Sunny Crypt is happy to share with you their 8th release, bringing back to a renewed life four tracks from “EQVinoks - Ti Si Sav Moi Bol”, previously only released on CD.
Originally released in 1995, “Ti Si Sav Moi Bol” was born by a chance meeting between a group of three electronic music-loving hackers from Belgrade - Technocentrist, IdacD and AtmanActive - and a former rock star - Margita Stefanovic from Ekatarina Velika - sparked by the idea of making a new “techno cover” version of one of the most successful EKV songs. The union of this group and the mixture of their diverse backgrounds gave birth to an album that includes a mix of emotional techno, trance, electronica and ambient, collecting elements and inspiration from the computer programming scene, tracker MOD music, love and pain.

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Sunny Crypt is incredibly happy to announce its seventh release: a retrospective compilation of six previously CD-only tracks by Nightmare Lodge, a name that might ring the bell to many enthusiasts of Italian experimental music.It Passed Like A Dream is a selection of some of our favourite tracks they released between 1994 and 2000, aiming to spotlight a small glimpse of the amazing body of music they did throughout the years.Nightmare Lodge is a musical project by Minus Habens Records / Disturbance founder Ivan Iusco alongside vocalist B. Mazzilli and bass player Gianni Mantelli, when the Bari based trio decided to decided to embark on a path in search of their own dreamlike musical dimension tied to introspective explorations.Over the years, the group's lineup evolved, eventually solidifying as a duo comprising Iusco and Russolo.With their first release dated 1987 and staying active till the early 2000s, it is quite challenging to put the Nightmare Lodge discography in a precise musical box. Their first outings flirted with post-industrial music and a more stripped down sound palette marked by a DIY approach to composition, while in later years leaning towards a more horroresque / cinematic feeling and following the development of new technologies but always charactering their output with a ritualistic, trance inducing and mystical approach, whatever if it’s ambient, downtempo, techno not techno, or a whole lotta else...

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Imaginary time is a representation of time that appears in some approaches to quantum mechanics; mathematically speaking, it simply is a line perpendicular to the time axis. Inspired by this concept and by the possibilty of transcending the normal restrictions of time and space through the power of imagination, Industrial / DIY music cult act Nocturnal Emissions released a first raw and irregular version of Imaginary Time in 1996, followed three years later by a new more rave inspired mix, this time reflecting a political urge of that particular moment in time when the squatting scene, free parties, and non commercial raves - all existing tied up with campaigns of anti-capitalist protests going on in the late 90s - were upsetting the powers of the ruling class and the authoritarian government in the UK. Sunny Crypt is beyond happy to bring back to life all the past forms of Imaginary Time in another particular moment on this timeline as its sixth release with a fully remastered vinyl reissue, with a brand new powerhouse 4/4 remix by all things Techno / Electro / Jacking wizard Gesloten Cirkel and a renewed graphic outfit. There’s another kind of time!

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Thought is the essence of where you are now.

Composed in an era where people weren't concerned with music labels but just wanted to hear fresh new sounds and go out to clubs religiously, “Digital Imagination - The Essence of Thought” is a sci-fi inspired mixture of House, full- speed Trance and Trip Hop coming from a young Ted Heinz falling in love with electronic music in the thriving early 90s Boston rave scene. Originally release by Concept Records in 1993 and with original copies now hard to get ahold of, Sunny Crypt is happy to give this record a full reissue treatment with audio restored from the original DAT tape and a new graphic design.

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Sunny Crypt’s fourth release brings you for the first time on vinyl four excepts from “Mortal - Deco”, previously released only on CD. In 1997, UK band Code decided to take an alternative approach to their more traditional one, finding ways to integrate non-musical element into their and letting the more melodic ideas develop in non-formulaic ways. So their anagram record “Code” was born under their one-off “Mortal” alias. The results is a mixture of ambient textures, trippy slowed-down techno, breakbeat patterns, and glacial dub with strong influences from what back then was labeled as chill-out, maintaining a certain 90s UK distinctive flavor.

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Sunny Crypt is happy to announce its third release: the reissue of the now elusive Nine Minutes to Cairo - Nine Minutes To Cairo 12”, a mysterious post Cosmic 2- tracker with strong New Beat reminiscences from a one-off studio project. Originally released in 1991 by Westside Music, this reissue brings it back to life with a brand new artwork by Matteo Cerri, full remastering by Manmade Studio and cut at 45rpm for your eventual wrongspeed pleasures.



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Run by Gabriele and Paolo, Italy based newborn label Sunny Crypt's first output is a reissue of the sought-after "Random Rooms" album by Danish poets and multidisciplinary artists Niels Lyngsø and Morten Søndergaard. Both attending the Literature university in Copenhagen, they were linked at first by a mutual passion and fascination towards music - or rather "sound" - even before unveiling each other that they were writing poems. Niels and Morten started bringing their solo homemade DIY sound experiments together, giving birth to a wide genre-spanning album that ranges from slow tempo mutant disco to folk inspired synth-pop to sound collages and more musical compositions that is fairly complex to put in a precise musical genre box.
First released in 1992 on the same day as their debut poetry collections, Random Rooms should be a house or a flat or an exhibition space that you could walk through and in each room you would come across something new. A fusion of genre and bits and pieces of culture and play.
A kaleidoscope of past, present, and future.



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From the catlogue of Italy's charismatic Interactive Test label, helmed by the Falsini brothers, Sound Metaphors Records compiles a selection from the two volume "How To Use The World" series. A collection of raw, experimental proto sounding house numbers composed and played by Marco Calderoni with help on production and writing by Giacomo Brunetti. Originally released in 1991, these releases have since then become deeply craved items amongst collectors and specialists of Italo House. With a sound so unmistakably unique, these productions will be hard to forget, from a time when house music wasn't even concretely established as a genre, these experimental proto nuances in club oriented sound played a defining role in Italy's emerging club sound. Thoroughly remastered at manmade mastering in Berlin, same sound new body.

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Eli Escobar returns for his 9th full length LP. While his last few projects found him exploring downtempo beats, EBM and ambient influences, this latest offering of Eli's studio craftsmanship marks a return to the sound of his early releases like Up All Night and Happiness. Warm samples expertly woven into classic drum machine rhythms and searing synth lines, The Beach Album takes listeners on a journey through golden era hip hop beats, feel-good NY-styled house grooves into sweaty techno bangers. Similar to Eli's DJ sets, the 16 track long player has something for everyone. Created during the uncertainty of the pandemic when as Eli put it, "It didn't feel like the right time to release dance music," The Beach album celebrates the return of NY nightlife and optimism for the future.

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Classic Soul, remastered von den Originaltapes. 'Stay With Me' (1980) war der erste Release der Female-Formation Crystal Clear, kuratiert von dem gefeierten Jazz-Multiinstrumentalisten aus Philadelphia, Morris 'Mo' Bailey, und produziert von Doug King. Originalexemplare wechseln für 500£ den Besitzer.

Soul startlers Crystal Clear (not to be confused with the many house and drum & bass artists of the same name) laid down 'Stay With Me' in the mid-1970s. The song is a sweet and romantic, yet no less punchy, ditty, packed with contrasts between flitty, fay vocals (from an unknown singer no less) and a heavy-set drum recording to juxtapose. Now re-released via Soul Brother, we're reintroduced to the song in all its hip-swanging glory. Just as its themes deal well with reconciliation, we feel to have been reunited with its charms, as we eagerly oblige the command to "stay"...

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Repress!

Twelve on Hank Jacksons Anno label by Loidis aka Huerco S. aka Pendant aka The Royal Crown of Sweden.

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2023 Repress!

Here´s your favourite funky airline company and we´re about to board the plane for journey no. 7.

A1 sees the captain addressing the passengers in his most charismatic voice while the cabin crew is, well, pumping an irresistible in the air drumbreak over a partly sunny partly funky bassline.
Flip it over to B1 and watch stunt Flyer Ben Aksar turns his "Leftovers" into an intercontinental airshow while B2 elegantly shifts gears between a cloudy nightflight and the clear blue sky.

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2023 Repress!

Originally released in 1993, this record is representative of the first steps towards what is now regarded as progressive trance yet still remaining very much faithful to the percussive fundamentals of house music with early tribal influences. This EP comes with 4 versions of the same production ranging from euphoric trancey no beat moments to full on percussive driven beats. This reissue is made in honor of the late Roby J. who participated in producing this project. Remastered for maximum output.

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For it's 46th outing, Klasse Wrecks recruits the Brooklyn based producer Gee Dee to it's ranks. Gee Dee aka Greg Droggitis turns in a wonderful and fully fledged collection of tracks that burst to the brim with atmosphere and sunny vibrations. True to the label's ethos, the music is as always, hard to pin down under one specific genre but instead slyly calls on various classic House, Electro and Acid tropes. The overall sound is one that is both universal and transcendent, feeling familiar but still surprising. 'Dream In Colour' is indeed an apt title for the EP as it spans the musical spectrum and is a lucid and vivid trip into the imagination of this new and exciting producer.

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For their first release, London label Moonworks are reissuing two highly sought-after UK house bombs from Carlos Baker aka Serpico to mark the 30th anniversary of its original 1993 release.

'Just Can't Stop' is a record which fell through the cracks, deemed not commercially viable enough by the major label that Serpico was signed to at the time. Determined to get the music out there, Baker decided to self-release a limited run of blue labelled vinyl. Several big independent labels of the '90s were subsequently interested in putting out the tracks, however it never came to fruition.

Over 30 years this record has aged gracefully, inspiring generations of diggers with its quirky euphoric feel, weighty low-end and intoxicating synthwork becoming a prized possession for some of the biggest names on the scene, with original copies trading hands for £100+. Whether you draw for the ecstasy-inducing Incantation Mix or the acid-infused Orca Space Dub, there’s no denying this is a timeless masterpiece from the UK underground.

Moonworks have worked closely with Serpico to bring this gem back down to earth, restoring the tracks from the original DAT tapes at Gat Decor’s studio, remastering them to modern standards and finally giving this music the official release it deserves.

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We’ve waited over 20 years and finally Vince Watson is releasing the follow up to his seminal ‘Moments In Time’ album released on Ibadan and Alola, entitled ‘Another Moment In Time’. Over the twenty years since the release of ‘Moments In Time’, Vince has put out more than ten LPs of various flavours. Here he returns to the vibe and feel of those early works. ‘Another Moment in Time’ wastes no time in exploring those rich, melancholic tones with his stunning piano chords and an essence of nostalgia that is both thought provoking and deeply satisfying. This album takes Vince Watson ever further into his original sound but with a pristine quality and finesse that his early work was yet to benefit from.

There are many highlights, from the opener with its rich acid deepness and subtle keys, to the energetic and deeply fulfilling ‘Flashback’ that gives a nod to Funk d’Void’s Diablo or KiNK. ‘Peace Of Mind’ features the incredible talents of the hallowed Underground Resistance ‘Timeline’ keyboard master Jon Dixon as co-writer, this combination of both musicians is an ear to behold; the piano and Rhodes playing is straight up high-tech jazz. ‘Lost In the Deep’ takes its cues from Detroit but hits different with twisting chords and grooves. ‘Whispers’ delivers the most melancholic deepness on the LP, whereas ‘Sunshine’ is pure out and out happiness with its twisting chords and a firm foundation in Detroit. Written on the first sunny day after the winter, you can hear the breath of relief within the track.

‘Rendezvous [Finale]’ is the 3rd and final version of a cut that’s had a long and satisfying journey. Originally released on Carl Craig’s Planet E in 2006, it was then formatted into Afro House for Osunlade’s Yoruba Records in 2018, and in ‘22 this new version was debuted for Carl Cox’s Birthday at DC10 in Ibiza for Vince’s live set. The reaction sealed the deal! ‘Forever’ and ‘Make A Wish’ are straight up club cuts that featured on a single also in ‘22. The album closes out with the peacefully beautiful ‘Sleep’ that rounds things off to sonic perfection.

20 years is a long time to wait, and it would do ‘Another Moment in Time’ no justice to simply say it was worth the wait. This feels like the next evolution in Vince Watson. The finesse, the musicality, musicianship, and the production levels are of the highest level. ‘Peace of Mind’ and ‘Flashback’ may well be two of the biggest tracks that Watson has released to date.

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Ion Ludwig releases a remarquable four-trackeron Polyson.

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