1
Investigations Of A Dog - Quantized Gravity
2
Investigations Of A Dog - Ferrum
3
Investigations Of A Dog - 11 July
4
Investigations Of A Dog - Heliocentrism
Yet again, Helena Hauff's Return To Disorder label brings us a new talent from the world of electro production, this time in the shape of India's Investigations of a Dog. The four tracks here contain a lively, energetic feel sure to tempt the reticent onto the dancefloor, matched with a dreamy optimism that gives them an ultra pleasurable head-in-the-clouds celestial feel. 'Heliocentrism' has echoes of classic LFO's naive melodicism, '11 July' is sunny and gently bubbling in the same vein as Aphex's first 'Ambient Works' LP, and the rest is generally infectious and loveable yet employed with a touch of subtle restraint. We look forward to further Investigations
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More records from Return To Disorder
1
Luke Eargoggle/Dataintrang - Top Of The Pyramid
2
Luke Eargoggle/Dataintrang - Not Unique
3
Luke Eargoggle/Dataintrang - 7 Days A Week
Luke Eargoggle joins forces with Dataintrang here for a seasonally appropriate ice-cold electro outing on Return to Disorder. It kick off with side-long opener 'Top Of The Pyramid' which is full of sidewinding synths and squealing analogue lines over corrugated bass. After that one comes the manic and high tempo electro-shocks of 'Not Unique' with snappy snares and darkened vocals. Last but not least is the most brutal assault of them all - '7 Days A Week', a melange of wild acid lines and liquid metal leads with turbulent bass and a general sense of intergalactic warfare.
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1
Magda Rot - Triads
2
Magda Rot - Black Sense
3
Magda Rot - Coincidences
4
Magda Rot - Unusual Theory
Chilean artist Magda Rot makes a head-turning debut here with some ice-cold electro rhythms on the Return To Disorder label which is now fast approaching a quarter century of releases. There is no messing with these sounds - they're built on tight, kinetic rhythms with fierce sound designs and stark futurism. 'Triads' is a mix of crisp hits and gurgling synths with dramatic background chords. 'Black Sense' is a slamming cut with a twisted bassline and hammering drum funk and 'Coincidences' brings the chilliness with its frosted lines and cold waves of synth. 'Unusual Theory' shuts down with a far sighted sense of electro-techno doom.
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1
DJ Plant Texture - The Other World
2
DJ Plant Texture - Perserve The Rave
3
DJ Plant Texture - The Man Of The Street (Feat. Mike Tansella Jr)
4
DJ Plant Texture - Hasta La Vista, Baby
DJ Plant Texture aka Bari's Donato Basile makes a Return to Disorder with four blistering cuts of jungle, electro, techno and acid. He is a versatile producer who takes no prisoners and considers no sounds off-limits. This one kicks off with the brutalist beats and casuistic synths of 'The Other World' before funky, acid-laced techno bouncer 'Preserve The Rave' takes you to the next level. 'The Man Of The Street' (feat Mike Tansella Jr) is then a deeper, more cosmic cut with thinking synths but still plenty of powerful rhythms and last of all are the dark jungle breaks of 'Hasta La Vista, Baby.' These are highly charged and guaranteed dance floor destroyers from this ever-on-point wizard.
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1
LFT - No Title
2
LFT - No Title
3
LFT - No Title
4
LFT - No Title
New-ish Hamburg talent alert! After releasing a fantastic track on the second RTTD comp it would have been rather remiss of us not to share more of L.F.T.'s idiosyncratic synth-pop-electro-dirge with you. Cracking Stuff!"
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Zsa Zsa "La Boum" - Something Scary
2
Zsa Zsa "La Boum" - Something Scary (Instrumental)
3
Zsa Zsa "La Boum" - Something Scary (Anatolian
4
Zsa Zsa "La Boum" - Something Scary (Anatolian
"Something Scary" is probably one of the most representative examples of Belgian New Beat as the genre shifted to Hard Beat, by one of the key figures in the explosion of the early Belgian rave scene Rembert De Smet. Starting with the first few seconds of the track, the listener is presented with what could arguably be one of the most unforgettable New Beat acid bass lines to attack the human ear. Very much in your face, characteristic of a genre that emerges from studio experimentation during a time when Chicago Acid was establishing itself and already contaminating the UK. Although relatively simple in terms of production, the way De Smert employs all the elements at play is ingeniously effective, from the simple vocal sample placement to the bassline, propelling it timelessly throughout decades to follow as an iconic example of the Acid sound in Europe. Re-released with two new remixes by the masterful Anatolian Weapons. Remastered at Manmade Mastering in Berlin.
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1
Jay Richford and Gary Stevan - A1 : Flying High (3:35)
2
Jay Richford and Gary Stevan - A2 : Going Home (2:46)
3
Jay Richford and Gary Stevan - A3 : Walking In The Dark (4:42)
4
Jay Richford and Gary Stevan - A4 : Fighting For Life (3:37)
5
Jay Richford and Gary Stevan - A5 : Feeling Tense (4:05)
6
Jay Richford and Gary Stevan - B1 : Running Fast (4:42)
7
Jay Richford and Gary Stevan - B2 : Loving Tenderly (3:27)
8
Jay Richford and Gary Stevan - B3 : Fearing Much (3:35)
9
Jay Richford and Gary Stevan - B4 : Being Friendly (2:54)
10
Jay Richford and Gary Stevan - B5 : Having Fun (4:00)
2023 repress
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
More
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
More
1
Bo Harwood & John Cassavetes - No One Around To Hear It
2
Chen Ming Chang - Rainwater
3
Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4
The King Of Luxembourg - Poptones
5
Slapp Happy - Is It You
6
O.G. Jigg - Jesus Is My Jam
7
Klang - As It Is
8
Scala - Fuser
9
Soft Location - Let The Moon Get Into It
10
Gyeongsu - YZOBEL (feat. CROCHE)
11
Omertà - Moments In Love
12
Kasumi Trio - Cabbage Butterfly
13
Un - Fast Money Blues
14
Delphine Dora - V
15
Harry Plunket-Greene - The Hurdy-Gurdy Man
2LP
Tracklist
1. Bo Harwood & John Cassavetes - No One Around To Hear It
2. Chen Ming Chang - Rainwater
3. Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4. The King Of Luxembourg - Poptones
5. Slapp Happy - Is It You
6. O.G. Jigg - Jesus Is My Jam
7. Klang - As It Is
8. Scala - Fuser
9. Soft Location - Let The Moon Get Into It
10. Gyeongsu - YZOBEL (feat. CROCHE)
11. Omertà - Moments In Love
12. Kasumi Trio - Cabbage Butterfly
13. Un - Fast Money Blues
14. Delphine Dora - V
15. Harry Plunket-Greene - The Hurdy-Gurdy Man
Short info:
Searchlight Moonbeam is the new narrative compilation from Time Is Away (Jack Rollo and Elaine Tierney) whose eponymous monthly NTS Radio shows, tinctured fusions of fugitive sounds and reverie-inducing archival speech, have won them an ardent following. It follows from the London-based duo’s Ballads, a remarkable driftwerk released on A Colourful Storm in 2022.
Searchlight Moonbeam is an autumnal dreamscape, intimate and vespertine, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (written for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisations of self-taught French pianist Delphine Dora.
Revelations are frequent: the bedsit isolationism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elastica guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude-grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beautiful, plaintively dubby ‘Is It You?’ by Slapp Happy; a psych-tinged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats.
Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associative, intuitive, borderless. Emotional and mysterious. Endowed with the tactility of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons.
2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evocative essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s still-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.
More
Tracklist
1. Bo Harwood & John Cassavetes - No One Around To Hear It
2. Chen Ming Chang - Rainwater
3. Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4. The King Of Luxembourg - Poptones
5. Slapp Happy - Is It You
6. O.G. Jigg - Jesus Is My Jam
7. Klang - As It Is
8. Scala - Fuser
9. Soft Location - Let The Moon Get Into It
10. Gyeongsu - YZOBEL (feat. CROCHE)
11. Omertà - Moments In Love
12. Kasumi Trio - Cabbage Butterfly
13. Un - Fast Money Blues
14. Delphine Dora - V
15. Harry Plunket-Greene - The Hurdy-Gurdy Man
Short info:
Searchlight Moonbeam is the new narrative compilation from Time Is Away (Jack Rollo and Elaine Tierney) whose eponymous monthly NTS Radio shows, tinctured fusions of fugitive sounds and reverie-inducing archival speech, have won them an ardent following. It follows from the London-based duo’s Ballads, a remarkable driftwerk released on A Colourful Storm in 2022.
Searchlight Moonbeam is an autumnal dreamscape, intimate and vespertine, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (written for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisations of self-taught French pianist Delphine Dora.
Revelations are frequent: the bedsit isolationism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elastica guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude-grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beautiful, plaintively dubby ‘Is It You?’ by Slapp Happy; a psych-tinged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats.
Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associative, intuitive, borderless. Emotional and mysterious. Endowed with the tactility of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons.
2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evocative essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s still-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.
More
1
Frankie Knuckles - The Whistle Song (Sound Factory 12” Mix)
2
Alison Limerick - Where Love Lives (Classic Mix)
3
Frankie Knuckles ft. Roberta Gilliam - Workout (1992 Vocal Mix)
4
Inner City - Whatcha Gonna Do With My Lovin (Def Mix)
5
Frankie Knuckles presents Satoshi Tomiie - Tears (Classic Vocal)
6
Candi Staton - Hallelujah Anyway (Director's Cut Signature Praise)
7
Electribe 101 - Talking With Myself (Frankie Knuckles 12” Mix)
8
First Choice - Let No Man Put Asunder (Frankie Knuckles 12” Remix)
TO COMMEMORATE THE 10th ANNIVERSARY OF HIS PASSING
DEFECTED HONOURS FRANKIE KNUCKLES WITH SPECIAL EDITION ‘HOUSE MASTERS’ VINYL
Defected celebrates the life and legacy of house music pioneer Frankie Knuckles with a limited-edition vinyl offering of his notable ‘House Masters’ release.
Marking ten years since his passing, join Defected in honouring the enduring legacy of house music pioneer. All proceeds of ‘House Masters: Frankie Knuckles’ will be donated to Frankie Knuckles Foundation as it was when the compilation was originally released back in April 2015.
“Frankie Knuckles, whom many consider to be one of the architects of house music is still highly influential to a new generation. Since his untimely passing ten years ago it has been incredible to see the continued outpouring of love and respect that he has received. His legacy is why the Frankie Knuckles Foundation exists. Through our work we honour him by supporting initiatives that he was passionate about: music education, AIDS and diabetes research, prevention and LGBTQIA+ youth homelessness. This commemorative vinyl release of ‘House Masters’ in association with Defected will allow us to do just that!”
Frederick Dunson, Founder, President & Executive Director, Frankie Knuckles Foundation
The forthcoming vinyl releases will feature a selection of his finest productions and remixes including the seminal ‘Your Love’, ‘The Whistle Song’ and remixes for Chaka Khan and Sounds Of Blackness.
Find out more about Frankie Knuckles Foundation and its commitment to educating and supporting initiatives across LGBTQIA+ communities and AIDs prevention here: https://thefkfoundation.org/ More
DEFECTED HONOURS FRANKIE KNUCKLES WITH SPECIAL EDITION ‘HOUSE MASTERS’ VINYL
Defected celebrates the life and legacy of house music pioneer Frankie Knuckles with a limited-edition vinyl offering of his notable ‘House Masters’ release.
Marking ten years since his passing, join Defected in honouring the enduring legacy of house music pioneer. All proceeds of ‘House Masters: Frankie Knuckles’ will be donated to Frankie Knuckles Foundation as it was when the compilation was originally released back in April 2015.
“Frankie Knuckles, whom many consider to be one of the architects of house music is still highly influential to a new generation. Since his untimely passing ten years ago it has been incredible to see the continued outpouring of love and respect that he has received. His legacy is why the Frankie Knuckles Foundation exists. Through our work we honour him by supporting initiatives that he was passionate about: music education, AIDS and diabetes research, prevention and LGBTQIA+ youth homelessness. This commemorative vinyl release of ‘House Masters’ in association with Defected will allow us to do just that!”
Frederick Dunson, Founder, President & Executive Director, Frankie Knuckles Foundation
The forthcoming vinyl releases will feature a selection of his finest productions and remixes including the seminal ‘Your Love’, ‘The Whistle Song’ and remixes for Chaka Khan and Sounds Of Blackness.
Find out more about Frankie Knuckles Foundation and its commitment to educating and supporting initiatives across LGBTQIA+ communities and AIDs prevention here: https://thefkfoundation.org/ More
1
William Kincaid - Circuit Collapse
2
Cliff Solomon - Battle Cry
3
The Jak Lex Lathan - The Call On The Edge
DirtybLends edition is another 3 track inferno release combining 3 different ideas together from heavy Jakbeat to old school slower style tracks of the label: Chicago Underground to early 80s proto-house instrumentals of Boyd Jarvis!!
tHe A siDe kicKz oFF wit the return of kincaid presenting a daRk n meNaciNg composition played n created wit bLood n sweat behind the vintage music boxes to come with this 12 minute riPPer of beauty entitled: Circuit Collapse
The 1st production on the B-side comes from new member of The Klan of The Beatheadz: Cliff Solomon on this production the caT honors the timeless work of the originator Boyd Jarvis & Timmy Regisford from 1985 on next plateau. developing drum and bassline ideas with elevated drama and deepest respect for the true pioneers of the underground."
the final tune on Dirtyblends 11 on the B side is a collaboration from The Jak and Lex Lathan recorded at Nation HQ presenting their idea to keep the spirit of the early releases on Chicago Underground that were produced more slower in style entitled: The CaLL {oN tHe EdgE} More
tHe A siDe kicKz oFF wit the return of kincaid presenting a daRk n meNaciNg composition played n created wit bLood n sweat behind the vintage music boxes to come with this 12 minute riPPer of beauty entitled: Circuit Collapse
The 1st production on the B-side comes from new member of The Klan of The Beatheadz: Cliff Solomon on this production the caT honors the timeless work of the originator Boyd Jarvis & Timmy Regisford from 1985 on next plateau. developing drum and bassline ideas with elevated drama and deepest respect for the true pioneers of the underground."
the final tune on Dirtyblends 11 on the B side is a collaboration from The Jak and Lex Lathan recorded at Nation HQ presenting their idea to keep the spirit of the early releases on Chicago Underground that were produced more slower in style entitled: The CaLL {oN tHe EdgE} More
1
DJ Deeon - Animate
2
DJ Deeon - Double Glock
3
DJ Deeon - Douc
4
DJ Deeon - Houseorrmx
Another DJ Deeon bomb from the past in the rebound! This time it's the former Dance Mania #140 "Off Spring" from 1995.
More
rawax produdly welcomes legendary deeon boyd to the family. Minimal ghetto house with a Plastikman stance. Deeon dropping heat as always...
Raw tracks that will make them bounce!
More
Raw tracks that will make them bounce!
More
1
Zobol - Retrofuturism
2
Zobol - Dread
3
Zobol - Fight or Flight
4
Zobol - Hyperfocus
5
Zobol - Inter-City Travel
Tracklisting
A1 Zobol - Retrofuturism
A2 Zobol - Dread
B1 Zobol - Fight or Flight
B2 Zobol - Hyperfocus
B3 Zobol - Inter-City Travel
Sales Note
Zobol - Retrofuturism EP is a nostalgic yet forward-looking release that invokes past visions of the future.
It features five original tracks, ranging from upbeat and energetic to more ambient and introspective. Each track is a storytelling journey, exploring different aspects of Electro and Braindance.
Crafted with both analog and digital machines while enhanced by modern production techniques, it epitomizes the main concept of Retrofuturism. The result is a series of warm, melancholic soundscapes where the past meets the future. More
A1 Zobol - Retrofuturism
A2 Zobol - Dread
B1 Zobol - Fight or Flight
B2 Zobol - Hyperfocus
B3 Zobol - Inter-City Travel
Sales Note
Zobol - Retrofuturism EP is a nostalgic yet forward-looking release that invokes past visions of the future.
It features five original tracks, ranging from upbeat and energetic to more ambient and introspective. Each track is a storytelling journey, exploring different aspects of Electro and Braindance.
Crafted with both analog and digital machines while enhanced by modern production techniques, it epitomizes the main concept of Retrofuturism. The result is a series of warm, melancholic soundscapes where the past meets the future. More
1
Ludwig A.F. Röhrscheid - Xhale
2
Ludwig A.F. Röhrscheid - Shiitake
3
Ludwig A.F. Röhrscheid - Firefly
4
Ludwig A.F. Röhrscheid - Omega Quest
Repress!
Frankfurt’s fast rising Ludwig A.F. Röhrscheid makes mind massaging music that enters realms from afar. Here he debuts on UTTU with 4 fantasy house jams for your mind, your body & your soul. More
Frankfurt’s fast rising Ludwig A.F. Röhrscheid makes mind massaging music that enters realms from afar. Here he debuts on UTTU with 4 fantasy house jams for your mind, your body & your soul. More
1
Carl Finlow - Reprise
2
Carl Finlow - Count On It
3
Carl Finlow - Reprise (Noah Reprize Edit)
4
Carl Finlow - Count On It (Noha Count On Me Remix)
Panickpanick proudly presents its latest vinyl release, featuring a repress of two timeless classics by the electronic music maestro Carl Finlow. Included in this release are ‘Reprise’ and ‘Count On It,’ both tracks embodying Finlow’s signature style . Originally released in 2003 under his pseudonym Silicon Scally, ‘Reprise’ showcases Finlow’s mastery of futuristic soundscapes. Meanwhile, ‘Count On It,’ initially part of Finlow’s 2016 album of the same name, delivers an electrifying journey through intricate beats and hypnotic synths. Adding an exciting twist to these beloved tracks, we’re thrilled to present Noha’s innovative reinterpretation, breathing new life into these timeless compositions.
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LFT - No Title
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LFT - No Title
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LFT - No Title
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LFT - No Title
New-ish Hamburg talent alert! After releasing a fantastic track on the second RTTD comp it would have been rather remiss of us not to share more of L.F.T.'s idiosyncratic synth-pop-electro-dirge with you. Cracking Stuff!"
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bicep - just
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bicep - celeste
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bicep - back 2 u (tranz dub)
2022 Repress
Tracklist
A1 Just B1 Celeste B2 Back 2 U (Tranz Dub)
Info:
Hot on the heels of AUS' recent releases from Breach, Huxley and Bwana they ready their next offering from Irish duo and long term label affiliates Bicep. Aptly timed for the festival months, their 'Just' EP follows up a series of self-released titles which include collaborations with Ebony and Midland and is an impassioned bundle of broken beats, shimmering synth lines and rapturous piano chords. The title track kicks things off and suffuses a broken kick and snare combo with a poignant sequence and heart-rending synth strings. A vocal refrain drops in and out throughout a lucent breakdown before () lays a soft, filtered croon over a swelling piano motif. Tension is astutely balanced, never quite boiling over and keeping the listener pinned before () drives a tough, gravelly kick under gentle flecks of acid and rich sweeping pads.
More
Tracklist
A1 Just B1 Celeste B2 Back 2 U (Tranz Dub)
Info:
Hot on the heels of AUS' recent releases from Breach, Huxley and Bwana they ready their next offering from Irish duo and long term label affiliates Bicep. Aptly timed for the festival months, their 'Just' EP follows up a series of self-released titles which include collaborations with Ebony and Midland and is an impassioned bundle of broken beats, shimmering synth lines and rapturous piano chords. The title track kicks things off and suffuses a broken kick and snare combo with a poignant sequence and heart-rending synth strings. A vocal refrain drops in and out throughout a lucent breakdown before () lays a soft, filtered croon over a swelling piano motif. Tension is astutely balanced, never quite boiling over and keeping the listener pinned before () drives a tough, gravelly kick under gentle flecks of acid and rich sweeping pads.
More