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Yung Skrrt - McDonalds (EPROM Remix)
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Yung Skrrt - McDonalds (Barclay Crenshaw Remix)
Great minds think alike. EPROM & Barclay Crenshaw’s remixes of Yung Skrrt’s “McDonalds” are cosmically connected. Both artists separately discovered the track via Bandcamp, and both began transmitting the frequencies through their DJ sets on different stages around the world. Once the parallel universe became perpendicular and crossed paths, they each decided to make their own interpretations and now the world is one.
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More records from Dirtybird
Listen: https://listen.empi.re/278964
Gatefold Jacket, Picture Discs, Marketing Sticker, Poly-lined Protective Sleeves
About:
Walker & Royce have released their highly-anticipated sophomore album No Big Deal out now via Dirtybird Records.
Embarking on a four-part mission to bring the party back to dance music, Walker & Royce have embraced the boisterous, unruly nature of their over-the-top signature to deliver 10 non-stop anthems. A highly collaborative body of work, No Big Deal features a colorful collection of characters including comedian/ musician Reggie Watts, Grammy-nominated and multi-platinum selling artist James Patterson (and 1/2 of the electronic duo The Knocks), peak-time queen VNSSA, Grammy-nominated vocalist Barney Bones, and more.
From the tongue-in-cheek lyricism of ‘I Don’t Remember’ and ‘Might Just’ to the overzealous charisma imparted on tracks like ‘Motivashun’ and ‘Fatalistic Groove’, No Big Deal boasts the sense of humor and lightheartedness that Walker & Royce have brought to countless dance floors throughout their career. The album is hallmarked by the kaleidoscopic elements of their dance music roots: catchy vocals, playful melodies, thumping basslines, and relentless four-on-the-floor percussion.
No Big Deal is a wondrous homage to the weird and wacky tropes that have distinguished Walker & Royce’s no-holds-barred style for more than a decade. An auditory yearbook cataloging Walker & Royce’s sonic inspirations from their early days in New York City’s 90s underground raves to the Dirtybird BBQs and Campouts where they found their home, No Big Deal is a victory lap for Walker & Royce as they cement their status as headliners and hitmakers.
No Big Deal is a reminder to enjoy the ‘Cheap Thrills’ that life presents, to ‘Get Down Down’ and adopt a motto like ‘Let’s Live It Up’.
2xLP, Gatefold Jacket, Picture Disc, cut at 45rpm. First pressing limited to 500 copies.
Key Marketing/Selling:
• Playful, quirky tech-house that isn't afraid to dip into other genres
• Walker & Royce have been performing in the dance/club circuit since 2012
• Walker & Royce are performing at multiple festivals in 2024, including Lollapalooza and Beyond Wonderland, and have played at several high profile venus across the world, such as Red Rocks Amphitheatre, Petco Park, Bill Graham Civic Auditorium & more
• Recently performed a sold out show with John Summit/Experts Only at Stanford’s Frost Amphitheater
• Walker & Royce regularly perform at iconic nightclubs across the country
• To celebrate the album, Walker & Royce hosted a secret Dim-Sum pop up party with over 2000 RSVPs, and a line around block
• Just wrapped up an extensive nationwide No Big Deal tour from 10/27-2/23
• Partnered with Insomniac & their cannabis company, RNBW, for a golden ticket contest to win signed gear and 2 tickets to Beyond Wonderland
• Partnered with Perfect Circuit to give away a Novation Peak Hybrid Polyphonic Synthesizer, in celebration of the album release
• Received wide acclaim in the dance community for the “I Don’t Remember” music video
• Features on the album include comedian/musician Reggie Watts, Grammy-nominated and multi-platinum selling artist James Patterson (and 1/2 of the electronic duo The Knocks), peak-time queen VNSSA, Grammy-nominated vocalist Barney Bones, Glass Petals, Elohim, & ZOF
• Walker & Royce have previously collaborated with notable artists such as Green Velvet, DIPLO & Channel Tres, and many more
• Walker & Royce’s previous album, Self Help, has been pressed twice on vinyl, with both pressings selling out
• 2xLP, Gatefold Jacket, Picture Discs, 45 RPM
Tracklist:
A1/1. Let's Live It Up (feat. Harm Franklin)
A2/2. Fatalistic Groove (feat. Barney Bones)
A3/3. Cheap Thrills (feat. Barney Bones)
B1/4. Get Down Down (feat. Reggie Watts)
B2/5. I Don't Remember (feat. VNSSA)
C1/6. Tha Tea
C2/7. Might Just (feat. James Patterson)
C3/8. Motivashun (feat. Reggie Watts)
D1/9. Stop Time (feat. Glass Petals & Elohim)
D2/10. Did You Mean It (feat. ZOF)
Socials:
Twitter: 15.2k followers
IG: 61.8k followers
FB: 72k followers
YT: 1.2k subs / 235k views
More
Gatefold Jacket, Picture Discs, Marketing Sticker, Poly-lined Protective Sleeves
About:
Walker & Royce have released their highly-anticipated sophomore album No Big Deal out now via Dirtybird Records.
Embarking on a four-part mission to bring the party back to dance music, Walker & Royce have embraced the boisterous, unruly nature of their over-the-top signature to deliver 10 non-stop anthems. A highly collaborative body of work, No Big Deal features a colorful collection of characters including comedian/ musician Reggie Watts, Grammy-nominated and multi-platinum selling artist James Patterson (and 1/2 of the electronic duo The Knocks), peak-time queen VNSSA, Grammy-nominated vocalist Barney Bones, and more.
From the tongue-in-cheek lyricism of ‘I Don’t Remember’ and ‘Might Just’ to the overzealous charisma imparted on tracks like ‘Motivashun’ and ‘Fatalistic Groove’, No Big Deal boasts the sense of humor and lightheartedness that Walker & Royce have brought to countless dance floors throughout their career. The album is hallmarked by the kaleidoscopic elements of their dance music roots: catchy vocals, playful melodies, thumping basslines, and relentless four-on-the-floor percussion.
No Big Deal is a wondrous homage to the weird and wacky tropes that have distinguished Walker & Royce’s no-holds-barred style for more than a decade. An auditory yearbook cataloging Walker & Royce’s sonic inspirations from their early days in New York City’s 90s underground raves to the Dirtybird BBQs and Campouts where they found their home, No Big Deal is a victory lap for Walker & Royce as they cement their status as headliners and hitmakers.
No Big Deal is a reminder to enjoy the ‘Cheap Thrills’ that life presents, to ‘Get Down Down’ and adopt a motto like ‘Let’s Live It Up’.
2xLP, Gatefold Jacket, Picture Disc, cut at 45rpm. First pressing limited to 500 copies.
Key Marketing/Selling:
• Playful, quirky tech-house that isn't afraid to dip into other genres
• Walker & Royce have been performing in the dance/club circuit since 2012
• Walker & Royce are performing at multiple festivals in 2024, including Lollapalooza and Beyond Wonderland, and have played at several high profile venus across the world, such as Red Rocks Amphitheatre, Petco Park, Bill Graham Civic Auditorium & more
• Recently performed a sold out show with John Summit/Experts Only at Stanford’s Frost Amphitheater
• Walker & Royce regularly perform at iconic nightclubs across the country
• To celebrate the album, Walker & Royce hosted a secret Dim-Sum pop up party with over 2000 RSVPs, and a line around block
• Just wrapped up an extensive nationwide No Big Deal tour from 10/27-2/23
• Partnered with Insomniac & their cannabis company, RNBW, for a golden ticket contest to win signed gear and 2 tickets to Beyond Wonderland
• Partnered with Perfect Circuit to give away a Novation Peak Hybrid Polyphonic Synthesizer, in celebration of the album release
• Received wide acclaim in the dance community for the “I Don’t Remember” music video
• Features on the album include comedian/musician Reggie Watts, Grammy-nominated and multi-platinum selling artist James Patterson (and 1/2 of the electronic duo The Knocks), peak-time queen VNSSA, Grammy-nominated vocalist Barney Bones, Glass Petals, Elohim, & ZOF
• Walker & Royce have previously collaborated with notable artists such as Green Velvet, DIPLO & Channel Tres, and many more
• Walker & Royce’s previous album, Self Help, has been pressed twice on vinyl, with both pressings selling out
• 2xLP, Gatefold Jacket, Picture Discs, 45 RPM
Tracklist:
A1/1. Let's Live It Up (feat. Harm Franklin)
A2/2. Fatalistic Groove (feat. Barney Bones)
A3/3. Cheap Thrills (feat. Barney Bones)
B1/4. Get Down Down (feat. Reggie Watts)
B2/5. I Don't Remember (feat. VNSSA)
C1/6. Tha Tea
C2/7. Might Just (feat. James Patterson)
C3/8. Motivashun (feat. Reggie Watts)
D1/9. Stop Time (feat. Glass Petals & Elohim)
D2/10. Did You Mean It (feat. ZOF)
Socials:
Twitter: 15.2k followers
IG: 61.8k followers
FB: 72k followers
YT: 1.2k subs / 235k views
More
1
Danny Goliger & Choopsie - AF Rex
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Danny Goliger & Choopsie - Cycling
Danny Goliger was one of our first artists that we launched our left-of-center White Label project with, and his eclectic and genre-bending tracks make their way back to the label again. This time he brings along Choopsie, the talented producer out of LA with an equal amount of diversity, Both broken-beat in nature, “Cycling” contrasts with rumble bass and soft pads, while “AF Rex” takes a melancholy tone with chopped vocal bits and rolling low subs.
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Audiojack - Stay Strong
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Audiojack - In Your Eyes
Today, UK duo Audiojack release their edgy two-track ‘Stay Strong’ EP, out now via Dirtybird, marking their debut release on the label. Embracing their unique deep house sound, ‘Stay Strong’ lives comfortably on festival main stages and underground dancefloors. Its titular track is an intricate soundscape complimented by layered synths and textured percussive elements. The companion track, ‘In Your Eyes,’ strikes a different tone with its rhythmic breakbeat nature. Ready to leave their mark on the Dirtybird flock, ‘Stay Strong’ arrives ahead of Audiojack’s upcoming debut at Dirtybird Campout this October. Regarding the EP, Audiojack said, “We made these tracks as the pandemic restrictions were lifting and there was light at the end of the tunnel. We imagined how good it would feel to play loud music again to people who were full of joy and relief at being free again, and we tried to encapsulate that feeling in the music.” Following the release of their second album, 'Surface Tension', Audiojack are entering what might be called the major phase of their career. This, of course, is not to diminish the solid reputation they have built over the last fifteen years as DJs, producers, remixers and label curators with original releases on labels like Crosstown Rebels, 2020Vision and Hot Creations, remixes on labels including Moon Harbour, B-Pitch Control and Diynamic, and artists like Underworld, Groove Armada and Hot Since 82 who have enlisted their talents for remixes.
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Sven Lochenhoer - It Knows
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Sven Lochenhoer - Rain Check
Today, Toronto-based producer Sven Lochenhoer releases his quirky two-track ‘It Knows’ EP, out now via Dirtybird. Since 2017, Sven Lochenhoer has been a consistent character among the flock, popping up on various Dirtybird compilations and sub labels over the years. Diving into the depths of house music, Sven Lochenhoer’s ‘It Knows’ EP is reminiscent of Dirtybird’s 2005 origins. Thoughtfully produced, the EP consists of its edgy, club-centered title track and experimental downtempo companion ‘Rain Check’. Each layered with gentle piano melodies, warm basslines, and wonky vocal effects, Lochenhoer has crafted an intricate duality through this two-track project. The rising Canadian producer first appeared on the scene six years ago. Since then, Lochenhoer has gone on to release records with such labels as Dirtybird, Trippy Ass Technologies, and Dumb Fat. Through his original productions and Splice sample packs, Sven Lochenhoer continues to earn the favorable regard of artists and aural aficionados alike.
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Dillon Marinez - Wormhole
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Dillon Marinez - Facelift
San Diego born and raised DJ/Producer, Dillon Marinez, today releases his latest EP ‘Wormhole’, out now on Dirtybird. Curated by Claude VonStroke, the compelling two-track project presents a dynamic soundscape showcasing the sonic duality of one of Dirtybird’s newest rising stars. The chaotic, high-energy sound of its titular track ‘Wormhole’ is instantly mesmerizing, while its companion ‘Facelift’ is a deep, rolling burner. Regarding the EP, Dillon Marinez said, “My first [Dirtybird] Campout inspired both tracks. Claude’s set especially was full of some thick stabby bass which was right up my alley. This sound gave me an idea for each lead and the rest flowed naturally.” Continuing to grow as a consistent member of the Dirtybird flock, Marinez’s latest EP, ‘Wormhole’ marks his fifth release on the esteemed label following last year’s ‘No Pressure’ EP and earlier singles like ‘Dance For Me.’ Taking inspiration from funk, hip hop, and reggae, Marinez credits his father and brother for exposing him as a kid to the multi-genre sounds that shape his music style today. A bassist since childhood, it was only natural for Dillon to be drawn to the ebbs and flows of house music. Learning Ableton in college, Marinez was able to incorporate a blend of rhythmic elements to create his unique bass lines and incredibly catchy beats known to captivate crowds. Releasing music on Dirtybird marks a full circle moment for Dillon, as he has previously named Dirtybird’s artists Justin Martin and Shiba San as major sources of inspiration for his music. Marinez invites fans to join him on his rhythmic journey and stream ‘Wormhole’ today.
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2Phargon - Feel A Little Strange
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2Phargon - Micro
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2Phargon - Dwelling
Change is good. It’s inevitable. It’s the general nature of how the universe works all around us. Change comes in many forms, and this particular one is the debut EP from 2Phargon. While it might be the debut, the veteran producer behind the new alias isn’t a stranger to Dirtybird, Lee Mortimer aka Friend Within. The EP features three brand new tracks under the new guise covering a wide landscape. “Feel A little Strange” is a monster attention grabber - the perfect piece to kick off the new venture. “Micro” is fast-paced filled with moments of drifting away before snapping back into stride. Rounding it out is “Dwelling”—a bubbling kaleidoscope of sound. We welcome the change with open arms.
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Nikki Nair & Nala - Escape
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Nikki Nair & Nala - The World Is Always Ending
“Both Nikki Nair & Nala have had breakout years on Dirtybird. Now they come together on the next installment of our experimental White Label series with "The World is Always Ending.” Nikki’s futuristic productions alongside Nala’s dynamic vocal range highlight these two songs on opposite ends of the spectrum. The frenetic, breakbeat and filtered vocal of “Escape”, is a combo of nasty electro and hardcore jungle distortion. The title track is a modernized twist on Sneaker Pimps and Chemical Brothers vibes resulting in one of the coolest singles on the label this year.
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Hugo Massien - Fast Forward
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Hugo Massien - Dynamic Symmetry
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Hugo Massien - Quantum Mechanics
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Hugo Massien - Astral Waves
Hugo Massien is a synthesizer engineer at Novation with high profile singles on XL Recordings and a stellar 2021 album, "Metamorphosis”, which caught the ear of Claude VonStroke. He is a fixture in the sets of Roman Flugel, TEED, and Ben UFO to name a few. We are more than thrilled to welcome him to the Dirtybird white label series with “Fast Forward”. Hugo delivers four vinyl gems— from the melodic break of "Fast Foward”, to the dream state mood of “Dynamic Symmetry”, the lo-fi bass of “Quantum Mechanics”, and sublime “Astral State”.
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Danny Goliger - Deliverance
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Danny Goliger - Inchoate
3
Danny Goliger - Venality
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Danny Goliger - Danny Goliger & Michael Fam - Fog
We have really enjoyed the launch of our Dirtybird White Label series. So far this year we have been able to release some outstanding records across a wide range of genres. Up next, the eclectic sounds of the series continues with an extremely talented LA producer, Danny Goliger. Our friend Justin Jay who also helped kick off the entire white label series, turned us on to Danny's music. Danny weaves a tapestry of sound, vibes and emotion across four pieces of unique, left-field electronica. We love it.
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Ivy Lab - Press Play
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Ivy Lab - BBQ
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Ivy Lab - Dresden Codex
4
Ivy Lab - Options
Dirtybird White Label series #3 goes even further outside the lines featuring 20/20 London's own, Ivy Lab. This duo are figureheads in the Future Beats movement, and their “Press Play EP” is a collection of 4 tracks that explore all facets of the sound. From futuristic acid half step to Neptunes-influenced BBQ beats and sublime Drum n Bass, the EP shows range and skill few producers can match.
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Nikki Nair - It Goes
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Nikki Nair - Socket
3
Nikki Nair - Something
4
Nikki Nair - Want To You
We continue our special Dirtybird White Label Series with an artist that embodies what the eclectic new platform is all about, Nikki Nair - A brilliant producer and wildly musical mind. The "More Is Different" EP is full of eclectic and unique productions. The lead track “It Goes”, seamlessly changes mood and direction from gnarly, contorted bass to angelic melodies. “Socket” boom-baps it’s way with square synths, frenetic beats and pensive keys, while the live drum kit, guitar and warped vocal on “Something” are unexpected, yet refreshing, elements to the anodic track. The EP rounds out with “Want To You”, a fast-paced and frantic piece of work influenced by juke and ghetto house, perfectly encapsulating the sound of the series and Nikki’s immense talent.
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VNSSA & Lenny Kiser - Sinking
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VNSSA & Lenny Kiser - Cue The Rhythm
It’s always exciting to hear collaborations from two familiar faces — especially when the results are completely unexpected. “Sinking” and “Cue The Rhythm” from VNSSA & Lenny Kiser are two of those collabs. The two artists got together to exchange some ideas, and we’re thrilled with the outcome.
Both moody and comforting, VNSSA’s vocals on the title track adds a deep undertone to keep it floating, while the other’s breakbeat sensibility gives off an air of old-school rave vibes. More
Both moody and comforting, VNSSA’s vocals on the title track adds a deep undertone to keep it floating, while the other’s breakbeat sensibility gives off an air of old-school rave vibes. More
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Justin Jay & Claude VonStroke - Oh
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Justin Jay & Claude VonStroke - Oh (Pearson Sound Shuffle Remix)
3
Justin Jay & Claude VonStroke - Poison
4
Justin Jay & Claude VonStroke - Woo
5
Justin Jay & Claude VonStroke - Nucleus
A late night conversation about the past and future of dance music elicited this surprise left field collaboration from Justin Jay and Claude VonStroke. Justin’s mission was simple: push VonStroke to the fringes. Being no stranger to disruption, Claude loved the idea of challenging creative expectations. The result is five intricate and leftfield landscapes, featuring a special remix from Pearson Sound. ‘Oh’ is an EP with influences from UK jungle, Detroit electro, Chicago juke and the deconstructed hip hop that shaped much of the early Dirtybird sound. The tracks differ radically but are strung together with a sense of excitement embedded in their polyrhythmic drum patterns and dynamic arrangement. ‘Oh’ is pressed on a simple whitelabel disc, shedding expectations and kicking off a new series of alternative genre records at a label that's always been about breaking the mold and not taking itself too seriousl
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Nasser Baker - Tribes of the Metronome
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Nasser Baker - About You
Nasser Baker’s talent precedes him. A handpicked protégé of Dennis Ferrer, the blossoming talent is now carving his own niche in the house space. His ascension continues today with the release of ‘Tribes Of The Metronome,’ marking his DIRTYBIRD debut. “Tribes Of The Metronome” uses sputtering bass and distorted vocals to make its impact, maintaining a consistent, yet driving pace that keeps energy levels high from start to finish. “About You” sees Baker laying on the heavy grooves, with a reverberated bassline, off-kilter synths, and crisp hi hats joining together with its vocal elements for a tech house piece with a classic flair. Both have been sought-after set weapons for Claude VonStroke, making their release particularly exciting for the DIRTYBIRD flock. Beyond his work with Dennis Ferrer, Nasser Baker’s keen ear for house has been recognized by plenty of industry greats. His ‘Say Something’ EP on Circus was an instant hit, receiving remixes from the likes of Paul Woolford and Rebuke. Nasser’s work has also appeared numerous times on Objektivity, and recently, he was tapped by Green Velvet for an EP on Relief. It’s clear this young producer is here to stay! TRACK LISTING. A. Tribes of the Metronome, B. About You
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Claude VonStroke - Warming Up The Bass Machines II
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Claude VonStroke - Freaks Don't Fail Me Now
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Claude VonStroke - Flubblebuddy
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Claude VonStroke - Frankie Goes To Bollywood
5
Claude VonStroke - Youngblood (Feat. Wyatt Marshall)
6
Claude VonStroke - Waddaday (Feat. ZDS)
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Claude VonStroke - These Notes in This Order
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Claude VonStroke - Session A
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Claude VonStroke - All My People In The House
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Claude VonStroke - Alpine Arpline
A lot can happen in 15 years. Few things manage to thrive for a decade and a half, especially in music. But a scrappy, left of center, Bay Area house music label, Dirtybird, has managed to do just that. Claude VonStroke, Dirtybird’s founder, is marking this 15-year milestone the only way he knows how… working. This year, VonStroke will throw two dozen-plus parties, three festivals (including the famous Dirtybird Campout), host his traveling Dirtybird BBQ series in major cities across the US, publish a coffee table book, release a seasonal clothing line, stage art shows, produce a fly on the wall docu series...and kick it all off by releasing a new album, out February 21st. What began as a free party, turned basement record label, has morphed into a truly thriving community whose familial, fun and welcoming vibe has won over hearts and minds across the world. And while Dirtybird has grown and evolved, VonStroke’s core focus on music remains unwavering. The new album ‘Freaks & Beaks’ is a celebration of quirky innovation and a relentless pursuit of something new and fresh, while hearkening back to the freewheeling spirit that inspired the launch of his label. This is a project that draws upon the inspirations of family, old friends, new fans and proper dancefloors. Claude will let his flock wet their beaks while they wait in anticipation of the new album with two new singles demonstrating the breadth of the dance music landscape explored on the record. Youngblood touches on the deeper sides of Claude VonStroke, a throwback to the label’s early days, featuring local LA music house talent Wyatt Marshall, while All My People in the House is a dancefloor heater that is sure to unite new and old Dirtybird fans together.A1. Warming Up The Bass Machines II, A2. Freaks Don't Fail Me Now, B1. Flubblebuddy. B2. Frankie Goes To Bollywood, C1. Youngblood (Feat. Wyatt Marshall), D1. Waddaday (Feat. ZDS), D2. These Notes in This Order, E1. Session A, F1. All My People In The House F2. Alpine Arpline
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Claude VonStroke - Slink
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Claude VonStroke - Please Oh Please Oh Please
After a year filled with collaborations and remixes, Claude VonStroke drops his solo EP “Slink”, featuring the long-awaited track, “Please Oh Please Oh Please”, official music video and tied into a Dirtybird Campout activation.
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walker & royce - Bodies Do The Talking
2
walker & royce - Uh Oh
The term "bomb" gets thrown around a lot in our office. But these guys are dance floor slayers, dropping dancefloor bombs at every turn. These tracks are huge, huge A-sides.
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cour t. - Black Magic
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cour t. - Downstairs
“Every time I play Cour T.’s “Black Magic” the room changes. The entire vibe of the party goes from hands in the air to grinding, sexual energy. This track has arcane properties on the dance floor. I wish I had 10 tracks with this vibe because nothing else sounds like it and when I play it, I always wish I could keep the vibe for longer. Selfishly, I asked our label manager to hold back this track for 6 extra months just so I could have it all to myself. That’s how much I’m into it. For all the DJs complaining about how everything sounds the same right now, take a risk and drop this one in your sets.
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Limited edition Greek Honey color vinyl in a heavyweight matte jacket with insert sheet and dome patterned IARC inner sleeve
In order to record the compositions in his critically acclaimed 2022 release GOLD, Alabaster DePlume instilled a culture of creativity by leading his ensembles In spontaneous composition and development. This resulted in an abundance of material that he has since produced and arranged, resulting in this collection.
Tracklisting
1. Sibomandi (feat. Falle Nioke)
2. What Can It Take
3. To That Voice And Say
4. Greek Honey Slick (feat. Tom Skinner)
5. Give Me Away
6. Fall On Flowers
7. Did You Know (feat. Momoko Gill)
8. Levels Of Human
9. Not Even Sobbing
10. The Best Thing In The World
11. Naked Like Water (feat. Donna Thompson)
12. Broken Again
More
In order to record the compositions in his critically acclaimed 2022 release GOLD, Alabaster DePlume instilled a culture of creativity by leading his ensembles In spontaneous composition and development. This resulted in an abundance of material that he has since produced and arranged, resulting in this collection.
Tracklisting
1. Sibomandi (feat. Falle Nioke)
2. What Can It Take
3. To That Voice And Say
4. Greek Honey Slick (feat. Tom Skinner)
5. Give Me Away
6. Fall On Flowers
7. Did You Know (feat. Momoko Gill)
8. Levels Of Human
9. Not Even Sobbing
10. The Best Thing In The World
11. Naked Like Water (feat. Donna Thompson)
12. Broken Again
More
1
DMX Krew - Still Got It
2
DMX Krew - Still Got It Dub
3
DMX Krew - Paranoia
4
DMX Krew - Cold Dub
The Rephlex alumni and Rinse.fm resident DMX Krew channels Prince’s spirit in this new electro-pop maxi on Cold Blow.
Picking up his electro-pop and synth-funk hat from where it was laid on 2022’s Party Life LP, Ed DMX is switching gears and picking up the pace with four dance-inducing tracks. Another one of the brilliant releases that we’ve become to expect from the consistently hot Cold Blow! The titular track “Still Got It” is a brand new production with vocal and dub versions of driving bassline and Linn fills, exclaiming “I still got the music in me, and it sets me free!” amidst heartbreak. Teardrops on the dancefloor, anyone?
On the flip side, we are treated with an archive gem from the Rephlex era! The Telex-like pacey vocoder synth pop “Paranoia” was recorded around the time of “We Are DMX” album in 1999, and what a treat it is!
The closing track is the only previously released one. A dub version of “Cold Love” borrowed from the Japan-exclusive, CD-only 2005 album “Kiss Goodbye” which Cold Blow has announced to be reissued soon! More
Picking up his electro-pop and synth-funk hat from where it was laid on 2022’s Party Life LP, Ed DMX is switching gears and picking up the pace with four dance-inducing tracks. Another one of the brilliant releases that we’ve become to expect from the consistently hot Cold Blow! The titular track “Still Got It” is a brand new production with vocal and dub versions of driving bassline and Linn fills, exclaiming “I still got the music in me, and it sets me free!” amidst heartbreak. Teardrops on the dancefloor, anyone?
On the flip side, we are treated with an archive gem from the Rephlex era! The Telex-like pacey vocoder synth pop “Paranoia” was recorded around the time of “We Are DMX” album in 1999, and what a treat it is!
The closing track is the only previously released one. A dub version of “Cold Love” borrowed from the Japan-exclusive, CD-only 2005 album “Kiss Goodbye” which Cold Blow has announced to be reissued soon! More
1
Marcel Vogel & LYMA - Free Time
2
Marcel Vogel & LYMA - Easy
3
Marcel Vogel & LYMA - Broken Wings
4
Marcel Vogel & LYMA - Flame On
5
Marcel Vogel & LYMA - You're A Star
The bright new duo, Marcel Vogel & LYMA, triumphantly returns to Boogie Angst with their sizzling new EP offering, No Time. Following the recent release of their lead single, Free Time, we're proud to introduce four new, unique tracks to their burgeoning collection of juicy tunes. Funkiness and abstraction take center stage on this EP. Opening up with the previously released Free Time, featuring filtered vocals and an unconventional structure that blends rich synths with dusty analog stabs and 1990s rave plucks. The tempo slows down on Easy, a gorgeous song that sounds like a lost Sade demo, featuring subtle beatbox textures, tiny synth plucks, all ending up in a delightful culmination of delayed textures. Broken Wings begins with a captivating vocal performance, leading to a sturdy Roland bass drum, sustained chords, and resonant arp sequences, with hints of Freestyle. Flame On creates an almost tropical atmosphere with looping, scattered vocals and an abundance of cowbells. All before the EP closer, You're A Star, rounds things off with clunky basslines, a steady groove and hypnotic pitched vocals.
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Jerome Hill - Intro
2
Jerome Hill - Walk The Plank
3
Jerome Hill - Don't Be Afraid
4
Jerome Hill - The Doctor Will See You Now
5
Jerome Hill - Chickens
6
Jerome Hill - Deafening Lull
7
Jerome Hill - Trainspotting
8
Jerome Hill - Brought Up Badly
9
Jerome Hill - Afterlife
10
Jerome Hill - Knob Jitter
11
Jerome Hill - Stax Had The Funk
12
Jerome Hill - More Chicken
13
Jerome Hill - I Don't
At the very coalface of the UK rave/breakbeat/techno/call it what you like scene since the 1990s, Jerome Hill is something of a hidden treasure amongst the plethora of DJs and producers to have dropped both bangers and bloopers over the ensuing three decades. With minimum of fuss and fanfare, Hill has steered record labels like Super Rhythm Trax, Don’t, Fat Hop and Hornsey Hardcore to revered acclaim, as well as firing out a consistent stream of releases for imprints such as Matthew Herbert’s Accidental Jr, Exalt Records, and I Love Acid, to name but a few. Surprisingly, ‘Flow Mechanics’ is Hill’s debut album after a production career that kicked off in 1998 as one half of Groove Asylum. And its collection of unabashed acid and rave bangers is a perfect fit for the Hypercolour label, whose personnel over the last few years has included Luke Vibert, DMX Krew, Shelley Parker and Gary Gritness. Tracks produced directly for club play; the album features 8 cuts destined to fit in cross-genre sets. With pumping electro cuts such as ‘Deafening Lull’ and ‘Knob Jitter’, four to the floor acid stompers like ‘Walk The Plank’, the mutant garage of ‘Brought Up Badly’ and the house groover ‘Stax Had The Funk’, ‘Flow Mechanics’ is a joyous romp through rave’s sound palette, replete with playful samples and skits (featured on the vinyl LP version), and a mischievous demeanour that affords the listener an lively album that doesn’t take itself too seriously. ‘Flow Mechanics’ by Jerome Hill is available from 3rd March 2023 on Hypercolour.
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Label:Tresor Records / BMG
Cat-No:TRESOR313EP1
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
Label:Tresor Records / BMG
Cat-No:TRESOR313EP1
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
1
Cybotron - Maintain 04:56
2
Cybotron - The Golden Ratio (Version) 04:43
Territory: WORLD
FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve
TRACKLIST
A. Maintain 04:56
B. The Golden Ratio (Version) 04:43
INFO
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin To ler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.
Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.
Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst
More
FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve
TRACKLIST
A. Maintain 04:56
B. The Golden Ratio (Version) 04:43
INFO
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin To ler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.
Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.
Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst
More
1
Dj Fede - Sant Josep De Sa Talaia (Main Mix)
2
Dj Fede - Sant Josep De Sa Talaia (Alex Neri Essential Dub)
3
Dj Fede - Sant Josep De Sa Talaia (Francesco Farfa Remix)
4
Dj Fede - Sant Josep De Sa Talaia (Rahaan Remix)
Balearia returns with an incredible collection of remixes for the always good Dj Fede. Alex Neri, Francesco Farfa and Rahaan for this sublime wax. Tip!
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