1
Real Thing - Children of The Ghetto
2
Avis - Baby, This Love I Have
3
Veronica Mickie - Lost Children
4
Rare Silk - Storm (Arp Duppy Chip Mix)
5
LFO - Shove Piggy Shove
6
Bach Revolution - D.E 108
7
Andi Otto - Bangalore Whispers (feat. MD Pallavi)
8
Unnayanaa & Irfan Rainy feat Ibtisam - Taht Min Aini (Alberghina Remx)* Vinyl Only
9
Michael de Albuquerque - We May Be Cattle But We All Got Names
10
Pyranha - Clepsydre
11
Yargo - Marimba
12
Okyerema Asante & Black Fire - Play a Sweet Rhythm on Them Drums (feat. Plunky)
13
Mr. Scruff feat. Nke - Giffin (Taken re-edit Speechless dub mix)
14
Isis - In Essense
15
Frank Hatchett - Malibu Nites
DOUBLE VINYL LP HOUSED IN A GATEFOLD SLEEVE WITH OBI STRIP. FEATURES A LIMITED EDITION FANZINE WRITTEN BY LUKE.
É Soul Cultura Vol.1 seemed to land at exactly the right moment. Post-lockdown, optimism was back on the rise and the dance floors swelled again. For many listeners, Manchester based DJ Luke Una’s intriguingly woven pattern of new, old, rare and under-discovered music from around the world became the soundtrack to rejuvenated positivity. Piccadilly Records made the release their top compilation of the year, with Rough Trade placing it as their number two. The enthusiasm from the industry was mirrored by record buyers and demonstrated that in the right hands, moving through genres, tempos and decades can make perfect musical sense.
It was clear from the get-go that the concept warranted a series, there are many sides to É Soul Cultura and many musical stories to tell. This second volume gives another opportunity for Luke to share his journey of the past four decades of staying up late and getting transcendental whilst listening to holy grail music as the city slept. It follows on from where Vol.1 left off, at times venturing into the deeper, spiritual, soulful, downtempo, experimental aspects of his tastes. From the conscious, street soul fusion gospel of Veronica Mickie's 'Lost Children', to an excursion into Swiss, psych, progressive rock in the form of Pyranha, then onto the classic Indian music-inspired electronic workout of Andi Otto's 'Bangalore Whispers'. Luke hints at his softer side in Avis; a sweet, obscure cover version of Minnie Riperton’s ‘Baby, This Love I Have’, as well as championing local heroes in the shape of Manchester’s Yargo and their driving, obscure, proto-house belter, ‘Marimba’. There’s also Japanese, electronic, slo-mo heaviness from 1979, courtesy of Bach Revolution. House music is integral to the É Soul sound and is represented by Nav Aktah’s deep remix of Mr Scruff, and then there’s Isis ‘In Essense’; a track of such majestic brilliance that it has never left Luke’s record bag.
The selection is eclectic, global, and plucked from different times and spaces. In theory, perhaps they shouldn't work together, but there is a mysterious link that makes them gel as a whole. That’s what Luke does best. He creates a sort of musical alchemy, unifying the diverse. This isn’t a compilation focussed purely on the rare, even though many tracks featured do fall into that camp. It is best described by Luke himself, “It’s not about showing off, collector rarity, or ego-strutting, it’s all about telling stories, sharing the music, and making life’s journey mean something. In the end, of course, it’s just a compilation of other people’s music, but hopefully it’s more than that, adding something back to the pot.”
Tracklist:
1. Real Thing - Children of The Ghetto / 2. Avis - Baby, This Love I Have / 3. Veronica Mickie - Lost Children / 4. Rare Silk - Storm (Arp Duppy Chip Mix) / 5. LFO - Shove Piggy Shove / 6. Bach Revolution - D.E 108 / 7. Andi Otto - Bangalore Whispers (feat. MD Pallavi) / 8. Unnayanaa & Irfan Rainy feat Ibtisam - Taht Min Aini (Alberghina Remx)* Vinyl Only / 9. Michael de Albuquerque - We May Be Cattle But We All Got Names / 10. Pyranha - Clepsydre 11. Yargo - Marimba / 12. Okyerema Asante & Black Fire - Play a Sweet Rhythm on Them Drums (feat. Plunky) / 13. Mr. Scruff feat. Nke - Giffin (Taken re-edit Speechless dub mix) / 14. Isis - In Essense / 15. Frank Hatchett - Malibu Nites
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
É Soul Cultura Vol.1 seemed to land at exactly the right moment. Post-lockdown, optimism was back on the rise and the dance floors swelled again. For many listeners, Manchester based DJ Luke Una’s intriguingly woven pattern of new, old, rare and under-discovered music from around the world became the soundtrack to rejuvenated positivity. Piccadilly Records made the release their top compilation of the year, with Rough Trade placing it as their number two. The enthusiasm from the industry was mirrored by record buyers and demonstrated that in the right hands, moving through genres, tempos and decades can make perfect musical sense.
It was clear from the get-go that the concept warranted a series, there are many sides to É Soul Cultura and many musical stories to tell. This second volume gives another opportunity for Luke to share his journey of the past four decades of staying up late and getting transcendental whilst listening to holy grail music as the city slept. It follows on from where Vol.1 left off, at times venturing into the deeper, spiritual, soulful, downtempo, experimental aspects of his tastes. From the conscious, street soul fusion gospel of Veronica Mickie's 'Lost Children', to an excursion into Swiss, psych, progressive rock in the form of Pyranha, then onto the classic Indian music-inspired electronic workout of Andi Otto's 'Bangalore Whispers'. Luke hints at his softer side in Avis; a sweet, obscure cover version of Minnie Riperton’s ‘Baby, This Love I Have’, as well as championing local heroes in the shape of Manchester’s Yargo and their driving, obscure, proto-house belter, ‘Marimba’. There’s also Japanese, electronic, slo-mo heaviness from 1979, courtesy of Bach Revolution. House music is integral to the É Soul sound and is represented by Nav Aktah’s deep remix of Mr Scruff, and then there’s Isis ‘In Essense’; a track of such majestic brilliance that it has never left Luke’s record bag.
The selection is eclectic, global, and plucked from different times and spaces. In theory, perhaps they shouldn't work together, but there is a mysterious link that makes them gel as a whole. That’s what Luke does best. He creates a sort of musical alchemy, unifying the diverse. This isn’t a compilation focussed purely on the rare, even though many tracks featured do fall into that camp. It is best described by Luke himself, “It’s not about showing off, collector rarity, or ego-strutting, it’s all about telling stories, sharing the music, and making life’s journey mean something. In the end, of course, it’s just a compilation of other people’s music, but hopefully it’s more than that, adding something back to the pot.”
Tracklist:
1. Real Thing - Children of The Ghetto / 2. Avis - Baby, This Love I Have / 3. Veronica Mickie - Lost Children / 4. Rare Silk - Storm (Arp Duppy Chip Mix) / 5. LFO - Shove Piggy Shove / 6. Bach Revolution - D.E 108 / 7. Andi Otto - Bangalore Whispers (feat. MD Pallavi) / 8. Unnayanaa & Irfan Rainy feat Ibtisam - Taht Min Aini (Alberghina Remx)* Vinyl Only / 9. Michael de Albuquerque - We May Be Cattle But We All Got Names / 10. Pyranha - Clepsydre 11. Yargo - Marimba / 12. Okyerema Asante & Black Fire - Play a Sweet Rhythm on Them Drums (feat. Plunky) / 13. Mr. Scruff feat. Nke - Giffin (Taken re-edit Speechless dub mix) / 14. Isis - In Essense / 15. Frank Hatchett - Malibu Nites
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Mr Bongo
1
Don Glori - Disaster
2
Don Glori - Brown Eyes (Ft. ML Hall)
3
Don Glori - Flicker (Ft. ML Hall, Bianca Kyriacou)
4
Don Glori - Janet (Ft. ML Hall)
5
Don Glori - Song For Ants
6
Don Glori - Power
7
Don Glori - Precious
8
Don Glori - Ron Song
9
Don Glori - Saturn's Return
Preview: https://www.youtube.com/watch?v=2BnIsUtVgw4
Mr Bongo proudly presents the third album by Melbourne/Naarm multi-instrumentalist, Don Glori, entitled ‘Paper Can’t Wrap Fire’. A kaleidoscopic genre-surfing odyssey that brings together the worlds of jazz, soul and funk. Feeling both contemporary and classic, familiar yet novel, it’s an assured third release that sees an artist in full flight, showcasing their creative prowess and the uniqueness of their musical voice.
Steering in a new direction, Don Glori (aka Gordon Li) has delved headfirst into his songwriting with ‘Paper Can’t Wrap Fire’. Deftly showcasing his talents as a writer and bandleader, he brings with him a whole host of friends from the creative crossroads that is Naarm. It’s an album enriched with more soul, R&B, and funk-oriented songs than his previous jazz-rooted productions, yet there’s still plenty of jazz material for those familiar fans of Don's earlier works.
The album’s title is an old Chinese proverb, roughly translated as 'you can’t deny the truth'. This underlying thread is woven between the songs. “A lot of them are in some way about truth-seeking, observations and the masks you put on to deal with life (hence the cover art)”, Don mentions. Take, for instance, the sensational soul single 'Brown Eyes' featuring silky lead vocals by ML Hall. A dissection of the minority experience, and the power and comfort in building those communities. Elsewhere, 'Disaster' is a satirical take on the structures serving everyone but the artists, and 'Flicker' tackles notations of truth and clarity after introspection.
To marry that meaning with the level of musicianship on these tracks is what really stands out. Don has set out his stall here as an artist who can write songs that hit home in the heart, as much as they do in the head. It’s a journey infused with a glistening jazz finesse, layered with nourishing vocal harmonies and powered by an instantly relatable human soul.
Recorded over two hot summer days in Rolling Stock Studios in Collingwood, Naarm, the lineup of musicians is built up of Don's friends and family. Featuring the backbone team of Tim Cox, Al Kennedy, Joel Trigg, Robyn Cummins and Lachlan Thompson, who were part of Don's touring band before he relocated to London, and a stunning selection of vocalists in the form of ML Hall, Ruby Dargaville, Isadora Lauritz, and Bianca Kyriacou. Also gracing the album are trumpeter extraordinaire Audrey Powne, saxophonist Joshua Moshe, and Alcides Neto who sprinkles some Brazilian magic into the record.
Taking influence from artists including Azymuth, SAULT, Jordan Rakei and Lynda Dawn, as well as from London musical beacons such as NTS and Total Refreshment Centre, Don has run with this, leaned in and come out with a record truly unique to himself and his distinctive core, with no mask necessary.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Mr Bongo proudly presents the third album by Melbourne/Naarm multi-instrumentalist, Don Glori, entitled ‘Paper Can’t Wrap Fire’. A kaleidoscopic genre-surfing odyssey that brings together the worlds of jazz, soul and funk. Feeling both contemporary and classic, familiar yet novel, it’s an assured third release that sees an artist in full flight, showcasing their creative prowess and the uniqueness of their musical voice.
Steering in a new direction, Don Glori (aka Gordon Li) has delved headfirst into his songwriting with ‘Paper Can’t Wrap Fire’. Deftly showcasing his talents as a writer and bandleader, he brings with him a whole host of friends from the creative crossroads that is Naarm. It’s an album enriched with more soul, R&B, and funk-oriented songs than his previous jazz-rooted productions, yet there’s still plenty of jazz material for those familiar fans of Don's earlier works.
The album’s title is an old Chinese proverb, roughly translated as 'you can’t deny the truth'. This underlying thread is woven between the songs. “A lot of them are in some way about truth-seeking, observations and the masks you put on to deal with life (hence the cover art)”, Don mentions. Take, for instance, the sensational soul single 'Brown Eyes' featuring silky lead vocals by ML Hall. A dissection of the minority experience, and the power and comfort in building those communities. Elsewhere, 'Disaster' is a satirical take on the structures serving everyone but the artists, and 'Flicker' tackles notations of truth and clarity after introspection.
To marry that meaning with the level of musicianship on these tracks is what really stands out. Don has set out his stall here as an artist who can write songs that hit home in the heart, as much as they do in the head. It’s a journey infused with a glistening jazz finesse, layered with nourishing vocal harmonies and powered by an instantly relatable human soul.
Recorded over two hot summer days in Rolling Stock Studios in Collingwood, Naarm, the lineup of musicians is built up of Don's friends and family. Featuring the backbone team of Tim Cox, Al Kennedy, Joel Trigg, Robyn Cummins and Lachlan Thompson, who were part of Don's touring band before he relocated to London, and a stunning selection of vocalists in the form of ML Hall, Ruby Dargaville, Isadora Lauritz, and Bianca Kyriacou. Also gracing the album are trumpeter extraordinaire Audrey Powne, saxophonist Joshua Moshe, and Alcides Neto who sprinkles some Brazilian magic into the record.
Taking influence from artists including Azymuth, SAULT, Jordan Rakei and Lynda Dawn, as well as from London musical beacons such as NTS and Total Refreshment Centre, Don has run with this, leaned in and come out with a record truly unique to himself and his distinctive core, with no mask necessary.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Manteca - Rumbon En Casa De Cando
2
Manteca - Afro Funky
3
Manteca - Sabor A Mantecado
4
Manteca - Abacua
5
Manteca - Son Montuno
6
Manteca - Cosas De Manteca
7
Manteca - Gozando El Timbal
Proudly presenting our reissue of the sought-after 1978 album 'Ritmo Y Sabor' from Cuban, master bongo player, Manteca. A deep, hypnotic, sonic excursion of Afro-Cuban/mambo rhythms to get lost within. Released in 1978, there are a number of different pressings of the album coming out on labels including GRC, Desca Records and Sound Triangle Records. Stripped-back and low-fi, this is a pulsating hit of instrumental Latin-jazz dance magic.
Predominantly made up of just percussion and bass, the album comes courtesy of Carlos "Rico" Ramirez on bass, Carlos Patato on congas, timbales by Nelson Padron and Lazaro Pla aka Manteca as band leader. A Cuban legend, Manteca rose to fame playing with Ernesto Lecuona and the Cuban Boys. Although he featured on numerous recordings in his home of Cuba, only a handful exist of his as featured soloist or band leader.
A whirlwind of percussive brilliance, ‘Ritmo Y Sabor’ is brimming with energy regardless of the tempo of the track. An instantaneous ability to make you move, the grooves come alive with each new rhythm introduced. Take for instance, the track 'Afro Funky' that more than lives up to its name. A breakbeat Latin-funk workout, with a mighty fine walking bass line that provides the basis for the drummers to vibe off. Elsewhere, 'Rumbon En Casa De Cando' is fast and furious perfect for the jazz dance specialist, whilst 'Sabor A Mantecado' keeps you on your toes with its trance-like repetitive bassline and percussive interplay. 'Cosa De Manteca' is another heavy-Latin funk gem with a rough and raw feeling of relentless yet groove-driven percussion.
A must-have Afro-Cuban, rhythmic funk triumph, that shows Manteca and his band in full flight.
Housed in a tip-on sleeve.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Predominantly made up of just percussion and bass, the album comes courtesy of Carlos "Rico" Ramirez on bass, Carlos Patato on congas, timbales by Nelson Padron and Lazaro Pla aka Manteca as band leader. A Cuban legend, Manteca rose to fame playing with Ernesto Lecuona and the Cuban Boys. Although he featured on numerous recordings in his home of Cuba, only a handful exist of his as featured soloist or band leader.
A whirlwind of percussive brilliance, ‘Ritmo Y Sabor’ is brimming with energy regardless of the tempo of the track. An instantaneous ability to make you move, the grooves come alive with each new rhythm introduced. Take for instance, the track 'Afro Funky' that more than lives up to its name. A breakbeat Latin-funk workout, with a mighty fine walking bass line that provides the basis for the drummers to vibe off. Elsewhere, 'Rumbon En Casa De Cando' is fast and furious perfect for the jazz dance specialist, whilst 'Sabor A Mantecado' keeps you on your toes with its trance-like repetitive bassline and percussive interplay. 'Cosa De Manteca' is another heavy-Latin funk gem with a rough and raw feeling of relentless yet groove-driven percussion.
A must-have Afro-Cuban, rhythmic funk triumph, that shows Manteca and his band in full flight.
Housed in a tip-on sleeve.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Coke - Na Na
2
Coke - You Turn Me On
3
Coke - Got To Touch Your Face
4
Coke - Que Seria De Mi
5
Coke - Bun Bun Bun
6
Coke - Bang Bang
7
Coke - Sabor A Mi
8
Coke - Te Amo Mas
9
Coke - Nuestro Amor
10
Coke - Quiero Decirte
Presenting an official reissue of Coke’s audacious, engrossing self-titled album from 1972, originally released on Manuel J. Mato’s collectible Sound Triangle Records imprint. It’s a heavy hit of Miami Latin-funk, dosed up with psychedelic garage rock and gritty soul excellence, making for an intoxicating blend of styles and genres on this highly sought-after LP.
Predominately sung in English, Coke’s only album under this moniker is a sumptuous melting pot of influences, tied together with bright funk drumming, flavourful organs and zesty horns. With a garage band attitude and sensibility, the lineup consisted of Paul Garcia on guitar, Ariel Hernandez on bass, Ruben Perez on drums, Jose Rubio on the keys, a host of guest horn players and Peter Fernandez on vocals, whose tone and delivery was often mistaken for that of a woman.
Produced by Mato, the record and band were well-received in Miami and Southern Florida at the time. Due to a lack of promotion outside of Florida and the threat of a lawsuit from the Coca-Cola corporation for usage of their name, the band fell into relative obscurity, becoming Opus following the dispute.
They say the cream always rises to the top though, with Coke being rediscovered by diggers and collectors searching for a rare groove. One of the standout cuts on the album 'Na Na' was recently featured on the soundtrack to the Netflix drama 'Griselda' (a biopic of Miami/Cuban crime boss Griselda Blanco). Other highlights include the crooner-jazz-rock ‘Got to Touch Your Face’, the psych ballad 'You Turn Me On' with a guitar line reminiscent of The Doors, and the Latin-rock groover, 'Te Amo Mas'.
Coke is a sensational crossover record, that draws from a sea of different influences. Fans of early Santana, garage-pysch, Nu Yorican and Latin-funk productions should all investigate this cherished album - it will have something for you.
Housed in a tip-on sleeve.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Predominately sung in English, Coke’s only album under this moniker is a sumptuous melting pot of influences, tied together with bright funk drumming, flavourful organs and zesty horns. With a garage band attitude and sensibility, the lineup consisted of Paul Garcia on guitar, Ariel Hernandez on bass, Ruben Perez on drums, Jose Rubio on the keys, a host of guest horn players and Peter Fernandez on vocals, whose tone and delivery was often mistaken for that of a woman.
Produced by Mato, the record and band were well-received in Miami and Southern Florida at the time. Due to a lack of promotion outside of Florida and the threat of a lawsuit from the Coca-Cola corporation for usage of their name, the band fell into relative obscurity, becoming Opus following the dispute.
They say the cream always rises to the top though, with Coke being rediscovered by diggers and collectors searching for a rare groove. One of the standout cuts on the album 'Na Na' was recently featured on the soundtrack to the Netflix drama 'Griselda' (a biopic of Miami/Cuban crime boss Griselda Blanco). Other highlights include the crooner-jazz-rock ‘Got to Touch Your Face’, the psych ballad 'You Turn Me On' with a guitar line reminiscent of The Doors, and the Latin-rock groover, 'Te Amo Mas'.
Coke is a sensational crossover record, that draws from a sea of different influences. Fans of early Santana, garage-pysch, Nu Yorican and Latin-funk productions should all investigate this cherished album - it will have something for you.
Housed in a tip-on sleeve.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Harmony Cats - Harmony Cats' Theme
2
Luiza Maura - Sorriso Vermelho
3
Gretchen - Ela Tem Raça, Charme, Talento E Gostosura
4
Coisa Quente - Edmundo (In the Mood)
5
Zé Carlos - Venha (Remix)
6
Robson Jorge & Lincoln Olivetti - Suspira
7
Os Carbonos - Pássaro Selvagem
8
San Rodrigues - Fofa
9
Marcos Valle - Parabéns (Dança Do Daniel)
10
Lafayette - Sol De Verão
11
Roberto Cesar - Fevereiro (O Bamba)
12
Arlete - Quero Ser Sua Mulher
13
Waldirene - Queima Como Fogo
14
Luiza Maura - Deixa Girar
15
Jorge Ben - Rio Babilônia
16
Carlos Bivar - Elo
13 years in the making, Mr Bongo proudly presents a new compilation of beloved Brazilian disco and boogie finds from the legendary London disco connoisseurs, Horse Meat Disco. A labour of love, it showcases a tantalising cross-section of disco, funk, boogie, samba and MPB, from past to present. Unearthing tracks from the seemingly endless gold mine of Brazilian gems, the compilation features legends such as Jorge Ben, Gretchen, Marcos Valle and Robson Jorge & Lincoln Olivetti, alongside unsung heroes including Zé Carlos and Carlos Bivar.
Over 20 years ago, the Horse Meat Disco crew (James Hillard, Severino Panzetta, Jim Stanton and Luke Howard) began their weekly residency at Eagle London back in 2003. That same year, Luke made his first visit to Brazil, beginning a musical love affair that is still going strong.
“I had always wanted to go to Brazil since I was a kid, and when I finally had the opportunity to go with Princess Julia, I was just blown away. I’ve visited Rio every year since 2003, and in that time, I’ve learned Portuguese and tried to discover as much as I can about Brazilian music and popular culture. I learned to dance samba with the Paraiso School of Samba in London and paraded three times at Rio Carnival. Brazilian music was a brand-new world for me to explore and get excited about—a whole universe of genius musicians, singers, and styles.”
9 years later, Mr Bongo invited Luke down to their Brighton HQ for a listening session of some of his favourite Brazilian boogie and disco 7" finds. A compilation was green-lit, but multiple licensing delays and the release of other HMD compilations meant that it lay dormant for years.
Fast forward to 2024, and with the help of esteemed, Rio-based record collector Tee Cardaci, along with suggestions from HMD’s James Hillard, the dream of an HMD Brazilian compilation finally materialised. It’s a carefully curated collection that includes the electronic-boogie/italo-disco-esque 1984 groover 'Venha (Remix)' by the singer Ze Carlos, two cuts by Luiza Maura taken from her sought-after Deixa Girar 7", and Gretchen's sultry 'Ela Tem Raça, Charme, Talento E Gostosura' written by Jorge Ben.
At its core, this compilation captures the excitement and sense of discovery that won over Horse Meat Disco’s heart more than 20 years ago. A vibrant mix of feel-good flavours, it homes in on a sun-soaked strand of disco and boogie that has been enriched with the spirit of a nation where music serves as a central pillar of life.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Over 20 years ago, the Horse Meat Disco crew (James Hillard, Severino Panzetta, Jim Stanton and Luke Howard) began their weekly residency at Eagle London back in 2003. That same year, Luke made his first visit to Brazil, beginning a musical love affair that is still going strong.
“I had always wanted to go to Brazil since I was a kid, and when I finally had the opportunity to go with Princess Julia, I was just blown away. I’ve visited Rio every year since 2003, and in that time, I’ve learned Portuguese and tried to discover as much as I can about Brazilian music and popular culture. I learned to dance samba with the Paraiso School of Samba in London and paraded three times at Rio Carnival. Brazilian music was a brand-new world for me to explore and get excited about—a whole universe of genius musicians, singers, and styles.”
9 years later, Mr Bongo invited Luke down to their Brighton HQ for a listening session of some of his favourite Brazilian boogie and disco 7" finds. A compilation was green-lit, but multiple licensing delays and the release of other HMD compilations meant that it lay dormant for years.
Fast forward to 2024, and with the help of esteemed, Rio-based record collector Tee Cardaci, along with suggestions from HMD’s James Hillard, the dream of an HMD Brazilian compilation finally materialised. It’s a carefully curated collection that includes the electronic-boogie/italo-disco-esque 1984 groover 'Venha (Remix)' by the singer Ze Carlos, two cuts by Luiza Maura taken from her sought-after Deixa Girar 7", and Gretchen's sultry 'Ela Tem Raça, Charme, Talento E Gostosura' written by Jorge Ben.
At its core, this compilation captures the excitement and sense of discovery that won over Horse Meat Disco’s heart more than 20 years ago. A vibrant mix of feel-good flavours, it homes in on a sun-soaked strand of disco and boogie that has been enriched with the spirit of a nation where music serves as a central pillar of life.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Juan Pablo Torres - Cacao (Dan Tyler NAD Bulto Versión)
2
Juan Pablo Torres Y Algo Nuevo - Pastel En Descarga (Dan Tyler NAD Pepino Versión)
3
Grupo Los Yoyi - Paco La Calle (Nick The Record Re-Edit)
Good friends and Record Mission co-captains, Dan Tyler (one half of the Idjut Boys) and Nick The Record, take the reins for the third volume of the Mr Bongo Edits 12" series. With previous editions coming courtesy of Danny Krivit and Luke Una, Dan and Nick set their sights on a hand-picked selection of iconic ‘70s Cuban recordings for this three-track cosmic whirlwind. Across the A side, Dan picks out two Juan Pablo Torres tracks, with Nick taking on Grupo Los Yoyi on the B. Tweaking, extending and reworking the recordings with a dose of extra magic they remould the tracks to fit the sounds and structure of today’s dancefloors.
Having formed the Idjut Boys in the early ‘90s, Dan and Conrad McDonnell have crafted a dubbed-out, disco-tinged style that permeates their countless productions, remixes and DJ sets. Speaking of the two tracks Dan has chosen to rework for this EP he mentions, “Having been caught under an avalanche of good music from Mr Bongo, I took it upon myself to extend and add effects to a couple of the fantastic tracks from the Juan Pablo Torres LPs they recently re-issued. Just for disco jockey and barn dance use.”
First, Dan looks to Cuban maestro Juan Pablo Torres’ 1978 album 'Algo Nuevo', taking one of the standout tracks ‘Cacao’ and giving it more space to breathe. Teasing out the scatting vocal line and percussive climax that nods to George Kranz's ’83 electronic disco anthem 'Din Daa Daa', whilst adding more cosmic tripped-out synths and space echoed dubs, Dan builds the tension to fine effect. This track sounds immense on a big club system and the swirling synths felt like they were lifting the ceiling off when we played it at the amazing La Paloma ballroom in Barcelona.
Dan then turns his attention to Torres’ 1977 'Super Son' album, giving the psych-Latin-funk track 'Pastel En Descarga' a dub makeover. Rich in delay and drama, whilst maintaining and extending the breakers funk intro, he juices it up into a punchy, no-nonsense, cosmic-funk delight.
On the B side, Tangent co-founder, long-standing Life Force resident and seasoned rework master, Nick The Record, revisits an edit that he originally constructed in 2009. Clocking in at over double the length of the original cut, Nick’s edit of Grupo Los Yoyi’s 1977 cut 'Paco La Calle', is made with dancers firmly in mind. This secret weapon builds and simmers, with the drums and percussion pushing and pulling before the psychedelic synth lines return in a sweltering fashion. In this new 2025 version, Dan is drafted in to work some brilliant new synth lines into the mix.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Having formed the Idjut Boys in the early ‘90s, Dan and Conrad McDonnell have crafted a dubbed-out, disco-tinged style that permeates their countless productions, remixes and DJ sets. Speaking of the two tracks Dan has chosen to rework for this EP he mentions, “Having been caught under an avalanche of good music from Mr Bongo, I took it upon myself to extend and add effects to a couple of the fantastic tracks from the Juan Pablo Torres LPs they recently re-issued. Just for disco jockey and barn dance use.”
First, Dan looks to Cuban maestro Juan Pablo Torres’ 1978 album 'Algo Nuevo', taking one of the standout tracks ‘Cacao’ and giving it more space to breathe. Teasing out the scatting vocal line and percussive climax that nods to George Kranz's ’83 electronic disco anthem 'Din Daa Daa', whilst adding more cosmic tripped-out synths and space echoed dubs, Dan builds the tension to fine effect. This track sounds immense on a big club system and the swirling synths felt like they were lifting the ceiling off when we played it at the amazing La Paloma ballroom in Barcelona.
Dan then turns his attention to Torres’ 1977 'Super Son' album, giving the psych-Latin-funk track 'Pastel En Descarga' a dub makeover. Rich in delay and drama, whilst maintaining and extending the breakers funk intro, he juices it up into a punchy, no-nonsense, cosmic-funk delight.
On the B side, Tangent co-founder, long-standing Life Force resident and seasoned rework master, Nick The Record, revisits an edit that he originally constructed in 2009. Clocking in at over double the length of the original cut, Nick’s edit of Grupo Los Yoyi’s 1977 cut 'Paco La Calle', is made with dancers firmly in mind. This secret weapon builds and simmers, with the drums and percussion pushing and pulling before the psychedelic synth lines return in a sweltering fashion. In this new 2025 version, Dan is drafted in to work some brilliant new synth lines into the mix.
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1
Herman Kelly & Life - Dance To The Drummer's Beat
2
Herman Kelly & Life - Time After Time
3
Herman Kelly & Life - A Refreshing Love
4
Herman Kelly & Life - Who's The Funky D.J.
5
Herman Kelly & Life - Share Your Love
6
Herman Kelly & Life - Do The Handbone
Source of an all-time 'Breaks and Beats' classic, Mr Bongo reissue Herman Kelly’s timeless 1978 album Percussion Explosion!. Immortalised in hip-hop folklore, when the anthemic 'Dance To The Drummer's Beat’ was featured on the influential Ultimate Breaks & Beats compilation series in 1986.
Percussion Explosion! was the brainchild of drummer, percussionist, producer and arranger, Herman Kelly and his percussive disco-funk group from Miami, 'Life', that featured Aaron McCarthy, Oliver Well, John DeMonica, Michal Cordoza and Travis Biggs. The album houses a collection of disco, funk and Latin-inspired cuts that were destined for greatness. Nestled within the grooves is the B-Boy and B-Girl’s anthem, 'Dance To The Drummer's Beat’, which contains a now legendary break. A cursory glance at Whosampled will show that it has been sampled in over 125+ songs. These include Double Dee & Steinski on their groundbreaking 1985 production 'Lesson 3 (History Of Hip Hop Mix)', as well as by DJ Shadow, N.W.A, Masters At Work, Run D.M.C. and a whole host of heavyweights across hip-hop, dance and pop music.
When the album was released in 1978 it came out on two different labels, Alston Records and Electric Cat. Each label pressed different versions of 'Dance To The Drummer's Beat’, with the former featuring a 4:12 version and the latter a longer 5:09 version that has a different structure, crowd noise at the start and overdubbed percussion.
For this Mr Bongo reissue, we have chosen the classic 4:12 version from the Alston Records release, which would later find its way on to the illustrious Ultimate Breaks & Beats compilation. To make matters even more confusing the Alston version art on the back cover also states the track length as 5:09, whilst the centre label lists it correctly as 4:12.
Aside from the much celebrated 'Dance To The Drummer's Beat’, the album includes a range of other fantastic overlooked cuts. From the percussive soul stepper 'Share Your Love', to the beautiful Latin-flavoured 'A Refreshing Love' or the party disco-funk groover 'Who's The Funky D.J.?'.
This wonderful and inspirational record features an important piece of hip-hop heritage and deserves a place in every collection.
Housed in a tip-on sleeve.
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Germany
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Percussion Explosion! was the brainchild of drummer, percussionist, producer and arranger, Herman Kelly and his percussive disco-funk group from Miami, 'Life', that featured Aaron McCarthy, Oliver Well, John DeMonica, Michal Cordoza and Travis Biggs. The album houses a collection of disco, funk and Latin-inspired cuts that were destined for greatness. Nestled within the grooves is the B-Boy and B-Girl’s anthem, 'Dance To The Drummer's Beat’, which contains a now legendary break. A cursory glance at Whosampled will show that it has been sampled in over 125+ songs. These include Double Dee & Steinski on their groundbreaking 1985 production 'Lesson 3 (History Of Hip Hop Mix)', as well as by DJ Shadow, N.W.A, Masters At Work, Run D.M.C. and a whole host of heavyweights across hip-hop, dance and pop music.
When the album was released in 1978 it came out on two different labels, Alston Records and Electric Cat. Each label pressed different versions of 'Dance To The Drummer's Beat’, with the former featuring a 4:12 version and the latter a longer 5:09 version that has a different structure, crowd noise at the start and overdubbed percussion.
For this Mr Bongo reissue, we have chosen the classic 4:12 version from the Alston Records release, which would later find its way on to the illustrious Ultimate Breaks & Beats compilation. To make matters even more confusing the Alston version art on the back cover also states the track length as 5:09, whilst the centre label lists it correctly as 4:12.
Aside from the much celebrated 'Dance To The Drummer's Beat’, the album includes a range of other fantastic overlooked cuts. From the percussive soul stepper 'Share Your Love', to the beautiful Latin-flavoured 'A Refreshing Love' or the party disco-funk groover 'Who's The Funky D.J.?'.
This wonderful and inspirational record features an important piece of hip-hop heritage and deserves a place in every collection.
Housed in a tip-on sleeve.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Rosa Maria - Deixa Não Deixa
2
Rosa Maria - Avenida Atlantica
Back in stock due to popular demand, the 41st release in our signature Brazil 45’s series. Turning the spotlight to two monster funk/bossa nova cuts from Rosa Maria, we reissued a double header of firm favourites here at Mr Bongo HQ. Originally released on 7” in 1972 via Tapecar, copies of the OG are extremely difficult to get your hands on.
The A side houses ‘Deixa Nao Deixa’, with its distinct afro-Latin feel courtesy of the guitar, horns and percussion. Add in the catchy lead vocal, strong harmonies, funk/bossa drum grooves, shuffling percussion and the continuous build to the end, and you have one of the greatest Brazilian funk records ever pressed.
‘Avenida Atlantica’ takes the B side. Funk and bossa drum grooves alternate underneath the layers of vocals, horns, piano and percussion for a fiery, energetic dancefloor heater.
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The A side houses ‘Deixa Nao Deixa’, with its distinct afro-Latin feel courtesy of the guitar, horns and percussion. Add in the catchy lead vocal, strong harmonies, funk/bossa drum grooves, shuffling percussion and the continuous build to the end, and you have one of the greatest Brazilian funk records ever pressed.
‘Avenida Atlantica’ takes the B side. Funk and bossa drum grooves alternate underneath the layers of vocals, horns, piano and percussion for a fiery, energetic dancefloor heater.
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1
Célia - Na Boca Do Sol
2
Célia - A Hora É Essa
Back in stock due to popular demand, the 50th release in our signature Brazil 45’s series. For this edition we reissued two tracks from Célia’s awesome, sought after, second self-titled LP from 1972.
‘Na Boca Do Sol’ was written and arranged by Arthur Verocai and Vitor Martins, the original of which appeared on Verocai’s brilliant self-titled album. Fuzz guitar, drums, strings and Célia’s vocal combine to create an epic Brazilian masterstroke.
On the B side ‘A Hora é Essa’ is the first track from the Célia’s second self-titled LP. A lively samba-funk workout, doused in jazzy piano licks, strutting guitars and punchy horns.
These two classics were also given a 7” pressing in 1972 on Continental, which is very difficult to get hold of now.
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‘Na Boca Do Sol’ was written and arranged by Arthur Verocai and Vitor Martins, the original of which appeared on Verocai’s brilliant self-titled album. Fuzz guitar, drums, strings and Célia’s vocal combine to create an epic Brazilian masterstroke.
On the B side ‘A Hora é Essa’ is the first track from the Célia’s second self-titled LP. A lively samba-funk workout, doused in jazzy piano licks, strutting guitars and punchy horns.
These two classics were also given a 7” pressing in 1972 on Continental, which is very difficult to get hold of now.
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1
Hanna - Deixa Rodar
2
Almir Ricardi - To Parado Na Tua
Back in stock due to popular demand, the 54th release in our signature Brazil 45’s series. For this 7” double header we turned our attention to two outstanding boogie gems from Hanna and Almir Ricardi.
Up first, ‘Deixa Rodar’ is an essential midtempo disco/boogie jam taken from Hanna’s 1979 Deixa Rodar LP from 1979. A tip off from our good friend Mark ‘GV’ Taylor, this is a sure-fire way to light up any dancefloor and was featured in DJ Koco’s incredible Brazil 45’s mix.
On the B side, ‘To Parado Na Tua’ is another killer midtempo disco/boogie cut, this time from Almir Ricardi in 1984. Produced by the legendary duo of Lincoln Olivetti and Robson Jorge it exudes that feel-good boogie flavour they are famous for. Taken from the sought after and now fairly pricey ‘Festa Funk’ LP on RGE.
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Up first, ‘Deixa Rodar’ is an essential midtempo disco/boogie jam taken from Hanna’s 1979 Deixa Rodar LP from 1979. A tip off from our good friend Mark ‘GV’ Taylor, this is a sure-fire way to light up any dancefloor and was featured in DJ Koco’s incredible Brazil 45’s mix.
On the B side, ‘To Parado Na Tua’ is another killer midtempo disco/boogie cut, this time from Almir Ricardi in 1984. Produced by the legendary duo of Lincoln Olivetti and Robson Jorge it exudes that feel-good boogie flavour they are famous for. Taken from the sought after and now fairly pricey ‘Festa Funk’ LP on RGE.
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1
Claudia - Deixa O Morro Cantar
2
Claudia - Mas Que Nada
Back in stock due to popular demand, the 66th release in our signature Brazil 45’s series. Two supreme MPB/bossa-nova cuts courtesy of our leading Brazil 45’s lady, Claudia.
On the A side, ‘Deixa o Morro Cantar’ features on Claudia’s very first 7”, released in 1965 by RGE Brazil. A classy, horn-infused number that really brings out the warming tone of Claudia’s iconic voice.
Take to the flip for Claudia’s version of the legendary ’Mas Que Nada’. It’s a jazzier, folk-funk take on the Jorge Ben classic, that provides a great alternative version of this timeless song.
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On the A side, ‘Deixa o Morro Cantar’ features on Claudia’s very first 7”, released in 1965 by RGE Brazil. A classy, horn-infused number that really brings out the warming tone of Claudia’s iconic voice.
Take to the flip for Claudia’s version of the legendary ’Mas Que Nada’. It’s a jazzier, folk-funk take on the Jorge Ben classic, that provides a great alternative version of this timeless song.
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1
Alfredo De La Fe - Toca Alfredo Toca
2
Alfredo De La Fe - El Casabe
3
Alfredo De La Fe - Charangueandao
4
Alfredo De La Fe - Que Rico Bailo Yo
5
Alfredo De La Fe - Hot To Trot
6
Alfredo De La Fe - My Favorite Things
7
Alfredo De La Fe - Canto Del Corazon
Proudly presenting our reissue of a bona fide Latin classic from 1979 by the Cuban-born violinist Alfredo De La Fe. Based in New York and Colombia, Alfredo worked with some of the greats in Latin music including Eddie Palmieri, Willie Colon and Roberto Roena, alongside disco and soul icons like Sylvester and Aquarian Dream.
His debut album, Alfredo, is sublime and comprises two distinct halves. The A-side is a fine outing of Latin dancefloor workouts, with Alfredo innovatively incorporating the violin as a key element of his songwriting. Take to ‘Toca Alfredo Toca’ or ‘Charangueando’ to hear Alfredo’s violin solos placed centre stage, a unique dimension to Latin music which he helped to pioneer at the time.
Side two though is where things get interesting and unexpected. ‘Hot To Trot’ is a string-laden, Latin groover with a heavy dose of disco-funk and bubbling Brazilian percussion. It is sheer genius and still ignites a dancefloor to this day. The track became a favourite with the iconic New York DJ Larry Levan and was spun in one of the ground zero blueprints of modern clubbing, the Paradise Garage. This tune has been a mainstay amongst DJs ever since its release, has featured on compilations by Louie Vegas, Dave Lee and Danny Krivit over the years and is a record that never leaves our bag.
Other highlights include the cosmic, layered string, Latin jazz version of 'My Favourite Things' that opens into a psychedelic percussive jam and the mesmerising ‘Que Rico Bailo Yo’. Also be sure to check the epic closer 'Canto Del Corazon', which fuses avant-garde elements into a bass-gliding funk before morphing into a brilliant Latin final section.
This is a true masterpiece from the trailblazing “El violín de la salsa” and one that deserves a place in every collection.
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His debut album, Alfredo, is sublime and comprises two distinct halves. The A-side is a fine outing of Latin dancefloor workouts, with Alfredo innovatively incorporating the violin as a key element of his songwriting. Take to ‘Toca Alfredo Toca’ or ‘Charangueando’ to hear Alfredo’s violin solos placed centre stage, a unique dimension to Latin music which he helped to pioneer at the time.
Side two though is where things get interesting and unexpected. ‘Hot To Trot’ is a string-laden, Latin groover with a heavy dose of disco-funk and bubbling Brazilian percussion. It is sheer genius and still ignites a dancefloor to this day. The track became a favourite with the iconic New York DJ Larry Levan and was spun in one of the ground zero blueprints of modern clubbing, the Paradise Garage. This tune has been a mainstay amongst DJs ever since its release, has featured on compilations by Louie Vegas, Dave Lee and Danny Krivit over the years and is a record that never leaves our bag.
Other highlights include the cosmic, layered string, Latin jazz version of 'My Favourite Things' that opens into a psychedelic percussive jam and the mesmerising ‘Que Rico Bailo Yo’. Also be sure to check the epic closer 'Canto Del Corazon', which fuses avant-garde elements into a bass-gliding funk before morphing into a brilliant Latin final section.
This is a true masterpiece from the trailblazing “El violín de la salsa” and one that deserves a place in every collection.
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1
Ousmane Kouyaté & Ambassadeurs Internati - Kefimba
2
Bouba et Sokona Sacko - Mamaniya
3
Les Ambassadeurs du Motel de Bamako - Get Up James
4
Allata Broulaye - Moussokéléyato
5
Tentemba Jazz du Mali - Yayoroba
6
Tjiwara Band de Kati - Kogola
7
Rail Band - Massaré Mousso
8
Les Ambassadeurs du Motel de Bamako - Matou Kagni
9
Mystère Jazz de Tombouctou - Sidi Yahia
10
Allata Broulaye - Yayoroba
11
Les Messagers du Mali - Diamana Diarra
12
Tjiwara Band de Kati - Midnight Hour
Following the success of ‘The Original Sound of Mali’ compilation, we return with another explorative delve into the wonders of Malian music compiled by French writer, journalist and Grammy-nominated compiler Florent Mazzoleni and Mr Bongo’s very own David Buttle. Restoring, reissuing and contextualising iconic tracks from Ousmane Kouyaté & Ambassadeurs Internationaux, Rail Band, Les Messagers du Mali, Mystère Jazz de Tombouctou and many more, the second compilation in this series dives ever further into the richness of post-independence music emanating out of Mali. One in which traditional foundations and instrumentation, blended with modern musical advances and influence.
Following Mali’s independence, after ten years of maturation, the 1970s saw modern Malian culture revealed to the world through musical anthologies and overviews of national and regional productions. It was a remarkably fertile period of the country’s musical history, with state-sponsored bands and orchestras now able to be documented and recorded by sound engineers.
Mali has always had a diverse storytelling tradition through music, with each province and ethnic group having its own unique character and nuances. As influences and sounds from the West drifted over the Atlantic, Malian musicians began hearing artists like John Lee Hooker, Wilson Pickett, Johnny Pacheco, Celia Cruz and James Brown. Elements and ideas from blues, soul, rock and funk led to bands covering artists they’d heard from these genres. The Tjiwara Band de Kati’s raw cover version of Pickett’s soul / R&B classic ‘In The Midnight Hour’ and the James Brown funk-channelling cut ‘Get Up James’ from Les Ambassadeurs du Motel de Bamako, are two such examples featured on this compilation.
Most bands also relied on playing in hotels in Mali’s capital, Bamako, which naturally became where they honed their sound. With guests wanting to hear the influence of foreign styles and modern instrumentation becoming more available, this fusion of Western ideas with traditional Malian rhythms and organic instruments led to a one-of-a-kind musical excellence.
The second volume in this series, captures the raw energy of Mali in this period, with a spread of sounds that radiated from Mali’s newly recorded musicians. The afrobeat rhythms of Ousmane Kouyaté and mesmerising Malian classic from Bouba and Sokona Sacko, sitting side by side with the swirling hypnotism of Tentemba Jazz du Mali and a ngoni-infused, percussive dancer from Allata Broulaye. Elsewhere, the deep African desert music of Mystère Jazz de Tombouctou rubs shoulders with the grandeur of the Rail Band, powered by Salif Keita’s iconic vocals.
Those are just a handful of the recordings highlighted on this compilation, which includes an extensive booklet looking at the history and relevance of the tracks written by Florent Mazzoleni. With so much enchanting, deep and mind-expanding music coming out of Mali in this period, ‘The Original Sound of Mali 2’ is a perfect aid to discovering the richness of music this country has to offer.
Vinyl LP housed in a gatefold sleeve with A5 booklet liner notes.
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Following Mali’s independence, after ten years of maturation, the 1970s saw modern Malian culture revealed to the world through musical anthologies and overviews of national and regional productions. It was a remarkably fertile period of the country’s musical history, with state-sponsored bands and orchestras now able to be documented and recorded by sound engineers.
Mali has always had a diverse storytelling tradition through music, with each province and ethnic group having its own unique character and nuances. As influences and sounds from the West drifted over the Atlantic, Malian musicians began hearing artists like John Lee Hooker, Wilson Pickett, Johnny Pacheco, Celia Cruz and James Brown. Elements and ideas from blues, soul, rock and funk led to bands covering artists they’d heard from these genres. The Tjiwara Band de Kati’s raw cover version of Pickett’s soul / R&B classic ‘In The Midnight Hour’ and the James Brown funk-channelling cut ‘Get Up James’ from Les Ambassadeurs du Motel de Bamako, are two such examples featured on this compilation.
Most bands also relied on playing in hotels in Mali’s capital, Bamako, which naturally became where they honed their sound. With guests wanting to hear the influence of foreign styles and modern instrumentation becoming more available, this fusion of Western ideas with traditional Malian rhythms and organic instruments led to a one-of-a-kind musical excellence.
The second volume in this series, captures the raw energy of Mali in this period, with a spread of sounds that radiated from Mali’s newly recorded musicians. The afrobeat rhythms of Ousmane Kouyaté and mesmerising Malian classic from Bouba and Sokona Sacko, sitting side by side with the swirling hypnotism of Tentemba Jazz du Mali and a ngoni-infused, percussive dancer from Allata Broulaye. Elsewhere, the deep African desert music of Mystère Jazz de Tombouctou rubs shoulders with the grandeur of the Rail Band, powered by Salif Keita’s iconic vocals.
Those are just a handful of the recordings highlighted on this compilation, which includes an extensive booklet looking at the history and relevance of the tracks written by Florent Mazzoleni. With so much enchanting, deep and mind-expanding music coming out of Mali in this period, ‘The Original Sound of Mali 2’ is a perfect aid to discovering the richness of music this country has to offer.
Vinyl LP housed in a gatefold sleeve with A5 booklet liner notes.
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1
Sonia Santos - Poema Ritmico Do Malandro (Balanço Do Crioulo)
2
João Donato - Cala Boca Menino
A. Sonia Santos - Poema Ritmico Do Malandro (Balanço Do Crioulo) / B. / João Donato - Cala Boca Menino
Back in stock due to popular demand, the 23rd release in our signature Brazil 45’s series served up a double header of classics from Sonia Santos and João Donato.
First up, 'Poema Ritmico Do Malandro (Balanço Do Crioulo)' is a beautiful track from the instantly recognisable Sonia Santos. A song that drifts from classic to psychedelic samba, laden with strings, horns and crowd noise. First released on 7” by Copacabana in 1971, but never on an album, originals fetch up to £100 per copy. A different version of this song also appears on the truly excellent Zito Righi Alucinolandia LP.
On the B side, 'Cala Boca Menino' is taken from João Donato’s much sought after and requested Quem É Quem LP. Quirky percussion, bubbling keys, horns and a hypnotic vocal. Donato is a hugely prolific force in Brazilian music and worked with the likes of including Tom Jobim, Astrud Gilberto, Cal Tjader, Dom Um Romao and Gilberto Gil amongst others. ‘Cala Boca Menino’ was released on a 7” in 1973 in Brazil, but is very difficult to find at a reasonable price and in good condition these days.
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Back in stock due to popular demand, the 23rd release in our signature Brazil 45’s series served up a double header of classics from Sonia Santos and João Donato.
First up, 'Poema Ritmico Do Malandro (Balanço Do Crioulo)' is a beautiful track from the instantly recognisable Sonia Santos. A song that drifts from classic to psychedelic samba, laden with strings, horns and crowd noise. First released on 7” by Copacabana in 1971, but never on an album, originals fetch up to £100 per copy. A different version of this song also appears on the truly excellent Zito Righi Alucinolandia LP.
On the B side, 'Cala Boca Menino' is taken from João Donato’s much sought after and requested Quem É Quem LP. Quirky percussion, bubbling keys, horns and a hypnotic vocal. Donato is a hugely prolific force in Brazilian music and worked with the likes of including Tom Jobim, Astrud Gilberto, Cal Tjader, Dom Um Romao and Gilberto Gil amongst others. ‘Cala Boca Menino’ was released on a 7” in 1973 in Brazil, but is very difficult to find at a reasonable price and in good condition these days.
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1
Georgette - Kiriê
2
Claudia - Com Mais De 30
A. Georgette - Kiriê / B. Claudia - Com Mais De 30
Back in stock due to popular demand, the 26th release in our signature Brazil 45’s series. For this 7 inch, we shone the light on two Brazilian masterpieces from Georgette and Claudia that are firm favourites of some of the biggest DJs in the business, including Gilles Peterson, Four Tet and Floating Points.
'Kiriê' by Georgette is simply one of ‘those’ tracks. It gets better with every listen and you hear something different every time. Taken from the hard to obtain ‘A Moca do Mar’ LP on Tapecar in 1976, previously unavailable on 7”, you won’t forget this one in a hurry. Long championed by Gilles Peterson and co, the tight uplifting guitar changes, layered percussion and super-subtle strings radiate under Georgette’s vocal, backed by a chorus of male vocals.
The flip features one of Claudia’s best, ‘Com Mais de 30’ a cover of Marcos Valle and Paulo Sérgio Valle’s original version. Fuzz guitars, joyous piano, huge drums, percussion and Claudia’s soaring vocal make for a heavy yet uplifting MPB/funk track of the highest order. Originally released on her hard to find ‘Jesus Cristo’ LP on Odeon in 1971. Also featured on Four Tet and Floating Points iconic Plastic People closing party mix.
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Back in stock due to popular demand, the 26th release in our signature Brazil 45’s series. For this 7 inch, we shone the light on two Brazilian masterpieces from Georgette and Claudia that are firm favourites of some of the biggest DJs in the business, including Gilles Peterson, Four Tet and Floating Points.
'Kiriê' by Georgette is simply one of ‘those’ tracks. It gets better with every listen and you hear something different every time. Taken from the hard to obtain ‘A Moca do Mar’ LP on Tapecar in 1976, previously unavailable on 7”, you won’t forget this one in a hurry. Long championed by Gilles Peterson and co, the tight uplifting guitar changes, layered percussion and super-subtle strings radiate under Georgette’s vocal, backed by a chorus of male vocals.
The flip features one of Claudia’s best, ‘Com Mais de 30’ a cover of Marcos Valle and Paulo Sérgio Valle’s original version. Fuzz guitars, joyous piano, huge drums, percussion and Claudia’s soaring vocal make for a heavy yet uplifting MPB/funk track of the highest order. Originally released on her hard to find ‘Jesus Cristo’ LP on Odeon in 1971. Also featured on Four Tet and Floating Points iconic Plastic People closing party mix.
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1
Marcio Lott - Tema De Baby
2
Silvio Cesar - A Festa
A. Marcio Lott - Tema De Baby / B. Silvio Cesar - A Festa
Back in stock due to popular demand, the 33rd release in our signature Brazil 45’s series. A spellbinding pairing of Marcio Lott’s rarer than hen’s teeth, sun-soaked groover ‘Tema de Baby’ and the samba-rock fusion flavours of Silvio Cesar ‘A Festa’.
Marcio Lott’s ‘Tema de Baby’ is a REALLY rare one. We spent a long time trying to license this and were delighted to be able to release it as part of this series. Laid back sunshine samba-rock/funk/MPB, laced with Ramsey Lewis-esque piano and wah-wah guitars and lovely vocals top it off. Originally released on 7” by Tapecar in 1974.
Silvio Cesar’s ‘A Festa’ was brought to our attention - like many others in this series - by the almighty duo Brazilian Beats Brooklyn. A firm favourite here with everyone at Mr Bongo it’s a certified stormer from the opening beat. Jazzy, samba-rock fusion that touches on disco when the hi-hats open up. Floating synth lines, tough drums and crowd noise throughout add to the scintillating vibe. Taken from his LP ‘Som E Palavras’ released in 1977, as also featured on our Brazilian Beats Brooklyn compilation.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Back in stock due to popular demand, the 33rd release in our signature Brazil 45’s series. A spellbinding pairing of Marcio Lott’s rarer than hen’s teeth, sun-soaked groover ‘Tema de Baby’ and the samba-rock fusion flavours of Silvio Cesar ‘A Festa’.
Marcio Lott’s ‘Tema de Baby’ is a REALLY rare one. We spent a long time trying to license this and were delighted to be able to release it as part of this series. Laid back sunshine samba-rock/funk/MPB, laced with Ramsey Lewis-esque piano and wah-wah guitars and lovely vocals top it off. Originally released on 7” by Tapecar in 1974.
Silvio Cesar’s ‘A Festa’ was brought to our attention - like many others in this series - by the almighty duo Brazilian Beats Brooklyn. A firm favourite here with everyone at Mr Bongo it’s a certified stormer from the opening beat. Jazzy, samba-rock fusion that touches on disco when the hi-hats open up. Floating synth lines, tough drums and crowd noise throughout add to the scintillating vibe. Taken from his LP ‘Som E Palavras’ released in 1977, as also featured on our Brazilian Beats Brooklyn compilation.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Elza Soares - Mas Que Nada
2
Elizabeth - Vou Falar-Lhe Francamente
Back in stock due to popular demand, the 12th release in our signature Brazil 45’s series saw a reissue of two certified classics from Brazil’s rich musical tapestry.
On the A side, Brazilian Samba luminary Elza Soares, covers Jorge Ben’s classic ‘Mas Que Nada’. Originally featured on her brilliant 1970 Sambas & Mais Sambas LP on Odeon, it’s tougher drums, punchy piano and Elza’s stunning vocal tones make this a perfect dancefloor heater. With over 34 albums to her name in a career that spanned 60 years, Elza is a certified legend of Brazilian music.
Little is known about the artist responsible for the B side track, Elizabeth. Nicknamed ‘Gatinha do Mato’ (loosely translated as ‘Jungle Cat’) she was involved in the Jovem Guarda movement that fused rock n roll and youth culture with Brazilian styles in the ‘60s.
‘Vou Falar-Lhe Francamente’ is a majestic, horn-infused number laced with emotion, that we originally found at one of our favourite, now defunct, spots ‘Tony’s Hits’ in Sao Paulo. The record was originally released on 7” on RGE in 1970.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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On the A side, Brazilian Samba luminary Elza Soares, covers Jorge Ben’s classic ‘Mas Que Nada’. Originally featured on her brilliant 1970 Sambas & Mais Sambas LP on Odeon, it’s tougher drums, punchy piano and Elza’s stunning vocal tones make this a perfect dancefloor heater. With over 34 albums to her name in a career that spanned 60 years, Elza is a certified legend of Brazilian music.
Little is known about the artist responsible for the B side track, Elizabeth. Nicknamed ‘Gatinha do Mato’ (loosely translated as ‘Jungle Cat’) she was involved in the Jovem Guarda movement that fused rock n roll and youth culture with Brazilian styles in the ‘60s.
‘Vou Falar-Lhe Francamente’ is a majestic, horn-infused number laced with emotion, that we originally found at one of our favourite, now defunct, spots ‘Tony’s Hits’ in Sao Paulo. The record was originally released on 7” on RGE in 1970.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Elys Camargo - Taieiras
2
Trio Esperança - Não Aguento Você
Back in stock due to popular demand, the 18th release in our signature Brazil 45’s series saw Elys Camargo’s ‘Taieiras’ and ‘Não Aguento Você’ by Trio Esperança issued for the first time on 7”.
First up, ‘Taieiras’ from Elys Camargo’s 1972 album Cantos Da Minha Gente on RCA. An infectious, folk-leaning, call and response number that transports you instantly to Brazil. Although Elys recorded 12 albums between 1960 and 1983, little is known about her. DJ Yoda sampled ‘Taieiras’ in his 2012 track ‘U No Likey Like That’ featuring Roots Manuva and Kid Creole & The Coconuts.
On the B side, ‘Não Aguento Você’ by Trio Esperança. A Rio vocal trio formed by siblings Mário, Regina and Evinha Correia José Maria (the latter of which recorded the stunning classic, ‘Esperar Pra Ver’), whose three older brothers we’re The Golden Boys.
‘Não Aguento Você’ is a sun-kissed, psychedelic stunner, taken from their self-titled 1971 album. The original line up recorded seven albums for Odeon Brazil between 1963 and 1975.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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First up, ‘Taieiras’ from Elys Camargo’s 1972 album Cantos Da Minha Gente on RCA. An infectious, folk-leaning, call and response number that transports you instantly to Brazil. Although Elys recorded 12 albums between 1960 and 1983, little is known about her. DJ Yoda sampled ‘Taieiras’ in his 2012 track ‘U No Likey Like That’ featuring Roots Manuva and Kid Creole & The Coconuts.
On the B side, ‘Não Aguento Você’ by Trio Esperança. A Rio vocal trio formed by siblings Mário, Regina and Evinha Correia José Maria (the latter of which recorded the stunning classic, ‘Esperar Pra Ver’), whose three older brothers we’re The Golden Boys.
‘Não Aguento Você’ is a sun-kissed, psychedelic stunner, taken from their self-titled 1971 album. The original line up recorded seven albums for Odeon Brazil between 1963 and 1975.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Wilson Das Neves - Pick Up The Pieces
2
Som Três - Tanga
Back in stock due to popular demand, the 19th release in our signature Brazil 45’s series shone a light on Wilson das Neves’ brilliant cover of Average White Band’s ‘Pick Up The Pieces’ and an all-time Mr Bongo Brazilian funk favourite in the form of Som Três – Tanga.
Wilson das Neves was a legendary Brazilian percussionist most well known for being part of Os Ipanemas. The A side of this 7” houses his cover of Average White Band’s ‘Pick Up The Pieces’ recorded with his ‘conjunto’ ensemble. It takes the track into funky samba territory, laden with percussion and horns. Originally released on the Som Quente É O Das Neves LP in 1969.
On the flip side, a Mr Bongo all-time Brazilian funk favourite. Blistering drums, feverish vocals and peaking piano packed into just over 2 minutes. Som Três were a trio formed by prolific pianist, arranger and producer Cesar Camargo Mariano. ‘Tanga’ originally appeared on the Um É Pouco, Dois É Bom, Este Som Três É Demais LP on Odeon Brazil in 1970.
Both of these Brazilian beauties were previously unreleased on 7”.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Wilson das Neves was a legendary Brazilian percussionist most well known for being part of Os Ipanemas. The A side of this 7” houses his cover of Average White Band’s ‘Pick Up The Pieces’ recorded with his ‘conjunto’ ensemble. It takes the track into funky samba territory, laden with percussion and horns. Originally released on the Som Quente É O Das Neves LP in 1969.
On the flip side, a Mr Bongo all-time Brazilian funk favourite. Blistering drums, feverish vocals and peaking piano packed into just over 2 minutes. Som Três were a trio formed by prolific pianist, arranger and producer Cesar Camargo Mariano. ‘Tanga’ originally appeared on the Um É Pouco, Dois É Bom, Este Som Três É Demais LP on Odeon Brazil in 1970.
Both of these Brazilian beauties were previously unreleased on 7”.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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"Farming, often associated with toil and drudgery, can also be a surprisingly sensual and playful activity. The rhythm of the seasons, the tactile experience of working the land, and the shared sense of accomplishment can all contribute to a heightened sense of intimacy and pleasure. Consider the act of planting seeds. The gentle touch of fingers on delicate seedlings, the anticipation of growth, and the nurturing care required can create a deeply satisfying and sensual experience.
Harvesting, too, can be a sensual affair, as one plucks ripe fruits and vegetables from the earth, feeling their warmth and succulence. Beyond the physical aspects, farming can also foster emotional intimacy. Couples can work together in the garden, sharing laughter, sweat, and a sense of shared purpose. The feeling of accomplishment that comes from growing one's own food can also strengthen bonds and create a sense of shared pride."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Harvesting, too, can be a sensual affair, as one plucks ripe fruits and vegetables from the earth, feeling their warmth and succulence. Beyond the physical aspects, farming can also foster emotional intimacy. Couples can work together in the garden, sharing laughter, sweat, and a sense of shared purpose. The feeling of accomplishment that comes from growing one's own food can also strengthen bonds and create a sense of shared pride."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Persian - Question 1
2
Persian - Question 2
3
Persian - Question 5
4
Persian - Question 3
5
Persian - Question 7
[Emotional] Especial returns to the music of Peter Reilly aka Persian, with a second EP diving into his extensive catalogue to celebrate this cult artist and evaluate his recent decision to retire from music production.
For over 20 years Reilly has been an exemplary electronic producer, a producer’s producer, a DJs producer, releasing over 50 EPs that crossed genres, from Breaks to Digidub, Electro to Garage, House to Jungle and on and on.
If this release is to act as an epitaph, then its exploration of Reilly’s wonderful programming, sampling and understanding of emotions is laid bare. Spread across a series of self-released edits hidden within limited run EPs, Questions appeared as something akin to beats interludes, across numerous releases over the last 10 years.
Bringing the best versions together on one EP, Questions 1, 2, 5, 3 and 7 have been re-edited, extended and sequenced into a continuous mix especially for this finale. Starting with the ambient breaks of Questions 1, this is a Balearic beginning where bubbling acid meets haunting refrain, before segueing effortlessly into the sunrise breaks of Questions 2. A nod to Carl Craig’s classic Incognito remix, the solo keys add a touch of jazz to a glide by shooting melody.
Side 2 rises. Question 5 heralds a half stepper Dub bassline riding the Amen breaks, the now familiar Brando sample, a wormhole in your brain that ties the EP together, joining the dots as strings float skywards, allowing Questions 3 break it all back down. Herbie Handcock inspired Funk Boogie beat, shouts out to his own Existence To Resistance label, leads to the pure ambient closing of Questions 7. A showcase again of Persian’s multi-genre dexterity and maybe, just maybe brings an influential music chapter to a close.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
For over 20 years Reilly has been an exemplary electronic producer, a producer’s producer, a DJs producer, releasing over 50 EPs that crossed genres, from Breaks to Digidub, Electro to Garage, House to Jungle and on and on.
If this release is to act as an epitaph, then its exploration of Reilly’s wonderful programming, sampling and understanding of emotions is laid bare. Spread across a series of self-released edits hidden within limited run EPs, Questions appeared as something akin to beats interludes, across numerous releases over the last 10 years.
Bringing the best versions together on one EP, Questions 1, 2, 5, 3 and 7 have been re-edited, extended and sequenced into a continuous mix especially for this finale. Starting with the ambient breaks of Questions 1, this is a Balearic beginning where bubbling acid meets haunting refrain, before segueing effortlessly into the sunrise breaks of Questions 2. A nod to Carl Craig’s classic Incognito remix, the solo keys add a touch of jazz to a glide by shooting melody.
Side 2 rises. Question 5 heralds a half stepper Dub bassline riding the Amen breaks, the now familiar Brando sample, a wormhole in your brain that ties the EP together, joining the dots as strings float skywards, allowing Questions 3 break it all back down. Herbie Handcock inspired Funk Boogie beat, shouts out to his own Existence To Resistance label, leads to the pure ambient closing of Questions 7. A showcase again of Persian’s multi-genre dexterity and maybe, just maybe brings an influential music chapter to a close.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Deluxe Vinyl package includes 140g Black LP in a heavyweight jacket, a 16-page newsprint insert booklet AND insert poster with artwork by Damon Locks + poly-lined inner sleeve, pressed at Pallas in Germany.
List of Demands, Damon Locks" first foray into creating an entire album from spoken and text-based work, finds the Chicago-based musician and educator collecting cultural abstractions and reorganizing them into a firm truth. The album lays out a vision of Black liberation and transmits it outward as a song cycle of bite-sized MF DOOM-meets-Nikki Giovanni rhythm experiments. The sample-based constructions are steeped in a lifetime of not only keen cultural observation, but direct communal participation in the culture. Locks" decades-long resume connects the dots between experimental improvisation, sample based hip hop, punk, and poetry - each done at the highest level and with a list of collaborators that could spin the head of even the most jaded listener. And that seems to be the point. To jump-start the entire personality spectrum into action. Ecstatic positivity examined via his nuanced grasp of reality, all working toward that ever-evasive concept of what could be.
Tracklist
1.1Reversed
1.2Distance
1.3Holding the Dawn in Place (Beyond, Pt. 2)
1.4Everything's Under Control
1.5Isn't It Beautiful
1.6High Priestess
1.7Meteors of Fear
1.8List of Demands
1.9The Signal is Hot
1.10Control Power
1.11Click
1.12Reversed, Pt. 2 (Something to Love)
Stream: https://listen.k7.com/d1b28c36-20a5-4ec8-9bed-cef2e662c2db
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
List of Demands, Damon Locks" first foray into creating an entire album from spoken and text-based work, finds the Chicago-based musician and educator collecting cultural abstractions and reorganizing them into a firm truth. The album lays out a vision of Black liberation and transmits it outward as a song cycle of bite-sized MF DOOM-meets-Nikki Giovanni rhythm experiments. The sample-based constructions are steeped in a lifetime of not only keen cultural observation, but direct communal participation in the culture. Locks" decades-long resume connects the dots between experimental improvisation, sample based hip hop, punk, and poetry - each done at the highest level and with a list of collaborators that could spin the head of even the most jaded listener. And that seems to be the point. To jump-start the entire personality spectrum into action. Ecstatic positivity examined via his nuanced grasp of reality, all working toward that ever-evasive concept of what could be.
Tracklist
1.1Reversed
1.2Distance
1.3Holding the Dawn in Place (Beyond, Pt. 2)
1.4Everything's Under Control
1.5Isn't It Beautiful
1.6High Priestess
1.7Meteors of Fear
1.8List of Demands
1.9The Signal is Hot
1.10Control Power
1.11Click
1.12Reversed, Pt. 2 (Something to Love)
Stream: https://listen.k7.com/d1b28c36-20a5-4ec8-9bed-cef2e662c2db
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Objekt - Chicken Garaage
2
Objekt - Worm Dance
The second release on Objekt’s newly established Kapsela imprint arrives in the form of Chicken Garaage, a solo 2-track EP by Objekt that explores the fertile terrain around 00s breakbeat and garage. The A-side, Chicken Garaage, is a playful and poignant nod to the pioneering proto-dubstep explorations of the early 2000s, as the genre was first beginning to crystallise, by the likes of Horsepower Productions, DJ Abstract and Benny Ill. First sketched out on tour in Melbourne while eating takeaway chicken karaage, it’s the first outcome of an experiment with a new workflow to produce music with an accelerated approach and more immediacy and expressivity; encouragingly, it has the lowest final version number (55) of any Objekt track in recent memory. B-side “Worm Dance” leans into Hertz’s headsier inclinations – constructed mostly from field recordings made at a lake house outside of Berlin in 2022, it channels mid-00s T++ into a moody, elastic breakbeat roller.
The vinyl comes with a free lossless download.
Mastered by Kassian Troyer at Dubplates & Mastering
Artwork by Brodie Kaman
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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The vinyl comes with a free lossless download.
Mastered by Kassian Troyer at Dubplates & Mastering
Artwork by Brodie Kaman
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Masahiro Sugaya - Water-1
2
Masahiro Sugaya - Future's Green
3
Masahiro Sugaya - Scenery Of Heat
4
Masahiro Sugaya - Above The City's Rooftops
5
Masahiro Sugaya - Water-2
6
Masahiro Sugaya - Conversation Of The Wind
7
Masahiro Sugaya - Ballad Of Grass And Trees
8
Masahiro Sugaya - Horizon
Originally released in 1987 on a private cassette - this is the first vinyl release of the absolute gem. Comes with obi strip.
Masahiro Sugaya is a Japanese composer with a prolific career in music for film, television, and the performing arts. Renowned for crafting soundscapes that invite deep contemplation, his music blends synthesizers, field recordings, and traditional Japanese instruments, achieving a delicate balance between minimalism, ambient, and folk influences.
In addition to his experimental compositions, Sugaya has been a pivotal figure in Japanese television and cinema. He collaborated with NHK, Japan’s national broadcaster, creating soundtracks for documentaries and educational programs that explored both the everyday and the extraordinary. His ability to translate emotions and landscapes into sound has made him stand out in projects that connect the visual and the musical.
In cinema, Sugaya worked as an arranger for GONTITI, the iconic Japanese guitar duo, and contributed to soundtracks for renowned directors such as Hirokazu Koreeda. His work captures the stillness and subtleties of everyday life, resonating deeply with audiences.
The Pocket of Fever, originally conceived in 1987 as a soundtrack for Pappa Tarahumara’s avant-garde dance company, merges traditional Japanese elements with modern compositional techniques, reflecting the fluid and dreamlike choreography. The album shifts between nostalgia, as in Green of the Future, and the poetic hypnosis of Conversation with the Wind. These pieces invite the listener to explore deeply evocative and intimate sonic landscapes.
Now available for the first time on vinyl, this album was originally released solely on cassette and has been carefully remastered to preserve its delicate textures and vibrant sound. Presented in a limited edition, The Pocket of Fever remains essential for fans of ambient and experimental music. Inspired by figures such as Hiroshi Yoshimura, Midori Takada, and Brian Eno, this timeless masterpiece invites introspection and the appreciation of its serene beauty.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Masahiro Sugaya is a Japanese composer with a prolific career in music for film, television, and the performing arts. Renowned for crafting soundscapes that invite deep contemplation, his music blends synthesizers, field recordings, and traditional Japanese instruments, achieving a delicate balance between minimalism, ambient, and folk influences.
In addition to his experimental compositions, Sugaya has been a pivotal figure in Japanese television and cinema. He collaborated with NHK, Japan’s national broadcaster, creating soundtracks for documentaries and educational programs that explored both the everyday and the extraordinary. His ability to translate emotions and landscapes into sound has made him stand out in projects that connect the visual and the musical.
In cinema, Sugaya worked as an arranger for GONTITI, the iconic Japanese guitar duo, and contributed to soundtracks for renowned directors such as Hirokazu Koreeda. His work captures the stillness and subtleties of everyday life, resonating deeply with audiences.
The Pocket of Fever, originally conceived in 1987 as a soundtrack for Pappa Tarahumara’s avant-garde dance company, merges traditional Japanese elements with modern compositional techniques, reflecting the fluid and dreamlike choreography. The album shifts between nostalgia, as in Green of the Future, and the poetic hypnosis of Conversation with the Wind. These pieces invite the listener to explore deeply evocative and intimate sonic landscapes.
Now available for the first time on vinyl, this album was originally released solely on cassette and has been carefully remastered to preserve its delicate textures and vibrant sound. Presented in a limited edition, The Pocket of Fever remains essential for fans of ambient and experimental music. Inspired by figures such as Hiroshi Yoshimura, Midori Takada, and Brian Eno, this timeless masterpiece invites introspection and the appreciation of its serene beauty.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
xploring late-night, after-hours meditations on sound; ‘Everything Above The Sky (Astral Travelling with Luke Una)’ is a new compilation by the titular DJ, promoter and enigmatic cultural curator. Off the back of the E Soul Cultura phenomena, this compilation comes at a timely point in Luke’s rich career as he soars the heights of playing all over the world. Avoiding any chance of his sound being pigeonholed, Luke has put together a tracklist of songs and music that have a transcendental feel, after coming off the grid, going back to source, outside the city walls .
Music has long been believed to aid out of body experiences and many of us have searched long and hard for a combination of those elusive ingredients that might alleviate some of the monotony of everyday life, our daily routines and obligations, and those things that seem to block us from the spirit of the universe. In this collection, Luke selects music with all the right ingredients in just the right quantities, allowing the listener to engage in an esoteric journey of enlightenment through sound. Being a prolific collector of music, Luke initially delivered enough tracks to compile several compilations, making the licensing process the biggest effort to date for the label. The music moves softly and slowly, never becoming too intrusive, exemplifying the wonderful elevating properties of simple songs played from the heart.
Luke’s Everything Above The Sky manifesto reads, “Astral Travelling in the meadowlands with acid folk, spiritual jazz, around midnight hocus pocus, cosmic psychedelic soul, magical spellbound whirling swirling love songs, Brazilian ballads of light into machine soul gospel utopia dreaming, Balearic bossa, Outer Space ancient African drum, the breath of trees, escaping the big bad modern world, gathering round winter fires, walking amongst the bracken in Padley Gorge in late summer twilight, overlooking the Hope Valley, escaping ego, detaching and finally letting go amongst the stars with the slowly floating people. It’s beautiful beyond. Everything above the Sky”.
Beginning his career as an original Sheffield house young blood in the mid 1980s, Luke’s move to Manchester and partnership with Justin Crawford saw the birth of Electric Chair, a cornerstone cult night in the UK underground club scene. Then came Electric Elephant, a Croatian festival paying homage to their wild eclecticism from Balearic to Brazilian to É Soul, house, disco and techno. Luke’s much loved, long-running Homoelectric night and more recently Homobloc sell out festival for 10,000 souls has been at the forefront of Manchester’s LGBTQ+ cultural landscape. Luke’s Friday evening show on Worldwide FM captured imaginations and became a cult four-hour must-listen monthly journey for fans all over the world. Today, Luke remains, as ever, at the forefront of a changing milieu, pairing the momentous legacy of Manchester’s 80s and 90s scene with the delivery of what today’s club communities need to get down.
TRACKLISTING
1. John Martyn - Small Hours
2. Stephen Whynott – A Better Way
3. April Fulladosa - Sunlit Horizon
4. Sylvain Kassap - Plancoët
5. Manu Dibango - Night In Zeralda
6. Henri Texier - Hocoka Time
7. Nivaldo Orneleas - O Que Ha
8. 808 State – Pacific State (Massey’s Conga Mix)
9. Magma - Eliphas Levi
10. Homelife - Stranger
11. Michael Gregory Jackson - Unspoken Magic
12. Dora Morelenbaum - Avermelhar
13. Simone - Tudo Que Você Podia Ser
14. Experience Unlimited – People
15. Otis G. Johnson - I Got It
16. Mel & Tim - Keep The Faith
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WAS - Word and Sound Medien GmbH
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Music has long been believed to aid out of body experiences and many of us have searched long and hard for a combination of those elusive ingredients that might alleviate some of the monotony of everyday life, our daily routines and obligations, and those things that seem to block us from the spirit of the universe. In this collection, Luke selects music with all the right ingredients in just the right quantities, allowing the listener to engage in an esoteric journey of enlightenment through sound. Being a prolific collector of music, Luke initially delivered enough tracks to compile several compilations, making the licensing process the biggest effort to date for the label. The music moves softly and slowly, never becoming too intrusive, exemplifying the wonderful elevating properties of simple songs played from the heart.
Luke’s Everything Above The Sky manifesto reads, “Astral Travelling in the meadowlands with acid folk, spiritual jazz, around midnight hocus pocus, cosmic psychedelic soul, magical spellbound whirling swirling love songs, Brazilian ballads of light into machine soul gospel utopia dreaming, Balearic bossa, Outer Space ancient African drum, the breath of trees, escaping the big bad modern world, gathering round winter fires, walking amongst the bracken in Padley Gorge in late summer twilight, overlooking the Hope Valley, escaping ego, detaching and finally letting go amongst the stars with the slowly floating people. It’s beautiful beyond. Everything above the Sky”.
Beginning his career as an original Sheffield house young blood in the mid 1980s, Luke’s move to Manchester and partnership with Justin Crawford saw the birth of Electric Chair, a cornerstone cult night in the UK underground club scene. Then came Electric Elephant, a Croatian festival paying homage to their wild eclecticism from Balearic to Brazilian to É Soul, house, disco and techno. Luke’s much loved, long-running Homoelectric night and more recently Homobloc sell out festival for 10,000 souls has been at the forefront of Manchester’s LGBTQ+ cultural landscape. Luke’s Friday evening show on Worldwide FM captured imaginations and became a cult four-hour must-listen monthly journey for fans all over the world. Today, Luke remains, as ever, at the forefront of a changing milieu, pairing the momentous legacy of Manchester’s 80s and 90s scene with the delivery of what today’s club communities need to get down.
TRACKLISTING
1. John Martyn - Small Hours
2. Stephen Whynott – A Better Way
3. April Fulladosa - Sunlit Horizon
4. Sylvain Kassap - Plancoët
5. Manu Dibango - Night In Zeralda
6. Henri Texier - Hocoka Time
7. Nivaldo Orneleas - O Que Ha
8. 808 State – Pacific State (Massey’s Conga Mix)
9. Magma - Eliphas Levi
10. Homelife - Stranger
11. Michael Gregory Jackson - Unspoken Magic
12. Dora Morelenbaum - Avermelhar
13. Simone - Tudo Que Você Podia Ser
14. Experience Unlimited – People
15. Otis G. Johnson - I Got It
16. Mel & Tim - Keep The Faith
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
µ-Ziq - 4am
2
µ-Ziq - Éire
3
µ-Ziq - Allegro
4
µ-Ziq - Houzz 13
5
µ-Ziq - Belt & Carpet
6
µ-Ziq - Marmite
7
µ-Ziq - Asda
8
µ-Ziq - 1977 (Ft. Meemo Comma)
9
µ-Ziq - Xolbe 3
10
µ-Ziq - Burnt Orange
11
µ-Ziq - Lime Aero
12
µ-Ziq - Reference Gravy
13
µ-Ziq - Mesolithic Jungle
14
µ-Ziq - Pillowy
15
µ-Ziq - Froglets
When we established Balmat in 2021, neither of us could have imagined that within two years, we’d be putting out an album by one of our musical heroes: Mike Paradinas, aka µ-Ziq. The British producer has been an inspiration to label co-founders Albert Salinas and Philip Sherburne since the 1990s. In fact, his album-length remix project The Auteurs Vs µ-Ziq was one of the very first pieces of electronic music that Philip bought, way back in 1994. To have the opportunity to release his music now feels like a real full-circle moment.
Paradinas, of course, needs no introduction. Under a slew of aliases, chief among them µ-Ziq, the British artist revolutionized leftfield electronic music in the 1990s—coincidentally, this year marks the 30th anniversary of his debut album, Tango N’ Vectif, for his friend and sometime collaborator Aphex Twin’s Rephlex label—and his label Planet Mu has built up a formidable catalog of visionary, forwardlooking records, mapping virtually every corner of the electronic spectrum. With 1977, he turns the clock backward in a sense, and not just with the album’s title: Rooted in classic ambient and electronic sounds, these 15 tracks evoke the anything-goes spirit of the early ’90s, before the tools and tropes had calcified into cut-and-dried styles.
There’s no shortage of familiar sounds on 1977. There are echoes of raves and chillout rooms and transmissions from the fringes of techno; there are detuned synths and glistening reverb tails and, above all, gauzy vox pads, the eerie glue that holds it all together. The title, he says, is meant to invoke a general sense of nostalgia, bookmarking a year in his boyhood when he became more selfaware. More than anything, 1977 sounds like µ-Ziq distilled: Stripped of his signature breakbeats and customary chaos, Paradinas’ first-ever strictly (well, mostly) ambient album presents the essence of his music in a whole new light.
Along the way Paradinas touches on dark-ambient drones (“Marmite”), horror-film themes (“Belt & Carpet”), jungle breaks (“Mesolithic Jungle”), and even house music (“Houzz 13”), which marks the first bona fide dance-floor moment on Balmat to date). Yet the album never—to our ears, anyway— feels expressly retro. Rather, Paradinas plucks timeless sounds out of the ether and gives them a gentle tap, spinning them into unexpected new orbits. At times, 1977 feels like an experience of extended déjà vu: When we first listened to it, we had the sense that we already knew this music. It was as though we had heard it years ago, perhaps on a battered cassette tape lent to us by a friend, and been searching for it ever since. We hope you feel the same.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Paradinas, of course, needs no introduction. Under a slew of aliases, chief among them µ-Ziq, the British artist revolutionized leftfield electronic music in the 1990s—coincidentally, this year marks the 30th anniversary of his debut album, Tango N’ Vectif, for his friend and sometime collaborator Aphex Twin’s Rephlex label—and his label Planet Mu has built up a formidable catalog of visionary, forwardlooking records, mapping virtually every corner of the electronic spectrum. With 1977, he turns the clock backward in a sense, and not just with the album’s title: Rooted in classic ambient and electronic sounds, these 15 tracks evoke the anything-goes spirit of the early ’90s, before the tools and tropes had calcified into cut-and-dried styles.
There’s no shortage of familiar sounds on 1977. There are echoes of raves and chillout rooms and transmissions from the fringes of techno; there are detuned synths and glistening reverb tails and, above all, gauzy vox pads, the eerie glue that holds it all together. The title, he says, is meant to invoke a general sense of nostalgia, bookmarking a year in his boyhood when he became more selfaware. More than anything, 1977 sounds like µ-Ziq distilled: Stripped of his signature breakbeats and customary chaos, Paradinas’ first-ever strictly (well, mostly) ambient album presents the essence of his music in a whole new light.
Along the way Paradinas touches on dark-ambient drones (“Marmite”), horror-film themes (“Belt & Carpet”), jungle breaks (“Mesolithic Jungle”), and even house music (“Houzz 13”), which marks the first bona fide dance-floor moment on Balmat to date). Yet the album never—to our ears, anyway— feels expressly retro. Rather, Paradinas plucks timeless sounds out of the ether and gives them a gentle tap, spinning them into unexpected new orbits. At times, 1977 feels like an experience of extended déjà vu: When we first listened to it, we had the sense that we already knew this music. It was as though we had heard it years ago, perhaps on a battered cassette tape lent to us by a friend, and been searching for it ever since. We hope you feel the same.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Wojciech Rusin is a Polish-born audio visual artist based in London. He draws inspiration from alchemical and gnostic texts, early renaissance choral music and Eastern European mythologies. "Honey for the Ants" completes an "alchemical trilogy", after The Funnel and Syphon. These albums are informed by mystical and gnostic texts, celebrating the weird, unhinged and occasionally beautiful.
Tracklist
1.1Flesh Eater
1.2Magus
1.3Behind the Palazzo
1.4Gifts for the Surgeon
1.5Tools for Humanity
1.6Carpathian Stone Spinners
1.7Kittens meet Puppies for the First Time
1.8Hands of a Despot
1.9Heretic Milieu
1.10Even the Moon
Listen: https://listen.k7.com/ce69bf95-9981-4e1f-9a71-643375cbca8b
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist
1.1Flesh Eater
1.2Magus
1.3Behind the Palazzo
1.4Gifts for the Surgeon
1.5Tools for Humanity
1.6Carpathian Stone Spinners
1.7Kittens meet Puppies for the First Time
1.8Hands of a Despot
1.9Heretic Milieu
1.10Even the Moon
Listen: https://listen.k7.com/ce69bf95-9981-4e1f-9a71-643375cbca8b
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Tigerbalm - Profunda Alma ft. Joy Tyson
2
Tigerbalm - Vem Ca ft. Joao Selva
3
Tigerbalm - Vem Ca ft. Joao Selva (Yuksek Remix)
4
Tigerbalm - Profunda Alma (Make-A-Dance Acid Remix)
5
Tigerbalm - Profunda Alma (Make-A-Dance Tribal Dub)
With output on Ubiquity, Wonderwheel and Razor-N-Tape, London’s Tigerbalm has truly come into her own production voice recently, bringing forth a colorful vision of tropical influences filtered through modern club sounds. With the Profunda Alma EP, the Tiger focusses her attention on Brazil, coaxing out two gorgeous original songs that pay homage to the sizable impact the country has had on her musical sensibilities. Profunda Alma features the vocalist Joy Tyson (who appeared on Tigerbalm’s earlier Nina EP), and creates an atmosphere of deep emotional mystique through driving percussion, an insistent bassline and dramatic guitar stabs. Vem Ca goes for a more bouncey retro samba vibe and features the incredible vocals of Joao Selva, who delivers a hook that feels almost canonical, as if we’ve known it forever. Ever consistent French producer Yuksek takes Vem Ca straight to the club with his remix, and London upstarts Make-A-Dance deliver two trippy dancefloor takes on the title track to make this record a powerful 5-tracker!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Juan Atkins & Moritz von Oswald present - Concave 1 07:28
2
Juan Atkins & Moritz von Oswald present - Concave 2 07:28
FORMAT 12“ vinyl, printed sleeve, dl card
TRACKLIST
1. / A Concave 1 07:28
2. / B Concave 2 07:28
The serene source of captivating musical ideas that is Borderland, keeps on flowing and vibrating with subtle energy.
Two versions form a set of studio-refined sequences. Both parts of “Concave” are the ungraspable manifestation of the wild quietness in which the duo finds itself. Predicting at once, possible outcomes for the craft of electronic sound, while respecting their profound origins..
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
TRACKLIST
1. / A Concave 1 07:28
2. / B Concave 2 07:28
The serene source of captivating musical ideas that is Borderland, keeps on flowing and vibrating with subtle energy.
Two versions form a set of studio-refined sequences. Both parts of “Concave” are the ungraspable manifestation of the wild quietness in which the duo finds itself. Predicting at once, possible outcomes for the craft of electronic sound, while respecting their profound origins..
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Fireground - The Element 05:13
2
Fireground - Riva 05:26
3
Fireground - Love Letter 05:57
4
Fireground - Etereo 05:40
FORMAT: 12" vinyl, generic sleeve artwork,
10x15cm postcard inlay, dl code
TRACKLIST
1. / A1 The Element 05:13
2. / A2 Riva 05:26
3. / B1 Love Letter 05:57
4. / B2 Etereo 05:40
Fireground’s live sets brim with joy and Mediterranean warmth so, as we have now passed the vernal equinox in the Northern Hemisphere and are well on en route to leave the long, cold winter behind, what could be more fitting than a new release from the duo?
As with their three previous releases on Tresor (Dualism, Refreshing Part 1, and Dreams) for Love Letter Angela and Daniele have created a heady melange of styles of techno synonymous with the turn of the century with such outrageous elan and jubilation that they practically embody the musical term giocoso:
“We had the "summer" concept in mind from the beginning, this pushed us to create a message in our sound making it uplifting and engaging, capable of conveying a positive, romantic and warm vibe. In our productions we always give priority to the harmonic parts such as melodies, pads, piano and guitar riffs, the peculiarity of this EP is that all the tracks were born first from these elements, and only at the end the groove was crafted, not due to a difference in importance, rather to ensure that the rhythmic part paid as much respect as possible to the harmonic part.”
This decision to build upwards from the harmonics has paid dividends: the entrance of a string section provokes visions of a rapt club crowd cheering with exultation; a looped groove stimulates a connection to such gleeful nostalgia that is almost certain to be heard at many festivals in coming months; a blissful pad sweeps over a
track like the first rays of sun in the morning; a filtered synth rises to be met with a xylophone-like countermelody…every track has a moment where the music overflows with some form of happiness. Together the collection promises, and perhaps even delivers, a summer both ecstatic and joyful.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
10x15cm postcard inlay, dl code
TRACKLIST
1. / A1 The Element 05:13
2. / A2 Riva 05:26
3. / B1 Love Letter 05:57
4. / B2 Etereo 05:40
Fireground’s live sets brim with joy and Mediterranean warmth so, as we have now passed the vernal equinox in the Northern Hemisphere and are well on en route to leave the long, cold winter behind, what could be more fitting than a new release from the duo?
As with their three previous releases on Tresor (Dualism, Refreshing Part 1, and Dreams) for Love Letter Angela and Daniele have created a heady melange of styles of techno synonymous with the turn of the century with such outrageous elan and jubilation that they practically embody the musical term giocoso:
“We had the "summer" concept in mind from the beginning, this pushed us to create a message in our sound making it uplifting and engaging, capable of conveying a positive, romantic and warm vibe. In our productions we always give priority to the harmonic parts such as melodies, pads, piano and guitar riffs, the peculiarity of this EP is that all the tracks were born first from these elements, and only at the end the groove was crafted, not due to a difference in importance, rather to ensure that the rhythmic part paid as much respect as possible to the harmonic part.”
This decision to build upwards from the harmonics has paid dividends: the entrance of a string section provokes visions of a rapt club crowd cheering with exultation; a looped groove stimulates a connection to such gleeful nostalgia that is almost certain to be heard at many festivals in coming months; a blissful pad sweeps over a
track like the first rays of sun in the morning; a filtered synth rises to be met with a xylophone-like countermelody…every track has a moment where the music overflows with some form of happiness. Together the collection promises, and perhaps even delivers, a summer both ecstatic and joyful.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Mathew Jonson, - Put Ya Booty Shorts On
2
Mathew Jonson, - Return Of The Zombie Bikers
2019 Repress. Brown kraftpak sleeve
stunning second 12" single on his new label´is finally coming folks. what a name for this pretty incredible 2 tracker!! "Return of the Zombie Bikers" is a massive spine shiveringly intense almost dnb b lined big room track recorded in early 2005 and can easily be compared to Mat´s strongest moments including "decompression" on minus. Don't get us wrong though, this track doesn´t necessarily need the comparison,it easily stands out by far.let it work on and let it touch you, we feel it´s probably one of the strongest records MJ ever did!! "Put your booty shorts on" is yet another a side track written in 2002 dedicated to his wife Frank and remixed with including a vocal in 2005. A unique taste of what is to come in future live sets at the festivals this summer.this is the "hi end" in micro house coming.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
stunning second 12" single on his new label´is finally coming folks. what a name for this pretty incredible 2 tracker!! "Return of the Zombie Bikers" is a massive spine shiveringly intense almost dnb b lined big room track recorded in early 2005 and can easily be compared to Mat´s strongest moments including "decompression" on minus. Don't get us wrong though, this track doesn´t necessarily need the comparison,it easily stands out by far.let it work on and let it touch you, we feel it´s probably one of the strongest records MJ ever did!! "Put your booty shorts on" is yet another a side track written in 2002 dedicated to his wife Frank and remixed with including a vocal in 2005. A unique taste of what is to come in future live sets at the festivals this summer.this is the "hi end" in micro house coming.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore