DJ Support from: Dave Lee, Purple Disco Machine, Michael Gray, Birdee, Dr Packer, John Morales, David Harness, Lenny Fontana

Sean’s debut album, ‘Down To The Disco’, comes as a 2 part vinyl series is a tight blend of soulful, disco, '80s boogie, and house music, featuring collaborations with artists such as Brian Lucas, Alexis Victoria Hall, Toni Sea, Nell Shakespeare, Elysha West, Octavia Lambertis, and Pav plus extensive production duties from Midnight Riot’s Yam Who? & Jaegerossa.

Sean Scanlan’s A highly respected UK DJ (Hed Kandi, Fierce Angel, Discopolis, Hat Club, and Ministry of Sound). As a producer his releases have made a significant impact on Traxsource, earning DJ support from industry legends like Joey Negro, DJ Meme, John Morales, Michael Gray, Dr. Packer, and Purple Disco Machine, among others. Inspired by labels such as Salsoul & Z Records, Sean is known for his dedication to producing authentic, high-quality Disco and House music, with a passion for creating vibrant sounds through real musicians, live strings, brass, bass, and percussion, ‘Down To The Disco’ is a must-listen for fans of classic disco house music.


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DJ Support: Craig Smith (Yoruba Affil), Hot Toddy, Timo Garcia / Nolan, Severino - Horse Meat Disco, Bill Brewster, Groove Assassin, Lars Behrenroth, Emma Ryalls, Dj Pope, Ian Friday, DJ Moni, Mathieu Schreyer, Henri Kohn, Jonny Alexander, Sebastian Davidson, Jason Pulaski, Hippie Torrales, Robert, Superfly FM, Makossa, and DJ Harri

Riot records return with the next installment of their Balearic Headspace compilation here we have a sampler featuring some of the biggest tracks.

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The Disco Made Me Do It train steams on into town once again with the 7th volume of their all singing, all dancing, all disco VA sensation. Step aboard and strap in for four dazzling disco infernos from a whole host of the scene’s finest names including Opolopo, Yam Who?, Jaegerossa, Secret Soul and Danny Kane.

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Another joyous slice of delectable disco from the Riot Records camp with Volume 6 of the Disco Made Me Do It series. Four tracks, four peak time, hands in the air disco heaters coming courtesy of Sense Of Sound Singers with a Yam Who? remix, Jaegerossa, Kathy Brown and Jet Boot Jack with Birdee rework and the Invisible Yams Band. Perfect to spice up any set and add a dose of feel good energy when it’s most needed.

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Four standout tracks plucked from the ISM vaults for this 12” Futurism sampler. On the A Ron Basejam gives a late-night twist to Alena – Changes, before Yam Who? teams up with the vocal talents of Natasha Watts for a modern-day interpretation of the Sha-Lor classic, ‘I’m In Love’.

On the flip side, PBR Streetgang aka Bonar Bradbury and Tom Thorpe go full funk with their stomper ‘J2ThaB’. Closing out the EP, Brothers Young let loose ‘Inferno’ featuring NY City's Brother of poetic license, D-Ham, whose narration takes listeners on a journey from back in the day when NYC’s underground scene consisted of merely a blue light, a basement and a feeling.

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Repress!
Praise the high heavens, the disco gods have blessed us once again with a four track deliverance of gospel inspired ecstasy via Riot Records – ‘Take It To Church - Volume 4’.

Joyous jubilation from Mark Brickman & Yam Who, Wayfaring Strangers, Platinum City, Yam Who? & Brian Lucas that ranges from nu disco-tinged house to peak time organ elation, clavinet heavy grooves to funked up, soulful house rejoicing.


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A1 - Bad Times - Yam Who? Remix
A2 - Bad Times
B1 - You Must Be The Girl
B2 - Bionic Lover

Back in February Risk Assessment hit the headlines via a high-profile outing on Glitterbox Recordings that proved the fast-rising artist's ability to create fresh and funky revivalist disco-boogie jams. This four-track missive on Midnight Riot showcases the producer's re-edit skills.

No messing around, "Bad Times" is an '80s wonder dripping with sleazed up synthwork. Yam Who? straps it to a rocket and fires it into the stratosphere with those punchy basslines and beefed up percussive hits that knock you straight for six.

On the B side "You Must Be The Girl" powers through, with Risk Assessment turning a colourful early '80s synth-disco jam into an attractive, tooled-up disco-house romp. "Bionic Lover" closes out proceedings with a house style revision of another low-slung, guitar-laden chunk of disco-rock funkiness.

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All tracks have some kind of story but this is a rather special one.
Recently, legendary American dance producer Arthur Baker discovered in his storage, 2 cuts on 1/4” tape ’Reachin’ & ‘Good Good Lovin’ he recorded in 1979 that for some insane reason have never seen the light of day. He asked Hifi Sean if he would be interested in doing something with them. Within one play Hifi was blown away and brought on board Yam Who? and they quickly got to work resurrecting these soulful disco anthems.
The main cut featured here ‘Reachin’, with Minnie Gardners fierce vocals (think Loleatta Holloway), just needed some modern day dance floor energy. Salvaging the useable sections of the tape that were not worn through time and 2 weeks later they bring this percussive disco monster back to life. ‘Good Good Lovin’ complements the A Side nicely - less bump but more room to groove. It’s a stone cold classic with glorious instrumentation courtesy of Arthur & Co.

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After the shift of consciousness in 2012, generations collided as Charlie and Eli from Soul Clap made contact with another very special duo; Chuck “Da Fonk” Fishman and Sa’D “The Hourchild” Ali. Chuck and Sa’D are one tentacle of the cosmic octopus which is the world of George Clinton / Parliament-Funkadelic.
This vitally important limb touches down in the worlds of Funk, Rock and R&B but also into Disco, House and the electronic beyond. Together with a roster of collaborators including Grammy-nominated producer G Koop, original Funkadelic bass player Billy “Bass” Nelson, Talking Heads and Sting vocalist Dolette McDonald, Midnight Magic’s Morgan Wiley, Philadelphia’s One Era and Michael The Lion, Angeleno Oz “Ozgood” McGuire, Bostonian Chas Bronz, Jamacalian David Marston and more, a supergroup of producers was established representing Funk, Style and Quality better known as FSQ! Lead by the mind of Chuck Fishman the FSQ remixes and reworks have always gone above and beyond.
Soul Clap launched the group in 2014 with the FSQ debut EP, “Zulu Congo Call” which got 9/10 in Mixmag and DJ Mag. Their remix work for other artists can be found across a variety of labels?—?Midnight Riot Records, Jalapeno Records, Wolf + Lamb, Bastard Jazz and many other dance music indies. Their full length album will be released in the winter of 2019 on Soul Clap Records.
Sa’d “The Hourchild” Ali unfortunately passed away in the early summer of 2018. “The Remix Special” an album compilation of unreleased FSQ remixes of their Soul Clap Records label mates was released in Sa’d’s honor with all proceeds going to his family.


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A1 - The Showfa – Joy
A2 - Yam Who? – Tomorrow
B1 - Stephen King - It’s So Easy
B2 - Sweet Jubilees - So Strong
After the storming success of Take It To Church Volume 1, Midnight Riot step up for another sermon casting a divine light onto the dancefloor to showcase a new era of Gospel - Disco & House.
The emphasis here is on sublime feel-good productions and peaktime workouts from the past and present harnessing that divine spirit of gospel and packing it into club giants. Prepare for a midnight mass of gems from The Showfa, Yam Who?, Stephen King and Sweet Jubilees and take the power to the dancefloor.

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Riot Records turn their sights to the carefree NYC discotheques of the late 70’s with two sumptuous edits from Yamwho? and Motte.
Two peaktime dancefloor cuts, packed to the rafters with passion, optimism and that feel good spirit that that era is so renowned for – harnessed into a double header of DJ friendly bombs.

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With its vinyl-only releases, Phosphor pays tribute to true lovers of electronic music. Blending retro influences with contemporary sounds, the label’s identity is rooted in authenticity and modernity. // Retro influences and modern sounds define the label's unique direction.

Designed as an homage to the golden age of 2000s electro, Exploration Begins explores every corner of the genre, blending sharp percussion, deep basslines, retro 80s synths, and 'old school' vocals. The “shiny” Side A radiates luminous, featuring hypnotic, sun-soaked melodies, while the “dark” Side B dives into a deeper, more club-oriented dimension.

With Making Up My Mind, Blue Vision—the duo behind the Phosphor label—showcases their vision of a quintessential electro track: groovy basslines, soaring melodies, and relentless drums, all steeped in the unmistakable sound of the 2000s.

Parisian talent Occibel once again lives up to the high expectations placed on him. With Shake The Future, he demonstrates his knack for crafting vibrant bangers. The track’s catchy melody and signature percussion combine to deliver a sound that is equal parts radiant and danceable.

Cologne-based DJ and producer Kolter takes the lead on Side B of Exploration Begins. Dark and weighty, his contribution draws power from haunting vocals and evocative melodies. Venturing beyond his usual boundaries, Kolter leaves a lasting impression with Electronic Mind.
True to its name, Navigator is a journey through a spectrum of influences. Sometimes hard-hitting, sometimes brooding, yet tinged with moments of melancholy and hope, Eric OS brings this Various Artist release to a masterful close.

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A milestone in electronic music, is finally receiving its well-deserved re-release: Liaisons Dangereuses’ legendary self-titled debut album still fascinates today, through its innovative sound and the mystery encompassing it. Since its release in 1981, it has become a classic in electronic music. The 10 electrifying songs produced by Chrislo Haas (DAF) and Beate Bartel (Mania D. / Matador) – reinforced by Krishna Goineau’s French and Spanish Speech-Attack-Lyrics – created a unique style. The album – anything other than a Berlin or Düsseldorf ‘thing’ – was propelled to an international favourite. Songs such as “Peut Être... Pas” and “Los Niños Del Parque” played a decisive role in the development of Detroit and Chicago’s house sound, as well as various forms of European techno.

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It‘s all about a balanced brekky. Release your release.

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Underground stalwarts Voodoos & Taboos make their Duality Trax debut alongside a remix from rising talent Bertie, set to drop on November 8th. Now on its seventh release, Holly Lester’s vinyl imprint blends seasoned pioneers with the next generation of producers.

A serendipitous moment at London’s E1 in 2023 was the genesis for the labels latest release, when DT label head Holly Lester unknowingly dropped a Voodoos & Taboos track only for the duo to walk in mid-way. Already known for their standout releases on iconic labels like Phonica, Bordello a Parigi, and Palms Trax's CWPT, this chance encounter sparked a creative connection between Holly and the pair.

‘Time Out’ kicks things off with swirling synths and the duo's signature alien electronics, set to a playful breaks infused rhythm and morphing bassline, as command and control rings out overhead. ‘Endless Game’ comes with the usual V&T trimmings; an infectious bassline and with a scattering of curious sounds and samples, with a healthy dose of italo-inspired groove - the type of track reserved for bringing a dash of joy to the dancefloor amidst a heads down body-moving groove.

On the B-side, Australian newcomer Bertie steps up with her remix of ‘Time Out’, following her breakout EP and high-profile remix by Ciel. In a short space of time, Bertie has already developed a signature sound injecting her productions with nostalgic 90s house and contemporary subtext; glued together by crunchy drums and a penchant for wide-eyed rhythms. Sticking to her guns, Bertie’s flip of ‘Time Out’ packs a serious punch, showing why she’s an artist on the rise.

The EP closes out with the psychedelic ‘All Action’ with its vocoder vocal samples, bubbling acid and teleporting top-lines. One of the most notable features of the duo's music is their ability to let things evolve over time, their music often accompanied by strong storytelling, an art that has been almost lost in today’s era of instant gratification; their instrumentation often taking on a life form of their own and dosed with surprises.

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2024 Repress!

After a hit release of its first installment, Arpanet Records is back on your local record store’s shelves with a new underrated gem.

This time around, the repress label is shining a light on a mysterious French producer from the mid 2000’s.

Amplified People built a name for himself at the start of the millennium by offering up a powerful tragedy of emotions, blending together cheap but transcending synths in a raw distorted melody.

A decade later, Amplified People offers up a mash-up compilation of his best work for a second coming.

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Repress!

Worthy italo re-issue (in a newly mastered version) of this early Roberto Ferrante's project. Roberto started his career being part of various electronic music groups in Naples around the early 80s! His career took off when he made his first deal with Best Record by Claudio Casalini for ''Come On Closer'' by Pineapples which obtained worldwide success and was played at the legendary Chicago Radio Station WBMX by the mythological DJ's collective, Hot Mix 5. In 1985 it was time for another classic named ?Faces?, a simple but direct and honest song with an irresistible rhythm and lyrics that tends to move away from that typical dark sound in other Italo-Disco songs of that era. This song is a triumph for synthesizers and electronic drums as it's fully electronic, something still a rarity in those days! The beautiful melody and spiritual essence of ''Faces'' represent the revolution of a new beginning of the Italian pop of the 80s with a perfect arrangement by Roberto Ferrante, a bouncing bassline, and strong and clear vocal. The sweet and sensual voice, full of personality and charm is by Clio (Maria Chiara Perugini). The graphics are by Patrizio Squeglia and all together it made this groundbreaking release which is one of the best Italo-Disco songs ever made.

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What lies on the terrain for which no map exists? Tifra has volunteered to take the plunge and find out. For the 28th record on Haws, the Dutch DJ/producer steps up to the frontline with ‘Terra Incognita’ - a primitive force to be reckoned with that reveres the hypnotising, ominous unknown. Four investigational tracks unify the checkpoints, wandering through themes of 00s/90s leftfield house, prog, and continuous, undulating grooves.

The EP sets sail with ‘Invoke Hysteria’, scavenging through malevolent, hostile waters and a caution of pad synths, drums and agitated melodies.

Relenting onwards, ‘Serpent’ slinks into a mellow respite, moving slowly and deliberately like a snake in the moonless dark. Deep, resonant synths coil around the percussive heartbeat of the track, weaving together velvet layers of bass, wind instruments and steady, surrendering exhalations of breath.

The titular ‘Terra Incognita’ hoists up the anchor and yields to the trance of the summoning liquid night. Repetitive melodies form the contours of its shifting course, moulding a ritualistic rhythm under the dissolving face of the sky.

Admo steps up to the wheel for the remix, smoking out the initial perfume of the atmospherics into a new, tough brutality. Hauling the track out of its initial spacey orbit, he re-embellishes it with dour synths, drums and a primal, subterranean growl.

Some say that there is no worse poverty than that of connection, so why not be the first to take the risk, break the divide and find out what lies beyond the veil? Otherwise, make your own guesses, and then let them guess who you are.

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Autechre announce 2021 reissues of ‘Chiastic Slide’ (1997) and ‘LP5’ (1998).

- Specs 2 x LP in printed inners with spot UV, in wide spine outer with spot UV, download card insert

Tracklisting
A1. Cipater
A2. Rettic AC
A3. Tewe
B1. Cichli
B2. Hub
C1. Calbruc
C2. Recury
D1. Pule
D2. Nuane

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There are many things we do not understand here, maybe in time we will.

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The third album in the Artificial Intelligence series, Bytes was originally released in 1993 and this reissue marks the 30th anniversary. Black Dog Productions were Ed Handley, Andy Turner and Ken Downie. For this record, Handley, Turner and Downie appear under various guises: Atypic, Balil, I.A.O, Close Up Over, Xeper, Discordian Popes and Plaid.

Exact replicas of the original editions, Album re-cut by Beau Thomas at Ten Eight Seven Mastering on classic black wax.

- Packaging Spec: Black 2LP vinyl in polylined inner sleeves in gatefold outer sleeve with download code

Tracklist
A1. Plaid - Object Orient
A2. Close Up Over - Caz
A3. Xeper - Carceres Ex Novum
B1. Atypic - Focus Mel
B2. Close Up Over - Olivine
B3. I.A.O - Clan (Mongol Hordes)
C1. Plaid - Yamemm
C2. Discordian Popes - Fight The Hits
C3. Balil - Merck
D1. Close Up Over - Jauqq
D2. Balil - 3/4 Heart

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Omni AM presents the long-awaited reissue of “Can We Get / Keep Doing That.” This timeless record sent dance music in a new direction. Euphoria Record’s vaults are open and finally, for the first time since 1997, this seminal tech-house classic is available to everyone for the very first time in over 25 years. This 1997 indie record was Euphoria Records second release – and their first international record. Whether you agree with it or not, many people consider this one of the pioneering records of American Tech-House. Both sides and several mysterious alternate versions have graced the decks of DJs like Evil Eddie Richards, Terry Francis, Derrick Carter, Tyler Stadius, and Magda. The list goes on.??

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Another two years have passed since Metro Area last shook up the scene with a 12", and it is with great pleasure that Environ presents the latest outing from Morgan Geist & Darshan Jesrani: METRO AREA 7! This release finds Metro Area continuing on their quest for fresh sounds and timeless production, expanding the compositional palette while retaining the emotional spirit of their early influences. Metro Area have pushed themselves to once again make heartfelt, personal music that stands out from what the rest of the dance music pack is doing and the duo feel this EP is their strongest work since the release of their 2002 self-titled album. "Read My Mind" is the first full-on vocal track to actually be released by Metro Area (they had amassed a small catalog of unreleased vocal tracks since starting the project). Featuring the incredible pipes of Philip Owusu (of Ubiquity Records' Owusu & Hannibal), "Read My Mind" is a dynamic boogie romp full of contrast: sweet yet meloncholy, warm yet raw. It hearkens back to the days where songwriting and arrangement still had a place in dance music and we hope you'll love it. And for the beat purists, there's an irresistible "RMM Special Dub" version - perfect for doubles! Flipping to the B-side yields "Erodyne" - an incredible space-disco epic that rocks time and space, looking forward with angular arpeggiated riffs and futurist moods while anchored by an undeniably D.I.S.C.O. groove. Check out METRO AREA 7 and be transported - hot music, built to last!

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