Limited white label release.

Neuronphase is back in business with eight new tracks. As if he ever left. Aiming straight in the middle of the dancefloor, “Lon” hits the bullseye for lovers of true deepness.

“Here We Go Again” as one of the track titles suggests.

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After the well-received Kreme de la Kreme EP, D3 Classic Edition returns with another essential vinyl release. This time, they present four rare and highly sought-after tracks from the talented Toyin Agbetu—all newly re-mastered from the original DAT tapes. Showcasing some of his finest work as The Dark Knights, this collection is a treasure trove for fans of deep, soulful grooves and classic, old-school rhythms. Featured are four must-have tracks: I Do Believe, Party Time, Piece of Time, and U Gotta Slow Down—the latter released under Agbetu’s other alias, Nemesis, and making its debut on vinyl. But there’s more: the release also includes a brilliant reinterpretation of Piece of Mind by London producer K15, who adds his signature spacious, broken-beat style to the original, breathing new life into a classic track. For vinyl collectors and true aficionados, this is an absolute must- own.

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Brazilian producer Pedro Zopelar, who joined D3 Elements to celebrate the label’s 10th anniversary in 2023, returns with Just Like Heaven. The EP opens with A World With No War, a track that stands out for its deep, reflective atmosphere. This ambient piece invites introspection, offering a moment to pause and reflect on society's complexities. Patrice Scott’s remix takes this thoughtful vibe and adds layers of atmospheric depth, stripping away rhythm to create a meditative space. Heaven House brings a sensual, 90s- inspired house groove, perfect for the dancefloor. The closing Spiritual Moment starts with broken beats before evolving into a Balearic anthem, evoking beachside tranquility. Zopelar delivers yet another stunning release that blends depth, soul, and rhythm.

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No introduction is needed for Toronto-based Electronica producer and DJ Austin Bascom, aka Abacus, whose impressive discography includes releases on legendary labels like Prescription, Balance, 83 West, and Guidance, among others. Kicking off the *Lost Stories Vol. 2 EP*, Abacus presents “Kickstarter”—a beautifully crafted, yet punchy track, « Music For Table Tennis » is a rather ambient, but with soulful harmonies that evoke a late-night vibe. On the flip side, “Now is Your Time” combines spiritual vocals from Jenifa Mayanja with bold chords and dusty drums, creating a powerful, uplifting atmosphere. This is music that elevates the mind, body, and soul.

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D3 Classic Edition proudly presents its debut release, shining a light on an unsung hero of Detroit’s electronic music scene: Nathaniel Killins IV. Active from the mid to late 1990s, Killins was an underrated talent who operated under the radar during a pivotal era of Detroit’s musical history. Under the alias Naquil, he released his debut EP in 1996 on Perception Records, a short-lived yet significant Detroit House/Techno label. Krem de la Krem is a deep melancholia and obscure Detroit deep house EP, beyond qualification, like only a few Detroit records can attain.

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D3 unveils a collection of unreleased tracks from the British duo Synchrojack, who have previously released material on Ferox, Mosaic, 4th Wave and Vibes And Pepper Records. The compilation, entitled "Sugarhouse", is divided into two EPs. The first part features 3 original tracks entitled "Trap & Move, Unlock & Power of Eight", accompanied by remixes from Russ Gabriel, the mastermind behind the Ferox label, and Tom Churchill, a respected figure in deep house from Cardiff. Expect high quality deep house tracks characterised by dynamic drums, enchanting basslines and lush synths, all coming together to create an irresistible and seamless groove.

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French label D3 - which when pronounced in French sounds like there French word for Detroit - is a decade old and celebrates the milestone with a special three-part EP series. As has always been the case over that 10 year period, the sounds it serves up are deep and housey. This various artists affair kicks off with AsTreJinkins' slow and propulsive 'Terror' before some nice airy and live sounding broken beats from New Digital Fidelity. Moroka picks up the pace with some hi-tek soul that sounds straight from the Motor City and Byron The Aquarius shows off his mastery of the keys again with a dreamy deep cut 'Tua Su Ra'. Nico Lahs shuts down with a heavyweight beatdown in the form of 'It's Spelled BARI.'

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The French deep house label D3 Elements is now a decade old and to mark the occasion it has assembled a superb three part EP series featuring plenty of talents both new and old. The second EP kick off with some Japanese stylings from Koizumi Yukiko and his piano laced bongo workout '526'. Taelue sets off on a deep and heavy bassline pulse that will make floors march and Nemanja Krstic's 'Aquae Sulis' brings some jazzy chord work and bubbling funk bass for a nice heartfelt vibe. Gnork shuts down with a skittish, stripped back broken beat that makes this another diverse offering.

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The third and final EP from the ten year anniversary series by French label D3 Elements is another one that offers a wide range of excellent grooves. To kick off, Jason Hogans takes us into woozy late night territory with muffled leads and lazy breaks, then Zopelar heads for the cosmos on his radiant synth laced house offering 'Resolution.' Malik Hendricks keeps it low key and slow with his intimate basement sounds on 'Green Mango' then Meftah rebuilds on a dusty Theo Parrish tip with 'Maha Shatki.' Damar Davis offers pure cosmic deep house lushness on closer 'Kiss In The Dark.'

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D3 Elements is an always cultured deep house label and so it is no surprise to find the great US producer Alton Miller has been recruited for a new EP. He has a richly musical sound and roots that go back decades, and it shows: 'Clone' is the sort of stylish backroom house that layers diffuse chords with dusty drums and cannot fail to warm the heart. 'All Of It' explores more broken and Afro-tinged drum patterns with golden Rhodes chords and astral leads. This top trio is completed with the funky kick patterns and perfect soulful vocals of 'Waitin 4 You'. Detroit mainstay Kevin Reynolds remixes it into a hypnotic Motor City roller.

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Brian Harden is one of the many talented Chicago house producers out there who sit just below the top talent in terms of global reputation. But he shouldn't - his sound is as musical and timeless as any from the Windy City. He's been grafting since the 90s and now taps into that long career with a new collection of rare cuts and unreleased gems on this Instinctive Meditation album for French label D3 Elements. There is textbook heavy drum work and spaced-out synths on 'Zion' before warmer, deeper basement cuts like 'Nomadic Jazz'. 'Yeah' is a party starter with clattering percussion softened by more jazzy chord work and 'Motionless' allows you a moment to catch your breath on some cosmic ambiance. The rest of the record takes in deeper techno, samba-tinged deep house shufflers and star-gazing beauties for 4AM. Proof if you needed it that Harden is a boss.

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Texas native Demarkus Lewis is up next on the great D3 Elements label. This time, Demarkus brings his signature diverse house style on this release, which features tracks from his Mental Notes album that only came out digitally in 2011. Luckily for lovers of vinyl, D3 is putting out three of the gems from that release. First is the upfront house of Without Pause that is full of Demarkus' bumping drums, masterful combination of spacey, Detroit style electronics and swirling chords that will get anyone onto the dancefloor. Lady In Pink also features some wonderful spacey chords, but is a more downtempo, broken beat type of affair, resplendent with computer bleeps. Over onto the B side, Demarkus takes us into a more spiritual and deep territory, with Behind Closed Doors (Afro Main Mix). The afro rhythms coupled with Eman's spoken words turn this into a track that do wonders with a heaving, sweaty dance floor in the early hours. Another winner for the D3 Elements label.

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Formerly of France, now based in Brazil, D3 Elements returns with their second instalment of the "Beatz" series, this time with jazz artist, Bruno E, also hailing from Brazil. Bruno, who has been producing and performing since the late 90s, has worked with and remixed the likes of Silhouette Brown and Gilles Peterson, as well as releasing albums in his own right. This limited colour 10" release features three versions of the track Ventos Do Outono, (loosely translated to Autumn Winds). First up is drummer, composer and producer, Pat Van Dyke, taking a break from composing the soundtrack to Jerry Seinfeld's "Comedians in Cars Getting Coffee", with a breezy, laid back version of the original. Featuring lush horns and flutes, along with vintage keyboards, the track urges us to "Get Down", while straddling the boundaries of jazz and golden era hip-hop. Still on the A side, it's Bruno's turn, delivering a wonderful broken beat track. Full of beautiful keys, strings and intricate rhythms, this track is reminiscent of the sound championed by Kaidi Tatham and Nu Era. Flip over to the b side, and techno legend, Kirk de Giorgio takes us on a deep, futuristic ride. The track starts off with banging drums and a pulsating bass line, priming us for the cosmic pads and keys to come as the UK producer takes us on a journey to outer space and back. Another quality release from Bryan Hervieu's label, with three diverse versions of the same track, sure to appeal to a wide variety of tastes.

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MD (Michael Dykehouse) marks his debut to the D3 Elements family with the wonderfully diverse self titled LP, MD. Having previously released on labels Planet Mu, Rushhour, Ghostly International, Black Catalogue and Night Gallery, MD is given the honours of the first full length LP on the French label. From the opening dark and deep house number Wilder Penrose, with a chugging beat and delicate keys sprinkled throughout, to the electro sounds on Key Gen & Unison Dethrone and the G-Funk/Nu-jazz inspired Rat Bucks, this record showcases MD’s quality in a myriad of different styles. On the D side, Chitroit needs no explanation to its inspiration, with the Chicago styled beat and Detroit pads, this a sublime track. Rust Belt rounds off a great record, with enough diversity to keep fans of all genres entertained. D3 Elements once again showcases its high quality of releases.


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As the label continues to serve up mouthwatering house and hip hop, D3 Elements now dips its toes into more techno leaning territory with a series entitled Technologie. The first release comes from American D'Marc Cantu under his lesser known Rival alias and features three tracks of hypnotic and widescreen grooves. Cantu has put out plenty of EPs and LPs on labels like Creme, New York Haunted and MOS over the last decade, and also runs his own Run Out Run label. As well as working solo he has teamed up with the likes of JTC to great effect, and here he proves he cooks up unusual atmospheres and freaky sounds that really permeate the mind and body. Session 020 is first and is a woozy, spaced out number with trippy melodies and squelchy synths unfolding above a rolling and rubbery drum line. Acid prickles add texture to this serene bit of soul and pained vocals add a human feel, making it a truly intoxicating number. Session 026 is much busier, with frazzled textures, metal synths and hurried melodies making for an urgent tech cut that cannot help but make you dance. Lately, Session 006 is a gorgeous mid tempo number with smeared pads adding depth and soul, distant acid, glowing melodies and well treated vocals panning left and right. It is emotive electronic music with a real heart and heat to it, and it rounds out a classy and elegant




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Bryan Hervieu's D3 Elements makes a welcome return to the music fold after a longish break, and who better to pick up the reins than Trinidadian Deep. Northern Li kicks things off, and from the first note and beat, you just know that Trini has brought the spiritual and percussive deepness that he is known for. This track is 6 minutes of bliss, with swirling pads and beautiful melodies running throughout. Over to the b side and it's thunder claps and the spoken word of Liza Zayas that starts off In The Beginning. Liza's voice sits perfectly alongside the Caribbean textures, and the driving drums that Trinidadian Deep is known for. Bryan's labels have long been a go to for lovers of quality and sophistication and this new one is no different.


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On the label that got him back in the game, Brian Harden returns to D3 Elements, this time with a remix EP of Chicago To Detroit, that featured on the Black 3 EP. This EP features 3 remixes, one By Brian himself and the others by Detroit’s Patrice Scott and Atlanta’s Byron The Aquarius. First up is man of the moment, Byron The Aquarius, riding high after his releases on Sound Signature and Wild Oates, with his ethereal take on the original. With it’s cosmic sounds weaving in and out, Byron manages to infuse his soulful sound on the track to take it to a otherworldly territory. Brian is up next with his “Chicago Sur Seine Mix”, introducing a steel drum and some beautiful pads that are reminiscent of 808 State’s, Pacific 202. While still keeping with the original’s pace, this remix has more of a down tempo feel, and would fit perfectly in those late night/early morning sets. Finally Patrice Scott delivers a more beat driven Detroit take on the original, with an emphasis on the hi hats and clap that really gives the track that driven feel. While still paying respect to the original, half way through Patrice takes it to another level with his atmospheric keys that round off a great remix EP.

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D3 Elements continues to serve up delicious house music with its next EP, which this time comes from the Detroit native MoReese. He serves up three cuts of rich, musical club sounds that continue in the Motor City's fine tradition. MoReese marries the history of his hometown, and influences such as Derrick May and Kevin Sanderson, with his own taste for jazz, funk and soul and the results are always magical. He has been touring the world for more than two decades now, playing all over the radio, events like WMC and special four decks set at Movement festival. This new release is sure to introduce him to European crowds who will no doubt immediately fall in love with his fully formed hose sound. Opener Jupiter Heat marries a nice smooth groove, churning percussion and blistered bass with some simple but effective sax stabs that really elevate the track to the next level. It's the sort of roller, complete with a monologue about modern life, that will really get crowds shifting shapes. 'Linear' is a more direct and hard hitting deep house cut with solid rubber kicks, slick hi hats and lush chords, keys and frazzled synth lines all adding colour, heat and a sense of joy. Lastly, feel good bouncer The Mist is stuffed with the sort of soulful vibes Terrence Parker us famous for, and as a result immediately finds a place in your affections. This is another pure house EP that exactly hits the mark.


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As the label continues to serve up mouthwatering house and hip hop, D3 Elements now dips its toes into more techno leaning territory with a series entitled Technologie. The first release comes from American D'Marc Cantu under his lesser known Rival alias and features three tracks of hypnotic and widescreen grooves. Cantu has put out plenty of EPs and LPs on labels like Creme, New York Haunted and MOS over the last decade, and also runs his own Run Out Run label. As well as working solo he has teamed up with the likes of JTC to great effect, and here he proves he cooks up unusual atmospheres and freaky sounds that really permeate the mind and body. Session 020 is first and is a woozy, spaced out number with trippy melodies and squelchy synths unfolding above a rolling and rubbery drum line. Acid prickles add texture to this serene bit of soul and pained vocals add a human feel, making it a truly intoxicating number. Session 026 is much busier, with frazzled textures, metal synths and hurried melodies making for an urgent tech cut that cannot help but make you dance. Lately, Session 006 is a gorgeous mid tempo number with smeared pads adding depth and soul, distant acid, glowing melodies and well treated vocals panning left and right. It is emotive electronic music with a real heart and heat to it, and it rounds out a classy and elegant


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London based label Natural Selection present their forthcoming release in the form of a 4-track 12" EP, courtesy of Versalife (aka Conforce), entitled "Genetic Cluster EP". Mastered by Dadub Studios, Berlin and cut by Simon at The Exchange Vinyl. Based in Rotterdam, Versalife has seen his music released by the most highly esteemed of Electro labels such as Frustrated Funk, Clone, Delsin & TRUST. Versalife returns to Natural Selection after releasing with the label via their inaugral VA compilation release "NS001" in 2021, with his track "Nostalgia", which has gained support by some of the most respected DJ's worldwide, inc. Dave Clarke, Plant43 & more. Genetic Cluster is an impeccably crafted Electro release that maintains bite and aggression, whilst its textures and atmospheres spiral into the ether, taking the listener on an unpredictable emotional journey.

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Dana Lewis Kelley
US house music producer, from Boston, Massachusetts, USA.
Born: 15 December 1965 in Boston, Massachusetts, USA.
Died: 28 January 2013 in Fort Lauderdale, Florida, USA (aged 48).
Kelley was born to parents Ophelia Bakon and Herbert Kelley.
A lifelong resident of Boston, he was a graduate of Boston Latin High School
and the Museum of Fine Arts School.
As well as being an accomplished musician and fashion designer,
he worked as a technical support worker for a health care facility in Florida for six years until his death.

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Carl Finlow keeps on keepin' on. Not only is Finlow one of the most respected names in electro, a producer who boasts a sprawling catalogue that takes in a wide variety of aliases, but he's also spent recent years establishing himself as a mainstay for Sheffield's Central Processing Unit label. Soft Robotics, the new EP from Finlow's Silicon Scally project, is the fifth Silicon Scally release in five years to boast one of CPU's instantly-recognisable black-and-white covers. The reason that Silicon Scally and CPU keep linking up is simple; they're a perfect fit for one another. Central Processing Unit has established itself as a haven for post-Drexciya producers since launching in 2012, and there are few artists better than Finlow at building on the Detroit group's sound. The union bears fruit once more on Soft Robotics, an EP of lithe machine-funk jams that will both do damage in the dance and also reward more concentrated home listening. Things begin at a steadier speed than one might expect. Rather than barrelling off with the kind of sinewy roller one associates with the CPU name, Soft Robotics' title-track takes things at mid-pace. The groove reveals itself without hurry, Silicon Scally adding or subtracting elements - twitchy modular loops, pensive pads, the occasional blurt of low-end - atop the chugging bass/drums groove. It's a track which wins you over with guile rather than force. As the name of subsequent cut 'Jitters' intimates, this one picks things up a little after 'Soft Robotics'. The tempo is higher here, the central beat more nervy. At their cores, though, 'Jitters' and 'Soft Robotics' are kindred spirits. Here, another slyly insistent bit of drum programming comes swirled up with all sorts of extraterrestrial tones, from little nuggets of melody supplied by the keys to electrifying synth stabs and percussive squelches. Things limber up further still on first B-side 'Spin Ratio'. The track's 808 kicks are punchier than those of the A-side jams, and there's a dizziness to the bass tone which gives 'Spin Ratio' an intriguingly off-kilter feel. Atop the booming beat we find ourselves hypnotised by cells of melody and harmony interlocking or moving apart - particularly the staccato module at the track's heart. Sure enough, 'Spin Ratio' is the Soft Robotics joint which cleaves closest to Drexciya, invoking other Detroit disciples like Jensen Interceptor in the process. After Soft Robotics picks up speed in the middle, closer 'Super Fluid Tones' brings us back to where we started. This track returns to the more measured delivery of the record's opener - there's a steady pulse to the drums, and once again Silicon Scally packs the mix with so many intriguing whizzes, bangs, blips and blurts that it's impossible not be won over by this tune's construction. 'Soft Robotics' and 'Super Fluid Tones' bookend Soft Robotics very nicely, and Silicon Scally's smart pacing gives the EP a lovely ebb and flow. The ever-excellent Carl Finlow drops a Silicon Scally release via Central Processing Unit for the fifth year running. Like its predecessors, Soft Robotics is an excellent and deftly-crafted collection of modern machine-funk.

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New Zealand disco-boogie outfit Flamingo Pier plant some Brooklyn roots with their fresh new ‘Beneath the Neon EP’ on Razor-N-Tape. Known for parties in East London and their massive hometown festival, as well as previous releases on Soundway, the Kiwi collective deliver a trio of new songs that solidify and expand their signature danceable blue-eyed indie-soul sound.

Lead off single 'How 2 Feel' shows a clubbier side of the band, with a pulsating house rhythm track and layers of angular synth stabs, vibey horn lines, and vocal chants. 'Beneath the Neon' and 'Remedy' are more familiar Flamingo Pier territory, upbeat indie disco anthems that boast incendiary vocal hooks, funky guitar work, and crisp production by Luke Walker.

Rounding out the EP are remixes by Chicago house legend Glenn Underground, and RNT co-head JKriv, whose mix features a guest appearance by Afro-boogie royalty Steve Monite.

Oozing with hazy sun, Beneath the Neon is the perfect soundtrack to soak up the dog days of summer.

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Tracklisting:
A1 Levzon - Mambata
A2 Levzon - Bang The Drums
A3 Levzon - Bang The Drums (Phil Berg remix)
B1 Levzon - Baraa
B2 Levzon - Baila
B3 Levzon - Baraa (RUIZ OSC1 remix)

Sales Note:
Seasons are changing - energy is shifting. The next Frenzy release is here, presenting the next-best-local talent on the block: Levzon. This born-to-be gearhead from the outskirts of Amsterdam began experimenting with electronic music as a youngster. Immersing himself in a variety of genres throughout his early years, he decided to take the next step and provide an output for his vision on techno as 'Levzon'. For our next Frenzy adventure, he is going all out for the first time, profiling his sound through a 4-track heavy-hitting EP with old-school-induced cuts and loopy basslines, including two remixes by like-minded associates.

Imagine an era where speed has no limit and the night knows no dawn. That's about the atmosphere 'Mambata' is creating at the start of the A-side. Followed by drum-led 'Bang the Drums', Levzon continues to ride the wave of heat, pressure, and movement. The adventure doesn't end here yet: talent on the rise Phil Berg is providing a perfectly executed dubby remix of 'Bang The Drums' Enter the B-side where a body-heavy peak time experience is awaiting you with 'Baraa'. A true weapon on the dancefloor. At the end of his story, Levzon leaves us with the beautifully composed 'Baila', casting a subtle rhythm of basslines with funk-induced vocals within a more subtle tempo. To close off the record in style, Ruiz OSC1' provides a remix of 'Baila' - throwing her 90s rave techniques into the battle.

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clear vinyl / stickered sleeve/ incl. insert

Tracklisting:
A1 Cleric - Validation Machine
A2 Cleric - Menai Bridge (Locked Groove)
A3 Cleric - Validation Machine (Second Dose)
B1 Cleric - Fixation
B2 Cleric - Untitled Vox (Locked Groove)
B3 Cleric - Saber

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Octave One return with Never On Sunday Vol.2, an EP with new remixes from Orbital and Giorgia Angiuli next to three standout recent tracks. The Detroit duo’s Never On Sunday alias was born in the nineties with a view to making a mix of downtempo, deeper and more thoughtful electronic sounds. After just two EPs, it lay dormant until last year when the new EP The Bearer on their own 430 West label brought it back to life to a great reception. Then came the Octave One Presents Never On Sunday album this year that collected together a wealth of originals and remixes which are now coming on 12". First up is legendary brotherly duo Orbital - a UK antecedent to the Burden brothers who have been crafting pioneering electronic sounds for decades. Their remix of ‘Price We Pay’ feat. Karina Mia is deep house excellence. It has a bouncy groove, elastic bassline and simmering vocals that send shivers down the spine and the sci-fi synths twinkle up top. Italian multi-instrumentalist Giorgia Angiuli has long been innovating in the techno world, drawing on her classical background to craft standout sounds for the likes of Kevin Saunderson’s KMS label. Her remix is six uplifting minutes of synth arpeggios, soulful techno drums and epic breakdowns that will captivate any dance floor. The b-side features three cuts from the Never On Sunday (Deluxe) album and opens up with 'Lifelike', a slow, pulsing dub with mysterious melodies and sinewy synths reflecting light like stars in a night sky. A textured bassline arrives to bring a real sense of tension to the melodic beauty. 'Soon After' is another cosmic cut that rides on hammering bass beneath lush synths capes and rays of hope that pierce the darkness. The blissful 'Mona' closes down with heavenly and expansive pads that shimmer and shine as rich bell sounds and choral pads bring a warm sense of atmosphere. Never On Sunday Vol.2 is another package of deeply emotional electronic sounds.

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2023 official repress of two classics originally released in 1990 by Claudio "Moz-Art" Rispoli and Ricky Montanari under the moniker of "Omniverse". Golden era of the Italo-House!

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Denham Audio return to Dance Trax with 3 OG breakbeat rave infused rollers backed with a Triple Point remix.

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UFO Space ventures into the world of techno with his first vinyl release. The fresh and elegant techno cut of this record creates an immersive atmosphere that transports the audience on a musical journey from start to finish. Each track has its own personality and energy, but they all share the same focus on quality production and attention to detail. This release is an essential addition to any techno collection and showcases the talent of UFO Space as an artist and producer. Get ready for an unforgettable sonic journey!

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Apnea 105 presents Kyle Hall in pure Detroit Techno explorations, deep and cosmic dancefloor burners crafted around Hall's signature syncopated rhythms, reminiscent of Detroit's 90s Matrix Records era.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

red + black marbled vinyl / printed sleeve

Tracklisting:
A1 Paradox - Scorpius
B1 Paradox - Crate Logic

Sales Note
2023 Repress in updated tea stained sleeve

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More