Label:Local Talk
Cat-No:LT136
Release-Date:30.04.2023
Genre:House
Configuration:12"
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Cat-No:LT136
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Genre:House
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1
envee - Sum Luv (Zed Bias 2 Step Mix)
2
envee - Sum Luv (Original Version)
3
envee - Styrax (Zed Bias 2 Step Mix)
4
envee - Styrax (Original Version)
Now, this release is really special. Warsaw's finest producer, envee (yes spelled in lower case) has been around the block since the early 2000s and is arguably Poland's #1 producer of underground dance music...with soul.
With a sound that often leans towards the UK underground, we thought that we should enlist one of envee's (and our) fave producers to remix his new Local Talk release; Manchester’s finest Zed Bias.
We asked Zed to give us that deep, soulful 2-Step rub but with a slight jazz edge and boy did he deliver.
Not only did he remix one of the tracks, he got so inspired and remixed both tracks...don!
It's proper UK deep UK 2-step / garage that will work in any (!) decent club. Yup it's that good.
We of course need to mention the original mixes from envee himself.
Sum Luv is a warm and melodic hip hop / soul jam with a slight Dilla(ish) backbeat. A proper tune!
Styrax sounds like a killer jazz-funk banger straight out the Bugz In The Attic playbook with jazzy Rhodes, breakbeats, big strings, and a bad bassline. West London meets Wars aw...bam!! More
With a sound that often leans towards the UK underground, we thought that we should enlist one of envee's (and our) fave producers to remix his new Local Talk release; Manchester’s finest Zed Bias.
We asked Zed to give us that deep, soulful 2-Step rub but with a slight jazz edge and boy did he deliver.
Not only did he remix one of the tracks, he got so inspired and remixed both tracks...don!
It's proper UK deep UK 2-step / garage that will work in any (!) decent club. Yup it's that good.
We of course need to mention the original mixes from envee himself.
Sum Luv is a warm and melodic hip hop / soul jam with a slight Dilla(ish) backbeat. A proper tune!
Styrax sounds like a killer jazz-funk banger straight out the Bugz In The Attic playbook with jazzy Rhodes, breakbeats, big strings, and a bad bassline. West London meets Wars aw...bam!! More
More records from envee
Label:local talk
Cat-No:lt094
Release-Date:24.05.2019
Genre:House
Configuration:7"
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Cat-No:lt094
Release-Date:24.05.2019
Genre:House
Configuration:7"
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1
envee - brotherman
2
envee - brotherman (dub)
Maciek 'Envee' Golinski debuts on Local Talk with the second 7" ever released on the label. Brotherman is the perfect example of that stripped back New Jersey sound that will keep the dance floor moving all the way through closing and to the after party. It's a signature style that's often imitated, but rarely bettered - Envee show us how it's done. On the flip Envee gives the track a polish with some strings and percussion, without loosing the intensity of the original.
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More records from Local Talk
Label:Local Talk
Cat-No:LT132
Release-Date:03.11.2023
Genre:House
Configuration:12"
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Cat-No:LT132
Release-Date:03.11.2023
Genre:House
Configuration:12"
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1
Caserta - Hip Hop (Rap Mix)
2
Caserta - Hip Hop (Haus Dub)
3
Caserta - g'Head (LA Mix)
4
Caserta - g'Head (Boston Dub)
When it comes to breathing new life into classic cuts Joseph Caserta is as good as it gets, proven many times on his imprint BridgeBoots.
Making punchy and jackin' house, sounding like it's been dipped in some secret sauce is another trick of his.
The first track on his Local Talk debut, Hip Hop, comes in two flavours with the special sauce added on top.
Both the Rap Mix and the Haus Dub got swinging drums and a meaty, stabby chord that keeps the energy tight.
On the flip, 'g'Head' is a punchy and bumpy house jacker that takes a hold of you and doesn't let go. More
Making punchy and jackin' house, sounding like it's been dipped in some secret sauce is another trick of his.
The first track on his Local Talk debut, Hip Hop, comes in two flavours with the special sauce added on top.
Both the Rap Mix and the Haus Dub got swinging drums and a meaty, stabby chord that keeps the energy tight.
On the flip, 'g'Head' is a punchy and bumpy house jacker that takes a hold of you and doesn't let go. More
Label:Local Talk
Cat-No:LT139
Release-Date:03.11.2023
Genre:House
Configuration:12"
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Label:Local Talk
Cat-No:LT139
Release-Date:03.11.2023
Genre:House
Configuration:12"
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1
Acid Jerks - Shades Of Grey
2
Acid Jerks - Wheels Of Fortune
3
Acid Jerks - Rise Up
4
Acid Jerks - Ace Of Spade
Hot on the heels of their releases on Nu Groove and Refuge Recordings Acid Jerks are back once again with another EP of jackin' traxx.
It's their first for Local Talk and we are, of course both proud and honoured to release "Hifi Shades Of Grey" on limited 12" vinyl.
The Acid Jerks sound is tried and tested to perfection by now and their fans won't be disappointed listening to this EP for sure.
First up is 'Shades Of Grey', a proper builder with its haunting strings, setting the tone perfectly.
Then we have 'Wheels Of Fortune', a track with that raw Chicago vibe. Warehouse soul anyone?
Both 'Rise Up' and 'Ace Of Spade' are tracks infused with that and equal parts of old-school and bounce.
Acid Jerks makes music that is impossible to ignore, it's a fact. More
It's their first for Local Talk and we are, of course both proud and honoured to release "Hifi Shades Of Grey" on limited 12" vinyl.
The Acid Jerks sound is tried and tested to perfection by now and their fans won't be disappointed listening to this EP for sure.
First up is 'Shades Of Grey', a proper builder with its haunting strings, setting the tone perfectly.
Then we have 'Wheels Of Fortune', a track with that raw Chicago vibe. Warehouse soul anyone?
Both 'Rise Up' and 'Ace Of Spade' are tracks infused with that and equal parts of old-school and bounce.
Acid Jerks makes music that is impossible to ignore, it's a fact. More
12"
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Label:Local Talk
Cat-No:LT130
Release-Date:09.06.2023
Genre:House
Configuration:12"
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Label:Local Talk
Cat-No:LT130
Release-Date:09.06.2023
Genre:House
Configuration:12"
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1
Timothee Milton Feat. Angela Johnson - Love's Gonna Get You (Hugo LX Underwater Mix)
2
Timothee Milton Feat. Angela Johnson - Love's Gonna Get You (Art Of Tones Remix)
3
Timothee Milton Feat. Angela Johnson - Love's Gonna Get You (Main Mix)
French producer Timothee Milton debuts on Local Talk with an EP that fumes of soulfulness in every direction.
Written by Angela Johnson, the original is a big vocal deep house jam that got some hints of the 90s Jersey sound..but not too retro ;).
To give the package an extra edge we enlisted deep house connoisseur Hugo LX and boogie-house maestro Art Of Tones for the remixes, and our boys really delivered the goods.
Hugo's mix is a classy as it gets, supa bumpy deep house where everything little production detail is delivered with good taste.
The Art Of Tones remix is equally strong but goes for a more uplifting approach and puts the funk, boogie and soul front & centre.
Big !
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Written by Angela Johnson, the original is a big vocal deep house jam that got some hints of the 90s Jersey sound..but not too retro ;).
To give the package an extra edge we enlisted deep house connoisseur Hugo LX and boogie-house maestro Art Of Tones for the remixes, and our boys really delivered the goods.
Hugo's mix is a classy as it gets, supa bumpy deep house where everything little production detail is delivered with good taste.
The Art Of Tones remix is equally strong but goes for a more uplifting approach and puts the funk, boogie and soul front & centre.
Big !
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Label:Local Talk
Cat-No:LT131
Release-Date:23.05.2023
Genre:House
Configuration:12"
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Label:Local Talk
Cat-No:LT131
Release-Date:23.05.2023
Genre:House
Configuration:12"
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1
Laroye - A1. BEAUTY IN MOTION
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Laroye - A2. PEOPLE OUT THERE (YOU GOTTA DO WHATCHA WANNA DO)
3
Laroye - B1. LET IT GO
4
Laroye - B2. GRATEFUL
French producer, musician and DJ, Thomas Arroyo aka Laroye has over the last couple of years been dropping musical releases in all the right places, Atjazz Record Company, Vision Recordings and Freerange Records to name a few, Local Talk are extremely proud to present 'Let It Go' to the world.
From his studio in Brighton where he resides nowadays, Laroye has produced four highly musical compositions that will appeal to a wide audience of house heads as well as the jazz, soul, and funk communities.
The EP offers everything from vocal soul /boogie jams like 'Beauty in motion' and 'Grateful' to the deep vocal house of 'Let it go' and the jazz-funk with a strong rare groove feel on 'People out there'.
Just 100% quality all the way. More
From his studio in Brighton where he resides nowadays, Laroye has produced four highly musical compositions that will appeal to a wide audience of house heads as well as the jazz, soul, and funk communities.
The EP offers everything from vocal soul /boogie jams like 'Beauty in motion' and 'Grateful' to the deep vocal house of 'Let it go' and the jazz-funk with a strong rare groove feel on 'People out there'.
Just 100% quality all the way. More
12"
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Label:Local Talk
Cat-No:LT135
Release-Date:31.03.2023
Genre:House
Configuration:12"
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Cat-No:LT135
Release-Date:31.03.2023
Genre:House
Configuration:12"
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1
Soul Renegades - Real Change
2
Wipe The Needle - Light Years Away
3
The James L'Estraunge Orchestra - Broken Spells
4
Nico Lahs - Happenstance
"We've now been at this since 2010 and over the years we've really tried to deliver the kind of house music (and beyond) that we would play, listen and dance to ourselves.
We really tried to avoid the dangerous traps of following trends which in the long run can water down labels to just a music portal instead of a music brand with character.
Basically, we aim to deliver our own musical personality via artists and producers that we love and respect. To sum things up, we are proud to present Local Talk - 13 Years Later.
On this 13 Years Later compilation we reached out to some of our friends on the house scene and as always, we try and aim for a wide spectrum of styles.
You'll hear everything from classic house, deep house and soulful house to Detroit(ish) and Jazz(ish) from some of our fave producers.
We sincerely hope you will enjoy this selection of dance MUSIC as much as we do and that there's something for everyone on our compilation." More
We really tried to avoid the dangerous traps of following trends which in the long run can water down labels to just a music portal instead of a music brand with character.
Basically, we aim to deliver our own musical personality via artists and producers that we love and respect. To sum things up, we are proud to present Local Talk - 13 Years Later.
On this 13 Years Later compilation we reached out to some of our friends on the house scene and as always, we try and aim for a wide spectrum of styles.
You'll hear everything from classic house, deep house and soulful house to Detroit(ish) and Jazz(ish) from some of our fave producers.
We sincerely hope you will enjoy this selection of dance MUSIC as much as we do and that there's something for everyone on our compilation." More
Label:Local Talk
Cat-No:LT126
Release-Date:24.02.2023
Genre:House
Configuration:12"
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Label:Local Talk
Cat-No:LT126
Release-Date:24.02.2023
Genre:House
Configuration:12"
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1
Soulphiction With Netzer - Bizzness Live @ BIX
2
Soulphiction With Netzer - Dileila Emergency Dub Live @ BIX
Local Talk are proud to present a live recording with Soulphiction & Netzer from 2018, recorded live just a month before the official release of 'Bizzness' the first of several releases Soulphiction and Local Talk released together.
Bizzness is by many considered a classic and had all the trade marks of a Soulphiction tune with its dusty soul and funk-infused house ingredients.
This live version really shows the vision and forward thinking of Michel Baumann using his Soulphiction moniker.
Also included on this release is a - as far as we know it - unreleased track called Dileila Emergency Dub.
A track built around a heady deep house theme that captures the sweaty, back-in-the-day feel we all love to hear in a track.
________________________________________
All tracks by Michel Baumann
Performed Live with 'Netzer' on 12.5.2018 at Jazzclub BIX / Stuttgart
Netzer are:
Oli Rubow - Drums & Live drum FX
Markus Bodenseh - Bass
Markus Birkle - Guitar
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Bizzness is by many considered a classic and had all the trade marks of a Soulphiction tune with its dusty soul and funk-infused house ingredients.
This live version really shows the vision and forward thinking of Michel Baumann using his Soulphiction moniker.
Also included on this release is a - as far as we know it - unreleased track called Dileila Emergency Dub.
A track built around a heady deep house theme that captures the sweaty, back-in-the-day feel we all love to hear in a track.
________________________________________
All tracks by Michel Baumann
Performed Live with 'Netzer' on 12.5.2018 at Jazzclub BIX / Stuttgart
Netzer are:
Oli Rubow - Drums & Live drum FX
Markus Bodenseh - Bass
Markus Birkle - Guitar
More
Label:Local Talk
Cat-No:LT123
Release-Date:20.01.2023
Genre:House
Configuration:12"
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Label:Local Talk
Cat-No:LT123
Release-Date:20.01.2023
Genre:House
Configuration:12"
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1
Coflo & Lee Wilson - Rainbows (Backside Mix)
2
Coflo & Lee Wilson - Rainbows (Original Mix)
Coflo & Lee Wilson returns to Local Talk with a follow up to their single 'Fool For You'. Their new release 'Rainbows' is showcasing a duo that yet again brings some superb soulful house music that can not fail to ignite a floor.
Coflo's warming, musically expansive house sound frequently offers nods to several genres but he manages to tie them all together brilliantly. Combined with Lee's vocals the duo is a force to be reckoned with.
The Backside Mix is a thrusting, bass-heavy bump channeling Yoruba's grandmaster Osunalde mixed with something Henrik Schwarz would produce in his prime.
It's definitely made for the late after-hours in a club when there's sweat on the walls.
It's followed on the flip by the original mix which is an organic-sounding version without losing sight of the style and sophistication that are the hallmarks of Coflo's production.
Yet another unique, masterful track, all crisp and mixed with muscular Motor City futurism More
Coflo's warming, musically expansive house sound frequently offers nods to several genres but he manages to tie them all together brilliantly. Combined with Lee's vocals the duo is a force to be reckoned with.
The Backside Mix is a thrusting, bass-heavy bump channeling Yoruba's grandmaster Osunalde mixed with something Henrik Schwarz would produce in his prime.
It's definitely made for the late after-hours in a club when there's sweat on the walls.
It's followed on the flip by the original mix which is an organic-sounding version without losing sight of the style and sophistication that are the hallmarks of Coflo's production.
Yet another unique, masterful track, all crisp and mixed with muscular Motor City futurism More
Label:Local Talk
Cat-No:LT124
Release-Date:15.07.2022
Genre:House
Configuration:12"
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Cat-No:LT124
Release-Date:15.07.2022
Genre:House
Configuration:12"
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1
Soul Signals - Stevie's Groove
2
Soul Signals - Stevie's Groove (Soul Renegades Remix)
From the collective brain of Craig Smith & Saleem Andrew McGroarty comes a new 'live' outfit called Sound Signals.
Together with keyboardist Stevie Christie, bass-man Cameron Bradley and percussionist Paulo Riddle they served up a deep, warm and jazzy basement house workout...
With vintage keys (courtesy of Stevie) and a stellar production this is equally a Jazz-Funk tune as much as a house jam...just take your pick!
In order to increase the musical value we got something special on side B.
Here Craig teams up with his Scottish soul brother Ricky Reid for a remix under their Soul Renegades moniker with a big-stringed late night house fanfare.
It kinda reminds us of those tasteful and melodic deep house productions coming out of Italy in the mid/late 90's...think Don Carlos :) More
Together with keyboardist Stevie Christie, bass-man Cameron Bradley and percussionist Paulo Riddle they served up a deep, warm and jazzy basement house workout...
With vintage keys (courtesy of Stevie) and a stellar production this is equally a Jazz-Funk tune as much as a house jam...just take your pick!
In order to increase the musical value we got something special on side B.
Here Craig teams up with his Scottish soul brother Ricky Reid for a remix under their Soul Renegades moniker with a big-stringed late night house fanfare.
It kinda reminds us of those tasteful and melodic deep house productions coming out of Italy in the mid/late 90's...think Don Carlos :) More
12"
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Label:Local Talk
Cat-No:LT118
Release-Date:20.05.2022
Genre:House
Configuration:12"
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Label:Local Talk
Cat-No:LT118
Release-Date:20.05.2022
Genre:House
Configuration:12"
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1
Nico Lahs - Everything Is Good
2
Tooli - That Cowbell Track
3
Tooli - That Cowbell Track (Dub)
It's been a while since Local Talk presented a 12" with two artists doing one side each but it's time again.
Italian powerhouse Nico Lahs glides smoothly between labels like Delusions Of Grandeur, Adeen and Rawax, working with house royalty Chez Damier and keeps delivering top quality music.
His contribution to this split 12" is the track 'Everything Is Good', one of those moments when everything (!) works just perfectly.
A straight forward track that embraces loops and repetition with hints of HNNY's golden days.
On the flip Local Talk's very own Tooli moves through a series of moods and grooves with the 'That Cowbell Track', a cut which eases you deeper and deeper into the dance, with clever rhythmic programming.
A dub that focuses on the cowbell is also added for your pleasure, because you can't have enough cowbell, can you ? More
Italian powerhouse Nico Lahs glides smoothly between labels like Delusions Of Grandeur, Adeen and Rawax, working with house royalty Chez Damier and keeps delivering top quality music.
His contribution to this split 12" is the track 'Everything Is Good', one of those moments when everything (!) works just perfectly.
A straight forward track that embraces loops and repetition with hints of HNNY's golden days.
On the flip Local Talk's very own Tooli moves through a series of moods and grooves with the 'That Cowbell Track', a cut which eases you deeper and deeper into the dance, with clever rhythmic programming.
A dub that focuses on the cowbell is also added for your pleasure, because you can't have enough cowbell, can you ? More
Label:Local Talk
Cat-No:LT117
Release-Date:06.05.2022
Genre:House
Configuration:12"
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Cat-No:LT117
Release-Date:06.05.2022
Genre:House
Configuration:12"
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1
Wipe The Needle - Round Of Applause Feat. Aleusha Lei
2
Wipe The Needle - Would Ya
3
Wipe The Needle - It's My World
4
Wipe The Needle - Jack The Nitty
Lee Gomez aka Wipe The Needle has made music in many complimentary styles.
His debut on Local Talk featured Alex Littmore's soulful vocals and took us on journey that goes beyond the house genre.
This time his bruk roots are heavily featured, sprinkled with a touch of soul, jazz and boogie to create an impressive collection of songs.
Fans of Bugz In The Attic and bustling West London broken beat mixed with grit, this one's is for you... More
His debut on Local Talk featured Alex Littmore's soulful vocals and took us on journey that goes beyond the house genre.
This time his bruk roots are heavily featured, sprinkled with a touch of soul, jazz and boogie to create an impressive collection of songs.
Fans of Bugz In The Attic and bustling West London broken beat mixed with grit, this one's is for you... More
12"
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Label:Local Talk
Cat-No:LT120
Release-Date:11.03.2022
Genre:House
Configuration:12"
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Label:Local Talk
Cat-No:LT120
Release-Date:11.03.2022
Genre:House
Configuration:12"
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From the very beginning in 2011 the concept was simple and crystal clear.
Mad Mats & Tooli's new label Local Talk had two main focus points.
First, the actual music was to be inspired around those magical 4/4 house rhythms...and beyond.
Second, the logo! The idea was that a simple and direct visual point together with a strong dance MUSIC message would make the label stand out among other labels in their northern neck of the woods.
In Scandinavia, the main theme is electronic 4/4 rhythms (techno, tech-house etc) and with Local Talk being more inspired by black dance music this has made them the black sheep in the hometown of Stockholm.
To set the musical direction straight from the very start they released Bassfort's 'Moon Shadow' which got instant attraction from both house heads and the more open-minded clubbing community.
With its warm, melodic chords, infectious piano theme and big strings it's always been the label's fave jam from their now +150(ish) releases.
When they decided to choose a track that would define the label for their 10-year anniversary, the choice was simple.
Mats & Tooli thought long and hard about who they wanted to interpret 'Moon Shadow' and after months of discussing options they decided that the only one they could trust to give the track a quality boost was NYC legend Joe Claussell.
Back in the late 90's, Mats used to book Joe for his legendary Raw Fusion parties in Stockholm so the connection and mutual respect were already in place. The result is a +11 minute long musical house journey that builds and builds until those characteristic piano chords make an entrance and transform the dynamics into a rainbow of sounds. Epic is not a word big enough to explain this grand musical production !
But the goodness does not end there, we're only halfway in on this anniversary release. The blood brothers Javi & Luis aka Kyodai (and 2/3 of Bassfort) made their own mix on the B side track from the original release, Moonlight.
As schooled jazz musicians they diverted from the electronic soundscape and went for a live jazz-funk production.
The final product is a warm and musical version with live drums, bass, piano, strings and even vocals from the brothers themselves.
The track almost comes across as something 4 Hero would put out back in the day.
All we can say, enjoy the dance! More
Mad Mats & Tooli's new label Local Talk had two main focus points.
First, the actual music was to be inspired around those magical 4/4 house rhythms...and beyond.
Second, the logo! The idea was that a simple and direct visual point together with a strong dance MUSIC message would make the label stand out among other labels in their northern neck of the woods.
In Scandinavia, the main theme is electronic 4/4 rhythms (techno, tech-house etc) and with Local Talk being more inspired by black dance music this has made them the black sheep in the hometown of Stockholm.
To set the musical direction straight from the very start they released Bassfort's 'Moon Shadow' which got instant attraction from both house heads and the more open-minded clubbing community.
With its warm, melodic chords, infectious piano theme and big strings it's always been the label's fave jam from their now +150(ish) releases.
When they decided to choose a track that would define the label for their 10-year anniversary, the choice was simple.
Mats & Tooli thought long and hard about who they wanted to interpret 'Moon Shadow' and after months of discussing options they decided that the only one they could trust to give the track a quality boost was NYC legend Joe Claussell.
Back in the late 90's, Mats used to book Joe for his legendary Raw Fusion parties in Stockholm so the connection and mutual respect were already in place. The result is a +11 minute long musical house journey that builds and builds until those characteristic piano chords make an entrance and transform the dynamics into a rainbow of sounds. Epic is not a word big enough to explain this grand musical production !
But the goodness does not end there, we're only halfway in on this anniversary release. The blood brothers Javi & Luis aka Kyodai (and 2/3 of Bassfort) made their own mix on the B side track from the original release, Moonlight.
As schooled jazz musicians they diverted from the electronic soundscape and went for a live jazz-funk production.
The final product is a warm and musical version with live drums, bass, piano, strings and even vocals from the brothers themselves.
The track almost comes across as something 4 Hero would put out back in the day.
All we can say, enjoy the dance! More
Label:Local Talk
Cat-No:LT121
Release-Date:11.03.2022
Genre:House
Configuration:12"
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Cat-No:LT121
Release-Date:11.03.2022
Genre:House
Configuration:12"
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1
Shaka - Short Circuit
2
Shaka - The Bird's Eye View
Shaka is back on Local Talk with a follow-up to "The Riverwalk EP" released back in 2020.
The Bird's Eye View continues on the same deep, soulful and uplifting house tip with waves of ear-pleasing music.
There's a genuine swing to the opening track Short Circuit that is infectious and Shaka really gets to work on those keys.
It brings back memories of those golden years of house music when every track Strictly Rhythm classic was a classic...
The Birds Eye View offers a deeper and jazzier spin on the lush and spiritual house music Shaka flirts with.
If delightfully playful house music is your secret crush then look no further. More
The Bird's Eye View continues on the same deep, soulful and uplifting house tip with waves of ear-pleasing music.
There's a genuine swing to the opening track Short Circuit that is infectious and Shaka really gets to work on those keys.
It brings back memories of those golden years of house music when every track Strictly Rhythm classic was a classic...
The Birds Eye View offers a deeper and jazzier spin on the lush and spiritual house music Shaka flirts with.
If delightfully playful house music is your secret crush then look no further. More
Label:local talk
Cat-No:LT114
Release-Date:20.08.2021
Genre:House
Configuration:12"
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Cat-No:LT114
Release-Date:20.08.2021
Genre:House
Configuration:12"
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1
Envee Feat. Nick Sinckler - Gotta Work (1st Take)
2
Envee Feat. Nick Sinckler - Gotta Work (Trev Remix)
3
Envee Feat. Nick Sinckler - Gotta Work (2020 Mix)
4
Envee Feat. Nick Sinckler - Gotta Work (Trev Dub)
House head, soul man and jazz aficionado Envee is back on Local Talk with 'Gotta Work' featuring Nick Sincklair on vocals.
Packed to the rafters with high quality deep and soulful house, Gotta Work has a both the US garage style with an edge and the uplifting sound of a modern track. Trev, a producer bringing some of the freshest sounds in broken beat in recent times delivers two versions, both with ultra-deep bass and wonky time signatures.
Trev can do no wrong. More
Packed to the rafters with high quality deep and soulful house, Gotta Work has a both the US garage style with an edge and the uplifting sound of a modern track. Trev, a producer bringing some of the freshest sounds in broken beat in recent times delivers two versions, both with ultra-deep bass and wonky time signatures.
Trev can do no wrong. More
12"
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Label:Local Talk
Cat-No:LT115
Release-Date:23.07.2021
Genre:House
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Configuration:12"
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1
Parisian Soul - Diamant Brut" (Parisian Soul mix)
2
Parisian Soul - Diamant Brut" (Playing 4 The City mix)
Warm, jazzy peak-time House business from Parrreeeeee !
Like Dimitri jamming with Glenn Underground, annnnddd featuring a rare appearance from 90's darlings of the deep PLAYIN 4 THE CITY !! More
Like Dimitri jamming with Glenn Underground, annnnddd featuring a rare appearance from 90's darlings of the deep PLAYIN 4 THE CITY !! More
Label:Local Talk
Cat-No:LT111B
Release-Date:23.07.2021
Genre:House
Configuration:7"
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Release-Date:23.07.2021
Genre:House
Configuration:7"
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1
Riddim Research Lab - Dopewise
2
Riddim Research Lab - searching for god
BIIIIGGGG Rib-tickling delights from RSL !! A 90's style cut n'paste homage flipped with a dubwise beauty.
LIMITED ! More
LIMITED ! More
Label:local talk
Cat-No:LT113
Release-Date:30.05.2021
Genre:House
Configuration:12"
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1
Luke Fono - 4Real (Original Mix)
2
Luke Fono - 4Real (Crackazat Remix)
3
Luke Fono - 4Real (Edit)
Luke Fono makes quite an entrance on Local Talk with 4Real, featuring vocalist BB. James.
The song features a garage swing in its unstoppable rhythm and melting-wax chords, it's almost impossible not to smile and sing along when a track brings this kind of vocal melody and positive vibe expertly pieced-together.
You definitely can hear its soulfulness bleed through the track, an impressive achievement and well worth a listen.
Local Talk favourite Crackazat makes a welcome return and delivers a remix that includes all his trademarks, a bouncy groove, stabs and jazzy melodies worthy of a keyboard wizard.
It's effortlessly musical and delicate at the same time. More
The song features a garage swing in its unstoppable rhythm and melting-wax chords, it's almost impossible not to smile and sing along when a track brings this kind of vocal melody and positive vibe expertly pieced-together.
You definitely can hear its soulfulness bleed through the track, an impressive achievement and well worth a listen.
Local Talk favourite Crackazat makes a welcome return and delivers a remix that includes all his trademarks, a bouncy groove, stabs and jazzy melodies worthy of a keyboard wizard.
It's effortlessly musical and delicate at the same time. More
Label:Local Talk
Cat-No:lt112
Release-Date:07.05.2021
Genre:House
Configuration:12"
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1
Laroye - "Potion For Love (Never Give It Up)"
2
Laroye - Keep On
3
Laroye - Potion For Love" (LA Spacefunk dub)
Super accomplished future-retro sample house classics from Laroye. Shades of KDJ / MCDE here and another tip top Local Talk release !
More
Label:Local Talk
Cat-No:lt111
Release-Date:16.04.2021
Genre:House
Configuration:12"
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1
Riddim Research Lab - Breaking Dub
Super limited one-sided special from Local Talk, as RRL deliver a killer dubbed-out version of Kyodai's classic 'Breaking' ..
More
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2LP Excl
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Label:Other People
Cat-No:OP078
Release-Date:13.12.2024
Genre:Alternative/Electronic
Configuration:2LP Excl
Barcode:4251804183321
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1
Nicolás Jaar - A1 Cangilón
2
Nicolás Jaar - A2 Piedras
3
Nicolás Jaar - A3 Aqui
4
Nicolás Jaar - A4 Agua pa fantasmas
5
Nicolás Jaar - B1 Rio de las tumbas
6
Nicolás Jaar - B2 Viento
7
Nicolás Jaar - B3 Mi viejita
8
Nicolás Jaar - B4 No Hope
9
Nicolás Jaar - C1 Radio Chomio (con Eli Wewentxu)
10
Nicolás Jaar - C2 Rio radio correspondencia anfibia
11
Nicolás Jaar - C3 3eee
12
Nicolás Jaar - C4 F Collect
13
Nicolás Jaar - C5 Even heaven is uneven
14
Nicolás Jaar - C6 El azar
15
Nicolás Jaar - D1 I, you
16
Nicolás Jaar - D2 Heterodina
17
Nicolás Jaar - D3 Sin Conexión
18
Nicolás Jaar - D4 SSS1
19
Nicolás Jaar - D5 SSS2
20
Nicolás Jaar - D6 SSS3
LP. 180G BioVinyl, 2 LP + Sticker , includes Download to 3/12 h Radio Play "Archivos De Radio Piedras"
2. GENRE/S: Electronic
3. TRACKLISTS:
> A1 / 1. Cangilón
> A2 / 2. Piedras
> A3 / 3. Aquí
> A4 / 4. Agua pa fantasmas
> B1 / 5. Rio de las tumbas
> B2 / 6. Viento
> B3 / 7. Mi viejita
> B4 / 8. No Hope> C1 / 1. Radio Chomio (con Eli Wewentxu)
> C2 / 2. Rio radio correspondencia anfibia
> C3 / 3. 3eee
> C4 / 4. F Collect
> C5 / 5. Even heaven is uneven
> C6 / 6. El azar
> D1 / 7. I, you
> D2 / 8. Heterodina
> D3 / 9. Sin Conexión
> D4 / 10. SSS1
> D5 / 11. SSS2
> D6 / 12. SSS3
4. SHORT INFO:
The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a
concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the
victims of human rights violations during the military dictatorship led by Augusto Pinochet between
1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio
Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a
24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5
months.
Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly
presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's
grandmothers, Graciela Salinas and Miriam Hasbún).
The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer
who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide
attack on undersea internet cables, causing a global internet blackout.
The play's central theme revolves around the idea that truths, memories and identities speak from the
cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability
and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure
of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of
the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma
operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary
moments, rather than direct transmissions of “official” historical accounts.
This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas
speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio
play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness
to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this
randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.
5. VITAL SALES POINTS:
First solo release by Nicolás Jaar since 2020’s Telas and Cenizas. More
2. GENRE/S: Electronic
3. TRACKLISTS:
> A1 / 1. Cangilón
> A2 / 2. Piedras
> A3 / 3. Aquí
> A4 / 4. Agua pa fantasmas
> B1 / 5. Rio de las tumbas
> B2 / 6. Viento
> B3 / 7. Mi viejita
> B4 / 8. No Hope> C1 / 1. Radio Chomio (con Eli Wewentxu)
> C2 / 2. Rio radio correspondencia anfibia
> C3 / 3. 3eee
> C4 / 4. F Collect
> C5 / 5. Even heaven is uneven
> C6 / 6. El azar
> D1 / 7. I, you
> D2 / 8. Heterodina
> D3 / 9. Sin Conexión
> D4 / 10. SSS1
> D5 / 11. SSS2
> D6 / 12. SSS3
4. SHORT INFO:
The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a
concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the
victims of human rights violations during the military dictatorship led by Augusto Pinochet between
1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio
Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a
24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5
months.
Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly
presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's
grandmothers, Graciela Salinas and Miriam Hasbún).
The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer
who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide
attack on undersea internet cables, causing a global internet blackout.
The play's central theme revolves around the idea that truths, memories and identities speak from the
cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability
and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure
of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of
the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma
operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary
moments, rather than direct transmissions of “official” historical accounts.
This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas
speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio
play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness
to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this
randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.
5. VITAL SALES POINTS:
First solo release by Nicolás Jaar since 2020’s Telas and Cenizas. More
Label:imbalance computer music
Cat-No:ML-036LP
Release-Date:20.09.2024
Genre:Electronic
Configuration:2LP Excl
Barcode:5051142068927
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Label:imbalance computer music
Cat-No:ML-036LP
Release-Date:20.09.2024
Genre:Electronic
Configuration:2LP Excl
Barcode:5051142068927
1
Monolake - 01 The Elders Disagree
2
Monolake - 02 Thru Stalactites
3
Monolake - 03 Signals
4
Monolake - 04 Cute Little Aliens
5
Monolake - 05 Intermezzo
6
Monolake - 06 Global Transport
7
Monolake - 07 Stasis Field
8
Monolake - 08 Prime Lundy
9
Monolake - 09 Red Alphonso
10
Monolake - 10 Eclipse
2 x 12”, black vinyl, 4C gatefold
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024.. More
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024.. More
Label:Other People
Cat-No:OP080
Release-Date:15.11.2024
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:4251804183116
in stock
Last in:08.11.2024
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Last in:08.11.2024
Label:Other People
Cat-No:OP080
Release-Date:15.11.2024
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:4251804183116
1
Okokon - A1 / 1. Borga
2
Okokon - A2 / 2. Mentor
3
Okokon - A3 / 3. Judgement (feat. Okwui Okpokwasili)
4
Okokon - A4 / 4. Principalities I
5
Okokon - A5 / 5. Fruit Bat
6
Okokon - B1 / 6. Lifted
7
Okokon - B2 / 7. Principalities II
8
Okokon - B3 / 8. Agnate
9
Okokon - B4 / 9. Libate
10
Okokon - B5 / 10. Bones
LP
GENRE/S: Electronic / Experimental
TRACKLISTS:
> A1 / 1. Borga
> A2 / 2. Mentor
> A3 / 3. Judgement (feat. Okwui Okpokwasili)
> A4 / 4. Principalities I
> A5 / 5. Fruit Bat
> B1 / 6. Lifted
> B2 / 7. Principalities II> B3 / 8. Agnate
> B4 / 9. Libate
> B4 / 10. Bones
SHORT INFO:
Okokon returns to Other People with his sophomore album, 'Offering', delving deeper into the lush
and cinematic soundscapes he first explored on his debut album, 'Turkson Side'. While primarily
working in visual arts, Africanus Okokon, who records under his surname, bridges his artistic practices
in 'Offering', using his masterful collage techniques to create his most personal work yet. Defying easy
categorization, the album melds influences from dream pop, avant-garde folk, psychedelia, trip hop,
and dub, with traces of field recordings seamlessly blended throughout to form a cohesive whole.
'Offering' sees Okokon confronting and negotiating a sudden and unexplained death that occurred in
his childhood and the complex emotions left in its aftermath, acting as his main inspiration when
making the album. This ambiguity is something that permeates throughout, with Okokon wanting to
explore the ambivalence and sometimes uneasiness of contradicting emotions appearing
simultaneously, alluded to in the album title. This is also reflected in how the album tracks each inhabit
different narrators with varying perspectives on the same events. The result being a hauntingly
beautiful album, with recurring themes of death, growth, sacrifice and spirituality ever present.
VITAL SALES POINTS:
Follow up to 2015’s Turkson Side. released on Other People, which garnered favourable reviews from
the press
“standout album with an electrifying mixture of modernity and tradition, with chimes, drums, and
keyboards sparkling through a warm, nostalgic production haze.” PopMatters
“Turkson side is by no means a dystopian epic, rather a gooey slice of lighthearted experimentation”
The Wire More
GENRE/S: Electronic / Experimental
TRACKLISTS:
> A1 / 1. Borga
> A2 / 2. Mentor
> A3 / 3. Judgement (feat. Okwui Okpokwasili)
> A4 / 4. Principalities I
> A5 / 5. Fruit Bat
> B1 / 6. Lifted
> B2 / 7. Principalities II> B3 / 8. Agnate
> B4 / 9. Libate
> B4 / 10. Bones
SHORT INFO:
Okokon returns to Other People with his sophomore album, 'Offering', delving deeper into the lush
and cinematic soundscapes he first explored on his debut album, 'Turkson Side'. While primarily
working in visual arts, Africanus Okokon, who records under his surname, bridges his artistic practices
in 'Offering', using his masterful collage techniques to create his most personal work yet. Defying easy
categorization, the album melds influences from dream pop, avant-garde folk, psychedelia, trip hop,
and dub, with traces of field recordings seamlessly blended throughout to form a cohesive whole.
'Offering' sees Okokon confronting and negotiating a sudden and unexplained death that occurred in
his childhood and the complex emotions left in its aftermath, acting as his main inspiration when
making the album. This ambiguity is something that permeates throughout, with Okokon wanting to
explore the ambivalence and sometimes uneasiness of contradicting emotions appearing
simultaneously, alluded to in the album title. This is also reflected in how the album tracks each inhabit
different narrators with varying perspectives on the same events. The result being a hauntingly
beautiful album, with recurring themes of death, growth, sacrifice and spirituality ever present.
VITAL SALES POINTS:
Follow up to 2015’s Turkson Side. released on Other People, which garnered favourable reviews from
the press
“standout album with an electrifying mixture of modernity and tradition, with chimes, drums, and
keyboards sparkling through a warm, nostalgic production haze.” PopMatters
“Turkson side is by no means a dystopian epic, rather a gooey slice of lighthearted experimentation”
The Wire More