"Reflections Within is a mergence of Alton Miller's signature house style with tracks which feature the wondrous vocal abilities of Giinga Flame - providing an enriching and all encompassing experience. ‘No Fomo’, which opens the record up, and ‘No Vibe Check’, feature Flame up top above the sea of instrumental excellence. ‘No Fomo’ strips the backing track to a strong pulse, with Flame given plenty of room to showcase her talents. ‘Vibe Check’ contains a delightful chord progression alongside sweeping jazzy lines, with Flame’s voice gently but powerfully floating above the kicks, effortlessly wrapping the dance floor up, moving hearts and minds along.

Reverie, ‘Light of the World’ and ‘Around the Corner’ all speak of Miller’s multi-faceted approach, with each track bringing something slightly different to the table. Reverie’ feeds into the rhythm of the dancefloor, with a pulsating chord that underpins the rhythm and provides a beautiful link between the glorious melodic meanderings that come forth. ‘Light of the World’ is involving and evolving, like waves lapping at the beach, characterised by the gentle key stabs and sparkling top layer elements that give it a real gleam. ‘Around the Corner’ features a similar top quality rhythm layer, with this one a bit more playful, providing an up and down motion to proceedings that is sure to get the feet moving. "


A1 Vibe Check
A2 Light of the World
B1 No Fomo
B2 Around the Corner


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Alton Miller is back on RAWAX MOTOR CITY EDITION!
After his outstanding debut "Amazed" on RMCE012 in 2019, we are more than happy to present you "Love Inside".
A beauty of a release, full of deep huse love from Detroit inside!

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Love Above Records is proud to present its latest offering with this brand new EP - Silent Tonality by legendary Detroit DJ and producer, Alton Miller.

The project started from a friendship forged between the speakers of 24 Moons, where Alton played at one of our Wildlife x Love Above parties in 2022. Special shout out to our friend DJ Jnett for connecting us all together.

The Detroit Music Institute founder has graced us with a 5-track EP of sophisticated house music that boasts a myriad of modern house sounds. Deep rhythmic passages, soulful vocals and organic textures all in Alton’s usual signature style.

———

Alton Miller, is a true luminary in the world of electronic music. With a career spanning several decades, Alton Miller has earned a reputation as a pioneer and innovator in the Detroit house music scene. His unique blend of soulful, deep, and melodic house beats has been a driving force in shaping the sound of the Motor City's electronic music culture. Miller's contributions to the global electronic music community have made him a revered figure, and his timeless productions continue to captivate audiences, solidifying his status as a legendary figure in the world of house music.

Alton’s early roots in soul & funk music led to an affinity for clubbing and house music. Born in Chicago but raised in Detroit, Alton grew up with the sounds of Stevie Wonder, Santana, Parliament Funkadelic and the Philly Sound, always playing in the background. Miller began developing his deejaying skills under the electrifying energy of house music founding fathers like Larry Levan and Timmy Regisford, where he regularly attended infamous parties such as Ron Hardy’s Music Box and Frankie Knuckles’s private loft party in Chicago.

A few years later, Alton along with his like-minded friends, Chez Damier and George Baker, founded the legendary dance club 'The Music Institute' in Detroit in 1988. Since then, Alton has cemented himself in underground house music with numerous releases on some of the most notable independent labels in the industry, including Defected, Planet E, King Street, Nitegrooves, Guidance Recordings, Trackmode Records, Seasons and Octave Lab.

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Chicago born & Detroit bred ALTON MILLER is a vessel of musical vibrations. Since his first release as a remixer on KEVIN SAUNDERSON'S 1987 "KEYNOTES," ALTON'S creative journey has remained consistent. The four tracks on this EP all feature low slung basslines, dirty synths & deep rhythms.

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Sound Signature welcome the return of Detroit hero Alton Miller for a classy single graced with the vocals of KB, with the thoughtful addition of an instrumental on the flip for those so minded. The result is some extremely classy, luxurious sounding deep house music with a touch of the lounge about it. A track that certainly plays its cards cautiously rather than banging them down on the table all at the same time, but one that will build the atmosphere of your early evening set up subtly but surely.

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Alton Miller 1997 classic for real deep house lovers !

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Smoothly combining his tendencies towards emotional and soulful deep house whilst building these elements on a steady foundation of tribal, percussive and dance rhythms, Miller manages to effortlessly pull you into his house sound with an impressive palette of ideas even if it's just one 4 track EP.
A1 - All We Have is a dancefloor inspired jam, but don't get fooled. The track is infused with a ot of deep juice and it drips irresistibly through the synths, short but smooth bassline and percussive foreplay of different drum elements. Playful yet with enough momentum to wiggle you in a positive dance sway.
A2 - Shine On Me (Rollin To Detroit Mix), the track which was initially released for Moodyman's KDJ Records back in 2002, got "revised" by Ricardo Miranda shows off perfectly the emotional substance of Miller's deep vocal house interpretation with silky percussive lines in between.
B1 - Headspace is the pure example of a perfect B-side cut. Slow-burning rhythm filled with organic perc stabs and dense but deep bassline, Miller again in a genius way intertwines slow emotional story backed by almost raw harmonics but nevertheless well explained Detroit vibe.
B2 - After The Rain, which can be heard on Alton's "Souls Like Mine" album released on the forementioned The Music Institute as a bonus cut. It's a slow dance between reemerging basslinand subtle synth lines flowing on offset claps and smooth background bongos. pretty timeless stuff if the atmosphere is dimmed right.
yes, this is Headspace EP.

Tracklist 12":

A1 All We Have (07:01)
A2 Shine On Me (Rollin To Detroit Mix) (06:28)
B1 Headspace (05:01)
B2 After The Rain (06:16)



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Detroit's ALTON MILLER (KDJ, SOUND SIGNATURE) returns to NOBLE SQUARE with "WHERE DID WE GO WRONG" & "SWEET LOVE". Both are 2 incredibly deep messages to HOUSE MUSIC. Chicago's RICARDO MIRANDA provides a downtempo remix of "SWEET LOVE" with heavy Moog work. Full color sticker on jacket!

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DBH Music proudly presents Alton Miller - Blue Funk. The re-mastered former Moods & Grooves release will be available after 23 years as vinyl only edition!

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D3 Classic Edition proudly presents its debut release, shining a light on an unsung hero of Detroit’s electronic music scene: Nathaniel Killins IV. Active from the mid to late 1990s, Killins was an underrated talent who operated under the radar during a pivotal era of Detroit’s musical history. Under the alias Naquil, he released his debut EP in 1996 on Perception Records, a short-lived yet significant Detroit House/Techno label. Krem de la Krem is a deep melancholia and obscure Detroit deep house EP, beyond qualification, like only a few Detroit records can attain.

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D3 unveils a collection of unreleased tracks from the British duo Synchrojack, who have previously released material on Ferox, Mosaic, 4th Wave and Vibes And Pepper Records. The compilation, entitled "Sugarhouse", is divided into two EPs. The first part features 3 original tracks entitled "Trap & Move, Unlock & Power of Eight", accompanied by remixes from Russ Gabriel, the mastermind behind the Ferox label, and Tom Churchill, a respected figure in deep house from Cardiff. Expect high quality deep house tracks characterised by dynamic drums, enchanting basslines and lush synths, all coming together to create an irresistible and seamless groove.

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French label D3 - which when pronounced in French sounds like there French word for Detroit - is a decade old and celebrates the milestone with a special three-part EP series. As has always been the case over that 10 year period, the sounds it serves up are deep and housey. This various artists affair kicks off with AsTreJinkins' slow and propulsive 'Terror' before some nice airy and live sounding broken beats from New Digital Fidelity. Moroka picks up the pace with some hi-tek soul that sounds straight from the Motor City and Byron The Aquarius shows off his mastery of the keys again with a dreamy deep cut 'Tua Su Ra'. Nico Lahs shuts down with a heavyweight beatdown in the form of 'It's Spelled BARI.'

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Classy French deep house label D3 Elements (D3, pronounced day-trois, is French for Detroit, which is a big inspiration on its sound) returns with more of that lush and timeless backroom tackle, this time from Neuronphase. 'Outside' is a dusty jam with atmospheric vocal samples and sustained chords, 'Information Society' has a more playful piano lead and ramshackle drums and 'Shadows' then brings some acid madness. 'Soru' comes as a skipping, percussion-laden original and as a hi-tek soul remix with cosmic leads from Hugo LX rework. Plenty to love here, as always from this label.

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The French deep house label D3 Elements is now a decade old and to mark the occasion it has assembled a superb three part EP series featuring plenty of talents both new and old. The second EP kick off with some Japanese stylings from Koizumi Yukiko and his piano laced bongo workout '526'. Taelue sets off on a deep and heavy bassline pulse that will make floors march and Nemanja Krstic's 'Aquae Sulis' brings some jazzy chord work and bubbling funk bass for a nice heartfelt vibe. Gnork shuts down with a skittish, stripped back broken beat that makes this another diverse offering.

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The third and final EP from the ten year anniversary series by French label D3 Elements is another one that offers a wide range of excellent grooves. To kick off, Jason Hogans takes us into woozy late night territory with muffled leads and lazy breaks, then Zopelar heads for the cosmos on his radiant synth laced house offering 'Resolution.' Malik Hendricks keeps it low key and slow with his intimate basement sounds on 'Green Mango' then Meftah rebuilds on a dusty Theo Parrish tip with 'Maha Shatki.' Damar Davis offers pure cosmic deep house lushness on closer 'Kiss In The Dark.'

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Brian Harden is one of the many talented Chicago house producers out there who sit just below the top talent in terms of global reputation. But he shouldn't - his sound is as musical and timeless as any from the Windy City. He's been grafting since the 90s and now taps into that long career with a new collection of rare cuts and unreleased gems on this Instinctive Meditation album for French label D3 Elements. There is textbook heavy drum work and spaced-out synths on 'Zion' before warmer, deeper basement cuts like 'Nomadic Jazz'. 'Yeah' is a party starter with clattering percussion softened by more jazzy chord work and 'Motionless' allows you a moment to catch your breath on some cosmic ambiance. The rest of the record takes in deeper techno, samba-tinged deep house shufflers and star-gazing beauties for 4AM. Proof if you needed it that Harden is a boss.

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Texas native Demarkus Lewis is up next on the great D3 Elements label. This time, Demarkus brings his signature diverse house style on this release, which features tracks from his Mental Notes album that only came out digitally in 2011. Luckily for lovers of vinyl, D3 is putting out three of the gems from that release. First is the upfront house of Without Pause that is full of Demarkus' bumping drums, masterful combination of spacey, Detroit style electronics and swirling chords that will get anyone onto the dancefloor. Lady In Pink also features some wonderful spacey chords, but is a more downtempo, broken beat type of affair, resplendent with computer bleeps. Over onto the B side, Demarkus takes us into a more spiritual and deep territory, with Behind Closed Doors (Afro Main Mix). The afro rhythms coupled with Eman's spoken words turn this into a track that do wonders with a heaving, sweaty dance floor in the early hours. Another winner for the D3 Elements label.

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Formerly of France, now based in Brazil, D3 Elements returns with their second instalment of the "Beatz" series, this time with jazz artist, Bruno E, also hailing from Brazil. Bruno, who has been producing and performing since the late 90s, has worked with and remixed the likes of Silhouette Brown and Gilles Peterson, as well as releasing albums in his own right. This limited colour 10" release features three versions of the track Ventos Do Outono, (loosely translated to Autumn Winds). First up is drummer, composer and producer, Pat Van Dyke, taking a break from composing the soundtrack to Jerry Seinfeld's "Comedians in Cars Getting Coffee", with a breezy, laid back version of the original. Featuring lush horns and flutes, along with vintage keyboards, the track urges us to "Get Down", while straddling the boundaries of jazz and golden era hip-hop. Still on the A side, it's Bruno's turn, delivering a wonderful broken beat track. Full of beautiful keys, strings and intricate rhythms, this track is reminiscent of the sound championed by Kaidi Tatham and Nu Era. Flip over to the b side, and techno legend, Kirk de Giorgio takes us on a deep, futuristic ride. The track starts off with banging drums and a pulsating bass line, priming us for the cosmic pads and keys to come as the UK producer takes us on a journey to outer space and back. Another quality release from Bryan Hervieu's label, with three diverse versions of the same track, sure to appeal to a wide variety of tastes.

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MD (Michael Dykehouse) marks his debut to the D3 Elements family with the wonderfully diverse self titled LP, MD. Having previously released on labels Planet Mu, Rushhour, Ghostly International, Black Catalogue and Night Gallery, MD is given the honours of the first full length LP on the French label. From the opening dark and deep house number Wilder Penrose, with a chugging beat and delicate keys sprinkled throughout, to the electro sounds on Key Gen & Unison Dethrone and the G-Funk/Nu-jazz inspired Rat Bucks, this record showcases MD’s quality in a myriad of different styles. On the D side, Chitroit needs no explanation to its inspiration, with the Chicago styled beat and Detroit pads, this a sublime track. Rust Belt rounds off a great record, with enough diversity to keep fans of all genres entertained. D3 Elements once again showcases its high quality of releases.


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As the label continues to serve up mouthwatering house and hip hop, D3 Elements now dips its toes into more techno leaning territory with a series entitled Technologie. The first release comes from American D'Marc Cantu under his lesser known Rival alias and features three tracks of hypnotic and widescreen grooves. Cantu has put out plenty of EPs and LPs on labels like Creme, New York Haunted and MOS over the last decade, and also runs his own Run Out Run label. As well as working solo he has teamed up with the likes of JTC to great effect, and here he proves he cooks up unusual atmospheres and freaky sounds that really permeate the mind and body. Session 020 is first and is a woozy, spaced out number with trippy melodies and squelchy synths unfolding above a rolling and rubbery drum line. Acid prickles add texture to this serene bit of soul and pained vocals add a human feel, making it a truly intoxicating number. Session 026 is much busier, with frazzled textures, metal synths and hurried melodies making for an urgent tech cut that cannot help but make you dance. Lately, Session 006 is a gorgeous mid tempo number with smeared pads adding depth and soul, distant acid, glowing melodies and well treated vocals panning left and right. It is emotive electronic music with a real heart and heat to it, and it rounds out a classy and elegant




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Bryan Hervieu's D3 Elements makes a welcome return to the music fold after a longish break, and who better to pick up the reins than Trinidadian Deep. Northern Li kicks things off, and from the first note and beat, you just know that Trini has brought the spiritual and percussive deepness that he is known for. This track is 6 minutes of bliss, with swirling pads and beautiful melodies running throughout. Over to the b side and it's thunder claps and the spoken word of Liza Zayas that starts off In The Beginning. Liza's voice sits perfectly alongside the Caribbean textures, and the driving drums that Trinidadian Deep is known for. Bryan's labels have long been a go to for lovers of quality and sophistication and this new one is no different.


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On the label that got him back in the game, Brian Harden returns to D3 Elements, this time with a remix EP of Chicago To Detroit, that featured on the Black 3 EP. This EP features 3 remixes, one By Brian himself and the others by Detroit’s Patrice Scott and Atlanta’s Byron The Aquarius. First up is man of the moment, Byron The Aquarius, riding high after his releases on Sound Signature and Wild Oates, with his ethereal take on the original. With it’s cosmic sounds weaving in and out, Byron manages to infuse his soulful sound on the track to take it to a otherworldly territory. Brian is up next with his “Chicago Sur Seine Mix”, introducing a steel drum and some beautiful pads that are reminiscent of 808 State’s, Pacific 202. While still keeping with the original’s pace, this remix has more of a down tempo feel, and would fit perfectly in those late night/early morning sets. Finally Patrice Scott delivers a more beat driven Detroit take on the original, with an emphasis on the hi hats and clap that really gives the track that driven feel. While still paying respect to the original, half way through Patrice takes it to another level with his atmospheric keys that round off a great remix EP.

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D3 Elements continues to serve up delicious house music with its next EP, which this time comes from the Detroit native MoReese. He serves up three cuts of rich, musical club sounds that continue in the Motor City's fine tradition. MoReese marries the history of his hometown, and influences such as Derrick May and Kevin Sanderson, with his own taste for jazz, funk and soul and the results are always magical. He has been touring the world for more than two decades now, playing all over the radio, events like WMC and special four decks set at Movement festival. This new release is sure to introduce him to European crowds who will no doubt immediately fall in love with his fully formed hose sound. Opener Jupiter Heat marries a nice smooth groove, churning percussion and blistered bass with some simple but effective sax stabs that really elevate the track to the next level. It's the sort of roller, complete with a monologue about modern life, that will really get crowds shifting shapes. 'Linear' is a more direct and hard hitting deep house cut with solid rubber kicks, slick hi hats and lush chords, keys and frazzled synth lines all adding colour, heat and a sense of joy. Lastly, feel good bouncer The Mist is stuffed with the sort of soulful vibes Terrence Parker us famous for, and as a result immediately finds a place in your affections. This is another pure house EP that exactly hits the mark.


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As the label continues to serve up mouthwatering house and hip hop, D3 Elements now dips its toes into more techno leaning territory with a series entitled Technologie. The first release comes from American D'Marc Cantu under his lesser known Rival alias and features three tracks of hypnotic and widescreen grooves. Cantu has put out plenty of EPs and LPs on labels like Creme, New York Haunted and MOS over the last decade, and also runs his own Run Out Run label. As well as working solo he has teamed up with the likes of JTC to great effect, and here he proves he cooks up unusual atmospheres and freaky sounds that really permeate the mind and body. Session 020 is first and is a woozy, spaced out number with trippy melodies and squelchy synths unfolding above a rolling and rubbery drum line. Acid prickles add texture to this serene bit of soul and pained vocals add a human feel, making it a truly intoxicating number. Session 026 is much busier, with frazzled textures, metal synths and hurried melodies making for an urgent tech cut that cannot help but make you dance. Lately, Session 006 is a gorgeous mid tempo number with smeared pads adding depth and soul, distant acid, glowing melodies and well treated vocals panning left and right. It is emotive electronic music with a real heart and heat to it, and it rounds out a classy and elegant


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French label D3 Elements returns to Chicago for its next EP, this time looking to the assured house talents of Hakim Murphy for three tracks of raw, dense grooves right from the heart of the Windy City. Opener 'Boxbeat' is a curious, freaky jam with bobbing percussive hits, wonky, pixel thin synth lines and free roaming pads that wrap the whole thing in a nice sense of spaced-out serenity. 'Taste o'Rainbow' has a much more firmly planted kick drum that pounds away uninterrupted below a free flowing brew of modulate synth sounds. It's expertly reduced and masterfully reserved and is sure to send dance floors wild as a result. The flipside cut 'Freshness' has pinging drums and a big, frazzled bass line as slithering chords rain down the face. Musical yet jacking, cosmic yet propulsive, it is a perfectly contemporary Chicago house sound that rounds out a fine EP from one of the best in the game.

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After the success of last year's Various Artists Backpack EP, French house label D3 Elements is back with another fine four track affair that pulls together some key producers. Detroit soulful house star Terrence Parker is back once again, and he is joined by D-Knox, Dan Curtin and TechElectro. It is Cleveland man Dan Curtin, a veteran of labels like Peacefrog, Metamorphic and Bass Culture. His cut 'House Spirits' is a summery, feel good house roller with trilling keys and organic chords all making for a jazzy vibe. Then comes a more synthetic and abstract cut, 'Stars That Never Die', from TechElectro aka the fearsome American techno duo of Solid Gold Playaz, who also release as Dark Matrix. Full of beeps and squeaks, smooth chords and broken rhythm, their cut is a truly original concoction that is sure to standout in any set. On the flip side, D-Knox aka Groove Man, who has been producing spiritual techno since the 90s, offers 'Summer Beach Time,' a cool as you like track with breezy chords, radiant pads and wooden sounding percussion flapping along next to the drums. It's a fresh and original production that sounds like little else, and then it is to Detroit's positive force, Terrence Parker, for 'So Beautiful.' Deep and romantic, laid back and soothing, it is a sweet as you like house jam with magic chords and plenty of heart warming grooves. Once again, D3 Elements serve up proper house music with real feeling.


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Considered French label D3 Elements continues is carefully curated run with a new EP from Berlin based Italians, Hinode. Featuring four cuts of tough deep house, this sixth EP is another high grade affair that follows on from great efforts by Strong Souls and Brian Harden. Hinode are Matteo Chisari & Mario Resta, a pair of accomplished DJs and producers that release on and run their own Science Fiction Recordings as well as 0Helena0. They have been active since 2013 and their robust sound has found favour with real heads and underground DJs alike. Opener 'State to State' is a raw, punchy house track with jazzy chords injecting some real soul into the physical beats. Rasping synths and rainy melodies have a hint of the old school about them and ensure that dance floors will be in raptures. 'Endless World' is more spacious, with a drunken acid sounding bassline roaming beneath a nicely mechanical groove. It's one to make you stomp, and so is b-side opener 'Shades of Grey' with its bombastic, kicking drums, twinkling melodies and lazy chords. Despite being a sweat inducing house banger, plenty of warmth and musicality remains. Lastly, 'Memory Alpha' hurries along with muddled voices, icy hi hats and a flurry of rubbery kicks and squelchy acid stabs. It's beautifully authentic house music that takes subtle cues from the best of Chicago and Detroit and puts a unique Hinode spin on things.


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