DAWL is one of our new skool producers who is a master of capturing the sound of the early 90’s raves. A genius in the studio who is capable and competent to be able to navigate between genres with skill and finesse.

Returning for his second outing on the Vinyl Fanatiks sister label, Amen Brother, DAWL turns in 4 mega old skool tracks that take you on a trip. Every release we have put out by DAWL sells out (he also released a screaming acid 303 EP for our other label Acid Boom last year) as he has a fanbase that draws in the original ravers along with the younger generation who have embraced this sound with vigour.

Grab a copy, drop it on the deck and go four a journey with a master craftsman!

Pressed on Black & Blue 180g marbled vinyl.

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Limited coloured repress of 100 copies!

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Limited coloured repress of 100 copies!

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Limited coloured repress of 100 copies!

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This is the very first and only single artist EP from Tone DropOut. This EP is the work of TDO co -owner DAWL. DAWL has put together four big dance floor electro bangers , that we felt should not be separated.

Each track shows off DAWL's skill, knowledge and love of electro, anyone who loves new and old school electro will love this. We have the big bass lines, the beautiful big deep synths and pads, bleeps and buzzes and that classic electro beat, and topped off with some cheeky sampled voices.

The title Track -Total Annihilation kicks off with its strong electro breakbeat and popping bleeps, going in and out, then comes the big fuzzy bassline and cinematic strings swooping through the track moving all the time, will get any dance floor going.

Track 2 infiltrator has those great claps over the electro beat before we get the busy bassline and the bleeps and buzzes and that driving synth, constantly moving .

Track 3 is Kaotik and that exactly what it is with its wobbly bleeps and whistles and pumped actioned bobbly bassline true electro.

Track 4 the final track on EP as strong as the others with its basslines and bleeps and strings and synths caps off this EP nicely.

Another Tone DropOut four track banger, all tracks ready for the dancefloor.

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Repress!

UK hardcore alumni DAWL joins Craigie Knowes for the 19th EP on the varied Scottish imprint. 'Let's Go' blends breaks and acid while 'Drop It' and 'Heavyweight' lean more firmly on the foundations of hardcore. 'Overdub' rounds the record off nicely as a rolling techno/electro tool that gives the purchasing DJ the chance to switch styles up while the dancers catch their breath.

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Number three is here and we're pleased to announce that it's led by a great artist who has produced nothing but heat for years - Dawl! "Ultimate Damage" is an EP brimming with emotions, encompassing Dawl's characteristic styles: nostalgic stabs, breaks, raw techno and bleeps. These are 4 tracks ready for the dance floor - don't miss this release!

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Haunting electro from Molen on his Craigie Knowes debut ‘Machine Dreams’. Make your way through the mist and fog into the endless depths of the Machine Dream. Sound design build to shake foundations, perfected for home listening and club-destruction alike. Dive in and brave the depths.

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‘Beneath the Surface’ sees not even noticed return to Craigie Knowes following their impressive debut in 2023. Carsten & Lucas return with an EP of refined club jams packed with thoughtfully tailored drive, energy and progression-and don’t forget their trusty 303 that features throughout.So, dip Beneath the Surface and dive into the night.

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Domenic Cappello joins Craigie Knowes with his ‘Sceptical Soul’ EP – a trip into the sounds he has mastered through decades spent behind the decks in the world’s best nightclubs. Take an auditory journey into the mist and red light of Glasgow’s legendary Sub Club and a lifelong love affair with the sounds pioneered out of Detroit.

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Extended summer sunshine is poured into all 12”s of Escape Artist’s label debut. ‘Far Away Places’ by Escape Artist is a farewell to festival season in Europe and a warm hello to another dusty summer of parties in the Southern hemisphere. 4 serious trax tracks honed to lift dancefloors and spirits alike.

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Peer-reviewed electro theory by Obergman. Pentaquark is pure plug n’ play technology to bump in your UFO as you conquer the cosmos. Endless bouncing electro rhythms for those that want the power to control dancefloors. Embrace the power of the atom!

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Comprehensive, full-spectrum, sonic experiments build for clubs. Uncategorisable in all the right ways. Danny Daze and Jonny From Space team up for their joint Craigie Knowes debut. The ‘Tumbadora’ EP is a masterclass in technical production whilst retaining all the rhythm and power required to destroy dancefloors. It’s one of the listeners and the clubbers. Nick Leo´n steps in with a stripped back version of ‘Sweet Spot Radio’ that’s every bit as mind-melting as the 3 original tracks. Prepare for the freefall!

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Virginia’s Stimulator Jones channels all things jungle on ‘Valley Center’ for his debut album on Craigie Knowes. Sam Lunsford is multi-talented genre-spanning artist; from song writing to singing, programming drum machines to drumming, performing live to DJing. ‘Valley Center’ showcases Lunsford’s seamless genre-hopping skills with the outcome an LP packed with tracks that wouldn’t sound out of place on LTJ Bukem’s ‘Logical Progressions’ series or in the Metalheadz archives.

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Dance music traditionalist Tom Carruthers joins Craigie Knowes. Tom’s commitment to the ruff n’ ready sound of dance music’s formative years is unshaken on the De-Facto EP, bundled with the same synths, drum machines, samplers and FX used in the by-gone golden era of the UK acid, breaks and hardcore scenes. Soul is found in disorder, not in a world that places false hope in perfectionism.

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The return of Guy Contact to Craigie Knowes. The “Energy Obsession” EP sees Guy Contact showcase his masterful take on progressive house as he continues to occupy his space at the very head of the pack. Technical and original – it’s a bumper record of 4 deadly beats to spin at your knees-up that are guaranteed to make the club bounce.

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Bassline technicality and production prowess by Fader Cap on his return to Craigie Knowes. 4 tracks that combine club-sensibilities with width and melody to transcend dancefloors to the outer realms. Echo Chamber provides DJs with a mix of club-focussed beats for all times of the night, strap in.

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Pascale Project debuts on Craigie Knowes with the ‘Good People Only’ EP. The title is lifted from the title track ‘Café Crazy’ – a dance-pop hybrid soaked in good vibes and electronic fun. The 3 original tracks are laced with original lyrics and themes that were written and performed by Pascale Project. A1 is remixed and refoamed by the D. Tiffany with additional vox by NAP.

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Glen S debuts on Craigie Knowes with the Elation Station LP. 7 club-handy tracks shaped to elate minds and elevate dancefloors. A reflective trip glimmering with positivity and illumination.

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Primitive needs unearth long-lost technology, rituals and rhythms on their Craigie Knowes debut. Technical and tribal in equal doses from a forgotten time, the Protosphere EP packed with beats to shake the deepest of buried bones. Pumping tracks for the dancefloor with layers of intelligence to discover and re-discover with each pass of the stylus.

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Fasme joins Craigie Knowes for a fantastical outing of acid-smiley conjuring synthesis, trance influenced sun-rays and sunset Sunday steppers. Creeping Plant climbs and attaches to all bases of the Fasme spectrum, with a foot-loose in every camp and crevasse. Expect thumping club euphorics and odes to nod your head to on the walk home.

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Repress!

Euphoria-tinged club jams by Giammarco Orsini and Jacopo Latini under their rising Data Memory Access moniker for their first outing with Craigie Knowes. Gold standard house music built for peak time clubbing and early morning memories.

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Beautiful mix of peak time minimalism, intricate electro, come-up euphorics and come-down remedies by the masterful 'not even noticed' duo on their Craigie Knowes debut EP Microtransitions. A bit for everyone and something for every time, yet nothing out of place.

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It's the one you've all been waiting for! Reflex Blue joins Craigie Knowes for his monstrous debut EP 'Gotham'. It's an A-grade fusion of club-ready trax on an EP overflowing with frequencies primed to help you freq. Strap yourself in!

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Kalita are excited to announce the first ever re-release of ‘Adzagli (Jungle Funk)’ and ‘A Song For You (Ayawa)’, two phenomenal pieces of West African disco from Amsterdam’s Kofi Ayivor.


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Salt Mines / Life Sciences Division label-head Rudolf C joins Craigie Knowes for both party's first EP of the year. "Gamma!" hits hard across 4-tracks spanning acid, futuristic garage, and peak-time rollers. This is the first coming together of label and artist in the form of an EP - following on from Rudolf C's stellar contribution to the latest release in the label's War Child Fundraiser VA series.

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The Saint Wax Edit Service is back with another fine helping of disco goodness to keep those dance floors nourished this summer and beyond. 'Candela' opens up with a lung-busting and intoxicating vocal over organic drums while 'Chevere Africa' has a warm Afro feel to its upbeat and celebratory disco beats complete with big horns. 'Ledile' gets even more party starting with its jazzy lines and funky bass work and then things slow down on 'Mameye,' a more steamy and languid affair but still one with plenty of big horn charm. Useful tackle, this.

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Adam Pits bows down to the cosmos and bears witness across the super-technical 'Cosmic Confession' EP on his Craigie Knowes debut. A record for the DJs packed with sounds that work throughout the movement of the night.

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Repress!

UK hardcore alumni DAWL joins Craigie Knowes for the 19th EP on the varied Scottish imprint. 'Let's Go' blends breaks and acid while 'Drop It' and 'Heavyweight' lean more firmly on the foundations of hardcore. 'Overdub' rounds the record off nicely as a rolling techno/electro tool that gives the purchasing DJ the chance to switch styles up while the dancers catch their breath.

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Canadian diggers extraordinaires The Patchouli Brothers make their debut on Razor-N-Tape in the finest form possible, with a quartet of exceptionally tasty and soulful edit heat.

Leading of with a floor-filler that brings people together in early night excitement, then onto a peak time esctatic bomb, a gospel disco chugger, and finishing with a slow roller for that end-of-night euphoria, this 12” truly has it all.

In an an already storied career of flips, this standout record is the Brothers at the top of their game, and an absolute masterclass in the do’s and don’ts of the disco edit. Buy on sight!

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Club toilet door-shakers by the incredible Lisene on his Craigie Knowes debut. Technical and intricate club-fodder prepped to shake the foundations of your favourite nightclubs. Watch your hinges!

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140gram pressing in 3mm spine Disco Sleeve

Two lost Disco classics appearing for the first time on a single 12” featuring soul legend Leon Ware and Jo Ann Harris, a little known backing singer for Bob Dylan throughout the 80s.

Both songs originally appeared on the ‘20 Minute Workout’ Video and LP released in 1983 by Canadian label Ronco, ‘What Does It Take’ providing an uptempo crescendo to the third part of the workout and ‘Never Gonna Give You Up’ the final warm down track. Licensed from producer Ira Newborn, Hollywood soundtrack royalty who composed the scores for an incredible run of films including The Blues Brothers, Ferris Bueller’s Day Off, The Naked Gun trilogy, Weird Science, Ace Ventura and Uncle Buck. Ira’s lawyer persuaded him to get involved in the project for Ronco and it was Ira who hand picked Leon Ware and Jo Ann Harris to add vocals to two tracks to aid the commercial potential of the album.

There are two original versions backed with extended instrumentals sourced from a rare Lazer Disc Version of the album. It feels right to shine a light on one of Leon Ware’s lesser known performances, whilst the Jo Ann Harris cut has a distinct Balearic air featuring sultry keys and sax at a tempo of 98 BPM.

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4 juicy cuts to fire up your mind, body and soul.

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It's been some six years since Caroline "Miss Kittin" Herve and Michel "The Hacker" Amato last delivered fresh material together. While we await further news of their long-mooted comeback, there's this tasty EP of previously unheard archive material to enjoy. Made up of tracks recorded between 1997 and '99 - when their production partnership was in its' infancy - The Lost Tracks Volume 1 contains a number of fuzzy, stylish, floor-friendly bangers, from the S&M-themed madness of opener "Leather Forever" and stripped-back electro gem "Nightlife" (a tribute to Berlin clubs of the period, apparently), to the high-tempo acid-loaded freakishness of "Loving The Alien". Top-notch sleaze.


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