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More records from roy ayers
Following the vinyl release of Delfonic's reworks of Roy Ayers tracks taken from the BBE Music compilation Roy Ayers-Virgin Ubiquity, it's now Osunlade's turn to add his production and remix enchantment to the music of the master craftsman with these remixes of Brand New Feeling.
Featuring the exceptional vocal talents of Merry Clayton, perhaps best known for her blistering performance on the Rolling Stones' Gimme Shelter and her own Webster Lewis penned hit Emotion, alongside Jazz vocalist and Earth, Wind & Fire, Ubiquity and Harvey Mason collaborator Silvia Cox, Osunlade's Yoruba Soul remixes have added new dimensions to this track.
Hailing from St Louis, USA Osunlade's CV includes writing music for Sesame Street to working with and producing artists as varied as Patti Labelle, Freddie Jackson, Eric Benet, Martha Wash, Salif Keita, Nadirah Shakoor and Cesaria Evora. He started the Yoruba Soul project and label after his move to New York because of 'the continued need to create the music I wanted' and it is this musical freedom that has made him one of the most distinctive music makers, producers, DJs and remixers around today.
Brand New Feeling is released as a vinyl EP featuring two tracks, the Yoruba Soul Mix Parts 1 & 2 with a digital release also featuring instrumentals of both mixes.
A1. Brand New Feeling - Yoruba Soul Mix Part 1
B1. Brand New Feeling - Yoruba Soul Mix Part 2
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Featuring the exceptional vocal talents of Merry Clayton, perhaps best known for her blistering performance on the Rolling Stones' Gimme Shelter and her own Webster Lewis penned hit Emotion, alongside Jazz vocalist and Earth, Wind & Fire, Ubiquity and Harvey Mason collaborator Silvia Cox, Osunlade's Yoruba Soul remixes have added new dimensions to this track.
Hailing from St Louis, USA Osunlade's CV includes writing music for Sesame Street to working with and producing artists as varied as Patti Labelle, Freddie Jackson, Eric Benet, Martha Wash, Salif Keita, Nadirah Shakoor and Cesaria Evora. He started the Yoruba Soul project and label after his move to New York because of 'the continued need to create the music I wanted' and it is this musical freedom that has made him one of the most distinctive music makers, producers, DJs and remixers around today.
Brand New Feeling is released as a vinyl EP featuring two tracks, the Yoruba Soul Mix Parts 1 & 2 with a digital release also featuring instrumentals of both mixes.
A1. Brand New Feeling - Yoruba Soul Mix Part 1
B1. Brand New Feeling - Yoruba Soul Mix Part 2
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DE - 22113 Hamburg
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1
Roy Ayers - Green and Gold (Delfonic Rework)
2
Roy Ayers - What's The T? (Delfonic Edit)
3
Roy Ayers - Sugar (Delfonic Rework)
4
Roy Ayers - Oh What A Lonely Feeling (Delfonic Rework)
A soulful rework story – from an edit to an official releasev Berlin’s own Delfonic kicks off a very special series of Roy Ayers reworks with this four-track EP on BBE Music. Originally sparked by a spontaneous edit of “What’s the T?”, which Delfonic shared with BBE’s Pete Adarkwah, the project quickly gained momentum. With listeners asking for a vinyl version, this initial idea soon grew into an official release – and the beginning of a larger tribute.
Drawing from BBE’s 2004 compilation Virgin Ubiquity—a treasure trove of previously unreleased Roy Ayers recordings from 1976 to 1981—Roy Ayers – Delfonic Reworked #1 offers a fresh take on the legendary vibraphonist’s sound, rooted in soul, jazz and groove. The EP opens with Green and Gold, followed by the original spark What’s the T? featuring the incredible Merry Clayton. Also featured are Sugar with Carla Vaughan and Oh What a Lonely Feeling, again showcasing Clayton’s emotive vocals—all reimagined with Delfonic’s signature flair for rhythmic depth and dancefloor flow.
Known for his extensive output of remixes and EPs on respected disco and edit labels, Delfonic brings a deep understanding of groove and arrangement to these respectful yet
forward-thinking versions. His connection to Roy Ayers’ musical universe is evident in every bar. Mastered by Frank Merritt at the Grammy-nominated The Carvery, Roy Ayers – Delfonic
Reworked #1 is available on vinyl and digital download—a must for fans, collectors and groove connoisseurs alike.
Vinyl tracklist:
A1. Green and Gold (Delfonic Rework)
A2. What's The T? (Delfonic Edit)
B1. Sugar (Delfonic Rework)
B2. Oh What A Lonely Feeling (Delfonic Rework)
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DE - 22113 Hamburg
Germany
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Drawing from BBE’s 2004 compilation Virgin Ubiquity—a treasure trove of previously unreleased Roy Ayers recordings from 1976 to 1981—Roy Ayers – Delfonic Reworked #1 offers a fresh take on the legendary vibraphonist’s sound, rooted in soul, jazz and groove. The EP opens with Green and Gold, followed by the original spark What’s the T? featuring the incredible Merry Clayton. Also featured are Sugar with Carla Vaughan and Oh What a Lonely Feeling, again showcasing Clayton’s emotive vocals—all reimagined with Delfonic’s signature flair for rhythmic depth and dancefloor flow.
Known for his extensive output of remixes and EPs on respected disco and edit labels, Delfonic brings a deep understanding of groove and arrangement to these respectful yet
forward-thinking versions. His connection to Roy Ayers’ musical universe is evident in every bar. Mastered by Frank Merritt at the Grammy-nominated The Carvery, Roy Ayers – Delfonic
Reworked #1 is available on vinyl and digital download—a must for fans, collectors and groove connoisseurs alike.
Vinyl tracklist:
A1. Green and Gold (Delfonic Rework)
A2. What's The T? (Delfonic Edit)
B1. Sugar (Delfonic Rework)
B2. Oh What A Lonely Feeling (Delfonic Rework)
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DE - 22113 Hamburg
Germany
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1
Roy Ayers - 12 Inch Extended Version
2
Roy Ayers - Single Version
3
Roy Ayers - Instrumental
Repress!
Taken from his 'You Might Be Surprised' album from 1985 and produced by James Mtume with additional help from Tawatha & Philip Fields (of Aurra & Mtume) as well as David Frank (of The System), this 12 inch has long been sought after by Roy Ayers fans with the release changing hands for over £100 regularly on Discogs.
This mid tempo joint with forward thinking lyrics, a great 808 beat and beautiful chords is sophisticated, yet hood. Reissued for the first time, don't miss this opportunity to own this slice of mid 80's Roy Ayers.
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Taken from his 'You Might Be Surprised' album from 1985 and produced by James Mtume with additional help from Tawatha & Philip Fields (of Aurra & Mtume) as well as David Frank (of The System), this 12 inch has long been sought after by Roy Ayers fans with the release changing hands for over £100 regularly on Discogs.
This mid tempo joint with forward thinking lyrics, a great 808 beat and beautiful chords is sophisticated, yet hood. Reissued for the first time, don't miss this opportunity to own this slice of mid 80's Roy Ayers.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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With both tracks now coming out for the first time on 7" vinyl, the Liquid Love and What's The T? 7” single is a must get for all Roy Ayers fans and serious music collectors, not least as 2023 witnesses Roy's final ever tour of live dates. This release is a fitting tribute to the career of one of the most influential musicians in global Black music history and each track represents his virtuosity as a vibesman and his versatility across genres.
Liquid Love is taken from the 2015 BBE released album of Roy's unreleased material, Virgin Ubiquity II, and is a wicked mid-tempo track where Roy's vibraphone complements an amazing female vocal arrangement to create harmonies and melody over a tough as you like breakbeat, bass line and keyboard riff.
Coming from the 2004 initial release in the Virgin Ubiquity series of unreleased Roy Ayer's tracks, What's The T? is a more uptempo, bassline driven slab of dance floor funk. Augmented by a horn section and a huge female vocal from Merry Clayton over a hi-hat drumbeat, What's The T? is Roy Ayers and his musicians playing Roy's arrangements to perfection.
Releasing on BBE Music's ALIM imprint, Liquid Love/What's The T? 7" vinyl single issue is two musical moments in time now presented as a moment in history in the year we celebrate the excellent career and legacy of Roy Ayers as a touring musician. This is Roy at his best as musician, arranger and artist, grab this now.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liquid Love is taken from the 2015 BBE released album of Roy's unreleased material, Virgin Ubiquity II, and is a wicked mid-tempo track where Roy's vibraphone complements an amazing female vocal arrangement to create harmonies and melody over a tough as you like breakbeat, bass line and keyboard riff.
Coming from the 2004 initial release in the Virgin Ubiquity series of unreleased Roy Ayer's tracks, What's The T? is a more uptempo, bassline driven slab of dance floor funk. Augmented by a horn section and a huge female vocal from Merry Clayton over a hi-hat drumbeat, What's The T? is Roy Ayers and his musicians playing Roy's arrangements to perfection.
Releasing on BBE Music's ALIM imprint, Liquid Love/What's The T? 7" vinyl single issue is two musical moments in time now presented as a moment in history in the year we celebrate the excellent career and legacy of Roy Ayers as a touring musician. This is Roy at his best as musician, arranger and artist, grab this now.
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DE - 22113 Hamburg
Germany
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BBE Music is excited to present the first repress since 2006 of Roy Ayers classic Virgin Ubiquity albums, with brand new sleeve notes by Sean P.
When two volumes of previously unreleased Roy Ayers tapes entitled ‘Virgin Ubiquity’ hit the racks courtesy of BBE in 2004/5, it was a little mystifying as to why these recordings had remained in the can for so long. The 2000s are a time when bonus tracks, particularly on re-issues, are commonplace and demos, concerts, broadcasts and other audio of historical interest augment (and sometimes simply pad out) many ‘deluxe’ editions.
At the beginning of the millennium few of Roy’s ’70s and ’80s albums were available on compact disc, a format which facilitated extra material due to its longer playing time – and even when the rest of Roy’s ’70s albums made it to CD, nothing recently unearthed was included – although there was a taster in the form of the instrumental ‘Party Sex’, whose release had been shelved until 1995. A proper trawl through the archives was clearly overdue; Peter Adarkwah met with Roy and sifting through the unused sessions began, with the chosen tracks transferred and sent to New York based engineers John Hopkins and Jamey Staub to mix.
Vinyl Track List:
A1 Holiday
A2 Kwajilori
B1 I Am Your Mind (Part 2)
B2 I Like The Way You Do It To Me
C1 Third Time
C2 Touch Of Class
D1 Release Yourself
D2 Come To Me
E1 Wide Open
E2 Funk In The Hole
F1 Liquid Love
F2 Tarzan
F3 Sunshine (Demo)
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Germany
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When two volumes of previously unreleased Roy Ayers tapes entitled ‘Virgin Ubiquity’ hit the racks courtesy of BBE in 2004/5, it was a little mystifying as to why these recordings had remained in the can for so long. The 2000s are a time when bonus tracks, particularly on re-issues, are commonplace and demos, concerts, broadcasts and other audio of historical interest augment (and sometimes simply pad out) many ‘deluxe’ editions.
At the beginning of the millennium few of Roy’s ’70s and ’80s albums were available on compact disc, a format which facilitated extra material due to its longer playing time – and even when the rest of Roy’s ’70s albums made it to CD, nothing recently unearthed was included – although there was a taster in the form of the instrumental ‘Party Sex’, whose release had been shelved until 1995. A proper trawl through the archives was clearly overdue; Peter Adarkwah met with Roy and sifting through the unused sessions began, with the chosen tracks transferred and sent to New York based engineers John Hopkins and Jamey Staub to mix.
Vinyl Track List:
A1 Holiday
A2 Kwajilori
B1 I Am Your Mind (Part 2)
B2 I Like The Way You Do It To Me
C1 Third Time
C2 Touch Of Class
D1 Release Yourself
D2 Come To Me
E1 Wide Open
E2 Funk In The Hole
F1 Liquid Love
F2 Tarzan
F3 Sunshine (Demo)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
BBE Music continues its long and fertile partnership with vibraphone legend and godfather of neo-soul, Roy Ayers, with the first ever reissue of his 1983 album Silver Vibrations.
Originally released in the UK only on Uno Melodic Records, ‘Silver Vibrations’ shares some of its musical DNA with ‘Lots Of Love’, Ayers’ US album from the same year. However, ‘Silver Vibrations’ contains four unique cuts all of its own, plus extended takes of three songs, including the definitive version of iconic song ‘Chicago’. The rarity of the original pressing has led to eye-watering second-hand prices for this truly brilliant LP.
‘Silver Vibrations’ was perhaps the last album to retain the sound of Ayers’ organic ‘classic’ period of the latter ’70s and manages to stand up well under its current re-evaluation. “Chicago”, the unedited version of which is exclusive to this L.P., received considerable airplay in its time and has barely faded from earshot ever since;
its woozy, mysterious vibe and cosmic ruminations from Roy in the second half have certainly endured. The strutting, funky “Good, Good Music” echoes Ayers at his pre-’80s, up- tempo disco peak, sporting a grittier edge and an old-school party atmosphere. Title track “Silver Vibrations” was only ever released in the U.K., both on this album and as a single, backed with “Fast Money”. Both “Lots Of Love” and “Keep On Movin'” hark back to previous times and are a pleasant listen without being at all taxing. “Smiling With Our Eyes” is mid- tempo, lilting and jazzy, with a vocal vaguely reminiscent of Stevie Wonder in places. The wistful “D.C. City”, a close companion of Ubiquity’s original recording of “The Third Eye” is, in many ways, quintessentially Roy Ayers.
Pressed on heavyweight vinyl with original artwork and new sleeve notes written by Sean P., BBE Music is delighted to share this special album with a new generation of fans.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Originally released in the UK only on Uno Melodic Records, ‘Silver Vibrations’ shares some of its musical DNA with ‘Lots Of Love’, Ayers’ US album from the same year. However, ‘Silver Vibrations’ contains four unique cuts all of its own, plus extended takes of three songs, including the definitive version of iconic song ‘Chicago’. The rarity of the original pressing has led to eye-watering second-hand prices for this truly brilliant LP.
‘Silver Vibrations’ was perhaps the last album to retain the sound of Ayers’ organic ‘classic’ period of the latter ’70s and manages to stand up well under its current re-evaluation. “Chicago”, the unedited version of which is exclusive to this L.P., received considerable airplay in its time and has barely faded from earshot ever since;
its woozy, mysterious vibe and cosmic ruminations from Roy in the second half have certainly endured. The strutting, funky “Good, Good Music” echoes Ayers at his pre-’80s, up- tempo disco peak, sporting a grittier edge and an old-school party atmosphere. Title track “Silver Vibrations” was only ever released in the U.K., both on this album and as a single, backed with “Fast Money”. Both “Lots Of Love” and “Keep On Movin'” hark back to previous times and are a pleasant listen without being at all taxing. “Smiling With Our Eyes” is mid- tempo, lilting and jazzy, with a vocal vaguely reminiscent of Stevie Wonder in places. The wistful “D.C. City”, a close companion of Ubiquity’s original recording of “The Third Eye” is, in many ways, quintessentially Roy Ayers.
Pressed on heavyweight vinyl with original artwork and new sleeve notes written by Sean P., BBE Music is delighted to share this special album with a new generation of fans.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Germany
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More records from polydor
2LP:
Description:
Conceived and compiled by Robert Smith, new remix collection from 2024 album Songs Of A Lost World, featuring remixes from Four Tet, Paul Oakenfold, Orbital, and more.
Double 180g heavyweight half-speed mastered black bio vinyl in gatefold sleeve.
ALL CURE RECORD ROYALTIES FROM ‘MIXES OF A LOST WORLD’ WILL BENEFIT WAR CHILD. At least £1 per physical product sold and £1 per download will be donated.
War Child is a registered charity in England and Wales (no 1071659). Company limited by guarantee no 03610100.
Tracklisting:
Vinyl 1
side a
I CAN NEVER SAY GOODBYE (Paul Oakenfold ‘Cinematic’ Remix)
ENDSONG (Orbital Remix)
DRONE:NODRONE (Daniel Avery Remix)
ALL I EVER AM (meera Remix)
side b
A FRAGILE THING (Âme Remix)
AND NOTHING IS FOREVER (Danny Briottet & Rico Conning Remix)
WARSONG (Daybreakers Remix)
ALONE (Four Tet Remix)
Vinyl 2
side a
I CAN NEVER SAY GOODBYE (Mental Overdrive Remix)
AND NOTHING IS FOREVER (Cosmodelica Electric Eden Remix)
A FRAGILE THING (Sally C Remix)
ENDSONG (Gregor Tresher Remix)
side b
WARSONG (Omid 16B Remix)
DRONE:NODRONE (Anja Schneider Remix)
ALONE (Shanti Celeste ‘February Blues’ Remix)
ALL I EVER AM (Mura Masa Remix)
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Description:
Conceived and compiled by Robert Smith, new remix collection from 2024 album Songs Of A Lost World, featuring remixes from Four Tet, Paul Oakenfold, Orbital, and more.
Double 180g heavyweight half-speed mastered black bio vinyl in gatefold sleeve.
ALL CURE RECORD ROYALTIES FROM ‘MIXES OF A LOST WORLD’ WILL BENEFIT WAR CHILD. At least £1 per physical product sold and £1 per download will be donated.
War Child is a registered charity in England and Wales (no 1071659). Company limited by guarantee no 03610100.
Tracklisting:
Vinyl 1
side a
I CAN NEVER SAY GOODBYE (Paul Oakenfold ‘Cinematic’ Remix)
ENDSONG (Orbital Remix)
DRONE:NODRONE (Daniel Avery Remix)
ALL I EVER AM (meera Remix)
side b
A FRAGILE THING (Âme Remix)
AND NOTHING IS FOREVER (Danny Briottet & Rico Conning Remix)
WARSONG (Daybreakers Remix)
ALONE (Four Tet Remix)
Vinyl 2
side a
I CAN NEVER SAY GOODBYE (Mental Overdrive Remix)
AND NOTHING IS FOREVER (Cosmodelica Electric Eden Remix)
A FRAGILE THING (Sally C Remix)
ENDSONG (Gregor Tresher Remix)
side b
WARSONG (Omid 16B Remix)
DRONE:NODRONE (Anja Schneider Remix)
ALONE (Shanti Celeste ‘February Blues’ Remix)
ALL I EVER AM (Mura Masa Remix)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
3LP: Conceived and compiled by Robert Smith, new remix collection from 2024 album Songs Of A Lost World, featuring remixes from Four Tet, Paul Oakenfold, Orbital, and more.
Deluxe edition with three 180g heavyweight black bio half-speed mastered LPs in tri-gatefold sleeve, includes large foldout poster.
ALL CURE RECORD ROYALTIES FROM ‘MIXES OF A LOST WORLD’ WILL BENEFIT WAR CHILD. At least £1 per physical product sold and £1 per download will be donated.
War Child is a registered charity in England and Wales (no 1071659). Company limited by guarantee no 03610100
Tracklisting:
Vinyl 1
side a
I CAN NEVER SAY GOODBYE (Paul Oakenfold ‘Cinematic’ Remix)
ENDSONG (Orbital Remix)
DRONE:NODRONE (Daniel Avery Remix)
ALL I EVER AM (meera Remix)
side b
A FRAGILE THING (Âme Remix)
AND NOTHING IS FOREVER (Danny Briottet & Rico Conning Remix)
WARSONG (Daybreakers Remix)
ALONE (Four Tet Remix)
Vinyl 2
side a
I CAN NEVER SAY GOODBYE (Mental Overdrive Remix)
AND NOTHING IS FOREVER (Cosmodelica Electric Eden Remix)
A FRAGILE THING (Sally C Remix)
ENDSONG (Gregor Tresher Remix)
side b
WARSONG (Omid 16B Remix)
DRONE:NODRONE (Anja Schneider Remix)
ALONE (Shanti Celeste ‘February Blues’ Remix)
ALL I EVER AM (Mura Masa Remix)
Vinyl 3
side a
I CAN NEVER SAY GOODBYE (Craven Faults Rework)
DRONE:NODRONE (JoyCut ‘Anti-Gravitational’ Remix)
AND NOTHING IS FOREVER (Trentemøller Rework)
WARSONG (Chino Moreno Remix)
side b
ALONE (Ex-Easter Island Head Remix)
ALL I EVER AM (65daysofstatic Remix)
A FRAGILE THING (The Twilight Sad Remix)
ENDSONG (Mogwai Remix)
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DE - 22113 Hamburg
Germany
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Deluxe edition with three 180g heavyweight black bio half-speed mastered LPs in tri-gatefold sleeve, includes large foldout poster.
ALL CURE RECORD ROYALTIES FROM ‘MIXES OF A LOST WORLD’ WILL BENEFIT WAR CHILD. At least £1 per physical product sold and £1 per download will be donated.
War Child is a registered charity in England and Wales (no 1071659). Company limited by guarantee no 03610100
Tracklisting:
Vinyl 1
side a
I CAN NEVER SAY GOODBYE (Paul Oakenfold ‘Cinematic’ Remix)
ENDSONG (Orbital Remix)
DRONE:NODRONE (Daniel Avery Remix)
ALL I EVER AM (meera Remix)
side b
A FRAGILE THING (Âme Remix)
AND NOTHING IS FOREVER (Danny Briottet & Rico Conning Remix)
WARSONG (Daybreakers Remix)
ALONE (Four Tet Remix)
Vinyl 2
side a
I CAN NEVER SAY GOODBYE (Mental Overdrive Remix)
AND NOTHING IS FOREVER (Cosmodelica Electric Eden Remix)
A FRAGILE THING (Sally C Remix)
ENDSONG (Gregor Tresher Remix)
side b
WARSONG (Omid 16B Remix)
DRONE:NODRONE (Anja Schneider Remix)
ALONE (Shanti Celeste ‘February Blues’ Remix)
ALL I EVER AM (Mura Masa Remix)
Vinyl 3
side a
I CAN NEVER SAY GOODBYE (Craven Faults Rework)
DRONE:NODRONE (JoyCut ‘Anti-Gravitational’ Remix)
AND NOTHING IS FOREVER (Trentemøller Rework)
WARSONG (Chino Moreno Remix)
side b
ALONE (Ex-Easter Island Head Remix)
ALL I EVER AM (65daysofstatic Remix)
A FRAGILE THING (The Twilight Sad Remix)
ENDSONG (Mogwai Remix)
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DE - 22113 Hamburg
Germany
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Tracklisting:
1. wacced out murals
2. squabble up
3. luther
4. man at the garden
5. hey now
6. reincarnated
7. tv off
8. dodger blue
9. peekaboo
10. heart pt. 6
11. gnx
12. gloria
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1. wacced out murals
2. squabble up
3. luther
4. man at the garden
5. hey now
6. reincarnated
7. tv off
8. dodger blue
9. peekaboo
10. heart pt. 6
11. gnx
12. gloria
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
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For those of you still playing catch-up, the UK has a new star of electronic music… and yes; he's the one in the dinosaur suit and the headdress. From the early recognition for his debut releases on the Greco-Roman label (run by Joe Goddard), Orlando (aka TEED) has been on a one man mission to share his unique take on dance music – and it's been going rather well of late. From joining forces with Friendly Fires on-stage at Bestival last summer to being invited out to the Congo by Damon Albarn to record an album for Warp, Orlando has been gradually ascending his way to the top, all the while following his own path.
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DE - 22113 Hamburg
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Germany
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Dive into our latest release, a tribute to the vibrant spirit of Guadeloupean music. This track, born from the improvisational magic of the '70s, weaves together the legacies of the Latour brothers and the soulful essence of jazz. With a rich history of collaboration and creativity, we honor the past while breathing new life into cherished melodies. Experience the rhythm, feel the memories, and let the good vibes flow. Play it loud!
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A1. Eddy Latour & His Kombit Band / Lagué Yo
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B1. Pascal Latour & Frederic Caracas / Déni Shaïn Banger
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Label:Lo Recordings
Cat-No:Lo253
Release-Date:03.10.2025
Genre:Electronic, Electronica
Configuration:2LP
Label:Lo Recordings
Cat-No:Lo253
Release-Date:03.10.2025
Genre:Electronic, Electronica
Configuration:2LP
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Susumu Yokota - Saku
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Repress coming on the 19th of December!
Format:
- Limited edition petrol blue 2x12” vinyl LP.
- Housed in PMS printed inner sleeve, featuring custom fonts by No Format and spot gloss abstraction of the original album artwork.
- Accompanied with a double sided 2-panel insert and double sided 4 panel poster.
- All sleeved in a custom PMS reverse board outer sleeve with die cut square centre panel and belly band.
Sakura is without doubt the most loved and lauded entry in Susumu Yokota’s catalogue.
The music unravels like cascades of petals falling from the eponymous cherry blossom trees. Yokota intended to ‘express ki-do-ai-raku (the four emotions; joy, anger, sorrow, and happiness) through music’, and throughout Sakura, the effect fluctuates between profound tranquillity, hesitation, melancholy and joy with ease, addressing the fickle nature of human emotion, while transcending the inclination to label moods entirely.
Sakura became Yokota’s best selling album. It was greeted with universal acclaim, lauded by Philip Glass and Brian Eno and launched Yokota internationally.
‘A bittersweet beauty, heightened by the sadness that all things must one day end.’ - Martyn Pepperell
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
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Format:
- Limited edition petrol blue 2x12” vinyl LP.
- Housed in PMS printed inner sleeve, featuring custom fonts by No Format and spot gloss abstraction of the original album artwork.
- Accompanied with a double sided 2-panel insert and double sided 4 panel poster.
- All sleeved in a custom PMS reverse board outer sleeve with die cut square centre panel and belly band.
Sakura is without doubt the most loved and lauded entry in Susumu Yokota’s catalogue.
The music unravels like cascades of petals falling from the eponymous cherry blossom trees. Yokota intended to ‘express ki-do-ai-raku (the four emotions; joy, anger, sorrow, and happiness) through music’, and throughout Sakura, the effect fluctuates between profound tranquillity, hesitation, melancholy and joy with ease, addressing the fickle nature of human emotion, while transcending the inclination to label moods entirely.
Sakura became Yokota’s best selling album. It was greeted with universal acclaim, lauded by Philip Glass and Brian Eno and launched Yokota internationally.
‘A bittersweet beauty, heightened by the sadness that all things must one day end.’ - Martyn Pepperell
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Lo Recordings
Cat-No:Lo253CD
Release-Date:03.10.2025
Genre:Electronic, Electronica
Configuration:CD
Label:Lo Recordings
Cat-No:Lo253CD
Release-Date:03.10.2025
Genre:Electronic, Electronica
Configuration:CD
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Susumu Yokota - Saku
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Susumu Yokota - Uchu Tanjyo
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Susumu Yokota - Tobiume
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Susumu Yokota - Naminote
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Susumu Yokota - Shinsen
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Susumu Yokota - Azukiiro No Kaori
Format:
- Single Disc Glass mastered CD.
- 6 Panel DigiSleeve printed and formed on 300gsm uncoated board.
- Printed sleeve notes.
Sakura is without doubt the most loved and lauded entry in Susumu Yokota’s catalogue.
The music unravels like cascades of petals falling from the eponymous cherry blossom trees. Yokota intended to ‘express ki-do-ai-raku (the four emotions; joy, anger, sorrow, and happiness) through music’, and throughout Sakura, the effect fluctuates between profound tranquillity, hesitation, melancholy and joy with ease, addressing the fickle nature of human emotion, while transcending the inclination to label moods entirely.
Sakura became Yokota’s best selling album. It was greeted with universal acclaim, lauded by Philip Glass and Brian Eno and launched Yokota internationally.
‘A bittersweet beauty, heightened by the sadness that all things must one day end.’ - Martyn Pepperell
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- Single Disc Glass mastered CD.
- 6 Panel DigiSleeve printed and formed on 300gsm uncoated board.
- Printed sleeve notes.
Sakura is without doubt the most loved and lauded entry in Susumu Yokota’s catalogue.
The music unravels like cascades of petals falling from the eponymous cherry blossom trees. Yokota intended to ‘express ki-do-ai-raku (the four emotions; joy, anger, sorrow, and happiness) through music’, and throughout Sakura, the effect fluctuates between profound tranquillity, hesitation, melancholy and joy with ease, addressing the fickle nature of human emotion, while transcending the inclination to label moods entirely.
Sakura became Yokota’s best selling album. It was greeted with universal acclaim, lauded by Philip Glass and Brian Eno and launched Yokota internationally.
‘A bittersweet beauty, heightened by the sadness that all things must one day end.’ - Martyn Pepperell
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Sähkö Recordings
Cat-No:SAHKO037
Release-Date:26.09.2025
Genre:Electronic, Electronica
Configuration:LP
Label:Sähkö Recordings
Cat-No:SAHKO037
Release-Date:26.09.2025
Genre:Electronic, Electronica
Configuration:LP
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Ø (Mika Vainio) - Etude 1
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Ø (Mika Vainio) - Etude 3
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Ø (Mika Vainio) - Etude 4
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Ø (Mika Vainio) - Etude 5
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Ø (Mika Vainio) - Sylvanus
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Ø (Mika Vainio) - Etude 6
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Ø (Mika Vainio) - Etude 7
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Ø (Mika Vainio) - T Bahn
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Ø (Mika Vainio) - Uusikuu
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Ø (Mika Vainio) - Anthem
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Ø (Mika Vainio) - Kohtalo
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Ø (Mika Vainio) - Sysivalo
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Ø (Mika Vainio) - Ursa
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Ø (Mika Vainio) - Loputon
Mika Vainio started making a new Ø album in 2014. He almost finalized the record before his too early passing in 2017. The album Sysivalo is the 9th out of 8 full scale albums, released under the Ø alias by Vainio. Ø was his longest running project from 1993 to 2017. Sysivalo was recorded during 2014-2017 and is 60 min long album with 20 tracks, produced by Vainio. He described the record as a distinct Ø album that was going to include several shorter tracks, etudes. The title, Sysivalo, is invented by Vainio by combining the Finnish words sysi (dark or sinister) and valo (light).
Like life itself, the album carries a quiet darkness - honest and full of hidden light. The many of the tracks are beatless subtle soundtracks of eclipsed emotions. Like an incapacitated creature waiting for something to happen.
The closing track Loputon (Endless) is maybe the most beautiful tracks Vainio has ever written, Vainio's last word.
Mika Vainio biography
Mika Vainio’s impact on electronic music, both in Finland and around the globe, is indisputable. However, he was also a respected contemporary artist whose minimalist sound installations were known for their physicality, analogue warmth and electronic harshness. Over the years, Vainio collaborated repeatedly with many visual and sound artists and choreographers, such as Carsten Nicolai, Mika Taanila, Charlemagne Palestine, Alan Vega and Cindy Van Acker.
Mika Vainio’s (1963–2017) international career in electronic, ambient and noise music was extensive. His name became widely known to fans of electronic music from his time in the duo Pan Sonic, founded in 1993 (until 1998 Panasonic). Vainio also produced many solo projects under names such as Ø and Philus.
As an artist, Vainio rose to international prominence in the 1990s, not only in the field of music but also in sound art. Back then and in the early 2000s, his works featured in many exhibitions of sound art in Europe and North America, like Sonic Boom: The Art of Sound at London’s Hayward Gallery (2000) and Frequencies [Hz]: audio-visual spaces at Schirn Kunsthalle in Frankfurt (2002). Vainio’s first solo exhibition, curated by Hans Ulrich Obrist, was held in Musée d'Art Moderne de la Ville de Paris in 1997. The exhibition of his sound installations in Kiasma, curated by Kati Kivinen and Rikke Lundgreen, will be the first comprehensive survey of Vainio’s work, which has never previously been presented to this extent in his native country.
Vainio often drew inspiration from films, books, and everyday environments. Taking a special interest in urban soundscapes such as an interesting-sounding air conditioning unit or different street sounds, he often incorporated “found noises” as part of his compositions. The mood was always paramount in his creations, in which silences – absences of sound – are just as important as what we hear.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Like life itself, the album carries a quiet darkness - honest and full of hidden light. The many of the tracks are beatless subtle soundtracks of eclipsed emotions. Like an incapacitated creature waiting for something to happen.
The closing track Loputon (Endless) is maybe the most beautiful tracks Vainio has ever written, Vainio's last word.
Mika Vainio biography
Mika Vainio’s impact on electronic music, both in Finland and around the globe, is indisputable. However, he was also a respected contemporary artist whose minimalist sound installations were known for their physicality, analogue warmth and electronic harshness. Over the years, Vainio collaborated repeatedly with many visual and sound artists and choreographers, such as Carsten Nicolai, Mika Taanila, Charlemagne Palestine, Alan Vega and Cindy Van Acker.
Mika Vainio’s (1963–2017) international career in electronic, ambient and noise music was extensive. His name became widely known to fans of electronic music from his time in the duo Pan Sonic, founded in 1993 (until 1998 Panasonic). Vainio also produced many solo projects under names such as Ø and Philus.
As an artist, Vainio rose to international prominence in the 1990s, not only in the field of music but also in sound art. Back then and in the early 2000s, his works featured in many exhibitions of sound art in Europe and North America, like Sonic Boom: The Art of Sound at London’s Hayward Gallery (2000) and Frequencies [Hz]: audio-visual spaces at Schirn Kunsthalle in Frankfurt (2002). Vainio’s first solo exhibition, curated by Hans Ulrich Obrist, was held in Musée d'Art Moderne de la Ville de Paris in 1997. The exhibition of his sound installations in Kiasma, curated by Kati Kivinen and Rikke Lundgreen, will be the first comprehensive survey of Vainio’s work, which has never previously been presented to this extent in his native country.
Vainio often drew inspiration from films, books, and everyday environments. Taking a special interest in urban soundscapes such as an interesting-sounding air conditioning unit or different street sounds, he often incorporated “found noises” as part of his compositions. The mood was always paramount in his creations, in which silences – absences of sound – are just as important as what we hear.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Susumu Yokota - Kaiten Mokuba
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Susumu Yokota - Tayutafu
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Susumu Yokota - Fukoro No Yume
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Susumu Yokota - Wani Natte
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Susumu Yokota - Sakashima
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Susumu Yokota - Morino Gakudan
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Susumu Yokota - Nisemono No Uta
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Format:
- Limited edition warm beige 12” vinyl LP.
- Housed in PMS printed inner sleeve, featuring custom fonts by No Format and spot gloss abstraction of the original album artwork.
- Accompanied with a double sided 2-panel insert and double sided 4 panel poster.
- All sleeved in a custom PMS reverse board outer sleeve with die cut square centre panel and belly band.
Mesmerising album of Yokota’s earliest sonic explorations that demonstrates his unique vision and sublime transcendence of boundaries.
‘Image 1983-1998’ is a collection of short miniatures, composed in two different time periods. Tracks 1-5 were recorded with guitar and organ between 1983-4 and tracks 6-12 were composed through 97-98, being inspired by the earlier material.
A musical scrapbook, or sonic design board. The sleeve notes give an insight into Yokota’s belief in a close connection between music, memory and his active imagination: ‘Encountering Acid House made me visualise music – I could clearly see the sounds sparkling… this experience led me to create electronic music.’
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- Limited edition warm beige 12” vinyl LP.
- Housed in PMS printed inner sleeve, featuring custom fonts by No Format and spot gloss abstraction of the original album artwork.
- Accompanied with a double sided 2-panel insert and double sided 4 panel poster.
- All sleeved in a custom PMS reverse board outer sleeve with die cut square centre panel and belly band.
Mesmerising album of Yokota’s earliest sonic explorations that demonstrates his unique vision and sublime transcendence of boundaries.
‘Image 1983-1998’ is a collection of short miniatures, composed in two different time periods. Tracks 1-5 were recorded with guitar and organ between 1983-4 and tracks 6-12 were composed through 97-98, being inspired by the earlier material.
A musical scrapbook, or sonic design board. The sleeve notes give an insight into Yokota’s belief in a close connection between music, memory and his active imagination: ‘Encountering Acid House made me visualise music – I could clearly see the sounds sparkling… this experience led me to create electronic music.’
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Mos Def - Johnny Too Beef
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Mos Def - History Town
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Mos Def - Ms. Vampire Booty
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Mos Def - In My Math
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Mos Def - Travellin' Underground
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Mos Def - Shroud The Stars
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Mos Def - Mr. Universe
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Mos Def - Summertime Running
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Mos Def - Kampala Truth Work
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Mos Def - Hurricane Black
MAX TANNONE, the man behind JAYDIOHEAD, drops "MOS DUB" mashing up 10 fresh MOS DEF raps like "MS. FAT BOOTY", "TRAVELLIN MAN", and "HURRICANE" feat. COMMON & BLACK THOUGHT with classic dub & reggae cuts from DESMOND DEKKER, LEE PERRY, KING TUBBY & ERROL THOMPSON. 2023 repress coming soon!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More