1
Lauer - Harmony Unit
2
Lauer - Betone
3
Lauer - Frizzante
4
Lauer - Playa
A new figure sashays their way into Bordello. In one hand, a bouquet of carnations, in the other a 12” record. Lauer. Philipp Lauer. Known for his incredible productions on labels like Running Back and Permanent Vacation, not to mention his collaborations, the German all around good guy delivers four gems. The title piece radiates warmth, clean drum patterns giving way to beaming synth bars with vocoder lyrics bopping to the bass. Light hi-hats and a wet snare are the fertile ground from which choral key shifts break to squelching acid in this addictively diverse work. The energy levels spike, like a cork spearing its way from a champagne bottle, for the unbridled enthusiasm of “Frizzante”. Piano stabs, pulsating percussion and an infectious groove. The Summer sun may have set, but Lauer is still at the “Playa” with his playful finale. An off-kilter melody ebbs and flows on a string of rhythms, dreamy tongue-in cheek synth play sailing this 12” off to the horizon.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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More records from Lauer
1
Lauer - 770077
2
Lauer - 770077 (Khotin Remix)
3
Lauer - Felt Bat
4
Lauer - Felt Bat (Yu Su's Propelled Version)
Lauer returns this year with his highly anticipated second EP on Public Release. The two tracks showcase his ability to bookend both club and indie, unified by his signature hypnotic groove and emotionally charged dance-floor storytelling. “770077” is an ecstatic emo club builder, while “Felt Bat” ventures into guitar driven new-wave-club with a strong dose of renewed nostalgia. On remix duties, two esteemed Canadian artists bring their own unique interpretations. Khotin enhances the ethereal allure of “770077”, deepening its hypnotic atmosphere and rhythms, while Yu Su reinvents “Felt Bat” as an urgent, brooding, breakbeat-driven track that pushes the EP into new territory.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Lauer - S-Paragus
2
Lauer - Don't Let The Music Stop
3
Lauer - S-Paragus (Johannes Albert Remix)
4
Lauer - Don't Let The Music Stop (Max Buchalik Remix)
OULMEEX record label premiers with a powerful nu-disco and italo EP conceived during the spring and summer of 2024. It comes with the signature of synth maestro Philipp Lauer, and remixes by Johannes Albert and Max Buchalik. An impressive debut for a label that originally began its path in the industry as a weekly mix series back in December ’22.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Lauer - Centurio
2
Lauer - I Don't Know
3
Lauer - Trig Out
4
Lauer - Longo
Lauer makes a glorious return to Way to France Records with another varied mix of typical Lauer hits (“Centurio”), breaks (“I Dont Know”), fast - in the 2016 sense - dancefloor stompers (“Trig Out”) and Ibiza-esque deep house (“Longo”) on his “Centurio EP”.
Piano-filled tracks for beginners and advanced listeners.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Piano-filled tracks for beginners and advanced listeners.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Lauer - Law High
2
Lauer - Law High (Charlie Remix)
3
Lauer - Enso
4
Lauer - Enso (Janthe Remix)
The first outing of the new label Way to France records, born in Leipzig and raised in Cologne (including an extra long puberty), comes from none other than Robert Johnson legend Lauer.
The title track Law High heads straight for peak time in classic Lauer style between synth-pop, wave and house. Extraordinary DJ Charlie from Berlin transforms Law High into an analog-sounding EBM-Italo stomper with her first remix ever.
On B1 Lauer shows his other side with Enso: Techno Soul in the melody-man manner. Enso got the remix treatment from Leipzig's highly talented Janthe, who (another remix premiere) pulls off a modern, froggy, timeless version that's playable on any occasion. WTF Records headquarter is more than proud (and happy) to have so much talent on their versatile catalog number 001.
Get the balance right.
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Germany
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The title track Law High heads straight for peak time in classic Lauer style between synth-pop, wave and house. Extraordinary DJ Charlie from Berlin transforms Law High into an analog-sounding EBM-Italo stomper with her first remix ever.
On B1 Lauer shows his other side with Enso: Techno Soul in the melody-man manner. Enso got the remix treatment from Leipzig's highly talented Janthe, who (another remix premiere) pulls off a modern, froggy, timeless version that's playable on any occasion. WTF Records headquarter is more than proud (and happy) to have so much talent on their versatile catalog number 001.
Get the balance right.
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DE - 22113 Hamburg
Germany
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1
Lauer - Ski N Gee
2
Lauer - Otto Zero
3
Lauer - 808126
4
Lauer - Time 2
The venerable Philip Lauer (aka “Lauer”) makes his debut on Public Release this Fall with his latest EP Otto Zero. One half of T&P, another half of Tuff City Kids, and a full two halves of Lauer, we're thrilled to welcome him to the Public Release family. I’ve been rinsing his tracks in my sets over the years; a sound so recognizably his, warm and fleeting emotions — yet simultaneously cold and rigid— he masterfully toes this line. The EP is serious party music for any room, whether it be the dance floor or the kitchen... It hits wherever, whenever.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Germany
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1
Lauer - Somebody w/ Dena 5:33
2
Lauer - Somebody instrumental 6:18
3
Lauer - Resonancer 5:57
4
Lauer - Exterminate 5:43
5
Lauer - Friends 4:08
6
Lauer - Cyclone Days 4:25
7
Lauer - Neway 5:45
Format: Mini-LP
Tracklist
A1. Somebody w/ Dena 5:33
A2. Somebody instrumental 6:18
A3. Resonancer 5:57
B1. Exterminate 5:43
B2. Friends 4:08
B3. Cyclone Days 4:25
B4. Neway 5:45
Often duplicated, never imitated: the power of Lauer! Albeit being no stranger himself to musical influences from the outside, the producer from Frankfurt managed to carve out a sound that is very much his own. Indie-dance, Italo, power pop and house music in its traditional sense get mixed up in a blender of happiness.
Lauer’s latest achievement for Running Back and welcome return is a mini-LP called Cyclone Days. Aptly titled and ably executed, it’s everything you would expect or want from him. A world of merry music, where melody is king.
On top of that , you get value for your money: Vocal blockbusters like the upbeat Somebody (instrumental included) and the more restrained Friends (both with frequent collaborator Dena), sit comfortably between instrumental hits. Resonator and Neway take the role of the proverbial keys to happiness, while the title track or Exterminate balance it out with joyful melancholy.
Just imagine Righeira signing to Factory Records or Durutti Column on holidays in Rimini and you are halfway there. The days might be like a cyclone, but as long as there are records like this, the shelter isn’t blown.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist
A1. Somebody w/ Dena 5:33
A2. Somebody instrumental 6:18
A3. Resonancer 5:57
B1. Exterminate 5:43
B2. Friends 4:08
B3. Cyclone Days 4:25
B4. Neway 5:45
Often duplicated, never imitated: the power of Lauer! Albeit being no stranger himself to musical influences from the outside, the producer from Frankfurt managed to carve out a sound that is very much his own. Indie-dance, Italo, power pop and house music in its traditional sense get mixed up in a blender of happiness.
Lauer’s latest achievement for Running Back and welcome return is a mini-LP called Cyclone Days. Aptly titled and ably executed, it’s everything you would expect or want from him. A world of merry music, where melody is king.
On top of that , you get value for your money: Vocal blockbusters like the upbeat Somebody (instrumental included) and the more restrained Friends (both with frequent collaborator Dena), sit comfortably between instrumental hits. Resonator and Neway take the role of the proverbial keys to happiness, while the title track or Exterminate balance it out with joyful melancholy.
Just imagine Righeira signing to Factory Records or Durutti Column on holidays in Rimini and you are halfway there. The days might be like a cyclone, but as long as there are records like this, the shelter isn’t blown.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Lauer - (1) a1: Lil Forci Jr. (4:51)
2
Lauer - (2) a2: Ghost feat. Jasnau * (4:48)
3
Lauer - (3) a3: Switec (5:15)
4
Lauer - (4) a4: SNNO (4:24)
5
Lauer - (5) b1: Make It Stay feat. Dena ** (4:18)
6
Lauer - (6) b2: Valentino III **** (3:47)
7
Lauer - (7) b3: Altalenanti feat. Fabrizio Mammarella *** (5:14)
8
Lauer - (8) b4: No More Push-Backs (4:38)
9
Lauer - (9) b5: Fait Accombli (2:48)
Vinyl LP incl Digital Download Voucher
Tracklist
(1) a1: Lil Forci Jr. (4:51)
(2) a2: Ghost feat. Jasnau * (4:48)
(3) a3: Switec (5:15)
(4) a4: SNNO (4:24)
(5) b1: Make It Stay feat. Dena ** (4:18)
(6) b2: Valentino III **** (3:47)
(7) b3: Altalenanti feat. Fabrizio Mammarella *** (5:14)
(8) b4: No More Push-Backs (4:38)
(9) b5: Fait Accombli (2:48)
Release Infos:
Lauer Drops New LP “Answers 2 Trouble”
Lauer makes it all look so easy.
Over his two decades in the game, Philipp Lauer’s work always manages to mix the best of steely German engineering with deep emotion; industrial-strength beats with the warmth of an old sweater.
On his new LP “Answers 2 Trouble” (out April 2 on Permanent Vacation), the Frankfurt-based musician once again delivers the goods: Nine tracks stuffed with elite beat making and delicious, 80s-influenced songcraft, drawn together by clever arrangements and expert pacing.
After a handful of high-profile collabs over the past few years with the Sex Tags crew, Skatebård, Fabrizio Mammarella and fellow Tuff City Kid Gerd Janson, the prolific producer sounds energized to be back behind the wheel for a solo spin—his first LP since 2018’s “Power.”
All the Lauer hallmarks are here: Flashes of modern house and techno, a few drops of acid, layers of gorgeous synths and those wistful melodies that recall an era when New Order played live on “Baywatch.”
While the longtime Robert Johnson Club affiliate hasn't shied away from his John Hughes influences in the past, this time around, Mr. Philipp pushes his sound further into pure pop than ever before.
Especially on cuts like “Make It Stay” and “Valentino III,” Lauer swaps moody dance floor workouts for breezy, seaside drives.
On the former, new collaborator Dena plays Cosey to Lauer’s Chris, and the pair craft the kind of song that would sound perfect on a teenage spin in mom’s convertible VW Cabriolet.
Not that he's gone all pop, though.
The Italo-tinged “Altalenanti” lands squarely in Lauer’s patented toughness + grooviness equation, while album highlight “Ghost” (alongside frequent vocalist Jasnau) is all shouty vocal hooks, clenched fists and stomping bass lines.
Lauer tells us the new record was completed in his brand-new, purpose-built studio. While we imagine wiring together all his vintage gear must’ve been a major chore, thankfully, the results sound effortless.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
(1) a1: Lil Forci Jr. (4:51)
(2) a2: Ghost feat. Jasnau * (4:48)
(3) a3: Switec (5:15)
(4) a4: SNNO (4:24)
(5) b1: Make It Stay feat. Dena ** (4:18)
(6) b2: Valentino III **** (3:47)
(7) b3: Altalenanti feat. Fabrizio Mammarella *** (5:14)
(8) b4: No More Push-Backs (4:38)
(9) b5: Fait Accombli (2:48)
Release Infos:
Lauer Drops New LP “Answers 2 Trouble”
Lauer makes it all look so easy.
Over his two decades in the game, Philipp Lauer’s work always manages to mix the best of steely German engineering with deep emotion; industrial-strength beats with the warmth of an old sweater.
On his new LP “Answers 2 Trouble” (out April 2 on Permanent Vacation), the Frankfurt-based musician once again delivers the goods: Nine tracks stuffed with elite beat making and delicious, 80s-influenced songcraft, drawn together by clever arrangements and expert pacing.
After a handful of high-profile collabs over the past few years with the Sex Tags crew, Skatebård, Fabrizio Mammarella and fellow Tuff City Kid Gerd Janson, the prolific producer sounds energized to be back behind the wheel for a solo spin—his first LP since 2018’s “Power.”
All the Lauer hallmarks are here: Flashes of modern house and techno, a few drops of acid, layers of gorgeous synths and those wistful melodies that recall an era when New Order played live on “Baywatch.”
While the longtime Robert Johnson Club affiliate hasn't shied away from his John Hughes influences in the past, this time around, Mr. Philipp pushes his sound further into pure pop than ever before.
Especially on cuts like “Make It Stay” and “Valentino III,” Lauer swaps moody dance floor workouts for breezy, seaside drives.
On the former, new collaborator Dena plays Cosey to Lauer’s Chris, and the pair craft the kind of song that would sound perfect on a teenage spin in mom’s convertible VW Cabriolet.
Not that he's gone all pop, though.
The Italo-tinged “Altalenanti” lands squarely in Lauer’s patented toughness + grooviness equation, while album highlight “Ghost” (alongside frequent vocalist Jasnau) is all shouty vocal hooks, clenched fists and stomping bass lines.
Lauer tells us the new record was completed in his brand-new, purpose-built studio. While we imagine wiring together all his vintage gear must’ve been a major chore, thankfully, the results sound effortless.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Lauer - Know You
2
Lauer - You Know w/ Jasnau
3
Lauer - Body Chck
4
Lauer - Ctron E
5
Lauer - You Know (instrumental)
Tracklist
A1: Know You
A2: You Know w/ Jasnau
B1: Body Chck
B2: Ctron E
B3: You Know (instrumental)
Shortinfo:
The man machine Lauer is back on Permanent Vacation with full power! After last year's album for
Running Back and his summer anthem "Inkel Jet 880" for the DGTL label, here is Phillip's new EP
"Know You". And Lauer does what Lauer does best: Perfecting his proto disco trance sound into four
emotional party tracks for romancers and B-Boys alike. On this EP, you even get the chance to sing
along. " You Know" features his good old buddy and frequent collaborator Jasnau on vocals. To say it
with his words: Don't hesitate!
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A1: Know You
A2: You Know w/ Jasnau
B1: Body Chck
B2: Ctron E
B3: You Know (instrumental)
Shortinfo:
The man machine Lauer is back on Permanent Vacation with full power! After last year's album for
Running Back and his summer anthem "Inkel Jet 880" for the DGTL label, here is Phillip's new EP
"Know You". And Lauer does what Lauer does best: Perfecting his proto disco trance sound into four
emotional party tracks for romancers and B-Boys alike. On this EP, you even get the chance to sing
along. " You Know" features his good old buddy and frequent collaborator Jasnau on vocals. To say it
with his words: Don't hesitate!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
lauer - Inkel Jet 880
2
lauer - Topo Chico
3
lauer - Topo Chico (Tribute Mix)
After DGTL’s first ever Various Artists release it is time to hand over the momentum of the 9th release to one artist only: Lauer. Phillip Lauer has been producing and remixing for decades. He has over 250 remixes to his name, collaborations with Gerd Janson, Fabrizio Mammarella and Tim Sweeney and various EPs and albums under his Lauer moniker. For the DGTL release Lauer gives us the three-tracker Topo Chico doused with his signature sound. Starting off with Inkel Jet 880, maybe best described as a modern Italo track, but without the typical accented vocals, giving you a mean and lean vibe throughout. The thick and synthy bass-line combined with the sharp chords, thumping beat and two effective breaks make Inkel Jet 880 an energetic ride straight to the dance floor. The title track Topo Chico is a softer sounding track with a swinging bassline and high pitched arrangement that builds up to stretched out chords, giving it all a dreamy yet spirited feel. From here on the track continues to build up to various highs, by leaving out the chords here and there, but adding some bells instead, while slowly but surely the chords drop by again and makes Topo Chico all the more blissful. The EP ends with the Topo Chico Tribute mix which starts with an acidic bass line that drops into a bath of soft sounding bells and Lauer’s signature stretched out chords, while the arrangement gives the track a nostalgic vibe, turning more current later on in the track. The tribute ends where it all started, with the thick Acid bassline, making the Topo Chico Tribute mix a perfect ending to the EP. The sleeve of DGTL’s 9th release Topo Chico is yet again custom designed by the duo Boris Acket and Tim Straver.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Germany
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1
Lauer - Blissos
2
Lauer - Fatigue
3
Lauer - Direction
4
Lauer - Mirrors Feat Jasnau
5
Lauer - Phaser7
6
Lauer - Faell
7
Lauer - Realistic
8
Lauer - Nirost
9
Lauer - Power
Tracklist LP:
Tracklist
A1. Blissos
A2. Fatigue
A3. Direction
A4. Mirrors Feat Jasnau
A5. Phaser7
B1. Faell
B2. Realistic
B3. Nirost
B4. Power
Shortinfo:
Lauer always rhymes with “Power”. Proven by countless remixes, productions and projects like Arto Mwambe, Black Spuma, Talamanca System or Tuff City Kids and – naturally – his own-brand. There aren't many dance floors left that haven't been blessed by all this glory.
Now, the aptly titled third album of Frankfurt's prime export regarding all things melodic, teenaged and synthesized, intensifies, condenses and hones the sound, he has been developing for years: a topical take on classic dance and 80ies pop figures, disco music in a closet (Lauer is still in denial), singing arpeggios, android choirs, beautiful bass lines and sometimes the apparitional architecture of house music.
Neatly placed on one piece of vinyl, “Power” collects nine tracks resp. songs that follow these roads. Expertly produced, recorded on high-end tape and complemented with intricate songwriting, Running Back is proud to present his magnum opus.
“Power” is vintage Lauer. Like his attic – Pyramide Studio 2 for those who know – where a vast synthesizer collection from the days of yore and tomorrow meets other digital dinosaurs and analog Aphrodites, it showcases a sanguine, punky and vivid DIY-aesthetic that isn't too far from a garage band turned into a one-man-orchestra.
Glazed with two songs featuring the vocal talents of Jasnau (Mirrors and the Poeponymous Power) Power), that sentiment is consolidated. Music to dance to and to romance to.
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1
lauer - No Title
2
lauer - No Title
3
lauer - No Title
Following on from 2016’s excellent “Birsk” single on Futureboogie, Philipp Lauer returns to the label with a new three track single. The “Las Brisas” EP kick starts with the mechanical funk of “Pile”; acidic notes drip over heavy EBM drums whilst a hovering ‘Resse’ style bassline dominates, the influence of early house and industrial dance are ever present here on this belter of a track from the Tuff City Kids and Talamanca System player.
More acid pressure can be found on “Clipper”, a blazing and dynamic slice of anthemic Balearic dance. Searing pads and lustrous melodies pour over the robust drum machine workout, that’ll have dancers reaching for the skies! Real stirring stuff from Lauer, which continues with closing track “Tyco”. Ricocheting stabs and cowbell hits bounce off a sturdy kick drum as the track flourishes with more on-point melodies and a snaking bass. Dripping with emotive refrains, Lauer brings his very best to the table here, and rounds off an EP that’s most definitely all killer and no filler!
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More acid pressure can be found on “Clipper”, a blazing and dynamic slice of anthemic Balearic dance. Searing pads and lustrous melodies pour over the robust drum machine workout, that’ll have dancers reaching for the skies! Real stirring stuff from Lauer, which continues with closing track “Tyco”. Ricocheting stabs and cowbell hits bounce off a sturdy kick drum as the track flourishes with more on-point melodies and a snaking bass. Dripping with emotive refrains, Lauer brings his very best to the table here, and rounds off an EP that’s most definitely all killer and no filler!
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Tracklist:
A. Philipper A2 Philipper Tool B1. Muscle B2. Vizzi Vazzi
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More records from Bordello A Parigi
1
Endrik Schroeder & The Hacker - The Emergency
2
Endrik Schroeder & The Hacker - The Emergency (Back From The Wave Breaky Remix)
3
Endrik Schroeder & The Hacker - The Emergency (Back From The Wave Indie Remix)
For the first time, Endrik Schroeder and The Hacker have joined forces. Their unique sounds and styles have combined seamlessly to produce a 12” that draws on their own musical histories. The title track pulls the listener into a darkened sweaty basement, a space where neon lights leer and quivering speakers vibrate. Melting elements of new beat and rave revelry, the track is bawdy and bold. Robotic samples cut through siren blasts, clean snare rolls skidding in thick basslines and creamy breaks. Two remixes follow, both care of fellow French producer: Back From The Wave. First up is the “Breaky Remix”. Adhering to the club origins of the source material, this remake sends melodies ever higher as drums lift elated lines to the stern refrain of “Emergency”. The “Indie Remix” closes. The glowsticks are sheathed in this version, instead it is the soaring keys that are given the limelight with beats bolstered for extra bite. Three tracks set to delight and ignite dancefloors.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Italoconnection - Like A Star
2
Italoconnection - Like A Star (Instrumental)
3
Italoconnection - Make It Real
4
Italoconnection - Make It Real (Instrumental)
Two vocal tracks and two instrumentals. The classic EP structure reflects the class act that is Fred Ventura and Paolo Gozzetti. Italoconnection are back at the Bordello weaving their synthesizer magic. And those analogue lines are what immediately wash over the listener in “Like A Star.” Crisp percussion and sailing melodies break to a glorious hook before Ventura’s unmistakable voice takes hold. Paying homage to Moroder’s “From Here To Eternity”, Italoconnection deliver a vocoder dipped love affair as smouldering vocals pitch ever higher. The instrumental strips back all lyrics, but allows the breathy keys to remain and keep that human touch amidst the addictive chords and rich textures. Bold machine brass introduces “Make It Real.” These blasts form the melodic backbone for this ballad to self-belief where Ventura’s impassioned words are impeccably coupled with Gozzetti’s sparkling synthwork. That synthwork comes to the fore in the finale. With lyrics pared back, the machines sing a different song as that energy packed melody is charged with even more intensity. Quality through and through, as always with Italoconnection.
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1
Hyperstellar - In For A Flash
2
Hyperstellar - The Dance We Never Had
3
Hyperstellar - Surrender
4
Hyperstellar - L'Amour Sur Saturne
Hyperstellar returns on Bordello A Parigi with a nocturnal and deeply magnetic EP. In For a Flash captures the fleeting beauty of a moment stolen from the night, the tension of a glance that will never return, the sensation of having loved inside a dream. The record carves out a singular aesthetic through new wave, shady atmospheres, and early electronic influences.
The eponymous track, In For a Flash, opens the record like a sudden vision: a burst of light in the dark, propulsive, yet already fading. From its fatalist urgency to the longing of The Dance We Never Had, each piece suggests a different facet of the same mirage. Surrender unfolds like a slow implosion, a toxic war between release and control, while L’Amour sur Saturne drifts endlessly in a suspended space, like a tale where the impossible is still imagined.
Influenced as much by Burial as by New Order, the solitude of classical composers or eccentric glam rock acts, Hyperstellar continues to build his artistry on numbers, and intimate constellations.?
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The eponymous track, In For a Flash, opens the record like a sudden vision: a burst of light in the dark, propulsive, yet already fading. From its fatalist urgency to the longing of The Dance We Never Had, each piece suggests a different facet of the same mirage. Surrender unfolds like a slow implosion, a toxic war between release and control, while L’Amour sur Saturne drifts endlessly in a suspended space, like a tale where the impossible is still imagined.
Influenced as much by Burial as by New Order, the solitude of classical composers or eccentric glam rock acts, Hyperstellar continues to build his artistry on numbers, and intimate constellations.?
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1
Bruno Belissimo - Ottimo!
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Bruno Belissimo - Meduse
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Bruno Belissimo - Mirage
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Bruno Belissimo - Las Piramides De Ibiza
Balearic sounds and Mediterranean warmth are the inspirations for Bruno Belissimo’s Bordello A Parigi debut. Drawing on disco, house and funk, Ottimo! is a four tracker of electronic exuberance with Belissimo’s musical ability and range immediately spilling from the speakers. Guitar strings curve around synthlines in the title piece, percussive textures giving way to the mantra-like refrain of “Ottimo!” Thick bass echoes into beaming keys for “Meduse.” Bright notes cascade, grooves melting with vocoder lyrics as classic disco tones are reimagined in this modern mirrorball medley. Organic rhythms introduce the flip. “Mirage” opens to ripples of bongos and toms as a loose structure takes hold. Hedonistic chants rise to a shimmering chord, kicks and snares funnelling the building energy as bold blasts and samples shriek with delight. “Las Piramides De Ibiza” brings the quartet to a close. Clean drum patterns support joyous notes, a machine dipped voice calling time.
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Gus Paterson - Energy Fields
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Gus Paterson - Emotive Feels
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Gus Paterson - Cyborg Dateline
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Gus Paterson - Jetpack Joyride
Energy Fields is Gus Paterson’s vinyl debut. One of the brains behind Bokhari Records, this four tracker melts disco, italo and house into a creamy funk fondue. Staggered bleeps and crisp percussion introduce the title piece, samples echo as a squelching thick bassline drops. Countering the fudgey strings are sparkling synthlines, bold brassy analogue bursts tethering the track to the floor. Although tempos drop for “Emotive Feel,” the energy remains high. Robust keys are further fortified by blasts from vintage machines, a free flowing groove lifted into astral jazz. Sharp beats open the flip for “Cyborg Dateline.” Soon, Paterson’s melodic skill takes over. Layers of inspiration are held together by ambling notes. Echoes of cosmic and disco are adopted, a contemporary twist delivered through the complex intertwining of elements. Paterson takes us into the stratosphere for the finale. “Jetpack Joyride” maintains the rhythm of its predecessor, pouring on the funk through daring piano lines and rich strings of double bass. A trip into the beyond from this debutant.
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Real Velour - Lover
2
Real Velour - Look What You've Done
Returning to the Bordello, and the seven-inch, is Real Velour. This secretive figure reappears with two tracks of indie dance that bend and re-shape elements of italo disco, minimal pop and synth wave to create an utterly unique experience. Sleazy basslines and tropical percussion give way to heavily vocodered words in “Lover”, machine amor breaking to spoken human voice as melodies twirl. The romance described is one of passion, of friendship and of fidelity; but, with a hint of control. Clever and addictive, the composition cherry-picks bittersweet sounds to depict this relationship. The flip, “Look What You’ve Done”, maintains the candystore keys of the A-Side; the tone shifting as lyrics adopt a brazen and fortified vigour. It appears maybe that the promises of “Lover” have been shattered. While the love story turns to hurt feelings and regret, Real Velour keep the energy high to revel in the final break-up.
Note: limited to 200 copies
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Note: limited to 200 copies
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Glitterin - Try No More
2
Glitterin - Try No More (Instrumental)
A small package that delivers a serious wallop, “Try No More” by Glitterin is guaranteed to provide some heat on dancefloors this Summer. From the juddering throb of the opening kicks to the ricocheting rhythms, the track fixes itself directly under the mirrorball from the outset. Produced by Jason Core, this is late night lover affair material that is brimming with energy. When the firework melody bursts, it ignites. Sharp and warm synth stabs are left smouldering by the driving and impassioned voice of Sandry Sanz. A tale of unrequited love unfolds between the cymbal crashes and spiralling synthines, lines that grow ever bolder through Tony David’s emotive guitar solo. The flip is dedicated to Core’s instrumentation with the range of analogue sounds and synthesizer intensity coming to the fore. Intricate patterns and counter melodies are woven, key shifts and pulsating percussion imbibe this dub mix with all the spirit of the original. Fierce and fiery from beginning to end.
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Infinity Night - Tu Ne Me Re´ponds Pas
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Infinity Night - Full Of Stars
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Infinity Night - Les SOuvenirs Des Valerie
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Infinity Night - Nymphomania
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Infinity Night - Le Temps Qui Passe
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Infinity Night - I Comme Icare
A decade has passed since Infinity Night graced Bordello A Parigi with his wonderful Winter and Summer EPs. After too long a wait, the French producer returns with the aptly titled Le Temps Qui Passe. Six slices of select synthesizer music make up the 12”, tracks lovingly crafted with Frederic Bergamaschi’s trademark analogue warmth. A melancholic melody meanders through brightness in “Tu Ne Me Re´ponds Pas”, dulcet words hidden under the machine gauze of a vocoder. Skittish percussion gives way to the refrain of “It’s Full of Stars”. Hazy keys appear as an arpeggiator rumbles below a shimmering sky. “Les Souvenirs De Valerie” picks up where its predecessor left off. Astral notes are beamed into the heavens, echoing into the while crisp cymbals tether the piece. Infinity Night has always sought that point of balance in his music, a bittersweetness he accentuates and explores. This is true in the darker shades of “Nymphomania”. Beats are bolstered, key stabs piercing the tenderness of analogue trills. The title track is a rich patchwork. A burbling undercurrent supports forays into diverse tangents with lyrics surfacing through key shifts and sliding scales. Marching to militaristic rhythms, “I Comme Icare” is the curtain call. The stringent drums are broken by sailing synthlines, vocals masked in a familiar mesh to close. Le Temps Qui Passe, well worth the wait.
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Panthera - Fumare
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Panthera - Lucifera
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Panthera - The Magic Touch
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Panthera - Toccata
Panthera is back at the Bordello with his most energy-packed release to date. Synthsizer Hits III is forged in the heat of Hi-NRG, the romance of italo and the daring synthesizer hooks of 1980s Europe. A thick rasping beat pounds above a juddering arpeggiator line before hedonistic surges ignite “Fumare”, an achingly addictive opener. Vocals are toyed with, used to increase the potency of the chosen machines and sounds. A circling chant infects “Lucifera” as a joyous melody takes hold of this modern Summer anthem, euphoric notes ushering in the dawn while speakers and strobe throb. There is a palpable power that permeates the 12”. “The Magic Touch” sends strings sailing skyward as rich percussive textures take root below. From this fertile ground, a sensational ode to the synthesizer flowers. Vocoder lyrics, pulsating rhythms and keys that are truly fantastical. “Toccata” finishes this analogue celebration. Slow burning with disco inflections, this finale soon shows its true colours. Daring counter melodies frolic, from the elegant and refined to the brash and broad, in this mirrorball inspired last dance.
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Skatebård & Lauer - Trollkraft
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Skatebård & Lauer - One Night In Geilo
What do you get if you put two synthesizer sorcerers in the same room? In the case of Skatebård and Lauer, the answer is Trollkraft. Between them, the Norwegian-German partnership have hundreds of releases, run record labels and have wowed crowds across the globe. In short, the two tracks of Trollkraft are the product of some serious electronic talent. Rich and textured drum layers give way to strings and a vibrating bass for the title piece. Twists and turns abound, elements of disco and house brush shoulders with indie and italo as the pair tear down genre divisions. A 90s heyday influence that runs through both offerings, with “One Night In Geilo” taking its cue from house rhythms and a two-stepping melody adopted from that emblematic decade. Reimagining rave in their own effervescent and playful style, these strobe and fog veterans serve up a fat slice of glow-stick elation. Strings weave high into the dawning sky, bongos and toms reveling next incandescent synthines with just a touch of trance thrown in to add spice to this heady and euphoric mix. Two tracks from two true masters.
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Alektra (Daniel Monaco & John Noseda) - Shake Your Body
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Alektra (Daniel Monaco & John Noseda) - Shake Your Body (Instrumental)
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Alektra (Daniel Monaco & John Noseda) - Shake Your Body (A Cappella)
Daniel Monaco and John Noseda join forces for Alektra, a new project born out of a deep love for Hi-NRG and raw 808 sounds. Renowned for their dj sets, trips that delve into tropical obscurities, Chicago jack and Rimini romances, the pair have channelled a unique blend of untamed house and shimmering italo melodies into pure dancefloor euphoria. Their debut release, “Shake Your Body,” drops on Bordello A Parigi. Neon synthwork is punctured by clean punches of percussion, scaling melodies set firmly in the golden analogue era. Key stabs drive the track with Only Bee’s honeyed lyrics pushing the energy levels higher. In true 1980s anthem form, the flip is dedicated to the instrumental with the synthesizers and their hypnotic melodies taking centre stage: Alektra’s machines smouldering with fiery intensity. That same intensity closes, Only Bee’s mellifluous vocals given the limelight for the acapella close. Dancefloor definitions redefined. Welcome to Alektra.
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Figi & Luca Dell'Orso - Mr. Computer
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Figi & Luca Dell'Orso - Fire With Fire
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Figi & Luca Dell'Orso - Moonlight (Vocoder Version)
Mr. Computer sees two figureheads of Dutch electronics pay homage to the voice of electro disco, the vocoder. Figi and Luca dell’Orso team up to sing praise of a tool that has crossed genres and styles and give the little metal larynx deserved limelight on their own three track theatre. Rumbling bass is shot through with crisp snaps in the title piece, warbling vocals rising as keys dance in this wonderful collaboration. Production across the 12” is beautifully clean and sharp, allowing the rich analogue sound and robotic lyrics to be fully appreciated. Of course, as happens with the vocoder, those lyrics are just that shade of bittersweet. That brooding quality is used to full effect by Luca dell’Orso in “Fire with Fire”. A bold and daring melody is countered by a tale flecked with sorrow, the brightness and immersion of synths contrasted by the filtered and fractured human voice. Figi flies solo for the finale. “Moonlight (Vocoder Version)” dips words in a thick mechanical syrup, a story of burning love recanted to moonbeam rinses and bending disco bars. A true celebration of man and machine.
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Konerytmi - Super Ekstaasi
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Konerytmi - Klassikkoelokuva
3
Konerytmi - Hirvijarvi
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Konerytmi - Uusiaalto
Bordello A Parigi welcome the prolific Kirill Junolainen into the fold. He debuts under his Konerytmi alias with four tracks that join the dots of disco, italo, synth pop and wave. The title piece, “Super Ekstaasi”, is an analogue rollercoaster of emotive lyrics and sparkling synthlines shot through with distant melancholy. The frosty “Klassikkoelokuva” follows. Contrasting its predecessor, this glacial work of electro cuts crystalline chords with crisp claps and bending basslines. Temperatures rise on the flip. Slow and sci-fi inspired, the thoughtful “Hirvijarvi” explores the cosmos through searching synthlines and probing percussion. The gamut of Konerytmic is on display with the finale being no exception. “Uusiaalto” is both brittle and bold. Refracted computer chirps are draped in soaring strings, pinpricks of drum piercing the stern samples that break the delicacy of the track’s composition. Super Ekstaasi through and through.
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Simon Hanes - Aimer Commencer
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Simon Hanes - Aimer Jouer
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Simon Hanes - Aimer Colombophiler
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Simon Hanes - Aimer Naviguer
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Simon Hanes - Aimer Galérer
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Simon Hanes - Aimer Perdre
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Simon Hanes - Aimer Sombrer
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Simon Hanes - Aimer Rêver
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Simon Hanes - Aimer Finir (Disco)
Aimer Perdre is a movie by the Guit Brothers and tells the story of Armande Pigeon; the queen of shenanigans. In Brussels, she struggles to make ends meet because she can’t stop gambling on everything, always ending up on the wrong side of luck. When she teams up with Ronnie one night, everything changes – they win it all. And when you hit a winning streak, you have to know when to stop.
For Aimer Perdre, Brooklyn NY native Simon Hanes travelled to Brussels in order to work directly with the directors, synchronizing the editing of the film with the composition of the soundtrack so that both processes would influence each other. Hanes and the Guits spent 3 months working alongside each other almost every day, passing ideas back and forth and allowing the soundtrack to grow organically. The music is an honest representation of Hanes’ experiences over those months, which he spent couch surfing across Brussels, sharing meals and ideas with new friends in broken refrains of French and English – falling asleep at the Cinémathèque, and occasionally breaking into abandoned buildings…but thats a story for another time.
Throughout all this, Simon hired musicians he met in bars, members of the Brussels experimental/artistic community, singers from a choir that was rehearsing in the squat where the Guits built their editing room…All the while sculpting the soundtrack out of these seemingly dissolute elements and constantly blurring the line between the compositional process and his day to day life.
Finally the process culminated in hiring the FAMES string orchestra for ONE SINGLE HOUR (all they could afford) to achieve the full orchestral sound the film’s climax so clearly needed.
The end result, like the film itself, is a reflection of life – a hodgepodge of sounds, colors and ideas that come together to create a beautiful, unique tapestry, sometimes harmonious, other times less so.
Comes with a limited edition flexidisc with a bonus track.
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For Aimer Perdre, Brooklyn NY native Simon Hanes travelled to Brussels in order to work directly with the directors, synchronizing the editing of the film with the composition of the soundtrack so that both processes would influence each other. Hanes and the Guits spent 3 months working alongside each other almost every day, passing ideas back and forth and allowing the soundtrack to grow organically. The music is an honest representation of Hanes’ experiences over those months, which he spent couch surfing across Brussels, sharing meals and ideas with new friends in broken refrains of French and English – falling asleep at the Cinémathèque, and occasionally breaking into abandoned buildings…but thats a story for another time.
Throughout all this, Simon hired musicians he met in bars, members of the Brussels experimental/artistic community, singers from a choir that was rehearsing in the squat where the Guits built their editing room…All the while sculpting the soundtrack out of these seemingly dissolute elements and constantly blurring the line between the compositional process and his day to day life.
Finally the process culminated in hiring the FAMES string orchestra for ONE SINGLE HOUR (all they could afford) to achieve the full orchestral sound the film’s climax so clearly needed.
The end result, like the film itself, is a reflection of life – a hodgepodge of sounds, colors and ideas that come together to create a beautiful, unique tapestry, sometimes harmonious, other times less so.
Comes with a limited edition flexidisc with a bonus track.
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1
Tallac - Chemtrail Sufers
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Luksek - Tropicale
3
Francesco Cascella - That Moment
4
Hypersensitive - Disco Homicide
Through darkness diamonds spread their richest light…
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Pearz - Halloumi Amour
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Pearz - Breath
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Pearz - International Lovers Feat. Kuntessa
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Pearz - Seasons
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Pearz - Florence, Alabama
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Pearz - Tropic Of Capricorn Feat. Vanbasten
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Pearz - Lima
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Pearz - Boulevard
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Pearz - Pink Sunset
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Pearz - Don't Be A Stranger
‘Pearz is the evocative project of Italian-born, LA-based multi-instrumentalist Francesco Perini. His debut album, Pacifico is the culmination of a five-year journey through the cities that shaped him: Florence, London, and Los Angeles. Drawing inspiration from a mix of disco, electro, nu-jazz, and Japanese City Pop, Pacifico, reflects his eclectic musical evolution. The title, Pacifico—meaning “peaceful” or “calm” in Italian—embodies the album’s theme of the closing experience of his travels.
The album features collaborations with a diverse range of artists, including Kuntessa (East London’s DIY queen), Vanbasten (The voice of Roma’s suburbs) Natalie Findlay, Jules Apollinaire, Gimmy El Helou, David Bardon, Oscar Robertson, Ruari Meehan, Luca Landi, Fabio Ricciolo, Andrea Palombi and Jamie Allen.
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The album features collaborations with a diverse range of artists, including Kuntessa (East London’s DIY queen), Vanbasten (The voice of Roma’s suburbs) Natalie Findlay, Jules Apollinaire, Gimmy El Helou, David Bardon, Oscar Robertson, Ruari Meehan, Luca Landi, Fabio Ricciolo, Andrea Palombi and Jamie Allen.
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Antoni Maiovvi - Later Not Lately
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Antoni Maiovvi - Slack Blabbath
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Antoni Maiovvi - Later Not Lately (Legowelt Remix)
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Antoni Maiovvi - The Madness In The Method
Antoni Maiovvi is an artist like few others. “Knights of New Haven” summarises his unique ability and unparalleled range. This return to the Bordello reflects the influence of the West Coast Sound of the Netherlands as well as that machine music of his adopted home of the U.S. “Later Not Lately” bends bars above a throbbing kick, hi-hats ruffling the clean arcs of string. Echoes of Chicago and Detroit penetrate the EP. Melting melodies fold and oscillate under the crashing cymbals of “Slack Blabbath”, staggered synthlines jolted by tight percussion patterns. A brother-in-arms opens the flip, Danny Wolfers drafted in under his Legowelt moniker to turn his magic to “Later Not Lately”. Undulating undertones are sliced by serrated snares before a sordid TB303 is unsheathed, Wolfers’ soulful and squalid retelling of the original. “The Madness in the Method” closes. Fizzing static blurs drum patterns, a taut note piercing the dense bass fog. Teetering between the profound and the profane, Maiovvi pivots his horror disco trademark sound with driving house drums and devil-may-care grandeur. An EP of epic proportions.
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Nackley - Return Of The Ghecko
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Nackley - Sublime Desolation
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Nackley - Been A Long Time
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Nackley - Heartbreaker Feat. Atahra & Child Of
Music possesses an incredible ability to transform raw emotion into an expansive array of expression. Nackley knows this ideation well. Having spent years working behind the scenes as an agent, Bordello’s latest discovery now steps fully into the spotlight with Anger Management, channeling the turbulence of transition into sound.
Cathartic and charged compositions are at the heart of this four-track release. Acid-dipped keys are both delicate and direct in the driving highs of Return of the Gecko, a track pulsing with raw energy. The crueler side of the music industry isn’t so much parodied here as it is dismissed entirely—Nackley lets the music do the talking. Sublime Desolation is pure dancefloor dynamite, where synth sirens detonate and explosive rhythm commands movement.
Been A Long Time arrives dripping in attitude. Breaks and a juddering bassline face off with a hustling 303 hook, harmonies weaving through deep sonic textures. A renewed confidence courses through the release as Nackley explores a range of styles, closing with the synth romance of Heartbreaker—an addictive blend of keyboards, guitar strings, and enveloping vocals are the emotive ingredients of this tear-streaked work of 1980s-inspired joy.
And joy is exactly what Anger Management delivers—a healing triumph and a bold debut declaration from a rising talent.
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Cathartic and charged compositions are at the heart of this four-track release. Acid-dipped keys are both delicate and direct in the driving highs of Return of the Gecko, a track pulsing with raw energy. The crueler side of the music industry isn’t so much parodied here as it is dismissed entirely—Nackley lets the music do the talking. Sublime Desolation is pure dancefloor dynamite, where synth sirens detonate and explosive rhythm commands movement.
Been A Long Time arrives dripping in attitude. Breaks and a juddering bassline face off with a hustling 303 hook, harmonies weaving through deep sonic textures. A renewed confidence courses through the release as Nackley explores a range of styles, closing with the synth romance of Heartbreaker—an addictive blend of keyboards, guitar strings, and enveloping vocals are the emotive ingredients of this tear-streaked work of 1980s-inspired joy.
And joy is exactly what Anger Management delivers—a healing triumph and a bold debut declaration from a rising talent.
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