Label:Constant Sound
Cat-No:CS038
Release-Date:28.07.2023
Genre:techhouse
Configuration:12"
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Label:Constant Sound
Cat-No:CS038
Release-Date:28.07.2023
Genre:techhouse
Configuration:12"
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1
Burnski / Kepler - What I Want
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Burnski / Kepler - This
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Burnski / Kepler - Lucid State
Is there anyone in the game that has been turning out such essential club sounds in so many different styles for such a long and consistent run as Burnski? Whatever he has on his cornflakes, we want some, because he's done it again here, this time with pal Kelper. 'What I Want' takes up the whole of the a-side and is mix of everything from deep house to minimal to Chicago jack. It's a busy, restless tune with a hooky vocal that keeps you locked. 'This' is a more tripped-out 5AM groove with warped deep space sound designs and airy drums that float. 'Lucid State' taps into a dreamy 90s tech house vibe that is utterly compelling.
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Label:Constant Sound
Cat-No:CS040
Release-Date:12.04.2024
Genre:techhouse
Configuration:12"
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Label:Constant Sound
Cat-No:CS040
Release-Date:12.04.2024
Genre:techhouse
Configuration:12"
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Label:Constant Sound
Cat-No:CS037
Release-Date:22.09.2023
Genre:techhouse
Configuration:12"
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Label:Constant Sound
Cat-No:CS037
Release-Date:22.09.2023
Genre:techhouse
Configuration:12"
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1
Burnski - Summer 23
2
Burnski - Afters
Despite presumably being insanely busy A&Ring for all his many labels, which put out music at a high rate of release, Burnski does also still find time to make his own music. And it's top tackle too, whatever he tries, from garage to ambient. To kick off with here the Northern rock cooks up a super breezy and Balearic-tinged house tune that you can imagine playing at some vibey Ibiza sunset party. That's probably why he called it 'Summer 23' to be honest. On the flip, 'Afters' gets more chunky and tribal, with tight and pinging drums and that sort of wide-eyed, tongues-out energy that gets the freaks going.
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12"
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Label:Constant Sound
Cat-No:CS039
Release-Date:05.06.2023
Genre:techhouse
Configuration:12"
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Label:Constant Sound
Cat-No:CS039
Release-Date:05.06.2023
Genre:techhouse
Configuration:12"
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1
Adam Pits - Gadget Crew
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Adam Pits - Just This Once
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Adam Pits - Just This Once (Skins Junglist Crew Remix)
Constant Sound is one of the many labels Burnski aka Instinct is heading up right now and they are all as good as each other. This one focuses on house and tech sounds and welcomes Adam Pitts to the fam with three standouts. 'Gadget Crew' opens up and has a big, high-energy groove with plenty of oversized drum sounds and a retro melody paired with an intriguing soulful vocal. It has a dark garage tinge and is perfect for late-night action. 'Just This Once' is tough and physical, with warped and naughty bass and thwacking great hits irresistible to all. Last all comes a Skins Junglist Crew remix which is exactly that - a fine one for the jungle heads.
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Label:Constant Sound
Cat-No:CS036
Release-Date:26.05.2023
Genre:techhouse
Configuration:12"
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Cat-No:CS036
Release-Date:26.05.2023
Genre:techhouse
Configuration:12"
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1
Fabe - The Greater Good
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Fabe - Newbie Bounce
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Fabe - Flow Groover
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Fabe - On Edge
Brazilian beat maker Fabe has emerged over recent years as one of tech house's most skilled groove smiths. His drums and bass are always seductive no matter their style. Here he links up with Burnski aka Instinct's Constant Sound label for four more irresistible nuggets. 'The Greater Good' is super quick as it glides over rippling bass with silky chords, then 'Newbie Bounce' has a more weighty groove. There is elastic funk and US swing in the shuffling goodness of 'Flow Groover' then 'On Edge' closes out with bulky deep house beats and late-night synth work of the highest order.
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Label:Constant Sound
Cat-No:CS031
Release-Date:22.07.2022
Genre:House
Configuration:2LP
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Label:Constant Sound
Cat-No:CS031
Release-Date:22.07.2022
Genre:House
Configuration:2LP
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1
Kepler - Freedom Mills
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Kepler - Fold
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Kepler - Contact
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Kepler - Together
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Kepler - Professor Pace
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Kepler - Function
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Kepler - Basics
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Kepler - Era
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Kepler - Decisions
The ever reliable Constant Sound is back this week, with Burnski's imprint serving up a full LP release by the ascendant Leeds DJ/producer Matthew Farrow aka Kepler. A solid selection of retro techno cuts are featured on Freedom Mills, and all for maximum dance floor impact. From the bleep techno euphoria of 'Fold', or the classic '90s house motifs of "Contact" to the dusty rolling beats of 'Professor Pace' and the sunset breaks of "Era" - they are all sure to bang the party. Tip!
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Label:constant sound
Cat-No:cs012t
Release-Date:16.05.2017
Genre:techhouse
Configuration:12"
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Label:constant sound
Cat-No:cs012t
Release-Date:16.05.2017
Genre:techhouse
Configuration:12"
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1
michael james - the Story Unfolds
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michael james - VSHL
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michael james - Perseid
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michael james - h15
Michael James minimal / techhouse 4 track EP on Constant Sound
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Label:constant sound
Cat-No:cs10
Release-Date:22.02.2017
Genre:techhouse
Configuration:12"
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Label:constant sound
Cat-No:cs10
Release-Date:22.02.2017
Genre:techhouse
Configuration:12"
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1
burnski - Circuits
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burnski - X
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burnski - Flight 723
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burnski - Lost In Translation
12"
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Label:constant sound
Cat-No:cs09t
Release-Date:06.12.2016
Genre:techhouse
Configuration:12"
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Label:constant sound
Cat-No:cs09t
Release-Date:06.12.2016
Genre:techhouse
Configuration:12"
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Next up on Constant Sound is a split EP from Laura Jones and Stephen Brown. Vinyl only remix by Endian
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Label:constant sound
Cat-No:cs07t
Release-Date:08.03.2016
Configuration:12"
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Label:constant sound
Cat-No:cs07t
Release-Date:08.03.2016
Configuration:12"
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diego krause - "Abyss"
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diego krause - "Realms"
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diego krause - "Archetype"
Next up on Constant Sound is Berlin based Diego Krause. This time there are no remixes, just 3 solid club tracks from a producer who is really on form.
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Label:constant sound
Cat-No:cs05t
Release-Date:28.01.2016
Genre:Minimal
Configuration:12"
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Label:constant sound
Cat-No:cs05t
Release-Date:28.01.2016
Genre:Minimal
Configuration:12"
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There is no rest for Constant Sound, because the label quickly follows up top tracks and remixes from the likes of Paolo Rocco, Nail and Steve O'Sullivan with this new offering from Constant, aka the boss men themselves, namely Jon Woodall and Burnski. It also comes with remixes from Blackhall & Bookless, S.A.M and A Scott. The Constant pair are well versed in house music in all its guises, both as DJ and producers, and it shows once again here. Their first cut, 'Dub Life', is a slithering, slippery and frictionless house roller with tunnelling percussive patterns, restless drums and myriad synth smears that really pull you down into a seductive groove. Subtle vocals add character and ensure this one will keep 'floors locked for days. Acclaimed London based, Geordie raised duo Blackhall & Bookless then step up. As well as running their own night and label under the Jaunt banner, they play all over Europe and Ibiza so are well travelled talents. Their remix is a fired up, peak time techno leaning bomb with barreling kicks, ravey stabs and Detroit referencing pads that really grab your attention. The S.A.M. reshape then offers up elastic, spaced out deep house vibes with airy hi hats, lots of height in the drums and plenty of feeling in the slithering synth lines that lace up the track. Closing out the package is a remix from returning label artist A Scott, who appeared on the second EP alongside Chad and once again impresses here. His fine remix is a lovably flabby and cavernous track with oodles of reverb, rattling train track like grooves and atmospheric pads that swirl all around you as you drift in his air beats. It rounds out another assured and accomplished package from Constant Sound.
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Label:constant sound
Cat-No:cs06t
Release-Date:20.01.2016
Genre:Minimal
Configuration:12"
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Label:constant sound
Cat-No:cs06t
Release-Date:20.01.2016
Genre:Minimal
Configuration:12"
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1
vrsion - "Torn"
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vrsion - "Capricorn Meet Leo"
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vrsion - "Capricorn Meet Leo" (The Persuader remix)
Completing a quick fire trio of new EPs, Constant Sound hits release number six with a pair of new tracks from VRSION that come with a dance floor friendly remix from Persuader. VRSION is a German producer who has already made a big impact with his release on Craig Richards' excellent The Nothing Special label. Following up that in fine style is the opener here, 'Torn', which is a hurried and urgent track that sits on the divide between house and techno. It is driven and slick, rubbery and hypnotic but has plenty of nuance and funk in its well programmed drums. Some occult sounds and wordless vocals embellished the whole thing and it really is the sort of track that blows dance floors apart and will stand out in any set. 'Capricorn Meet Leo' then toys with kinked drum patterns, rattling percussion and fathom deep bass that sucks you right into VRSION's world. It's a restless place where harmonies ride up and down the scale, cause claps come at you from odd angles and dark vocals add a sense of paranoia. Remixing this one is Persuader, who does so with a stripped back sense of restrain. he retains the original's weirdness, but layers in serene pads and tripped out atmospherics that really make it ripe for playing at 4am. This is the most adventurous release yet for Constant Sound, and is sure to prove one of its bets as a result.
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Label:constant sound
Cat-No:cs04t
Release-Date:18.11.2015
Genre:techhouse
Configuration:12"
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Label:constant sound
Cat-No:cs04t
Release-Date:18.11.2015
Genre:techhouse
Configuration:12"
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Although only a few months have passed since Constant Sound was first minted, the label run by Burnski and Jon Woodall is now ready to unleash its fourth EP. Entitled Raw Moments, it features a hot original by Paolo Rocco and is backed with accomplished remixes from the legendary Nail as well as boss man Burnski. Canadian Rocco is well known on the Montreal circuit for his broad and energetic DJ sets, whilst he has also cracked the Beatport charts with his own tunes, namely 'Move Body, Move Forward' on Klasse, as well as with follow ups on Real Tone. He impresses once again here with 'Raw Moments', a track that does exactly what it says on the tin. The whole track is built upon rock solid kick drums that bounce and bobble about as curious bird sounds and gloopy synths dart about next to cow bells and hi hats. It's expertly lively and robust. First to re-imagine the track is Burnski, who injects some seriously fat bass, a subtle sense of shuffle and infectiously crafted grooves laden with dub motifs and rich reverb. It's perfectly designed for no frills and non stop dancing, frankly. Last to remix is DIY Discs man, Classic Music Company associate and all round house tastemaker Nail. His Smoke Dub is a bulky house jam with buffed metal melodies, squelchy drums and sci-fi synth sounds that is deep, stays low and is perfect for back room basements. This label might only be on its fourth release, but already it has announced itself as a go to outlet for fans of fresh intelligent sounding house, and this release only confirms that.
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Label:constant sound
Cat-No:cs03t
Release-Date:21.09.2015
Genre:techhouse
Configuration:12"
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Label:constant sound
Cat-No:cs03t
Release-Date:21.09.2015
Genre:techhouse
Configuration:12"
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Riding high on the success of a second release that introduced A-Scott & Chad to the Constant Sound fold, the third instalment finds Burnski back in the saddle to offer up "Changes", getting into a more techno-oriented frame of mind without losing that warmth and playful sensibility he has made his own over the years. After strong remixes from Trus'me, Steve O'Sullivan and Cab Drivers on previous releases, Constant Sound 003 gives another opportunity for the label to call upon the finest in the business to reinterpret the original material. In keeping with the heads-down workout tones of Burnski's original, it makes perfect sense to invite an artist as accomplished as Deadbeat up for a remix. Scott Monteith has long been a stellar example of how to push dub techno in thrilling new directions and it shows on his version of "Changes". Kris Wadsworth has just as much to say for himself after years spent crafting heavyweight house and techno with a mercenary instinct matched by lashings of machine soul. He reduces the original track into a stripped down techno dub perfect for late at night. His remix will only be available on the vinyl. It's yet another step forwards for a label committed to delivering nothing but the highest quality house and techno for those who seek a touch more depth from their music.
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12"
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Label:constant sound
Cat-No:cs01t
Release-Date:14.04.2015
Genre:techhouse
Configuration:12"
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Label:constant sound
Cat-No:cs01t
Release-Date:14.04.2015
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Configuration:12"
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1
burnski - "Your Love" (feat Beckford)
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burnski - "Your Love" (Trus'me Your Love Takes Time remix)
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burnski - "Your Love" (Steve O'Sullivan remix)
First release on Constant Sound, a new label from Burnski and Jon Woodall. The original comes from Burnski featuring a vocal from Beckford. Remixes from Prime Numbers' Trus'me, and Mosaic boss Steve O'Sullivan producing a rare remix.
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Last in:21.08.2024
Label:Pampa
Cat-No:pampa022
Release-Date:25.11.2022
Genre:House
Configuration:12" Excl
Barcode:827170548664
1
stimming - china tree
2
stimming - the southern sun
2022 repress
UPC: 827170548664 12" release date : June 23rd, 2014
Tracklist: A. China Tree (feat. Piper Davis) B. Southern Sun (feat. Piper Davis)
Info
Hamburg's Martin Stimming has defined a unique shade of deepness through years of association with Diynamic Music; melodic and meditative, quietly compelling and possessing a delicate strength. Stimming now enters the Pampa Records fold with two tracks of dancefloor material that magnify the opposing sides of his studio psyche.
"China Tree" is a spiky affair that sacrifices melodic sweetness for primal bass and drums, with a raw edge and exaggerated percussion that intensifies into sharp angles. Whispers become ominous and arrive with a sense of foreboding, driving the track's inky sounds to the final dissolve of machine meltdown and mournful strings at its end.
"Southern Sun" is its opposing force, building on whispered phrases and melodic shadows that appear and disappear between each beat. Micro sounds are layered and woven into a rich, undulating fabric that shifts and gleams like a kaleidoscope. As sun-drenched and dreamy as it is, the track's unwavering tempo, eventual female vocal, and closing piano solo define its clear melodic purpose.
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UPC: 827170548664 12" release date : June 23rd, 2014
Tracklist: A. China Tree (feat. Piper Davis) B. Southern Sun (feat. Piper Davis)
Info
Hamburg's Martin Stimming has defined a unique shade of deepness through years of association with Diynamic Music; melodic and meditative, quietly compelling and possessing a delicate strength. Stimming now enters the Pampa Records fold with two tracks of dancefloor material that magnify the opposing sides of his studio psyche.
"China Tree" is a spiky affair that sacrifices melodic sweetness for primal bass and drums, with a raw edge and exaggerated percussion that intensifies into sharp angles. Whispers become ominous and arrive with a sense of foreboding, driving the track's inky sounds to the final dissolve of machine meltdown and mournful strings at its end.
"Southern Sun" is its opposing force, building on whispered phrases and melodic shadows that appear and disappear between each beat. Micro sounds are layered and woven into a rich, undulating fabric that shifts and gleams like a kaleidoscope. As sun-drenched and dreamy as it is, the track's unwavering tempo, eventual female vocal, and closing piano solo define its clear melodic purpose.
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Last in:21.08.2024
Label:Pampa
Cat-No:pampa034
Release-Date:08.09.2023
Genre:House
Configuration:12" Excl
Barcode:4251648411871
1
Dave DK - A. Jelly Legs 6:59
2
Dave DK - B1 El Point 7:41
3
Dave DK - B2 Chicama 7:46
2023 Repress
Tracklist:
A. Jelly Legs 6:59
B1 El Point 7:41
B2 Chicama 7:46
Release Info:
A crackling fire is burning under the bridge.
BANG! the brow hits against the steel drum, Hey!
I only bowed down! BOING! The elbow jabs into the door of an abandoned ragtop, To lash the laces! CRACK! the knee strikes the rusty trash can, Of my brand new black sneakers!
RASP! YAWP! SCREEECH! The gang rabbles on the dancefloor. Metallic sounds blaze out of the speakers. A rustle, a chatter, a rattle, a flapper. Cops troop in gazing in wonder while converting into liquid coppers. A warm kicking bass sets in. A voice from down below. Though, right next to your ear. The floor is demanding a sacrifice.
Jog your head, swing your hip. Wave your hands, and shake a leg: Tighten up, and then let go, for this Dance aboulic!
Producer and DJ Dave DK with his new »Chicama« EP on Pampa. Three kicking, bumping tracks for all day and all of the night. Euphoric percussive floorkillers with a hint towards an alluring gloominess.
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Tracklist:
A. Jelly Legs 6:59
B1 El Point 7:41
B2 Chicama 7:46
Release Info:
A crackling fire is burning under the bridge.
BANG! the brow hits against the steel drum, Hey!
I only bowed down! BOING! The elbow jabs into the door of an abandoned ragtop, To lash the laces! CRACK! the knee strikes the rusty trash can, Of my brand new black sneakers!
RASP! YAWP! SCREEECH! The gang rabbles on the dancefloor. Metallic sounds blaze out of the speakers. A rustle, a chatter, a rattle, a flapper. Cops troop in gazing in wonder while converting into liquid coppers. A warm kicking bass sets in. A voice from down below. Though, right next to your ear. The floor is demanding a sacrifice.
Jog your head, swing your hip. Wave your hands, and shake a leg: Tighten up, and then let go, for this Dance aboulic!
Producer and DJ Dave DK with his new »Chicama« EP on Pampa. Three kicking, bumping tracks for all day and all of the night. Euphoric percussive floorkillers with a hint towards an alluring gloominess.
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Last in:17.07.2024
Label:environ
Cat-No:envlp00215
Release-Date:28.04.2023
Genre:House
Configuration:3LP
Barcode:
1
metro area - No Title
2
metro area - No Title
3
metro area - No Title
4
metro area - No Title
5
metro area - No Title
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metro area - No Title
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metro area - No Title
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metro area - No Title
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metro area - No Title
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metro area - No Title
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metro area - No Title
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metro area - No Title
(remastered classic incl DL card) Environ is proud to present the Metro Area 15th Anniversary Edition, Metro Area's eponymous debut album, meticulously remastered using the original source tapes and generously spread across three slabs of vinyl. The12-track triple LP and digital package combines all the songs from both the original US and licensed European releases, and features new commemorative artwork unique to this edition.
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Label:Mule Musiq
Cat-No:MuleMusiq241
Release-Date:21.06.2019
Genre:House
Configuration:12"
Barcode:4250101405259
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Label:Mule Musiq
Cat-No:MuleMusiq241
Release-Date:21.06.2019
Genre:House
Configuration:12"
Barcode:4250101405259
1
chaos in the cbd - Hydrate
2
chaos in the cbd - Searching For Signal
Repress!
2019 is mule musiq’s 15 years anniversary. we’re going to release twelve 12inchs with our friend artists and stefan marx make the collectable artwork. ninth release is one of the best newcomer in a modern deep house scene “chaos in the cbd”. we have already released three 12inch and all of them were highly acclaimed. these two new songs are ambient break beats tracks. it’s a kind of their new style. if you like boards of canada or global communication, you will love. More
2019 is mule musiq’s 15 years anniversary. we’re going to release twelve 12inchs with our friend artists and stefan marx make the collectable artwork. ninth release is one of the best newcomer in a modern deep house scene “chaos in the cbd”. we have already released three 12inch and all of them were highly acclaimed. these two new songs are ambient break beats tracks. it’s a kind of their new style. if you like boards of canada or global communication, you will love. More
Label:Parang Recordings
Cat-No:PARANG009
Release-Date:02.12.2022
Genre:House / Techno
Configuration:12"
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Label:Parang Recordings
Cat-No:PARANG009
Release-Date:02.12.2022
Genre:House / Techno
Configuration:12"
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1
Kawaii San - Blue Skies
2
Kawaii San - Playful Grey
3
Kawaii San - Cowboys In Outer Space
4
Kawaii San - What's Your Problem
We are very excited to announce our 9th release, Blue Skies by Kawaii San, a vibe setting magician only found on the depths of Band Camp until now. This will be his first vinyl output and it is packed with 4 dancefloor punishers that will take you all the way from the warm up to your mates flat for a cheeky crack on. Ch-ch-check it out!
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3LP
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Label:Lapsus
Cat-No:LPS-PS13
Release-Date:14.07.2023
Genre:Electronic
Configuration:3LP
Barcode:4062548058758
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Label:Lapsus
Cat-No:LPS-PS13
Release-Date:14.07.2023
Genre:Electronic
Configuration:3LP
Barcode:4062548058758
1
Swayzak - Speedboat (2023 Edit)
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Swayzak - Low Res Skyline (2023 Edit)
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Swayzak - Blocks (2023 Edit)
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Swayzak - Burma Heights (2023 Edit)
5
Swayzak - Skin Diving (2023 Edit)
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Swayzak - Fukumachi (2023 Edit)
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Swayzak - l.o.9.v.e. (2023 Edit)
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Swayzak - Cone (Mix 2)
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Swayzak - Bueno (2023 Edit)
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Swayzak - French Dub (2023 Edit)
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Swayzak - Evild Dub (2023 Edit)
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Swayzak - Blufarm (Abbey Road 2023 Edit)
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Swayzak - Unknown Mind
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Swayzak - Bueno (Ambient Mix)
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Swayzak - Speedboat (96 Demo)
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Swayzak - l.o.9.v.e. (Boat Mix, 2023 Edit)
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Swayzak - Redfarm (Abbey Road 2023 Edit)
Dance music has always been grounded in a sense of place. Chicago, Detroit, London, Berlin—a zip code can tell you as much about the music as the year it was made.
But beyond the nuts and bolts of the here and now lies a netherzone where some of the best electronic music floats, impossible to pin down. Swayzak’s Snowboarding in Argentina is one such record.
The title hints at its uncanny placelessness. The music has nothing outwardly to do with Argentina, for one thing. The work of UK producers David Nicholas Brown and James S. Taylor, it was recorded in a number of locations—mostly bedrooms—around London. Yet there is little that is quintessentially British about the music. Instead, Brown and Taylor drew much of their inspiration from, on the one hand, the luminous chords and silky heft of Detroit techno, and on the other, the staccato drums and clipped textures that were then beginning to bubble out of Berlin and Cologne.
That brings us to the question of time. For if Snowboarding in Argentina belongs to nowhere, it is equally a product of nowhen.
On a practical level, the music took shape in the mid to late 1990s, although it took nearly 10 years for it to come to fruition. Brown and Taylor began jamming on instruments, then machines, in the late 1980s. Then,
after Brown suffered a serious car accident, the two musicians began working together more seriously. Trial and error yielded a promising single with a downtempo vibe that a hired-gun studio producer promptly ruined; Swayzak retreated to their bedrooms. They learned about Chain Reaction from a radio show, found new ways to burrow into the circuitry of their machines, and by 1996 they had hit upon their sound. brought 10 copies of the first to Berlin’s Hard Wax, sold them directly to the shop for a fistful of Deutschmarks, and turned around and spent the money on records; that’s how DIY electronic music worked in those days.) The album itself appeared in 1998 on London’s Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn’t quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher.
A quarter century later, Snowboarding in Argentina sounds simply eternal. Certain hallmarks of ’90s production are available—the music’s almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw—but there’s nothing dated about it. The exploratory nature of these tracks, as the result of experimenting with their machines’ limitations, never eclipses their musical or emotional essence.
Long since been deemed a classic, Snowboarding in Argentina remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publish nine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after
its original release, Lapsus’ Perennial Series edition unites, for the first time, all the album’s tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material. Working
off the original DAT premasters, Swayzak have created new edits of all the tracks. The result might be considered the definitive edition of the album as it was meant to be, after a 25-year journey. It seems fitting that an album so timeless would continue morphing throughout its lifespan. For fans, it’s the chance to hear a beloved album as never before. And for newcomers, it’s the perfect introduction to a record that, in its own quiet way, reshaped the sound of electronic music, opening up new frontiers unbound by cartography or calendars.
The core of Snowboarding in Argentina appeared on a series of three two-track singles in 1997. (Taylor brought 10 copies of the first to Berlin’s Hard Wax, sold them directly to the shop for a fistful of Deutschmarks, and turned around and spent the money on records; that’s how DIY electronic music worked in those days.) The album itself appeared in 1998 on London’s Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn’t quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher.
A quarter century later, Snowboarding in Argentina sounds simply eternal. Certain hallmarks of ’90s production are available—the music’s almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw—but there’s nothing dated about it. The exploratory nature of these tracks, as the result of experimenting with their machines’ limitations, never eclipses their musical or emotional essence.
Long since been deemed a classic, Snowboarding in Argentina remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publishnine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after its original release, Lapsus’ Perennial Series edition unites, for the first time, all the album’s tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material. Working off the original DAT premasters, Swayzak have created new edits of all the tracks. The result might be considered the definitive edition of the album as it was meant to be, after a 25-year journey. It seems fitting that an album so timeless would continue morphing throughout its lifespan. For fans, it’s the chance to hear a beloved album as never before. And for newcomers, it’s the perfect introduction to a record that, in its own quiet way, reshaped the sound of electronic music, opening up new frontiers unbound by cartography or calendars. More
But beyond the nuts and bolts of the here and now lies a netherzone where some of the best electronic music floats, impossible to pin down. Swayzak’s Snowboarding in Argentina is one such record.
The title hints at its uncanny placelessness. The music has nothing outwardly to do with Argentina, for one thing. The work of UK producers David Nicholas Brown and James S. Taylor, it was recorded in a number of locations—mostly bedrooms—around London. Yet there is little that is quintessentially British about the music. Instead, Brown and Taylor drew much of their inspiration from, on the one hand, the luminous chords and silky heft of Detroit techno, and on the other, the staccato drums and clipped textures that were then beginning to bubble out of Berlin and Cologne.
That brings us to the question of time. For if Snowboarding in Argentina belongs to nowhere, it is equally a product of nowhen.
On a practical level, the music took shape in the mid to late 1990s, although it took nearly 10 years for it to come to fruition. Brown and Taylor began jamming on instruments, then machines, in the late 1980s. Then,
after Brown suffered a serious car accident, the two musicians began working together more seriously. Trial and error yielded a promising single with a downtempo vibe that a hired-gun studio producer promptly ruined; Swayzak retreated to their bedrooms. They learned about Chain Reaction from a radio show, found new ways to burrow into the circuitry of their machines, and by 1996 they had hit upon their sound. brought 10 copies of the first to Berlin’s Hard Wax, sold them directly to the shop for a fistful of Deutschmarks, and turned around and spent the money on records; that’s how DIY electronic music worked in those days.) The album itself appeared in 1998 on London’s Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn’t quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher.
A quarter century later, Snowboarding in Argentina sounds simply eternal. Certain hallmarks of ’90s production are available—the music’s almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw—but there’s nothing dated about it. The exploratory nature of these tracks, as the result of experimenting with their machines’ limitations, never eclipses their musical or emotional essence.
Long since been deemed a classic, Snowboarding in Argentina remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publish nine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after
its original release, Lapsus’ Perennial Series edition unites, for the first time, all the album’s tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material. Working
off the original DAT premasters, Swayzak have created new edits of all the tracks. The result might be considered the definitive edition of the album as it was meant to be, after a 25-year journey. It seems fitting that an album so timeless would continue morphing throughout its lifespan. For fans, it’s the chance to hear a beloved album as never before. And for newcomers, it’s the perfect introduction to a record that, in its own quiet way, reshaped the sound of electronic music, opening up new frontiers unbound by cartography or calendars.
The core of Snowboarding in Argentina appeared on a series of three two-track singles in 1997. (Taylor brought 10 copies of the first to Berlin’s Hard Wax, sold them directly to the shop for a fistful of Deutschmarks, and turned around and spent the money on records; that’s how DIY electronic music worked in those days.) The album itself appeared in 1998 on London’s Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn’t quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher.
A quarter century later, Snowboarding in Argentina sounds simply eternal. Certain hallmarks of ’90s production are available—the music’s almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw—but there’s nothing dated about it. The exploratory nature of these tracks, as the result of experimenting with their machines’ limitations, never eclipses their musical or emotional essence.
Long since been deemed a classic, Snowboarding in Argentina remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publishnine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after its original release, Lapsus’ Perennial Series edition unites, for the first time, all the album’s tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material. Working off the original DAT premasters, Swayzak have created new edits of all the tracks. The result might be considered the definitive edition of the album as it was meant to be, after a 25-year journey. It seems fitting that an album so timeless would continue morphing throughout its lifespan. For fans, it’s the chance to hear a beloved album as never before. And for newcomers, it’s the perfect introduction to a record that, in its own quiet way, reshaped the sound of electronic music, opening up new frontiers unbound by cartography or calendars. More
Label:Toy Tonics
Cat-No:toyt064
Release-Date:12.05.2017
Configuration:12" Excl
Barcode:0880655506412
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Label:Toy Tonics
Cat-No:toyt064
Release-Date:12.05.2017
Configuration:12" Excl
Barcode:0880655506412
Tracklist 12":
A1) Orlando Magic, A2) Cabrio Mango
B1) 1981, B2) She Keeps It Good
The Toy Tonics crew is known for being addicted to two things: vintage music machines and old vinyl. 100% music aficionados. On the Tonic Edit series the crew shares some of their favorite old tracks - in a reworked version.
This time COEO get back in time. They destroyed a couple of 1970ies disco jams. Recut & repasted them. And gave them their special COEO touch. Of course it's irresistible!
This release comes on vinyl only first. Later maybe could be out on selected Digital sellers.. not sure yet.
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A1) Orlando Magic, A2) Cabrio Mango
B1) 1981, B2) She Keeps It Good
The Toy Tonics crew is known for being addicted to two things: vintage music machines and old vinyl. 100% music aficionados. On the Tonic Edit series the crew shares some of their favorite old tracks - in a reworked version.
This time COEO get back in time. They destroyed a couple of 1970ies disco jams. Recut & repasted them. And gave them their special COEO touch. Of course it's irresistible!
This release comes on vinyl only first. Later maybe could be out on selected Digital sellers.. not sure yet.
More
Label:Razor-N-Tape Reserve
Cat-No:RNTR015
Release-Date:02.12.2016
Configuration:12"
Barcode:
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Label:Razor-N-Tape Reserve
Cat-No:RNTR015
Release-Date:02.12.2016
Configuration:12"
Barcode:
1
COEO - Like It Is
2
COEO - Nigerian Affair
3
COEO - Long Night Ahead
4
COEO - Pajama Stomp
Repress!
Munich duo COEO joins the RNT family with a pack of reworks destined for dance floor greatness! Heretofore known for deep house goodness on Let's Play House and Toy Tonics, the boys flex their edit muscles on these 4 tracks which range from the soulfully sublime "Like It Is," to the disco house fury of "Long Night Ahead," to the best
damn Fela edit we've ever heard.
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Munich duo COEO joins the RNT family with a pack of reworks destined for dance floor greatness! Heretofore known for deep house goodness on Let's Play House and Toy Tonics, the boys flex their edit muscles on these 4 tracks which range from the soulfully sublime "Like It Is," to the disco house fury of "Long Night Ahead," to the best
damn Fela edit we've ever heard.
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12" Excl
in stock
Label:Heist Recordings
Cat-No:heist070
Release-Date:21.04.2023
Genre:House
Configuration:12" Excl
Barcode:4251804140348
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Label:Heist Recordings
Cat-No:heist070
Release-Date:21.04.2023
Genre:House
Configuration:12" Excl
Barcode:4251804140348
1
Dam Swindle - The break up
2
Scan 7 - The best is yet to come
3
Fouk - Kill Frenzy
4
Demuir - Werq. feel. gruv. vogue.
5
Adryiano - Me and you and her
Format: Vinyl 12” (Limited 180 gr. Cristal Clear Vinyl - Special Cut Out Sleeve - Printed Inner sleeve)
Track list:
A1 Dam Swindle – The break up
A2 Scan 7 – The best is yet to come
B1 Fouk – Kill Frenzy
B2 Demuir – Werq. feel. gruv. vogue.
B3 Adryiano – Me and you and her
Release Info:
Label bosses Dam Swindle dive into the label back catalog and compile 2 special edition releases of classics to celebrate 10 years of
Heist Recordings.
Founded in 2013, Heist Recordings has quickly become a go-to house label, giving rise to a vibrant scene of groove aficionados and all things
deep house. Now in the label’s 10th year, Dam Swindle take a moment to reflect on the great tracks that have come out over the years with 2
limited edition compilations of classics.
On this first compilation, the duo starts with the track that helped the label burst onto the scene: Their instant classic ‘The break up’. With its
vintage vocals, Rhodes chops and instantly recognizable bell loop, it’s easy to understand why so many people are still in love with this track. It’s
only fitting that this anniversary release for Heist goes back to where it all started.
The second track on the compilation is from the legendary Detroit outfit Scan 7: Their 2020 track ‘The Best is yet come’ from Heist’s 50th release.
The appearance of Scan 7 on the label turned quite some heads at the time, but in fact, it made total sense. The mutual love for house, key
grooves and that classic Detroit vibe brought Scan 7 and Dam Swindle together and the result was an amazing release full of Midwest electronic
funk.
On the flip, we’ve got Dutch duo Fouk with their first hit on the label ‘Kill Frenzy’, which kickstarted the rise of their signature sound back in 2014.
The release ends with 2 extremely catchy and strong house releases by Demuir and Adryiano. Demuir’s vocal cut ‘Werq. Feel. Gruv. Vogue’. is
one of the highlights in Demuir’s catalog and a showcase of the producer’s knack for sampling and writing a house groove. Adryiano’s piano
house track ‘Me and you and her’ is a perfect ending to this first compilation, showing us that great house music can be as simple as repeating
something over and over and over, until that groove is all you hear.
The vinyl release of Heist Classics vol. 01 is printed on clear 180 grams heavyweight vinyl and is limited to 1000 records with a special design by
our Art Director Bas Koopmans (Wellness.)
Yours Sincerely,
Maarten & Lars More
Track list:
A1 Dam Swindle – The break up
A2 Scan 7 – The best is yet to come
B1 Fouk – Kill Frenzy
B2 Demuir – Werq. feel. gruv. vogue.
B3 Adryiano – Me and you and her
Release Info:
Label bosses Dam Swindle dive into the label back catalog and compile 2 special edition releases of classics to celebrate 10 years of
Heist Recordings.
Founded in 2013, Heist Recordings has quickly become a go-to house label, giving rise to a vibrant scene of groove aficionados and all things
deep house. Now in the label’s 10th year, Dam Swindle take a moment to reflect on the great tracks that have come out over the years with 2
limited edition compilations of classics.
On this first compilation, the duo starts with the track that helped the label burst onto the scene: Their instant classic ‘The break up’. With its
vintage vocals, Rhodes chops and instantly recognizable bell loop, it’s easy to understand why so many people are still in love with this track. It’s
only fitting that this anniversary release for Heist goes back to where it all started.
The second track on the compilation is from the legendary Detroit outfit Scan 7: Their 2020 track ‘The Best is yet come’ from Heist’s 50th release.
The appearance of Scan 7 on the label turned quite some heads at the time, but in fact, it made total sense. The mutual love for house, key
grooves and that classic Detroit vibe brought Scan 7 and Dam Swindle together and the result was an amazing release full of Midwest electronic
funk.
On the flip, we’ve got Dutch duo Fouk with their first hit on the label ‘Kill Frenzy’, which kickstarted the rise of their signature sound back in 2014.
The release ends with 2 extremely catchy and strong house releases by Demuir and Adryiano. Demuir’s vocal cut ‘Werq. Feel. Gruv. Vogue’. is
one of the highlights in Demuir’s catalog and a showcase of the producer’s knack for sampling and writing a house groove. Adryiano’s piano
house track ‘Me and you and her’ is a perfect ending to this first compilation, showing us that great house music can be as simple as repeating
something over and over and over, until that groove is all you hear.
The vinyl release of Heist Classics vol. 01 is printed on clear 180 grams heavyweight vinyl and is limited to 1000 records with a special design by
our Art Director Bas Koopmans (Wellness.)
Yours Sincerely,
Maarten & Lars More
Label:Planets
Cat-No:PLA01
Release-Date:20.10.2023
Genre:Dub/Reggae
Configuration:7"
Barcode:
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Last in:02.11.2023
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Label:Planets
Cat-No:PLA01
Release-Date:20.10.2023
Genre:Dub/Reggae
Configuration:7"
Barcode:
1
Dee Sharp - Rising To The Top
2
Fashion All Stars - Give It All You Got
Classic Lovers Rock version of a Keni Burke masterpiece. First ever repress of a high demand 1983 release!
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