Picture a world without Garys. Picture a world without a Garage. Not a pleasant thought? That’s where Gary’s Garage comes in.
He’s got the Gary. He’s got the Garage (but not the UK Garage, though).Since 1950, there’s been a sharp decline in babies being named Gary. Garys are becoming a rare breed. That’s why Gary’s Garage was born – to release a garage record so pure and joyous, it’ll inspire parents everywhere to name their newborn “Gary,” bringing the name back to its rightful place.
Inspired by a faxed in reaction sheet to Azuli Records in 1999, Gary has graced us with 4 fresh tracks of Gazza Garage to form the Not Enough Garys EP. First up, I’ve Taken (Too Many Garys) — a chunky, bass-driven anthem that hits like a Greggs sausage roll on a summer’s day. Evoking memories of the 0171-dialling code, it’s pure stodge.
Next, Gary’s Ballad finds Gary in a reflective mood, lamenting the loss of the UK high street institution, Woolworths. Side 2 cranks up the GAZ with Gary’s Garage (Is A Good Garage), bringing back memories of some questionable nights in Streatham in the early 2000s.We close out with Nigel Garage, where Gaz digs out his Emu SP1200 and ramps up the BPM for maximum impact. Just kidding — Gary can’t afford an SP1200.

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No sales to Japan!

LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk

Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance


Info

We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.

Points of interests

- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.

- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.

- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)


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Liebigstrasse 2-20
DE - 22113 Hamburg
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Contact: gpsr@wordandsound.netMore

LP: 45rpm Cut, Inside Out Printed Sleeve, Sticker
WORLDWIDE

Genre: Soundtrack, Classical, Smooth Jazz, Modern Western


Tracklisting LP
A1. Azuma's Theme (Gnossienne No. 1 - Erik Satie)
A2. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (End Title)
A3. Kiyohiro's Theme
A4. Kiyohiro's Theme II
B1. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (Main Title)
B2. Fear (Gnossienne No. 1 - Erik Satie)
B3. Intorno all'idol mio (Antonio Cesti)
B4. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (Main Title - Saxophone Version)


Info

WRWTFWW Records is thrilled to announce the official reissue of Daisaku Kume's original soundtrack for the highly acclaimed 1989 Japanese crime/drama movie Violent Cop. Available for the first time outside of Japan, the album comes in a limited edition of 500 copies worldwide with a 45 rpm cut providing full audio pleasure and an iconic record sleeve featuring the movie director and star: the one and only "Beat" Takeshi Kitano!

Violent Cop marks Kitano's directorial debut - a gritty neo-noir in which he stars as a rogue detective fighting a sadistic crime syndicate, only to discover widespread internal corruption in the police force. Poetic, minimalistic, with a superb balance between small soothing moments of beauty and vertiginous sudden violence, the film spearheaded a superb international career for the multi-talented filmmaker, actor, and comedian, which includes works such as Sonatine, Hana-Bi, and Battle Royale. The release of the soundtrack on vinyl presents an excellent opportunity for fans to explore the musical underpinnings of one of Kitano's earliest creations.
Daisaku Kume, known for his work as the keyboardist for late 70s fusion bands T-Square and Prism, showcases versatile musical prowess on the soundtrack, taking listeners on a sonic journey through a blend of genres including magnificent Erik Satie re-interpretations, melancholic smooth jazz sometimes reminiscent of Taxi Driver, ambient-classical, and modern Western atmospherics. It's the perfect setting for Kitano's stoic but tormented lonesome urban cowboy character. Raw power mixed with timeless elegance.

Violent Cop (Original Soundtrack) by Daisaku Kume follows the recent release of the soundtrack from another groundbreaking Japanese movie, Shin'ya Tsukamoto's Tokyo Fist (1995), with music by industrial visionaries Chu Ishikawa & Der Eisenrost, also currently available on WRWTFWW Records.


Points of interests

- For fans of good movies, good soundtracks, Takeshi Kitano and Erik Satie, furniture music in a modern Western setting, ambient, minimalism, classical, Japanese crime movies of the 90s, Daisaku Kume, Taxi Driver, nice looking record sleeves.

- First official reissue of the soundtrack for classic Japanese crime/drama movie Violent Cop (1989) directed by and starring the legend (Beat) Takeshi Kitano.








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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Vinyl Edition plus Download Code

Track List
A Side
Parts I-IV
B Side
Parts V-VIII

In the midst of the pandemic, Enjoy Jazz Festival has developed a musical project whose members will be recruited new every year and then debut at a concert on UNESCO International Jazz Day, April 30. The members come from the jazz scene of the German state of Baden-Württemberg. "We wanted," festival director Rainer Kern stresses, "not only to revitalize the fragile network of outstanding creative minds, but also to rethink it artistically as a rolling system." Two experienced and renowned band leaders, Alexandra Lehmler and Erwin Ditzner, now curate an annually changing ensemble of outstanding artists of the most diverse provenance. As part of a voluntary commitment, the ensemble is to be organized in a sustainable, diverse, and, in three years at the latest, completely gender-equal
and climate-fair manner. Thus, as a commitment to the goals of the "European/Local Green Deal" (and with reference to the jazz standard "On Green Dolphin Street"), the name Green Dolphin Orchestra was created. Another special feature: The renowned Oriental Music Academy Mannheim (OMM), a long-standing partner of the Enjoy Jazz Festival, receives a white card, so that musicians with a migration background or protagonists from other musical cultures are always part of this "orchestra of many" and constantly expand its sound language.

The project has a free improvisation approach with changing personnel. "We actually even thought of drawing lots for the different formats within the band pool," explains saxophonist Alexandra Lehmler. "We decided against it in the case of the first concert and instead put together curated formations." And drummer Erwin Ditzner adds, "In principle, however, this procedure remains an option." It was important to the two of them to also mix the genres represented by the individual musicians in such a way that free space for something truly new could emerge. "We wanted to challenge ourselves," Lehmler sums it up. The only restriction: a time code was assigned to each sub-project. "Each formation was given a time limit, although it was possible to virtually override this limit by spontaneous
reshuffling," says Ditzner, explaining one central of the few rules. "In concrete terms, this meant that after eight minutes, the improvisation in progress was either ended or new musicians simply joined in the ongoing creative process, while others took themselves out of the game."

Alexandra Lehmler summarizes the artistic impact of the ensemble as follows: "We really cross-fertilize each other. In order to push this process even further, we forced ourselves when putting together the ensemble not to fall back on our 'favorite playing partners', i.e. musicians with whom one feels particularly at home. In other words, we consciously wanted to step out of our comfort zone with this project." The present pieces were recorded live in Heidelberg during the ensemble's premiere concert on the occasion of International Jazz Day on April 30, 2022.

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Liebigstrasse 2-20
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House, Techno

GENRE/S:
House, Techno

TRACKLISTS:
A1. Donnie
A2. Running
B1. G-Train
B2. Run Towards The Sun

SHORT INFO:
Driving house/techno interpretations.

VITAL SALES POINTS:
Third EP from NAP


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore