Tracklisting
A1 Pushmann - Closing In Medallo
A2 Pushmann - The Chinese Hardgroove Track
B1 Pushmann - Organo Do Tempio
B2 Pushmann - Organo Do Tempio (Vinicius Honorio Rework)

Sales Note
Pushmann is back on End Of Dayz with the new EP Alone In The World, delivering three Detroit-influenced, hard-driving yet groovy techno tracks. The 12" is rounded out by a Vinicius Honorio remix, which takes the record into the tribal area.

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Tracklisting
A1 Pushmann - Closing In Medallo
A2 Pushmann - The Chinese Hardgroove Track
B1 Pushmann - Organo Do Tempio
B2 Pushmann - Organo Do Tempio (Vinicius Honorio Rework)

Sales Note
Pushmann is back on End Of Dayz with the new EP Alone In The World, delivering three Detroit-influenced, hard-driving yet groovy techno tracks. The 12" is rounded out by a Vinicius Honorio remix, which takes the record into the tribal area.

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Tracklisting
A1 Linear System - Dubbing
A2 Not A Headliner - Not A Headliner
B1 Anika Kunst - Introspective Trip
B2 Decka - Vented

Sales Note
The infamous "All Stars" series on End Of Dayz are back this 2024 with a selection of 4 of the most hard workers producers and djs the last times. Linear System deliveries "Dubbing" a hard and deep squizo party shaker, Not A Headliner comes with a funky percussive game as "Mystery Box", Anika Kunst arrives into the last sinapsis of your brain in her "Introspective Trip" and Decka will make the delights of the hard UK Techno lovers with "Vented. Lethal weapons as we like it in the End Of Dayz heardquarters.

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After a two year break, due to the birth of the sub-label Rhythm Control Barcelona, End Of Dayz returns with a new "All Stars". This time with 4 tracks in the vinyl version, plus a bonus track in the digi version.
On the A-side, the Argentinian, now based in Barcelona, Julixo brings us his song "1990 B i t c h" very much in tune with the EP he published in ARTS under his Awdha alias, hard groove techno with 90's house pads and a cool sample. Kaiser serves us a Millsian school mental bomb direct to the dance floor: "Still Life".
On the B-side we first have "The Crown" by Spaniard Pushmann, that has already been played by Dave Clarke on his White Noise Radio Show and on his set at the Awakenings Festival 2019. To finish the vinyl, the Man From Tucuman and the Barcelona's "Depressive House" king, Fede Zerdan, with his "Soc Pell".

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End Of Dayz presents its tenth release with All Stars Vol 1., some old friends and a new face on the label. Ness, who made a remix on the 002 brings us his original track "Semblance". NX1, who remixed the first reference and did the 003, brings us a mysterious "EOD4". On the B side we have Nehuen, who has already published as CWS (with Cardopusher) the reference 006. This time brings us his track "Fight Or Flight Response". Finally, we welcome to End Of Dayz the German Sebastian Habben and his track "BDT"


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End Of Dayz is back with this powerful release by Aiken. The original tracks are "Hard Times" that is a driving techno madness track, and "Impatient" more hypnotic and deep, but intense as well. The remixes come from the hands of Cleric and Jared Wilson. The first one is a destroyer Techno bomb and the second is a 90's flavored House gem.

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Caribbean-Belgian composer, producer and musician Nala Sinephro announces her debut album Space 1.8 with lead track “Space 3”. Space 1.8 will be released on 3rd September via Warp Records.

The instrumental “Space 3” is a short clip from a 3 hour improvised session with drummer Eddie Hick (Sons of Kemet) and producer/multi-instrumentalist Dwayne Kilvington on synths bass (Wonky Logic, Steam Down) culminating in a synth driven, particle-splitting, rapture. Speaking about the track, Sinephro explains: “We recorded it in the start of spring, it was a magical day. The day after recording I collaged the drums, added fifteen synths, produced and mixed it at home and it was all done.”

Sinephro’s music fuses meditative sounds, jazz sensibilities, folk and field recordings. Her musical practice is rooted in the study of frequency and geometry and guided by the premise that sound moves matter. Her debut album Space 1.8 takes shape as a metaphysical structure, where each curative space is a womb-like cocoon created by Sinephro in service of relief and affirmative, ecstatic freedom. Space 1.8 was composed, produced, performed, engineered, recorded, mixed by Sinephro at age 22. On the album, she plays modular synths and pedal harp alongside her friends James Mollison, Shirley Tetteh, Nubya Garcia, Eddie Hick, Dwayne Kilvington, Jake Long, Lyle Barton, Rudi Creswick and more.

Following electrifying live performances across the London scene, word of Nala Sinephro’s playing quickly spread throughout the UK jazz scene, consequently landing her performances as part of the celebrated jazz night Steam Down, alongside playing with and supporting the likes of Demae, Eun, Coby Sey, Rosie Turton, Robert Ames, London Contemporary Orchestra, Touching Bass, Spitfire Audio, Nadeem Din-Gabisi. She was touted as one of The Guardian’s artists to watch in 2020, has garnered support from the likes of Gilles Peterson; and is a resident DJ on NTS sharing monthly selections of celestial sounds. In 2021, she joined the innovative Warp Records roster where she continues to weave her unique sound world.

- Specs Black vinyl 12" in printed inner in printed 3mm spine outer with download card insert

TRACKLIST:
A1. Space 1
A2. Space 2
A3. Space 3
A4. Space 4
A5. Space 5
B1. Space 6
B2. Space 7
B3. Space 8

QUOTES:
“A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements” - 8.3 - Pitchfork (Best New Music)
“Space 1.8 is a healing sound bath full of rigorous psychoacoustic knowledge and elegant playing” - The Observer (One to watch)
“Very few records have this capacity to make you temporarily fearless, but on Space 1.8, Sinephro harnesses the power of sound to move and heal the listener in ways that are real, and expansive.” - 9/10 - Loud & Quiet
"What sticks with Space 1.8 is the focus of its vision: precise like mathematics but imbued with a rich cosmic breadth." - 9/10 - UNCUT
'Her debut album sits at a slight angle to anything else you may have heard coming out of the UK in recent years” - Stereogum
"A calming, restorative and mind-expanding blend of jazz and ambient" - Resident Advisor (RA Recommends)

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Deadly Habitz debut release on Lost City Archives, delivering the goods with four stomping cuts of Garage & Speedy G. No nonsense, straight talking beats.

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Repress!
absolute Disco House standards - Essential!

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- 2022 Repress - pink marbled vinyl / label sleeve

Shall Not Fade's garage and breaks sublabel, Time is Now, has been a great success in its first year, and now starts 2021 with the first in a series of hand-stamped white label releases. London via Madrid up-and-comer Tower Block Dreams makes his debut for the label with five killer cuts, backed with a weighty remix from Manchester-based garage maestro and Time Is Now regular Interplanetary Criminal.

The A-side is all reliable garage bangers; the opener, "Wicked Ya No" is a rude wobbler for the early hours, with rave piano stabs and a dirty drop. Track two "Keep Coming" loses none of the pace, chopping up playful R'n'B diva vocals to a hard bassline; and the A-side ends with a sidewinding beast of a track in "Soundboy". Think retro synths paired with timestretched ragga vocals - it's unashamedly filthy.

Onto the B-side with gun fingers out for "Truss We", which plays again with ravey stabs and staccato female vocals for an instant dancefloor banger. Tower Block Dreams' last offering on the record is much darker; a forward stepper that cruises along at half-time, creating an ominous atmosphere on which to lead into Interplanetary Criminal's remix of "Wicked Ya Know". This one reimagines the record opener in the producer's trademark high-octane style, smattering hyper breakbeats across the track and turning up the wobble to end the record with a stinker

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- Spec: 2 x LP in paper inners, in 5mm outer sleeve with download card insert.

Tucked away in the great depths of the Warp catalogue is this elegant, liquid heartache of a record. An album credited to the late James Stinson, one half of cult-Detroit techno unit (alongside Gerald Donald) Drexciya, Lifestyles... stands as one of the remarkable records of the genre. Stinson died a year after release, lending this already beautiful work endless resonance.
Where the dystopian aqua-tronics of previous Drexciya were often jet-black, cold, brittle and abrasive this is a yearning soul music, played out down rain soaked streets, the buzzing lights of industry flickering in the darkness, the warm blue of a new day ready to break. This is a record where techno reached its raw, most emotive peak... Sustained pads paint minor-key melodies while electroid-vocals are buried deep in the hydrothermal mass of squelching bass-clusters and funky-filtered bleeps. At its skittering percussion core, a stripped back 808 tapestry, sequenced into myriad jazz-inflected shapes, a pulsing kick drum the snapping heartbeat, ticking hi-hats bursting from every angle.

All this tingles with the ghosts of records past, of Kraftwerkian humanoids, of first-wave Detroit, of refracted Hancock and Ayres, but as Stinson intones on the fifth track, ‘let me be what I wanna be’, Lifestyles is a creation all of its own special making, a sound that would inspire the latter day deep-house machinations of Omar S, Jus-Ed, Moodymann and influence –however indirectly- a wealth of current UK/US bass operators including Actress and Kyle Hall. More importantly it remains a beguiling epitaph to Stinson’s sadly distinguished life.

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Tracklisting:
A1 Dax J - The Wonk
A2 Dax J - The Invisible Man
B1 Dax J - Wir Leben Fur Die Nacht
B2 Dax J - The Bounce
B3 Dax J - Surrender

Release Note
- 2022 repress -

Dax J delivers The Invisible Man EP for Monnom black 009. Dark, acidic, 90's inspired rave cuts. Dax's 1st release after his critically acclaimed debut album "Shades of Black". Essential Selection!

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Tracklisting:
A1 Killjoy - Roof It (4x4 Mix)
A2 Killjoy - Roof It (Soul Mass Transit System remix)
B1 Killjoy - E's Got Me
B2 Killjoy - Bourbon
B3 Killjoy - Bourbon VIP

Release Note:
Making his Time Is Now debut, Killjoy brings a kaleidoscopic EP jam-packed with UK flavours, from 4x4 garage to UK Funky and tribal house.

By no means a newcomer to the scene, Killjoy has long been perfecting his craft. Now residing in Sydney, he was instrumental in the rise of Nottingham's Tumble Audio: a musical heritage easy to detect in his current productions. Building on the stylistic tropes of bassline, UK Funky and Grime, Killjoy's sound istruly distinct, proven by support received from the likes of Scratcha DVA, Riz La Teef, Skream and Zomby.

For proof, look no further than TINWHITE016 which showcases Killjoy's myriad artistic identity, beginning with "Roof It (4x4 Mix)". Intervals of warmth and cool compete with each other - each one just as danceable as the other - later seeing a flip from TIN family member Soul Mass Transit System who captures the track's old school essence and enhances it with korg organ stabs that dance above. A marching triplet rhythm lends "E's Got Me" its driving propulsion: with plenty of swing and and weighty percussion, this one evokes the music of Tribal Brothers or Bakongo. Talking of UK Funky, "Bourbon" sees Killjoy put his spin on the genre with a broken rhythm that comes at no cost to the swing created by deep lower-end stabs that nod to bassline. These are then taken and drawn out on its VIP flip, occupying the intersection between Grime and UK Funky. This one begs to be played on a system.

Time Is Now White Vol.16 drops 13th May.

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new long awaited 12" by the don!

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Atom™ (also known as Atom Heart and often confused with Señor Coconut, real name Uwe Schmidt) is a German composer, musician and record producer of electronic music. He is often regarded as the father of electrolatino, electrogospel and aciton (acid-reggaeton) music.


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remastered (yellow & green mixed coloured vinyl)

Tracklisting:
A1 Schwefelgelb - Es Zieht Mich
A2 Schwefelgelb - Aus Dem Hals Der Flasche
B1 Schwefelgelb - Es Zieht Mich [GP2 edit]
B2 Schwefelgelb - Fokus
B3 Schwefelgelb - Durch Die Haare Die Stirn

Release Note
Schwefelgelb is a Techno duo from Berlin, known for their raw but precise and cutting productions. Their reputation for a strikingly energetic live show brought them into clubs and festivals around the globe.

After launching their own label n-PLEX and releasing two original EPs on it, NPLX003 marks a re-release of their most successful record "Dahinter Das Gesicht" ("Behind It The Face"), which was released on [aufnahme+wiedergabe] in 2017 primarily. After 1500 sold out copies it still remains highly demanded as one of the most influential records for actual EBM-Industrial-influenced Techno. This re-issue comes in a special edition of remastered track versions and also includes an edit of its most notorious track "Es Zieht Mich" as addition to the four original tracks. The 12" 140 g solid yellow / transparent green colored vinyl provides a download code and will be released mid of November. (Presale starts 16th of July.)

Previous releases on [aufnahme+wiedergabe], Fleisch Records, Minimal Wave Records imprint Cititrax and n-PLEX have been frequently played by acclaimed DJs (Phase Fatale, Randomer, VTSS, Amelie Lens, Regis, Helena Hauff, SPFDJ, Veronica Vasicka, Silent Servant to name a few).

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It's been some six years since Caroline "Miss Kittin" Herve and Michel "The Hacker" Amato last delivered fresh material together. While we await further news of their long-mooted comeback, there's this tasty EP of previously unheard archive material to enjoy. Made up of tracks recorded between 1997 and '99 - when their production partnership was in its' infancy - The Lost Tracks Volume 1 contains a number of fuzzy, stylish, floor-friendly bangers, from the S&M-themed madness of opener "Leather Forever" and stripped-back electro gem "Nightlife" (a tribute to Berlin clubs of the period, apparently), to the high-tempo acid-loaded freakishness of "Loving The Alien". Top-notch sleaze.


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