DJ Support from: Dave Lee, Purple Disco Machine, Michael Gray, Birdee, Dr Packer, John Morales, David Harness, Lenny Fontana

Sean’s debut album, ‘Down To The Disco’, comes as a 2 part vinyl series is a tight blend of soulful, disco, '80s boogie, and house music, featuring collaborations with artists such as Brian Lucas, Alexis Victoria Hall, Toni Sea, Nell Shakespeare, Elysha West, Octavia Lambertis, and Pav plus extensive production duties from Midnight Riot’s Yam Who? & Jaegerossa.

Sean Scanlan’s A highly respected UK DJ (Hed Kandi, Fierce Angel, Discopolis, Hat Club, and Ministry of Sound). As a producer his releases have made a significant impact on Traxsource, earning DJ support from industry legends like Joey Negro, DJ Meme, John Morales, Michael Gray, Dr. Packer, and Purple Disco Machine, among others. Inspired by labels such as Salsoul & Z Records, Sean is known for his dedication to producing authentic, high-quality Disco and House music, with a passion for creating vibrant sounds through real musicians, live strings, brass, bass, and percussion, ‘Down To The Disco’ is a must-listen for fans of classic disco house music.


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DJ Support: Craig Smith (Yoruba Affil), Hot Toddy, Timo Garcia / Nolan, Severino - Horse Meat Disco, Bill Brewster, Groove Assassin, Lars Behrenroth, Emma Ryalls, Dj Pope, Ian Friday, DJ Moni, Mathieu Schreyer, Henri Kohn, Jonny Alexander, Sebastian Davidson, Jason Pulaski, Hippie Torrales, Robert, Superfly FM, Makossa, and DJ Harri

Riot records return with the next installment of their Balearic Headspace compilation here we have a sampler featuring some of the biggest tracks.

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The Disco Made Me Do It train steams on into town once again with the 7th volume of their all singing, all dancing, all disco VA sensation. Step aboard and strap in for four dazzling disco infernos from a whole host of the scene’s finest names including Opolopo, Yam Who?, Jaegerossa, Secret Soul and Danny Kane.

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Four standout tracks plucked from the ISM vaults for this 12” Futurism sampler. On the A Ron Basejam gives a late-night twist to Alena – Changes, before Yam Who? teams up with the vocal talents of Natasha Watts for a modern-day interpretation of the Sha-Lor classic, ‘I’m In Love’.

On the flip side, PBR Streetgang aka Bonar Bradbury and Tom Thorpe go full funk with their stomper ‘J2ThaB’. Closing out the EP, Brothers Young let loose ‘Inferno’ featuring NY City's Brother of poetic license, D-Ham, whose narration takes listeners on a journey from back in the day when NYC’s underground scene consisted of merely a blue light, a basement and a feeling.

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10 years in the game for Riot Records and what a whirlwind it’s been. A go-to, one stop shop for the best disco house bangers and edit mastery, they celebrate this major milestone with a various artists EP showcasing exactly why they’ve made it to where they are today.

Four joy-filled gems from the Mark Brickman, Yam Who? & Jaegerossa, Da Lukas and Danny Kane taking in full frontal disco, RnB and boogie flavours ready to light up any dancefloor.

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Repress!
Praise the high heavens, the disco gods have blessed us once again with a four track deliverance of gospel inspired ecstasy via Riot Records – ‘Take It To Church - Volume 4’.

Joyous jubilation from Mark Brickman & Yam Who, Wayfaring Strangers, Platinum City, Yam Who? & Brian Lucas that ranges from nu disco-tinged house to peak time organ elation, clavinet heavy grooves to funked up, soulful house rejoicing.


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A1 - Bad Times - Yam Who? Remix
A2 - Bad Times
B1 - You Must Be The Girl
B2 - Bionic Lover

Back in February Risk Assessment hit the headlines via a high-profile outing on Glitterbox Recordings that proved the fast-rising artist's ability to create fresh and funky revivalist disco-boogie jams. This four-track missive on Midnight Riot showcases the producer's re-edit skills.

No messing around, "Bad Times" is an '80s wonder dripping with sleazed up synthwork. Yam Who? straps it to a rocket and fires it into the stratosphere with those punchy basslines and beefed up percussive hits that knock you straight for six.

On the B side "You Must Be The Girl" powers through, with Risk Assessment turning a colourful early '80s synth-disco jam into an attractive, tooled-up disco-house romp. "Bionic Lover" closes out proceedings with a house style revision of another low-slung, guitar-laden chunk of disco-rock funkiness.

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A1 - Divine Situation - Goin On
A2 - HP Edits - Joy - Yam Who? Mix
B1 - Carlton Love - Peace, Joy & Happiness
B2 -Natasha Kitty Katt & Yam Who? feat Jacqui George - Into Your Life

Everyone’s favourite church going series, ‘Take It To Church’ from Riot Records, delivers another almighty lesson in gospel tinged disco and house. In these testing times, let the spirituality of these four cuts lift you higher.

Already garnering some serious love from the likes of Danny Krivit, Horse Meat Disco, Groove Armada & Greg Wilson ‘Take It To Church: Volume 3’ is set to light up the dance on a divine scale.






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All tracks have some kind of story but this is a rather special one.
Recently, legendary American dance producer Arthur Baker discovered in his storage, 2 cuts on 1/4” tape ’Reachin’ & ‘Good Good Lovin’ he recorded in 1979 that for some insane reason have never seen the light of day. He asked Hifi Sean if he would be interested in doing something with them. Within one play Hifi was blown away and brought on board Yam Who? and they quickly got to work resurrecting these soulful disco anthems.
The main cut featured here ‘Reachin’, with Minnie Gardners fierce vocals (think Loleatta Holloway), just needed some modern day dance floor energy. Salvaging the useable sections of the tape that were not worn through time and 2 weeks later they bring this percussive disco monster back to life. ‘Good Good Lovin’ complements the A Side nicely - less bump but more room to groove. It’s a stone cold classic with glorious instrumentation courtesy of Arthur & Co.

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After the shift of consciousness in 2012, generations collided as Charlie and Eli from Soul Clap made contact with another very special duo; Chuck “Da Fonk” Fishman and Sa’D “The Hourchild” Ali. Chuck and Sa’D are one tentacle of the cosmic octopus which is the world of George Clinton / Parliament-Funkadelic.
This vitally important limb touches down in the worlds of Funk, Rock and R&B but also into Disco, House and the electronic beyond. Together with a roster of collaborators including Grammy-nominated producer G Koop, original Funkadelic bass player Billy “Bass” Nelson, Talking Heads and Sting vocalist Dolette McDonald, Midnight Magic’s Morgan Wiley, Philadelphia’s One Era and Michael The Lion, Angeleno Oz “Ozgood” McGuire, Bostonian Chas Bronz, Jamacalian David Marston and more, a supergroup of producers was established representing Funk, Style and Quality better known as FSQ! Lead by the mind of Chuck Fishman the FSQ remixes and reworks have always gone above and beyond.
Soul Clap launched the group in 2014 with the FSQ debut EP, “Zulu Congo Call” which got 9/10 in Mixmag and DJ Mag. Their remix work for other artists can be found across a variety of labels?—?Midnight Riot Records, Jalapeno Records, Wolf + Lamb, Bastard Jazz and many other dance music indies. Their full length album will be released in the winter of 2019 on Soul Clap Records.
Sa’d “The Hourchild” Ali unfortunately passed away in the early summer of 2018. “The Remix Special” an album compilation of unreleased FSQ remixes of their Soul Clap Records label mates was released in Sa’d’s honor with all proceeds going to his family.


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A1 - The Showfa – Joy
A2 - Yam Who? – Tomorrow
B1 - Stephen King - It’s So Easy
B2 - Sweet Jubilees - So Strong
After the storming success of Take It To Church Volume 1, Midnight Riot step up for another sermon casting a divine light onto the dancefloor to showcase a new era of Gospel - Disco & House.
The emphasis here is on sublime feel-good productions and peaktime workouts from the past and present harnessing that divine spirit of gospel and packing it into club giants. Prepare for a midnight mass of gems from The Showfa, Yam Who?, Stephen King and Sweet Jubilees and take the power to the dancefloor.

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Riot Records turn their sights to the carefree NYC discotheques of the late 70’s with two sumptuous edits from Yamwho? and Motte.
Two peaktime dancefloor cuts, packed to the rafters with passion, optimism and that feel good spirit that that era is so renowned for – harnessed into a double header of DJ friendly bombs.

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