarah 55, the first of eight singles for the band across two labels. At that time, we were still toying with a name for ourselves and had settled with the Art Bunnies. While driving us back home from Weston, though, I declared that I really couldn't see how people would take us seriously with a name like that. Disappointed, Keith (Girdler) then got out a piece of paper upon which he'd written several other contenders. These included Opal Trumpet, the Smiling Monarchs and (thankfully) Blueboy."
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
More
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
Tracklist
A1 Clearer
A2 Alison
A3 Popkiss
A4 Chelsea Guitar
A5 Fearon
B1 Meet Johnny Rave
B2 Elle/Air France
B3 Try Happiness
B4 A Gentle Sigh
B5 Stephanie
C1 River
C2 Nimbus
C3 Hit
C4 Dirty Mags
C5 Loony Tunes
D1 Toulouse
D2 Love Yourself
D3 Melancholia
D4 Marco Polo
D5 What Do People Do All Day?
Shortinfo:
"One Sunday afternoon in 1990, I had a phone call from Keith saying that Sarah Records had received the demo cassette the two of us had recorded on a 4-track in a friend's shed and were interested in putting out two of the songs as a single. They were Clearer and Alison. Delighted by this news, we booked some recording time with a studio we'd regularly used in our previous incarnation as Feverfew, the White House in Weston-super-Mare. This was the first time we'd ever played a note of music that was using someone else's money, so the pressure was being felt. We recorded Clearer, Fearon and Chelsea Guitar, with Clearer becoming Sarah 55, the first of eight singles for the band across two labels. At that time, we were still toying with a name for ourselves and had settled with the Art Bunnies. While driving us back home from Weston, though, I declared that I really couldn't see how people would take us seriously with a name like that. Disappointed, Keith (Girdler) then got out a piece of paper upon which he'd written several other contenders. These included Opal Trumpet, the Smiling Monarchs and (thankfully) Blueboy."
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
More
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Label:A Colourful Storm
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1
Maxine Funke - Fairy Baby
2
Maxine Funke - Quiet Shore
3
Maxine Funke - Lucky Penny
4
Maxine Funke - Moody Relish
5
Maxine Funke - Anzac Day
6
Maxine Funke - Homage
7
Maxine Funke - Goodbye
LP+insert, 2023 repress, Red Transparent Vinyl
Tracklist:
A1. Fairy Baby
A2. Quiet Shore
A3. Lucky Penny
B1 Moody Relish
B2 Anzac Day
B3 Homage
B4 Goodbye
Description:
A Colourful Storm presents Seance, a new set of songs by Maxine Funke.
Following a productive recording period beginning with Silk (2018) and ending with Forest Photographer (2020), Seance marks a remarkable levitation of Funke’s tender, softly spoken songcraft first documented on Lace (2008) and Felt (2012) into new creative heights. Folksong confessionals with the burden of memory. Ghostly confines, murmurs from the cracks. Soil, blood and skin. The beauty and mundanity of the everyday.
The voice of Funke is a distinctive instrument, one which perfectly elucidates her sometimes confessional, at other times deeply inward allusions to love, loss, joy and disquiet. Lyrics grounded in observation and adventure (“Eyeballs, asphalt, grass clippings, peppercorns”) unravel into uneasy truths daubed in self-consciousness and forbidden desire (“I’m not shy / There's just a sparkle in your eye and I don't feel right”). The simplest things can be the most difficult to express.
Opener ’Fairy Baby’ and ‘Homage’ are sensuous and probing, celebrating new beginnings while cautiously closing old chapters. ‘Quiet Shore’, a seven-minute reverie of guitar strum and poetry, conjures spirits long forgotten and shines as Funke’s first solo foray into longform songwriting. A perfect accompaniment to the album’s centrepiece, ‘Lucky Penny’, a euphoric, entrancing rush foreshadowing the delicate dreamspeak still to come.
An assertive, visionary recording by one of New Zealand’s most extraordinary voices, Seance is a lover’s lament, a revealing of self and a secluded wander through fields of enchantment. More
Tracklist:
A1. Fairy Baby
A2. Quiet Shore
A3. Lucky Penny
B1 Moody Relish
B2 Anzac Day
B3 Homage
B4 Goodbye
Description:
A Colourful Storm presents Seance, a new set of songs by Maxine Funke.
Following a productive recording period beginning with Silk (2018) and ending with Forest Photographer (2020), Seance marks a remarkable levitation of Funke’s tender, softly spoken songcraft first documented on Lace (2008) and Felt (2012) into new creative heights. Folksong confessionals with the burden of memory. Ghostly confines, murmurs from the cracks. Soil, blood and skin. The beauty and mundanity of the everyday.
The voice of Funke is a distinctive instrument, one which perfectly elucidates her sometimes confessional, at other times deeply inward allusions to love, loss, joy and disquiet. Lyrics grounded in observation and adventure (“Eyeballs, asphalt, grass clippings, peppercorns”) unravel into uneasy truths daubed in self-consciousness and forbidden desire (“I’m not shy / There's just a sparkle in your eye and I don't feel right”). The simplest things can be the most difficult to express.
Opener ’Fairy Baby’ and ‘Homage’ are sensuous and probing, celebrating new beginnings while cautiously closing old chapters. ‘Quiet Shore’, a seven-minute reverie of guitar strum and poetry, conjures spirits long forgotten and shines as Funke’s first solo foray into longform songwriting. A perfect accompaniment to the album’s centrepiece, ‘Lucky Penny’, a euphoric, entrancing rush foreshadowing the delicate dreamspeak still to come.
An assertive, visionary recording by one of New Zealand’s most extraordinary voices, Seance is a lover’s lament, a revealing of self and a secluded wander through fields of enchantment. More
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1
Mark - A. So You Betrayed The Creative Arts
2
Mark - B. For Your Own Personal Ends
LP+ Postcard Insert
A. So You Betrayed The Creative Arts
B. For Your Own Personal Ends
Shortinfo:
Over the past five years, Mark has forged a unique identity in underground drum’n’bass, alloying traditional junglist motifs and luminous electroacoustic ambience to devastating effect. Developing his sound through a series of singles and EPs on A Colourful Storm and Berghain’s Unterton imprint, A Colourful Storm presents the culmination of his work and debut album: a two-part study in rhythm, timbre and texture of monolithic scale.
Mark’s ambitions had been clear from the outset. Integrier Dich Du Yuppie (2017) and The Least Likely Event Will Occur In The Long Run (2018) are not titles of fleetingness but statements of grave philosophical heft. The relationship between—and division of—people, place and power animated Mark’s production and has remained a pertinent theme throughout his work.
Within these groundbreaking sides lies a synergy between splintering rhythmic elements and extraordinary atmospheric passages inspired by post-Second Viennese School disciples like Luigi Dallapiccola and composers such as Radulescu, Zemlinsky and Monteverdi.
Mark's ambition to bridge the sonic qualities of post-tonal composition and soundsystem frequencies is fulfilldd through two meticulously arranged longform pieces. Any suggestion of connection to dance music history has been thrown out for rhythmic arrangements that skirt the contradiction between strict logical coherence and human perceptio: what on the surface seems hostile reveals a catacomb of connections between elements that stake their claim, disappear, merge and finally reappear.
The album is deeply personal. Following a Stanislavski-led path through fragments of his pre-maturity music history, Mark connects memories of free jazz drumming and modern percussion ensemble performance with the joy of choral singing, ad hoc kitchen-sink group improvisation and those moments where life seems to swing on a hinge of musical feeling. More
A. So You Betrayed The Creative Arts
B. For Your Own Personal Ends
Shortinfo:
Over the past five years, Mark has forged a unique identity in underground drum’n’bass, alloying traditional junglist motifs and luminous electroacoustic ambience to devastating effect. Developing his sound through a series of singles and EPs on A Colourful Storm and Berghain’s Unterton imprint, A Colourful Storm presents the culmination of his work and debut album: a two-part study in rhythm, timbre and texture of monolithic scale.
Mark’s ambitions had been clear from the outset. Integrier Dich Du Yuppie (2017) and The Least Likely Event Will Occur In The Long Run (2018) are not titles of fleetingness but statements of grave philosophical heft. The relationship between—and division of—people, place and power animated Mark’s production and has remained a pertinent theme throughout his work.
Within these groundbreaking sides lies a synergy between splintering rhythmic elements and extraordinary atmospheric passages inspired by post-Second Viennese School disciples like Luigi Dallapiccola and composers such as Radulescu, Zemlinsky and Monteverdi.
Mark's ambition to bridge the sonic qualities of post-tonal composition and soundsystem frequencies is fulfilldd through two meticulously arranged longform pieces. Any suggestion of connection to dance music history has been thrown out for rhythmic arrangements that skirt the contradiction between strict logical coherence and human perceptio: what on the surface seems hostile reveals a catacomb of connections between elements that stake their claim, disappear, merge and finally reappear.
The album is deeply personal. Following a Stanislavski-led path through fragments of his pre-maturity music history, Mark connects memories of free jazz drumming and modern percussion ensemble performance with the joy of choral singing, ad hoc kitchen-sink group improvisation and those moments where life seems to swing on a hinge of musical feeling. More
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Cat-No:ACOLOUR041
Release-Date:18.11.2022
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1
Time is Away - A1. Horvitz Morris Previte Trio - Todos Santos
2
Time is Away - A2. Christina Petrie - Ballads
3
Time is Away - A3. Christmas Decorations - Broken Leg Hours
4
Time is Away - A4. Gilles Chabenat and Frederic Paris - De l'eau et des amandes
5
Time is Away - B1. Antonietta Borgoli - Dindindino Dindindalo
6
Time is Away - B2. Tanto Pressanto - I mues immer a di tanke
7
Time is Away - B3. Yuko Kono - Triangle
8
Time is Away - B4. The Unthanks - Waiting
9
Time is Away - C1. David Lang - Just (After Song of Songs)
10
Time is Away - C2. Rachel Bonch-Bruevich - Untitled (DDR 1972)
11
Time is Away - D1. Merula - Dags att sova
12
Time is Away - D2. Stella Vander - Ondes
13
Time is Away - D3. Hydroplane - The Love You Bring
2LP+Postcard+Insert
Tracklist
A1. Horvitz Morris Previte Trio - Todos Santos
A2. Christina Petrie - Ballads
A3. Christmas Decorations - Broken Leg Hours
A4. Gilles Chabenat and Frederic Paris - De l'eau et des amandes
B1. Antonietta Borgoli - Dindindino Dindindalo
B2. Tanto Pressanto - I mues immer a di tanke
B3. Yuko Kono - Triangle
B4. The Unthanks - Waiting
C1. David Lang - Just (After Song of Songs)
C2. Rachel Bonch-Bruevich - Untitled (DDR 1972)
D1. Merula - Dags att sova
D2 Stella Vander - Ondes
D3 Hydroplane - The Love You Bring
Shortinfo:
Over the better half of a decade, Time is Away, the London-based duo of Jack Rollo and Elaine Tierney, have made tender and heartfelt transmissions through countless mixes, sound works and radio. Exploring deeply human themes of memory, persistence and resistance using an assemblage of source material, the duo's unique mode of storytelling culminates in Ballads, a new suite of songs and, significantly, their first officially licensed compilation.
From the opening notes of Horvitz Morris Previte Trio's jazz romanticism to Gilles Chabenat and Frédéric Paris's lively reimagined standard, the haunting vocal seance of Tanto Pressanto and the mesmerising swirls of The Unthanks, Yuko Kono and Rachel Bonch-Bruevich, the spirit of Ballads roams through generations of affectionate songwriting and conjures images both candid and surreal. The voice of poet and longtime collaborator Christina Petrie appears briefly and contemplates the "sighs and replies… the space between verses" of the Ballad, its beauty, its place in our lives. What is the Ballad but a reflection of our soul? "Perhaps I'll wander in search of it", she bittersweetly concedes.
At the suite's cusp is an alternate version of David Lang's 'Just (After Song of Songs)', a thirteen-minute meditation on devotion which featured in Paolo Sorrentino's Youth (2015). The track's universal themes of faith and desire radiate throughout and elucidate Time is Away's peerlessly precise yet gossamer touch.
More
Tracklist
A1. Horvitz Morris Previte Trio - Todos Santos
A2. Christina Petrie - Ballads
A3. Christmas Decorations - Broken Leg Hours
A4. Gilles Chabenat and Frederic Paris - De l'eau et des amandes
B1. Antonietta Borgoli - Dindindino Dindindalo
B2. Tanto Pressanto - I mues immer a di tanke
B3. Yuko Kono - Triangle
B4. The Unthanks - Waiting
C1. David Lang - Just (After Song of Songs)
C2. Rachel Bonch-Bruevich - Untitled (DDR 1972)
D1. Merula - Dags att sova
D2 Stella Vander - Ondes
D3 Hydroplane - The Love You Bring
Shortinfo:
Over the better half of a decade, Time is Away, the London-based duo of Jack Rollo and Elaine Tierney, have made tender and heartfelt transmissions through countless mixes, sound works and radio. Exploring deeply human themes of memory, persistence and resistance using an assemblage of source material, the duo's unique mode of storytelling culminates in Ballads, a new suite of songs and, significantly, their first officially licensed compilation.
From the opening notes of Horvitz Morris Previte Trio's jazz romanticism to Gilles Chabenat and Frédéric Paris's lively reimagined standard, the haunting vocal seance of Tanto Pressanto and the mesmerising swirls of The Unthanks, Yuko Kono and Rachel Bonch-Bruevich, the spirit of Ballads roams through generations of affectionate songwriting and conjures images both candid and surreal. The voice of poet and longtime collaborator Christina Petrie appears briefly and contemplates the "sighs and replies… the space between verses" of the Ballad, its beauty, its place in our lives. What is the Ballad but a reflection of our soul? "Perhaps I'll wander in search of it", she bittersweetly concedes.
At the suite's cusp is an alternate version of David Lang's 'Just (After Song of Songs)', a thirteen-minute meditation on devotion which featured in Paolo Sorrentino's Youth (2015). The track's universal themes of faith and desire radiate throughout and elucidate Time is Away's peerlessly precise yet gossamer touch.
More
Label:A Colourful Storm
Cat-No:ACOLOUR039
Release-Date:29.07.2022
Configuration:LP Excl
Barcode:4251804138086
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1
Elodie - A1. I
2
Elodie - B1. II
LP+Insert
Tracklist
A1. I
B1. II
Shortinfo:
A Colourful Storm presents Enteha, the latest piece by Elodie, the duo of Andrew Chalk and Timo van Luijk.
Chalk and van Luijk embody a free-spirited approach to music making whose improvisational process can be traced to a distinct period of Europe's post-industrial landscape. More than two decades of ambitious solo and collaborative work would solidify both Chalk and van Luijk as masterful craftsmen exploring the tension between composition and free improvisation: their individual lists of collaborators boasts Christoph Heemann, Giancarlo Toniutti, David Jackman and Colin Potter, to name but a few.
A figment of two imaginations, Elodie appeared in 2011 almost fully formed with each record patiently revealing glimpses into a world concerned with time dilation, the phantasmagoric and spirits of the everyday. Enteha is one of the duo's more melancholic pieces and can be seen as a human response to seasonal transition. It's one of their uniquely longform explorations of mood and atmosphere as an air of romance drifts deftly into mystery and despair. The delicate hues of autumnal haze. The deceptive optimism of morning light. A work of supremely understated beauty that will appeal to anyone who finds solace in Harmonia, Gas, Joanna
More
Tracklist
A1. I
B1. II
Shortinfo:
A Colourful Storm presents Enteha, the latest piece by Elodie, the duo of Andrew Chalk and Timo van Luijk.
Chalk and van Luijk embody a free-spirited approach to music making whose improvisational process can be traced to a distinct period of Europe's post-industrial landscape. More than two decades of ambitious solo and collaborative work would solidify both Chalk and van Luijk as masterful craftsmen exploring the tension between composition and free improvisation: their individual lists of collaborators boasts Christoph Heemann, Giancarlo Toniutti, David Jackman and Colin Potter, to name but a few.
A figment of two imaginations, Elodie appeared in 2011 almost fully formed with each record patiently revealing glimpses into a world concerned with time dilation, the phantasmagoric and spirits of the everyday. Enteha is one of the duo's more melancholic pieces and can be seen as a human response to seasonal transition. It's one of their uniquely longform explorations of mood and atmosphere as an air of romance drifts deftly into mystery and despair. The delicate hues of autumnal haze. The deceptive optimism of morning light. A work of supremely understated beauty that will appeal to anyone who finds solace in Harmonia, Gas, Joanna
More
Label:A Colourful Storm
Cat-No:ACOLOUR037
Release-Date:08.07.2022
Genre:Electronic
Configuration:12" Excl
Barcode:4251804129565
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Label:A Colourful Storm
Cat-No:ACOLOUR037
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Genre:Electronic
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1
D'Arcangelo - A1. Godsonix
2
D'Arcangelo - A2. Arium
3
D'Arcangelo - A3. Spacing Out
4
D'Arcangelo - B1. Duty
5
D'Arcangelo - B2. Familiarity
Tracklist
A1. Godsonix
A2. Arium
A3. Spacing Out
B1. Duty
B2. Familiarity
Shortinfo:
D'Arcangelo is the duo of Marco and Fabrizio D'Arcangelo and Arium is their first release of sublime introspective electronics for A Colourful Storm. Throughout EPs and seminal albums for Rephlex, Nature and Suction Records, D'Arcangelo forged a sleek and sensuous sound alongside their label mates Bochum Welt, Leo Anibaldi and Lory D. Arium is their latest EP, containing new studio productions and a lost gem produced during the Shipwreck era, hinting at the seminal Broken Toys' Corner and Eksel albums. Full-colour sleeve with insert and liner notes by Marco D'Arcangelo.
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1
Princess Diana of Wales - A1. Sleet
2
Princess Diana of Wales - A2. Still Beach
3
Princess Diana of Wales - A3. Swing
4
Princess Diana of Wales - A4. Closer
5
Princess Diana of Wales - B1. Exhaust
6
Princess Diana of Wales - B2. Fragments of Blue
7
Princess Diana of Wales - B3. Evaporate
8
Princess Diana of Wales - B4. Choir Chant
LP + Insert
Tracklist
A1. Sleet
A2. Still Beach
A3. Swing
A4. Closer
B1. Exhaust
B2. Fragments of Blue
B3. Evaporate
B4. Choir Chant
Shortinfo:
Princess Diana of Wales, by London-based Australian Laila Sakini, is A Colourful Storm's latest and most curious project. Someone, no one, a notion, a feeling... Sakini offers clues but no simple answers. Vocal-led pieces 'Still Beach' and 'Fragments of Blue' are brittle and intoxicating, contemplating recklessness and unfulfillment of a past life: "Watching the future wash away / Giving it up to have this day". She studies closeness and, incredulous of the feelings that emerge, wonders if detachment is impermanent. She catalogues these emotions as a series of memories, colours and images. 'Evaporate', sedated and hushed, is a secret confession and ode to resolution, albeit, fatally, only a temporary one: "Take some form / Later on when I can do this / When we can do this / Together".
Behind the album is a stage of dubwise disorientations evoking in-between states of the everyday. 'Swing' and 'Closer' are woozy and dreamlike, their voices summoning ghosts of fortunes past while 'Exhaust' finds an aperture in our protagonist's daydream. A perilous foreshadowing of the incantatory 'Choir Chant', whose spell pacifies her inquisition, submerging both self and feeling into the deep blue sea. RIYL: Grouper, Kali Malone, Drew McDowall. Full-colour sleeve with insert.
More
Tracklist
A1. Sleet
A2. Still Beach
A3. Swing
A4. Closer
B1. Exhaust
B2. Fragments of Blue
B3. Evaporate
B4. Choir Chant
Shortinfo:
Princess Diana of Wales, by London-based Australian Laila Sakini, is A Colourful Storm's latest and most curious project. Someone, no one, a notion, a feeling... Sakini offers clues but no simple answers. Vocal-led pieces 'Still Beach' and 'Fragments of Blue' are brittle and intoxicating, contemplating recklessness and unfulfillment of a past life: "Watching the future wash away / Giving it up to have this day". She studies closeness and, incredulous of the feelings that emerge, wonders if detachment is impermanent. She catalogues these emotions as a series of memories, colours and images. 'Evaporate', sedated and hushed, is a secret confession and ode to resolution, albeit, fatally, only a temporary one: "Take some form / Later on when I can do this / When we can do this / Together".
Behind the album is a stage of dubwise disorientations evoking in-between states of the everyday. 'Swing' and 'Closer' are woozy and dreamlike, their voices summoning ghosts of fortunes past while 'Exhaust' finds an aperture in our protagonist's daydream. A perilous foreshadowing of the incantatory 'Choir Chant', whose spell pacifies her inquisition, submerging both self and feeling into the deep blue sea. RIYL: Grouper, Kali Malone, Drew McDowall. Full-colour sleeve with insert.
More
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Label:A Colourful Storm
Cat-No:ACOLOUR036
Release-Date:14.01.2022
Configuration:LP Excl
Barcode:4251804126922
1
Reiko Kudo and Tori Kudo - A1. Deep Sea Fish
2
Reiko Kudo and Tori Kudo - A2. The Deep Valley of Shadow
3
Reiko Kudo and Tori Kudo - A3. We May Be
4
Reiko Kudo and Tori Kudo - A4. Kanakana
5
Reiko Kudo and Tori Kudo - B1. Homeless
6
Reiko Kudo and Tori Kudo - B2. Tangerine
7
Reiko Kudo and Tori Kudo - B3. The Swallow II
8
Reiko Kudo and Tori Kudo - B4. When Seeing the Setting Sun Alone
LP+Insert+Postcard
Insert contains Japanese and English lyricssheet, postcard contains artwork by the artists.
Tracklist
A1. Deep Sea Fish
A2. The Deep Valley of Shadow
A3. We May Be
A4. Kanakana
B1. Homeless
B2. Tangerine
B3. The Swallow II
B4. When Seeing the Setting Sun Alone
Shortinfo:
A Colourful Storm presents Tangerine, a collection of songs by Reiko and Tori Kudo. Recorded at Village Hototoguiss, Japan, in 2011 and 2012 and Cafe Oto, London, in 2009, Tangerine is the result of over thirty years of improvisation and intimacy between Reiko Kudo and Tori Kudo (Maher Shalal Hash Baz, Fushitsusha, Noise, Ché-SHIZU). Their live performances would welcome local musicians, neighbourhood children, friends and passersby on stage while in the studio, they have been joined by Ikuro Takahashi (LSD March) and Takashi Ueno (Tenniscoats), releasing on indie labels such as Geographic and K. A touchstone of contemporary Japanese folk minimalism and significantly the last recorded appearance of the duo. Originally released on CD by Hyotan in 2013 and presented for the first time on vinyl by A Colourful Storm. Full-colour sleeve with insert, postcard and lyrics in Japanese and English.
More
Insert contains Japanese and English lyricssheet, postcard contains artwork by the artists.
Tracklist
A1. Deep Sea Fish
A2. The Deep Valley of Shadow
A3. We May Be
A4. Kanakana
B1. Homeless
B2. Tangerine
B3. The Swallow II
B4. When Seeing the Setting Sun Alone
Shortinfo:
A Colourful Storm presents Tangerine, a collection of songs by Reiko and Tori Kudo. Recorded at Village Hototoguiss, Japan, in 2011 and 2012 and Cafe Oto, London, in 2009, Tangerine is the result of over thirty years of improvisation and intimacy between Reiko Kudo and Tori Kudo (Maher Shalal Hash Baz, Fushitsusha, Noise, Ché-SHIZU). Their live performances would welcome local musicians, neighbourhood children, friends and passersby on stage while in the studio, they have been joined by Ikuro Takahashi (LSD March) and Takashi Ueno (Tenniscoats), releasing on indie labels such as Geographic and K. A touchstone of contemporary Japanese folk minimalism and significantly the last recorded appearance of the duo. Originally released on CD by Hyotan in 2013 and presented for the first time on vinyl by A Colourful Storm. Full-colour sleeve with insert, postcard and lyrics in Japanese and English.
More
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Cat-No:es10/bewith61lp
Release-Date:20.09.2024
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251648413356
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Cat-No:es10/bewith61lp
Release-Date:20.09.2024
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251648413356
1
Steve Hiett - Blue Beach - Welcome To Your Beach
2
Steve Hiett - Never Find A Girl (To Love Me Like You Do)
3
Steve Hiett - By The Pool
4
Steve Hiett - Roll Over, Beethoven - Out Of The Beach
5
Steve Hiett - In The Shade
6
Steve Hiett - Looking Across The Street
7
Steve Hiett - Long Distance Look
8
Steve Hiett - Hot Afternoon
9
Steve Hiett - Crying In The Sun
10
Steve Hiett - The Next Time
11
Steve Hiett - Miss B.B. Walks Away
12
Steve Hiett - Sleep Walk
13
Steve Hiett - Standing There
World excluding Japan
2024 repress
LP Format Notes:
First re-issue since its original release in Japan in 1983, remastered from the original masters, 140g vinyl, gatefold sleeve, 16 page photography book with liner notes.
LP Track List:
A1 : Blue Beach - Welcome To Your Beach
A2 : Never Find A Girl (To Love Me Like You Do)
A3 : By The Pool
A4 : Roll Over, Beethoven - Out Of The Beach
A5 : In The Shade
A6 : Looking Across The Street
A7 : Long Distance Look
B1 : Hot Afternoon
B2 : Crying In The Sun
B3 : The Next Time
B4 : Miss B.B. Walks Away
B5 : Sleep Walk
B6 : Standing There
Release Notes:
For the first time since its inception 36 years ago, Steve Hiett’s elusive Down On The Road By The Beach is finally made available outside of Japan. Most recognized in the fashion sphere as an English photographer and graphic designer, Hiett‘s transportive audio portraits amplify his serpentine guitar to the infinite blue, recorded across Paris, Tokyo and New York with no coastline in sight. Now widely celebrated as a desert island disc, very little is actually known of its unfathomable genesis.
A career devotee of Brian Wilson’s ground breaking harmonies, Hiett shot The Beach Boys for Rolling Stone - as well as The Doors, Miles Davis and Jimi Hendrix (in one of his final performances at the 1970 Isle Of Wight Festival) - while establishing himself as a fashion photographer. Decamping to Paris in 1972, he began what would become 20-year collaborations with Vogue Paris and Marie Claire, printing his signature warm, saturated and vibrantly hued snapshots.
In 1982, representatives from Tokyo’s Galerie Watari visited him to propose a solo exhibition. Asking if he could insert a 7” of original music into the back of the exhibition catalogue, Hiett laid down ‘Blue Beach - Welcome To Your Beach’ in a Parisian radio station, playing all of the instruments himself, and two more cuts in New York with Yoko Ono, The Doobie Brothers and Steely Dan hired-gun Elliot Randall. Once dispatched, the phone began ringing off the hook with requests for him to fly to Tokyo. Assuming these long-distance callers were wanting him to check proofs for the book, it wasn’t until he arrived that he discovered CBS/Sony had facilitated an entire album. Heitt hastily gripped some petty cash, bought a guitar and retreated to his hotel room to start writing.
Entering the studio the following day, he was further surprised by a waiting room of session players known as Moonriders - one of Japan’s most acclaimed rock bands of the 1980s. Intimidated by their indecipherable sheet music, Hiett suggested Randall join them and with money being no object for major labels at the time, his wingman was on the next plane out of New York to finalise the high production indulgence. Near-ambient arrangements that float in a space between The Durutti Column, Steve Cropper and Ashra, Down On The Road By The Beach also crowns Hiett the master of recontextualization with his zero-gravity blues visions of Roll Over Beethoven, Santo & Johnny’s Sleep Walk and the 1967 Eddie Floyd soul hit Never Found A Girl.
Produced in coordination between Be With, Efficient Space and the artist, this definitive reissue is restored from original masters with vivid reproductions of the Down On The Road By The Beach exhibition catalogue, intended to accompany its original release, and extensive liner notes penned by fellow Steve Hiett obsessive Mikey IQ Jones.
More
2024 repress
LP Format Notes:
First re-issue since its original release in Japan in 1983, remastered from the original masters, 140g vinyl, gatefold sleeve, 16 page photography book with liner notes.
LP Track List:
A1 : Blue Beach - Welcome To Your Beach
A2 : Never Find A Girl (To Love Me Like You Do)
A3 : By The Pool
A4 : Roll Over, Beethoven - Out Of The Beach
A5 : In The Shade
A6 : Looking Across The Street
A7 : Long Distance Look
B1 : Hot Afternoon
B2 : Crying In The Sun
B3 : The Next Time
B4 : Miss B.B. Walks Away
B5 : Sleep Walk
B6 : Standing There
Release Notes:
For the first time since its inception 36 years ago, Steve Hiett’s elusive Down On The Road By The Beach is finally made available outside of Japan. Most recognized in the fashion sphere as an English photographer and graphic designer, Hiett‘s transportive audio portraits amplify his serpentine guitar to the infinite blue, recorded across Paris, Tokyo and New York with no coastline in sight. Now widely celebrated as a desert island disc, very little is actually known of its unfathomable genesis.
A career devotee of Brian Wilson’s ground breaking harmonies, Hiett shot The Beach Boys for Rolling Stone - as well as The Doors, Miles Davis and Jimi Hendrix (in one of his final performances at the 1970 Isle Of Wight Festival) - while establishing himself as a fashion photographer. Decamping to Paris in 1972, he began what would become 20-year collaborations with Vogue Paris and Marie Claire, printing his signature warm, saturated and vibrantly hued snapshots.
In 1982, representatives from Tokyo’s Galerie Watari visited him to propose a solo exhibition. Asking if he could insert a 7” of original music into the back of the exhibition catalogue, Hiett laid down ‘Blue Beach - Welcome To Your Beach’ in a Parisian radio station, playing all of the instruments himself, and two more cuts in New York with Yoko Ono, The Doobie Brothers and Steely Dan hired-gun Elliot Randall. Once dispatched, the phone began ringing off the hook with requests for him to fly to Tokyo. Assuming these long-distance callers were wanting him to check proofs for the book, it wasn’t until he arrived that he discovered CBS/Sony had facilitated an entire album. Heitt hastily gripped some petty cash, bought a guitar and retreated to his hotel room to start writing.
Entering the studio the following day, he was further surprised by a waiting room of session players known as Moonriders - one of Japan’s most acclaimed rock bands of the 1980s. Intimidated by their indecipherable sheet music, Hiett suggested Randall join them and with money being no object for major labels at the time, his wingman was on the next plane out of New York to finalise the high production indulgence. Near-ambient arrangements that float in a space between The Durutti Column, Steve Cropper and Ashra, Down On The Road By The Beach also crowns Hiett the master of recontextualization with his zero-gravity blues visions of Roll Over Beethoven, Santo & Johnny’s Sleep Walk and the 1967 Eddie Floyd soul hit Never Found A Girl.
Produced in coordination between Be With, Efficient Space and the artist, this definitive reissue is restored from original masters with vivid reproductions of the Down On The Road By The Beach exhibition catalogue, intended to accompany its original release, and extensive liner notes penned by fellow Steve Hiett obsessive Mikey IQ Jones.
More
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Label:A Colourful Storm
Cat-No:CLEARER001
Release-Date:01.09.2023
Configuration:2LP Excl
Barcode:4251804142663
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Cat-No:CLEARER001
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Configuration:2LP Excl
Barcode:4251804142663
1
Blueboy - A1. Clearer
2
Blueboy - A2. Alison
3
Blueboy - A3. Popkiss
4
Blueboy - A4. Chelsea Guitar
5
Blueboy - A5. Fearon
6
Blueboy - B1. Meet Johnny Rave
7
Blueboy - B2. Elle/Air France
8
Blueboy - B3. Try Happiness
9
Blueboy - B4. A Gentle Sigh
10
Blueboy - B5. Stephanie
11
Blueboy - C1. River
12
Blueboy - C2. Nimbus
13
Blueboy - C3. Hit
14
Blueboy - C4. Dirty Mags
15
Blueboy - C5. Loony Tunes
16
Blueboy - D1. Toulouse
17
Blueboy - D2. Love Yourself
18
Blueboy - D3. Melancholia
19
Blueboy - D4. Marco Polo
20
Blueboy - D5. What Do People Do All Day?
2LP Gatefold sleeve, Artwork Insert, Postcard
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
Tracklist
A1 Clearer
A2 Alison
A3 Popkiss
A4 Chelsea Guitar
A5 Fearon
B1 Meet Johnny Rave
B2 Elle/Air France
B3 Try Happiness
B4 A Gentle Sigh
B5 Stephanie
C1 River
C2 Nimbus
C3 Hit
C4 Dirty Mags
C5 Loony Tunes
D1 Toulouse
D2 Love Yourself
D3 Melancholia
D4 Marco Polo
D5 What Do People Do All Day?
Shortinfo:
"One Sunday afternoon in 1990, I had a phone call from Keith saying that Sarah Records had received the demo cassette the two of us had recorded on a 4-track in a friend's shed and were interested in putting out two of the songs as a single. They were Clearer and Alison. Delighted by this news, we booked some recording time with a studio we'd regularly used in our previous incarnation as Feverfew, the White House in Weston-super-Mare. This was the first time we'd ever played a note of music that was using someone else's money, so the pressure was being felt. We recorded Clearer, Fearon and Chelsea Guitar, with Clearer becoming Sarah 55, the first of eight singles for the band across two labels. At that time, we were still toying with a name for ourselves and had settled with the Art Bunnies. While driving us back home from Weston, though, I declared that I really couldn't see how people would take us seriously with a name like that. Disappointed, Keith (Girdler) then got out a piece of paper upon which he'd written several other contenders. These included Opal Trumpet, the Smiling Monarchs and (thankfully) Blueboy."
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
More
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
Tracklist
A1 Clearer
A2 Alison
A3 Popkiss
A4 Chelsea Guitar
A5 Fearon
B1 Meet Johnny Rave
B2 Elle/Air France
B3 Try Happiness
B4 A Gentle Sigh
B5 Stephanie
C1 River
C2 Nimbus
C3 Hit
C4 Dirty Mags
C5 Loony Tunes
D1 Toulouse
D2 Love Yourself
D3 Melancholia
D4 Marco Polo
D5 What Do People Do All Day?
Shortinfo:
"One Sunday afternoon in 1990, I had a phone call from Keith saying that Sarah Records had received the demo cassette the two of us had recorded on a 4-track in a friend's shed and were interested in putting out two of the songs as a single. They were Clearer and Alison. Delighted by this news, we booked some recording time with a studio we'd regularly used in our previous incarnation as Feverfew, the White House in Weston-super-Mare. This was the first time we'd ever played a note of music that was using someone else's money, so the pressure was being felt. We recorded Clearer, Fearon and Chelsea Guitar, with Clearer becoming Sarah 55, the first of eight singles for the band across two labels. At that time, we were still toying with a name for ourselves and had settled with the Art Bunnies. While driving us back home from Weston, though, I declared that I really couldn't see how people would take us seriously with a name like that. Disappointed, Keith (Girdler) then got out a piece of paper upon which he'd written several other contenders. These included Opal Trumpet, the Smiling Monarchs and (thankfully) Blueboy."
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
More
Label:NG Records
Cat-No:NG01
Release-Date:23.04.2018
Configuration:LP
Barcode:
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Label:NG Records
Cat-No:NG01
Release-Date:23.04.2018
Configuration:LP
Barcode:
1
nu guinea - No Title
2
nu guinea - No Title
3
nu guinea - No Title
4
nu guinea - No Title
5
nu guinea - No Title
6
nu guinea - No Title
7
nu guinea - No Title
LP Excl
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Label:A Colourful Storm
Cat-No:ACOLOUR013
Release-Date:01.11.2024
Genre:Indie Rock/Alternative
Configuration:LP Excl
Barcode:4251648413523
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Last in:19.09.2024
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Label:A Colourful Storm
Cat-No:ACOLOUR013
Release-Date:01.11.2024
Genre:Indie Rock/Alternative
Configuration:LP Excl
Barcode:4251648413523
1
Blueboy - Candy Bracelet
2
Blueboy - Cloud Babies
3
Blueboy - Too Good To Be True
4
Blueboy - Fondette
5
Blueboy - Sea Horses
6
Blueboy - Clear Skies
7
Blueboy - Happiness And Smiles
8
Blueboy - Amoroso
2024 Repress
LP - The legendary first Album - 2019 Reissue On Vinyl (Originally Released on Sarah Records /UK)
Tracklist
A1. Candy Bracelet
A2. Cloud Babies
A3. Too Good To Be True
A4. Fondette
B1. Sea Horses
B2. Clear Skies
B3. Happiness And Smiles
B4. Amoroso
Shortinfo:
Blueboy's first and now legendary album finally reissued by Australian label A Colourful Storm. Presented for the first time on vinyl since its release in 1992, the recording by Keith Girdler, Gemma Townley, Paul Stewart, Lloyd Armstrong and Mark Andes is immortalised in Sarah Records history as an evergreen of indie-pop and modern DIY. "...the sort of feelings that rarely escape from the Sarah daydream factory" wrote NME at the time. Long overdue reissue with original artwork faithfully restored by Sarah Records' own Matt Haynes. Full colour reverse-card sleeve with printed insert and lyrics sheet.
More
LP - The legendary first Album - 2019 Reissue On Vinyl (Originally Released on Sarah Records /UK)
Tracklist
A1. Candy Bracelet
A2. Cloud Babies
A3. Too Good To Be True
A4. Fondette
B1. Sea Horses
B2. Clear Skies
B3. Happiness And Smiles
B4. Amoroso
Shortinfo:
Blueboy's first and now legendary album finally reissued by Australian label A Colourful Storm. Presented for the first time on vinyl since its release in 1992, the recording by Keith Girdler, Gemma Townley, Paul Stewart, Lloyd Armstrong and Mark Andes is immortalised in Sarah Records history as an evergreen of indie-pop and modern DIY. "...the sort of feelings that rarely escape from the Sarah daydream factory" wrote NME at the time. Long overdue reissue with original artwork faithfully restored by Sarah Records' own Matt Haynes. Full colour reverse-card sleeve with printed insert and lyrics sheet.
More
LP Excl
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Label:WRWTFWW
Cat-No:wrwtfww040
Release-Date:20.03.2020
Configuration:LP Excl
Barcode:4251648415046
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Last in:17.07.2023
Label:WRWTFWW
Cat-No:wrwtfww040
Release-Date:20.03.2020
Configuration:LP Excl
Barcode:4251648415046
1
Inoyamaland - Shüffer
2
Inoyamaland - Pokala
3
Inoyamaland - Glass Chime
4
Inoyamaland - Pon
5
Inoyamaland - Wässer
6
Inoyamaland - Mizue
7
Inoyamaland - Collecting Net
8
Inoyamaland - Apple Star
9
Inoyamaland - Meine Reflexion
10
Inoyamaland - 8.31
Vinyl only. Worldwide except Japan.
LP: 350gsm Sleeve with selected UV High Gloss Varnish, Liner Notes, Sticker
Tracklisting
A1. Shüffer
A2. Pokala
A3. Glass Chime
A4. Pon
A5. Wässer
B1. Mizue
B2. Collecting Net
B3. Apple Star
B4. Meine Reflexion
B5. 8.31
Info
WRWTFWW Records is too happy to announce the much anticipated official reissue of Japanese duo Inoyamaland’s quintessential ambient/environmental/electronic album Danzindan-Pojidon, produced by Haruomi Hosono and originally released in 1983 on his Yen Records label. Available outside of Japan for the first time, the new age classic comes as a limited LP with liner notes by band member Makoto Inoue.
With Danzindan-Pojidon, Yasushi Yamashita and Makoto Inoue created what they describe as "a special place where the kingdom of summer vacation never ended". Playful and magical, it’s a sonic landscape defined by tinkling synths, floating minimalist melodies, pastoral excursions, and mythical overtones. The 10-track adventure takes the listener on a joyful audio exploration of unknown but friendly territories, like childhood memories of an imaginary island where everything is vibrantly alive and peaceful.
The original recording sessions for the album took place in an apartment filled with Inoyamaland’s "favorite things and friends" and the wonders that came out of them were handed to master Harry Hosono who added his undeniable genius touch. And thus Danzindan-Pojidon was born, an absolute must-have, sitting in the pantheon of all-time 80s Japanese ambient greats alongside Midori Takada’s Through The Looking Glass, Hiroshi Yoshimura’s Green, and Satoshi Ashikawa’s Still Way - and holding that mysterious power of "music that makes life a little easier and happier".
Points of interests
- For fans of ambient, experimental, environmental, minimalism, avant-garde, synth, JRPG music, Haruomi Hosono, Midori Takada, Hiroshi Yoshimura, Satoshi Ashikawa, Yutaka Hirose, Vanity Records, Holy grails, intricate sounds, turtles, and peacocks.
- Official reissue of Inoyamaland’s highly sought after masterpiece of ambient/electronic Danzindan-Pojidon, produced by YMO’s Haruomi Hosono and originally released on his label Yen Records in 1983. Absolute must-have of Japanese 80s new age alongside Midori Takada’s Through The Looking Glass and Hiroshi Yoshimura’s Green.
- New release from WRWTFWW Records (Midori Takada’s Through The Looking Glass, Kenji Kawai’s Ghost in the Shell Original Soundtrack, Yasuaki Shimizu’s Kakashi, John Carpenter’s Dark Star Soundtrack, Grauzone’s Eisbär…), label founded by Olivier Ducret of Mental Groove (Miss Kittin, Orbe, Donato Dozzy...) and Stephan Armleder of Villa Magica Records (Genesis Breyer P-Orridge, Christian Marclay, Stephan Eicher, John Armleder, Sylvie Fleury…)
More
LP: 350gsm Sleeve with selected UV High Gloss Varnish, Liner Notes, Sticker
Tracklisting
A1. Shüffer
A2. Pokala
A3. Glass Chime
A4. Pon
A5. Wässer
B1. Mizue
B2. Collecting Net
B3. Apple Star
B4. Meine Reflexion
B5. 8.31
Info
WRWTFWW Records is too happy to announce the much anticipated official reissue of Japanese duo Inoyamaland’s quintessential ambient/environmental/electronic album Danzindan-Pojidon, produced by Haruomi Hosono and originally released in 1983 on his Yen Records label. Available outside of Japan for the first time, the new age classic comes as a limited LP with liner notes by band member Makoto Inoue.
With Danzindan-Pojidon, Yasushi Yamashita and Makoto Inoue created what they describe as "a special place where the kingdom of summer vacation never ended". Playful and magical, it’s a sonic landscape defined by tinkling synths, floating minimalist melodies, pastoral excursions, and mythical overtones. The 10-track adventure takes the listener on a joyful audio exploration of unknown but friendly territories, like childhood memories of an imaginary island where everything is vibrantly alive and peaceful.
The original recording sessions for the album took place in an apartment filled with Inoyamaland’s "favorite things and friends" and the wonders that came out of them were handed to master Harry Hosono who added his undeniable genius touch. And thus Danzindan-Pojidon was born, an absolute must-have, sitting in the pantheon of all-time 80s Japanese ambient greats alongside Midori Takada’s Through The Looking Glass, Hiroshi Yoshimura’s Green, and Satoshi Ashikawa’s Still Way - and holding that mysterious power of "music that makes life a little easier and happier".
Points of interests
- For fans of ambient, experimental, environmental, minimalism, avant-garde, synth, JRPG music, Haruomi Hosono, Midori Takada, Hiroshi Yoshimura, Satoshi Ashikawa, Yutaka Hirose, Vanity Records, Holy grails, intricate sounds, turtles, and peacocks.
- Official reissue of Inoyamaland’s highly sought after masterpiece of ambient/electronic Danzindan-Pojidon, produced by YMO’s Haruomi Hosono and originally released on his label Yen Records in 1983. Absolute must-have of Japanese 80s new age alongside Midori Takada’s Through The Looking Glass and Hiroshi Yoshimura’s Green.
- New release from WRWTFWW Records (Midori Takada’s Through The Looking Glass, Kenji Kawai’s Ghost in the Shell Original Soundtrack, Yasuaki Shimizu’s Kakashi, John Carpenter’s Dark Star Soundtrack, Grauzone’s Eisbär…), label founded by Olivier Ducret of Mental Groove (Miss Kittin, Orbe, Donato Dozzy...) and Stephan Armleder of Villa Magica Records (Genesis Breyer P-Orridge, Christian Marclay, Stephan Eicher, John Armleder, Sylvie Fleury…)
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Cat-No:es11/bewith62lp
Release-Date:12.04.2024
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251648413363
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Last in:29.02.2024
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Release-Date:12.04.2024
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251648413363
1
Steve Hiett - Are These My Memories?
2
Steve Hiett - Walking Across The Field
3
Steve Hiett - Summer Stroll
4
Steve Hiett - It’s Raining Tomorrow
5
Steve Hiett - Dancing In July
6
Steve Hiett - Shadows Across The Path
7
Steve Hiett - Waiting By The Car
8
Steve Hiett - Kinda Knew Anna
9
Steve Hiett - Love That Bird
10
Steve Hiett - More Rain In The Woods
202r4 repress
Worldwide no exceptions
LP Format Notes:
Previously unreleased material from Steve’s private recordings, remastered from the original masters, 140g vinyl, 4 page photography insert with liner notes.
LP Track List:
A1 : Are These My Memories?
A2 : Walking Across The Field
A3 : Summer Stroll
A4 : It’s Raining Tomorrow
A5 : Dancing In July
B1 : Shadows Across The Path
B2 : Waiting By The Car
B3 : Kinda Knew Anna
B4 : Love That Bird
B5 : More Rain In The Woods
Release Notes:
Three emotional years in the making, Be With and Efficient Space finally present Steve Hiett’s Girls In The Grass. Pressed alongside the long awaited reissue of his one-shot masterpiece Down On The Road By The Beach, these ten balearic soul instrumentals are of equal necessity; unrivalled beauty rescued from the fashion photographer-guitarist’s Paris Tapes (1986-1997).
While recordings unintended for release should often be approached with caution, this is a rare case of unheard material being assembled as an indispensable and coherent piece. Girls In The Grass is something super special. The light and shadow that defines Hiett’s music is arguably more compelling here. It speaks to us in a language that feels profound, yet entirely comforting and familiar.
Girls In The Grass reintroduces Hiett’s languid electric blues boogie, crafted on Saturday afternoons with fellow art director Simon Kentish. Kentish would cook, pour some wine and then utilise his arsenal of technology. He’d dial up a chugging rhythm, together with some ambient pads or keyboard textures, and anchor the weightless gauze of Hiett’s six-stringed touch.
Hiett’s guitar sings with the same clean, crisp tone as Down On The Road, animated by a carefree weekend groove. Unlike his defining album which was boiled under pressure, these subsequent sessions have all the time in the world. The naïve melodies chart a missing link between Vini Reilly’s ventures into electronica and Booker T, sounding like sun-warped takes on wordless, fractured non-hits from his heroes The Beach Boys.
Remastered for public pleasure by Simon Francis, these private moments are adorned with Hiett’s singular photography and feature typically idiosyncratic liner notes from Mikey IQ Jones.
More
Worldwide no exceptions
LP Format Notes:
Previously unreleased material from Steve’s private recordings, remastered from the original masters, 140g vinyl, 4 page photography insert with liner notes.
LP Track List:
A1 : Are These My Memories?
A2 : Walking Across The Field
A3 : Summer Stroll
A4 : It’s Raining Tomorrow
A5 : Dancing In July
B1 : Shadows Across The Path
B2 : Waiting By The Car
B3 : Kinda Knew Anna
B4 : Love That Bird
B5 : More Rain In The Woods
Release Notes:
Three emotional years in the making, Be With and Efficient Space finally present Steve Hiett’s Girls In The Grass. Pressed alongside the long awaited reissue of his one-shot masterpiece Down On The Road By The Beach, these ten balearic soul instrumentals are of equal necessity; unrivalled beauty rescued from the fashion photographer-guitarist’s Paris Tapes (1986-1997).
While recordings unintended for release should often be approached with caution, this is a rare case of unheard material being assembled as an indispensable and coherent piece. Girls In The Grass is something super special. The light and shadow that defines Hiett’s music is arguably more compelling here. It speaks to us in a language that feels profound, yet entirely comforting and familiar.
Girls In The Grass reintroduces Hiett’s languid electric blues boogie, crafted on Saturday afternoons with fellow art director Simon Kentish. Kentish would cook, pour some wine and then utilise his arsenal of technology. He’d dial up a chugging rhythm, together with some ambient pads or keyboard textures, and anchor the weightless gauze of Hiett’s six-stringed touch.
Hiett’s guitar sings with the same clean, crisp tone as Down On The Road, animated by a carefree weekend groove. Unlike his defining album which was boiled under pressure, these subsequent sessions have all the time in the world. The naïve melodies chart a missing link between Vini Reilly’s ventures into electronica and Booker T, sounding like sun-warped takes on wordless, fractured non-hits from his heroes The Beach Boys.
Remastered for public pleasure by Simon Francis, these private moments are adorned with Hiett’s singular photography and feature typically idiosyncratic liner notes from Mikey IQ Jones.
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Release-Date:17.05.2024
Genre:Classics
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Genre:Classics
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1
Ned Doheny - A1 : Get It Up For Love (4:42)
2
Ned Doheny - A2 : If You Should Fall (3:36)
3
Ned Doheny - A3 : Each Time You Pray (3:39)
4
Ned Doheny - A4 : When Love Hangs In The Balance (5:12)
5
Ned Doheny - B1 : A Love Of Your Own (3:46)
6
Ned Doheny - B2 : I’ve Got Your Number (3:15)
7
Ned Doheny - B3 : On The Swingshift (3:03)
8
Ned Doheny - B4 : Sing To Me (3:37)
9
Ned Doheny - B5 : Valentine (I Was Wrong About You) (5:07)
Territories: Worldwide no restrictions
Format: LP
Format Notes: 2024 re-press, 180g vinyl
Track List:
A1 : Get It Up For Love (4:42)
A2 : If You Should Fall (3:36)
A3 : Each Time You Pray (3:39)
A4 : When Love Hangs In The Balance (5:12)
B1 : A Love Of Your Own (3:46)
B2 : I’ve Got Your Number (3:15)
B3 : On The Swingshift (3:03)
B4 : Sing To Me (3:37)
B5 : Valentine (I Was Wrong About You) (5:07)
Release Notes:
Ned Doheny’s Hard Candy, originally released in 1976, is widely considered the finest blue-eyed soul album of all time. It has long been a source of great frustration then, that this perfectly-formed Southern California masterpiece has been unavailable on vinyl for almost 40 years.
Be With Records continues apace by marking its third release with the first officially licensed reissue of Doheny’s nautical classic. Perhaps most famously, this impeccably smooth set features the timeless “Get It Up For Love”, a wonderful example of mid-70s mid-tempo white-(hot)-funk.
Produced by the legendary Steve Cropper, it featured a veritable who’s-who of the Laurel Canyon soft-yacht sound (JD Souther, The Eagles, Linda Ronstadt, the entire horn section for Tower of Power!) yet bombed mysteriously. It’s been a cult record since.
Pressed on audiophile 180g vinyl and featuring the original artwork for both jacket and full colour inner sleeve, this limited reissue is one not to be missed.
More
Format: LP
Format Notes: 2024 re-press, 180g vinyl
Track List:
A1 : Get It Up For Love (4:42)
A2 : If You Should Fall (3:36)
A3 : Each Time You Pray (3:39)
A4 : When Love Hangs In The Balance (5:12)
B1 : A Love Of Your Own (3:46)
B2 : I’ve Got Your Number (3:15)
B3 : On The Swingshift (3:03)
B4 : Sing To Me (3:37)
B5 : Valentine (I Was Wrong About You) (5:07)
Release Notes:
Ned Doheny’s Hard Candy, originally released in 1976, is widely considered the finest blue-eyed soul album of all time. It has long been a source of great frustration then, that this perfectly-formed Southern California masterpiece has been unavailable on vinyl for almost 40 years.
Be With Records continues apace by marking its third release with the first officially licensed reissue of Doheny’s nautical classic. Perhaps most famously, this impeccably smooth set features the timeless “Get It Up For Love”, a wonderful example of mid-70s mid-tempo white-(hot)-funk.
Produced by the legendary Steve Cropper, it featured a veritable who’s-who of the Laurel Canyon soft-yacht sound (JD Souther, The Eagles, Linda Ronstadt, the entire horn section for Tower of Power!) yet bombed mysteriously. It’s been a cult record since.
Pressed on audiophile 180g vinyl and featuring the original artwork for both jacket and full colour inner sleeve, this limited reissue is one not to be missed.
More
Label:NG Records
Cat-No:NG05LP
Release-Date:08.07.2022
Configuration:LP
Barcode:
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Last in:05.11.2024
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Last in:05.11.2024
Label:NG Records
Cat-No:NG05LP
Release-Date:08.07.2022
Configuration:LP
Barcode:
1
Nu Genea - Bar Mediterraneo
2
Nu Genea - Tienate
3
Nu Genea - Gelbi (with Marzouk Mejri)
4
Nu Genea - Marechia (with Celia Kameni)
5
Nu Genea - Straniero
6
Nu Genea - Vesuvio
7
Nu Genea - Rire
8
Nu Genea - La Crisi
Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi More
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi More
Label:Be With Records
Cat-No:BEWITH027LP
Release-Date:15.04.2022
Genre:Folk
Configuration:LP Excl
Barcode:5050580683013
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Last in:14.08.2023
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Last in:14.08.2023
Label:Be With Records
Cat-No:BEWITH027LP
Release-Date:15.04.2022
Genre:Folk
Configuration:LP Excl
Barcode:5050580683013
1
batteaux - Tell Her She’s Lovely (2:37)
2
batteaux - Living’s Worth Loving (3:11)
3
batteaux - Wake Me In The Morning (2:40)
4
batteaux - Mirror (2:54)
5
batteaux - Joe Arnold (3:12)
6
batteaux - Dig Up The Love (2:55)
7
batteaux - Katy (2:00)
8
batteaux - Lady Of The Lake (2:20)
9
batteaux - Treat Me Right, Treat Me Wrong (2:45)
10
batteaux - High Tide (3:49)
11
batteaux - Wishing My Father (1:14)
12
batteaux - Maybe I’ll Run Away (2:57)
2022 Repress
Format Notes: 180g vinyl, printed inner sleeve
Track List:
A1 : Tell Her She’s Lovely (2:37)
A2 : Living’s Worth Loving (3:11)
A3 : Wake Me In The Morning (2:40)
A4 : Mirror (2:54)
A5 : Joe Arnold (3:12)
A6 : Dig Up The Love (2:55)
B1 : Katy (2:00)
B2 : Lady Of The Lake (2:20)
B3 : Treat Me Right, Treat Me Wrong (2:45)
B4 : High Tide (3:49)
B5 : Wishing My Father (1:14)
B6 : Maybe I’ll Run Away (2:57)
Release Notes:
A notoriously jaw-dropping folk-funk classic, long treasured by the Balearic fraternity, the self-titled LP from the brothers Batteau nevertheless remains a criminally underheard gem. Appealing to fans stuck on Ned Doheny’s scorching blue-eyed soul as well as Gene Clark’s rich country-rock, it’s an honour to present the first officially licensed vinyl reissue of this undoubted masterpiece of proto-Yacht-Rock.
Like a forgotten piece of baroque folk caught in 1973, Batteaux’s eponymous album somehow sounds magically timeless. A full 45 years after the fact, it remains a mystery as to why they weren’t better known. The lush production and virtuoso playing conforms with the ruling aesthetic of the time - well-crafted, melodic songs performed with precision and balance - whilst the shimmering AOR atmosphere and sun-dappled vocal washes align neatly with the best Crosby, Stills & Nash records.
Throughout, the beautifully penned tracks hold traces of Jimmie Spheeris, America and Seals & Crofts. The immaculately orchestrated percussion and additional instrumentation (electric piano and fiddle to name a few) are performed by perennially celebrated West-Coast cats including Tom Scott, John Guerin and Andy Newmark.
It’s no surprise that the heavenly “High Tide” is such a Balearic touchstone. A free soul aqua-space groover, its sophisticated rhythms predict the swing of CSN’s canonical “Dark Star” by a full four years. An alternative measure of its enduring magnificence can be gauged by MF Doom sampling Paul Horn’s wonderful version, subsequently used by Ghostface Killah.
The highlights are many and memorable. Gorgeous opener “Tell Her She's Lovely” is the perfect example of the addictive, melody-driven songwriting which really should have earned them stardom. Moody ballad “Living's Worth Loving” is nothing short of heartbreaking whilst the chugging elegance of “Wake Me In The Morning” showcases their bewitching harmonies. The hypnotic yearning of “Lady Of The Lake” is an exquisitely string-drenched, piano-laced favourite that achieves a peculiar strutting-funk. It’s that good.
This lovingly curated reissue enables a long overdue reappraisal of the hitherto buried genius of Batteaux. The serene aqua artwork which adorned the original jacket - their father worked on a dolphin-human communication project in Hawaii, hence the infamous design - and sumptuous inner sleeve have been faithfully restored. Whilst, with access to the original tapes, Simon Francis’ sensitive mastering elevates the sound throughout and, as ever, it has been pressed at a reassuringly weighty 180g.
More
Format Notes: 180g vinyl, printed inner sleeve
Track List:
A1 : Tell Her She’s Lovely (2:37)
A2 : Living’s Worth Loving (3:11)
A3 : Wake Me In The Morning (2:40)
A4 : Mirror (2:54)
A5 : Joe Arnold (3:12)
A6 : Dig Up The Love (2:55)
B1 : Katy (2:00)
B2 : Lady Of The Lake (2:20)
B3 : Treat Me Right, Treat Me Wrong (2:45)
B4 : High Tide (3:49)
B5 : Wishing My Father (1:14)
B6 : Maybe I’ll Run Away (2:57)
Release Notes:
A notoriously jaw-dropping folk-funk classic, long treasured by the Balearic fraternity, the self-titled LP from the brothers Batteau nevertheless remains a criminally underheard gem. Appealing to fans stuck on Ned Doheny’s scorching blue-eyed soul as well as Gene Clark’s rich country-rock, it’s an honour to present the first officially licensed vinyl reissue of this undoubted masterpiece of proto-Yacht-Rock.
Like a forgotten piece of baroque folk caught in 1973, Batteaux’s eponymous album somehow sounds magically timeless. A full 45 years after the fact, it remains a mystery as to why they weren’t better known. The lush production and virtuoso playing conforms with the ruling aesthetic of the time - well-crafted, melodic songs performed with precision and balance - whilst the shimmering AOR atmosphere and sun-dappled vocal washes align neatly with the best Crosby, Stills & Nash records.
Throughout, the beautifully penned tracks hold traces of Jimmie Spheeris, America and Seals & Crofts. The immaculately orchestrated percussion and additional instrumentation (electric piano and fiddle to name a few) are performed by perennially celebrated West-Coast cats including Tom Scott, John Guerin and Andy Newmark.
It’s no surprise that the heavenly “High Tide” is such a Balearic touchstone. A free soul aqua-space groover, its sophisticated rhythms predict the swing of CSN’s canonical “Dark Star” by a full four years. An alternative measure of its enduring magnificence can be gauged by MF Doom sampling Paul Horn’s wonderful version, subsequently used by Ghostface Killah.
The highlights are many and memorable. Gorgeous opener “Tell Her She's Lovely” is the perfect example of the addictive, melody-driven songwriting which really should have earned them stardom. Moody ballad “Living's Worth Loving” is nothing short of heartbreaking whilst the chugging elegance of “Wake Me In The Morning” showcases their bewitching harmonies. The hypnotic yearning of “Lady Of The Lake” is an exquisitely string-drenched, piano-laced favourite that achieves a peculiar strutting-funk. It’s that good.
This lovingly curated reissue enables a long overdue reappraisal of the hitherto buried genius of Batteaux. The serene aqua artwork which adorned the original jacket - their father worked on a dolphin-human communication project in Hawaii, hence the infamous design - and sumptuous inner sleeve have been faithfully restored. Whilst, with access to the original tapes, Simon Francis’ sensitive mastering elevates the sound throughout and, as ever, it has been pressed at a reassuringly weighty 180g.
More
2LP Excl
in stock
Label:WRWTFWW
Cat-No:WRWTFWW018LTDBV
Release-Date:28.04.2023
Configuration:2LP Excl
Barcode:4251804141710
in stock
Last in:27.03.2023
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Last in:27.03.2023
Label:WRWTFWW
Cat-No:WRWTFWW018LTDBV
Release-Date:28.04.2023
Configuration:2LP Excl
Barcode:4251804141710
1
Midori Takada - A. Mr. Henri Rousseau's Dream
2
Midori Takada - B. Crossing
3
Midori Takada - C. Trompe-l'œil
4
Midori Takada - D. Catastrophe £
- Limited 2023 REPRESS EDITION - 2x 180g, ORIG STOUGHTON TIP ON Sleeve, Black Vinyl, 45rpm Cut Edition (Emil Berliner) - Last 500 with Original Stoughton Tip On Sleeve
- sticker
*** TERRITORY RESTRICTION - NO SALES TO JAPAN ***
Tracklisting:
1. Mr. Henri Rousseau's Dream
2. Crossing
3. Trompe-l'œil
4. Catastrophe £
Info
Considered a Holy Grail of Japanese music by many, "Through The Looking Glass" is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience.
The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP. It is also available in CD format for the first time. All versions come with extensive liner notes.
Bio
Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this year.
Midori released two solo albums: "Through The Looking Glass" and "Tree Of Life" and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body. She performs solo on marimba and other percussion instruments.
She debuted on the scene of Berlin Philharmonic, performing with the RIAS Symphonie-Orchester Berlin just after graduating from Tokyo University of the Arts in 1974. She continued her career with solo concerts in Japan and abroad.
In the 1980s Midori began to explore the traditional music of Asia and Africa. Her fascination resulted in joint projects with Kakraba Lobi from Ghana, Lamine Konte from Senegal, Farafina Band from Burkina Faso, and Korean musicians: zither player Chi Seong-Ja, flute player Won-Il, and saxophone player Kang Tae-Hwan. She also led Mkwaju Ensemble's innovative percussion project and still performs with free-jazz band Ton-Klami with Kang Tae-Hwan and jazz pianist Masahiko Satoh.
In the past 20 years, Midori Takada spent more time in theaters than in concert halls - composing and performing live music for theater. She regularly works with Tadashi Suzuki and his Suzuki Company of Toga on their adaptations of "Electra" and "King Lear".
Takada's compositions have a remarkable way of affecting the imagination. Her minimalist, contemplative music is filled with the concept of infinity and reminds us of a moon voyage, falling stars, a journey into the ocean, or a walk in the garden. The trans melodies, initially simple, begin to loop and splinter, their rhythm breaking and thickening, slowly drawing the listener into another reality.
Every live performance Midori Takada gives is unique and prepared especially for that occasion.
More
- sticker
*** TERRITORY RESTRICTION - NO SALES TO JAPAN ***
Tracklisting:
1. Mr. Henri Rousseau's Dream
2. Crossing
3. Trompe-l'œil
4. Catastrophe £
Info
Considered a Holy Grail of Japanese music by many, "Through The Looking Glass" is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience.
The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP. It is also available in CD format for the first time. All versions come with extensive liner notes.
Bio
Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this year.
Midori released two solo albums: "Through The Looking Glass" and "Tree Of Life" and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body. She performs solo on marimba and other percussion instruments.
She debuted on the scene of Berlin Philharmonic, performing with the RIAS Symphonie-Orchester Berlin just after graduating from Tokyo University of the Arts in 1974. She continued her career with solo concerts in Japan and abroad.
In the 1980s Midori began to explore the traditional music of Asia and Africa. Her fascination resulted in joint projects with Kakraba Lobi from Ghana, Lamine Konte from Senegal, Farafina Band from Burkina Faso, and Korean musicians: zither player Chi Seong-Ja, flute player Won-Il, and saxophone player Kang Tae-Hwan. She also led Mkwaju Ensemble's innovative percussion project and still performs with free-jazz band Ton-Klami with Kang Tae-Hwan and jazz pianist Masahiko Satoh.
In the past 20 years, Midori Takada spent more time in theaters than in concert halls - composing and performing live music for theater. She regularly works with Tadashi Suzuki and his Suzuki Company of Toga on their adaptations of "Electra" and "King Lear".
Takada's compositions have a remarkable way of affecting the imagination. Her minimalist, contemplative music is filled with the concept of infinity and reminds us of a moon voyage, falling stars, a journey into the ocean, or a walk in the garden. The trans melodies, initially simple, begin to loop and splinter, their rhythm breaking and thickening, slowly drawing the listener into another reality.
Every live performance Midori Takada gives is unique and prepared especially for that occasion.
More
Label:Efficient Space
Cat-No:ES027
Release-Date:06.05.2022
Configuration:LP Excl
Barcode:4251804128605
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Last in:08.05.2023
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Last in:08.05.2023
Label:Efficient Space
Cat-No:ES027
Release-Date:06.05.2022
Configuration:LP Excl
Barcode:4251804128605
1
Hydroplane - Wurlitzer Jukebox
2
Hydroplane - Piano Movement With Percussion
3
Hydroplane - Song For The Meek
4
Hydroplane - I Hear A New World
5
Hydroplane - New Monotonic FM
6
Hydroplane - House Warming
7
Hydroplane - 14th July
8
Hydroplane - Reprise
9
Hydroplane - Beloved Invader
10
Hydroplane - Interlude
11
Hydroplane - New Monotonic FM (Acoustic)
12
Hydroplane - LDR
13
Hydroplane - Send In The Clowns
14
Hydroplane - Completed Extract From The Previous 7"
LP
Tracklist
A1 Wurlitzer Jukebox
A2 Piano Movement With Percussion
A3 Song For The Meek
A4 I Hear A New World
A5 New Monotonic FM
A6 House Warming
A7 14th July
B1 Reprise
B2 Beloved Invader
B3 Interlude
B4 New Monotonic FM (Acoustic)
B5 LDR
B6 Send In The Clowns
B7 Completed Extract From The Previous 7"
Short info:
Hydroplane reinstate their formidable 1997 debut of sublime guitar atmospherics, fragile lyricism and droning incidentals with an overdue vinyl and digital reissue.
An offshoot of the now-féted The Cat’s Miaow, the trio formed after drummer Cameron Smith decamped to London, charting new territory with tape loops, manipulated samples and a borrowed Jupiter 4 in the wake of Endtroducing. Adopting a handle that Dean Wareham once considered calling Luna, Hydroplane intended to only ever release Excerpts From Forthcoming LP, a single-sided 7” sonic collage, before imploding in mystery. Their label however insisted they deliver their taunted album. From the comfort of a Brunswick flat, they continued to record soaring melodies and restrained song structures to 4-track, sculpting dramatic Radiophonic Workshop cues weighted in reverb and near-perfect dream pop lead by Kerrie Bolton’s empyrean vocals.
Bored of industry expectation and largely ignored by local audiences, the reluctant performers followed the way of The Cannanes and formed meaningful overseas alliances by mail and phone, securing releases on Michigan outpost Drive-In and Broadcast launching pad Wurlitzer Jukebox. Championed by John Peel with twenty spins on his converted Radio One slot and even polling in Festive Fifty of 1997, the humble three-piece still walked to their neighbourhood shops undetected.
Previously only available as a US-issued CD, this reminiscent late-night suite establishes Hydroplane as an everlasting ember in Australia’s beloved indie nexus.
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Tracklist
A1 Wurlitzer Jukebox
A2 Piano Movement With Percussion
A3 Song For The Meek
A4 I Hear A New World
A5 New Monotonic FM
A6 House Warming
A7 14th July
B1 Reprise
B2 Beloved Invader
B3 Interlude
B4 New Monotonic FM (Acoustic)
B5 LDR
B6 Send In The Clowns
B7 Completed Extract From The Previous 7"
Short info:
Hydroplane reinstate their formidable 1997 debut of sublime guitar atmospherics, fragile lyricism and droning incidentals with an overdue vinyl and digital reissue.
An offshoot of the now-féted The Cat’s Miaow, the trio formed after drummer Cameron Smith decamped to London, charting new territory with tape loops, manipulated samples and a borrowed Jupiter 4 in the wake of Endtroducing. Adopting a handle that Dean Wareham once considered calling Luna, Hydroplane intended to only ever release Excerpts From Forthcoming LP, a single-sided 7” sonic collage, before imploding in mystery. Their label however insisted they deliver their taunted album. From the comfort of a Brunswick flat, they continued to record soaring melodies and restrained song structures to 4-track, sculpting dramatic Radiophonic Workshop cues weighted in reverb and near-perfect dream pop lead by Kerrie Bolton’s empyrean vocals.
Bored of industry expectation and largely ignored by local audiences, the reluctant performers followed the way of The Cannanes and formed meaningful overseas alliances by mail and phone, securing releases on Michigan outpost Drive-In and Broadcast launching pad Wurlitzer Jukebox. Championed by John Peel with twenty spins on his converted Radio One slot and even polling in Festive Fifty of 1997, the humble three-piece still walked to their neighbourhood shops undetected.
Previously only available as a US-issued CD, this reminiscent late-night suite establishes Hydroplane as an everlasting ember in Australia’s beloved indie nexus.
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Label:Efficient Space
Cat-No:ES032
Release-Date:10.11.2023
Configuration:2LP Excl
Barcode:4251804143233
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Last in:26.09.2023
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backorder
Last in:26.09.2023
Label:Efficient Space
Cat-No:ES032
Release-Date:10.11.2023
Configuration:2LP Excl
Barcode:4251804143233
1
Bo Harwood & John Cassavetes - No One Around To Hear It
2
Chen Ming Chang - Rainwater
3
Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4
The King Of Luxembourg - Poptones
5
Slapp Happy - Is It You
6
O.G. Jigg - Jesus Is My Jam
7
Klang - As It Is
8
Scala - Fuser
9
Soft Location - Let The Moon Get Into It
10
Gyeongsu - YZOBEL (feat. CROCHE)
11
Omertà - Moments In Love
12
Kasumi Trio - Cabbage Butterfly
13
Un - Fast Money Blues
14
Delphine Dora - V
15
Harry Plunket-Greene - The Hurdy-Gurdy Man
2LP
Tracklist
1. Bo Harwood & John Cassavetes - No One Around To Hear It
2. Chen Ming Chang - Rainwater
3. Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4. The King Of Luxembourg - Poptones
5. Slapp Happy - Is It You
6. O.G. Jigg - Jesus Is My Jam
7. Klang - As It Is
8. Scala - Fuser
9. Soft Location - Let The Moon Get Into It
10. Gyeongsu - YZOBEL (feat. CROCHE)
11. Omertà - Moments In Love
12. Kasumi Trio - Cabbage Butterfly
13. Un - Fast Money Blues
14. Delphine Dora - V
15. Harry Plunket-Greene - The Hurdy-Gurdy Man
Short info:
Searchlight Moonbeam is the new narrative compilation from Time Is Away (Jack Rollo and Elaine Tierney) whose eponymous monthly NTS Radio shows, tinctured fusions of fugitive sounds and reverie-inducing archival speech, have won them an ardent following. It follows from the London-based duo’s Ballads, a remarkable driftwerk released on A Colourful Storm in 2022.
Searchlight Moonbeam is an autumnal dreamscape, intimate and vespertine, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (written for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisations of self-taught French pianist Delphine Dora.
Revelations are frequent: the bedsit isolationism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elastica guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude-grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beautiful, plaintively dubby ‘Is It You?’ by Slapp Happy; a psych-tinged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats.
Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associative, intuitive, borderless. Emotional and mysterious. Endowed with the tactility of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons.
2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evocative essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s still-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.
More
Tracklist
1. Bo Harwood & John Cassavetes - No One Around To Hear It
2. Chen Ming Chang - Rainwater
3. Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4. The King Of Luxembourg - Poptones
5. Slapp Happy - Is It You
6. O.G. Jigg - Jesus Is My Jam
7. Klang - As It Is
8. Scala - Fuser
9. Soft Location - Let The Moon Get Into It
10. Gyeongsu - YZOBEL (feat. CROCHE)
11. Omertà - Moments In Love
12. Kasumi Trio - Cabbage Butterfly
13. Un - Fast Money Blues
14. Delphine Dora - V
15. Harry Plunket-Greene - The Hurdy-Gurdy Man
Short info:
Searchlight Moonbeam is the new narrative compilation from Time Is Away (Jack Rollo and Elaine Tierney) whose eponymous monthly NTS Radio shows, tinctured fusions of fugitive sounds and reverie-inducing archival speech, have won them an ardent following. It follows from the London-based duo’s Ballads, a remarkable driftwerk released on A Colourful Storm in 2022.
Searchlight Moonbeam is an autumnal dreamscape, intimate and vespertine, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (written for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisations of self-taught French pianist Delphine Dora.
Revelations are frequent: the bedsit isolationism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elastica guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude-grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beautiful, plaintively dubby ‘Is It You?’ by Slapp Happy; a psych-tinged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats.
Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associative, intuitive, borderless. Emotional and mysterious. Endowed with the tactility of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons.
2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evocative essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s still-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.
More