Tracklisting:
A1 Saphileaum - Equator
A2 Saphileaum - Guecko & Koala
A3 Saphileaum - Kind Totem Guide
B1 Saphileaum - Ooga Booga
B2 Saphileaum - Kakadu
B3 Saphileaum - Natural High

Sales Note
Following up releases on Tokyo-based record label Mule Musiq, Constellation Tatsu and Good Morning Tapes, Saphileaum delivers six tracks on Intervision - unconstrained reverie encompassing a patchwork of tribal-tinged downtempo, mellow house and neo-Amazonian ambient soundscapes.

Pressed on blue marbled vinyl. Printed sleeve.

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and the novelty goes on: mule musiq welcomes another fresh producer to its vast catalogue of music from all around. this time andro gogibedashvili aka saphileaum. he is coming from tbilisi, georgia and already released an impressive body of work, considering he just publishes music since 2016. countless eps and albums, digital, on tape, documenting his feverish creative urge on labels like not not fun records, good morning tapes, diffuse reality, or vodkast. they cover a comprehensive stylistic range from ambient and downtempo to tribal, house, and techno nuances. a deeper shade of soul, precisely fashioned, growing from different playgrounds of inspiration. he was born into a musical family. as a kid he studied georgian folk. in his school rock band, he sang, and the guitar was his love. then electronic music called the tune, and techno hit his heart. in the midst of it all the 26-year-old never lost contact with his spiritual home. “i find deep inspiration in georgian myths and legends, occultism and esoteric teachings, lost civilizations, earth, unity, truth, information, and the secrets of the universe. these things, to name a few, inspire me daily and help me create the music I make.” saphileaum reveals. “exploring together”, his debut album for mule, navigates all these elements through a merry-go-round of gentle driven rhythm zones. fourth-world spheres, balearic tropes, field recording zones, tropical downbeat, tribal percussions, trancing sounds, balafon hums, mallet airs, hooky house – it’s all there, circling the eavesdropper into a dreamland of melodic undercurrents. “my loops come from tribal and cosmic inspirations. tribal, as below, and cosmic as above. the combination of these two, is very interesting to me”, he clarifies, while joking “but, to put it super simply, loops are super handy for djing”. which brings us to the final promotion of “exploring together” - it’s playability. its vast. multifunctional. spiritual. made for gatherings, were all dance time away. lost in music actions, only touched by the hand of rhythm and sound. his ten tracks are created for such flashes, wide spreading a musical narration of illuminating durability. “cosmic, relaxing, fun, tribal, and mystic.”, as saphileaum declares.

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Damian Lazarus’ Crosstown Rebels invites Jonathan Kaspar back to the imprint for another round ofcaptivating and melodic techno across his latest EP, ‘We Come’.A fixture on acclaimed labels such as Cocoon, Kompakt, and Innervisions, Cologne-based DJ and producer Jonathan Kaspar continues to demonstrate his versatile talent while also remixing for notable names like Acid Pauli, John Digweed, Joris Voorn, and Sven Väth. Six years after dropping his initial single on the label, he now makes a triumphant return to Damian Lazarus’ Crosstown Rebels for his fourth outing, mesmerising audiences once again with the three-track EP 'We Come,' revealing his deeper and hypnotic side.Diving deep with surging synths and impactful chords, 'We Come' unfolds itself with wailing sirens and asoaring hook, crafting a hypnotic and thrilling ride. Next, 'Flash Point' propels the listener into a hypnotic haze, building tension through melodic synth loops and laser stabs before the uplifting ‘Transposed’ delivers emotive keys and wispy pads, with Paul Brenning’s vocals at the forefront.

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Dotan Bibi aka Dot carries the audience into a journey that straddles the lines between deep house and dubby techno. He is considered one of the best rising Israeli Producers & Dj's with a sound that's deeply rooted in the history of Detroit Techno and Chicago House music.

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Made By Pete makes a highly anticipated return to Crosstown Rebels with ‘Fires’, accompanied by remixes from Bushwacka! and Victor Calderone & Mykol.With the likes of Black Coffee, Solomun, and Damian Lazarus remixing his music and support from artists such as Sasha, Bedouin, the Keinemusik crew and Pete Tong, Made By Pete’s ascent across recent years has seen his global demand soar. Following on from his anthem ‘Horizon Red’ alongside Zoe Kypri, with the captivating record picking up international acclaim and featuring in DJ Mag’s Top Tracks of 2023’ the London-based DJ/producer makes a welcome return to Lazarus’ renowned Crosstown Rebels imprint as he unveils his latest single ‘Fires’.Emerging via a warping bassline and his own intoxicating vocals before launching into a twisting, heady trip, ‘Fires’ showcases a darker side to the exciting producer’s sound as he serves up a rousing cut crafted for hazy hours. UK house icon Bushwacka! delivers his ‘Magic Mix’ next, stripping the track back to work a tunnelling, snaking groove in amongst dreamy melodies, while NYC legend Victor Calderone and Mykol toughen the production up with reinforced kicks before layering trippy effects on top of the vocals. Not finished there, the package is rounded out with a Dub mix, providing another go-to dancefloor anthem across yet another stacked offering on Crosstown.

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“I Go” is an incredible piece of club-focused electronic music and showcases a very different sound to previous single “Nabi”. Described by The FADER as “the kind of dazzlement you get from light dancing off of ocean water on a hot day: pure dopamine activating bliss” and Resident Advisor as “a refreshingly low-key jam”, “Nabi” was an evocative piece of slow-burning, 98bpm electronic pop, inspired by 80s synth classics, the piano pieces of renowned composer Erik Satie and the 80s and 90s Korean songs Gou's mother used to play at home during her childhood. “I Go” takes inspiration from a similar era but this time the energy comes from Gou’s love of 90’s dance anthems, many of which she revisited during lockdown and an enforced break from touring. Both retain the hallmarks of Peggy Gou’s unique take on electronic music; at once both nostalgic and totally modern. But on “I Go”, the tempo, 808s and 909s are dialled right up for a self-motivating anthem that is set, to soundtrack a summer when we can all hopefully dance together in our thousands again. TRACKLIST: A1. I Go, B1. I Go (Instrumental) ,B2. I Go (Acapella)

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Flowers On Monday return to In Waves with a beautiful four track EP, ‘Horizons’, featuring Amega and Weam Ismail.

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ALL DAY I DREAM COMMENCES THE NEW YEAR WITH A BANG, RELEASING A WINTER SAMPLER VI COMPILATION
Lee Burridge’s All Day I Dream imprint is thrilled to kick off 2024 with the latest addition to its semi-annual compilation series, A Winter Sampler VI, releasing January 26. Serving as a testament to the label’s commitment to fostering emerging talent and highlighting the cutting edge of melodic house music, A Winter Sampler VI is a curated selection of tracks that showcase the diverse and vibrant sounds within the All Day I Dream family.

A Winter Sampler VI brings together an impressive consortium of artists from around the globe to put together a 12 track offering. The compilation kicks off with Simon Vuarambon's remix of St Germain’s 2000 hit ‘So Flute’, the euphoric and driving track setting the tone for a journey through the innovative and cutting-edge sounds of the compilation. From Wassu and Bona Fide’s deep yet playful collaborative track ‘Threshold’ to Nathan Katz’s serene and uplifting ‘For You’ to Seth Schwarz and Solidmind’s beautifully spiritual collaboration ‘Create The Universe’, each contribution adds a unique flavor to the sonic tapestry, resulting in a must-listen body of work from beginning to end.

A Winter Sampler VI serves as a testament to All Day I Dream's dedication to providing cutting edge melodic house from select talent across the globe, providing a platform for both emerging and established artists to shine.

All Day I Dream invites music lovers to dive into the next edition of their compilation series with A Winter Sampler VI

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Breakout artist Gabriele Toma brings his thumping house sounds to Hot Creations with the four-track EP, ‘You See Me’. Italian DJ/producer Gabriele Toma is shaking up the scene with releases on established labels such as Trick, CUFF, and Hellbent Records, swiftly capturing the attention of industry giants such as The Martinez Brothers, Cloonee and Hot Creations label head Jamie Jones, to name a few. Positioning himself as an exciting newcomer to watch, having previously released his bouncing ‘Lit Bit’ EP on sister label Hottrax, Toma now makes his Hot Creations debut with his knockout four-track EP, ‘You See Me’. ‘You See Me’ opens the release with a low-slung bassline, bustling drum funk, and addictive rap-style vocals that propel the track as a certified bouncer. ‘Move Your Body’ delivers another groove-led house beat with bouncy bass hits and skittering female calls, while ’Muevete’ sets the dance floor ablaze with vibrant bongo beats in true Hot Creations style. To close, ‘Magic Flute’ lives up to its name, with whistling flutes at the core alongside pumping bass to craft an irresistible afterhours workout.

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Today, modular synth expert and electronic music pioneer Sébastien Léger returns to All Day I Dream to release his ‘Regina Blue’ EP, A longtime All Day I Dream family member, Sébastien first joined the label in 2018, releasing his esteemed ‘Lost Miracle’ EP. Since then, Sébastien has been a consistent contributor to the label and performer at ADID events across the globe- making him a staple of All Day I Dream’s musical identity. He has released four EPs on the label prior to ‘Regina Blue’, and has participated in multiple All Day I Dream compilations. Sébastien’s most recent All Day I Dream EP, ‘Feel’, which includes hit tracks ‘Feel’ and ‘Son of Sun’, was released to much acclaim in 2021, leaving fans eager for his return to the label. The ‘Regina Blue’ EP offers three originals, which showcase Sébastien Léger’s production talent and emotive range. The EP begins with the title track, where Sébastien takes his time building the percussion-led rhythm, before bringing in joyous melodic elements through powerful synth riffs. On the B-side of the record, ‘We Used to Laugh’ kicks off with optimistic, fluttering synths around crisp percussion. As the track progresses, listeners are taken on a journey as Sébastien’s harmonies evokes a deep emotional response. Finally, the EP concludes with ‘The Indian Gate’, an energetic, rhythm-fueled track featuring filtered chanting over a funk driven beat.

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