In the gutter lie sun dried leaves, scraps of paper, burnt matches and cigarette butts. It is early morning; the sun rises with warm grace. you've come to the right party... you see, the body of a young man sitting by a pool, nobody important, really. Just a movie writer with a couple of "b" pictures to his credit. He always wanted a pool. Well, in the end he got himself a pool, but let's go back some time and find the day when it all started in “Hollywood,” the place where they pay a thousand dollars for a kiss and fifty cents for your soul.

Three years after he celebrated “Sketch of Japan” EP, Superpitcher returns to Mule Musiq, bringing an epic super-pitched 40 minutes trip named “Hollywood”, that perfectly works as the score for the above remixed opening scene of a famous movie on the trances of Hollywood, the cage, that catch our dreams. It’s a slow grower, incorporating some of core elements of the city of celluloid dreams: action, drama, romance - all epic noir and yet so flooded by light. As ever the producer and DJ from Paris garnished his long building up and going down voyage with se-ducing melodies, glamorous pop, and psychic rhythms, creating the hippy dance ambiences he is famed for. Even though the twelve inch comes in accustomed a/b chapters, “Hollywood” should be perceived in one go to feel the depth of Superpitcher’s tropical leaning story arc, that stretches the idea of a track into a dream of satin teardrops on flickering velvet lights. It paints sonic celluloid pictures of ghostly creatures, while a female/male voice is the music’s constant melodic companion, injection Janus-faced longing dream pop spheres on the overall tripping house melancholy. A heroic electronic drama, elegant as Tamara de Lempicka painting. It asks for endless rides on the Hollywood freeways. in the back the sun – a big orange ball – sinking slowly below the horizon.

You've come to the right party... you see, the body of a young man sitting by a pool, in the back a long, graceful bar, bathed in soft light, filled with elegant customers. There's nothing else, just us and the music and those wonderful people out there in the dark, ready for a divine dance in closeup. More

Live At Robert Johnson is a natural home for Superpitcher, and this two tracker shows his sense of belonging.

Lush Life featuring vocals by Fantastic Twins was inspired by Corsican polyphony, an epiphany after a church concert though as ever with Superpitcher, simplicity is multi-layered: the track itself could be a trip back to the golden (rave) days of deep electronic US house à la François K, dubby yet peacefully driving the ecstasy home. No religious gospel euphoria though, the lyrics are a pagan hymn to Eventide presets. You can’t take the geek out of the schatzi.

Diario stretches its 10 minutes in a misleading laidback groove: Sueno Latino languid clichés are blown away by a smoothly unforgiving acid line. This is a trip, not a journey, a trip dedicated to the young raver in all of us and to a friend too soon departed. As Pasolini said in the poem of the same name: “That’s why I've never abandoned happiness, that’s why in the anxiety of my sins I’ve never been touched by real remorse. Equal, always equal, to the inexpressible at the very source of what I am”

In other words, kids, keep faith out there. More

Re-Release of this Superpitcher record from 2001 More

2019 is mule musiq’s 15 years anniversary. we’re going to release twelve 12inchs with our friend artists and stefan marx make the collectable artwork. 10th release is our long time friend hippie dance’s superpitcher aka pachanga boys. “maki” on a side is a tribute song for legendary japanese folk singer maki asakawa, superpitcher wrote the lyrics and dip in the pool’s miyako koda translated in japanese and did the reading. “mishima” on b side is a trademark of superpitcher’s melancholic house tune. it sounds like updated percussive nyc house in early 90’s. More

Musically and emotionally, Superpitcher’s third full-length studio album, The Golden Ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus- years, emotionally. And full-length it is: The Golden Ravedays is an epic album of 24 longer than usual tracks that was released in January 2017 and is stretching over 12 respective chapter albums during a one-year period.
The 12th and final edition of The Golden Ravedays album will be released on record label Hippie Dance in December 2017. Side A is the ballad of Late Night Skanking. True to the soul of skanking this track is weaving its delicate elements between the rise and fall of a monumental wave that teasingly never breaks. The main melody so seduces and hypnotizes that before you know it you’re a wide-eyed cobra waving away in a basket. Standing ovation! Hands in the air! He made it! The very last track of Superpitcher’s epic Golden Ravedays odyssey is a jovial spree, a hullabaloo of merrymaking, the perfect celebration of the beginning to end of this heroic album. Punky Reggae Party is a fantastic collision of festive sounds, beats and voices that bring us undecipherable messages and everything else that is far beyond nice, nice, nice. Encore! Encore! More

these two tracks are testament of Superpitcher’s ability to skillfully merge depth and playfulness. Side A is Rock N Roll Baby. Could it be that someone with a curious but naïve mind had the courage to ask the scariest man in the club, no the world, about the origin of music? The answer rides on a tribal beat, escalates to Armageddon-like heights and an eerie voice repeatedly assures us that it’s all Rock N Roll Baby. Side B features Shining. Don’t be distracted by the deep comfort this warm and fuzzy sound bath brings to your veins. Quite a surprise is waiting for you when you are heading down the dark hallway in your birthday suit just when your hand is anxiously trying to find the light-switch of your room. More

Where number 8 of the series took us to outer space, number 9 introduces two tracks that are an under-water celebration of all that is good and all that is sad. Side A features Hiding. Imagine galloping sea horses pulling a Christmas chariot filled with dreams-come-true past enchanting mermaids, smiling sharks, waving tortoises and nonplused eels, leaving a gifted blanket of mystical sound in their wake. Hiding stretches and breaks into many layers of listening love without enforcing one particular sound. Side B features Flying. The piece is occupied by a subaquatic melody colored by whale sounds and the echoes of immersed guitar strings. Flying is not about complex development or diversity but the weightless drifting of sounds that create a wonderfully hazy cloud to lose oneself in and fly, deliciously with the dolphins. Rest assure, the ending is be speckled with whimsical chimes showers, paving the way for the softest of landings More

Side A features Tuesday Paris Texas a tastefully arranged track with vintage sounds passing nonchalantly through a wild western aural landscape. The music is announced like a cowboy movie dual complete with bar doors swinging on rusty nails in slow motion. Mournful guitar strings swirl over a steady horseback galloping beat, expanding into a full-on-fire dance track. Halfway through a woman’s haunted voice appears and disappears like an eerie siren, a gunshot is fired (was that a gunshot?), a man whispers “what!?” Tuesday Paris Texas is in no hurry to give an answer. Side B features Mirage a desert sound collage glued to a steady pulse that rolls and rolls, circumventing any destination. Mirage is a contour map of no surprising peaks just undulating valleys of wistful cathodic sound creeks, sometimes veering off to plains in full view of the moon, in earshot of solitary wolf cries. Like Tuesday Paris Texas, Mirage is testament of Superpitcher’s versatile prospecting beyond the elemental sound tools of the electronic music trade. More

Number 6 of the series introduces two further tracks of the sound adventure that Superpitcher is taking us on this year.
Side A features Protest Song. If music is a way of transporting us to other places, Protest Song takes us to a desolate, scary and loveless environment, a burnt-down, burnt-out place where the flesh of its former inhabitants is smouldering, void of goodwill and kindness in a cloud of toxic and greedy smoke. It’s all Kafka and Orwell and Suffering - the most twisted and eerie track so far in The Golden Ravedays saga. What is undeniably clear is an acute sense of regret and loss - a warning that it could have been avoided, had we only listened to our hearts and protested.
In the same vein on Side B we hear powerful Resistance. Produced after the Paris attacks of 2015 Superpitcher outdid himself with this strong message of Resistance. Where Protest Song paints a picture of under-worldly doom, Resistance’s techno beat and insistent refrain sweeps us to the surface of the muck of hatred and intolerance we’ve politically been dumped in. A voice that seems like a trapped animal is calling out to us. What is it trying to say? Is it crying out for help? Is that animal all of us? Resistance represents hope and encouragement and could be the perfect marching track to any demonstration against negative forces. Much needed in this age of bigotry where it seems like time has leaped backwards to a darker side of history. As for the dancefloor – Resistance is irresistible! More

Musically and emotionally, Superpitcher’s third full-length studio album, The Golden Ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally. And full-length it is: The Golden Ravedays is an epic album of 24 tracks that was released in January 2017 and is stretching over 12 respective chapter albums during a one-year period. The fifth piece of The Golden Ravedays puzzle will be released on Hippie Dance in May 2017. Number 5 of the series introduces two further tracks of the sound adventure that Superpitcher is taking us on this year.

More

Emilio Acevedo, the man behind Lasser Drakar is a proper Electronic / Indie veteran. Being involved in several projects since the late 80´s. Founder of the band TITAN with which he has put out four albums in which they have collaborated with figures like Gary Newman and Egyptian Lover. With his duos “Sonido Lasser Drakar” and “Maria Daniela Y Su Sonido Lasser” he approached dance music in his own high energy pop way always with a touch of humor. “Back in 2006, when I had recently opened my first little bar in Playa del Carmen “Corvette Ninja”, Emilio came to town to perform live with Maria Daniela to La Santanera, where I was a resident DJ. Besides his performance there, he agreed to do a solo DJ set at my little place, I was super flashed by the music he was playing which included some amazing covers and references . When he finished playing I had to ask what all that was… he told me most of it was un edited material he had produced basically just to DJ… I was even more flashed… Ten years passed and we met again in Playa del Carmen having dinner before a show where he was playing with his band and I was Djing… I asked him about that music I was so flashed about a decade ago and he told me he still had it, most of it just in those CD´s he used to play, still unreleased… I asked him if he could send it to me to play it and so he did during the next weeks… Every time I would open a file I would be amazed and every time I would play those tracks, the reactions were amazing and often people on my side would ask me what the hell was that… So at some point I had to ask… “Would you like to release this on our Label??” Lucky me, he was up for it and here we are now in 2019 releasing his first solo material under the Lasser Drakar name, the tracks he produced between 2001 and 2004 which in my opinion happen to be more modern than lots of the things you find these days.” More

…..finding your soulmate is a rare and precious gift. even if one leaves this world-since souls don`t vanish-they remain in oneness… More

Musically and emotionally, Superpitcher’s third full-length studio album, The Golden Ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus- years, emotionally. And full-length it is: The Golden Ravedays is an epic album of 24 longer than usual tracks that was released in January 2017 and is stretching over 12 respective chapter albums during a one-year period.
The 12th and final edition of The Golden Ravedays album will be released on record label Hippie Dance in December 2017. Side A is the ballad of Late Night Skanking. True to the soul of skanking this track is weaving its delicate elements between the rise and fall of a monumental wave that teasingly never breaks. The main melody so seduces and hypnotizes that before you know it you’re a wide-eyed cobra waving away in a basket. Standing ovation! Hands in the air! He made it! The very last track of Superpitcher’s epic Golden Ravedays odyssey is a jovial spree, a hullabaloo of merrymaking, the perfect celebration of the beginning to end of this heroic album. Punky Reggae Party is a fantastic collision of festive sounds, beats and voices that bring us undecipherable messages and everything else that is far beyond nice, nice, nice. Encore! Encore! More

Recently, Superpitcher was invited to go on a safari in South Africa. He bought a custom made safari hat at his favorite milliner in Cologne (Ju¨rgen Eifler) and set off with big eyes and a pair of binoculars. It was wild and wonderful and he saw many exotic (and big!) animals, even a leopard in a tree that told him the secret of the universe. He forgot what the leopard said because his mind was still playing and replaying the sound of what he heard on the first night of his arrival – the hypnotic and moving sound of the voices of Africa, the voices of the wonderful Tanda Tula staff choir. There, the choir members work during the day at the camp and at night entertain the guests with their captivating voices and energetic dancing. So impressed was he with their songs and beautiful Shangaan language that he decided to record a CD for them to sell in the shop at their camp and now this precious recording is also available through Hippie Dance / Bush Recordings on vinyl and CD for you in whatever wherever camp you are. The LP of the Tanda Tula Choir comes with a very pretty poster. More

these two tracks are testament of Superpitcher’s ability to skillfully merge depth and playfulness. Side A is Rock N Roll Baby. Could it be that someone with a curious but naïve mind had the courage to ask the scariest man in the club, no the world, about the origin of music? The answer rides on a tribal beat, escalates to Armageddon-like heights and an eerie voice repeatedly assures us that it’s all Rock N Roll Baby. Side B features Shining. Don’t be distracted by the deep comfort this warm and fuzzy sound bath brings to your veins. Quite a surprise is waiting for you when you are heading down the dark hallway in your birthday suit just when your hand is anxiously trying to find the light-switch of your room. More

Where number 8 of the series took us to outer space, number 9 introduces two tracks that are an under-water celebration of all that is good and all that is sad. Side A features Hiding. Imagine galloping sea horses pulling a Christmas chariot filled with dreams-come-true past enchanting mermaids, smiling sharks, waving tortoises and nonplused eels, leaving a gifted blanket of mystical sound in their wake. Hiding stretches and breaks into many layers of listening love without enforcing one particular sound. Side B features Flying. The piece is occupied by a subaquatic melody colored by whale sounds and the echoes of immersed guitar strings. Flying is not about complex development or diversity but the weightless drifting of sounds that create a wonderfully hazy cloud to lose oneself in and fly, deliciously with the dolphins. Rest assure, the ending is be speckled with whimsical chimes showers, paving the way for the softest of landings More

Side A features Tuesday Paris Texas a tastefully arranged track with vintage sounds passing nonchalantly through a wild western aural landscape. The music is announced like a cowboy movie dual complete with bar doors swinging on rusty nails in slow motion. Mournful guitar strings swirl over a steady horseback galloping beat, expanding into a full-on-fire dance track. Halfway through a woman’s haunted voice appears and disappears like an eerie siren, a gunshot is fired (was that a gunshot?), a man whispers “what!?” Tuesday Paris Texas is in no hurry to give an answer. Side B features Mirage a desert sound collage glued to a steady pulse that rolls and rolls, circumventing any destination. Mirage is a contour map of no surprising peaks just undulating valleys of wistful cathodic sound creeks, sometimes veering off to plains in full view of the moon, in earshot of solitary wolf cries. Like Tuesday Paris Texas, Mirage is testament of Superpitcher’s versatile prospecting beyond the elemental sound tools of the electronic music trade. More

Following last year’s much-acclaimed solo album “Mondo Alterado” (Hippie Dance 08), original pachanga boy and hippie dance mentor REBOLLEDO returns to the limelight with the jam-packed MONDO RE-ALTERADO (Hippie Dance 10), tapping into his vast and varied network of friends and fellow soundsmiths. Artists such as SUPERPITCHER, DJ TENNIS, MACEO PLEX, RED AXES, FANGO or FANTASTIC TWINS deliver stunning takes on Rebolledos’ unique signature sound, creating a full suite of exclusive remixes, cover versions and reinterpretations. More

Number 6 of the series introduces two further tracks of the sound adventure that Superpitcher is taking us on this year.
Side A features Protest Song. If music is a way of transporting us to other places, Protest Song takes us to a desolate, scary and loveless environment, a burnt-down, burnt-out place where the flesh of its former inhabitants is smouldering, void of goodwill and kindness in a cloud of toxic and greedy smoke. It’s all Kafka and Orwell and Suffering - the most twisted and eerie track so far in The Golden Ravedays saga. What is undeniably clear is an acute sense of regret and loss - a warning that it could have been avoided, had we only listened to our hearts and protested.
In the same vein on Side B we hear powerful Resistance. Produced after the Paris attacks of 2015 Superpitcher outdid himself with this strong message of Resistance. Where Protest Song paints a picture of under-worldly doom, Resistance’s techno beat and insistent refrain sweeps us to the surface of the muck of hatred and intolerance we’ve politically been dumped in. A voice that seems like a trapped animal is calling out to us. What is it trying to say? Is it crying out for help? Is that animal all of us? Resistance represents hope and encouragement and could be the perfect marching track to any demonstration against negative forces. Much needed in this age of bigotry where it seems like time has leaped backwards to a darker side of history. As for the dancefloor – Resistance is irresistible! More

Musically and emotionally, Superpitcher’s third full-length studio album, The Golden Ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally. And full-length it is: The Golden Ravedays is an epic album of 24 tracks that was released in January 2017 and is stretching over 12 respective chapter albums during a one-year period. The fifth piece of The Golden Ravedays puzzle will be released on Hippie Dance in May 2017. Number 5 of the series introduces two further tracks of the sound adventure that Superpitcher is taking us on this year.

More

Formed by Superpitcher and Rebolledo, this tag team is famous for bending time and space, with the boys balancing exotic spices with hearty flavours, enticing any old mood rebel to take a big bite of happiness. More