South Asian dance and electronic music rarities handpicked, remastered and occasionally reworked. Featuring overlooked future classics from India, Pakistan, the U.K., Canada, Guyana and Suriname released between 1983 and 1992. The Vinyl Factory’s number one reissue of 2021, this x2LP compilation has been out of print since its initial release and is highly in-demand with collectors and selectors alike with the original pressing fetching well over $100 on Discogs. We’ve been hard at work to give it the repress it deserves – a stunning x2LP gatefold package housing clear coloured 180-gram eco-friendly records, limited to 200 copies.

The first in Naya Beat’s series of compilations and full-length album reissues, Volume 1 has become a reference piece for hidden electronic and dance music gems from the overlooked ‘80s and ‘90s South Asian music scene. From East-West’s dancefloor filler ‘Can't Face The Night (Club Mix)’ to Remo’s balearic masterpiece ‘Jungle Days’ (off his seminal album Bombay City!) to other disco, synth-pop and balearic dancefloor bangers from artists like Babla & His Orchestra, Sheila Chandra, Bappi Lahiri and Asha Puthli to name a few, this double album includes highly sought after, previously never reissued and otherwise impossible to find grails.

Naya Beat founders Turbotito and Ragz spent years endlessly hunting through dusty records, obscure cassettes and unreleased studio tapes to deliver a reference release for contemporary collectors, tastemakers and bold selectors looking for fresh sounds. Featuring an incredible gatefold package with Naya Beat’s trademark stunning artwork and extensively researched liner notes, the x2LP release has been mastered and cut to vinyl for the discerning listener and DJ by Grammy-nominated Frank Merritt from The Carvery, London.

A1 - Sheila Chandra – The Awakening
A2 - Babla & His Orchestra – Sabko Maloom Hain Main Sharabi Nahin
A3 - Nazia Hassan and Zobeb Hassan - Dost
iA4 - Pinky Ann Rihal – The Indian Dance
B1 - Arundhati Bhaumik – Kaga Bole Mera (Turbotito & Ragz Rework)
B2 - Musarrat – Hosh Nahin Hai Ji Mujhe
B3 - Remo – Jungle Days
C1 - Asha Puthli – Chipko Chipko
C2 - Manjeet Kondal – Ishkaan De Mamle
C3 - Shakti – Pi Pi (Turbotito & Ragz Rework)
D1 - East-West – Can't Face The Night (Club Mix)
D2 - Bappi Lahiri & Suresh – Thottu Thottu Aadavaa (Turbotito & Ragz Rework)
D3 - Mangal – Masti Bhara Sama Hai (Turbotito & Ragz Rework)

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Repress!

Mysticisms’ Dubplate series returns by bringing Nick Barber aka 90s Trance icon Doof, to the label, releasing a selection of previous digital only dub recordings for the first time on to vinyl.

Recorded straight to tape and remixed and live dubbed on the desk, the tracks have been remastered from the original tapes by Nick, bringing the recordings back to life. Best known as Doof, Nick was a pioneer of the early Trance explosion, his debut EP on Mute Record subsidiary, Novamute, placed him at the forefront on the burgeoning scene. Further EPs followed, including on Youth’s seminal Dragonfly label and the infamous TIP Records.

After his 1996 debut album became of the defining albums of the early Psy-Trance sound, Doof toured extensively across the globe from Brazil to Japan. During this time, he began experimenting with his love of dub. “Chill Out” or downtempo had long been part of the Acid-House and later Trance experience, with the merging of Dub influences with Ambient and Psychedelic elements propagating the evolving Digi Dub sound .

It is here, that Love Dub So emerges. Recorded as much for personal pleasure, with some appearing on compilation CDs of the time, a "Best Of" album was eventually released on Dubmission in 2010. By now, becoming disillusioned with the electronic scene, Nick explored his acoustic recordings inspired by his experiences in medicine ceremonies, however his Dub recordings were not lost. Working with Mysticisms to create the next Dubplate, four of his experiments are presented.

Featuring his classic Baba, Love Dub So, here he has crafted a new live dub mix especially for this vinyl cut. Based on the infamous Baby I Love You So riddim from Augustus Pablo’s 1974 production for Jacob Miller – itself utilising Herman Chin-Loy's "Jah Jah Dub” from the previous year – the song went on to become a classic, famously covered Dennis Brown and inspirationally, Colourbox, Doof’s version brings it all up to date with a wonderful extended Ambient to 4/4 Dub remake.

Accompanying is the Trip-Hop Dub of Mantra. A time-capsule of that late 90s “Dopes on Plastic”” remembrance. Bringing the 4/4 kick back on the flip is Skunked On Planet Dub, a smoke-infused, hot London Summers days, the real Digi Dub groove laying a laid back bounce that twists and turns the roach.

Sticks And Stones completes the Dubplate vinyl, a Dub House "drum and bass" overlaid with Psychedelic oscillations and Acid wiggle that never fails. Doof by name, Dubplate by nature.

Love The Mystery.

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Drummer, percussionist and composer Valentina Magaletti (Moin, Holy Tongue, Vanishing Twin) has
combined forces with musician, producer and composer YPY (aka Koshiro Hino of Goat) for their LP,
Kansai Bruises.

The pair crash through Osaka’s neon-lit streets with abrasive drums and handcrafted Japanese electronics
that hit like pavement against skin. This is bliss carved from bruises—hope and fear tangled in metallic
percussion while dreams of pesto float through sake-soaked alleyways.

[Artwork: Will Bankhead]

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Serenda is a London-based DJ and producer of Guyanese and Greek heritage, known for her rich, eclectic sound rooted in house but never confined by it. Her sets fold between soulful depth and experimental edge, always delivered with a bold, contemporary vision.

Her sets are grounded in rhythm and instinct, built less around genre than sensation. She blends percussive house, warped club music, and raw, organic textures; crafting dancefloors that feel immersive and visceral and emotioanlly charged . There’s a physicality to her sound that edges toward the primal. For Serenda, DJing is a form of play - fluid, responsive, and deeply connected.

She deconstructs and distorts house music with intent, letting in pressure, dissonance, and emotional rupture. Her sets draw on the “timeless mindless states” of Mancuso’s The Loft, unfolding as rituals that don’t smooth over the chaos, they work with it.

Following the release of her debut EP The Prophecy on Josh Caffe’s Love Child label, she made her mark with a headline show in Fabric’s Room 2 and a Rinse FM residency. A regular in London’s queer underground, Serenda is also shaped by New York’s experimental club scene, where experimental sound and unfiltered expression mirror her own ethos.

Afro-diasporic and South American ritual in tension with city life, instinctive rhythm against digital overstimulation. Her fascination with world-building and quantum physics runs through everything she creates, fusing sonic design and sensory experience into one evolving landscape

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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore