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Pieter Kock - Night Clubs
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Pieter Kock - Phillipines
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Pieter Kock - Oedipus Listen
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Pieter Kock - Planet of the Superapes
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Pieter Kock - Page 25–30
Insanely productive Pieter Kock of Berlin’s OTannenbaum serves up an album full of polyrhythmic
collages, hovering ostinatos and explosions. General aesthetics of sound: fl ying marble
in an underground scenario totally overground. Planet of the Superapes, being a soundtrack
of now, is composed of the following chapters:
Night Clubs: hard grooving eight and a half minutes, gently topped with cosmic synths and
distant choirs. Phillipines: strings and weightless vocals telling of hope and loneliness over a
driving beat. Oedipus Listen: euphorically fl oating atmosphere. ecstasy. Planet of the Superapes:
title track: dark, ghostly, naked, melancholic, dramatic. With a good pinch of optimistic
fun. Page 25–30: total apocalyptic drama, agressive rhythm.
A warm and inviting yet alienating record for an interesting summer. 300 pressed.
Pieter Kock, also known as DJ Peacock, is a musician, producer, and DJ who co-founded the
bar/micro club O Tannenbaum Berlin. He has been actively involved in music since 1986,
playing various instruments in new wave and experimental bands and releasing albums under
different names such as Billie and Ballie, the Hitmachine, and Taladu.
In the early 90s, he also started DJing and playing a broad range of music, including Le fi eld
techno, soundart, wave, world, cosmic, jazz, punk, industrial, and weird pop music. His unique
approach to music production involves collecting and recalibrating all manner of sonic artifacts,
using live mixing so ware Traktor to create his sponatneous stereo sonic objects.
Under his name Pieter Kock he has released music on various labels, including R.I.O, Musikii,
Full Body Massage, and Fantasy Fiction Records. More
collages, hovering ostinatos and explosions. General aesthetics of sound: fl ying marble
in an underground scenario totally overground. Planet of the Superapes, being a soundtrack
of now, is composed of the following chapters:
Night Clubs: hard grooving eight and a half minutes, gently topped with cosmic synths and
distant choirs. Phillipines: strings and weightless vocals telling of hope and loneliness over a
driving beat. Oedipus Listen: euphorically fl oating atmosphere. ecstasy. Planet of the Superapes:
title track: dark, ghostly, naked, melancholic, dramatic. With a good pinch of optimistic
fun. Page 25–30: total apocalyptic drama, agressive rhythm.
A warm and inviting yet alienating record for an interesting summer. 300 pressed.
Pieter Kock, also known as DJ Peacock, is a musician, producer, and DJ who co-founded the
bar/micro club O Tannenbaum Berlin. He has been actively involved in music since 1986,
playing various instruments in new wave and experimental bands and releasing albums under
different names such as Billie and Ballie, the Hitmachine, and Taladu.
In the early 90s, he also started DJing and playing a broad range of music, including Le fi eld
techno, soundart, wave, world, cosmic, jazz, punk, industrial, and weird pop music. His unique
approach to music production involves collecting and recalibrating all manner of sonic artifacts,
using live mixing so ware Traktor to create his sponatneous stereo sonic objects.
Under his name Pieter Kock he has released music on various labels, including R.I.O, Musikii,
Full Body Massage, and Fantasy Fiction Records. More