1
Gayance - Interlude Between Brussels & Rio
2
Gayance - Dead End (Ft. Janet King)
3
Gayance - Clout Chaser's Anthem (Ft. Janet King, Hua Li)
4
Gayance - Jazz Cats Run (Ft. Sarah MK)
5
Gayance - 1996 Inner G
6
Gayance - Shore Apart
7
Gayance - Lord Have Mercy (Ft. Judith Little D, Raveen)
8
Gayance - Nunca Mais
9
Gayance - In The Gaze
10
Gayance - Mascarade
11
Gayance - Moon Rising (10 Years) (Ft. Judith Little D)
Gayance joins forces with Rhythm Section for her debut album ‘Mascarade’ - a swaying dance that moves between poetic, soulful odes to the past, accounts of the Afro-diasporic feminine experience and playfully energetic dance floor grooves.
Mascarade is a collection of dancey, broken rhythms, interwoven with heartfelt stories and bright, unapologetic outpours of joy. In her own words, “It's the story of my 20's. I wanted to pay homage to this kid everybody knew, but not deeply. It's about taking back a power that is mine and was always in my hands...It's about making peace with the past and moving forward”.
Gayance (real name Aïsha Vertus) takes her alias from the Haitian creole word for joyfulness.Based in Amsterdam, born and raised in Montreal-Nord, she started as a DJ in 2013, and has toured the world with shows in Paris, Brooklyn, Marrakech, Berlin, Sao Paulo and more, bringing electrifying and contagious energy wherever she goes.
Her own production is influenced by underground UKG and the respective house scenes of Detroit and New York, with nods to the vivid, sun-soaked colours of Latin America. Shades of blues, jazz and gospel can also be heard in her newest project, pulling together styles from each corner of the world. Following her catalog of entirely self-released projects, Gayance announces her full-length debut album on Rhythm Section, bringing some fellow Montrealers along for the ride.
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Mascarade is a collection of dancey, broken rhythms, interwoven with heartfelt stories and bright, unapologetic outpours of joy. In her own words, “It's the story of my 20's. I wanted to pay homage to this kid everybody knew, but not deeply. It's about taking back a power that is mine and was always in my hands...It's about making peace with the past and moving forward”.
Gayance (real name Aïsha Vertus) takes her alias from the Haitian creole word for joyfulness.Based in Amsterdam, born and raised in Montreal-Nord, she started as a DJ in 2013, and has toured the world with shows in Paris, Brooklyn, Marrakech, Berlin, Sao Paulo and more, bringing electrifying and contagious energy wherever she goes.
Her own production is influenced by underground UKG and the respective house scenes of Detroit and New York, with nods to the vivid, sun-soaked colours of Latin America. Shades of blues, jazz and gospel can also be heard in her newest project, pulling together styles from each corner of the world. Following her catalog of entirely self-released projects, Gayance announces her full-length debut album on Rhythm Section, bringing some fellow Montrealers along for the ride.
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WAS - Word and Sound Medien GmbH
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More records from Rhythm Section International
The name dreamcastmoe is somewhat synonymous with the Peckham based ‘Rhythm Section INTL’ Label. With a sound equally indebted to hip hop, house, hazy electronics and DC’s very own ‘go-go’ sound - dreamcastmoe, born Davon Bryant-James burst onto the scene with a refreshing mix of styles matched with an irresistible personality.
A1 LEMONPEPPASTEPPA
A2 EXPECTATIONS
A3 IM GOING VEGAN FEAT. AUTO LOLA
A4 THAT DRESS (INTERLUDE)
A5 FLOWERS FEAT. NAPPY NAPA
A6 ONLY REASON IM NOT IN TROUBLE (INTERLUDE)
A7 INOMI FEAT. ANIA HOO
A8 DON'T PLAY (INTERLUDE)
A9 MOLLY'S REQUEST
A10 SAME FERN FEAT. JELANI KWESI
B1 HOW MANY (INTERLUDE)
B2 JJK FEAT. RUQQIYAH
B3 HEYY HEYY FEAT. NAPPYNAPPA
B4 SHIETT (SKIT)
B5 SHATTA FEAT. NAPPYNAPPA
B6 GOOD PROBLEM TO HAVE
B7 COUPLE PLAYS
B8 GETTIN RICH (INTERLUDE)
B9 THANK YA FEAT. RUQQIYAH
B10 3 PLACES IN THIS WORLD (INTERLUDE)
Listen: https://listen.k7.com/9b9029d1-76ac-49b6-9736-15246bda954d
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A1 LEMONPEPPASTEPPA
A2 EXPECTATIONS
A3 IM GOING VEGAN FEAT. AUTO LOLA
A4 THAT DRESS (INTERLUDE)
A5 FLOWERS FEAT. NAPPY NAPA
A6 ONLY REASON IM NOT IN TROUBLE (INTERLUDE)
A7 INOMI FEAT. ANIA HOO
A8 DON'T PLAY (INTERLUDE)
A9 MOLLY'S REQUEST
A10 SAME FERN FEAT. JELANI KWESI
B1 HOW MANY (INTERLUDE)
B2 JJK FEAT. RUQQIYAH
B3 HEYY HEYY FEAT. NAPPYNAPPA
B4 SHIETT (SKIT)
B5 SHATTA FEAT. NAPPYNAPPA
B6 GOOD PROBLEM TO HAVE
B7 COUPLE PLAYS
B8 GETTIN RICH (INTERLUDE)
B9 THANK YA FEAT. RUQQIYAH
B10 3 PLACES IN THIS WORLD (INTERLUDE)
Listen: https://listen.k7.com/9b9029d1-76ac-49b6-9736-15246bda954d
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1
Tom Esselle - Baddies
2
Tom Esselle - Plaything
3
Tom Esselle - One Of These Days
4
Tom Esselle - Harmonise
Tom Esselle, staple of the South London music scene, hits his stride on Rhythm Section release Revolutions and Evolutions. Building on the success of his previous releases (Lou’s Groove on Rhythm Section’s Shouts 2021 compilation, Praise Bes EP on Wolf Music in 2022), his latest EP further showcases the breadth of his sound. Drawing on influences from across the house music spectrum and honing skills developed in the studio with Chaos In The CBD, Revolutions & Evolutions delivers a sound that looks boldly to the future while remaining firmly grounded in the classics.
The A-side is primed for peak dance floor action: Baddies features a mid-2000s RnB vocal that did serious damage when Bradley Zero played it at Circoloco last summer, while Plaything, a big-room tech-house banger, echoes Moon Harbour's tougher catalogue, or a skunked-out Gavin Herlihy.
The B-side is a slice of sunshine with One Of These Days, an uplifting daytime house track featuring a deft keys solo from Dave Koor (Albert’s Favourites, The Expansions, Modified Man). Harmonise rounds off the EP: a smoky, dreamy groover to warm up the party or lock it in during the early hours.
Tom has been producing music since 2010, patiently refining his sound. His 2015 debut, the choppy drum workout Until She Spoke on Wholemeal Music, became a quiet underground success played by luminaries like Ruf Dug and Gilles Peterson, and remains a staple in many a record bag to this day. His productions have also found their way into the collections of DJs from Moxie to Mr Scruff and Osunlade to DJ Harvey
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The A-side is primed for peak dance floor action: Baddies features a mid-2000s RnB vocal that did serious damage when Bradley Zero played it at Circoloco last summer, while Plaything, a big-room tech-house banger, echoes Moon Harbour's tougher catalogue, or a skunked-out Gavin Herlihy.
The B-side is a slice of sunshine with One Of These Days, an uplifting daytime house track featuring a deft keys solo from Dave Koor (Albert’s Favourites, The Expansions, Modified Man). Harmonise rounds off the EP: a smoky, dreamy groover to warm up the party or lock it in during the early hours.
Tom has been producing music since 2010, patiently refining his sound. His 2015 debut, the choppy drum workout Until She Spoke on Wholemeal Music, became a quiet underground success played by luminaries like Ruf Dug and Gilles Peterson, and remains a staple in many a record bag to this day. His productions have also found their way into the collections of DJs from Moxie to Mr Scruff and Osunlade to DJ Harvey
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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1
Nicola Cruz - Individuality Riddim
2
Nicola Cruz - Subtropique
3
Nicola Cruz - What Now
4
Nicola Cruz - Barretto (Tienes Algo)
5
Nicola Cruz - Zularic Permutations
Repress! Green Vinyl!
Rhythm Section welcomes Nicola Cruz to the fold with his debut EP on the imprint - “Subtropique”. Inspired by an Ecuadorian upbringing, percussion is at the heart of how Nicola operates. His rhythmic style finds a natural home on the London label - which presents 5 expansive efforts equally indebted to traditional drumming as they are to contemporary club sounds. Remaining sonically cohesive without feeling the need to settle into a definable style - the tracks are tied together by a lucid psychedelic thread which, despite challenging the expectations and fundamentals of electronic dance music - demand movement at a time where we yearn for it.
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Rhythm Section welcomes Nicola Cruz to the fold with his debut EP on the imprint - “Subtropique”. Inspired by an Ecuadorian upbringing, percussion is at the heart of how Nicola operates. His rhythmic style finds a natural home on the London label - which presents 5 expansive efforts equally indebted to traditional drumming as they are to contemporary club sounds. Remaining sonically cohesive without feeling the need to settle into a definable style - the tracks are tied together by a lucid psychedelic thread which, despite challenging the expectations and fundamentals of electronic dance music - demand movement at a time where we yearn for it.
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Long time friend of the label and Stones Throw alumni ‘Rejoicer’ joins forces with longtime collaborator, fellow Apifera band member and renowned pianist Nitai Hershkovits to present a new moniker and concept piece “Cinema Royal” - a delicate yet audacious album that quietly commands attention.
A1 THE TRUE NORTH
A2 FOOD BOWL
A3 CINEMA ROYAL
A4 AFFAIR IN REDONDO
B1 APRYL'S VELVET DRESS
B2 THE ORCHARD DREAM
B3 HER, I
B4 DON'T WAIT FOR US
Listening link: https://listen.k7.com/efff337c-1b6e-4862-bc25-2ab0a2403896
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A1 THE TRUE NORTH
A2 FOOD BOWL
A3 CINEMA ROYAL
A4 AFFAIR IN REDONDO
B1 APRYL'S VELVET DRESS
B2 THE ORCHARD DREAM
B3 HER, I
B4 DON'T WAIT FOR US
Listening link: https://listen.k7.com/efff337c-1b6e-4862-bc25-2ab0a2403896
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1
Nicola Cruz - Cadera
2
Nicola Cruz - Residual Heat
3
Nicola Cruz - Self Oscillation
4
Nicola Cruz - Surface Tension
5
Nicola Cruz - Neo Costeno
6
Nicola Cruz - Pulso Invisible
Repress!
‘Self Oscillation’ is made up of 5 club-ready psychedelic workouts swaying with natural momentum, from
Ecuadorian superstar Nicola Cruz, who makes his 2nd appearance on London’s Rhythm Section INTL.
The internationally renowned producer, Nicola Cruz, has been instrumental in pioneering the sound of Andean music over the last decade. Born and raised in Ecuador, Nicola has found his own unique way to tap into Latin America’s illustrious musical past to create something utterly contemporary. His previous projects have had the 4 elements running through as major themes: Fire and lava erupted during his sophomore album, Siku, with an Ecuadorian volcano doubling up as a recording space. And now, with his second Rhythm Section release, we are met with sounds of flowing water that Nicola describes as “aqueous explorations”. On this EP, ‘Self Oscillation’, Nicola Cruz fuses experimental production techniques with underwater, bass-heavy constructions. Moods change like the tides; from euphoric highs with acid riffs and latin drum patterns, the music quickly dives to moody submarine basslines and dark, frenetic rhythms.
‘Self Oscillation’ sees Nicola’s production move to new heights as he expertly bridges the gap between natural and mechanical sounds. With the help of iconic 80s and 90s synths and the retro colours of a Roland Space Echo, his newest work is a hybrid of electronic dance music and a synaesthetic image of nature. In the spirit of his previous EP on Rhythm Section INTL, ‘Self Oscillation’ showcases the synergy - or rather ongoing battle between the organic and inorganic, the analog and digital, civilisation confronted and confounded by nature. It’s within this dichotomy that Cruz revels, and manages to say so much, without words.
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‘Self Oscillation’ is made up of 5 club-ready psychedelic workouts swaying with natural momentum, from
Ecuadorian superstar Nicola Cruz, who makes his 2nd appearance on London’s Rhythm Section INTL.
The internationally renowned producer, Nicola Cruz, has been instrumental in pioneering the sound of Andean music over the last decade. Born and raised in Ecuador, Nicola has found his own unique way to tap into Latin America’s illustrious musical past to create something utterly contemporary. His previous projects have had the 4 elements running through as major themes: Fire and lava erupted during his sophomore album, Siku, with an Ecuadorian volcano doubling up as a recording space. And now, with his second Rhythm Section release, we are met with sounds of flowing water that Nicola describes as “aqueous explorations”. On this EP, ‘Self Oscillation’, Nicola Cruz fuses experimental production techniques with underwater, bass-heavy constructions. Moods change like the tides; from euphoric highs with acid riffs and latin drum patterns, the music quickly dives to moody submarine basslines and dark, frenetic rhythms.
‘Self Oscillation’ sees Nicola’s production move to new heights as he expertly bridges the gap between natural and mechanical sounds. With the help of iconic 80s and 90s synths and the retro colours of a Roland Space Echo, his newest work is a hybrid of electronic dance music and a synaesthetic image of nature. In the spirit of his previous EP on Rhythm Section INTL, ‘Self Oscillation’ showcases the synergy - or rather ongoing battle between the organic and inorganic, the analog and digital, civilisation confronted and confounded by nature. It’s within this dichotomy that Cruz revels, and manages to say so much, without words.
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1
Neue Grafik - McKennai Beat
2
Neue Grafik - What Wood Feat. Brother Portrait
3
Neue Grafik - Ladybug
4
Neue Grafik - Modern Ifa
5
Neue Grafik - FM Feat. Max McKenzie
6
Neue Grafik - Austral Mood
7
Neue Grafik - Slave Cemetery
8
Neue Grafik - Cari And Whales
9
Neue Grafik - Meditation & Heartbreak
10
Neue Grafik - For Nahel Feat. Selina Jones
11
Neue Grafik - Cosmic Psylo
12
Neue Grafik - Norwood Junction
13
Neue Grafik - Ears
14
Neue Grafik - Unrooted Maskossa
15
Neue Grafik - Fast Bantu (Outro)
Releasing now for well over a decade - Neue Grafik: known to friends as Fred, has successfully transplanted from Parisian rookie to one- man London Institution. Beginning as a solo producer and DJ,Fred spread his wings upon relocating to South London - at first with his Neue Grafik Ensemble and later with his now iconic twice-weekly Orii Jam - the latter of which has given agency to an entire new generation of musicians; spawning an aesthetic, nurturing a unique sound and becoming a launchpad for countless artists.
Dalston Tape Volume 1 is Fred’s attempt to fall back in love with beatmaking - taking it back to the roots of
where the project began. I say “attempt” because he’s simply learnt too much and made too many friends
along the way to make a mere DIY beat tape. Since his early MPC-led productions on Parisian label, Beat
X Changers, Fred has learnt to play the keys to a concert hall standard, he has become proficient in double bass and built up a dense network of collaborators who he has composed, recorded, engineered and produced for both at home in SE London and in the iconic Total Refreshment Centre Studios in Dalston.
This experience adds unavoidable dimensions to his toolbox - resulting in something more akin to a miniature-magnum-opus than a simple beat-tape.
Yes, we hear the influences of Pete Rock, Mad Lib, J Dilla and Al Dobson Jr but we also hear the musicality of D’Aneglo, James Blake and live contributions from an ever growing army of young graduates of the Orii School.
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Dalston Tape Volume 1 is Fred’s attempt to fall back in love with beatmaking - taking it back to the roots of
where the project began. I say “attempt” because he’s simply learnt too much and made too many friends
along the way to make a mere DIY beat tape. Since his early MPC-led productions on Parisian label, Beat
X Changers, Fred has learnt to play the keys to a concert hall standard, he has become proficient in double bass and built up a dense network of collaborators who he has composed, recorded, engineered and produced for both at home in SE London and in the iconic Total Refreshment Centre Studios in Dalston.
This experience adds unavoidable dimensions to his toolbox - resulting in something more akin to a miniature-magnum-opus than a simple beat-tape.
Yes, we hear the influences of Pete Rock, Mad Lib, J Dilla and Al Dobson Jr but we also hear the musicality of D’Aneglo, James Blake and live contributions from an ever growing army of young graduates of the Orii School.
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1
Various Artists - A1. PREQUEL - NOTHING BETTER
2
Various Artists - A2. SILENTJAY X JACE XL - JUST WAKING UP
3
Various Artists - B1. DAN KYE - CHANGE
4
Various Artists - B2. MALLARD - SURFACE
5
Various Artists - B3. DUKE HUGH - ZOË
6
Various Artists - C1. RUF DUG PRESENTS THE COMMITTEE
7
Various Artists - C2. VELS TRIO - THE WAD
8
Various Artists - D1. PAULA TAPE - ASTROTURISMO
9
Various Artists - D2. NICOLA CRUZ - SURFACE TENSION
10
Various Artists - D3. SPECIAL FEELINGS - DOWN GOOSE
11
Various Artists - E1. RETIREE - PUMICE STONE (BOULDERHEAD REMIX)
12
Various Artists - E2. LOCAL ARTIST - FEELINGS (JOEY G II X KLEIN ZAGE MAPPED REMIX)
13
Various Artists - E3. JEROME THOMAS - SECRET (SAUL REMIX)
14
Various Artists - F1. MMYYKK - SCIENCE (SESSION VICTIM REMIX)
15
Various Artists - F2. THE COLOURS THAT RISE - DEEP SPACE (PRIVATE JOY’S FUNK JOINT)
16
Various Artists - F3. CATO - 1 MAN (TONE REMIX)
17
Various Artists - G1. HIATT DB - EVERY DAYBREAK (FYI CHRIS REMIX)
18
Various Artists - G2. KLEIN ZAGE - PRINCE (GALLEGOS PARK STREET TUBE MIX)
19
Various Artists - H1. 30/70 - MISREPRESENTED (30/70 JUNGLE FLIP)
20
Various Artists - H2. WALLACE - WHIRL (RUF DUG REMIX)
21
Various Artists - I1. RETROMIGRATION & MONTY DJ - TORNADO
22
Various Artists - I2. BAMAO YENDÉ & LOW JACK - COLLINA 4AM
23
Various Artists - I3. RONI - ANGEL
24
Various Artists - J1. GAYANCE, MAGI MERLIN & FUNKYWHAT - COLLECT$$$SAVE
25
Various Artists - J2. PINTY & TOMOS FT ELL MURPHY - WANT U TOO
26
Various Artists - J3. DJ PITCH & MLE - HIT FROM THE RIGHT
27
Various Artists - K1. DOUNIAH & DHANYA - A FEVER DREAM
28
Various Artists - K2. NITAI HERSHKOVITS & REJOICER - OYE IGAL
29
Various Artists - L1. FRANK LIIN - 60 CHEMICAL (DUB)
30
Various Artists - L2. COUSIN KULA - PIXIE PROG
Rhythm Section International, the impossible-to-define label founded in South East London by Bradley Zero in 2014 has reached the ripe old age of 10 years.Spanning 6 discs and 30 tracks, the compilation begins by taking us on a walk down memory lane and presenting one track from each year of the labels output
6LP DELUXE BOXSET
UV SPOT PRINT LOGO
LIMITED TO 500 COPIES
NUMBERED COPIES
COLOURED INNER SLEEVES
Rhythm Section International, the impossible-to-define label founded in South East London by Bradley Zero in 2014 has reached the ripe old age of 10 years. Funny thing is, it feels like it could have been almost double that. It’s hard to imagine the Landscape of the London music scene without this foundational force whose influence is felt more than ever.
With this special anniversary release, the label takes stock at this milestone to present a compilation in 3 parts: PAST, RE-IMAGINED AND FUTURE: honouring the labels tradition of always paying homage to what has come before while setting sights firmly forwards.
With 100-odd releases in their extended back catalogue covering every imaginable style and boasting influence in every inhabited continent on earth, it’s been quite a decade for the independent label, which began on a shoestring budget with funds made via the now legendary Rhythm Section pool hall parties in Peckham.
From humble beginnings to an era defining output - few would have predicted the slow and steady rise of the imprint and the impact it has had on generations of Dj’s, musicians and listeners - at home and abroad.
Spanning 6 discs and 30 tracks, the compilation begins by taking us on a walk down memory lane and presenting one track from each year of the labels output - highlighting some forgotten classics from the archives over the first 2 discs. For discs 3 & 4, the label invited it’s stable of artists to pick a track from the back catalogue to re-imagine in their own style. This process resulted in some incredibly playful contributions from the likes of Ruf Dug, Session Victim and Private Joy - whose playful reinterpretations add new depth to old material.
Finally, the last 2 discs are entirely new material for 2024, carrying the torch of the previous SHOUTS compilations - whose sole aim is to shine light on new music from emerging artists
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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6LP DELUXE BOXSET
UV SPOT PRINT LOGO
LIMITED TO 500 COPIES
NUMBERED COPIES
COLOURED INNER SLEEVES
Rhythm Section International, the impossible-to-define label founded in South East London by Bradley Zero in 2014 has reached the ripe old age of 10 years. Funny thing is, it feels like it could have been almost double that. It’s hard to imagine the Landscape of the London music scene without this foundational force whose influence is felt more than ever.
With this special anniversary release, the label takes stock at this milestone to present a compilation in 3 parts: PAST, RE-IMAGINED AND FUTURE: honouring the labels tradition of always paying homage to what has come before while setting sights firmly forwards.
With 100-odd releases in their extended back catalogue covering every imaginable style and boasting influence in every inhabited continent on earth, it’s been quite a decade for the independent label, which began on a shoestring budget with funds made via the now legendary Rhythm Section pool hall parties in Peckham.
From humble beginnings to an era defining output - few would have predicted the slow and steady rise of the imprint and the impact it has had on generations of Dj’s, musicians and listeners - at home and abroad.
Spanning 6 discs and 30 tracks, the compilation begins by taking us on a walk down memory lane and presenting one track from each year of the labels output - highlighting some forgotten classics from the archives over the first 2 discs. For discs 3 & 4, the label invited it’s stable of artists to pick a track from the back catalogue to re-imagine in their own style. This process resulted in some incredibly playful contributions from the likes of Ruf Dug, Session Victim and Private Joy - whose playful reinterpretations add new depth to old material.
Finally, the last 2 discs are entirely new material for 2024, carrying the torch of the previous SHOUTS compilations - whose sole aim is to shine light on new music from emerging artists
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Having become one of the most instantly recognisable voices in UK Hip-Hop over the past few years, with a slew of heralded releases on Blah Records, London-based rapper CLBRKS (AKA Conrad Brooks) prepares to release his new LP ‘CLBELLIC’ via Bradley Zero’s heralded imprint Rhythm Section.
Tracklist
1.1Special To Me
1.2Walking On Hombult
1.3Brucie Kibbutz
1.4Melee Weapon
1.5Badman
1.6Cl Bellic
1.7Little Jacob
1.8Sparkdalaa
1.9Who Are You Working
1.10Adios
1.11Gin & Tonic (Bonus)
https://listen.k7.com/78a8e43a-c205-46b5-9af9-64965a29d844
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Tracklist
1.1Special To Me
1.2Walking On Hombult
1.3Brucie Kibbutz
1.4Melee Weapon
1.5Badman
1.6Cl Bellic
1.7Little Jacob
1.8Sparkdalaa
1.9Who Are You Working
1.10Adios
1.11Gin & Tonic (Bonus)
https://listen.k7.com/78a8e43a-c205-46b5-9af9-64965a29d844
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Cat-No:RS063LP
Release-Date:23.08.2024
Configuration:12"
Cat-No:RS063LP
Release-Date:23.08.2024
Configuration:12"
1
Private Joy - Eyes On You (Intro)
2
Private Joy - Eyes On You
3
Private Joy - Let Love Find A Way Feat. Ada Francis
4
Private Joy - Playful
5
Private Joy - Pure Love
6
Private Joy - Desire!
Private Joy?! With a namesake derived from the mighty Prince’s catalogue, and its lustful connotations, Private Joy is the producer of soul band Lovescene and a supreme vocalist of the Manchester scene. With collaborations working with the likes of Ruf Dug, Finn, and Lenzman, a solo EP was inevitable and a statement this is.
Pops Roberts’ first solo EP debuts on Rhythm Section INTL bringing together influences from Streetsoul, 80s ‘babymaker’ RnB records and a slice of 00s soulful house in there for good measure. In just over 18 minutes, Private Joy welcomes you into her world of sensuality and soulful warmth. Musical hugs galore, the production balances synths, harps, saxophones, tight beats and meaningful lyrical content; eschewing millennial whoops for Sade indebted dulcet tones.
Each track draws from personal experience; be it heartbreak or reconnection, an emotional diary
conveying the trials and tribulations of love, loss and ultimately, desire.
“Desire has been the drive and beginning of so many decisions, highs and lows in life...” - Private Joy
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Pops Roberts’ first solo EP debuts on Rhythm Section INTL bringing together influences from Streetsoul, 80s ‘babymaker’ RnB records and a slice of 00s soulful house in there for good measure. In just over 18 minutes, Private Joy welcomes you into her world of sensuality and soulful warmth. Musical hugs galore, the production balances synths, harps, saxophones, tight beats and meaningful lyrical content; eschewing millennial whoops for Sade indebted dulcet tones.
Each track draws from personal experience; be it heartbreak or reconnection, an emotional diary
conveying the trials and tribulations of love, loss and ultimately, desire.
“Desire has been the drive and beginning of so many decisions, highs and lows in life...” - Private Joy
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1
Gallegos - Memories You've Memorised
2
Gallegos - Furious Glory
3
Gallegos - Over & Over
4
Gallegos - Slingshot
5
Gallegos - E With Me
Gallegos, first name Oliver - deals in feelings rather than genres. The productions on his debut effort for RS INTL channel a 90’s rave euphoria. Luscious pads swirl amidst pitched down jungle drums, celestial strings and philosophical vocal snippets that evoke ecstatic joy.
It’s no mean feat to induce a feeling of elation without the means of a synthetic intervention - but Ollie seems to have cracked the code - taking us there with harmony, texture and rhythm alone - nothing synthetic here: this is alchemy at play... The EP - which in all honesty feels more like a mini album - is a real journey across 5 songs and 29 minutes. It’s about equally split between driving rhythmic compositions created with movement in mind, and pensive ambient detours that are more sonic meditations than anything else. The album reaches its most dizzying heights when these two elements come together in unison for the title track, “Memories You’ve Memorised'' - a widely road-tested future classic which blends scattered Juno chords, arpeggiated church organ and 80s vocal samples to a tear-jerking crescendo.
Memories You’ve Memorised elevates Oliver Gallegos to the top tier of modern electronic composition. There’s comparisons to be made to Primal Scream, Underworld and even Aphex Twin - but after all is said and done, we’re witnessing the coming of age of a future pioneer.
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Germany
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It’s no mean feat to induce a feeling of elation without the means of a synthetic intervention - but Ollie seems to have cracked the code - taking us there with harmony, texture and rhythm alone - nothing synthetic here: this is alchemy at play... The EP - which in all honesty feels more like a mini album - is a real journey across 5 songs and 29 minutes. It’s about equally split between driving rhythmic compositions created with movement in mind, and pensive ambient detours that are more sonic meditations than anything else. The album reaches its most dizzying heights when these two elements come together in unison for the title track, “Memories You’ve Memorised'' - a widely road-tested future classic which blends scattered Juno chords, arpeggiated church organ and 80s vocal samples to a tear-jerking crescendo.
Memories You’ve Memorised elevates Oliver Gallegos to the top tier of modern electronic composition. There’s comparisons to be made to Primal Scream, Underworld and even Aphex Twin - but after all is said and done, we’re witnessing the coming of age of a future pioneer.
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Germany
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Berlin"s pre-eminent vocal ensemble, "A Song For You" pioneers a new wave of choral music with their debut album "Home". A Song For You, are a groundbreaking vocal ensemble, uniting over 50 artists from all over the world, led by the visionary collaboration of Noah Slee and Dhanesh Jayaselan. The collective defies any form of categorisation, sitting in a sonic realm somewhere between Neo Soul, R&B and Gospel. A Song For You celebrates the rich tapestry of Berlin"s musical landscape while providing a critical platform for underrepresented voices.
Listening link: https://listen.k7.com/1f68644d-3204-447e-9225-b3786bad4826
Tracklist
1.1Sunlight Shining
1.2Home
1.3Postcards From Home Part 1. Ft. Jumoke Adeyanju
1.4Nan's House
1.5Not Your Man Ft. Annahstasia
1.6Every Moment
1.7Soul
1.8Beautiful
1.9Theo's Message Ft. Theo Croker
1.10Give Ft. Theo Croker
2.1Postcards From Home Part 2. Ft. Brother Portrait
2.2Innervisions Ft. Duendita
2.3Believer Ft. Annahstasia
2.4Limoux Ft. Theo Croker & Moses Yoofee
2.5Distance
2.6Be Hones Ft. Madison McFerrin
2.7A Song For You
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Listening link: https://listen.k7.com/1f68644d-3204-447e-9225-b3786bad4826
Tracklist
1.1Sunlight Shining
1.2Home
1.3Postcards From Home Part 1. Ft. Jumoke Adeyanju
1.4Nan's House
1.5Not Your Man Ft. Annahstasia
1.6Every Moment
1.7Soul
1.8Beautiful
1.9Theo's Message Ft. Theo Croker
1.10Give Ft. Theo Croker
2.1Postcards From Home Part 2. Ft. Brother Portrait
2.2Innervisions Ft. Duendita
2.3Believer Ft. Annahstasia
2.4Limoux Ft. Theo Croker & Moses Yoofee
2.5Distance
2.6Be Hones Ft. Madison McFerrin
2.7A Song For You
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1
Wallace - Papertrip
2
Wallace - BB
3
Wallace - The Function
4
Wallace - Backwaters
Repress!
Following the success of his last RS release, 'Ripples,' the enigmatic Wallace returns to Rhythm Section after a series of stellar releases with a highly anticipated follow-up - ‘Papertrip’ that is destined to once again set the dance music community ablaze.
Wallace's impact on the scene has been nothing short of extraordinary, since Ripples he has gone on to play in the iconic Panorama bar, tour Japan and release a double LP on Mule musiq.Wallace continues to cultivate a dedicated following among discerning listeners and industry tastemakers alike. Now, with the forthcoming release, Wallace is poised to ascend to new heights, continuing the undeniable Wallace-maina.
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Following the success of his last RS release, 'Ripples,' the enigmatic Wallace returns to Rhythm Section after a series of stellar releases with a highly anticipated follow-up - ‘Papertrip’ that is destined to once again set the dance music community ablaze.
Wallace's impact on the scene has been nothing short of extraordinary, since Ripples he has gone on to play in the iconic Panorama bar, tour Japan and release a double LP on Mule musiq.Wallace continues to cultivate a dedicated following among discerning listeners and industry tastemakers alike. Now, with the forthcoming release, Wallace is poised to ascend to new heights, continuing the undeniable Wallace-maina.
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1
Boulderhead - I Need Space Feat. Overnite Oates
2
Boulderhead - Dance And Dance Again
3
Boulderhead - Direct Source
4
Boulderhead - Saucy Hive Mind
5
Boulderhead - Sense Hyper
6
Boulderhead - Adapting
Boulderhead debuts on Rhythm Section International with his most expansive EP to date:
“ I Need Space to Dance”
The Bristol based producer, known for his intricately crafted, up tempo club records has long been a favourite at RS HQ and has, over the years, garnered much respect from a plethora of influential DJs. His most recent hit “ Bread, Butter, Noodles, Spice”, was a festival earworm and one of the most played underground tracks of 2023.
Existing in the sweet spot between tech-house, prog, broken beat and minimal techno - this EP sees Boulderhead widen his sonic palette with a collection of songs that showcase his versatility.
Equally appealing to the Ricardo Villalobos contingent as it will be to those delving into the history of progressive house and the golden days of minimal techno - we think there’s a bit of something for everyone here.
Despite the many different bases the EP touches on - the sound pallette and production are unified and coherent. Henry is at the top of his game, and much like contemporary artists like Adam Pits, Priori and Russell EL Butler - his style screams ALBUM!
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“ I Need Space to Dance”
The Bristol based producer, known for his intricately crafted, up tempo club records has long been a favourite at RS HQ and has, over the years, garnered much respect from a plethora of influential DJs. His most recent hit “ Bread, Butter, Noodles, Spice”, was a festival earworm and one of the most played underground tracks of 2023.
Existing in the sweet spot between tech-house, prog, broken beat and minimal techno - this EP sees Boulderhead widen his sonic palette with a collection of songs that showcase his versatility.
Equally appealing to the Ricardo Villalobos contingent as it will be to those delving into the history of progressive house and the golden days of minimal techno - we think there’s a bit of something for everyone here.
Despite the many different bases the EP touches on - the sound pallette and production are unified and coherent. Henry is at the top of his game, and much like contemporary artists like Adam Pits, Priori and Russell EL Butler - his style screams ALBUM!
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DE - 22113 Hamburg
Germany
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1
Joey G II & Klein Zage - Folks Not Guys
2
Joey G II & Klein Zage - The Commute
3
Joey G II & Klein Zage - A Little Dissonance
4
Joey G II & Klein Zage - Folks Not Guys (Ariel Zetina Remix)
5
Joey G II & Klein Zage - Folks Not Guys (Local Artist Disco Dub)
6
Joey G II & Klein Zage - A Little Dissonance (DJ Python Remix)
Renowned for their boundary-pushing sonic explorations, Klein Zage and Joey G ii join forces to deliver a captivating fusion of spoken word and electronic beats in their latest collaborative EP, ‘From New Cross To Ridgewood’ inspired by their time living together in South London. The EP promises an immersive auditory experience that transcends genre boundaries featuring remixes from Local Artist, DJ Python and Ariel Zetina.The EP marks a return to the stripped back musical style Sage became known for early in her career on Orphan Records, such as Womanhood EP and the sensational ‘The Sayers’ on the 2022 edition of Shouts.The record effortlessly blends the ethereal spoken word prowess of Klein Zage with the electronic breaks wizardry of Joey G II. The duo's ability to seamlessly merge spoken word poetry with innovative electronic soundscapes creates a unique and compelling listening journey that captivates from start to finish. Adding to the allure of the EP are the remix contributions from three distinct artists, each bringing their own perspective to the project.
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1
Cousin Kula - Clothes Off
2
Cousin Kula - Poisoned
3
Cousin Kula - Staying With You
4
Cousin Kula - Hanging On Your Lips
5
Cousin Kula - Softest Touch
6
Cousin Kula - The Sun
7
Cousin Kula - Disney G Funk
8
Cousin Kula - Summer's Coming
9
Cousin Kula - Good Feeling
10
Cousin Kula - Time Money
Feeling like the first shot of sunshine after a long winter, Cousin Kula sound instantly recognisable yet gloriously renewed on their second album "Vitamin D".
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1
Special Feelings - A1
2
Special Feelings - A2 BAPJIZZM
3
Special Feelings - A3 VOID
4
Special Feelings - A4 BRAIN FOG
5
Special Feelings - B1 FTP
6
Special Feelings - B2 KINKY
7
Special Feelings - B3 STEPH STRANGE
8
Special Feelings - B4 DOWN GOOSE
9
Special Feelings - B5 TRASHKAT
Perth-born, Naarm-based duo Special Feelings, aka Naomi Robinson and Poli-Pearl, are stepping up on Bradley Zero’s Rhythm Section label with their first long player – released on November 10, 2023.
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1
Cato - Won't Do
2
Cato - Freak Wid It
3
Cato - Good-Weather
4
Cato - Ice 6 Powder
5
Cato - 1 Man
6
Cato - Scorch My Tongue
After catching the attention of Label boss Bradley Zero as a runner up for the Fred Perry x Nicolas Daley prize in 2020, CATO releases his debut project 'The Wind That Was Blown' with Rhythm Section International.
Tracklist
1.1Won't Do
1.2Freak Wid It
1.3Good-Weather
1.4Ice 6 Powder
1.51 Man
1.6Scorch My Tongue
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Tracklist
1.1Won't Do
1.2Freak Wid It
1.3Good-Weather
1.4Ice 6 Powder
1.51 Man
1.6Scorch My Tongue
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1
Hidden Spheres - Tanzen (Ft. Ina) (Club Mix)
2
Hidden Spheres - Tanzen (Ft. Ina) (Mate Mix)
3
Hidden Spheres - Mind Over Mate
4
Hidden Spheres - Not Of This World
5
Hidden Spheres - Tanzen (Paula Tape Remix)
Sometimes writing press releases is really hard. There’s a certain artwork to summing up the essence of a composition to someone who hasn’t yet heard the music.
Thankfully - this is not the case with the latest EP from Manchester's Hidden Spheres. Tom is in his purple period - and after nearly a decade of releasing delicately constructed songs that sit in the hinterland
between dance floor and home listening, he’s finally cracked the code for creating ABSOLUTE BANGERS, with all the class and lightness of touch present from his previous work.
Hidden Spheres is in turbo mode - and you’ve most likely heard these tunes without knowing it - TANZEN has been a staple in Bradley Zero’s set for the last year and has always, ALWAYS caused complete dance floor destruction. Add in the Italo flavoured Paula Tape remix and you have one of the most exciting dance floor propositions of the year.
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Germany
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Thankfully - this is not the case with the latest EP from Manchester's Hidden Spheres. Tom is in his purple period - and after nearly a decade of releasing delicately constructed songs that sit in the hinterland
between dance floor and home listening, he’s finally cracked the code for creating ABSOLUTE BANGERS, with all the class and lightness of touch present from his previous work.
Hidden Spheres is in turbo mode - and you’ve most likely heard these tunes without knowing it - TANZEN has been a staple in Bradley Zero’s set for the last year and has always, ALWAYS caused complete dance floor destruction. Add in the Italo flavoured Paula Tape remix and you have one of the most exciting dance floor propositions of the year.
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DE - 22113 Hamburg
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Bicep, - Stash
2
Bicep, - Courtside Drama
3
Bicep, - Rise
4
Bicep, - The Game
2022 Repress
UPC: 827170486263
Tracklist EP: A1: Stash A2: Courtside Drama B1:Rise B2: The Game
Release Info:
Aus Music non-stop. Not quite content with already chalking up two of the biggest EPs of 2013 so far from Midland and Dusky, Aus return once again with yet another release you’ve been waiting for - the return of Belfast’s biggest sons, Bicep. The London-based duo of Andrew Ferguson and Matthew McBriar had a breakthrough year in 2012, four years after the pair's Feel My Bicep blog first began. The past year has seen them play in more than a dozen countries, including major gigs across the US, China and, more recently, Australia, with particular highlights including a peak time set at Berlin’s haloed Panorama Bar and capacity crowds at both Sub Club and Trouw. In addition to the release of “You/ Don’t” on Aus, the boys also inaugurated their own imprint With the Visions Of Love EP, whilst "$tripper", which was released through Love Fever, came in at number 35 on RA's top 50 tracks of 2012 poll. Further to that they scooped the award for DJ Mag’s Best Breakthrough DJ, supplied Tim Sweeney’s Beats In Space show with an exclusive mix of unreleased material, remixed Ripperton’s “Let’s Hope,” and all the while maintaining the DJ treasure trove that is their blog. Across the EP they take things a little deeper, delving into a different area of their own personal taste. What's presented is an overall more lo-fi style and broader approach, drawing from a wide range of influences including King Street Sounds, HBO's The Wire and Aphex Twin.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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UPC: 827170486263
Tracklist EP: A1: Stash A2: Courtside Drama B1:Rise B2: The Game
Release Info:
Aus Music non-stop. Not quite content with already chalking up two of the biggest EPs of 2013 so far from Midland and Dusky, Aus return once again with yet another release you’ve been waiting for - the return of Belfast’s biggest sons, Bicep. The London-based duo of Andrew Ferguson and Matthew McBriar had a breakthrough year in 2012, four years after the pair's Feel My Bicep blog first began. The past year has seen them play in more than a dozen countries, including major gigs across the US, China and, more recently, Australia, with particular highlights including a peak time set at Berlin’s haloed Panorama Bar and capacity crowds at both Sub Club and Trouw. In addition to the release of “You/ Don’t” on Aus, the boys also inaugurated their own imprint With the Visions Of Love EP, whilst "$tripper", which was released through Love Fever, came in at number 35 on RA's top 50 tracks of 2012 poll. Further to that they scooped the award for DJ Mag’s Best Breakthrough DJ, supplied Tim Sweeney’s Beats In Space show with an exclusive mix of unreleased material, remixed Ripperton’s “Let’s Hope,” and all the while maintaining the DJ treasure trove that is their blog. Across the EP they take things a little deeper, delving into a different area of their own personal taste. What's presented is an overall more lo-fi style and broader approach, drawing from a wide range of influences including King Street Sounds, HBO's The Wire and Aphex Twin.
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DE - 22113 Hamburg
Germany
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1
Guy Pedersen - Indian Pop Bass (2:35)
2
Guy Pedersen - Prélude À Une Angoisse (2:20)
3
Guy Pedersen - Patio Bass (2:30)
4
Guy Pedersen - Tension Nerveuse (2:10)
5
Guy Pedersen - Amour, Délices Et Contrebasse (2:30)
6
Guy Pedersen - Percussion Bass (2:50)
7
Guy Pedersen - Obsession Diabolique (2:02)
8
Guy Pedersen - Les Copains De La Basse (2:32)
9
Guy Pedersen - Doucement La Basse (2:22)
10
Guy Pedersen - Bass Session (2:25)
11
Guy Pedersen - Bass After Love (2:06)
12
Guy Pedersen - Ballade Pour Une Basse (2:02)
13
Guy Pedersen - Cosmic Bass (2:55)
Territories: Worldwide no restrictions
Format Notes: Part of Tele Music Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Indian Pop Bass 2:35
A2 Prélude À Une Angoisse 2:20
A3 Patio Bass 2:30
A4 Tension Nerveuse 2:10
A5 Amour, Délices Et Contrebasse 2:30
A6 Percussion Bass 2:50
A7 Obsession Diabolique 2:02
B1 Les Copains De La Basse 2:32
B2 Doucement La Basse 2:22
B3 Bass Session 2:25
B4 Bass After Love 2:06
B5 Ballade Pour Une Basse 2:02
B6 Cosmic Bass 2:55
Release Notes:
Guy Pedersen, French jazz-soul-funk double-bass player extraordinaire, recorded Contrebasses in 1970 for Tele Music. It's one of the most outstanding - yet puzzlingly slept-on - releases in the library's catalogue. Forget library, this is basically a sublime, straight-up moody jazz record with monster breaks. It's brimming with sensational psychedelic/jazzy bass-heavy moments throughout; it's absolute gold.
"Indian Pop Bass" contains a deep, abstract breakbeat that intersects with a bassline that loops as if it sinks into the swaying, heavy, slow drums. The mysterious, deliberate "Prélude À Une Angoisse" is an eerie, magical number with ace effects whilst "Patio Bass" is a breezy deep jazz knockout with fantastic drums and a sashaying melody. "Tension Nerveuse" creates an atmosphere that's exactly as the title suggests, full of genuine suspense, rumbling percussion and deep drama jazz. "Amour, Délices Et Contrebasse" is a touch lightweight so you're advised to head to the much darker, peculiar funk of "Percussion Bass", bursting with imaginative sounds and effects. "Obsession Diabolique" closes out the A Side, with a funky walking bassline and sparkling percussion battling against droning strings to create a uniquely unsettling, beatless track.
Enlivening the B-Side immediately is the fantastic, propulsive funky-jazz of "Les Copains De La Basse". "Doucement La Basse" is largely forgettable but "Bass Session" is a blazing psych-jazz-rock burner. Absolutely thrilling. Equally, "Bass After Love" is devastatingly psychy, funky and unique. "Ballade Pour Une Basse" is a classic funky French jazz piece with an infectious bass melody that seems to anticipate "Before The Night Is Over", the Joe Simon track that Outkast sampled for "So Fresh, So Clean".
The audio for Contrebasses has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Format Notes: Part of Tele Music Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Indian Pop Bass 2:35
A2 Prélude À Une Angoisse 2:20
A3 Patio Bass 2:30
A4 Tension Nerveuse 2:10
A5 Amour, Délices Et Contrebasse 2:30
A6 Percussion Bass 2:50
A7 Obsession Diabolique 2:02
B1 Les Copains De La Basse 2:32
B2 Doucement La Basse 2:22
B3 Bass Session 2:25
B4 Bass After Love 2:06
B5 Ballade Pour Une Basse 2:02
B6 Cosmic Bass 2:55
Release Notes:
Guy Pedersen, French jazz-soul-funk double-bass player extraordinaire, recorded Contrebasses in 1970 for Tele Music. It's one of the most outstanding - yet puzzlingly slept-on - releases in the library's catalogue. Forget library, this is basically a sublime, straight-up moody jazz record with monster breaks. It's brimming with sensational psychedelic/jazzy bass-heavy moments throughout; it's absolute gold.
"Indian Pop Bass" contains a deep, abstract breakbeat that intersects with a bassline that loops as if it sinks into the swaying, heavy, slow drums. The mysterious, deliberate "Prélude À Une Angoisse" is an eerie, magical number with ace effects whilst "Patio Bass" is a breezy deep jazz knockout with fantastic drums and a sashaying melody. "Tension Nerveuse" creates an atmosphere that's exactly as the title suggests, full of genuine suspense, rumbling percussion and deep drama jazz. "Amour, Délices Et Contrebasse" is a touch lightweight so you're advised to head to the much darker, peculiar funk of "Percussion Bass", bursting with imaginative sounds and effects. "Obsession Diabolique" closes out the A Side, with a funky walking bassline and sparkling percussion battling against droning strings to create a uniquely unsettling, beatless track.
Enlivening the B-Side immediately is the fantastic, propulsive funky-jazz of "Les Copains De La Basse". "Doucement La Basse" is largely forgettable but "Bass Session" is a blazing psych-jazz-rock burner. Absolutely thrilling. Equally, "Bass After Love" is devastatingly psychy, funky and unique. "Ballade Pour Une Basse" is a classic funky French jazz piece with an infectious bass melody that seems to anticipate "Before The Night Is Over", the Joe Simon track that Outkast sampled for "So Fresh, So Clean".
The audio for Contrebasses has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Film Recordings
Cat-No:FILM014
Release-Date:22.03.2023
Genre:Electronic, Electronica
Configuration:12" Excl
Label:Film Recordings
Cat-No:FILM014
Release-Date:22.03.2023
Genre:Electronic, Electronica
Configuration:12" Excl
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Brainwaltzera - A1. FMsquared [royal wavetable mellodies A]
2
Brainwaltzera - A2. copperfeel
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Brainwaltzera - A3. WSsquared [royal wavetable mellodies B]
4
Brainwaltzera - B1. good endgar
5
Brainwaltzera - B2. FMsquared [epiloggy] [beauvine bonus perc version]
6
Brainwaltzera - B3. LANsqape4 [short_oneTake]
LP
tracklist:
A1. FMsquared [royal wavetable mellodies A] B1. good endgar
A2. copperfeel B2. FMsquared [epiloggy] [beauvine bonus perc version]
A3. WSsquared [royal wavetable mellodies B] B3. LANsqape4 [short_oneTake]
short info:
Brainwaltzera returns to FILM with a brace of archive recordings in the artist's characteristically idiosyncratic style.
The collection opens with FMsquared [royal wavetable mellodies A], a mesmerizing beatless composition split across two contrasting movements. Synth-focused, the first explores a more introspective tone whilst the second is decidedly more elevated and playful. Follow up good endgar showcases the artist's enviable talent for crafting rolling, wide-open IDM, marrying crisp drum machine hits with washed out pads and a resonant bassline. WSsquared [royal wavetable mellodies B] follows the same pattern as mellodies A, split once again into two movements. This time each movement is markedly more distinct: the first, an atmospheric, half-time dirge and the second a more uplifting and esoteric workout, with crystalline FX breaking up the composition. On LANsqape4 [short_oneTake] Brainwaltzera lets the drums roll out, underpinning more lush synth work with a hint of a break closing in as the piece subsides near its close. Copperfeel, the penultimate offering, is the most reduced work in the collection with a single main melody doing the bulk of the legwork, and buoyed by vocal-sounding synths. FMsquared [epiloggy] [beauvine bonus perc version] closes the collection, a pleasing bookend that sees the riff from the opening track's latter movement return - now underpinned with rolling drums.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
tracklist:
A1. FMsquared [royal wavetable mellodies A] B1. good endgar
A2. copperfeel B2. FMsquared [epiloggy] [beauvine bonus perc version]
A3. WSsquared [royal wavetable mellodies B] B3. LANsqape4 [short_oneTake]
short info:
Brainwaltzera returns to FILM with a brace of archive recordings in the artist's characteristically idiosyncratic style.
The collection opens with FMsquared [royal wavetable mellodies A], a mesmerizing beatless composition split across two contrasting movements. Synth-focused, the first explores a more introspective tone whilst the second is decidedly more elevated and playful. Follow up good endgar showcases the artist's enviable talent for crafting rolling, wide-open IDM, marrying crisp drum machine hits with washed out pads and a resonant bassline. WSsquared [royal wavetable mellodies B] follows the same pattern as mellodies A, split once again into two movements. This time each movement is markedly more distinct: the first, an atmospheric, half-time dirge and the second a more uplifting and esoteric workout, with crystalline FX breaking up the composition. On LANsqape4 [short_oneTake] Brainwaltzera lets the drums roll out, underpinning more lush synth work with a hint of a break closing in as the piece subsides near its close. Copperfeel, the penultimate offering, is the most reduced work in the collection with a single main melody doing the bulk of the legwork, and buoyed by vocal-sounding synths. FMsquared [epiloggy] [beauvine bonus perc version] closes the collection, a pleasing bookend that sees the riff from the opening track's latter movement return - now underpinned with rolling drums.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Pierre-Alain Dahan & Mat Camison - Rythmiques N° 4 (2:03)
2
Pierre-Alain Dahan & Mat Camison - Rythmiques N° 5 (2:03)
3
Pierre-Alain Dahan & Mat Camison - Rythmiques N° 6 (2:10)
4
Pierre-Alain Dahan & Mat Camison - Rythmiques N° 7 (1:48)
5
Pierre-Alain Dahan & Mat Camison - Rythmiques N° 8 (3:50)
6
Pierre-Alain Dahan & Mat Camison - Rythmiques N° 9 (2:45)
7
Pierre-Alain Dahan & Mat Camison - Piano + Piano (2:30)
8
Pierre-Alain Dahan & Mat Camison - Auto Rythmiques (3:45)
9
Pierre-Alain Dahan & Mat Camison - Rythmiques N° 10 (2:00)
10
Pierre-Alain Dahan & Mat Camison - Rythmiques N° 11 (2:10)
11
Pierre-Alain Dahan & Mat Camison - Océan Horizon (2:45)
12
Pierre-Alain Dahan & Mat Camison - Super Carrousel (1:40)
13
Pierre-Alain Dahan & Mat Camison - Gay Shopping (2:10)
14
Pierre-Alain Dahan & Mat Camison - Suspense N° 1 (3:50)
Territories: Worldwide no restrictions
Format Notes: Part of Tele Music Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Rythmiques N° 4 2:03
A2 Rythmiques N° 5 2:03
A3 Rythmiques N° 6 2:10
A4 Rythmiques N° 7 1:48
A5 Rythmiques N° 8 3:50
A6 Rythmiques N° 9 2:45
A7 Piano + Piano 2:30
B1 Auto Rythmiques 3:45
B2 Rythmiques N° 10 2:00
B3 Rythmiques N° 11 2:10
B4 Océan Horizon 2:45
B5 Super Carrousel 1:40
B6 Gay Shopping 2:10
B7 Suspense N° 1 3:50
Release Notes:
Wow! Pierre-Alain Dahan & Mat Camison's Rythmiques is another iconic release in the hallowed Tele Music catalogue. First appearing in 1973, it features tense funk, blunted jazz and heavy breaks all the way. Considered the rightful sequel to Continental Pop Sound, it's a vital album for producers and DJs; and you can probably guess that RHYTHM is central to the record's presentation. And you can really taste what's rhythm, to borrow a phrase. French drummer, percussionist and composer Pierre-Alain Dahan was a key member of the legendary Arpadys, Disco & Co, Voyage, Tumblack (with Wally Badarou, Mallia et al!) and Jef Gilson Septet whilst his partner here, Mat Camison, was a pioneering synth LORD. So, you know this Be With reissue is absolutely crucial.
The album picks up from where Continental Pop Sound left us, opening with the tense, stabbing thriller-funk of "Rythmiques N° 4". The dubbier "Rythmiques N° 5" is no less electric and definitely has a spacey air of wonky funk about it with the slightly off-kilter rolling piano. "Rythmiques N° 6" is more percussive-focussed with a brilliantly hypnotic opening that really stretches the drama out. “Rythmique N° 7” alternates between fast-paced, skipping drums and slo-mo funk, always with the clavinet high up in the mix. Wicked. The dope jazz of “Rythmique N° 8” truly mesmerises with licks of electric piano, funky bass flourishes and varied percussion. “Rythmique N° 9” has great, sloppy-yet-hard intro drums which sound like something Daft Punk could've pilfered circa Human After All, punctuated by a guitar rock refrain that repeats til the end but is never overdone. The A-Side closes with the beautiful, melancholic "Piano + Piano", a reflective jazzy piano track which could easily open a wide-ranging set this autumn and many after it. Stunning.
Opening Side B, "Auto Rythmiques" is a hectic yet compelling funk workout but it's all about the frankly devastating breakbeats on “Rythmiques N° 10 & N° 11” with effortlessly twisted funk bass lines over open drum breaks and enough tension and rhythmic switch-ups to keep your neck-snapping and your mind lifted. Downright essential. Taking leave from the heavy funk break action, the pastoral "Océan Horizon" is perhaps an unfairly overlooked highlight. A gorgeous, softly-aquatic, ambient gem, it's gently percussive with warm, floaty keys decorating the mellow rhythmic bed. The mercifully brief "Super Carrousel" is harmless fun-fair-funk but perhaps best skipped over whilst the intriguingly titled "Gay Shopping" is another throwaway exercise in inexcusable jaunt whilst. To close out this memorable set, thankfully, we're left with "Suspense N° 1" to get us back on course with its unsurprisingly tense mix of urgent stringed instruments that flirt with rhythm and melody yet the longer the track goes on. Deep.
One of the very best French drummers ever, Pierre-Alain Dahan began his career at the Blue Note in Paris with Sonny Stitt, Dexter Gordon and Daniel Humair. Some start, eh?! He also participated in the recording of Serge Gainsbourg's cult album 'La Ballade de Melody Nelson' before going on to make countless KILLER library funk records and be a key member in the legendary Arpadys, Disco & Co, Voyage, Tumblack (with Wally Badarou, Sauveur Mallia et al), Jef Gilson Septet (alongside Henri Texier) and many more. Some pedigree.
The audio for Rythmiques has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Format Notes: Part of Tele Music Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Rythmiques N° 4 2:03
A2 Rythmiques N° 5 2:03
A3 Rythmiques N° 6 2:10
A4 Rythmiques N° 7 1:48
A5 Rythmiques N° 8 3:50
A6 Rythmiques N° 9 2:45
A7 Piano + Piano 2:30
B1 Auto Rythmiques 3:45
B2 Rythmiques N° 10 2:00
B3 Rythmiques N° 11 2:10
B4 Océan Horizon 2:45
B5 Super Carrousel 1:40
B6 Gay Shopping 2:10
B7 Suspense N° 1 3:50
Release Notes:
Wow! Pierre-Alain Dahan & Mat Camison's Rythmiques is another iconic release in the hallowed Tele Music catalogue. First appearing in 1973, it features tense funk, blunted jazz and heavy breaks all the way. Considered the rightful sequel to Continental Pop Sound, it's a vital album for producers and DJs; and you can probably guess that RHYTHM is central to the record's presentation. And you can really taste what's rhythm, to borrow a phrase. French drummer, percussionist and composer Pierre-Alain Dahan was a key member of the legendary Arpadys, Disco & Co, Voyage, Tumblack (with Wally Badarou, Mallia et al!) and Jef Gilson Septet whilst his partner here, Mat Camison, was a pioneering synth LORD. So, you know this Be With reissue is absolutely crucial.
The album picks up from where Continental Pop Sound left us, opening with the tense, stabbing thriller-funk of "Rythmiques N° 4". The dubbier "Rythmiques N° 5" is no less electric and definitely has a spacey air of wonky funk about it with the slightly off-kilter rolling piano. "Rythmiques N° 6" is more percussive-focussed with a brilliantly hypnotic opening that really stretches the drama out. “Rythmique N° 7” alternates between fast-paced, skipping drums and slo-mo funk, always with the clavinet high up in the mix. Wicked. The dope jazz of “Rythmique N° 8” truly mesmerises with licks of electric piano, funky bass flourishes and varied percussion. “Rythmique N° 9” has great, sloppy-yet-hard intro drums which sound like something Daft Punk could've pilfered circa Human After All, punctuated by a guitar rock refrain that repeats til the end but is never overdone. The A-Side closes with the beautiful, melancholic "Piano + Piano", a reflective jazzy piano track which could easily open a wide-ranging set this autumn and many after it. Stunning.
Opening Side B, "Auto Rythmiques" is a hectic yet compelling funk workout but it's all about the frankly devastating breakbeats on “Rythmiques N° 10 & N° 11” with effortlessly twisted funk bass lines over open drum breaks and enough tension and rhythmic switch-ups to keep your neck-snapping and your mind lifted. Downright essential. Taking leave from the heavy funk break action, the pastoral "Océan Horizon" is perhaps an unfairly overlooked highlight. A gorgeous, softly-aquatic, ambient gem, it's gently percussive with warm, floaty keys decorating the mellow rhythmic bed. The mercifully brief "Super Carrousel" is harmless fun-fair-funk but perhaps best skipped over whilst the intriguingly titled "Gay Shopping" is another throwaway exercise in inexcusable jaunt whilst. To close out this memorable set, thankfully, we're left with "Suspense N° 1" to get us back on course with its unsurprisingly tense mix of urgent stringed instruments that flirt with rhythm and melody yet the longer the track goes on. Deep.
One of the very best French drummers ever, Pierre-Alain Dahan began his career at the Blue Note in Paris with Sonny Stitt, Dexter Gordon and Daniel Humair. Some start, eh?! He also participated in the recording of Serge Gainsbourg's cult album 'La Ballade de Melody Nelson' before going on to make countless KILLER library funk records and be a key member in the legendary Arpadys, Disco & Co, Voyage, Tumblack (with Wally Badarou, Sauveur Mallia et al), Jef Gilson Septet (alongside Henri Texier) and many more. Some pedigree.
The audio for Rythmiques has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
CoLD SToRAGE - A1. wipE'out? Intro
2
CoLD SToRAGE - A2. Hakapik Murder
3
CoLD SToRAGE - A3. Messij
4
CoLD SToRAGE - A4. Canada
5
CoLD SToRAGE - A5. Tenation
6
CoLD SToRAGE - B1. DOH-T
7
CoLD SToRAGE - B2. Trancevaal
8
CoLD SToRAGE - B3. Surgeon
9
CoLD SToRAGE - B4 Cairodrome
10
CoLD SToRAGE - C1. Body in Motion
11
CoLD SToRAGE - C2. Cardinal Dancer
12
CoLD SToRAGE - C3. Cold Comfort
13
CoLD SToRAGE - C4. Kinkong
14
CoLD SToRAGE - D1. Operatique
15
CoLD SToRAGE - D2. Plasticity
16
CoLD SToRAGE - D3. Messij Extended
17
CoLD SToRAGE - D4. Argon
18
CoLD SToRAGE - D5. Phloem
19
CoLD SToRAGE - D6. Xenon
20
CoLD SToRAGE - D7. Xylem
21
CoLD SToRAGE - E1. wipEout Intro (µ-Ziq Remix)
22
CoLD SToRAGE - E2. DOH-T (Wordcolour Remix)
23
CoLD SToRAGE - E3. Xylem (Brainwaltzera Remix)
24
CoLD SToRAGE - E4. Canada (James Shinra Remix)
25
CoLD SToRAGE - E5. Messij (Kode9 Remix)
26
CoLD SToRAGE - E6. Trancevaal (Simo Cell Remix)
27
CoLD SToRAGE - E7 Cairodrome (Surgeons Girl Remix)
28
CoLD SToRAGE - E8. Messij (Datassette Remix)
Restock!
Lapsus issue the much loved soundtrack from the legendary mid 90's Playstation game wipE'out'' This 3x12, gatefold sleeved edition also includes remixes from Kode9, µ-Ziq , Simo Cell, Datassette and more.
Back in the 1990s video games were still largely seen as nerdy: fun, sure, but basically a guilty pleasure that you’d soon grow out of. The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed all that. This was a game that looked and sounded both adult and cool, the kind of game you would put on display in your living room, rather than hide away under your bed. Key to this was the fact that wipE'out'' borrowed unashamedly from the clubbing experience and electronic music, in a way that put it at the heart of progressive mid 90s culture. It soon became a phenomenon.
wipE'out'' looked sensational, with Sheffield agency The Designers Republic - known for their work with Warp - creating the visuals, packaging and manual for the game, drawing heavily on the bright colours and excitable geometric shapes of the rave and club flyers of the early 90s.
wipE'out'' also sounded like a new rave dream. The European version of the game included music from The Chemical Brothers, Leftfield and Orbital, the kind of fashionable game syncs that were almost unheard of at the time. Equally striking was the game’s original music, which came from Welsh musician Tim Wright, aka CoLD SToRAGE, by this point already a veteran in the video games world, having worked on the music for Amiga titles such as Lemmings and Shadow of the Beast 2. His music for wipE'out'' was, if anything, even more extreme than the big-name syncs, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt.
These tracks were burned into the brains of millions of gamers; the soundtrack to a generation of late-night anti-gravity racing, as the sun gingerly rose beyond the curtains. But they haven’t, perhaps, quite got the respect they deserve, something that this release will address. In 2023, video game music is finally getting its dues; here, remastered and repackaged –and also remixed by cutting edge producers such as Kode9, µ-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons Girl and Dattassette– are some of the most important, thrilling, innovative and most fun songs ever committed to game release
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Lapsus issue the much loved soundtrack from the legendary mid 90's Playstation game wipE'out'' This 3x12, gatefold sleeved edition also includes remixes from Kode9, µ-Ziq , Simo Cell, Datassette and more.
Back in the 1990s video games were still largely seen as nerdy: fun, sure, but basically a guilty pleasure that you’d soon grow out of. The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed all that. This was a game that looked and sounded both adult and cool, the kind of game you would put on display in your living room, rather than hide away under your bed. Key to this was the fact that wipE'out'' borrowed unashamedly from the clubbing experience and electronic music, in a way that put it at the heart of progressive mid 90s culture. It soon became a phenomenon.
wipE'out'' looked sensational, with Sheffield agency The Designers Republic - known for their work with Warp - creating the visuals, packaging and manual for the game, drawing heavily on the bright colours and excitable geometric shapes of the rave and club flyers of the early 90s.
wipE'out'' also sounded like a new rave dream. The European version of the game included music from The Chemical Brothers, Leftfield and Orbital, the kind of fashionable game syncs that were almost unheard of at the time. Equally striking was the game’s original music, which came from Welsh musician Tim Wright, aka CoLD SToRAGE, by this point already a veteran in the video games world, having worked on the music for Amiga titles such as Lemmings and Shadow of the Beast 2. His music for wipE'out'' was, if anything, even more extreme than the big-name syncs, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt.
These tracks were burned into the brains of millions of gamers; the soundtrack to a generation of late-night anti-gravity racing, as the sun gingerly rose beyond the curtains. But they haven’t, perhaps, quite got the respect they deserve, something that this release will address. In 2023, video game music is finally getting its dues; here, remastered and repackaged –and also remixed by cutting edge producers such as Kode9, µ-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons Girl and Dattassette– are some of the most important, thrilling, innovative and most fun songs ever committed to game release
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Perko - Prang Feat. Huerco S.
2
Perko - Sisu Feat. Cucina Povera
This two-track release by Perko on Numbers is the Glasgow-born, Copenhagen-based artist’s first release for the label since 2020’s The City Rings. Poking his head out of the foxhole of his solitary FELT imprint for a pair of productions featuring Huerco S. and Cucina Povera, “Prang” highlights Perko’s commitment to natural collaboration as a creative ideal.
“Prang” is a long-simmering dancefloor cut that was torn down and rebuilt alongside Huerco S. during a joint residency at HeimA in East Iceland in late 2022, capturing the immense scale of those surroundings and the accompanying isolation. The result is an undeniable club record – an unexpected but welcome result from the two producers – with ratcheting tension and acute impact that doesn’t sacrifice psychedelic detail.
The dust from this anxious energy settles in the ambient “Sisu.” Created via remote collaboration with Cucina Povera, her voice has a powerful resonance with the spacious production, offering a tonal reset from the A side. The wordless vocals are luminous in an otherwise foggy track, which was developed alongside Perko’s friend and collaborator Aethers Spring.
Suited for dancefloor peaks and calm mornings after, “Prang” reflects the pursuit of collaborative energies and intentions that combine to succeed as more than the sum of their parts.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
“Prang” is a long-simmering dancefloor cut that was torn down and rebuilt alongside Huerco S. during a joint residency at HeimA in East Iceland in late 2022, capturing the immense scale of those surroundings and the accompanying isolation. The result is an undeniable club record – an unexpected but welcome result from the two producers – with ratcheting tension and acute impact that doesn’t sacrifice psychedelic detail.
The dust from this anxious energy settles in the ambient “Sisu.” Created via remote collaboration with Cucina Povera, her voice has a powerful resonance with the spacious production, offering a tonal reset from the A side. The wordless vocals are luminous in an otherwise foggy track, which was developed alongside Perko’s friend and collaborator Aethers Spring.
Suited for dancefloor peaks and calm mornings after, “Prang” reflects the pursuit of collaborative energies and intentions that combine to succeed as more than the sum of their parts.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Secret Circuit - Undenying
2
Secret Circuit - Phasor MD
3
Secret Circuit - Galleon In The Clouds
4
Secret Circuit - Green Mirror
5
Secret Circuit - Technautic
6
Secret Circuit - Winding Up
7
Secret Circuit - Ripe Ready
8
Secret Circuit - Illuminated Knights
9
Secret Circuit - Tunnel Vision
10
Secret Circuit - Holding Pattern
11
Secret Circuit - Polygono
12
Secret Circuit - Every Day There's Something New To Say
13
Secret Circuit - Westward Glint
14
Secret Circuit - Play Music Now
15
Secret Circuit - Stillitude
16
Secret Circuit - Piece
17
Secret Circuit - Light On The Sand
18
Secret Circuit - Golden Fluoride
19
Secret Circuit - Thawing Stage
20
Secret Circuit - The Land Of Modor
21
Secret Circuit - The Song Of The Sea
22
Secret Circuit - 20/20 Vizion
It seems like a long time since we last heard anything from the talented Secret Circuit aka Eddie Ruscha!
Truth is he's been more prolific than ever...just not with his Secret Circuit alias.
For those of you unfamiliar with his work Secret Circuit is audiovisual artist and L.A. native Edward Ruscha V (yes indeed, son of THEE Ed Ruscha, legendary pop artist) who’s been on the music scene since time immemorial. He has been a member of innumerable bands and projects over the years including Medicine, Maids Of Gravity, Radar Bros and punk-dub outfit Future Pigeon to name a few as well as managing to squeeze in time for his equally multifarious and highly productive solo ventures. In just the last few years he's released a string of records under his own E Ruscha V moniker for labels such as Beats In Space, Good Morning Tapes and Fourth Sounds as well as finding time for several collaborations including Doctor Fluorescent (Crammed Discs), The Parels (Lal Lal Lal) and XLNT (DFA). You could say he's prolific!
So it's definitely a long overdue and most welcome return for Secret Circuit. The "Green Mirror" album is a double LP comprised of 21 new pieces (80+ minutes of music) recorded between 2020 and 2022. It captures that spacey otherworldly quality Secret Circuit is known for, but the music also veers towards the warmer, ambient textural territories that his recent E Ruscha V and Only Thingz projects explored...an altogether softer sensibility.
Yet nevertheless this album is very much "Secret Circuit". Invisible Inc wanted to explore a side of Ruscha's that hadn't been captured so clearly before, focussing on his more emotive yet at the same time experimental side (is that a paradox?). Very rarely do we hear musicians using modular synths to create something so human sounding, and when juxtaposed alongside slide guitars, live bass and vocodered vocals, we have something very special indeed.
Then there's the artwork...all lovingly drawn by the bubbling mind and deft fingers of Eddie himself. The package is made complete with a double-sided colour insert with liner notes (which happen to be written in reverse, naturally, so you'll need a mirror to read them) and another of Eddie's mind-warping doodles.
This is not like anything else you will hear...it's true art and you'll definitely need a very open mind to reap the rewards of this beautiful piece of work. A future weirdo classic in the making
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Truth is he's been more prolific than ever...just not with his Secret Circuit alias.
For those of you unfamiliar with his work Secret Circuit is audiovisual artist and L.A. native Edward Ruscha V (yes indeed, son of THEE Ed Ruscha, legendary pop artist) who’s been on the music scene since time immemorial. He has been a member of innumerable bands and projects over the years including Medicine, Maids Of Gravity, Radar Bros and punk-dub outfit Future Pigeon to name a few as well as managing to squeeze in time for his equally multifarious and highly productive solo ventures. In just the last few years he's released a string of records under his own E Ruscha V moniker for labels such as Beats In Space, Good Morning Tapes and Fourth Sounds as well as finding time for several collaborations including Doctor Fluorescent (Crammed Discs), The Parels (Lal Lal Lal) and XLNT (DFA). You could say he's prolific!
So it's definitely a long overdue and most welcome return for Secret Circuit. The "Green Mirror" album is a double LP comprised of 21 new pieces (80+ minutes of music) recorded between 2020 and 2022. It captures that spacey otherworldly quality Secret Circuit is known for, but the music also veers towards the warmer, ambient textural territories that his recent E Ruscha V and Only Thingz projects explored...an altogether softer sensibility.
Yet nevertheless this album is very much "Secret Circuit". Invisible Inc wanted to explore a side of Ruscha's that hadn't been captured so clearly before, focussing on his more emotive yet at the same time experimental side (is that a paradox?). Very rarely do we hear musicians using modular synths to create something so human sounding, and when juxtaposed alongside slide guitars, live bass and vocodered vocals, we have something very special indeed.
Then there's the artwork...all lovingly drawn by the bubbling mind and deft fingers of Eddie himself. The package is made complete with a double-sided colour insert with liner notes (which happen to be written in reverse, naturally, so you'll need a mirror to read them) and another of Eddie's mind-warping doodles.
This is not like anything else you will hear...it's true art and you'll definitely need a very open mind to reap the rewards of this beautiful piece of work. A future weirdo classic in the making
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Danny Scrilla - Dupes
2
Danny Scrilla - Disorganize
3
Danny Scrilla - Real
Early DJ Support from: Laurent Garnier, Riz La Teef, Boofy, Ojoo Gyal, Addison Groove, Emerald, Main Phase, Miley Serious, Kouslin, Yushh, Bakey, Tãn, Sister Zo, GRRL (NTS), Syz, Flore, Star Eyes, Lefto, Roger 23, Tailor Jae, Ciel, Om Unit + more
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
XY0815 - Sines, Subs And Solitude
2
XY0815 - Pauline
3
XY0815 - BOQ
4
XY0815 - Displaced Trig
5
XY0815 - Gates Need Inputs
6
XY0815 - All The Stars
7
XY0815 - Buttons Are Friends
8
XY0815 - Particle Cities
BT50 sees the return to the fold of XY0815.
Showcasing his ever-expanding palette, Gates Need Inputs Vol. I sees the Weimar based producer stepping away from the dancefloor.
Brighter in mood than previous contributions, the first volume of two, presents XY0815 displaying his typical finesse and restrained flex on electronica and downtempo.
Edition of 300 copies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Showcasing his ever-expanding palette, Gates Need Inputs Vol. I sees the Weimar based producer stepping away from the dancefloor.
Brighter in mood than previous contributions, the first volume of two, presents XY0815 displaying his typical finesse and restrained flex on electronica and downtempo.
Edition of 300 copies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Steven Julien And Kyle Hall - Page 1
2
Steven Julien And Kyle Hall - Page 2
3
Steven Julien And Kyle Hall - Page 3
4
Steven Julien And Kyle Hall - Page 4
5
Steven Julien And Kyle Hall - Page 5
6
Steven Julien And Kyle Hall - Dam-Funk Page 3 Re-Freak Mix
7
Steven Julien And Kyle Hall - Reggie B Page 5 SciFonk Mix
On June 16th, 2023, Steven Julien and Kyle Hall return with their first EP together in ten years, CROWN. The record follows earlier EPs the duo created under their former alias Funkinevil, 2013's Ignorant and 2012's Night/Dusk. The record once again brings together two artists from opposite sides of the pond—Julien hailing from London and Hall representing Detroit—with a shared love for soul in its purest essence.
Opening "Page 1", a pitched-down vocal by James Massiah pronounces, "My plan—won't let you take it from hand." That alone could be considered the nut graph of a record about taking ownership, created by two vanguards in the electronic music scene that, a decade ago, insisted on infusing their music with soul in a commercial club circuit lacking in it.
Assembled from a few years-worth of studio jams in Julien's studio, Crown dials up the staticky warmth present on earlier Funkinevil tracks like "Dusk" and "In The Grid." Across seven songs, Funkinevil shaves off some of their tougher elements, instead shooting for pastoral melodies and funky basslines, like on "Page 2", where Vicky Flint's flute flutters sleepily over breaks and a groovy Korg synthesizer. But the atmosphere on the EP is also grander than ever—on "Page 5," Cloud's wistful melisma soars over Flint's bleating saxophone and wandering sci-fi synths.
With all this attention to funky musicality, it's only fitting that two legends specializing in the craft would land on the B-side—Däm Funk revs up "Page 3" with a slamming kick and his unmistakable coolness, and Reggie B turns "Page 5" into a sludgy, jazzy dance party.
In the words of Julien, "I think a lot of people have forgotten about what this whole thing is about. Musically, artistry and everything. So I'm happy this is what we represent on this project."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Opening "Page 1", a pitched-down vocal by James Massiah pronounces, "My plan—won't let you take it from hand." That alone could be considered the nut graph of a record about taking ownership, created by two vanguards in the electronic music scene that, a decade ago, insisted on infusing their music with soul in a commercial club circuit lacking in it.
Assembled from a few years-worth of studio jams in Julien's studio, Crown dials up the staticky warmth present on earlier Funkinevil tracks like "Dusk" and "In The Grid." Across seven songs, Funkinevil shaves off some of their tougher elements, instead shooting for pastoral melodies and funky basslines, like on "Page 2", where Vicky Flint's flute flutters sleepily over breaks and a groovy Korg synthesizer. But the atmosphere on the EP is also grander than ever—on "Page 5," Cloud's wistful melisma soars over Flint's bleating saxophone and wandering sci-fi synths.
With all this attention to funky musicality, it's only fitting that two legends specializing in the craft would land on the B-side—Däm Funk revs up "Page 3" with a slamming kick and his unmistakable coolness, and Reggie B turns "Page 5" into a sludgy, jazzy dance party.
In the words of Julien, "I think a lot of people have forgotten about what this whole thing is about. Musically, artistry and everything. So I'm happy this is what we represent on this project."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Be With Records
Cat-No:bewith148lp
Release-Date:15.09.2023
Genre:Electronic, Electronica
Configuration:LP Excl
Label:Be With Records
Cat-No:bewith148lp
Release-Date:15.09.2023
Genre:Electronic, Electronica
Configuration:LP Excl
1
Michel Gonet - Moon To Light (Number II) - A (3:22)
2
Michel Gonet - Moon To Light (Number II) - B (3:30)
3
Michel Gonet - Soul Cathedral (Number II) - A (3:06)
4
Michel Gonet - Soul Cathedral (Number II) - B (3:06)
5
Michel Gonet - Light In The Rains (Number II) - A (1:38)
6
Michel Gonet - Light In The Rains (Number II) - B (1:32)
7
Michel Gonet - Mondial Scoop (Number II) (2:03)
8
Michel Gonet - Mecanic Bird Song (2:58)
9
Michel Gonet - Mephisto Jet (Number II) - A (2:19)
10
Michel Gonet - Mephisto Jet (Number II) - B (2:18)
11
Michel Gonet - Mephisto Jet (Number II) - C (1:03)
12
Michel Gonet - Phasing News - A (2:01)
13
Michel Gonet - Phasing News - B (2:56)
Territories: Worldwide no restrictions
Format Notes: Part of Tele Music Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Moon To Light (Number II) - A 3:22
A2 Moon To Light (Number II) - B 3:30
A3 Soul Cathedral (Number II) - A 3:06
A4 Soul Cathedral (Number II) - B 3:06
A5 Light In The Rains (Number II) - A 1:38
A6 Light In The Rains (Number II) - B 1:32
B1 Mondial Scoop (Number II) 2:03
B2 Mecanic Bird Song 2:58
B3 Mephisto Jet (Number II) - A 2:19
B4 Mephisto Jet (Number II) - B 2:18
B5 Mephisto Jet (Number II) - C 1:03
B6 Phasing News - A 2:01
B7 Phasing News - B 2:56
Release Notes:
European funk fusion of the highest order, Michel Gonet's Phasing News Volume 1 is the essential companion piece to the venerated Volume 2. It's truly a library treasure that every home must own. As Tele Music themselves said, it contains "tense and mysterious underscores in a range of styles"; whilst we don't disagree, we'd add swaggering, orchestral drama-funk-jazz-breaks. Vital.
Opener "Moon To Light (Number II) - A" is a total wonder. It's incredible, and what a way to begin a record. The percussion is electrifying, complimenting the dark, heavy piano, eerie organ work, electric guitar soling and rhythm section brilliance. Part B is virtually identical but without the electric guitar. The slow "Soul Cathedral (Number II) - A" is an ambient spacey synth gem which is both beatless and drenched in phased organ. Pretty captivating. Part B plays it rather straighter, a church organ continuing the same melody and tempo but with less of the swirling synthy effects.
"Light In The Rains (Number II) - A" sounds like something Diamond D would've sampled in the mid-to-late 90s, conjuring as it does that peculiar, creeping Axelrod-funk, all eerie electric guitar and organ, bass and spacey effects. Part B loses the electric guitar and adds brass.
The swirling, dramatic "Mondial Scoop (Number II)" has that urgent News At Ten feel with its prominent timpani drums whilst "Mecanic Bird Song" is a frenetic, abstract track with disorientating keyboard interplay.
*Total highlight* "Mephisto Jet (Number II) - A" rides a slick, proto-hip-hop beat with melodic, warm Rhodes yet, thrillingly, casually ups the drama with strings and timpanis. It then returns to its more mellow state. Ace. Part B adds acidy, phased percussion to create a more hypnotic, tripped out feel to proceedings. Part C is half as long but, pared back to just drums and Rhodes, it's arguably twice-as-nice.
To close, the shuffling, bell-laced urgent jazz of "Phasing News - A" is another highlight, riding a great bassline and augmented by ace drums, organ and electric guitar. Part B is also great, removing the guitar and doubling down on the head-nod funk.
The audio for Phasing News Volume 1 has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Format Notes: Part of Tele Music Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
A1 Moon To Light (Number II) - A 3:22
A2 Moon To Light (Number II) - B 3:30
A3 Soul Cathedral (Number II) - A 3:06
A4 Soul Cathedral (Number II) - B 3:06
A5 Light In The Rains (Number II) - A 1:38
A6 Light In The Rains (Number II) - B 1:32
B1 Mondial Scoop (Number II) 2:03
B2 Mecanic Bird Song 2:58
B3 Mephisto Jet (Number II) - A 2:19
B4 Mephisto Jet (Number II) - B 2:18
B5 Mephisto Jet (Number II) - C 1:03
B6 Phasing News - A 2:01
B7 Phasing News - B 2:56
Release Notes:
European funk fusion of the highest order, Michel Gonet's Phasing News Volume 1 is the essential companion piece to the venerated Volume 2. It's truly a library treasure that every home must own. As Tele Music themselves said, it contains "tense and mysterious underscores in a range of styles"; whilst we don't disagree, we'd add swaggering, orchestral drama-funk-jazz-breaks. Vital.
Opener "Moon To Light (Number II) - A" is a total wonder. It's incredible, and what a way to begin a record. The percussion is electrifying, complimenting the dark, heavy piano, eerie organ work, electric guitar soling and rhythm section brilliance. Part B is virtually identical but without the electric guitar. The slow "Soul Cathedral (Number II) - A" is an ambient spacey synth gem which is both beatless and drenched in phased organ. Pretty captivating. Part B plays it rather straighter, a church organ continuing the same melody and tempo but with less of the swirling synthy effects.
"Light In The Rains (Number II) - A" sounds like something Diamond D would've sampled in the mid-to-late 90s, conjuring as it does that peculiar, creeping Axelrod-funk, all eerie electric guitar and organ, bass and spacey effects. Part B loses the electric guitar and adds brass.
The swirling, dramatic "Mondial Scoop (Number II)" has that urgent News At Ten feel with its prominent timpani drums whilst "Mecanic Bird Song" is a frenetic, abstract track with disorientating keyboard interplay.
*Total highlight* "Mephisto Jet (Number II) - A" rides a slick, proto-hip-hop beat with melodic, warm Rhodes yet, thrillingly, casually ups the drama with strings and timpanis. It then returns to its more mellow state. Ace. Part B adds acidy, phased percussion to create a more hypnotic, tripped out feel to proceedings. Part C is half as long but, pared back to just drums and Rhodes, it's arguably twice-as-nice.
To close, the shuffling, bell-laced urgent jazz of "Phasing News - A" is another highlight, riding a great bassline and augmented by ace drums, organ and electric guitar. Part B is also great, removing the guitar and doubling down on the head-nod funk.
The audio for Phasing News Volume 1 has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Keplar
Cat-No:KeplarRev14LP
Release-Date:05.05.2023
Genre:Electronic, Electronica
Configuration:LP
Label:Keplar
Cat-No:KeplarRev14LP
Release-Date:05.05.2023
Genre:Electronic, Electronica
Configuration:LP
Arovane's acclaimed 2004 album »Lilies« has been out of print on vinyl for nearly 2 decades now. It finally gets a well-deserved reissue through the Berlin based Keplar label. The new version has been remastered by Kassian Troyer at Dubplates & Mastering and comes with a brand new cover artwork.
»Lilies« was a follow-up to »Tides« in every sense, exploring a trip to Japan and drawing on shimmering textures and the sort of melodies that you might need some time to recover from. There's a hugely evocative sense to these tracks, emotionally driven, free of complexity or conceit, piano melodies providing the central focus for a twilight cascade of light that seems perfect for the Tokyo skyline - just as the sun sets. It's an album that radiates warmth and vulnerability, fusing the technological might at the heart of each track (and at the heart of the city) with an age-old understanding that certain echoes of sound, small melodic changes and cushioned lullabies can imprint sounds on your mind like childhood memories - remembered forever. Like a dreamlike score, or maybe even an alternate soundtrack to »Lost in Translation« - the sort of music that intertwines with images and stays in your mind indefinately.
After coming back from Tokyo and completing the production of »Lilies«, Uwe Zahn disassembled his studio in the big flat in an old building in Berlin's Prenzlauerberg district and stored it away in boxes. He needed a break from making music. »Lilies« was the last album prior to a nine-year hiatus for Arovane, ending in 2013 with the release of »Ve Palor«.
Tracks
# Title Duration
1 Ten Hours (2023 Remaster) 03:01
2 Windy Wish Trees (2023 Remaster) 03:19
3 Passage To Nagoya (2023 Remaster) 02:07
4 Cry Osaka Cry (2023 Remaster) 05:08
5 Pink Lilies (2023 Remaster) 04:00
6 Lilies (2023 Remaster) 05:27
7 Tokyo Ghost Stories (2023 Remaster) 05:07
8 Instant Gods Out Of The Box (2023 Remaster) 04:35
9 Good Bye Forever (2023 Remaster) 03:48
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
»Lilies« was a follow-up to »Tides« in every sense, exploring a trip to Japan and drawing on shimmering textures and the sort of melodies that you might need some time to recover from. There's a hugely evocative sense to these tracks, emotionally driven, free of complexity or conceit, piano melodies providing the central focus for a twilight cascade of light that seems perfect for the Tokyo skyline - just as the sun sets. It's an album that radiates warmth and vulnerability, fusing the technological might at the heart of each track (and at the heart of the city) with an age-old understanding that certain echoes of sound, small melodic changes and cushioned lullabies can imprint sounds on your mind like childhood memories - remembered forever. Like a dreamlike score, or maybe even an alternate soundtrack to »Lost in Translation« - the sort of music that intertwines with images and stays in your mind indefinately.
After coming back from Tokyo and completing the production of »Lilies«, Uwe Zahn disassembled his studio in the big flat in an old building in Berlin's Prenzlauerberg district and stored it away in boxes. He needed a break from making music. »Lilies« was the last album prior to a nine-year hiatus for Arovane, ending in 2013 with the release of »Ve Palor«.
Tracks
# Title Duration
1 Ten Hours (2023 Remaster) 03:01
2 Windy Wish Trees (2023 Remaster) 03:19
3 Passage To Nagoya (2023 Remaster) 02:07
4 Cry Osaka Cry (2023 Remaster) 05:08
5 Pink Lilies (2023 Remaster) 04:00
6 Lilies (2023 Remaster) 05:27
7 Tokyo Ghost Stories (2023 Remaster) 05:07
8 Instant Gods Out Of The Box (2023 Remaster) 04:35
9 Good Bye Forever (2023 Remaster) 03:48
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore