Live At Robert Johnson is a natural home for Superpitcher, and this two tracker shows his sense of belonging.

Lush Life featuring vocals by Fantastic Twins was inspired by Corsican polyphony, an epiphany after a church concert though as ever with Superpitcher, simplicity is multi-layered: the track itself could be a trip back to the golden (rave) days of deep electronic US house à la François K, dubby yet peacefully driving the ecstasy home. No religious gospel euphoria though, the lyrics are a pagan hymn to Eventide presets. You can’t take the geek out of the schatzi.

Diario stretches its 10 minutes in a misleading laidback groove: Sueno Latino languid clichés are blown away by a smoothly unforgiving acid line. This is a trip, not a journey, a trip dedicated to the young raver in all of us and to a friend too soon departed. As Pasolini said in the poem of the same name: “That’s why I've never abandoned happiness, that’s why in the anxiety of my sins I’ve never been touched by real remorse. Equal, always equal, to the inexpressible at the very source of what I am”

In other words, kids, keep faith out there.

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Re-Release of this Superpitcher record from 2001

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2019 is mule musiq’s 15 years anniversary. we’re going to release twelve 12inchs with our friend artists and stefan marx make the collectable artwork. 10th release is our long time friend hippie dance’s superpitcher aka pachanga boys. “maki” on a side is a tribute song for legendary japanese folk singer maki asakawa, superpitcher wrote the lyrics and dip in the pool’s miyako koda translated in japanese and did the reading. “mishima” on b side is a trademark of superpitcher’s melancholic house tune. it sounds like updated percussive nyc house in early 90’s.

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Musically and emotionally, Superpitcher’s third full-length studio album, The Golden Ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus- years, emotionally. And full-length it is: The Golden Ravedays is an epic album of 24 longer than usual tracks that was released in January 2017 and is stretching over 12 respective chapter albums during a one-year period.
The 12th and final edition of The Golden Ravedays album will be released on record label Hippie Dance in December 2017. Side A is the ballad of Late Night Skanking. True to the soul of skanking this track is weaving its delicate elements between the rise and fall of a monumental wave that teasingly never breaks. The main melody so seduces and hypnotizes that before you know it you’re a wide-eyed cobra waving away in a basket. Standing ovation! Hands in the air! He made it! The very last track of Superpitcher’s epic Golden Ravedays odyssey is a jovial spree, a hullabaloo of merrymaking, the perfect celebration of the beginning to end of this heroic album. Punky Reggae Party is a fantastic collision of festive sounds, beats and voices that bring us undecipherable messages and everything else that is far beyond nice, nice, nice. Encore! Encore!

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Musically and emotionally, Superpitcher’s third full-length studio album, The Golden Ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus- years, emotionally. And full-length it is: The Golden Ravedays is an epic album of 24 longer than usual tracks that was released in January 2017 and is stretching over 12 respective chapter albums during a one-year period. The 11th edition of The Golden Ravedays album will be released on Hippie Dance in November 2017. Side A brings Brothers. With two decades of spinning experience in disco’s, nightclubs, festival arenas, shady after-party zones and intimate studio soirees there is no doubt that Superpitcher is seasoned in throwing a damn good party. Brothers is party personified and a celebration of the night and the wise owls that respect its magical rituals. Its ultra-chic disco groove and dreamy female vocals transport one to a carnival of blessings. Side B features Sleepy Head, a hypnotic lullaby carefully tucked away in a hammock that rocks to and fro like dozing mermaids in a wavy curtain of seaweed. Sleepy Head is a smart artistic statement and whimsical pause just before the release of the grand finale of the The Golden Ravedays saga.

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these two tracks are testament of Superpitcher’s ability to skillfully merge depth and playfulness. Side A is Rock N Roll Baby. Could it be that someone with a curious but naïve mind had the courage to ask the scariest man in the club, no the world, about the origin of music? The answer rides on a tribal beat, escalates to Armageddon-like heights and an eerie voice repeatedly assures us that it’s all Rock N Roll Baby. Side B features Shining. Don’t be distracted by the deep comfort this warm and fuzzy sound bath brings to your veins. Quite a surprise is waiting for you when you are heading down the dark hallway in your birthday suit just when your hand is anxiously trying to find the light-switch of your room.

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Where number 8 of the series took us to outer space, number 9 introduces two tracks that are an under-water celebration of all that is good and all that is sad. Side A features Hiding. Imagine galloping sea horses pulling a Christmas chariot filled with dreams-come-true past enchanting mermaids, smiling sharks, waving tortoises and nonplused eels, leaving a gifted blanket of mystical sound in their wake. Hiding stretches and breaks into many layers of listening love without enforcing one particular sound. Side B features Flying. The piece is occupied by a subaquatic melody colored by whale sounds and the echoes of immersed guitar strings. Flying is not about complex development or diversity but the weightless drifting of sounds that create a wonderfully hazy cloud to lose oneself in and fly, deliciously with the dolphins. Rest assure, the ending is be speckled with whimsical chimes showers, paving the way for the softest of landings

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Side A features Tuesday Paris Texas a tastefully arranged track with vintage sounds passing nonchalantly through a wild western aural landscape. The music is announced like a cowboy movie dual complete with bar doors swinging on rusty nails in slow motion. Mournful guitar strings swirl over a steady horseback galloping beat, expanding into a full-on-fire dance track. Halfway through a woman’s haunted voice appears and disappears like an eerie siren, a gunshot is fired (was that a gunshot?), a man whispers “what!?” Tuesday Paris Texas is in no hurry to give an answer. Side B features Mirage a desert sound collage glued to a steady pulse that rolls and rolls, circumventing any destination. Mirage is a contour map of no surprising peaks just undulating valleys of wistful cathodic sound creeks, sometimes veering off to plains in full view of the moon, in earshot of solitary wolf cries. Like Tuesday Paris Texas, Mirage is testament of Superpitcher’s versatile prospecting beyond the elemental sound tools of the electronic music trade.

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Number 6 of the series introduces two further tracks of the sound adventure that Superpitcher is taking us on this year.
Side A features Protest Song. If music is a way of transporting us to other places, Protest Song takes us to a desolate, scary and loveless environment, a burnt-down, burnt-out place where the flesh of its former inhabitants is smouldering, void of goodwill and kindness in a cloud of toxic and greedy smoke. It’s all Kafka and Orwell and Suffering - the most twisted and eerie track so far in The Golden Ravedays saga. What is undeniably clear is an acute sense of regret and loss - a warning that it could have been avoided, had we only listened to our hearts and protested.
In the same vein on Side B we hear powerful Resistance. Produced after the Paris attacks of 2015 Superpitcher outdid himself with this strong message of Resistance. Where Protest Song paints a picture of under-worldly doom, Resistance’s techno beat and insistent refrain sweeps us to the surface of the muck of hatred and intolerance we’ve politically been dumped in. A voice that seems like a trapped animal is calling out to us. What is it trying to say? Is it crying out for help? Is that animal all of us? Resistance represents hope and encouragement and could be the perfect marching track to any demonstration against negative forces. Much needed in this age of bigotry where it seems like time has leaped backwards to a darker side of history. As for the dancefloor – Resistance is irresistible!

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Musically and emotionally, Superpitcher’s third full-length studio album, The Golden Ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally. And full-length it is: The Golden Ravedays is an epic album of 24 tracks that was released in January 2017 and is stretching over 12 respective chapter albums during a one-year period. The fifth piece of The Golden Ravedays puzzle will be released on Hippie Dance in May 2017. Number 5 of the series introduces two further tracks of the sound adventure that Superpitcher is taking us on this year.



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the debut release of malmo in sweden based producer “martinou” on mule musiq.

we loved his previous release on nous'klaer audio and turbo.

we’re strongly feeling he is one of the best upcoming producer.

there are four first class atmospheric psychedelic deep house.

hope you like it.

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The highly anticipated album from LAWRENCE is finally here and 15 years after the CD release for the first time available on vinyl!!!

Hamburg based DIAL and SMALLVILLE owner Peter Kersten aka LAWRENCE is one of the most valued and highly regarded artist's in the modern dance music community with a long history of releases on Nova Mute, Kompakt, Ladomat, Spectral, Ghostly, Mule and of course his own imprint DIAL. UNTIL THEN, GOODBYE kicks off with a special 'intro' version of a fan favourite FRIDAY'S CHILD followed by the introspective ambient piece SUNRISE. GREY LIGHT remarks the electronic style of DRUTTI COLUMN while JILL is purely sweet slow house music. The album shifts towards more acoustic driven material with songs such as FATHER UMBRILLO and TODERHAUSEN BLUES…don't fret purists as LAWRENCE hits back with his classic signature sounds with the likes of IN YOUR EYES, SLEEP and SUFFER. LAWRENCE leaves us with a whisper in the most beautiful of ways. The atmospheric ambient tune DON'T FOLLOW ME, the ebb and flow of the piano driven A NEW DAY and the title track leave the listener in a state of bliss. Dare we say, this is one of LAWRENCE's most daring and diverse albums to date…not necessarily a 'concept' album per say but definitely showcases his gift for provoking a remarkably diverse range of musical influences and styles.

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the debut release of shanghai based producer “knopha” on mule musiq.

we loved his release “nothing nil” on eating music.

our friend yusu introduced him to us and he sent us very beautiful musics.

it’s an oriental beautiful new age music.

kuniyuki made a magical remix.

hope you like it

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the debut release of naples based house music producer fabrizio fattore.

he released first single on world peace(run by joe clausell&gigi testa),it’s nice cosmic jazzy fusion deep house.

since then we have been paying attention to his music.

our release is revival of classic detroit techno and house.

a1 “deep blue” is simply killer detroit techno which reminds us early 90’s stuff.

b1 “passengers to mars” is his trademark cosmic deep house.

b2 “moon temple” is jazzy new age down tempo.if you like some slow stuff of kuniyuki, you will love it.

music sounds classic but we’re feeling classic is new.

hope you like!

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the debut release of italian producer now berlin based luca trentini aka trent.

He is a resident dj of cocktail d’amore and has released some unique records from sound metaphors label “bless you”, cocktail d’amore.

A-Side:

”on fire” is just fire! it’s a mad dark disco house bunger.

B-Side:

”drums charmer” is a dark,psychedelic slow mo house. if you like slow stuff by andrew weatherall,you will love it.

“edenico blues” is a modern interpretation of afro cosmic sound. It's for the fans of beppe lota or daniele baldelli.

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and the novelty goes on: mule musiq welcomes another fresh producer to its vast catalogue of music from all around. this time andro gogibedashvili aka saphileaum. he is coming from tbilisi, georgia and already released an impressive body of work, considering he just publishes music since 2016. countless eps and albums, digital, on tape, documenting his feverish creative urge on labels like not not fun records, good morning tapes, diffuse reality, or vodkast. they cover a comprehensive stylistic range from ambient and downtempo to tribal, house, and techno nuances. a deeper shade of soul, precisely fashioned, growing from different playgrounds of inspiration. he was born into a musical family. as a kid he studied georgian folk. in his school rock band, he sang, and the guitar was his love. then electronic music called the tune, and techno hit his heart. in the midst of it all the 26-year-old never lost contact with his spiritual home. “i find deep inspiration in georgian myths and legends, occultism and esoteric teachings, lost civilizations, earth, unity, truth, information, and the secrets of the universe. these things, to name a few, inspire me daily and help me create the music I make.” saphileaum reveals. “exploring together”, his debut album for mule, navigates all these elements through a merry-go-round of gentle driven rhythm zones. fourth-world spheres, balearic tropes, field recording zones, tropical downbeat, tribal percussions, trancing sounds, balafon hums, mallet airs, hooky house – it’s all there, circling the eavesdropper into a dreamland of melodic undercurrents. “my loops come from tribal and cosmic inspirations. tribal, as below, and cosmic as above. the combination of these two, is very interesting to me”, he clarifies, while joking “but, to put it super simply, loops are super handy for djing”. which brings us to the final promotion of “exploring together” - it’s playability. its vast. multifunctional. spiritual. made for gatherings, were all dance time away. lost in music actions, only touched by the hand of rhythm and sound. his ten tracks are created for such flashes, wide spreading a musical narration of illuminating durability. “cosmic, relaxing, fun, tribal, and mystic.”, as saphileaum declares.

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We are very happy to welcome danish romantic house music producer “Kasper Bjorke”.

He has been releasing quality music from hfn music, compost,mirau and name a few.

We knew his music since “After Forever” and really liked it. Some remixes from our friends are also very good.

Kasper sent us some music and we liked 80’s inspired romantic synth pop house music.

One of our most fav new artists “Bella Boo” and Kasper's fav new artist “Longhair” joined the release as remixer.

Hope you enjoy it.

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mule musiq welcomes british producer jimmy wallace, presenting his debut album “red, yellow, black” - a nine track strong record that partly leaves the dancefloor behind.

since childhood, music has been a strong influence on the 33-year-old artist. his mother, a music teacher, exposed him to classical sounds from an early age.

but it was hearing the electronic tones of the french touch movement, which really ignited his mu-sical journey. a year later he started to dj, acting out his love for four-to-the-floor grooves in local clubs. today you'll find him on the bill with artists like ruf dug, mr scruff, or bradley zero, heating up the dance floors.

as a producer he has already released a handful of stunning eps, including one for sweden’s finest house label studio barnhus, and one for london’s revered rhythm section international imprint.

both feature house tunes with an edge, house tunes with a love for the roots of the genre along-side more reflective, ambient moments. he also runs the label tartan records, where he publishes dancefloor focused white labels.

his music has been championed by titans of the scene such as palms trax, ryan elliott, dj tennis, gilles peterson, dixon, and hunee. axel boman even coined his debut ep as “one of the very best demo emails ever received at label studio barhnus hq”.

an advance praise, that wallace now acknowledges with an album full of deeply crafted music. some tracks lean towards the dancefloor, like the swung sounds of “bubbles”, the hypnotic mael-strom of “good morning”, or the epic, jazzy moments of “labyrinth”.

the theme of nature is evident throughout, with field recordings and environmental sounds he rec-orded on the road, being fused with his own musical ideas.

tracks like “waterfall” and “tokyo street”, draw influence on time spent in asia, whereas "dhq", "by the river", and "by the lake" are inspired by his childhood and hometown in the shropshire country-side. “i’ve been writing ambient and more nature focused material for a few years now without really having a plan for it.

finally, this year after writing the tune “labyrinth” i felt i had a body of work which was both diverse and cohesive enough to bring together on a record. so, the album represents moments of time i have spent in various outdoor spaces around the world, using sound to try and turn these experi-ences into musical format.” wallace discloses.

the result is a mesmerizing long player featuring an evocative, emotional story arc that avoids ste-reotypes and straight party orientated narration. “having written plenty of club music for the past few years, i wanted to show a different side to my sound.

something more intimate, private, experimental which can be listened to away from the party.” he reveals on the meditative, blissful “red, yellow, black” - an album, which has the power to transport listeners to places and spaces new – for inspiration, relaxation, and dancefloor moments off the beaten path

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We are proud to announce the debut release of Mexico city base dj&artist “Soos”. He is a resident dj of Mexico city’s best party “Sunday Sunday”. This release is his first physical release A side is unique mixture of 90’s ground beat, break beats and obscure sound. B side is 90’s underground vibe deep house. Hope you dig this new artist!

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mule musiq dives into the archives of humanoid ambient music history, bringing the vinyl premiere of a masterwork by german dj, producer, and musician david moufang, globally known as move d. released in 1995 on pete namlook’s fabled fax +49-69/450464 label, the album marks his only output as solitaire, featuring heroic, supple ambient music, that some folks call one of the best works by move d.

just three years before he dropped it, moufang launched with jonas grossmann the celebrated label source records, active from 1992 to 2005. it was the platform for his first move d album “kun-ststoff”, likewise released in 1995, highlighting diverse genres like techno, house, idm, ambient, electro, and downtempo.

“solitaire” works with pulsating rhythms, too. gentle ones, that cater sensations beyond the propel-ling dance sectors. a spiritual album. recorded at the resource studios/heidelberg in july/august 1994. it reaches out to higher ground, never leaving the sediment.

still state of the art. not a single melody, note, tone has aged. all sparkle, all innocence is still there, somewhere deep in the arpeggiated space, absorbing time. an exploratory early electronic work by an artist, who still had his most prolific years to come.

and yet, “solitaire” sounds like being shaped by a fully mature creative mind, that defined his sonic language already profoundly. six epic tunes between five and 16 minutes, listening to emblematic titles like “damaskus/dakar, “sergio leone’s wet dream”, or “indian mantra”, while opening ambient into investigative textural layer landscapes, that subtly incorporate acid, downbeat, idm, or early techno districts.

for those who have been around in the electronic music sphere for a while, “solitaire” is a classic. for those who are young at heart, it opens new horizons. each new passive or active listing loop fresh ones. hidden in the harmonies. hidden in the melodies. somewhere inside the sound. leading outside into a visual texture, where you can almost see the music!

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My name is King So So.

I am, because you are.

I created the Disco in the Sky solely for you, and it is now, finally ready for your glorious arrival. Here, I will welcome you, to dance in the light with me, where you will have fellowship with me, and with one another, and gone will be the days of darkness. Listen, I now stand at your door, Hippie Dance. I am knocking. If you have an ear, hear my voice and let me in. Grant me the pleasure and honour to sit with all of you, and I will allow you to sit with me on my throne in the Sky. Hear what the Spirit of So So says to you: Come dance in the Disco in the Sky, and swim in the Lake of Sweet Dreams with me and there I will manifest myself to you. If you love me, I will give you my Word that I will teach you all things sound and bring you memories of the light for you to return to the Sky. Peace I leave with you. Summon your friends, Hippie Dance. Tell them that I am waiting for all of you. I am ready for you. Tell them to arise! Tell them to go forth to the Disco in the Sky where we will be together until the Kingdom goes.

Yours, like I am, sincerely, King So So“

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REPRESS!
it was in february 2015 when japanese producer and sound designer kuniyuki takahashi, sometimes known as koss, releases with the ep “newwave project ‘2” a record, that tapped some roots of his mu-sical education: new wave, german electro punk from bands like a daf, ebm from acts like front 242 as well as industrial music. styles, about kuniyuki claims that they are his “favourite music”. now, nearly two years after his first newwave project ep, he drops an album that is leaning towards his musical love from the past. com-pared to his former work, that was rooted in worlds of classic, jazz, house, ambient, and electronic song-writing, his new tunes are full of melodic drifts and rhythmical shifts. as usual all is loaded with tones and rhythms straight from the heart that filter and modulate human emotions without losing their natural source. to get a sound that is fresh but still leaning to the 1980ees, he used some old synthesisers like a roland jupiter 8, a juno 60, a korg ms 20, an old tape echo machine but also new i

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2nd single cut from latest kuniyuki album "feather world". a side, kuni reconstructed jazzy deep house which one of the best sax player played freaky sax to experimental techno house. it's not easy to compare to other artist. but if i say, it's like kink meets joe claussell. b side, one of our most respected artist dj sprinkles remxied dark poetry track which legandary 80's singer anne clark joined to great playful deep house. it's for all house music lover. 3rd single cut will be finally kuni&henrik schwarz collaboration. coming in end of may!!

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New artist on Mule Musiq.

Tel Aviv born producer “Nadav Siegel aka Autarkic” has been releasing nice indie dance tracks from Disco Halal, Life And Death, Turbo, Optimo Music and name a few.

This is his first release on Mule, it is a sampler 12inch from the upcoming new album (digital only).

12inch kick off killer psychedelic techno house “Cymbals Powder Rush”, floating deep house which remind us Lawrence stuff “A Petition For Grace”, slow mo electric German progressive new age tune “New Age Swag”, detroit manner machine funk “Breeder”.

We are very happy to welcome the brightest hope from Tel Aviv.

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2nd release of our brightest hope in Italy “Simone De Kunovich”.

This release is a final chapter of his Mondo Nuovo series.

It’s a unique mixture of World Music, Acid, Wired Electric Music.

We love Simone!

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Beautifully drunken it hums, the piano in “PianoPiano”, the last tune of “How to Spread Lies”, the first EP by Roman Flügel for the Hamburg based label Dial in the year 2010. Or take “Strich”, a peculiar electrical slow-motion grinder, out on his “Mutter” EP for Klang Electronic in 2006. Since long, the renowned Berlin based DJ and producer is investigating in spheres beyond the dance, the groove, the ecstasy. Zones, where the molecules harmonize, senses relieve, and the soul quietens. All his last albums, “All The Right Noises” (Dial), “Themes I-XIII” (ESP Institue), “Eating Darkness” (Running Back) have moments of tension and relaxation in a deep harmonious connection. Now “Balmy Evening”, a sundown record for sunup’s. Eleven notions in adventurous journey music, embracing the freedom of structure, blurring the musical pulse into harmonic meditation and mysteriously grooving zones, leaving all unnecessary accessories behind. A quality, that many of his collaborative and solo productions from past 30 years comprise. Still, most of them squint on the dance floor, where jack is king. Not so “Balmy Evening”, where real party bangers are absent. There are moving tunes like the slow Kraftwerk-melody-leaning funkateer “Duftschulter”, or the artificially jacking “Greenhouse”, where nervous Synth patterns ball along soft breaks and decreet kicks. Also, “Super Sonne”, an odd, seemingly improvised synth conversation might ask some souls out for a dance. But all others, like “Atmosphere”, “Frei”, Dolphins, “Goth”, or “Ambienteuse”, rather seek for the tranquil in each one’s spirit. Listeners need be ready for surprises. Ready for impulsive ideas, linked to a harmonious flow, always ready to grow. An album full of silence, utterly loud, beautifully diverse humming, displaying a playful, exploratory side of a celebrated club music producer, to whom atoms dance in manifold ways.

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Welcome back our longtime friends on Mule Musiq.

Finland born now Berlin based producer Freestyle Man aka Sasse and no explanation needed, German house music producer Henrik Schwarz teamed up for their collaboration 12inch.

A side “Moat” feat veteran producer Jimi Tenor is elegant deep house and b side “dub 5” is German style dubby minimal House.

Hope you enjoy.

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