Label:Mr Bongo
Cat-No:MRBLP270
Release-Date:29.08.2023
Genre:World Music
Configuration:2LP
Barcode:
backorder
Last in:06.10.2023
+ Show full info- Close
backorder
Last in:06.10.2023
Label:Mr Bongo
Cat-No:MRBLP270
Release-Date:29.08.2023
Genre:World Music
Configuration:2LP
Barcode:
1
Japao - Dora Morelenbaum
2
New York Community Choir - I'll Keep My Light In My Window
3
General Lee - Pleasure
4
The Drive - Africa Bossa
5
Chiemi Eri - Okosa-Bushi
6
Manny Corchado & His Orchestra - Pow-Wow
7
Sven Wunder - Easy Going
8
Dina Ogon - Bakom Glaset
9
Vee Gees - Talkin
10
Mave & Dave - Do You Really Want My Love
11
Hazel Scott & The Braza Brasil - Ye-Me-Le
12
Ines Soares - Um Amor Para Toda A Vida
13
Hareton Salvanini - Estrada
14
Copa 7 - Copa Sete No Samba
15
Mirna - A Volta
16
Dina Ogon - Tombola 94
17
Unknown Artists - I Do You Love
18
Ash Soul, Inc - I Do Love You
19
Ponderosa Twins Plus One - Bound
20
Matty - Blood
21
Shira Small - Eternal Life
Tracklist:
1. Dora Morelenbaum - Japão
2. New York Community Choir - I'll Keep My Light in My Window (12” Mix)
3. General Lee - Pleasure
4. The Drive - Africa Bossa
5. Chiemi Eri - Okosa-Bushi
6. Manny Corchado And His Orchestra - Pow-Wow
7. Sven Wunder - Easy Going
8. Dina Ögon -Bakom Glaset
9. Vee Gees – Talkin
10. Mave & Dave - Do You Really Want My Love
11. Hazel Scott And The Braza Brasil - Ye-Me-Le
12. Inês Soares - Um Amor Para Toda A Vida
13. Haréton Salvanini - Estrada
14. Copa 7 - Copa Sete No Samba
15. Mirna - A Volta
16. Dina Ögon - Tombola 94
17. Unknown Artists - I Do You Love
18. Ash Soul, Inc. - I Do Love You
19. Ponderosa Twins Plus One - Bound
20. Matty - Blood 21. Shira Small - Eternal Life
Curating and ordering the tracks for a Mr Bongo Record Club is always special. You’re reminded of the feelings you had when sitting at home with a cassette player on pause trying to compile the perfect mixtape to impress the latest object of your affection, or that friend with whom you share a musical kinship and spark off each other’s latest discoveries. Hearing old tracks for the first time or diving into the most upfront selections keeps the fires burning and passions alight.
Here, for volume six, we present recent finds and treasured classics from Brazil, Sweden, the USA, South Africa, Portugal, Japan, Trinidad and Tobago, and Canada. We have included selections by the Brazilian rising star Dora Morelenbaum as well as from heritage-Brazilian musicians and vocalists Haréton Salvanini, Copa 7, and Mirna. There’s also the wonderful Brazilian-not-Brazilian take of 'Ye Me Le' by Hazel Scott And The Braza Brasil, plus sublime gospel from the New York Community Choir. We’ve picked disco and soul rarities by General Lee and Ash Soul, Inc., and for the first time on vinyl, an incredible psych-pop song by the illustrious Matthew Tavares. There are cuts from some of our favourite contemporary Swedish musicians, Sven Wunder and Dina Ögon too. This compilation is packed full of gems that are plucked from differing times and spaces, but somehow all gel together beautifully. We hope you love them too.
Artwork illustration by Nicolas Burrows. More
1. Dora Morelenbaum - Japão
2. New York Community Choir - I'll Keep My Light in My Window (12” Mix)
3. General Lee - Pleasure
4. The Drive - Africa Bossa
5. Chiemi Eri - Okosa-Bushi
6. Manny Corchado And His Orchestra - Pow-Wow
7. Sven Wunder - Easy Going
8. Dina Ögon -Bakom Glaset
9. Vee Gees – Talkin
10. Mave & Dave - Do You Really Want My Love
11. Hazel Scott And The Braza Brasil - Ye-Me-Le
12. Inês Soares - Um Amor Para Toda A Vida
13. Haréton Salvanini - Estrada
14. Copa 7 - Copa Sete No Samba
15. Mirna - A Volta
16. Dina Ögon - Tombola 94
17. Unknown Artists - I Do You Love
18. Ash Soul, Inc. - I Do Love You
19. Ponderosa Twins Plus One - Bound
20. Matty - Blood 21. Shira Small - Eternal Life
Curating and ordering the tracks for a Mr Bongo Record Club is always special. You’re reminded of the feelings you had when sitting at home with a cassette player on pause trying to compile the perfect mixtape to impress the latest object of your affection, or that friend with whom you share a musical kinship and spark off each other’s latest discoveries. Hearing old tracks for the first time or diving into the most upfront selections keeps the fires burning and passions alight.
Here, for volume six, we present recent finds and treasured classics from Brazil, Sweden, the USA, South Africa, Portugal, Japan, Trinidad and Tobago, and Canada. We have included selections by the Brazilian rising star Dora Morelenbaum as well as from heritage-Brazilian musicians and vocalists Haréton Salvanini, Copa 7, and Mirna. There’s also the wonderful Brazilian-not-Brazilian take of 'Ye Me Le' by Hazel Scott And The Braza Brasil, plus sublime gospel from the New York Community Choir. We’ve picked disco and soul rarities by General Lee and Ash Soul, Inc., and for the first time on vinyl, an incredible psych-pop song by the illustrious Matthew Tavares. There are cuts from some of our favourite contemporary Swedish musicians, Sven Wunder and Dina Ögon too. This compilation is packed full of gems that are plucked from differing times and spaces, but somehow all gel together beautifully. We hope you love them too.
Artwork illustration by Nicolas Burrows. More
More records from Mr Bongo
+ Show full info- Close
![](/covers/152868_77F0F12B.jpg?p=cover_thumbnail_width_only_nocrop)
pre-sale
Last in:-
Label:Mr Bongo
Cat-No:MRBLP295
Release-Date:06.09.2024
Genre:Funk
Configuration:LP
Barcode:
1
Juan Almeida - Preludio
2
Juan Almeida - Este Camino Largo
3
Juan Almeida - Decide Tu
4
Juan Almeida - Interludio
5
Juan Almeida - El Arriero
6
Juan Almeida - Te Canta Mi Tambor
7
Juan Almeida - Ritmo Abierto
8
Juan Almeida - Postludio
9
Juan Almeida - Final
The next album in our Cuban Classics series is a hard one to pigeonhole. It’s a real oddity, unique and not in keeping with the majority of Cuban albums we know, but it's all the better for this. Coming courtesy of Juan Almeida, the Fantasia LP is an eclectic and epic, instrumental ride through Latin jazz-funk, trippy electronics and orchestrated classical music. Sounding at points like a full-blown orchestrated score to a dusty animated film extravaganza, with phrases and passages repeating like the appearance of ghostly spectres throughout the recording. At others, it busts into exotic funk, psychedelic-trippiness and Afro-Cuban percussion.
As rich and varied as the record, so too was Juan Almeida's (Juan Almeida Bosque) life. A descendant of African slaves born in a poor neighbourhood in Havana in 1927, Almeida went from bricklayer to university law student, through which he would meet Fidel Castro. He played a key role in the Cuban revolution, becoming the only black commander and famously voicing “Aqui no se rinde nadie!” (“Nobody here surrenders!”) when outnumbered at the start of the offensive. Castro would later make him one of his vice presidents, but Almeida’s legacy does not stop there. He also became the composer of over 300 popular Cuban songs, many of them recounting his days as a guerrilla.
Produced, orchestrated and conducted by Rafael Somavilla, who worked on a vast array of Cuban recordings including Raúl Gómez's Instrumental which we also reissued on Mr Bongo. The feel of Fantasia is big, luscious, grand and pop-classical. It has become a highly sought-after, cult Cuban rarity amongst collectors and like many great albums, every repeat listen brings with it new elements previously unnoticed. Such is its richness and depth. A truly mesmerising, off-the-beaten-track instrumental record.
The vinyl release is presented with a Cuban Classic Series OBI Strip. More
As rich and varied as the record, so too was Juan Almeida's (Juan Almeida Bosque) life. A descendant of African slaves born in a poor neighbourhood in Havana in 1927, Almeida went from bricklayer to university law student, through which he would meet Fidel Castro. He played a key role in the Cuban revolution, becoming the only black commander and famously voicing “Aqui no se rinde nadie!” (“Nobody here surrenders!”) when outnumbered at the start of the offensive. Castro would later make him one of his vice presidents, but Almeida’s legacy does not stop there. He also became the composer of over 300 popular Cuban songs, many of them recounting his days as a guerrilla.
Produced, orchestrated and conducted by Rafael Somavilla, who worked on a vast array of Cuban recordings including Raúl Gómez's Instrumental which we also reissued on Mr Bongo. The feel of Fantasia is big, luscious, grand and pop-classical. It has become a highly sought-after, cult Cuban rarity amongst collectors and like many great albums, every repeat listen brings with it new elements previously unnoticed. Such is its richness and depth. A truly mesmerising, off-the-beaten-track instrumental record.
The vinyl release is presented with a Cuban Classic Series OBI Strip. More
7"
pre-sale
+ Show full info- Close
pre-sale
Last in:-
Label:Mr Bongo
Cat-No:BRZ45013R
Release-Date:30.08.2024
Genre:Soul/Funk
Configuration:7"
Barcode:
1
Joyce - Aldeia de Ogum
2
Rosinha da Valencia - Summertime
Repress!
Brazil 45, number 13 - remastered with refreshed artwork
A. Joyce - Aldeia de Ogum / AA. Rosinha da Valencia - Summertime
Rio-born, Joyce Moreno, is one of the greatest Brazilian artists of all time. The voice, the playing, the writing, they all combine to make her a true allrounder. She possesses the ability to transport, captivate and transcend listeners. With a career that has spanned more than 30 albums and over 50 years, she continues to record and tour the world.
‘Aldeia de Ogum’ is one of her most well-known songs. With a joyfully jazzy arrangement, building Latin percussion, Brazilian flute and tropical atmosphere, this full-bodied samba smash became an anthem amongst London’s DJs and dancers in the Acid Jazz days. A favourite of Patrick Forge and Gilles Peterson, it was regularly spun at their legendary Dingwalls sessions.
Originally featured on her sought after Feminina LP from 1980, it also appears on our 'Essential' Joyce compilation from 1997. The original pressing of this Brazil 45 was the first time the track had been released on 7".
A fellow Rio native, Rosinha was a highly acclaimed composer, arranger and guitarist who played with legends including Baden Powell, Sérgio Mendes and Sivuca.
Here we present her stunning cover of the Gershwin classic, ‘Summertime’. Rosinha’s elegant, instrumental interpretation showcases her majestic guitar playing, and what a player she was! Backed with beautifully arranged, emotion-drenched strings, this track is guaranteed to stir your soul.
'Summertime' is taken from her 1975 RCA LP entitled Um Violão Em Primeiro Plano. The original pressing of this Brazil45 was the first time the track had been released on 7".
Remastered with refreshed artwork. More
Brazil 45, number 13 - remastered with refreshed artwork
A. Joyce - Aldeia de Ogum / AA. Rosinha da Valencia - Summertime
Rio-born, Joyce Moreno, is one of the greatest Brazilian artists of all time. The voice, the playing, the writing, they all combine to make her a true allrounder. She possesses the ability to transport, captivate and transcend listeners. With a career that has spanned more than 30 albums and over 50 years, she continues to record and tour the world.
‘Aldeia de Ogum’ is one of her most well-known songs. With a joyfully jazzy arrangement, building Latin percussion, Brazilian flute and tropical atmosphere, this full-bodied samba smash became an anthem amongst London’s DJs and dancers in the Acid Jazz days. A favourite of Patrick Forge and Gilles Peterson, it was regularly spun at their legendary Dingwalls sessions.
Originally featured on her sought after Feminina LP from 1980, it also appears on our 'Essential' Joyce compilation from 1997. The original pressing of this Brazil 45 was the first time the track had been released on 7".
A fellow Rio native, Rosinha was a highly acclaimed composer, arranger and guitarist who played with legends including Baden Powell, Sérgio Mendes and Sivuca.
Here we present her stunning cover of the Gershwin classic, ‘Summertime’. Rosinha’s elegant, instrumental interpretation showcases her majestic guitar playing, and what a player she was! Backed with beautifully arranged, emotion-drenched strings, this track is guaranteed to stir your soul.
'Summertime' is taken from her 1975 RCA LP entitled Um Violão Em Primeiro Plano. The original pressing of this Brazil45 was the first time the track had been released on 7".
Remastered with refreshed artwork. More
7"
pre-sale
+ Show full info- Close
pre-sale
Last in:-
Label:Mr Bongo
Cat-No:BRZ45015R
Release-Date:30.08.2024
Genre:Soul/Funk
Configuration:7"
Barcode:
1
Bossa Três - Imprevisto
2
Ana Rosely - Skim Dum Dum Dum
Repress!
Brazil 45, number 15 - remastered with refreshed artwork.
A. Bossa Tres - Imprevisto / AA. Ana Rosely - Skim Dum Dum Dum
In Mr Bongo’s opinion, 'Imprevisto' is one of the most unmistakable Brazilian jazz records ever made. Dramatic intro and hypnotic piano line, decorated with panned percussion before the hats come in. Then the upright bass. A true classic.
Bossa Três formed in 1961 in Rio. They spent most of their early years touring jazz clubs in the USA, before the original line up and their pianist (and perhaps most well-known band member) Luis Carlos Vinhas, returned to Brazil. This is the final track on their Em Forma! LP from 1965, released on Forma. The original pressing of this Brazil 45 was the first time ‘Imprevisto’ had been released on a 7”.
We know very little about Ana Rosely. She released four 7” 2-track records between 1975 and 1984, the latter featuring the brilliant ‘Skim Dum Dum Dum’. The original version was released by RGE Discos in 1984, which came as a surprise to us given the sound. It is very difficult to find an original copy in good condition and they are, as ever, increasing in price. More
Brazil 45, number 15 - remastered with refreshed artwork.
A. Bossa Tres - Imprevisto / AA. Ana Rosely - Skim Dum Dum Dum
In Mr Bongo’s opinion, 'Imprevisto' is one of the most unmistakable Brazilian jazz records ever made. Dramatic intro and hypnotic piano line, decorated with panned percussion before the hats come in. Then the upright bass. A true classic.
Bossa Três formed in 1961 in Rio. They spent most of their early years touring jazz clubs in the USA, before the original line up and their pianist (and perhaps most well-known band member) Luis Carlos Vinhas, returned to Brazil. This is the final track on their Em Forma! LP from 1965, released on Forma. The original pressing of this Brazil 45 was the first time ‘Imprevisto’ had been released on a 7”.
We know very little about Ana Rosely. She released four 7” 2-track records between 1975 and 1984, the latter featuring the brilliant ‘Skim Dum Dum Dum’. The original version was released by RGE Discos in 1984, which came as a surprise to us given the sound. It is very difficult to find an original copy in good condition and they are, as ever, increasing in price. More
7"
pre-sale
+ Show full info- Close
pre-sale
Last in:-
Label:Mr Bongo
Cat-No:BRZ45020R
Release-Date:30.08.2024
Genre:Soul/Funk
Configuration:7"
Barcode:
1
Wilson Simonal - Nem Vem Que Não Tem
2
Trio Mocotó - Não Adianta
Repress!
Brazil 45 number 20 - remastered with refreshed artwork.
A. Wilson Simonal - Nem Vem Que Não Tem / AA. Trio Mocotó - Não Adianta
Wilson Simonal and Trio Mocotó provide a double dose of Brazilian classics for this Brazil 45’s 7 inch.
First up, an infectious, samba-MPB hit from one of Brazil’s most popular artists of the ‘60s and early ’70s, Wilson Simonal. Originally released on 7 inch by Odeon in 1967 and landing on Simonal’s Alegria, Alegria !!! album in the same year, ‘Nem Vem Que Nao Tem’s fame had a new lease of life in 2002 when it was used as part of the soundtrack to the critically acclaimed film, ‘City Of God’.
On the B side, one of Jorge Ben’s main backing bands and a group that was highly influential to his sound, Trio Mocotó. Alongside recording with Ben on the seminal Força Bruta, Negro É Lindo and Tábua de Esmeralda LPs, they were also key figures in the development of the samba rock sound – a fusion of samba, soul and rock influenced by music from the USA.
First appearing on Trio Mocotó’s self-titled 1977 Arlequim LP, ‘Nao Adianta’ is a dynamic orchestral-infused gem, laced with that sun-kissed, samba flavour. More
Brazil 45 number 20 - remastered with refreshed artwork.
A. Wilson Simonal - Nem Vem Que Não Tem / AA. Trio Mocotó - Não Adianta
Wilson Simonal and Trio Mocotó provide a double dose of Brazilian classics for this Brazil 45’s 7 inch.
First up, an infectious, samba-MPB hit from one of Brazil’s most popular artists of the ‘60s and early ’70s, Wilson Simonal. Originally released on 7 inch by Odeon in 1967 and landing on Simonal’s Alegria, Alegria !!! album in the same year, ‘Nem Vem Que Nao Tem’s fame had a new lease of life in 2002 when it was used as part of the soundtrack to the critically acclaimed film, ‘City Of God’.
On the B side, one of Jorge Ben’s main backing bands and a group that was highly influential to his sound, Trio Mocotó. Alongside recording with Ben on the seminal Força Bruta, Negro É Lindo and Tábua de Esmeralda LPs, they were also key figures in the development of the samba rock sound – a fusion of samba, soul and rock influenced by music from the USA.
First appearing on Trio Mocotó’s self-titled 1977 Arlequim LP, ‘Nao Adianta’ is a dynamic orchestral-infused gem, laced with that sun-kissed, samba flavour. More
7"
pre-sale
+ Show full info- Close
pre-sale
Last in:-
Label:Mr Bongo
Cat-No:BRZ45022R
Release-Date:30.08.2024
Genre:Soul/Funk
Configuration:7"
Barcode:
1
Rita Lee & Tutti Frutti - Agora É Moda
2
Pete Dunaway - Supermarket
Repress!
Brazil 45, number 22 - remastered with refreshed artwork
A: Rita Lee & Tutti Frutti - Agora É Moda / AA: Pete Dunaway - Supermarket
Mr Bongo’s Brazil 45’s series serves up another pair of Brazilian classics in the form of Rita Lee & Tutti Frutti ‘Agora É Moda’ and Pete Dunaway ‘Supermarket’.
'Agora É Moda' is a psychedelic, disco-boogie-groove monster brought to our attention by Greg Caz and Sean Marquand aka Brazilian Beats Brooklyn. Originally released on Rita Lee’s 1978 album Babilônia LP on Som Livre, this sublime track is drenched in squelching guitar licks, funk drums and sensuous cosmic vocal flavours.
Lee was the lead singer of Brazilian psychedelic rock band Os Mutantes and a hugely important figure in the Tropicalia movement. She sadly passed away in 2023 but her legacy well and truly lives on, loved both in and out of the music world.
On the flip side, Pete Dunaway’s ‘Supermarket’ is a rare groove/AOR masterpiece with a killer bassline, swaggering guitar and luscious string section layered with a perfectly delivered English vocal.
Pete Dunaway, real name Otavio Cardosa was a singer, composer, arranger and multi-instrumentalist from Sao Paulo, who spent the majority of his time composing for TV themes and library instrumentals. More
Brazil 45, number 22 - remastered with refreshed artwork
A: Rita Lee & Tutti Frutti - Agora É Moda / AA: Pete Dunaway - Supermarket
Mr Bongo’s Brazil 45’s series serves up another pair of Brazilian classics in the form of Rita Lee & Tutti Frutti ‘Agora É Moda’ and Pete Dunaway ‘Supermarket’.
'Agora É Moda' is a psychedelic, disco-boogie-groove monster brought to our attention by Greg Caz and Sean Marquand aka Brazilian Beats Brooklyn. Originally released on Rita Lee’s 1978 album Babilônia LP on Som Livre, this sublime track is drenched in squelching guitar licks, funk drums and sensuous cosmic vocal flavours.
Lee was the lead singer of Brazilian psychedelic rock band Os Mutantes and a hugely important figure in the Tropicalia movement. She sadly passed away in 2023 but her legacy well and truly lives on, loved both in and out of the music world.
On the flip side, Pete Dunaway’s ‘Supermarket’ is a rare groove/AOR masterpiece with a killer bassline, swaggering guitar and luscious string section layered with a perfectly delivered English vocal.
Pete Dunaway, real name Otavio Cardosa was a singer, composer, arranger and multi-instrumentalist from Sao Paulo, who spent the majority of his time composing for TV themes and library instrumentals. More
7"
pre-sale
+ Show full info- Close
pre-sale
Last in:-
Label:Mr Bongo
Cat-No:BRZ45040R
Release-Date:30.08.2024
Genre:Soul/Funk
Configuration:7"
Barcode:
1
Sandra De Sá - Olhos Coloridos
2
Equipe Rádio Cidade - Bons Tempos: São Paulo (Good Times)
Repress!
Brazil 45, number 40 - remastered with refreshed artwork
A. Sandra de Sa - Olhos Coloridos / AA. Equipe Rádio Cidade - Bons Tempo: Sao Paulo (Good Times)
Two 1980s Brazilian boogie bombs from Sandra de Sá and Equipe Rádio Cidade get a remastered reissue as part of Mr Bongo Brazil 45’s series.
Sandra de Sá’s ‘Olhos Coloridos’ is an ‘80s MPB/boogie jam, taken from her self-titled 1982 LP on RGE Brazil, that sits perfectly alongside the likes of Tim Maia, Marcos Valle, Robson Jorge and Lincoln Olivetti. No surprise then that Lincoln Olivetti and Robson Jorge feature on the track, backed by some of the members from Banda Black Rio. A joyous combination of funk basslines and dreamy Rhodes that marry with jubilant horns and Sá’s incredible vocal tones.
On the B side, Equipe Rádio Cidade ‘Bons Tempo Sao Paulo (Good Times)’ was originally released on a rare promo only 7 inch from 1980. Giving a Brazilian boogie makeover to Good Times by Chic / Rapper’s Delight by Sugarhill Gang, the track is voiced by radio DJs from Sao Paulo wishing their listeners a Merry Christmas and Happy New Year.
This replayed version, heavy on the clavinet with a samba-infused, cuica-laced percussion breakdown, gives a true Brazilian spin on one of the most distinctive melodies out there. More
Brazil 45, number 40 - remastered with refreshed artwork
A. Sandra de Sa - Olhos Coloridos / AA. Equipe Rádio Cidade - Bons Tempo: Sao Paulo (Good Times)
Two 1980s Brazilian boogie bombs from Sandra de Sá and Equipe Rádio Cidade get a remastered reissue as part of Mr Bongo Brazil 45’s series.
Sandra de Sá’s ‘Olhos Coloridos’ is an ‘80s MPB/boogie jam, taken from her self-titled 1982 LP on RGE Brazil, that sits perfectly alongside the likes of Tim Maia, Marcos Valle, Robson Jorge and Lincoln Olivetti. No surprise then that Lincoln Olivetti and Robson Jorge feature on the track, backed by some of the members from Banda Black Rio. A joyous combination of funk basslines and dreamy Rhodes that marry with jubilant horns and Sá’s incredible vocal tones.
On the B side, Equipe Rádio Cidade ‘Bons Tempo Sao Paulo (Good Times)’ was originally released on a rare promo only 7 inch from 1980. Giving a Brazilian boogie makeover to Good Times by Chic / Rapper’s Delight by Sugarhill Gang, the track is voiced by radio DJs from Sao Paulo wishing their listeners a Merry Christmas and Happy New Year.
This replayed version, heavy on the clavinet with a samba-infused, cuica-laced percussion breakdown, gives a true Brazilian spin on one of the most distinctive melodies out there. More
7"
pre-sale
+ Show full info- Close
pre-sale
Last in:-
Label:Mr Bongo
Cat-No:BRZ45044R
Release-Date:30.08.2024
Genre:Soul/Funk
Configuration:7"
Barcode:
1
Jorge Ben - Xica Da Silva
2
Myriam Makeba - Xica Da Silva
Repress!
Brazil 45, number 44 - remastered with refreshed artwork.
A. Jorge Ben - Xica da Silva / AA. Myriam Makeba - Xica da Silva
Two classic cuts from Jorge Ben and Miriam Makeba take either side of this Mr Bongo Brazil 45 reissue.
’Xica Da Silva’ is one of Jorge Ben’s most well-known and well-loved cuts, housed on the legendary Africa Brazil LP that deserves a place in every collection. A magical MPB cut, it instantly transports you to the shores of Rio de Janeiro. With a low-slung funky samba flavour, Ben’s absorbing vocal recounts the legend of one of Brazil's oldest black icons.
On the flip side, Miriam Makeba serves up an entrancing, slowed-down, grooved-out version of ‘Xica da Silva’. A highly influential singer, songwriter, and civil rights activist from South Africa, this low and slow interpretation is doused in strutting guitar, off-beat piano stabs and hypnotic drums providing the perfect platform to let Miriam’s vocal shine through. More
Brazil 45, number 44 - remastered with refreshed artwork.
A. Jorge Ben - Xica da Silva / AA. Myriam Makeba - Xica da Silva
Two classic cuts from Jorge Ben and Miriam Makeba take either side of this Mr Bongo Brazil 45 reissue.
’Xica Da Silva’ is one of Jorge Ben’s most well-known and well-loved cuts, housed on the legendary Africa Brazil LP that deserves a place in every collection. A magical MPB cut, it instantly transports you to the shores of Rio de Janeiro. With a low-slung funky samba flavour, Ben’s absorbing vocal recounts the legend of one of Brazil's oldest black icons.
On the flip side, Miriam Makeba serves up an entrancing, slowed-down, grooved-out version of ‘Xica da Silva’. A highly influential singer, songwriter, and civil rights activist from South Africa, this low and slow interpretation is doused in strutting guitar, off-beat piano stabs and hypnotic drums providing the perfect platform to let Miriam’s vocal shine through. More
+ Show full info- Close
pre-sale
Last in:-
Label:Mr Bongo
Cat-No:MRBLP294
Release-Date:02.08.2024
Genre:Funk
Configuration:LP
Barcode:
1
Los Reyes 73 - Grandes Amigos
2
Los Reyes 73 - Ya Ves Te Quedaras
3
Los Reyes 73 - Necesito De Alguien Com Tu
4
Los Reyes 73 - Si, Llego La Primavera
5
Los Reyes 73 - Adeoey
6
Los Reyes 73 - Piensa Que No Has Cambiado
7
Los Reyes 73 - Finalizo Un Amor
8
Los Reyes 73 - Un Lamento Hecho Cancion
9
Los Reyes 73 - Si Llegara Alli
10
Los Reyes 73 - Baila Que Baila Mi Son
Continuing the Mr Bongo Cuban Classics Series, we shine a light on Los Reyes 73 and their sensational debut LP from 1975. The album had multiple different pressings under various titles and artworks, but the music stayed the same and speaks for itself. The group set the bar high with this fiery Afro-Cuban-funk gem, letting loose a vibrant Latin workout combining psych rock trippiness with a heavy dose of deep funk. Elements that fuse to firmly cement this album as a ‘70s Cuban masterpiece and one of our favourites here at Mr Bongo HQ.
Releasing just two albums and a handful of 7-inch singles, the band were a popular and influential group in Cuba at the time. Since then, they have featured on several compilation albums across the 2000s that have helped raise their portfolio to new audiences worldwide.
Produced by the magical Raúl Gómez, the album featured a list of heavyweight Cuban musicians. Directed by Santiago Reyes and Ovidio Guerra, with orchestration from greats including Ricardo Eddy Martinez who also released the much-loved album 'Expreso Ritmico' in 1978 alongside Ignacio Herrera, Mario Valdes and Gilberto García. The album also features the writing prowess of Los Van Van’s Miguel A´ngel Rasalps.
Blending traditional Cuban Son aesthetics with funk influences and psychedelic touches, the music housed within showcases a cosmic fusion that stands up on any modern dancefloor. The scintillating opener ‘Grandes Amigos’, the tripped out ‘Adeoey’ and the grooving ‘Un Lamento Hecho Cancion’ are just a handful of examples that exhibit the sheer musical melting pot of this album.
For this reissue, we have chosen to use the artwork from a Mexican version of the album released on Pentagrama Records that features the beautiful bird illustration cover art. The Cuban edition was released on the state-run Areito.
An outstanding and wondrous Latin record that has long been calling out for an official reissue.
The vinyl release is presented with a Cuban Classic Series OBI Strip. More
Releasing just two albums and a handful of 7-inch singles, the band were a popular and influential group in Cuba at the time. Since then, they have featured on several compilation albums across the 2000s that have helped raise their portfolio to new audiences worldwide.
Produced by the magical Raúl Gómez, the album featured a list of heavyweight Cuban musicians. Directed by Santiago Reyes and Ovidio Guerra, with orchestration from greats including Ricardo Eddy Martinez who also released the much-loved album 'Expreso Ritmico' in 1978 alongside Ignacio Herrera, Mario Valdes and Gilberto García. The album also features the writing prowess of Los Van Van’s Miguel A´ngel Rasalps.
Blending traditional Cuban Son aesthetics with funk influences and psychedelic touches, the music housed within showcases a cosmic fusion that stands up on any modern dancefloor. The scintillating opener ‘Grandes Amigos’, the tripped out ‘Adeoey’ and the grooving ‘Un Lamento Hecho Cancion’ are just a handful of examples that exhibit the sheer musical melting pot of this album.
For this reissue, we have chosen to use the artwork from a Mexican version of the album released on Pentagrama Records that features the beautiful bird illustration cover art. The Cuban edition was released on the state-run Areito.
An outstanding and wondrous Latin record that has long been calling out for an official reissue.
The vinyl release is presented with a Cuban Classic Series OBI Strip. More
+ Show full info- Close
pre-sale
Last in:29.04.2024
Label:Mr Bongo
Cat-No:MRB7222
Release-Date:12.07.2024
Genre:Soul/Funk
Configuration:7"
Barcode:
1
Bill Withers & Studio Rio - Lovely Day (Studio Rio Version)
2
Bill Withers & Studio Rio - Lovely Day (Studio Rio Instrumental Version)
Repress soon!
As mood changers go, this track is up there with the best. Last year whilst DJing with miche at Shapes festival in the snow-capped mountains of Switzerland, a breathtaking yet ominous Alpine sky suddenly became a picture postcard moment. The clouds parted and a double rainbow formed, as miche dropped Studio Rio's bossa nova remake of Bill Withers’ all-time classic 'Lovely Day'. From there, the dancefloor shifted gears and morphed into full-swing feel-good vibes, in a beautiful, spontaneous moment nobody could have planned for.
Mr Bongo now proudly presents a reissue of this brilliant, bossa-channelling Bill Withers reinterpretation from Studio Rio’s 2014 release ‘The Brazil Connection’. Masterminded by the German, Grammy award-winning Berman Brothers, the project was born out of their deep love of Brazilian music. “Our goal was to bring the Brazilian joie de vivre to iconic performances by well-known artists. What would these classic songs sound like had they been recorded in the studios of Rio de Janeiro in the first place, with the best Brazilian musicians and arrangers?” the brothers reflect.
Capturing the life force of Brazil, the beating heart that is its music, they set out to find the musicians who would fit best with their concept. Landing in Rio in 2013 a series of coincidences led to them being introduced to their idols Marcos Valle and Roberto Menescal, who both agreed to come on board. The Berman Brothers also wanted to find some of the musicians who recorded with one of Brazil’s most influential composers Tom Jobim. “Fifty years after Jobim made the music that really defines bossa nova, we found that many of his sidemen were still active, including Paulo Braga of Jobim’s famed rhythm section. It was magic; everything just fell into place.”
There's no question that the original of ‘Lovely Day’ is up there as one of the most feel-good, spirit-lifting anthems of all time. Here the brothers, with the help of a whole host of Brazil’s finest musicians, rework Bill’s soul-fuelled groove into a bossa nova slice of sunshine. With the blessing of Bill and Sony, they were given access to the original multitracks so they could incorporate Bill’s vocals perfectly into the new arrangement.
Joy-injected horns and bouncing double bass blend with the smile-inducing samba flavour of Pretinho da Serrinha’s cavaquinho playing. Tying it all together Torcuato Marinao who worked with the likes of Gal Costa, Gilberto Gil and Caetano Veloso, completes the line-up as arranger of the songs.
The perfect end-of-the-night track, mood lifter or soul warmer, remakes don’t get much better than this. More
As mood changers go, this track is up there with the best. Last year whilst DJing with miche at Shapes festival in the snow-capped mountains of Switzerland, a breathtaking yet ominous Alpine sky suddenly became a picture postcard moment. The clouds parted and a double rainbow formed, as miche dropped Studio Rio's bossa nova remake of Bill Withers’ all-time classic 'Lovely Day'. From there, the dancefloor shifted gears and morphed into full-swing feel-good vibes, in a beautiful, spontaneous moment nobody could have planned for.
Mr Bongo now proudly presents a reissue of this brilliant, bossa-channelling Bill Withers reinterpretation from Studio Rio’s 2014 release ‘The Brazil Connection’. Masterminded by the German, Grammy award-winning Berman Brothers, the project was born out of their deep love of Brazilian music. “Our goal was to bring the Brazilian joie de vivre to iconic performances by well-known artists. What would these classic songs sound like had they been recorded in the studios of Rio de Janeiro in the first place, with the best Brazilian musicians and arrangers?” the brothers reflect.
Capturing the life force of Brazil, the beating heart that is its music, they set out to find the musicians who would fit best with their concept. Landing in Rio in 2013 a series of coincidences led to them being introduced to their idols Marcos Valle and Roberto Menescal, who both agreed to come on board. The Berman Brothers also wanted to find some of the musicians who recorded with one of Brazil’s most influential composers Tom Jobim. “Fifty years after Jobim made the music that really defines bossa nova, we found that many of his sidemen were still active, including Paulo Braga of Jobim’s famed rhythm section. It was magic; everything just fell into place.”
There's no question that the original of ‘Lovely Day’ is up there as one of the most feel-good, spirit-lifting anthems of all time. Here the brothers, with the help of a whole host of Brazil’s finest musicians, rework Bill’s soul-fuelled groove into a bossa nova slice of sunshine. With the blessing of Bill and Sony, they were given access to the original multitracks so they could incorporate Bill’s vocals perfectly into the new arrangement.
Joy-injected horns and bouncing double bass blend with the smile-inducing samba flavour of Pretinho da Serrinha’s cavaquinho playing. Tying it all together Torcuato Marinao who worked with the likes of Gal Costa, Gilberto Gil and Caetano Veloso, completes the line-up as arranger of the songs.
The perfect end-of-the-night track, mood lifter or soul warmer, remakes don’t get much better than this. More
2LP
pre-sale
+ Show full info- Close
![](/covers/151855_DC27E5B3.jpg?p=cover_thumbnail_width_only_nocrop)
1
Srirajah Sound System - Si Phan Don Lovers Rock feat. Molam Inteng Keawbuala
2
PERIKAS - Laberinto
3
Mac Thornhill - No Way To Control It
4
King B. - Love is Crazy
5
L'Innovateur Djoe Ahmed Et Le Zoukabyle - Amek Amek
6
Champagn’ - Bel Ti Négress
7
Androo - Lyriso
8
Hidrogenesse - La Carta Era Muy Larga (Dub)
9
Kajou - Tet Chajé
10
Conjunto Baluartes - Nira Gongo
11
Land Shark - Tie Me Up (The Nas-T Version Instrumental)
12
Pellegrin El Kady - Seiva de Carnaval
13
Lee Jackson Band - Call On Me
14
LTA (Love The Action) - What Comes To Ya?
15
Urban Volcano Sounds - Ame no Uta (Rain Song) (Extended Version)
To celebrate 10 years of one of London’s most loved underground club nights, Tangent, Mr Bongo are thrilled to launch this new compilation series. Crafted by its two residents, John Gómez and Nick the Record, it aims to transmit a taste of Tangent’s spirit. A party rooted in inclusivity and open-mindedness, whose name captures the spontaneous switches in musical direction that are a defining element of their nights. For the compilation, the pair have cherry-picked a selection of their prized, rare and dancefloor-ready tracks from around the globe, that have soundtracked the past decade of parties.
Friends for close to 20 years, music lovers, record obsessives and internationally renowned DJs in their own right, John and Nick have two lifetimes worth of musical knowledge to draw from. John a long-standing NTS Radio resident and compiler for Music From Memory. Nick one of the UK’s go-to record dealers, resident DJ since the ‘90s at one of Japan’s pioneering parties, Life Force, and co-captain / co-edit-expert of Record Mission with Dan Tyler (Idjut Boys).
In 2014, the pair decided to bring some of Life Force’s grassroots principles to the UK, whilst channelling underground clubbing institution Plastic People’s meticulous attitude to sound. Tangent grew from being a small gathering of friends, to an established fixture in London’s nightlife, whilst always maintaining a strict no guest DJ policy. “As London’s clubs have become increasingly reliant on international guests, we wanted to emphasize the importance of a club night growing through its residents”, John and Nick reflect. With 10 years of the duo at the helm, an intimate connection between DJ and dancefloor has been built, allowing for freedom of expression on both sides of the decks.
Tangent reaches around the globe and across different eras to make connections that stimulate emotional reverberations in the unfamiliar. Where the blissfully Balearic ‘Laberinto’ by Miguel Perikás, goes hand-in-hand with the Cameroonian hip-house of King B.’s ‘Love is Crazy’. The thundering ‘Amek Amek’ by L'Innovateur Djoe Ahmed et le Zoukabyle, rubs shoulders with the soulful Caribbean-influenced touch of Champagn’s ‘Bel Ti Négress’. And Pellegrin El Kady’s afro-cosmic ‘Seiva de Carnaval’, crosses paths with Kajou’s Kompa disco anthem ‘Tet Chajé’.
Tangent’s longevity is in part down to it having always embraced contemporary sounds. The sub-rattling bass of Srirajah Sound System’s stunning Molam dub stepper ‘Si Phan Don Lovers Rock’ and the slow, woozy mantra of leftfield dancehall explorer Androo’s ‘Lyriso’, are two shining examples.
This compilation represents an ongoing dialogue between past and present, transporting listeners to the heart of a pure musical experience, where open minds and open hearts are eager to follow the tangent.
'John Gómez and Nick the Record Present TANGENT’ is available on limited edition 2 x Cream Vinyl LP, 2 x Black Vinyl LP and Double CD. More
Friends for close to 20 years, music lovers, record obsessives and internationally renowned DJs in their own right, John and Nick have two lifetimes worth of musical knowledge to draw from. John a long-standing NTS Radio resident and compiler for Music From Memory. Nick one of the UK’s go-to record dealers, resident DJ since the ‘90s at one of Japan’s pioneering parties, Life Force, and co-captain / co-edit-expert of Record Mission with Dan Tyler (Idjut Boys).
In 2014, the pair decided to bring some of Life Force’s grassroots principles to the UK, whilst channelling underground clubbing institution Plastic People’s meticulous attitude to sound. Tangent grew from being a small gathering of friends, to an established fixture in London’s nightlife, whilst always maintaining a strict no guest DJ policy. “As London’s clubs have become increasingly reliant on international guests, we wanted to emphasize the importance of a club night growing through its residents”, John and Nick reflect. With 10 years of the duo at the helm, an intimate connection between DJ and dancefloor has been built, allowing for freedom of expression on both sides of the decks.
Tangent reaches around the globe and across different eras to make connections that stimulate emotional reverberations in the unfamiliar. Where the blissfully Balearic ‘Laberinto’ by Miguel Perikás, goes hand-in-hand with the Cameroonian hip-house of King B.’s ‘Love is Crazy’. The thundering ‘Amek Amek’ by L'Innovateur Djoe Ahmed et le Zoukabyle, rubs shoulders with the soulful Caribbean-influenced touch of Champagn’s ‘Bel Ti Négress’. And Pellegrin El Kady’s afro-cosmic ‘Seiva de Carnaval’, crosses paths with Kajou’s Kompa disco anthem ‘Tet Chajé’.
Tangent’s longevity is in part down to it having always embraced contemporary sounds. The sub-rattling bass of Srirajah Sound System’s stunning Molam dub stepper ‘Si Phan Don Lovers Rock’ and the slow, woozy mantra of leftfield dancehall explorer Androo’s ‘Lyriso’, are two shining examples.
This compilation represents an ongoing dialogue between past and present, transporting listeners to the heart of a pure musical experience, where open minds and open hearts are eager to follow the tangent.
'John Gómez and Nick the Record Present TANGENT’ is available on limited edition 2 x Cream Vinyl LP, 2 x Black Vinyl LP and Double CD. More
+ Show full info- Close
backorder
Last in:-
Label:Mr Bongo
Cat-No:MRBLP309
Release-Date:28.06.2024
Genre:Funk
Configuration:LP
Barcode:
1
Ana Frango Elétrico - Saudade
2
Ana Frango Elétrico - Promessa E Previsões
3
Ana Frango Elétrico - Se No Cinema
4
Ana Frango Elétrico - Tem Certeza?
5
Ana Frango Elétrico - Chocolate
6
Ana Frango Elétrico - Vinheta
7
Ana Frango Elétrico - Torturadores
8
Ana Frango Elétrico - Devia Ter Ficado Menos
9
Ana Frango Elétrico - Caspa
"Ana Frango Elétrico's authentically vintage fusion of chamber pop, rock, samba and jazz is a real blast!" – The Needle Drop
Here at Mr Bongo we have been inundated with people asking us to reissue this release. Ana Frango Elétrico's petit cult classic masterpiece 'Little Electric Chicken Heart' from 2019, which was only ever released on vinyl and CD in Brazil and Japan, has fast become a collector's item.
Well received by fans, DJs, and reviewers on release, The Needle Drop expressed "Ana Frango Elétrico's authentically vintage fusion of chamber pop, rock, samba and jazz is a real blast!" listing it as one of its Top 50 Albums of 2019. The album's reputation has been slowly building ever since, gaining a Latin Grammy nomination in 2020, and now solidly cementing itself as a gem of contemporary Brazilian music.
Across the albums nine tracks, Ana blends elements and influences from MPB, Tropicália, indie rock, punk and pop, forging them together with a sumptuous dose of her signature style. The finesse of 'Saudade' kicks off the LP, one of Ana's most known tracks to a non-Brazilian audience. A sublime opener, beginning with a spellbinding piano solo before transcending into a beautiful dream-laden slice of warmth, complete with luscious jazzy horns and deft vocal delivery. ‘Promessa e previsões’ follows, the only track on the album not to be written by Ana, instead being penned by Chico França. It’s a swelling and sweeping twilight groover, building and breaking across absorbing peaks.
Other highlights on the album include the anthemic 'Chocolate', which was a firm favourite with a packed sing-along crowd when we heard Ana perform it live. Elsewhere, 'Se No Cinema' hits with its quirky allure, charm and catchy melodies before transforming into a carnival spirit.
Tapping into the richness of Brazil’s new wave of musical energy, the album also includes a heavyweight lineup of collaborations with artists such as Dora Morelenbaum (Bala Desejo), Tim Bernardes, Antonio Neves and Guilherme Lirio to name but a few.
A short, sweet and refreshing record, that leaves nothing to waste, marrying playful ideas with poignant themes. 'Little Electric Chicken Heart' is a future classic and will beguile fans of ‘70s Brazilian recordings, Gal Costa, Mac DeMarco, Stereolab, Superorganism, Caetano Veloso and more.
Single LP in gatefold sleeve with printed insert. More
Here at Mr Bongo we have been inundated with people asking us to reissue this release. Ana Frango Elétrico's petit cult classic masterpiece 'Little Electric Chicken Heart' from 2019, which was only ever released on vinyl and CD in Brazil and Japan, has fast become a collector's item.
Well received by fans, DJs, and reviewers on release, The Needle Drop expressed "Ana Frango Elétrico's authentically vintage fusion of chamber pop, rock, samba and jazz is a real blast!" listing it as one of its Top 50 Albums of 2019. The album's reputation has been slowly building ever since, gaining a Latin Grammy nomination in 2020, and now solidly cementing itself as a gem of contemporary Brazilian music.
Across the albums nine tracks, Ana blends elements and influences from MPB, Tropicália, indie rock, punk and pop, forging them together with a sumptuous dose of her signature style. The finesse of 'Saudade' kicks off the LP, one of Ana's most known tracks to a non-Brazilian audience. A sublime opener, beginning with a spellbinding piano solo before transcending into a beautiful dream-laden slice of warmth, complete with luscious jazzy horns and deft vocal delivery. ‘Promessa e previsões’ follows, the only track on the album not to be written by Ana, instead being penned by Chico França. It’s a swelling and sweeping twilight groover, building and breaking across absorbing peaks.
Other highlights on the album include the anthemic 'Chocolate', which was a firm favourite with a packed sing-along crowd when we heard Ana perform it live. Elsewhere, 'Se No Cinema' hits with its quirky allure, charm and catchy melodies before transforming into a carnival spirit.
Tapping into the richness of Brazil’s new wave of musical energy, the album also includes a heavyweight lineup of collaborations with artists such as Dora Morelenbaum (Bala Desejo), Tim Bernardes, Antonio Neves and Guilherme Lirio to name but a few.
A short, sweet and refreshing record, that leaves nothing to waste, marrying playful ideas with poignant themes. 'Little Electric Chicken Heart' is a future classic and will beguile fans of ‘70s Brazilian recordings, Gal Costa, Mac DeMarco, Stereolab, Superorganism, Caetano Veloso and more.
Single LP in gatefold sleeve with printed insert. More
7"
backorder
+ Show full info- Close
![](/covers/152351_BFFCB586.jpg?p=cover_thumbnail_width_only_nocrop)
backorder
Last in:-
Label:Mr Bongo
Cat-No:BRZ45030
Release-Date:21.06.2024
Genre:Funk
Configuration:7"
Barcode:
1
Marcos Valle - Estrelar
2
Robson Jorge & Lincoln Olivetti - Alleluia
Repress!
Marcos Valle is back again, this time with the almighty ‘Estrelar’, his most well known disco/boogie track co-written with Leon Ware. Added hints of Yacht Rock too! The video, filmed in Rio in the early 1980’s, is particular special and is well worth 5 minutes of your time. Marketed as “workout music" at the time, ‘Estrelar’ was his best-selling record with a total of around 90,000 sales. ‘Estrelar’ is taken from his 1983 self titled LP released on Som Livre.
'Alleluia' –– two of the masters of the Brazilian Boogie sound joined forces to make a self-titled LP released in 1982 that epitamised the sound of early 80’s Rio de Janeiro. Synths and keys float over razor sharp samba, jazz and 2-step drum grooves backed by huge layers of horns. Production is as shiny, bright and ultra clean as it ever got! ‘Alleluia’ is a mid tempo groover, with rich horns, guitar, synth and vocal lines. An end of the night jam if ever there was one. Released on the LP mentioned above and also on 7” in 1983. More
Marcos Valle is back again, this time with the almighty ‘Estrelar’, his most well known disco/boogie track co-written with Leon Ware. Added hints of Yacht Rock too! The video, filmed in Rio in the early 1980’s, is particular special and is well worth 5 minutes of your time. Marketed as “workout music" at the time, ‘Estrelar’ was his best-selling record with a total of around 90,000 sales. ‘Estrelar’ is taken from his 1983 self titled LP released on Som Livre.
'Alleluia' –– two of the masters of the Brazilian Boogie sound joined forces to make a self-titled LP released in 1982 that epitamised the sound of early 80’s Rio de Janeiro. Synths and keys float over razor sharp samba, jazz and 2-step drum grooves backed by huge layers of horns. Production is as shiny, bright and ultra clean as it ever got! ‘Alleluia’ is a mid tempo groover, with rich horns, guitar, synth and vocal lines. An end of the night jam if ever there was one. Released on the LP mentioned above and also on 7” in 1983. More
+ Show full info- Close
backorder
Last in:-
Label:Mr Bongo
Cat-No:MRBLP307
Release-Date:14.06.2024
Genre:Jazz
Configuration:LP
Barcode:
1
New Regency Orchestra - Pregon
2
New Regency Orchestra - Sambaroco
3
New Regency Orchestra - Mambo Herd
4
New Regency Orchestra - Fiesta Time
5
New Regency Orchestra - Para Los Papines
6
New Regency Orchestra - Sahib & Tito
7
New Regency Orchestra - Scarlet Mambo Hour
8
New Regency Orchestra - Papa Boco
9
New Regency Orchestra - Labasta Llego
10
New Regency Orchestra - Mambo Rama (Lex Blondin Rework)
11
New Regency Orchestra - Mago Walk
12
New Regency Orchestra - Harlem Jamboree
Announcing the debut album from one of London’s most electrifying acts, New Regency Orchestra. An 18-piece Afro-Cuban big band, inspired by the musical melting pot of NYC in the 1950s, but with the punch and power of a whole host of London’s best Latin and jazz musicians. Blowing new life into these compositions, the album is a reimagining of some of the finest music from that golden era. From early 1950s René Hernandez and Tito Puente, through to the 1970s salsa of Rafael Labasta and Orlando Marin, produced and performed with fresh fire.
NRO is the brainchild of its artistic director, and the man behind Total Refreshment Centre and co-founder of Church of Sound, Lex Blondin. Through a long-held passion for jazz, Lex discovered the explosive Afro-Cuban rhythms of mid-1940s NYC via the godfather of Afro-Cuban jazz, Mario Bauzá. A time when two musical worlds collided in a fusion of creativity and energy, jazz luminaries like Dizzy Gillespie and Charlie Parker joining forces with Cuban greats like Machito and Chano Pozo. This vibrant sound was music to dance to and found a home at The New York Palladium, a formative space of freedom and expression that was key to the scene’s development.
Although dance-focussed in their makeup, those early recordings are not often heard in modern club environments and Lex dreamt of retelling their story with a contemporary dynamism. A slice of serendipity followed, as a slot at a new festival opened up and Lex jumped at the chance to make this idea a reality, an 18-piece big band breathing new life into these beloved songs.
Enlisting the expertise of some of the capital’s finest talent, Lex and co-captain Andy Wood, of Como No fame, put together a world-class line-up of talent. Bringing in Eliane Correa as musical director and bandleader, a fluid and interchanging 18-piece band was formed.
The album itself is a hand-picked selection of timeless Afro-Cuban jazz classics, reimagined with NRO’s unbridled energy. It contains ten incredible instrumental tracks including 'Pregon' with its anthemic horn stabs and the addictive head nod bounce of 'Mambo Rama', alongside two scorching vocal numbers in 'Papa Boco' and 'Labasta Llego'. Coupling a heavyweight rhythm section with a wall of horns, they provide a fresh spin on songs from Tito Puente and Chico O'Farrill, René Hernandez through to Rafael Labasta.
“Some of the tunes like Tito Puente’s ‘Mambo Rama’ and ‘Scarlet Mambo’ might sound like they went to a gym as extra drums and bass synth were added to them whilst the tune ‘Sahib & Tito’ is a mix of Tito’s ‘Mambo Buda’ and Sahib Shihab’s ‘Nus’. Our intention is to be both respectful to the innovators and inventors of this incredible music and to pay our dues, but also to add something special from London where the city’s new jazz scene connects with its Latin American musicians and the musical influences around us.”
This pure collective joy, shared experience and music you can’t help but move to. More
NRO is the brainchild of its artistic director, and the man behind Total Refreshment Centre and co-founder of Church of Sound, Lex Blondin. Through a long-held passion for jazz, Lex discovered the explosive Afro-Cuban rhythms of mid-1940s NYC via the godfather of Afro-Cuban jazz, Mario Bauzá. A time when two musical worlds collided in a fusion of creativity and energy, jazz luminaries like Dizzy Gillespie and Charlie Parker joining forces with Cuban greats like Machito and Chano Pozo. This vibrant sound was music to dance to and found a home at The New York Palladium, a formative space of freedom and expression that was key to the scene’s development.
Although dance-focussed in their makeup, those early recordings are not often heard in modern club environments and Lex dreamt of retelling their story with a contemporary dynamism. A slice of serendipity followed, as a slot at a new festival opened up and Lex jumped at the chance to make this idea a reality, an 18-piece big band breathing new life into these beloved songs.
Enlisting the expertise of some of the capital’s finest talent, Lex and co-captain Andy Wood, of Como No fame, put together a world-class line-up of talent. Bringing in Eliane Correa as musical director and bandleader, a fluid and interchanging 18-piece band was formed.
The album itself is a hand-picked selection of timeless Afro-Cuban jazz classics, reimagined with NRO’s unbridled energy. It contains ten incredible instrumental tracks including 'Pregon' with its anthemic horn stabs and the addictive head nod bounce of 'Mambo Rama', alongside two scorching vocal numbers in 'Papa Boco' and 'Labasta Llego'. Coupling a heavyweight rhythm section with a wall of horns, they provide a fresh spin on songs from Tito Puente and Chico O'Farrill, René Hernandez through to Rafael Labasta.
“Some of the tunes like Tito Puente’s ‘Mambo Rama’ and ‘Scarlet Mambo’ might sound like they went to a gym as extra drums and bass synth were added to them whilst the tune ‘Sahib & Tito’ is a mix of Tito’s ‘Mambo Buda’ and Sahib Shihab’s ‘Nus’. Our intention is to be both respectful to the innovators and inventors of this incredible music and to pay our dues, but also to add something special from London where the city’s new jazz scene connects with its Latin American musicians and the musical influences around us.”
This pure collective joy, shared experience and music you can’t help but move to. More
LP
backorder
+ Show full info- Close
backorder
Last in:-
Label:Mr Bongo
Cat-No:MRBLP299
Release-Date:14.06.2024
Genre:Soul/Funk
Configuration:LP
Barcode:
1
Junior Parker - Love Ain't Nothin' But A Business Goin' On
2
Junior Parker - The Outside Man
3
Junior Parker - Darling Depend On Me
4
Junior Parker - Taxman
5
Junior Parker - Rivers Invitation
6
Junior Parker - I Wonder Where Our Love Has Gone
7
Junior Parker - Just To Hold My Hand
8
Junior Parker - You Know I Love You
9
Junior Parker - Lady Madonna
10
Junior Parker - Tomorrow Never Knows
Next up in Mr Bongo's Groove Merchant Records reissue series, sees an outing for a much-loved and heavily sampled funk/soul/blues album by Junior Parker. Originally issued under the title The Outside Man on Capitol Records in 1970 with an alternative cover, this reissue replicates the Groove Merchant release titled Love Ain't Nothin' But A Business Goin' On featuring the car cover released in 1971.
The Mississippi-born, Memphis-based blues singer, harmonica player and songwriter Junior Parker (aka Little Junior Parker) had a stellar career in music. Since the early 1950s he released records on labels such as Duke, Mercury, United Artists Records and more. Sadly though, Parker died at the young age of 39 during surgery on November 18, 1971.
Originally released under the alternate title a year before his untimely death, Love Ain't Nothin' But a Business Goin' On is drenched in Parker’s trademark buttery vocals and soulful grooves, swaggering between smokey blues, raw funk outings and orchestrated soul ballads (with sublime arrangements by Horace Ott).
The album also features three Beatles cover versions in the form of ‘Taxman’, ‘Lady Madonna’ and ‘Tomorrow Never Knows’. For 'Taxman', Parker completely reinterprets the song taking into a New Orleans funk realm, a sample of which was used as the main hook line on Cypress Hill's classic 'I Wanna Get High'. Elsewhere, 'Tomorrow Never Knows' is flipped into a tripped-out, psychedelic soul-swamp blues ballad, whilst 'Lady Madonna' is given a funky blues makeover.
As shown with Cypress Hill’s use of ‘Taxman’, since the ‘70s Parker’s legacy has been immortalised for future generations through the deep well of samples that his music has become a source of. Tracks from Love Ain't Nothin' But a Business Goin' On have been sampled by some of the biggest names out there, such as A Tribe Called Quest, DJ Shadow and De La Soul.
A seriously smooth album oozing with soul and emotion from a Blues Hall of Fame inductee, Junior Parker’s Love Ain't Nothin' But A Business Goin' On is a superb example of the early ‘70s crossover funk/soul sound. More
The Mississippi-born, Memphis-based blues singer, harmonica player and songwriter Junior Parker (aka Little Junior Parker) had a stellar career in music. Since the early 1950s he released records on labels such as Duke, Mercury, United Artists Records and more. Sadly though, Parker died at the young age of 39 during surgery on November 18, 1971.
Originally released under the alternate title a year before his untimely death, Love Ain't Nothin' But a Business Goin' On is drenched in Parker’s trademark buttery vocals and soulful grooves, swaggering between smokey blues, raw funk outings and orchestrated soul ballads (with sublime arrangements by Horace Ott).
The album also features three Beatles cover versions in the form of ‘Taxman’, ‘Lady Madonna’ and ‘Tomorrow Never Knows’. For 'Taxman', Parker completely reinterprets the song taking into a New Orleans funk realm, a sample of which was used as the main hook line on Cypress Hill's classic 'I Wanna Get High'. Elsewhere, 'Tomorrow Never Knows' is flipped into a tripped-out, psychedelic soul-swamp blues ballad, whilst 'Lady Madonna' is given a funky blues makeover.
As shown with Cypress Hill’s use of ‘Taxman’, since the ‘70s Parker’s legacy has been immortalised for future generations through the deep well of samples that his music has become a source of. Tracks from Love Ain't Nothin' But a Business Goin' On have been sampled by some of the biggest names out there, such as A Tribe Called Quest, DJ Shadow and De La Soul.
A seriously smooth album oozing with soul and emotion from a Blues Hall of Fame inductee, Junior Parker’s Love Ain't Nothin' But A Business Goin' On is a superb example of the early ‘70s crossover funk/soul sound. More
+ Show full info- Close
in stock
Last in:10.06.2024
Label:Mr Bongo
Cat-No:MRBLP293
Release-Date:07.06.2024
Genre:Funk
Configuration:LP
Barcode:
1
Juan Pablo Torres - Pan Caliente
2
Juan Pablo Torres - Son De Caramelo Para Ti
3
Juan Pablo Torres - Guajira 2001
4
Juan Pablo Torres - Cacao
5
Juan Pablo Torres - Tatagua
6
Juan Pablo Torres - Rumba De Cajon Op 1
7
Juan Pablo Torres - Mangle
8
Juan Pablo Torres - Elvira
9
Juan Pablo Torres - Mayajigua
10
Juan Pablo Torres - Asi Son Con El Son
Next up in the Mr Bongo Cuban Classics series is an outing by the mighty Juan Pablo Torres from 1978. Released on Cuba’s state-owned Areito imprint, Algo Nuevo showcases trombonist, bandleader, arranger and producer Juan Pablo Torres' unique scope of sound. A melting pot of an album that weaves together jazz-funk and traditional Afro-Cuban genres with tripped-out synth touches and dancefloor grooves.
The opener 'Pan Caliente' is a fiery celebration, combining a driving groove with Latin percussion, feverish horns and infectious “la-la-la” vocals. The wild, squelching cosmic synthlines give an otherworldly touch to proceedings that sit nicely on a modern dancefloor. 'Guajira 2001' is perhaps Juan's future-focussed take on the vibrant style of Cuban dance-led music called guajira. Blistering bongos, congas and claves moving together with trumpets, trombones and twanging acoustic guitars that you can’t help but bounce to.
Other highlights include, 'Cacao', a Cuban cosmic funk strutter that places the claves upfront, with a scatting vocal line and percussive climax reminiscent of George Kranz electronic disco anthem 'Din Daa Daa' from 1983. Elsewhere, 'Elvira' further showcases the psychedelic essence of many of the album’s tracks. A deep Latin workout where tasty percussive breaks and scorching keys blend with trippy vocals and rumbling synths.
A varied album encompassing a variety of Afro-Cuban genres and rhythms entwined with flashes of mind-bending cosmic influence. Algo Nuevo is a further jewel in Cuba’s musical crown of riches, with plenty of dancefloor treats and downtempo numbers held within.
Featuring replica artwork, the vinyl release is presented with an OBI Strip.
“One of my favourite albums” - Luke Una More
The opener 'Pan Caliente' is a fiery celebration, combining a driving groove with Latin percussion, feverish horns and infectious “la-la-la” vocals. The wild, squelching cosmic synthlines give an otherworldly touch to proceedings that sit nicely on a modern dancefloor. 'Guajira 2001' is perhaps Juan's future-focussed take on the vibrant style of Cuban dance-led music called guajira. Blistering bongos, congas and claves moving together with trumpets, trombones and twanging acoustic guitars that you can’t help but bounce to.
Other highlights include, 'Cacao', a Cuban cosmic funk strutter that places the claves upfront, with a scatting vocal line and percussive climax reminiscent of George Kranz electronic disco anthem 'Din Daa Daa' from 1983. Elsewhere, 'Elvira' further showcases the psychedelic essence of many of the album’s tracks. A deep Latin workout where tasty percussive breaks and scorching keys blend with trippy vocals and rumbling synths.
A varied album encompassing a variety of Afro-Cuban genres and rhythms entwined with flashes of mind-bending cosmic influence. Algo Nuevo is a further jewel in Cuba’s musical crown of riches, with plenty of dancefloor treats and downtempo numbers held within.
Featuring replica artwork, the vinyl release is presented with an OBI Strip.
“One of my favourite albums” - Luke Una More
+ Show full info- Close
in stock
Last in:10.06.2024
Label:Mr Bongo
Cat-No:MRBLP292
Release-Date:07.06.2024
Genre:Funk
Configuration:LP
Barcode:
1
Juan Pablo Torres Y Algo Nuevo - Y Que Bien
2
Juan Pablo Torres Y Algo Nuevo - Rico Melao
3
Juan Pablo Torres Y Algo Nuevo - Pastel En Descarga
4
Juan Pablo Torres Y Algo Nuevo - A Luna Llena
5
Juan Pablo Torres Y Algo Nuevo - Con Aji Guaguao
6
Juan Pablo Torres Y Algo Nuevo - Son A Propulsion
7
Juan Pablo Torres Y Algo Nuevo - Si No Fuera Por Emiliana
8
Juan Pablo Torres Y Algo Nuevo - Ey!...Op1
9
Juan Pablo Torres Y Algo Nuevo - Son Riendo
10
Juan Pablo Torres Y Algo Nuevo - Super Son
The next release in the Mr Bongo Cuban Classics series, is one of Juan Pablo Torres' most-known and loved albums, the iconic Super Son from 1977. A wonderful record of tripped-out rumbas, psych-Afro-Latin funk and quirky orchestrated tracks with a big band horn section courtesy of Torres’ band, Algo Nuevo.
As well as being the director of Algo Nuevo and Cuban all-star ensemble Estrellas De Areito, the trombonist, bandleader, arranger and producer also released a wealth of albums under his own name predominately on the state-owned imprint Areito/EGREM.
Post-revolution, there was a contrast in Cuba’s musical world. State censorship was at play, but professional musicians were on the government payroll which gave them an artistic freedom. Experimentation emanated in the ‘70s and ‘80s and Super Son is a prime example of that. ‘Y Que Bien' kicks off the album taking you down a tripped-out, cosmic rabbithole, psych guitars and skat vocals opening up into a joyful funk groove laced with jazzy Afro-Cuban horns stabs. Tracks such as 'Pastel En Descarga' seem to come out of nowhere and are completely unique. Fuzzed-up guitar lines and percussion lay the groundwork, with those jubilant horns adding to the energy of this forever building track.
Elsewhere, there’s the ‘70s TV theme-tune feeling of 'Con Aji Guaguao', a playful funk number that boils and bubbles with blistering trombone playing by Torres. Or ‘Son A Propulsión' and ‘Son Riendo’, two more brilliant examples of psychedelic funk, wrapped up in a blanket of Afro-Cuban rhythms. The former sweeping you up in rushes of wind as trumpets, trombones and distorted guitars trade off, the latter, an intergalactic fiesta of tradition and exploration.
Super Son is up there as one of the funkiest Cuban records around, a playful fusion of ideas from a producer, player and group on fine form and, for us, one of our favourite gems to come out of Cuba in this period. A sheer masterpiece.
Featuring replica artwork, the vinyl release is presented with an OBI Strip. More
As well as being the director of Algo Nuevo and Cuban all-star ensemble Estrellas De Areito, the trombonist, bandleader, arranger and producer also released a wealth of albums under his own name predominately on the state-owned imprint Areito/EGREM.
Post-revolution, there was a contrast in Cuba’s musical world. State censorship was at play, but professional musicians were on the government payroll which gave them an artistic freedom. Experimentation emanated in the ‘70s and ‘80s and Super Son is a prime example of that. ‘Y Que Bien' kicks off the album taking you down a tripped-out, cosmic rabbithole, psych guitars and skat vocals opening up into a joyful funk groove laced with jazzy Afro-Cuban horns stabs. Tracks such as 'Pastel En Descarga' seem to come out of nowhere and are completely unique. Fuzzed-up guitar lines and percussion lay the groundwork, with those jubilant horns adding to the energy of this forever building track.
Elsewhere, there’s the ‘70s TV theme-tune feeling of 'Con Aji Guaguao', a playful funk number that boils and bubbles with blistering trombone playing by Torres. Or ‘Son A Propulsión' and ‘Son Riendo’, two more brilliant examples of psychedelic funk, wrapped up in a blanket of Afro-Cuban rhythms. The former sweeping you up in rushes of wind as trumpets, trombones and distorted guitars trade off, the latter, an intergalactic fiesta of tradition and exploration.
Super Son is up there as one of the funkiest Cuban records around, a playful fusion of ideas from a producer, player and group on fine form and, for us, one of our favourite gems to come out of Cuba in this period. A sheer masterpiece.
Featuring replica artwork, the vinyl release is presented with an OBI Strip. More
7"
backorder
Label:Mr Bongo
Cat-No:BRZ4509
Release-Date:07.06.2024
Genre:World Music
Configuration:7"
Barcode:
backorder
Last in:10.06.2024
+ Show full info- Close
backorder
Last in:10.06.2024
Label:Mr Bongo
Cat-No:BRZ4509
Release-Date:07.06.2024
Genre:World Music
Configuration:7"
Barcode:
1
Doris Monteiro - Se Vocé Quiser Mas Sem Bronquear
2
Quarteto Em Cy - Tudo Que Voce Podia Ser
Repress!
Famous 'Sambista' and actress Doris Monteiro born in Rio in 1934 and had a career spanning over 60 years. This Samba Rock classic was penned by Jorge Ben Jr. Another find at the legendary Tony's Hits in Sao Paulo, one of Mr Bongo's all time favourite digging spots. Taken from her self-titled 1970 LP on Odeon Brazil. Previosuly unreleased on 7".
'Quarteto Em Cy', were a prolific and very popular Samba/MPB group comprising four sisters hailing from Ibirataia in Bahia. 'Tudo Que Voce Podia Ser' is one of our all time favourite Brazilian songs, originally written by Milton Nascimento & Lo Borges that appears on their seminal Clube da Esquina LP.
This version is taken from Quarteto's 1972 LP on Odeon. It was also released on a 7" in 1972, in a unique Brazilian style 4-track EP, cut at 33rpm. A lovely idea but not so good for sound quality! More
Famous 'Sambista' and actress Doris Monteiro born in Rio in 1934 and had a career spanning over 60 years. This Samba Rock classic was penned by Jorge Ben Jr. Another find at the legendary Tony's Hits in Sao Paulo, one of Mr Bongo's all time favourite digging spots. Taken from her self-titled 1970 LP on Odeon Brazil. Previosuly unreleased on 7".
'Quarteto Em Cy', were a prolific and very popular Samba/MPB group comprising four sisters hailing from Ibirataia in Bahia. 'Tudo Que Voce Podia Ser' is one of our all time favourite Brazilian songs, originally written by Milton Nascimento & Lo Borges that appears on their seminal Clube da Esquina LP.
This version is taken from Quarteto's 1972 LP on Odeon. It was also released on a 7" in 1972, in a unique Brazilian style 4-track EP, cut at 33rpm. A lovely idea but not so good for sound quality! More
+ Show full info- Close
backorder
Last in:10.06.2024
Label:Mr Bongo
Cat-No:MRBLP305
Release-Date:31.05.2024
Genre:Jazz
Configuration:2LP
Barcode:
1
Finn Rees - Looking Up
2
Finn Rees - Lagoon
3
Finn Rees - Horizons
4
Finn Rees - It's Behind Me Now
5
Finn Rees - Expansion
6
Finn Rees - End Of The Line
7
Finn Rees - Crossing
8
Finn Rees - Ablaze
9
Finn Rees - Between Spaces
10
Finn Rees - As It Passes
2 x Black Vinyl LP cut at 45RPM with double sided insert
Mr Bongo proudly presents the debut album from Tasmania-born, Melbourne-based, Finn Rees. Gliding across a swirling palette of saturated hues, Dawn Is A Melody feels vintage yet vibrant, new but familiar at the same time. A spiritual, deep and textured jazz record, tipping its hat to greats from the past, capturing memories and reformulating them into new ideas with the help of some of Melbourne’s finest talent.
Expert keys player for the likes of 30/70 and Elle Shimada, alongside one-half of Close Counters, this debut LP was Finn’s conscious departure from the realm of groove-based jazz. Instead, Dawn Is A Melody places the piano and arrangements centre stage, giving Finn and his fellow Melbourne crew freedom to explore the spaces in between, new emotions and alternate soundscapes.
In Finn’s own words: “My intention with Dawn Is A Melody was to create a world; a microcosm of colour. Something rich and beautiful that allowed the melodies and compositions to reach their full potential. It was driven by hope, curiosity and the search for beauty and reassurance in this ever-changing world. The emotion behind the music is really about the journey of life, growing up and changing, as well as my relationship with Tasmania’s natural landscapes where I grew up, a part of the world that is incredibly unique and beautiful.”
The album arcs between opening, middle and end. Beginning with the optimism of ‘Looking Up’ and ‘Lagoon’, the former a celestial, string and harp marbled slice of positivity, the latter a spiritual journey of exuberance and hope, Finn’s fingers dancing across the ‘70s Yamaha grand piano. From there the songs blossom outwards with the cinematic soulful journey of ‘It’s Behind Me Now’ and Brazilian-inspired ‘Expansion’, as the divine ‘Crossing’ signals a transition to a new realm. The energy is transformed from the rich cosmic textures to a more intimate and personal feeling with ‘Ablaze’, ‘Between Spaces’ and ‘As It Passes’ which blissfully fades down to simply piano and strings to close out the record.
Recorded at Rolling Stock in Collingwood, Melbourne, Henry Jenkins was drafted in as recording and mix engineer, his minimal vintage mic setups giving a live aesthetic and warmth to the arrangements. Lucky Pereira and Blakely McLean Davies form the rock-solid rhythm section, with a hand-picked line-up of other Melbourne talent on display, including Cheryl Durongpitikul on tenor sax, Siwei Wong on harp, Audrey Powne on trumpet and Allysha Joy on vocals to name only a few.
Plotting a course from Alice Coltrane, through Herbie Hancock, to Arthur Verocai, this is a debut nourished by the past but firmly made in the present. A record unable to be age-stamped, casting ambiguity as to when, what era and by whom it has been crafted. Like a vintage lens capturing a current scene, Dawn Is A Melody is warm and familiar yet focused on the here now. More
Mr Bongo proudly presents the debut album from Tasmania-born, Melbourne-based, Finn Rees. Gliding across a swirling palette of saturated hues, Dawn Is A Melody feels vintage yet vibrant, new but familiar at the same time. A spiritual, deep and textured jazz record, tipping its hat to greats from the past, capturing memories and reformulating them into new ideas with the help of some of Melbourne’s finest talent.
Expert keys player for the likes of 30/70 and Elle Shimada, alongside one-half of Close Counters, this debut LP was Finn’s conscious departure from the realm of groove-based jazz. Instead, Dawn Is A Melody places the piano and arrangements centre stage, giving Finn and his fellow Melbourne crew freedom to explore the spaces in between, new emotions and alternate soundscapes.
In Finn’s own words: “My intention with Dawn Is A Melody was to create a world; a microcosm of colour. Something rich and beautiful that allowed the melodies and compositions to reach their full potential. It was driven by hope, curiosity and the search for beauty and reassurance in this ever-changing world. The emotion behind the music is really about the journey of life, growing up and changing, as well as my relationship with Tasmania’s natural landscapes where I grew up, a part of the world that is incredibly unique and beautiful.”
The album arcs between opening, middle and end. Beginning with the optimism of ‘Looking Up’ and ‘Lagoon’, the former a celestial, string and harp marbled slice of positivity, the latter a spiritual journey of exuberance and hope, Finn’s fingers dancing across the ‘70s Yamaha grand piano. From there the songs blossom outwards with the cinematic soulful journey of ‘It’s Behind Me Now’ and Brazilian-inspired ‘Expansion’, as the divine ‘Crossing’ signals a transition to a new realm. The energy is transformed from the rich cosmic textures to a more intimate and personal feeling with ‘Ablaze’, ‘Between Spaces’ and ‘As It Passes’ which blissfully fades down to simply piano and strings to close out the record.
Recorded at Rolling Stock in Collingwood, Melbourne, Henry Jenkins was drafted in as recording and mix engineer, his minimal vintage mic setups giving a live aesthetic and warmth to the arrangements. Lucky Pereira and Blakely McLean Davies form the rock-solid rhythm section, with a hand-picked line-up of other Melbourne talent on display, including Cheryl Durongpitikul on tenor sax, Siwei Wong on harp, Audrey Powne on trumpet and Allysha Joy on vocals to name only a few.
Plotting a course from Alice Coltrane, through Herbie Hancock, to Arthur Verocai, this is a debut nourished by the past but firmly made in the present. A record unable to be age-stamped, casting ambiguity as to when, what era and by whom it has been crafted. Like a vintage lens capturing a current scene, Dawn Is A Melody is warm and familiar yet focused on the here now. More
Customers who bought this also bought this
LP
backorder
Label:Isle Of Jura Records
Cat-No:ISLELP002
Release-Date:02.02.2024
Genre:Eclectic
Configuration:LP
Barcode:0191515874719
backorder
Last in:02.02.2024
+ Show full info- Close
backorder
Last in:02.02.2024
Label:Isle Of Jura Records
Cat-No:ISLELP002
Release-Date:02.02.2024
Genre:Eclectic
Configuration:LP
Barcode:0191515874719
1
Ingleton Falls - It's Just A Hobby
2
Ingleton Falls - Possessed
3
Ingleton Falls - She Felt Love
4
Ingleton Falls - High
5
Ingleton Falls - Mind Yer Head
Isle Of Jura’s second longplayer reissue is an album from Ingleton Falls that touches upon Ambient, Dub, House and Balearic styles and was originally released in 1991 as a limited run of 100 self distributed cassette tapes Ingleton Falls are Andy Hannam Seymour and Andy Eardley from Tyne and Wear in Newcastle. Having come from a more traditional band background originally, Ingleton Falls was their electronic project and the result of a love of acts like Dub Syndicate, African Headcharge, Gary Clail, The Orb and The KLF. Andy Hannam Seymour remembers “It was a very creative time musically, there was a lot going on around us that used new technology. I was excited by the possibilities. Up until then I'd been playing guitar with a more traditional drums/bass/guitar/vocal band with all the 'musical differences' that entailed (the two bands ran side by side for a while). I also liked the idea that you could write and record a piece of music that was ready to release yourself, rather than it being a demo or having to pay a lot of cash for studio time. That DIY aspect was a lot of fun.” The album is split into 2 parts, ‘Aware’ and ‘Unaware’. Andy explains “We decided that 'side1' and side2' were pretty dull and came up with the aware and unaware division based on a kind of enlightened and unenlightened mind kind of idea. The unaware side had the tunes with themes like necrophilia and samples of christians and the aware side was more expansive mindful themes.” Equipment used the make the album included a Cheetah SX16 sampler, Alesis HR16 Drum Machine, Yamaha FG440 Acoustic Guitar, Tokai Stratocaster Guitar and an Atari ST computer running a Steinberg Pro 24 sequencing program (from floppy disk!). Due to a lack of sampling memory sounds were added live from cassette into the final mixes.
25 years later these songs finally reach a wider audience, initially via a limited cassette release followed 6 weeks later by the 180 Gram Heavyweight L More
25 years later these songs finally reach a wider audience, initially via a limited cassette release followed 6 weeks later by the 180 Gram Heavyweight L More
2LP
backorder
+ Show full info- Close
backorder
Last in:31.01.2024
Label:Mr Bongo
Cat-No:MRBLP280
Release-Date:06.10.2023
Genre:Soul/Funk
Configuration:2LP
Barcode:
1
Billy Boomer - I Like What's Shes Doing
2
PJ City - Straight Forward (Non Stop)
3
Maxwell - Realize
4
Cecil Lyde - I'll Make It On My Own
5
Mixed Generation Enterprize - Take To The Sky
6
Mark Meadows - You & Me
7
Alice Cohen & Fun City - Save The Best Til Last
8
Banda 22 - A Luz Que Brilha Meu Viver
9
Ze Da Lana - Misterio Brilhante
10
Rodgers Mitchell - Dame Solamente Amor
11
The Eleventh Commandment - Then I Reach Satisfaction
12
Billy Boomer - You Can't Hide
13
Freedom - High On You
14
The Lost Family - Blow My Mind
15
The Family Tree - As
Compiling the follow-up to a very successful first album is always a tricky task, but just 12 months since the release of volume one in the 'With Love' series, miche has excelled himself once again with another glorious, deep dive into the world of rare soul. 15 tracks of independently released music, created by magnificent artists with stories to tell and primed for rediscovery.
The ambition to celebrate under-the-radar artists has remained, but instead of a facsimile of volume one, what we have here is a selection shaped by life changes. Volume two is for the dancers; still soulful, still ultra-rare and slept-on records from the USA, Chile, Brazil and beyond, but the dynamics of the collection have shifted slightly. It represents a move from being immersed in a week in week out environment of beautiful, soulful music in a cosy, dimly lit hi-fi bar to playing livelier, more energetic, dancefloor-focused music in nightclubs. This volume will get you on your feet, make you move and unleash whatever it is that makes you get down.
One of the jewels in the crown of this compilation is a joyous, anthemic gospel version of Stevie Wonder's 'As' by The Family Tree (a project produced by the fantastic Julius Brockington). We are also treated to a rare and sought-after Pennsylvanian funk / AOR bomb by Maxwell, a stunning modern soul tune 'High On You' by Freedom, and self-released Brazilian 45s by Banda 22 and Zé Da Lata. P.J. City's 'Straight Forward (Non-Stop)' is gospel-disco perfection, and we also have 'Dame Solamente Amor’, a sublime, soul beauty from Chile by Rogers Mitchell. Many of these artists featured in this compilation aren't household names, but they deserve their moment to shine, to be heard, loved and appreciated for their artistry.
As miche says it, “I hope this compilation helps in some way to keep this glorious music alive and play a part in connecting generations of music lovers from the worldwide soul family. As always, it has been made ‘With Love’.” More
The ambition to celebrate under-the-radar artists has remained, but instead of a facsimile of volume one, what we have here is a selection shaped by life changes. Volume two is for the dancers; still soulful, still ultra-rare and slept-on records from the USA, Chile, Brazil and beyond, but the dynamics of the collection have shifted slightly. It represents a move from being immersed in a week in week out environment of beautiful, soulful music in a cosy, dimly lit hi-fi bar to playing livelier, more energetic, dancefloor-focused music in nightclubs. This volume will get you on your feet, make you move and unleash whatever it is that makes you get down.
One of the jewels in the crown of this compilation is a joyous, anthemic gospel version of Stevie Wonder's 'As' by The Family Tree (a project produced by the fantastic Julius Brockington). We are also treated to a rare and sought-after Pennsylvanian funk / AOR bomb by Maxwell, a stunning modern soul tune 'High On You' by Freedom, and self-released Brazilian 45s by Banda 22 and Zé Da Lata. P.J. City's 'Straight Forward (Non-Stop)' is gospel-disco perfection, and we also have 'Dame Solamente Amor’, a sublime, soul beauty from Chile by Rogers Mitchell. Many of these artists featured in this compilation aren't household names, but they deserve their moment to shine, to be heard, loved and appreciated for their artistry.
As miche says it, “I hope this compilation helps in some way to keep this glorious music alive and play a part in connecting generations of music lovers from the worldwide soul family. As always, it has been made ‘With Love’.” More
LP Excl
in stock
Label:HFN Music
Cat-No:hfn164lp
Release-Date:15.03.2024
Configuration:LP Excl
Barcode:4250382451570
in stock
Last in:23.02.2024
+ Show full info- Close
in stock
Last in:23.02.2024
Label:HFN Music
Cat-No:hfn164lp
Release-Date:15.03.2024
Configuration:LP Excl
Barcode:4250382451570
1
GLAS - Two Hearts
2
GLAS - Midnight Fay
3
GLAS - Melting Point
4
GLAS - Secret Sharing
5
GLAS - Hungry Moon
6
GLAS - Lunar Lander
7
GLAS - Reclaim The Night
8
GLAS - Nightmares
9
GLAS - Spell
10
GLAS - Tall Ship
Territories: WORLD excluding Scandinavia
LP, Chrystal clear vinyl
GENRE/S: Alternative, Dream Pop, Indie Dance, Independent
TRACKLIST:
A1. Two Hearts
A2. Midnight Fay
A3. Melting Point
A4. Secret Sharing
A5. Hungry Moon
B1. Lunar Lander
B2. Reclaim The Night
B3. Nightmares
B4. Spell
B5. Tall Ship
SHORT INFO:
Lisbet Fritze and Louise Foo have shared artistic trajectories for half of their lives, having been two thirds of pop noir purveyors Giana Factory. As Glas, the duo reveals a patchwork of everyday observations rooted in significant life changes: moving countries, becoming a mother, keeping sane with and without a significant other. The music conveys a quest for balance, riding the line between doomy drama and playing it cool.
Their 10 song, self-produced debut, Kisses Like Feathers, will be released, worldwide in March 2023, through Hamburg’s hfn music. All lyrics, vocals and instruments were performed by Glas, and recorded in their studio. The album was mixed by Anders Trentemøller, with artwork by Brunswicker studio
The Copenhagen-based duo have never been short on inspiration. Lisbet has lent her vocal and guitar talents to Trentemøller, in both the studio and on stage. Louise has explored immersive music with avant-pop project SØSTR, along with her sister, Sharin Foo of The Raveonettes. Lisbet’s other life involves architectural design. Louise works with sound installations in a visual arts context. The musical ideas of these two polymaths find coherence in the newly-formed Glas.
Kisses Like Feathers embody Nordic duality. Dark at times, it also presents with an open ethereality. Some songs feel tailor-made for a club’s sound system. Others lend themselves to intimate, headphone moments. While Lisbet and Louise’s harmonious vocal stack is the common thread throughout the album, the musical fabric is interlaced with acoustic, electric, and electronic instruments. Lo-fi piano and acoustic guitars share a reciprocal space with rich, synthetic orchestration. Galloping, modern rhythms and folk arrangements are often featured in the same song. These elements, and so many others, buttress the pair’s hymns.
More
LP, Chrystal clear vinyl
GENRE/S: Alternative, Dream Pop, Indie Dance, Independent
TRACKLIST:
A1. Two Hearts
A2. Midnight Fay
A3. Melting Point
A4. Secret Sharing
A5. Hungry Moon
B1. Lunar Lander
B2. Reclaim The Night
B3. Nightmares
B4. Spell
B5. Tall Ship
SHORT INFO:
Lisbet Fritze and Louise Foo have shared artistic trajectories for half of their lives, having been two thirds of pop noir purveyors Giana Factory. As Glas, the duo reveals a patchwork of everyday observations rooted in significant life changes: moving countries, becoming a mother, keeping sane with and without a significant other. The music conveys a quest for balance, riding the line between doomy drama and playing it cool.
Their 10 song, self-produced debut, Kisses Like Feathers, will be released, worldwide in March 2023, through Hamburg’s hfn music. All lyrics, vocals and instruments were performed by Glas, and recorded in their studio. The album was mixed by Anders Trentemøller, with artwork by Brunswicker studio
The Copenhagen-based duo have never been short on inspiration. Lisbet has lent her vocal and guitar talents to Trentemøller, in both the studio and on stage. Louise has explored immersive music with avant-pop project SØSTR, along with her sister, Sharin Foo of The Raveonettes. Lisbet’s other life involves architectural design. Louise works with sound installations in a visual arts context. The musical ideas of these two polymaths find coherence in the newly-formed Glas.
Kisses Like Feathers embody Nordic duality. Dark at times, it also presents with an open ethereality. Some songs feel tailor-made for a club’s sound system. Others lend themselves to intimate, headphone moments. While Lisbet and Louise’s harmonious vocal stack is the common thread throughout the album, the musical fabric is interlaced with acoustic, electric, and electronic instruments. Lo-fi piano and acoustic guitars share a reciprocal space with rich, synthetic orchestration. Galloping, modern rhythms and folk arrangements are often featured in the same song. These elements, and so many others, buttress the pair’s hymns.
More
Label:Mule Musiq
Cat-No:MuleMusiq290
Release-Date:02.02.2024
Configuration:12"
Barcode:4250101463235
backorder
Last in:29.02.2024
+ Show full info- Close
backorder
Last in:29.02.2024
Label:Mule Musiq
Cat-No:MuleMusiq290
Release-Date:02.02.2024
Configuration:12"
Barcode:4250101463235
1
Saphileaum - A Glimpse Of Enlightenment
2
Saphileaum - Eau Thermale
3
Saphileaum - Golden Tan
4
Saphileaum - Indigo Child
5
Saphileaum - Java
6
Saphileaum - Kilimanjaro
7
Saphileaum - Mystery Of The Ancients
8
Saphileaum - Rapa Nui
9
Saphileaum - Swamp Ting
10
Saphileaum - Tropical Dream
and the novelty goes on: mule musiq welcomes another fresh producer to its vast catalogue of music from all around. this time andro gogibedashvili aka saphileaum. he is coming from tbilisi, georgia and already released an impressive body of work, considering he just publishes music since 2016. countless eps and albums, digital, on tape, documenting his feverish creative urge on labels like not not fun records, good morning tapes, diffuse reality, or vodkast. they cover a comprehensive stylistic range from ambient and downtempo to tribal, house, and techno nuances. a deeper shade of soul, precisely fashioned, growing from different playgrounds of inspiration. he was born into a musical family. as a kid he studied georgian folk. in his school rock band, he sang, and the guitar was his love. then electronic music called the tune, and techno hit his heart. in the midst of it all the 26-year-old never lost contact with his spiritual home. “i find deep inspiration in georgian myths and legends, occultism and esoteric teachings, lost civilizations, earth, unity, truth, information, and the secrets of the universe. these things, to name a few, inspire me daily and help me create the music I make.” saphileaum reveals. “exploring together”, his debut album for mule, navigates all these elements through a merry-go-round of gentle driven rhythm zones. fourth-world spheres, balearic tropes, field recording zones, tropical downbeat, tribal percussions, trancing sounds, balafon hums, mallet airs, hooky house – it’s all there, circling the eavesdropper into a dreamland of melodic undercurrents. “my loops come from tribal and cosmic inspirations. tribal, as below, and cosmic as above. the combination of these two, is very interesting to me”, he clarifies, while joking “but, to put it super simply, loops are super handy for djing”. which brings us to the final promotion of “exploring together” - it’s playability. its vast. multifunctional. spiritual. made for gatherings, were all dance time away. lost in music actions, only touched by the hand of rhythm and sound. his ten tracks are created for such flashes, wide spreading a musical narration of illuminating durability. “cosmic, relaxing, fun, tribal, and mystic.”, as saphileaum declares.
More
Label:Isle Of Jura Records
Cat-No:ISLELP013
Release-Date:01.03.2024
Genre:Dub/Reggae
Configuration:LP
Barcode:
backorder
Last in:07.06.2024
+ Show full info- Close
backorder
Last in:07.06.2024
Label:Isle Of Jura Records
Cat-No:ISLELP013
Release-Date:01.03.2024
Genre:Dub/Reggae
Configuration:LP
Barcode:
1
Ronnie Lion - Hombre Peligroso
2
Ronnie Lion - Central Village
3
Ronnie Lion - The Negotiator
4
Ronnie Lion - Naranja Colina
5
Ronnie Lion - Grants Pen Steppers
6
Ronnie Lion - Peace Chalice
7
Ronnie Lion - The Reunion
8
Ronnie Lion - Cascada
9
Ronnie Lion - Alligator Pond
180g Pressing
The debut solo album from Ronnie Lion, one half of Ambient Warrior, is a homage to Spanish Town the capital of St Catherine in Jamaica. As the title suggests the Spanish guitar features heavily from both Ronnie and lead guitarist Sean Wilkinson. The album has a reggae palette at its core with the rhythm section of Ronnie on Bass and Horseman on drums providing a rock solid foundation for the intricate and memorable hooks provided by Sean’s Spanish Guitar. The album’s fusion of Reggae with Bossa Nova & Flamenco Guitar creates another special album that will appeal to fans of Ambient Warrior and beyond. More
The debut solo album from Ronnie Lion, one half of Ambient Warrior, is a homage to Spanish Town the capital of St Catherine in Jamaica. As the title suggests the Spanish guitar features heavily from both Ronnie and lead guitarist Sean Wilkinson. The album has a reggae palette at its core with the rhythm section of Ronnie on Bass and Horseman on drums providing a rock solid foundation for the intricate and memorable hooks provided by Sean’s Spanish Guitar. The album’s fusion of Reggae with Bossa Nova & Flamenco Guitar creates another special album that will appeal to fans of Ambient Warrior and beyond. More
Vinyl Album Excl
in stock
Label:Scissor And Thread
Cat-No:sat005lpx
Release-Date:15.06.2018
Genre:House
Configuration:Vinyl Album Excl
Barcode:4250382436058
in stock
Last in:03.04.2024
+ Show full info- Close
in stock
Last in:03.04.2024
Label:Scissor And Thread
Cat-No:sat005lpx
Release-Date:15.06.2018
Genre:House
Configuration:Vinyl Album Excl
Barcode:4250382436058
2018 Reissue of the Classic, Now in HQ Gatefold Sleeve! Original Cover Art, Carefully remastered 3LP from Original Tapes + Bonus Download
Tracklist
A1. Plays I Play feat. Gry
A2. Pensum
B1. Living Lips
B2. Lostfound feat. Gry
C1. Of the Field
C2. McLeod
D1. Pharoah In the Morning feat. Gry
D2. Whether It Was
E. Picture Us
F1. Close Air
F2. Leland
Francis Harris is one of the most interesting figures on the american electronic music cicruit and beyond. His output has gone from tightly wound tech house cuts as Adultnapper in the early days, sublime deep house as Frank & Tony, intricate and expressive musical journeys as evident in his two solo-albums 'Leland' and 'Minutes Of Sleep', and ambient shoegaze with two Aris Kindt albums, co-produced with Gabe Hedrick. Most recently Harris branched out with a new label - Kingdoms - a home for his love of a more adventurous sound.
Up until now his most notable milestones remain the two solo-albums Leland (2012) and Minutes Of Sleep (2014) who became essential albums of the genre. Both albums have been out of print for a long time and due to public demand we are happy to present new vinyl editions of both albums. Carefully restored from original masters and artwork the albums now appear in gatefold-sleeves while Leland spans over three vinyl discs and Minutes Of Sleep over two, just like the sold out originals.
‚Leland' features Danish vocalist Gry on three tracks including "lostfound," the first single and video which was remixed by Mathew Herbert and debuted on Pitchfork. Also featured throughout are Emil Abramyan, whose poignant performance on cello evokes comparison to Arthur Russell, and Greg Paulus (No Regular Play/Matthew Dear Band), whose improvisational free jazz inspired trumpet accents converse thoughtfully with Harris' own tonal melodies performed on piano and guitar. Determined to produce electronic music with warmth and true dynamic range, Harris recorded and mixed "Leland" with Jordan Lieb on an analog SSL and then enlisted legendary engineer Joe Lambert to master the project.
More
Tracklist
A1. Plays I Play feat. Gry
A2. Pensum
B1. Living Lips
B2. Lostfound feat. Gry
C1. Of the Field
C2. McLeod
D1. Pharoah In the Morning feat. Gry
D2. Whether It Was
E. Picture Us
F1. Close Air
F2. Leland
Francis Harris is one of the most interesting figures on the american electronic music cicruit and beyond. His output has gone from tightly wound tech house cuts as Adultnapper in the early days, sublime deep house as Frank & Tony, intricate and expressive musical journeys as evident in his two solo-albums 'Leland' and 'Minutes Of Sleep', and ambient shoegaze with two Aris Kindt albums, co-produced with Gabe Hedrick. Most recently Harris branched out with a new label - Kingdoms - a home for his love of a more adventurous sound.
Up until now his most notable milestones remain the two solo-albums Leland (2012) and Minutes Of Sleep (2014) who became essential albums of the genre. Both albums have been out of print for a long time and due to public demand we are happy to present new vinyl editions of both albums. Carefully restored from original masters and artwork the albums now appear in gatefold-sleeves while Leland spans over three vinyl discs and Minutes Of Sleep over two, just like the sold out originals.
‚Leland' features Danish vocalist Gry on three tracks including "lostfound," the first single and video which was remixed by Mathew Herbert and debuted on Pitchfork. Also featured throughout are Emil Abramyan, whose poignant performance on cello evokes comparison to Arthur Russell, and Greg Paulus (No Regular Play/Matthew Dear Band), whose improvisational free jazz inspired trumpet accents converse thoughtfully with Harris' own tonal melodies performed on piano and guitar. Determined to produce electronic music with warmth and true dynamic range, Harris recorded and mixed "Leland" with Jordan Lieb on an analog SSL and then enlisted legendary engineer Joe Lambert to master the project.
More
Label:Alter K
Cat-No:AK61
Release-Date:07.04.2023
Configuration:LP Excl
Barcode:3516628242816
in stock
Last in:05.06.2024
+ Show full info- Close
in stock
Last in:05.06.2024
Label:Alter K
Cat-No:AK61
Release-Date:07.04.2023
Configuration:LP Excl
Barcode:3516628242816
1
Black Devil - "H" Friend
2
Black Devil - Timing, Forget The Timing
3
Black Devil - One To Choose
4
Black Devil - We Never Fly Away Again
5
Black Devil - Follow Me (Instrumental)
6
Black Devil - No Regrets
Territories: WW minus FR
Tracklist :
A1 - "H" Friend
A2 - Timing, Forget The Timing
A3 - One To Choose
B1 - We Never Fly Away Again
B2 - Follow Me (Instrumental)
B3 - No Regrets
Release Info:
Disco Club is a groundbreaking 1978 EP of experimental electronic disco created by Bernard Fevre and his collaborator under their tongue-in-cheek aliases Joachim Sherylee and Junior Claristidge. The Aphex Twin-backed Rephlex label notably reworked a handful of Disco Club tracks in 2004, however this is the first ever reissue of the EP in its complete, originally intended sequence. So synonymous is Fèvre's career with this release, he continues to perform internationally as Black Devil Disco Club today. An impossibly rare piece, this edition has been treated to a remaster from the original tapes by Fèvre himself. More
Tracklist :
A1 - "H" Friend
A2 - Timing, Forget The Timing
A3 - One To Choose
B1 - We Never Fly Away Again
B2 - Follow Me (Instrumental)
B3 - No Regrets
Release Info:
Disco Club is a groundbreaking 1978 EP of experimental electronic disco created by Bernard Fevre and his collaborator under their tongue-in-cheek aliases Joachim Sherylee and Junior Claristidge. The Aphex Twin-backed Rephlex label notably reworked a handful of Disco Club tracks in 2004, however this is the first ever reissue of the EP in its complete, originally intended sequence. So synonymous is Fèvre's career with this release, he continues to perform internationally as Black Devil Disco Club today. An impossibly rare piece, this edition has been treated to a remaster from the original tapes by Fèvre himself. More
Label:Kalita
Cat-No:KALITALP011
Release-Date:03.11.2023
Configuration:LP
Barcode:4062548068238
backorder
Last in:08.11.2023
+ Show full info- Close
backorder
Last in:08.11.2023
Label:Kalita
Cat-No:KALITALP011
Release-Date:03.11.2023
Configuration:LP
Barcode:4062548068238
1
Papa Yankson - A1. Wonma Yenko Po
2
Papa Yankson - A2. Mumumde
3
Papa Yankson - A3. Yaa Yaa Nkoba
4
Papa Yankson - B1. Dofo Bi Afre
5
Papa Yankson - B2. Odo Ye Wu
6
Papa Yankson - B3. Me Bo Me Zanku Daa
Kalita are proud to present the first ever reissue of Papa Yankson’s highly sought-after 1989 disco-infused highlife masterpiece 'Party Time'! Showcasing the late Ghanaian superstar at his very best, ‘Party Time’ encapsulates the blending of deep, rhythmic West African highlife with synthesizers and electronic styles that had exploded during the decade.
More
Label:G.A.M.M
Cat-No:GAMM177
Release-Date:15.09.2023
Configuration:12"
Barcode:
backorder
Last in:12.12.2023
+ Show full info- Close
![](/covers/143681_B055B56B.jpg?p=cover_thumbnail_width_only_nocrop)
backorder
Last in:12.12.2023
Label:G.A.M.M
Cat-No:GAMM177
Release-Date:15.09.2023
Configuration:12"
Barcode:
1
Delfonic's - Black Gammon (Delfonic Rework)
2
Delfonic's - Warm Springs (Delfonic Rework)
3
Delfonic's - Yes I Do (Delfonic Rework)
4
Delfonic's - Your Life Is A Party (Delfonic Rework)
Another GAMM debut, this time it's Berlin's infamous Delfonic who comes thru with a supa strong four track EP.
Over both sides Delfonic offers the listener, DJ or dancer a wide range of styles ranging from piano-driven disco-jazz, classic rare grooves, proto-funk and high-energy funk-disco.
As often on GAMM, there's something for everyone here .
Tracklist:
A1 Black Gammo
A2 Warm Spring
B1 Yes I Do
B2 Your Life Is A Party More
Over both sides Delfonic offers the listener, DJ or dancer a wide range of styles ranging from piano-driven disco-jazz, classic rare grooves, proto-funk and high-energy funk-disco.
As often on GAMM, there's something for everyone here .
Tracklist:
A1 Black Gammo
A2 Warm Spring
B1 Yes I Do
B2 Your Life Is A Party More
12"
backorder
Cat-No:INT-514
Release-Date:29.09.2023
Genre:House
Configuration:12"
Barcode:
backorder
Last in:27.06.2024
+ Show full info- Close
![](/covers/143155_840D02FA.jpg?p=cover_thumbnail_width_only_nocrop)
backorder
Last in:27.06.2024
Cat-No:INT-514
Release-Date:29.09.2023
Genre:House
Configuration:12"
Barcode:
1
Lenni Gait's Melody Band - Embrace (Da Phat Vibe)
2
Lenni Gait's Melody Band - Embrace (Minimum Wage Brothers Vibe)
3
Lenni Gait's Melody Band - Embrace (Original Melody Vibe)
4
Lenni Gait's Melody Band - Embrace (Plastic Soul Vibe)
We are very happy to announce next Intangible Records re-issue
INT-514 - Lenni Gait's Melody Band – Embrace (12‘)
This will be the first re-press after 1996! More
INT-514 - Lenni Gait's Melody Band – Embrace (12‘)
This will be the first re-press after 1996! More
Label:Want Some Records
Cat-No:WSR001
Release-Date:29.09.2023
Genre:Afrobeat
Configuration:LP Excl
Barcode:4170000122043
in stock
Last in:29.01.2024
+ Show full info- Close
![](/covers/145562_F99DE1FD.jpg?p=cover_thumbnail_width_only_nocrop)
in stock
Last in:29.01.2024
Label:Want Some Records
Cat-No:WSR001
Release-Date:29.09.2023
Genre:Afrobeat
Configuration:LP Excl
Barcode:4170000122043
1
The Mighty Cavaliers - Wacha Maneno
2
The Mighty Cavaliers - Baruwa Ya Soweto
3
The Mighty Cavaliers - Africa Tuungane
4
The Mighty Cavaliers - Mama Come Home
5
The Mighty Cavaliers - Mapendo Mapendo
6
The Mighty Cavaliers - Mambo Bado
7
The Mighty Cavaliers - Wacha Tabia Mbaya
8
The Mighty Cavaliers - Mimi Ni Wako
9
The Mighty Cavaliers - Bring Your Love
10
The Mighty Cavaliers - Nifanye Nini
The Mapendo album of the Mighty Cavaliers, up to today, has been shrouded in mystery. If you look at the original cover of this very rare Kenyan funk-infused album all you will find are the names of the engineer and the producer, as EMI Kenya omitted the names of the musicians and the songwriters. Digging deeper a rather sinister story of deceit develops whereby Mapendo becomes symbolic for all what was wrong about the Kenyan record industry in the 1970s, and the music industry in Africa as a whole. As this maltreatment of artists proved endemic throughout the continent, although little talked about.
One of the three surviving members of the Mighty Cavaliers, bass player Bonnie Wanda - who started his career in 1971 with Gloria Africana - vividly remembers participating in the recording of the two albums the band made in 1976 and 1977 - Fisherman and Mapendo - and how they, especially on the last album, got short-changed by shrewd record label executives. In the 1960s it was mostly Indian and European record bosses that called the shots and usually gave musicians the chance of a one-off payment for their session time and recorded songs or wait for - hopefully - a generous royalty check. In most cases records didn't sell more than a thousand copies with an occasional hit selling in the tens of thousands, so musicians were reluctant to register themselves with the Music Copyright Society of Kenya. Although without doing so one couldn't receive royalties.
'For two years the Mighty Cavaliers performed five nights a week at the Starlight Club for five hour sets.
The re-release of Mapendo, the first of the German Want Some Records label, is another exciting puzzle piece in the tapestry of groovy Kenyan music. It proves that there are still great gems out there to be re-discovered for audiences worldwide.
Text written by Michiel van Oosterhout
This Album is dedicated to the musicians
Bonnie Wanda, Rashid Salim, Vuli Yeni, Juma Waweru Njuguna and Athmani 'guitar boy'."
-------------------------
All songs, Composed, Arranged, Produced or Performed
by The Mighty Cavaliers.
Graphic Design: Benjamin Kühne (Cover restauration/Label Design); Tom Krailing (Sticker Design)
Written By: Michiel van Oosterhout
Text Editing: Nebil
Mastered by: Nick Robbins (Soundmastering)
All tracks are under exclusive license of Want Some Records. Licensed from Daudi Kabaka/Reuben Kabaka."
Tracklist:
A1: Wacha Maneno
A2: Baruwa Ya Soweto
A3: Africa Tuungane
A4: Mama Come Home
A5: Mapendo Mapendo
B1: Mambo Bado
B2: Wacha Tabia Mbaya
B3: Mimi Ni Wako
B4: Bring Your Love
B5: Nifanye Nini
More
One of the three surviving members of the Mighty Cavaliers, bass player Bonnie Wanda - who started his career in 1971 with Gloria Africana - vividly remembers participating in the recording of the two albums the band made in 1976 and 1977 - Fisherman and Mapendo - and how they, especially on the last album, got short-changed by shrewd record label executives. In the 1960s it was mostly Indian and European record bosses that called the shots and usually gave musicians the chance of a one-off payment for their session time and recorded songs or wait for - hopefully - a generous royalty check. In most cases records didn't sell more than a thousand copies with an occasional hit selling in the tens of thousands, so musicians were reluctant to register themselves with the Music Copyright Society of Kenya. Although without doing so one couldn't receive royalties.
'For two years the Mighty Cavaliers performed five nights a week at the Starlight Club for five hour sets.
The re-release of Mapendo, the first of the German Want Some Records label, is another exciting puzzle piece in the tapestry of groovy Kenyan music. It proves that there are still great gems out there to be re-discovered for audiences worldwide.
Text written by Michiel van Oosterhout
This Album is dedicated to the musicians
Bonnie Wanda, Rashid Salim, Vuli Yeni, Juma Waweru Njuguna and Athmani 'guitar boy'."
-------------------------
All songs, Composed, Arranged, Produced or Performed
by The Mighty Cavaliers.
Graphic Design: Benjamin Kühne (Cover restauration/Label Design); Tom Krailing (Sticker Design)
Written By: Michiel van Oosterhout
Text Editing: Nebil
Mastered by: Nick Robbins (Soundmastering)
All tracks are under exclusive license of Want Some Records. Licensed from Daudi Kabaka/Reuben Kabaka."
Tracklist:
A1: Wacha Maneno
A2: Baruwa Ya Soweto
A3: Africa Tuungane
A4: Mama Come Home
A5: Mapendo Mapendo
B1: Mambo Bado
B2: Wacha Tabia Mbaya
B3: Mimi Ni Wako
B4: Bring Your Love
B5: Nifanye Nini
More