lim. two color Vinyl. Gatefold Cover with sticker and download code on postcard.

Welcome Back, friends, to the Yacht Soul cruise that never ends!
This theme, explored at length in the previous installment of this series, is a fertile one that just keeps on giving, and give it certainly does on the tracks we have dug up for your perusal, enlightenment, edification and enjoyment on Yacht Soul 2.
For those just joining us, the concept here concerns R&B and soul artists mining the songbooks of their white contemporaries for cover versions that serve the dual purposes of potentially garnering some crossover radio airplay as well as introducing great songs to segments of the listening public who might otherwise miss them. Some of these versions might have come about because they were personal favorites of the artist in question, others might have been strongly suggested by their labels or by the publishing company, but all of them provide an entirely new perspective on what were already fantastic songs to begin with.
So there you have it--a further dig into this nebulous concept that reveals more unexpected connections and crossed paths. Understanding the hows and whys of the way these particular covers and collaborations came to be is as fascinating as just enjoying the music itself, and there really is a lot of great music to dig into this time around! We hope you enjoy listening to it as much as we did putting it together.

VITAL SALES POINTS:

- Second volume from the YACHT SOUL series. First volume is the second best selling "Too Slow To Disco" compilation so far.…
- Extensive Global Promo by Tobias Kirsch/Germany and Special Requests UK
- Record Relase Parties planned.

Tracklist:

1 MEL & TIM - Keep The Faith
2 IMPACT - Sara Smile
3 BILLY PAUL - It's Too Late
4 ESTHER PHILLIPS - I Hope You'll Be Very Unhappy Without Me
5 JOHN EDWARDS - Tin Man
6 ROY AYERS - What You Won't Do For Love
7 ARNOLD MCCULLER - Gringo
8 RICHIE HAVENS - Dreams
9 BRENDA RUSSELL - I Want Love To Find Me
10 PATTI LABELLE - Monkey See - Monkey Do
11 THE MAIN INGREDIENT - Euphrates
12 THE ISLEY BROTHERS - Listen To The Music
13 DIONNE WARWICK - Dedicate This Heart
14 CHAKA KHAN - Fate
15 KENI BURKE - Love Is The Answer
More

Format: 1 x LP | Analogue Remastered | Limited Orange Transparent Edition - Incl. 8 Page Booklet and A2 Poster (60’s Reproduction)

Tracklist:
Side A
1. Sly And The Family Stone - I Can’t Turn You Loose
2. Sly - For Real
3. Freddie And The Stone Souls – LSD
4. Sly And The Family Stone - Life Of Fortune And Fame
5. Sly, Freddie & Rose - You Really Got Me
6. Freddie And The Stone Souls - Something About You
7. The Heavenly Tones - He’s Alright
Side B
1. Sly And The Family Stone - Man Does Not Live
2. Sly And The Family Stone - I Ain’t Got Nobody (For Real)
3. Freddie And The Stone Souls – Superfunk
4. Sly And The Family Stone - Take My Advice
5. Rose - These Boots Are Made For Walkin’
6. Freddie And The Stone Souls - Ain’t Too Proud To Beg
7. The Heavenly Tones - Lord Do Something For Me
Release Notes:
SLY & THE FAMILY STONE: One of the most innovative groups popular music has ever known, the
band that instigated a musical revolution! Black and white, male, and female, SLY & THE FAMILY
STONE were the first- and still the most significant - integrated combo in the history of popular
music. Founded in November 1966 by Sly Stone by merging The Stoners with his brother Freddie’s
Stone Souls, this new sound was a unique and unprecedented fusion of Soul, Funk, Rock, R&B and
Psychedelia. Sly himself was a master musician who wrote, arranged, and produced all the group’s
material, fashioning ingenious musical arrangements with a blend of syncopated rhythm, pop
melody, lowdown funk and unorthodox harmony. And he chose the best players in the San Francisco
Bay Area to implement this outrageous musical vision. With the compilation STONE SOUL we are
focusing upon their rarely heard roots and the earliest examples of the style that would take the
music world by storm. This fascinating set includes the complete recordings of FREDDIE AND THE
STONE SOULS, early solo experiments by SLY and ROSE STONE, the very first SLY AND THE FAMILY
STONE studio session that predates their signing with Epic Records, and the tremendous 1968 demo
‘Man Does Not Live’. Also featured are the gospel sounds of THE HEAVENLY TONES, whose members
would provide vocal backgrounds on multiple Family Stone albums and later become known as Little
Sister.
So Ride the Rhythm and let the music take your mind! More

Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:
A That’s Right
B1 Minor Fools
B2 Soul’s Lament

Release Info:

“Pumping, vibrant, and packed with energy”: Iconic duo Dam Swindle deliver once again with their ‘Minor fools’ EP.

Last year, Dam Swindle celebrated their 10 year anniversary with the ‘Keep on Swindling’ series. The hard-hitters ‘All I want’, ‘Good woman’, and ‘You’ showed various sides of that much loved Swindle sound as well as some steps into a more leftfield electronic area. Now, they’re back on Heist with a 3-track club EP full of that recognizable upbeat energy.

‘That’s Right’ has Dam Swindle in full live mode, not unlike their timeless classic “Call of the Wild feat. Jungle by Night”. Live keys, bass, percussion, and horns (the latter by the Jungle by Night’s trumpet guru Bo Floor) give you the feeling like you’re on stage with a full band, hearing them give their all to record this heartwarming piece of music. Over the course of its 7 minutes, the duo takes you on an electrifying feel-good trip through the Swindle sonic universe.

On The EP title track ‘Minor fools’, Dam Swindle go into classic US house mode. Shuffling hats, a bouncy bass and male vocal chops lay the foundation for some crunchy jazz chords (think Underground Resistance with a Swindle touch). The track builds tension with haunting organs, looped vocals and smart modulation in the keys. Add to that the bouncy synth section at the heart of the track and you’ve got a jam that slaps hard in the best way imaginable.

The EP ends with the dreamy & contemplative ‘Soul’s lament’; A slow burner that builds and builds on a relentless rhythm of bells and skipping hi-hats. Slowly, a massive string section takes control of the track, after which, an acid line takes over that gives the track its driving electronic touch. It’s a welcome deep note to an EP that shows you exactly why Dam Swindle are such well respected and versatile producers.

Grab this record while you can and dance, dance, dance!

Heist Recordings.
More

Bursting into the summer with a vibrant and dynamic debut album, Energy Exchange Ensemble (EX Ensemble), assume their position as innovators of contemporary organically engineered dance music inspired by collaboration and that "special sauce" born from improvised jam-style musicianship. Long-time collaborators and pioneers of Melbourne's indefinable underground sound through collectives like 30/70 and Zeitgeist Freedom Energy Exchange, Lewis Moody and Ziggy Zeitgeist, reunite on their latest project, EX Ensemble. Energy Exchange Records Vol 1. pays homage to the transcultural projects curated by iconic label, ECM, capturing the impassioned spirit of spontaneity.

- First project of Energy Exchange Ensemble, Energy Exchange Records in-house band
- Extensive Global Promo by Gilles Peterson, Tom Ravenscroft, Zakia (NTS), Gilles Secretsundaze


Tracklist:

1. Lime Green Skies ft. Oscar Jerome
2. Art Make Luv / Brighter Star ft. Allysha Joy
3. On My Toes ft. CC Dance Orchestra
4. Obana ft. Eric Owusu (Zeitgeist 808 RMX)
5. East Moon
6. Smiling Down on Me ft. Allysha Joy & Cody Currie

More

Genre: Country, Americana, Americana Gothic

Big Daddy Mugglestone is back, with his first full-length solo release in over 2
decades! Rumi Sounds is proud to
present this collection of songs about Life,
Love, and God that really embody the idea of Americana Gothic. The
songs are dark but not bleak, giving a glimpse of forgiveness...even the
12-minute long murder ballad for which the album is named is still a love song.


With a mixed band of Denver and Berlin-based friends, Mugglestone steps out of the shadowy depths
to create a record you and yr auntie could listen to while doing the dishes or
lounging on the sofa on a rainy day.

The psyche-melodic guitar swirls of Oska Wald and the alluring back-up
vocals of MTN GRL elevate his wry
croon, not quite country but not quite
contrary. Something like if Lee Hazlewood and John Prine both wanted to buy
the same vintage lamp...


A1 Blood Does not Make Family
A2 Past and Still
A3 It's Fine
A4 Never Be the Same
A5 Trainclock Heartbeat
A6 I can Float
B1 Switchblade Romance
B2 Drink Myself to Death
B3 To Give A Ghost A Name
B4 Hangman & the Rainmaker


More

2LP

Tracklist
1. Bo Harwood & John Cassavetes - No One Around To Hear It
2. Chen Ming Chang - Rainwater
3. Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4. The King Of Luxembourg - Poptones
5. Slapp Happy - Is It You
6. O.G. Jigg - Jesus Is My Jam
7. Klang - As It Is
8. Scala - Fuser
9. Soft Location - Let The Moon Get Into It
10. Gyeongsu - YZOBEL (feat. CROCHE)
11. Omertà - Moments In Love
12. Kasumi Trio - Cabbage Butterfly
13. Un - Fast Money Blues
14. Delphine Dora - V
15. Harry Plunket-Greene - The Hurdy-Gurdy Man

Short info:

Searchlight Moonbeam is the new narrative compilation from Time Is Away (Jack Rollo and Elaine Tierney) whose eponymous monthly NTS Radio shows, tinctured fusions of fugitive sounds and reverie-inducing archival speech, have won them an ardent following. It follows from the London-based duo’s Ballads, a remarkable driftwerk released on A Colourful Storm in 2022.


Searchlight Moonbeam is an autumnal dreamscape, intimate and vespertine, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (written for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisations of self-taught French pianist Delphine Dora.


Revelations are frequent: the bedsit isolationism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elastica guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude-grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beautiful, plaintively dubby ‘Is It You?’ by Slapp Happy; a psych-tinged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats.


Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associative, intuitive, borderless. Emotional and mysterious. Endowed with the tactility of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons.

2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evocative essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s still-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.





More

LP - Territory: WW Minus UK/Eire,Usa

- Limited Edition (500 copies worldwide - Hand-numbered)
- Transparent 'Clear' vinyl
- Printed on heavyweight reverse board outer sleeve with hand-numbered edition sticker
- Cover artwork by Dutch visual artist Sigrid Calon
- Vinyl comes in black poly-lined protective bag
- Housed in a heavyweight PVC protective outer sleeve
- Vinyl pressed at Optimal media GmbH
- Printed at Delga in the UK

GENRE/S: Contemporary Jazz / Ambient / Experimental

TRACKLISTS:

A1: Secant
A2: Oblique (LP exclusive version)

B1: Parallel
B2: Tangent
B3: Longing for Tomorrow (Brandt Brauer Frick Remix) - (Vinyl exclusive)

Total Running time: 27' 63"

SHORT INFO:

London based composer, multi-instrumentalist and producer Akusmi announces 'Lines', an exhilarating new collection of works born from the desire to take where the acclaimed debut album 'Fleeting Future' left off - in search of new forms.

" 'Secant', I must have listened to this tune 3 times in a row, this one soundtracked my night drive through the winding roads" - Benji B, BBC Radio 1


'Lines' is presented as a Limited edition clear vinyl (500 copies only worldwide), printed in heavy-weight reverse board sleeve with a hand-numbered edition sticker. The vinyl edition also features 'Oblique' (A2), an exclusive version for the vinyl format, plus the now revered 'Longing for Tomorrow' - (Brandt Brauer Frick Remix), previously unreleased physically and now pressed on vinyl format, ending side B. The cover artwork features another collaboration with Dutch visual artist Sigrid Calon and design by label founder Adam Heron.

Formed with a sense of urgency and a reductive approach 'Lines' is almost entirely comprised of alto saxophone, clarinet and piano with embellishments of ambience and minimal percussive elements. Recorded in full at his home studio in London, Pascal Bideau speaks about the process:

"I wanted to go a bit more a bit more horizontal and ambient, work with layers of lines, might they be dotted or straight, and leave them to unfold and see where they would take me."

Akusmi uniquely finds the spaces in between experimental jazz, crossover classical and ambient music.


VITAL SALES POINTS:

- " 'Secant', I must have listened to this tune 3 times in a row, this one soundtracked my night drive through the winding roads" - Benji B, BBC Radio 1
-
- 'Lines' is presented as a Limited edition clear vinyl (500 copies only worldwide), printed in heavy-weight reverse board sleeve with a hand-numbered edition sticker. The vinyl edition also features 'Oblique' (A2), an exclusive version for the vinyl format, plus the now revered 'Longing for Tomorrow' - (Brandt Brauer Frick Remix), previously unreleased physically and now pressed on vinyl format, ending side B
-
- Debut Album 'Fleeting Future' is long sold out and was selected as The Guardian's - Contemporary Album of the Month (Experimental)
-
- Expected support from BBC Radio 3, BBC 6 Music



More

LP - Territory: WW Minus UK/Eire,Usa

1. ABOUT
- Limited Edition (500 copies worldwide)
- Transparent Clear vinyl
- Printed on heavyweight reverse board outer sleeve
- Double sided printed vinyl insert featuring liner notes by Brian Allen Simon
- Vinyl comes in black poly-lined protective bag
- Housed in a heavyweight PVC protective outer sleeve
- Hype front sticker
- Vinyl pressed at Optimal media GmbH
- Printed at Delga in the UK


2. GENRE/S: Ambient / Experimental / Jazz




3. TRACKLISTS: see next page
Please add track lists for all listed formats.

Side A
01. Untitled Skies
02. Moons Melt Milk Light
03. Maine Piano
04. Night Painting I
05. A Million Birds II
06. As it is When it Appears

Side B
01. Champeix
02. Night Painting II
03. Hand Poetry
04. Endings (Solo)
05. Sightless Eyes (N16)



4. SHORT INFO:

Anenon's tenor saxophone breathes an emotive contemplation on loss, meshed with sustained piano and field recordings. 'Moons Melt Milk Light' is a hyper-personal statement contained in a visceral beauty.

LA native Anenon returns with a highly anticipated new album 'Moons Melt Milk Light' on Tonal Union, bearing his most personal, expressive, and arresting works to date. Anenon is the ongoing solo studio and live project of Brian Allen Simon, whom since 2010 has released multiple albums and EPs to critical acclaim, including the highly revered 'Tongue' (2018) and 'Petrol' (2016).

'Moons Melt Milk Light' is direct, efficient, and unwavering in its immediacy. Anenon departs from the electronics of previous works, and embarks on a reductive, almost entirely acoustic approach consisting of piano, tenor saxophone, bass clarinet, and field recordings. All of the music was improvised with everything recorded as either a first or second take with no edits. Any layering happened fast and in the moment, and yet the sonic architecture of the whole feels both planned and refined.

"I feel a kinetic and messy honesty that doesn't exist in any of the other music I've ever made. There is also a sense of being settled, of calm. There is no faking it here."


Full Press Release here: Click here


5. VITAL SALES POINTS:

- PR + Radio campaign by Five Worlds PR (UK) / Dense PR + Radio campaign (EU)


Anenon - Previous Press / Quotes

"Anenon straddles the line between esoteric and accessible with ease and grace, a trait attributable to Simon's self-taught style" - Pitchfork, Tongue (2018)

"Anenon creates a world built from the snug comfort of rain and the quiet joy that comes from solitude." - Pitchfork, Tongue (2018)

"Anenon straddles the line between esoteric and accessible with ease and grace, a trait attributable to Simon's self-taught style" - Pitchfork, Petrol (2016)

"Petrol finds the artist coming into his own, interpreting his life experience into sublime electro-acoustic music." - RA, Petrol (2016)

"Campana," "Pure" and "Verso" are all exceptional. In its own way, each is exquisitely played and a pleasure to take in. - Exclaim, Tongue (2018)

"The first few listens don't disclose the full complexities of Simon's work - it remains semi-horizontal and distant, like a tired shrug. But after several repeats, the circular motifs begin to, if not get under the skin, then at least claw at it a bit" - The Wire, Tongue (2018)

"There's velocity and suspense in equal proportion" - The Wire, Petrol (2016)

"There's velocity and suspense in equal proportion, a sense of expansion that evokes the metropolitan area's sprawl." - The Wire, Petrol (2016)

"Skittering strings and spectral sax luxuriate in gossamer textures" - The Wire, Petrol (2016)



More

Lim. 100 Copies / Yellow Version

When South Korean balearic prodigy Mogwaa came to MM Discos with an idea for his rst full-length album, we were a bit surprised.
He said, ‘I want to do an album of bossa tracks with synths, a drum machine and my guitar’. We obviously had to take him up
on that deal.

Fresh from the recent Bandcamp feature on his own brand of danceoor-ready modern boogie, Seungyoung Lee (aka Mogwaa)
arrives back on MM Discos with his - and our - rst full length exercise. With six tracks per side of 80s inuenced synth and bossa
badness, ‘Hazy Dreams’ is an exercise in simplicity, and more proof of the ever-expanding musical horizons of one of the scene’s
most virtuosic instrumentalists.

Pairing a sensitivity to the construction of ambient, funk, bossa and cassette-tape 80s experiments with his own cinematic subtlety,
‘Hazy Dreams’ takes a gentle, minimalistic approach, crafting its own escapist world that oers a welcome diversion from the
steady ow of busy balearica and downtempo.

Opening track ‘Full Bloom’ paints a picture of midsummer at dawn, some clear-skied island where lush vegetation climbs through
hibiscus gardens. ‘Nacimiento’ is an AOR/bossa crossover evoking West Coast yachting in full afternoon, and A3, ‘Soothing’, adds
a touch of wistfulness with reverb-doused guitars over meandering bass motifs.
The easy kick-and-snare combo of ‘Levitation’ sets the scene for a drum machine love aair, unrequited love on the rocks, and
‘Flashback’ plays with short delay trails and o-kilter melodic sequences, where you feel the soft presence of the nebula approaching
at the break of day. Closing out the A-side, ‘Dispatching’ reaches out even further into the imagined cosmos of Mogwaa’s
picture-perfect world, portraying an ambience at dusk, observing, calmy, as pued-up pink clouds melt into the evening canvas.
On the other side, Mogwaa explores quiet corners with ‘Illusions’, a slow meditation on the nature of simple presence, and ‘Echoes
of You’, a stream of subdued brush strokes that crescendo into higher frequencies on gently undulating pads. B3, ‘Moondance’,
ups the tempo and recalls classic Mogwaa with its sideways shue and starry melodic refrain, pivoting through folk-dance
moods and surprising chord changes.
Nearing the end of the album, ‘Footprints’ wades through tall grass in search of altered states, innite and hypnotic, changing
course only to crouch down and study the landscape, and B5, ‘It always comes and goes’, pictures the to-and-fro of jetstreams and
comets in the blinding midday sky. Finally we have the closing credits of ‘Swingin’ that looks o into the horizon, jaunty and exalted,
a guitar-led tribute to an easy-going world, and ultimately mindful of the power of dreams.
We’re humbled to have such a special record for our rst full-length release on the label.
Limited stock - don’t sleep on this. More