Black Vinyl, Gatefold Sleeve
Members Only is a group XXXTentacion formed as he was still bubbling beneath the surface of the mainstream. Group members have included Ski Mask the Slump God, Kid Trunks, Craig Xen, Killstation, Coolie Cut, Bass Santana, Flyboy Tarantino, Tankhead and Kin$oul. Following the release of their fourth project, "Members Only, Vol. 4," the collective has gone on an indefinite hiatus, with some of its most prominent members such as Craig Xen and Wifisfuneral exiting the group. Three former members including XXXTentacion have sadly passed away. Volume 4 was originally released via EMPIRE on January 23rd, 2019 which would have been XXXTentacion's 21st birthday. 2LP + 24 tracks in length.
Key Selling/Marketing:
- Members Only formed by XXXTentacion & Ski Mask the Slump God.
- Their signature sound had been marked by aggression, distortion, & an overall metallic approach.
- Originally a side-project that expanded to a full-on collective.
- Over 30 artists have been a part of the collective.
- Volume 4 peaked at #18 on Billboard's US Top 200 chart & also landed Top 20 in Canada & Top 40 across Europe & New Zealand upon release.
- Volume 3 & Volume 4 have collectively amassed over 1B Spotify track streams to-date.
- XXXTentacion's Spotify Stats: 33.6M monthly listeners & 36.6M followers.
- Ski Mask the Slump God's Spotify Stats: 8.6M monthly listeners & 5.1M followers.
- Ski Mask the Slump God's "OOGA BOOGA!" (released OCT 202201) was added to Spotify US' "New Music Friday" & accumulated nearly 3M track streams within the first few days of release.
Tracklist:
A1/1. Corey's Intro
A2/2. Nothing (Cooliecut, Craig Xen, & Killstation)
A3/3. Sauce! (XXXTentaction)
A4/4. Gassed Up ! (XXXTentacion, Flyboy Tarantino, Kid Trunks, Bass Santana, & Kin$oul)
A5.5. Plottin (Kid Trunks, Flyboy Tarantino, Rob Bank$)
A6/6. Pick Your Poison (Tankhead & Ikabod Veins)
B1/7. Fall in Love with Death (Bass Santana, Cooliecut, & Kin$oul)
B2/8. Love Hard, Fall Fast (Flyboy Tarantino & Craig Xen)
B3/9. Now or Never (Flyboy Tarantino, Craig Xen, & Kidway)
B4/10. Cold Weather (Killstation, Cooliecut, & Craig Xen)
B5/11. Touch Eem Body (XXXTentacion, Bass Santana, Kin$oul, & Reddz)
B6/12. Jahseh on my Wrist (Bass Santana, Flyboy Tarantino, Kid Trunks, & Craig Xen)
C1/13. He Diddy! (Ski Mask the Slump God)
C2/14. You Are Not M.O. (Bass Santana, Kin$oul, Robb Bank$, Bhris & Absentwill)
C3/15. Make Eem Run (Bass Santana, XXXTentacion, & Ski Mask the Slump God)
C4/16. Proud Puppy Lover! (Craig Xen)
C5/17. Woah (Freestyle) (Kid Trunks)
C6/18. Members Only! (Tankhead, Ratchet Roach, Flyboy Tarantino, Cooliecut, Kid Trunks, Craig Xen, SB, Kin$oul, Bass Santana, & Rawhool Mane)
D1/19. Radar (Ratchet Roach, Bass Santana, & Robb Bank$)
D2/20. Hi Wendy! (XXXTentacion, Bass Santana, Kin$oul, Kid Trunks, & Flyboy Tarantino)
D3/21. Over the Rainbow (Cooliecut, Kin$oul, & Rawhool Mane)
D4/22. Red Pills (Love in the Matrix) (Cooliecut & Kin$oul)
D5/23. Empty (Cooliecut, Craig Xen, Kin$oul, & Ski Mask the Slump God)
D6/24. Rebirth (2016) (XXXTentacion & Killstation)
More
Members Only is a group XXXTentacion formed as he was still bubbling beneath the surface of the mainstream. Group members have included Ski Mask the Slump God, Kid Trunks, Craig Xen, Killstation, Coolie Cut, Bass Santana, Flyboy Tarantino, Tankhead and Kin$oul. Following the release of their fourth project, "Members Only, Vol. 4," the collective has gone on an indefinite hiatus, with some of its most prominent members such as Craig Xen and Wifisfuneral exiting the group. Three former members including XXXTentacion have sadly passed away. Volume 4 was originally released via EMPIRE on January 23rd, 2019 which would have been XXXTentacion's 21st birthday. 2LP + 24 tracks in length.
Key Selling/Marketing:
- Members Only formed by XXXTentacion & Ski Mask the Slump God.
- Their signature sound had been marked by aggression, distortion, & an overall metallic approach.
- Originally a side-project that expanded to a full-on collective.
- Over 30 artists have been a part of the collective.
- Volume 4 peaked at #18 on Billboard's US Top 200 chart & also landed Top 20 in Canada & Top 40 across Europe & New Zealand upon release.
- Volume 3 & Volume 4 have collectively amassed over 1B Spotify track streams to-date.
- XXXTentacion's Spotify Stats: 33.6M monthly listeners & 36.6M followers.
- Ski Mask the Slump God's Spotify Stats: 8.6M monthly listeners & 5.1M followers.
- Ski Mask the Slump God's "OOGA BOOGA!" (released OCT 202201) was added to Spotify US' "New Music Friday" & accumulated nearly 3M track streams within the first few days of release.
Tracklist:
A1/1. Corey's Intro
A2/2. Nothing (Cooliecut, Craig Xen, & Killstation)
A3/3. Sauce! (XXXTentaction)
A4/4. Gassed Up ! (XXXTentacion, Flyboy Tarantino, Kid Trunks, Bass Santana, & Kin$oul)
A5.5. Plottin (Kid Trunks, Flyboy Tarantino, Rob Bank$)
A6/6. Pick Your Poison (Tankhead & Ikabod Veins)
B1/7. Fall in Love with Death (Bass Santana, Cooliecut, & Kin$oul)
B2/8. Love Hard, Fall Fast (Flyboy Tarantino & Craig Xen)
B3/9. Now or Never (Flyboy Tarantino, Craig Xen, & Kidway)
B4/10. Cold Weather (Killstation, Cooliecut, & Craig Xen)
B5/11. Touch Eem Body (XXXTentacion, Bass Santana, Kin$oul, & Reddz)
B6/12. Jahseh on my Wrist (Bass Santana, Flyboy Tarantino, Kid Trunks, & Craig Xen)
C1/13. He Diddy! (Ski Mask the Slump God)
C2/14. You Are Not M.O. (Bass Santana, Kin$oul, Robb Bank$, Bhris & Absentwill)
C3/15. Make Eem Run (Bass Santana, XXXTentacion, & Ski Mask the Slump God)
C4/16. Proud Puppy Lover! (Craig Xen)
C5/17. Woah (Freestyle) (Kid Trunks)
C6/18. Members Only! (Tankhead, Ratchet Roach, Flyboy Tarantino, Cooliecut, Kid Trunks, Craig Xen, SB, Kin$oul, Bass Santana, & Rawhool Mane)
D1/19. Radar (Ratchet Roach, Bass Santana, & Robb Bank$)
D2/20. Hi Wendy! (XXXTentacion, Bass Santana, Kin$oul, Kid Trunks, & Flyboy Tarantino)
D3/21. Over the Rainbow (Cooliecut, Kin$oul, & Rawhool Mane)
D4/22. Red Pills (Love in the Matrix) (Cooliecut & Kin$oul)
D5/23. Empty (Cooliecut, Craig Xen, Kin$oul, & Ski Mask the Slump God)
D6/24. Rebirth (2016) (XXXTentacion & Killstation)
More
More records from XXXTentacion Presents
Black Vinyl, Gatefold Sleeve
About:
Members Only is a group XXXTentacion formed as he was still bubbling beneath the surface of the mainstream. The album features XXXTentaction, Ski Mask The Slump Godd, Kid Trunks, Robb Bank$, Craig Xen, Bass Santana, Flyboy Tarantino, Kin$oul, Killstation, Coolie Cut, Tank Head.
Following the release of their fourth project, "Members Only, Vol. 4," the collective has gone on an indefinite hiatus, with some of its most prominent members such as Craig Xen and Wifisfuneral exiting the group. Three former members including XXXTentacion have sadly passed away. 2LP & 23 tracks in length.
Key Selling/Marketing:
- Members Only formed by XXXTentacion & Ski Mask the Slump God.
- Their signature sound had been marked by aggression, distortion, & an overall metallic approach.
- Originally a side-project that expanded to a full-on collective.
- Over 30 artists have been a part of the collective.
- Volume 3 charted Top 20 on Billboard's US compilation chart & artist features include Kin$oul, Ski Mask the Slump God, Bass Santana, Robb Bank$, & Craig Xen.
- Volume 3 was also the last volume to be released during XXXTentacion's lifetime.
- Volume 3 & Volume 4 have collectively amassed over 1B Spotify track streams to-date.
- XXXTentacion's Spotify Stats: 33.6M monthly listeners & 36.6M followers.
- Ski Mask the Slump God's Spotify Stats: 8.6M monthly listeners & 5.1M followers.
- Ski Mask the Slump God's "OOGA BOOGA!" (released OCT 2022) was added to Spotify US' "New Music Friday" & accumulated nearly 3M track streams within the first few days of release.
Tracklist:
A1/1. Find Me (Intro) (XXXTentacion)
A2/2. Off the Wall! (XXXTentacion feat. Ski Mask the Slump God)
A3/3. What in XXXTarnation (Feat. Ski Mask the Slump God)
A4/4. Wassup Bro ! (Craig Xen)
A5/5. H20 (XXXTentacion feat. Ski Mask the Slump God)
A6/6. Butthole Girl (XXXTentacion feat. Tank Head, Robb Bank$, & Craig Xen)
B1/7. Static Shock (XXXTentacion feat. Ski Mask the Slump God)
B2/8. Came 2 Kill (XXXTentacion feat. Kid Trunks & Craig Xen)
B3/9. Boost! (XXXTentacion)
B4/10. Chokehold (Coolie Cut)
B5/11. 4Peat (XXXTentacion feat. Ski Mask the Slump God)
B6/12. Maxipads for Everyone (XXXTentacion)
C1/13. Slipknot (XXXTentacion feat. Kin$soul & Killstation)
C2/14. 777 (Kid Trunks Feat. XXXTentacion)
C3/15. Supra (Kin$oul feat. XXXTentacion)
C4/16. God Damn (Bass Santana feat. Kin$oul)
C5/17. Vulture (Flyboy Tarantino feat. Kin$oul)
C6/18. Curse (Bass Santana feat. XXXTentaction, Coolie Cut, & Kin$oul)
D1/19. Members Only Shit (Kin$oul feat. Killstation,& iKabod Veins)
D2/20. On That Bitch (Kid Trunks feat. Craig Xen, Robb Bank$, & Kin$oul)
D3/21. LOL (Bass Santana feat. Kid Trunks & Flyboy Tarantino)
D4/22. Invisible Klip (Kid Trunks feat. Robb Bank$ & Ski Mask the Slump God)
D5/23. Bowser (XXXTentacion feat. Ski Mask the Slump God)
More
About:
Members Only is a group XXXTentacion formed as he was still bubbling beneath the surface of the mainstream. The album features XXXTentaction, Ski Mask The Slump Godd, Kid Trunks, Robb Bank$, Craig Xen, Bass Santana, Flyboy Tarantino, Kin$oul, Killstation, Coolie Cut, Tank Head.
Following the release of their fourth project, "Members Only, Vol. 4," the collective has gone on an indefinite hiatus, with some of its most prominent members such as Craig Xen and Wifisfuneral exiting the group. Three former members including XXXTentacion have sadly passed away. 2LP & 23 tracks in length.
Key Selling/Marketing:
- Members Only formed by XXXTentacion & Ski Mask the Slump God.
- Their signature sound had been marked by aggression, distortion, & an overall metallic approach.
- Originally a side-project that expanded to a full-on collective.
- Over 30 artists have been a part of the collective.
- Volume 3 charted Top 20 on Billboard's US compilation chart & artist features include Kin$oul, Ski Mask the Slump God, Bass Santana, Robb Bank$, & Craig Xen.
- Volume 3 was also the last volume to be released during XXXTentacion's lifetime.
- Volume 3 & Volume 4 have collectively amassed over 1B Spotify track streams to-date.
- XXXTentacion's Spotify Stats: 33.6M monthly listeners & 36.6M followers.
- Ski Mask the Slump God's Spotify Stats: 8.6M monthly listeners & 5.1M followers.
- Ski Mask the Slump God's "OOGA BOOGA!" (released OCT 2022) was added to Spotify US' "New Music Friday" & accumulated nearly 3M track streams within the first few days of release.
Tracklist:
A1/1. Find Me (Intro) (XXXTentacion)
A2/2. Off the Wall! (XXXTentacion feat. Ski Mask the Slump God)
A3/3. What in XXXTarnation (Feat. Ski Mask the Slump God)
A4/4. Wassup Bro ! (Craig Xen)
A5/5. H20 (XXXTentacion feat. Ski Mask the Slump God)
A6/6. Butthole Girl (XXXTentacion feat. Tank Head, Robb Bank$, & Craig Xen)
B1/7. Static Shock (XXXTentacion feat. Ski Mask the Slump God)
B2/8. Came 2 Kill (XXXTentacion feat. Kid Trunks & Craig Xen)
B3/9. Boost! (XXXTentacion)
B4/10. Chokehold (Coolie Cut)
B5/11. 4Peat (XXXTentacion feat. Ski Mask the Slump God)
B6/12. Maxipads for Everyone (XXXTentacion)
C1/13. Slipknot (XXXTentacion feat. Kin$soul & Killstation)
C2/14. 777 (Kid Trunks Feat. XXXTentacion)
C3/15. Supra (Kin$oul feat. XXXTentacion)
C4/16. God Damn (Bass Santana feat. Kin$oul)
C5/17. Vulture (Flyboy Tarantino feat. Kin$oul)
C6/18. Curse (Bass Santana feat. XXXTentaction, Coolie Cut, & Kin$oul)
D1/19. Members Only Shit (Kin$oul feat. Killstation,& iKabod Veins)
D2/20. On That Bitch (Kid Trunks feat. Craig Xen, Robb Bank$, & Kin$oul)
D3/21. LOL (Bass Santana feat. Kid Trunks & Flyboy Tarantino)
D4/22. Invisible Klip (Kid Trunks feat. Robb Bank$ & Ski Mask the Slump God)
D5/23. Bowser (XXXTentacion feat. Ski Mask the Slump God)
More
More records from Bad Vibes Forever / EMPIRE
Black Vinyl, Gatefold Sleeve
About:
Members Only is a group XXXTentacion formed as he was still bubbling beneath the surface of the mainstream. The album features XXXTentaction, Ski Mask The Slump Godd, Kid Trunks, Robb Bank$, Craig Xen, Bass Santana, Flyboy Tarantino, Kin$oul, Killstation, Coolie Cut, Tank Head.
Following the release of their fourth project, "Members Only, Vol. 4," the collective has gone on an indefinite hiatus, with some of its most prominent members such as Craig Xen and Wifisfuneral exiting the group. Three former members including XXXTentacion have sadly passed away. 2LP & 23 tracks in length.
Key Selling/Marketing:
- Members Only formed by XXXTentacion & Ski Mask the Slump God.
- Their signature sound had been marked by aggression, distortion, & an overall metallic approach.
- Originally a side-project that expanded to a full-on collective.
- Over 30 artists have been a part of the collective.
- Volume 3 charted Top 20 on Billboard's US compilation chart & artist features include Kin$oul, Ski Mask the Slump God, Bass Santana, Robb Bank$, & Craig Xen.
- Volume 3 was also the last volume to be released during XXXTentacion's lifetime.
- Volume 3 & Volume 4 have collectively amassed over 1B Spotify track streams to-date.
- XXXTentacion's Spotify Stats: 33.6M monthly listeners & 36.6M followers.
- Ski Mask the Slump God's Spotify Stats: 8.6M monthly listeners & 5.1M followers.
- Ski Mask the Slump God's "OOGA BOOGA!" (released OCT 2022) was added to Spotify US' "New Music Friday" & accumulated nearly 3M track streams within the first few days of release.
Tracklist:
A1/1. Find Me (Intro) (XXXTentacion)
A2/2. Off the Wall! (XXXTentacion feat. Ski Mask the Slump God)
A3/3. What in XXXTarnation (Feat. Ski Mask the Slump God)
A4/4. Wassup Bro ! (Craig Xen)
A5/5. H20 (XXXTentacion feat. Ski Mask the Slump God)
A6/6. Butthole Girl (XXXTentacion feat. Tank Head, Robb Bank$, & Craig Xen)
B1/7. Static Shock (XXXTentacion feat. Ski Mask the Slump God)
B2/8. Came 2 Kill (XXXTentacion feat. Kid Trunks & Craig Xen)
B3/9. Boost! (XXXTentacion)
B4/10. Chokehold (Coolie Cut)
B5/11. 4Peat (XXXTentacion feat. Ski Mask the Slump God)
B6/12. Maxipads for Everyone (XXXTentacion)
C1/13. Slipknot (XXXTentacion feat. Kin$soul & Killstation)
C2/14. 777 (Kid Trunks Feat. XXXTentacion)
C3/15. Supra (Kin$oul feat. XXXTentacion)
C4/16. God Damn (Bass Santana feat. Kin$oul)
C5/17. Vulture (Flyboy Tarantino feat. Kin$oul)
C6/18. Curse (Bass Santana feat. XXXTentaction, Coolie Cut, & Kin$oul)
D1/19. Members Only Shit (Kin$oul feat. Killstation,& iKabod Veins)
D2/20. On That Bitch (Kid Trunks feat. Craig Xen, Robb Bank$, & Kin$oul)
D3/21. LOL (Bass Santana feat. Kid Trunks & Flyboy Tarantino)
D4/22. Invisible Klip (Kid Trunks feat. Robb Bank$ & Ski Mask the Slump God)
D5/23. Bowser (XXXTentacion feat. Ski Mask the Slump God)
More
About:
Members Only is a group XXXTentacion formed as he was still bubbling beneath the surface of the mainstream. The album features XXXTentaction, Ski Mask The Slump Godd, Kid Trunks, Robb Bank$, Craig Xen, Bass Santana, Flyboy Tarantino, Kin$oul, Killstation, Coolie Cut, Tank Head.
Following the release of their fourth project, "Members Only, Vol. 4," the collective has gone on an indefinite hiatus, with some of its most prominent members such as Craig Xen and Wifisfuneral exiting the group. Three former members including XXXTentacion have sadly passed away. 2LP & 23 tracks in length.
Key Selling/Marketing:
- Members Only formed by XXXTentacion & Ski Mask the Slump God.
- Their signature sound had been marked by aggression, distortion, & an overall metallic approach.
- Originally a side-project that expanded to a full-on collective.
- Over 30 artists have been a part of the collective.
- Volume 3 charted Top 20 on Billboard's US compilation chart & artist features include Kin$oul, Ski Mask the Slump God, Bass Santana, Robb Bank$, & Craig Xen.
- Volume 3 was also the last volume to be released during XXXTentacion's lifetime.
- Volume 3 & Volume 4 have collectively amassed over 1B Spotify track streams to-date.
- XXXTentacion's Spotify Stats: 33.6M monthly listeners & 36.6M followers.
- Ski Mask the Slump God's Spotify Stats: 8.6M monthly listeners & 5.1M followers.
- Ski Mask the Slump God's "OOGA BOOGA!" (released OCT 2022) was added to Spotify US' "New Music Friday" & accumulated nearly 3M track streams within the first few days of release.
Tracklist:
A1/1. Find Me (Intro) (XXXTentacion)
A2/2. Off the Wall! (XXXTentacion feat. Ski Mask the Slump God)
A3/3. What in XXXTarnation (Feat. Ski Mask the Slump God)
A4/4. Wassup Bro ! (Craig Xen)
A5/5. H20 (XXXTentacion feat. Ski Mask the Slump God)
A6/6. Butthole Girl (XXXTentacion feat. Tank Head, Robb Bank$, & Craig Xen)
B1/7. Static Shock (XXXTentacion feat. Ski Mask the Slump God)
B2/8. Came 2 Kill (XXXTentacion feat. Kid Trunks & Craig Xen)
B3/9. Boost! (XXXTentacion)
B4/10. Chokehold (Coolie Cut)
B5/11. 4Peat (XXXTentacion feat. Ski Mask the Slump God)
B6/12. Maxipads for Everyone (XXXTentacion)
C1/13. Slipknot (XXXTentacion feat. Kin$soul & Killstation)
C2/14. 777 (Kid Trunks Feat. XXXTentacion)
C3/15. Supra (Kin$oul feat. XXXTentacion)
C4/16. God Damn (Bass Santana feat. Kin$oul)
C5/17. Vulture (Flyboy Tarantino feat. Kin$oul)
C6/18. Curse (Bass Santana feat. XXXTentaction, Coolie Cut, & Kin$oul)
D1/19. Members Only Shit (Kin$oul feat. Killstation,& iKabod Veins)
D2/20. On That Bitch (Kid Trunks feat. Craig Xen, Robb Bank$, & Kin$oul)
D3/21. LOL (Bass Santana feat. Kid Trunks & Flyboy Tarantino)
D4/22. Invisible Klip (Kid Trunks feat. Robb Bank$ & Ski Mask the Slump God)
D5/23. Bowser (XXXTentacion feat. Ski Mask the Slump God)
More
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LP: Black Vinyl, Gatefold Jacket,
Rising multi-media artist Shaboozey intends to build his own world.
Determined to carve his own lane in the Alt-Country / Hip-Hop space; he crafts a sound that pays homage to a cast of traditional Western influences, such as Bob Dylan, Lead Belly, Johnny Cash, and Leonard Cohen, while looking into the future of what the two genres have yet to introduce.
Remaining true to his Virginia roots, Shaboozey hopes to continue the region's long-standing tradition of producing some of the most prolific creatives of the new millennium. This time through elevating the scope of contemporary hip-hop and introducing a modern Americana culture to a global audience.
Fresh off of his inclusion in the groundbreaking Beyonce album, Cowboy Carter, of which he was the only featured artist to appear twice, Shaboozey is set to release his own album, Where I've Been, isn't Where I'm Going. An album that has been years in the making, it includes standout singles "Let It Burn," "Vegas," "Anabelle," & the infectiously fun singalong anthem "A Bar Song (Tipsy)." Millions of streams later, and appearances on esteemed programs such as COLORS and The Late Show with Stephen Colbert, Shaboozey is set to become the new face of modern American country music.
Key Marketing/Selling:
- Shaboozey is a country artist with influences of contemporary hip-hop
- Shaboozey has 9M monthly listeners on Spotify
- The album, Where I've Been, isn't Where I'm Going, has over 20k pre-saves on Apple Music
- Where I've Been, isn't Where I'm Going comes at the perfect time, as the cowboy aesthetic and country music are at a critical nexus in pop culture
- Third studio album from Shaboozey, following the previously released Cowboys Live Forever, Outlaws Never Die (2022) & Lady Wrangler (2018)
- A Bar Song (Tipsy) is a new bar room/college town singalong anthem
- Appeared on Spider-Man: Into the Spider-Verse (Soundtrack from & Inspired by the Motion Picture) for the song, "Start A Riot" - 140M streams on Spotify alone
- Appeared on Beyonce's Cowboy Carter album
- Only featured artist to appear twice
- Received wide-spread acclaim from all major publications (Rolling Stone, LA Times, Variety, USA Today, Time, Billboard & more)
- Debuted at #31 (Spaghetti) & #61 (Sweet Honey Buckiin') on Billboard Hot 100
- Debuted the single "Vegas" via a memorable performance in COLORS & later performed it on the Late Show with Stephen Colbert
- Performing a set of live shows in May in select key markets (LA/NY/Nashville) - all of which are sold out
- Official music videos released for "Let It Burn", "Vegas," "Anabelle," & "A Bar Song (Tipsy)"
- Overall Streams: 182.07M+
- Let It Burn @ 28.1M+
- Anabelle @ 4.5M+
- Vegas @ 1.6M+
- Over Half A Billion Views on TikTok
- Let It Burn #8 on Viral Spotify
More
Rising multi-media artist Shaboozey intends to build his own world.
Determined to carve his own lane in the Alt-Country / Hip-Hop space; he crafts a sound that pays homage to a cast of traditional Western influences, such as Bob Dylan, Lead Belly, Johnny Cash, and Leonard Cohen, while looking into the future of what the two genres have yet to introduce.
Remaining true to his Virginia roots, Shaboozey hopes to continue the region's long-standing tradition of producing some of the most prolific creatives of the new millennium. This time through elevating the scope of contemporary hip-hop and introducing a modern Americana culture to a global audience.
Fresh off of his inclusion in the groundbreaking Beyonce album, Cowboy Carter, of which he was the only featured artist to appear twice, Shaboozey is set to release his own album, Where I've Been, isn't Where I'm Going. An album that has been years in the making, it includes standout singles "Let It Burn," "Vegas," "Anabelle," & the infectiously fun singalong anthem "A Bar Song (Tipsy)." Millions of streams later, and appearances on esteemed programs such as COLORS and The Late Show with Stephen Colbert, Shaboozey is set to become the new face of modern American country music.
Key Marketing/Selling:
- Shaboozey is a country artist with influences of contemporary hip-hop
- Shaboozey has 9M monthly listeners on Spotify
- The album, Where I've Been, isn't Where I'm Going, has over 20k pre-saves on Apple Music
- Where I've Been, isn't Where I'm Going comes at the perfect time, as the cowboy aesthetic and country music are at a critical nexus in pop culture
- Third studio album from Shaboozey, following the previously released Cowboys Live Forever, Outlaws Never Die (2022) & Lady Wrangler (2018)
- A Bar Song (Tipsy) is a new bar room/college town singalong anthem
- Appeared on Spider-Man: Into the Spider-Verse (Soundtrack from & Inspired by the Motion Picture) for the song, "Start A Riot" - 140M streams on Spotify alone
- Appeared on Beyonce's Cowboy Carter album
- Only featured artist to appear twice
- Received wide-spread acclaim from all major publications (Rolling Stone, LA Times, Variety, USA Today, Time, Billboard & more)
- Debuted at #31 (Spaghetti) & #61 (Sweet Honey Buckiin') on Billboard Hot 100
- Debuted the single "Vegas" via a memorable performance in COLORS & later performed it on the Late Show with Stephen Colbert
- Performing a set of live shows in May in select key markets (LA/NY/Nashville) - all of which are sold out
- Official music videos released for "Let It Burn", "Vegas," "Anabelle," & "A Bar Song (Tipsy)"
- Overall Streams: 182.07M+
- Let It Burn @ 28.1M+
- Anabelle @ 4.5M+
- Vegas @ 1.6M+
- Over Half A Billion Views on TikTok
- Let It Burn #8 on Viral Spotify
More
Label:In My Room
Cat-No:imr14lp
Release-Date:23.09.2013
Genre:Alternative/Electronic
Configuration:2LP Excl
Label:In My Room
Cat-No:imr14lp
Release-Date:23.09.2013
Genre:Alternative/Electronic
Configuration:2LP Excl
release: 07 10. 2013 EAN: 4250382419587
Special Remarks: standard version including an mp3 download code.
We’re extremely proud to present “Lost”, the third full-length venture from Anders Trentemøller. “Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into.
The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before.
Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.
2LP tracklist:
01. The Dream (feat. Low) 02. Gravity (feat. Jana Hunter of Lower Dens) 03. Still On Fire 04. Candy Tongue (feat. Marie Fisker) 05. Trails
06. Never Stop Running (feat. Jonny Pierce of The Drums) 07. River Of Life (feat. Ghost Society) 08. Morphine
09. Come Undone (feat. Kazu Makino of Blonde Redhead) 10. Deceive (feat. Sune Rose Wagner of The Raveonettes) 11. Constantinople
12. Hazed More
Special Remarks: standard version including an mp3 download code.
We’re extremely proud to present “Lost”, the third full-length venture from Anders Trentemøller. “Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into.
The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before.
Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.
2LP tracklist:
01. The Dream (feat. Low) 02. Gravity (feat. Jana Hunter of Lower Dens) 03. Still On Fire 04. Candy Tongue (feat. Marie Fisker) 05. Trails
06. Never Stop Running (feat. Jonny Pierce of The Drums) 07. River Of Life (feat. Ghost Society) 08. Morphine
09. Come Undone (feat. Kazu Makino of Blonde Redhead) 10. Deceive (feat. Sune Rose Wagner of The Raveonettes) 11. Constantinople
12. Hazed More
Label:Other People
Cat-No:OP078
Release-Date:13.12.2024
Genre:Alternative/Electronic
Configuration:2LP Excl
Label:Other People
Cat-No:OP078
Release-Date:13.12.2024
Genre:Alternative/Electronic
Configuration:2LP Excl
1
Nicolás Jaar - A1 Cangilón
2
Nicolás Jaar - A2 Piedras
3
Nicolás Jaar - A3 Aqui
4
Nicolás Jaar - A4 Agua pa fantasmas
5
Nicolás Jaar - B1 Rio de las tumbas
6
Nicolás Jaar - B2 Viento
7
Nicolás Jaar - B3 Mi viejita
8
Nicolás Jaar - B4 No Hope
9
Nicolás Jaar - C1 Radio Chomio (con Eli Wewentxu)
10
Nicolás Jaar - C2 Rio radio correspondencia anfibia
11
Nicolás Jaar - C3 3eee
12
Nicolás Jaar - C4 F Collect
13
Nicolás Jaar - C5 Even heaven is uneven
14
Nicolás Jaar - C6 El azar
15
Nicolás Jaar - D1 I, you
16
Nicolás Jaar - D2 Heterodina
17
Nicolás Jaar - D3 Sin Conexión
18
Nicolás Jaar - D4 SSS1
19
Nicolás Jaar - D5 SSS2
20
Nicolás Jaar - D6 SSS3
LP. 180G BioVinyl, 2 LP + Sticker , includes Download to 3/12 h Radio Play "Archivos De Radio Piedras"
2. GENRE/S: Electronic
3. TRACKLISTS:
> A1 / 1. Cangilón
> A2 / 2. Piedras
> A3 / 3. Aquí
> A4 / 4. Agua pa fantasmas
> B1 / 5. Rio de las tumbas
> B2 / 6. Viento
> B3 / 7. Mi viejita
> B4 / 8. No Hope> C1 / 1. Radio Chomio (con Eli Wewentxu)
> C2 / 2. Rio radio correspondencia anfibia
> C3 / 3. 3eee
> C4 / 4. F Collect
> C5 / 5. Even heaven is uneven
> C6 / 6. El azar
> D1 / 7. I, you
> D2 / 8. Heterodina
> D3 / 9. Sin Conexión
> D4 / 10. SSS1
> D5 / 11. SSS2
> D6 / 12. SSS3
4. SHORT INFO:
The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a
concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the
victims of human rights violations during the military dictatorship led by Augusto Pinochet between
1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio
Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a
24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5
months.
Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly
presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's
grandmothers, Graciela Salinas and Miriam Hasbún).
The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer
who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide
attack on undersea internet cables, causing a global internet blackout.
The play's central theme revolves around the idea that truths, memories and identities speak from the
cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability
and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure
of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of
the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma
operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary
moments, rather than direct transmissions of “official” historical accounts.
This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas
speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio
play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness
to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this
randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.
5. VITAL SALES POINTS:
First solo release by Nicolás Jaar since 2020’s Telas and Cenizas. More
2. GENRE/S: Electronic
3. TRACKLISTS:
> A1 / 1. Cangilón
> A2 / 2. Piedras
> A3 / 3. Aquí
> A4 / 4. Agua pa fantasmas
> B1 / 5. Rio de las tumbas
> B2 / 6. Viento
> B3 / 7. Mi viejita
> B4 / 8. No Hope> C1 / 1. Radio Chomio (con Eli Wewentxu)
> C2 / 2. Rio radio correspondencia anfibia
> C3 / 3. 3eee
> C4 / 4. F Collect
> C5 / 5. Even heaven is uneven
> C6 / 6. El azar
> D1 / 7. I, you
> D2 / 8. Heterodina
> D3 / 9. Sin Conexión
> D4 / 10. SSS1
> D5 / 11. SSS2
> D6 / 12. SSS3
4. SHORT INFO:
The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a
concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the
victims of human rights violations during the military dictatorship led by Augusto Pinochet between
1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio
Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a
24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5
months.
Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly
presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's
grandmothers, Graciela Salinas and Miriam Hasbún).
The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer
who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide
attack on undersea internet cables, causing a global internet blackout.
The play's central theme revolves around the idea that truths, memories and identities speak from the
cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability
and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure
of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of
the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma
operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary
moments, rather than direct transmissions of “official” historical accounts.
This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas
speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio
play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness
to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this
randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.
5. VITAL SALES POINTS:
First solo release by Nicolás Jaar since 2020’s Telas and Cenizas. More
Label:In My Room
Cat-No:imr02lp
Release-Date:24.01.2025
Genre:Alternative/Electronic
Configuration:2LP Excl
Label:In My Room
Cat-No:imr02lp
Release-Date:24.01.2025
Genre:Alternative/Electronic
Configuration:2LP Excl
1
trentemoller - The Mash And The Fury
2
trentemoller - Sycamore Feeling
3
trentemoller - Past The Beginning Of The End
4
trentemoller - Shades Of Marble
5
trentemoller - ... Even Though You‘re With Another Girl
6
trentemoller - Häxan
7
trentemoller - Metamorphis
8
trentemoller - Silver Surfer, Ghost Rider Go!!!
9
trentemoller - Neverglade
10
trentemoller - Tide
We are proud to present ‘Into The Great Wide Yonder’, the second album of Anders Trentemøller and the follow up of the highly succesful ‘The Last Resort’ (2006). Just like his debut, which struck a chord with new audiences all around the world, ‘Into The Great Wide Yonder’ is a truly remarkable album, offering as much depth and soul as it’s predecessor, yet sounding ultimately fresh and different. Above all, the ten tracks show an artist that’s willing to take risks, find in- spiration in new places and move beyond the sound of his previous album. Trentemøller: ‘Of course I didn’t want to make the same record twice. So the album is for me a logic development from ’The Last Resort’’. Instead he just started to collect new ideas, without thinking too much about the direction the music would take him: ‘The only thing I knew was that I’d want the music to sound more organic and analog.’ Compared to the intimate electronic mood pieces of ‘The Last Resort’, the ten tracks on the new album indeed have a more strange, mystic and dramatic vibe, with a lot of dynamics, distorted, driving twang- guitars, real and electronic drums mixed with haunting synths. With ‚Into The Great Wide Yonder‘ Trentemøller is not only exploring new moody and atmospheric universes, but combines his sense for glorious soundscapes with a firm melodic and tonal touch. The original chord progressions and feel for melodies is fundamental to him, and that‘s also the reason why most of the instruments are played by Trentemøller himself on this album. ‚I like the possibility to be surprised that chords and melodies change into something new. The music that I like most lets the themes and sounds come back in different disguises‘. The Danish multi instrumentalist and producer shows an unexpected talent for finding vocalists that fit the mood of his songs. The first single of the album, the beautifully tender ‘Sycamore Feeling’, featuring Marie Fisker, is a typical highlight. In fact, all the vocal tracks are stunning. Trentemøller chose to collaborate with the English artist Fyfe Dangerfield from UK based Guillemots and Danish singers Solveig Sandnes and Josephine Philip from the debuting Danish indie girlduo Darkness Falls. They all manage to add their own sound and flavour to the album, while their voices blend perfectly with Trentemøller’s atmospheric songs. This is an album that keeps growing for a long time, as every track works its way stealthily under your skin. The sound of ‘Into The Great Wide Yonder’ might be one step ahead of his previous work, but we still easily recognize the hand of Trentemøller, in this inspired collection of songs and atmospheres. The sonic richness, sharp contrasts and daring musical colours are vintage Trentemøller. Into The Great Wide Yonder’ might demand more from the listener than ‘The Last Resort’, as it ended up being quite a dramatic album. This album is more noisy, there’s more happening.‘ But getting to know the tracks definitely is a rewarding experience, as the album will keep growing and growing for a long time to come and its safe to say that Anders Trentemøller has managed to create
Tracklisting (Double-Vinyl):
01. The Mash And The Fury
02. Sycamore Feeling
03. Past The Beginning Of The End
04. Shades Of Marble
05. ... Even Though You‘re With Another Girl
06. Häxan
07. Metamorphis
08. Silver Surfer, Ghost Rider Go!!!
09. Neverglade
10. Tide More
Tracklisting (Double-Vinyl):
01. The Mash And The Fury
02. Sycamore Feeling
03. Past The Beginning Of The End
04. Shades Of Marble
05. ... Even Though You‘re With Another Girl
06. Häxan
07. Metamorphis
08. Silver Surfer, Ghost Rider Go!!!
09. Neverglade
10. Tide More
1
EX GENERATION - Juno, Minerva, Venus e Fortuna
2
EX GENERATION - Napoli Fresca
3
EX GENERATION - A Pusteggia
4
EX GENERATION - Holding Your Heart
5
EX GENERATION - Seratina
6
EX GENERATION - Cavalluccio Rosso
7
EX GENERATION - Hurting Lies
8
EX GENERATION - Girovago
9
EX GENERATION - Controra
In an unprecedented international collaboration, Energy Exchange Records presents 'The Napoli Exchange' - the brainchild of Energy Exchange Records co-founders, Lewis and Ziggy, joining forces with producer and label boss Federico Gallotti (Tartelet / La Scimmia), the project was inspired by numerous visits to Naples, allured by the mediterranean breeze and of course the underground disco and funk forged by labels such as Early Sounds and Periodica Records. This meeting of minds created an opportunity to build bridges from the historic Italian city to the broader european scene of club crossover music.
A1. Juno, Minerva, Venus e Fortuna
A2. Napoli Fresca
A3. A Pusteggia
A4. Holding Your Heart
B1. Seratina
B2.Cavalluccio Rosso
B3. Hurting Lies
B4. Girovago
B5. Controra
More
A1. Juno, Minerva, Venus e Fortuna
A2. Napoli Fresca
A3. A Pusteggia
A4. Holding Your Heart
B1. Seratina
B2.Cavalluccio Rosso
B3. Hurting Lies
B4. Girovago
B5. Controra
More
1
Kenji Kawai - 01 - Making of Cyborg
2
Kenji Kawai - 02 - Ghost Hacker
3
Kenji Kawai - 03 - Puppet Master
4
Kenji Kawai - 04 - Virtual Crime
5
Kenji Kawai - 05 - Ghost City
6
Kenji Kawai - 06 - Access
7
Kenji Kawai - 07 - Night Stalker
8
Kenji Kawai - 08 - Floating Museum
9
Kenji Kawai - 09 - Ghost Dive
10
Kenji Kawai - 10 - Reincarnation
11
Kenji Kawai - 11 - Bonus Track
2024 Repress
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
More
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
More
1
Skee Mask - Cerroverb
2
Skee Mask - Session Add
3
Skee Mask - Rev8617
4
Skee Mask - 50 Euro To Break Boost
5
Skee Mask - Via Sub Mids
6
Skee Mask - Soundboy Ext.
7
Skee Mask - Dial 274
8
Skee Mask - VLI
9
Skee Mask - Flyby VFR
10
Skee Mask - Muk FM
11
Skee Mask - Kozmic Flush
12
Skee Mask - Calimance (Delay Mix)
Repress coming soon!
Skee Mask’s endless search and fascination for fresh music, weed and burgers channeled into his own vision of sound. Enjoy the ride through his second album, a detailed experimental universe of a young dedicated hustler.
More
Skee Mask’s endless search and fascination for fresh music, weed and burgers channeled into his own vision of sound. Enjoy the ride through his second album, a detailed experimental universe of a young dedicated hustler.
More
Label:Systematic Recordings
Cat-No:syst0139-6
Release-Date:31.05.2024
Genre:Techno
Configuration:12" Excl
Label:Systematic Recordings
Cat-No:syst0139-6
Release-Date:31.05.2024
Genre:Techno
Configuration:12" Excl
1
Extrawelt - Riverrun
2
Extrawelt - Midi Waters
12“ Vinyl
GENRE/S: Electro/Techno
TRACKLISTS:
A1) Extrawelt - Riverrun
B1) Extrawelt- Midi Waters
SHORT INFO:
Arne and Wayan of Extrawelt hardly need an introduction, yet their latest release is notably special as it marks their debut on Marc Romboy's Systematic Recordings imprint.
Renowned for their releases on Cocoon, Kompakt/Speicher, and Border Community, they masterfully blend techno with rich sound structures, harmonies, and intricate arrangements.
Their new track "Riverrun" features a captivating bass line that twists and transforms throughout the piece, showcasing their skills as sound architects. Alongside, "Midi Waters" delves into a darker, deeper soundscape that commands respect from Detroit Techno enthusiasts with its powerful, dystopian narrative. Experience the sound for yourself with this unique two tracker.
VITAL SALES POINTS:
- Debut EP from Extrawelt on Systematic
- Strictly limited vinyl (300 only)
- Special Sound Mastering by LUPO More
GENRE/S: Electro/Techno
TRACKLISTS:
A1) Extrawelt - Riverrun
B1) Extrawelt- Midi Waters
SHORT INFO:
Arne and Wayan of Extrawelt hardly need an introduction, yet their latest release is notably special as it marks their debut on Marc Romboy's Systematic Recordings imprint.
Renowned for their releases on Cocoon, Kompakt/Speicher, and Border Community, they masterfully blend techno with rich sound structures, harmonies, and intricate arrangements.
Their new track "Riverrun" features a captivating bass line that twists and transforms throughout the piece, showcasing their skills as sound architects. Alongside, "Midi Waters" delves into a darker, deeper soundscape that commands respect from Detroit Techno enthusiasts with its powerful, dystopian narrative. Experience the sound for yourself with this unique two tracker.
VITAL SALES POINTS:
- Debut EP from Extrawelt on Systematic
- Strictly limited vinyl (300 only)
- Special Sound Mastering by LUPO More
1
The Mole - Losing Track
2
The Mole - Climbers Pit (Feat. Joli B & Danuel Tate)
3
The Mole - Losing Track (Dave Aju Remix)
4
The Mole - Youandthekitten
Genre: House
Tracklist:
A1. Losing Track
A2. Climbers Pit (Feat. Joli B & Danuel Tate)
B1. Losing Track (Dave Aju Remix)
B2. Youandthekitten
Short Info:
New music by The Mole. High Dreams contains four tracks, three originals and one remix from Circus Company favourite Dave Aju. The Mole savours dreaming and welcomes the mystical landscapes of
the mind with High Dreams, a collection of uptempo dance pieces inhabited by ghosts and welcoming creatures from the deeps. This unpretentious collection cuts straight with the rhythms, and carries long
with the arrangements. Dancefloor sizzle. Subsonic rumble. Ghosts! Your body moving requisites lie within this simple plate of wax. Turn up your amps and bathe in it.
The Mole is known for his “hits” (Baby You’re The One, Hippy Speedball, In My Song, Lockdown Party) and his “work” with many Top labels (Perlon, Kompakt, Wagon Repair, Maybe Tomorrow, Ostgut Ton)
is played by many Top DJs. Only his third release with Circus Company (Little Sunshine, The River Widens), this Ep is a reminder that the Mole is still at it, and a warning. There’s a new album upcoming.
And it sounds nothing like this…
With his 19th release with the label since 2003, Dave Aju is one of the pillars of modern Circus Company. Aju amplifies Losing Track, adding percussion and fresh, modern programming, giving the remix a whole
new purpose while maintaining the erie cries, calling out, desperate - don’t leave me hang ’n … of the original. A certain go to for the Deep Heads.
More
Tracklist:
A1. Losing Track
A2. Climbers Pit (Feat. Joli B & Danuel Tate)
B1. Losing Track (Dave Aju Remix)
B2. Youandthekitten
Short Info:
New music by The Mole. High Dreams contains four tracks, three originals and one remix from Circus Company favourite Dave Aju. The Mole savours dreaming and welcomes the mystical landscapes of
the mind with High Dreams, a collection of uptempo dance pieces inhabited by ghosts and welcoming creatures from the deeps. This unpretentious collection cuts straight with the rhythms, and carries long
with the arrangements. Dancefloor sizzle. Subsonic rumble. Ghosts! Your body moving requisites lie within this simple plate of wax. Turn up your amps and bathe in it.
The Mole is known for his “hits” (Baby You’re The One, Hippy Speedball, In My Song, Lockdown Party) and his “work” with many Top labels (Perlon, Kompakt, Wagon Repair, Maybe Tomorrow, Ostgut Ton)
is played by many Top DJs. Only his third release with Circus Company (Little Sunshine, The River Widens), this Ep is a reminder that the Mole is still at it, and a warning. There’s a new album upcoming.
And it sounds nothing like this…
With his 19th release with the label since 2003, Dave Aju is one of the pillars of modern Circus Company. Aju amplifies Losing Track, adding percussion and fresh, modern programming, giving the remix a whole
new purpose while maintaining the erie cries, calling out, desperate - don’t leave me hang ’n … of the original. A certain go to for the Deep Heads.
More
1
Oren Ambarchi - Quixotism Part 1 (10th Anniversary Remaster)
2
Oren Ambarchi - Quixotism Part 2 (10th Anniversary Remaster)
3
Oren Ambarchi - Quixotism Part 3 (10th Anniversary Remaster)
4
Oren Ambarchi - Quixotism Part 4 (10th Anniversary Remaster)
5
Oren Ambarchi - Quixotism Part 5 (10th Anniversary Remaster)
Black Truffle is pleased to announce a tenth anniversary reissue of Oren Ambarchi’s Quixotism, originally released on Editions Mego in 2014. Recorded with a multitude of collaborators in Europe, Japan, Australia and the USA, Quixotism presents the fruit of two years of work in the form of a single, LP-length piece in five parts. Quixotism takes the driving rhythmic aspect of works such as Sagittarian Domain to new levels, with the entirety of this long-form work built on a foundation of pulsing double-time electronic percussion provided by Thomas Brinkmann. Beginning as almost subliminal propulsion behind cavernous orchestral textures and John Tilbury’s delicate piano interjections, the percussive elements (elaborated on by Ambarchi and Matt Chamberlain) slowly inch into the foreground of the piece before suddenly breaking out into a polyrhythmic shuffle around the halfway mark, and joined by master Japanese tabla player U-zhaan for the piece’s final, beautiful passages.
The pulse acts as thread leading the listener through a heterogeneous variety of acoustic spaces, from the concert hall in which the Icelandic Symphony Orchestra were recorded to the intimacy of crys cole’s contact-mic textures. Ambarchi’s guitar itself ranges over this wide variety of acoustic spaces, from airless, clipped tones to swirling, reverberated fog. Within the complex web Ambarchi spins over the piece’s steadily pulsing foundation, elements approach and recede in a non-linear fashion, even as the piece plots an overall course from the grey, almost Nono-esque reverberated space of its opening section to the crisp foreground presence of Jim O’Rourke’s synth and Evyind Kang’s strings in its final moments. Formally indebted to the side-long workouts of classic Cologne techno, the long-form works of composers such as Éliane Radigue and the organic push and pull of improvised performance, Quixotism is constantly in motion, yet its transitions happen slowly and steadily, often nearly imperceptible, the diverse elements which make up the piece succeeding one another with the logic of a dream.
At the time of its first release, Quixotism was clearly a summation of Ambarchi’s work in the years leading up to it. Now, listening back a decade later, it also seems like an arrow pointing to the future, suggesting paths that would be explored further in works to come: the pulsating guitar layers of Hubris, the album-length collaboration with Jim O’Rourke and U-zhaan on Hence, Shebang’s joyous layering and percussive drive. Now sounding better than ever in a new remaster by Joe Talia, the time is ripe to rediscover its quixotic charms. More
The pulse acts as thread leading the listener through a heterogeneous variety of acoustic spaces, from the concert hall in which the Icelandic Symphony Orchestra were recorded to the intimacy of crys cole’s contact-mic textures. Ambarchi’s guitar itself ranges over this wide variety of acoustic spaces, from airless, clipped tones to swirling, reverberated fog. Within the complex web Ambarchi spins over the piece’s steadily pulsing foundation, elements approach and recede in a non-linear fashion, even as the piece plots an overall course from the grey, almost Nono-esque reverberated space of its opening section to the crisp foreground presence of Jim O’Rourke’s synth and Evyind Kang’s strings in its final moments. Formally indebted to the side-long workouts of classic Cologne techno, the long-form works of composers such as Éliane Radigue and the organic push and pull of improvised performance, Quixotism is constantly in motion, yet its transitions happen slowly and steadily, often nearly imperceptible, the diverse elements which make up the piece succeeding one another with the logic of a dream.
At the time of its first release, Quixotism was clearly a summation of Ambarchi’s work in the years leading up to it. Now, listening back a decade later, it also seems like an arrow pointing to the future, suggesting paths that would be explored further in works to come: the pulsating guitar layers of Hubris, the album-length collaboration with Jim O’Rourke and U-zhaan on Hence, Shebang’s joyous layering and percussive drive. Now sounding better than ever in a new remaster by Joe Talia, the time is ripe to rediscover its quixotic charms. More
1
Yuching Huang - 1. Fly! Little Black Thing
2
Yuching Huang - 2. Love
3
Yuching Huang - 3. Confessions From A Soul
4
Yuching Huang - 4. Thoughts
5
Yuching Huang - 5. Thunder In Heaven
6
Yuching Huang - 6. In My Room
7
Yuching Huang - 7. The Song Of Summer
8
Yuching Huang - 8. JohnJohn
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Yuching Huang - 9. Alright
10
Yuching Huang - 10. You, An Illusion
LP - The Crystal Hum is the debut vinyl release by Taiwan-based artist Yuching Huang and her first release for Night School.
1. Fly! Little Black Thing
2. Love
3. Confessions From A Soul
4. Thoughts
5. Thunder In Heaven
6. In My Room
7. The Song Of Summer
8. JohnJohn
9. Alright
10. You, An Illusion
The Crystal Hum is the debut vinyl release by Taiwan-based artist Yuching Huang and her first release for Night School.
A beguiling dreamscape of crackles, spluttering, love-struck Casios presided over by the the spectral vocal and guitar
work of Huang, Yuching sings love songs at the end of this world and the beginning of the next. Recorded during a
hiatus from her group Aemong (a duo with artist Henrique Uba) in Berlin, these songs elevate Huang’s unique vocal
style and grasp of atmospherics. The Crystal Hum deconstructs balladry, Garage, guitar music and reforms it into a
unified ghostly otherworld version of these languages.
The Crystal Hum thrums with buried desire, trails of nocturnal reverb seeping out of apartment windows, diaristic vocal
performances and deeply emotive, evocative Western-style strings. Formulated by Yuching Huang after periods of frustration
and experimentation, the album is an exercise in minimalism and paring back, with some tracks like JohnJohn featuring little
else than an elastic bass, spring reverb trails, an interjecting vocal and swelling, dislocated synths. The effect is spellbinding,
the soundtrack to getting lost in the labyrinthine, closed streets of Venice, Taipei, Hong Kong, or mirror versions of them in the
imagination.
On opener Fly! Little Black Thing, a subterranean funk bassline roots Huang’s singing, a rudimentary, unreliable beat
floundering in whimsy underneath. Demure, dream Dance music, Huang references classic lo fi experimenters Suicide and
Arthur Russell as well as Night School label mates The Space Lady and Ela Orleans. In fact, after the release of Aemong’s
third album Crimson, Huang credits the direction of The Crystal Hum to being enchanted by The Space Lady’s Greatest Hits,
the landmark lo-fi recording made by Susan Dietrich Schneider in 1990. The new, minimalist approach to her sound world
reveals and shrouds in equal measure. On the heart-melter Love, a sultry mid-tempo Casio + bass backing drops into the ether
with Huang’s vocal swimming in preternatural void before emerging anew, in awe at the world. Every chord change heralds new
perspectives, every guitar flurry swells and drips emotion, nothing is wasted and space billows out from between the grooves.
Huang never reveals more than necessary, making this an in-between love album: the right amount of mystery and darkened
mirror shines wanely on The Crystal Hum while remaining fragile and vulnerable in the sweet spots. Turning over in pillowing
smoke and night in the dark corners, Huang sings in both Mandarin and English. The songs speak of earthly matters seemingly
at the edge of dissipating into nothing. Distorted, beguiling Sambas warble like sweating dancehalls in an imagined Lynchian
60s, as on Thoughts. Closer You, An Illusion warps a classic 60s Girlgroup bassline beloved of the likes of Les Rallizes
Denudes into a slight ballad on the edge of the void, held back by the teary-eyed, wistful and enveloping vocal cooed by
Huang. Each song feels like a love song dedicated to the bits between worlds, between beats, the negative space between
people where desires, feelings and loss hangs in the air, resolute and unresolved. More
1. Fly! Little Black Thing
2. Love
3. Confessions From A Soul
4. Thoughts
5. Thunder In Heaven
6. In My Room
7. The Song Of Summer
8. JohnJohn
9. Alright
10. You, An Illusion
The Crystal Hum is the debut vinyl release by Taiwan-based artist Yuching Huang and her first release for Night School.
A beguiling dreamscape of crackles, spluttering, love-struck Casios presided over by the the spectral vocal and guitar
work of Huang, Yuching sings love songs at the end of this world and the beginning of the next. Recorded during a
hiatus from her group Aemong (a duo with artist Henrique Uba) in Berlin, these songs elevate Huang’s unique vocal
style and grasp of atmospherics. The Crystal Hum deconstructs balladry, Garage, guitar music and reforms it into a
unified ghostly otherworld version of these languages.
The Crystal Hum thrums with buried desire, trails of nocturnal reverb seeping out of apartment windows, diaristic vocal
performances and deeply emotive, evocative Western-style strings. Formulated by Yuching Huang after periods of frustration
and experimentation, the album is an exercise in minimalism and paring back, with some tracks like JohnJohn featuring little
else than an elastic bass, spring reverb trails, an interjecting vocal and swelling, dislocated synths. The effect is spellbinding,
the soundtrack to getting lost in the labyrinthine, closed streets of Venice, Taipei, Hong Kong, or mirror versions of them in the
imagination.
On opener Fly! Little Black Thing, a subterranean funk bassline roots Huang’s singing, a rudimentary, unreliable beat
floundering in whimsy underneath. Demure, dream Dance music, Huang references classic lo fi experimenters Suicide and
Arthur Russell as well as Night School label mates The Space Lady and Ela Orleans. In fact, after the release of Aemong’s
third album Crimson, Huang credits the direction of The Crystal Hum to being enchanted by The Space Lady’s Greatest Hits,
the landmark lo-fi recording made by Susan Dietrich Schneider in 1990. The new, minimalist approach to her sound world
reveals and shrouds in equal measure. On the heart-melter Love, a sultry mid-tempo Casio + bass backing drops into the ether
with Huang’s vocal swimming in preternatural void before emerging anew, in awe at the world. Every chord change heralds new
perspectives, every guitar flurry swells and drips emotion, nothing is wasted and space billows out from between the grooves.
Huang never reveals more than necessary, making this an in-between love album: the right amount of mystery and darkened
mirror shines wanely on The Crystal Hum while remaining fragile and vulnerable in the sweet spots. Turning over in pillowing
smoke and night in the dark corners, Huang sings in both Mandarin and English. The songs speak of earthly matters seemingly
at the edge of dissipating into nothing. Distorted, beguiling Sambas warble like sweating dancehalls in an imagined Lynchian
60s, as on Thoughts. Closer You, An Illusion warps a classic 60s Girlgroup bassline beloved of the likes of Les Rallizes
Denudes into a slight ballad on the edge of the void, held back by the teary-eyed, wistful and enveloping vocal cooed by
Huang. Each song feels like a love song dedicated to the bits between worlds, between beats, the negative space between
people where desires, feelings and loss hangs in the air, resolute and unresolved. More
Currently based in Los Angeles, Laurel Halo has spent over a decade stepping into different towns and cities for a moment or more, to the point where everywhere almost became nowhere. Atlas, the debut release on her new imprint Awe, is an attempt to put that feeling to music. Using both electronic and acoustic instrumentation, Halo has created a potent set of sensual ambient jazz collages, comprised of orchestral clouds, shades of modal harmony, hidden sonic details, and detuned, hallucinatory textures. The music functions as a series of maps, for places real and imaginary, and for expressing the unsaid.
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