12" + with limited 600x300mm Artwork-Poster
Genre: House, Deep House

Tracklisting:
A1 Never Ever
A2 Never Ever (Johannes Albert Remix)
B1 Phero
B2 Phero (The Cruiser Remix)

Short Info:
Hamburg’s Polycarp Records delivers the ‘Never Ever’ EP by Bonn this
January, backed with remixes from Johannes Albert and The Cruiser.
The Polycarp Records imprint was launched in 2016 by Simon Ferdinand and
across its past ten releases has unveiled an array of material from the
likes of Pleasant Systems boss Tilman, Frank Music founder Johannes
Albert and Simon Ferdinand and Basch both under their own artist names
and of course their collaborative project, Bonn. In 2019 Ferdinand and
Basch inaugurated their Bonn guise with a debut album entitled ‘Forget
Forgot Forgotten’, 2021 saw the release of a follow up EP entitled
‘Ravenous’ and here the story continues with the pair’s latest
collaborative works.
The original mix of title-track ‘Never Ever’ opens the EP and lays down
crunchy, off-kilter drums alongside mystical atmospherics, an unfurling
acid bass lead and loopy, fluttering stab sequences. Johannes Albert’s
twist on ‘Never Ever’ follows next, the fellow German producer takes
things down his signature cosmic, nu- disco path via bubbling arpeggio
lines and 80’s tinged resonant leads melded together with fragments from
the original composition.
‘Phero’ then opens the flip side and sees Bonn deliver a twitchy house
workout fuelled by fidgety synth bleeps, dubbed out chords and bumpy,
saturated drums. Last up to round things out, The Cruiser turns in a
high- octane interpretation of ‘Phero’, upping the tempo and reshaping
the original’s raw elements into a murky, dynamically unfolding thumper.


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Vinyl LP with digital download voucher

Tracklist

A1 No Anthems
A2 Everything In Motion (feat. Indra Dunis)
A3 Wave 200
A4 Note To Self
A5 Call Her (Say You Care)

B1 Sendling Sidewalks
B2 Memory Palace (feat. DJ City)
B3 Lost in Cat Content
B4 Cruise



Short Info
Everything has its right moment in space and time. And Rhode & Brown’s debut album “Everything in Motion” is no exception to this rule.

But first things first:
Hailing from Munich, Germany, Friedrich Trede and Stephan Braun are the DJ and producer duo Rhode & Brown. Growing up in two neighbouring villages near Munich both of them had been music enthusiasts since their early childhood. Friedrich played drums in punk bands at school and recorded rap songs in his bedroom, while Stephan, as childhood friend of Harold Faltermeyer's son, had the chance to experiment in the impressive studio of the legendary Donna Summer producer in his early teens.

By the late 2000s older friends started supplying them with DJ mixtapes and helped them sneak into clubs they weren’t allowed to visit, yet – cultivating their love for electronic music and club culture. And, of course, the Internet was their go-to source for finding the latest blog house tunes back then, too.

It wasn’t until October 2009 that their paths would cross for the very first (but almost last) time when introduced by a mutual friend: Back then Stephan was selling his old CDJ-player and Friedrich, who wanted to hone his DJ skills, ended up buying it: „When I got home and unpacked the player I realized that it was the wrong model. I thought Stephan was trying to rip me off - so I called him in a rage and demanded my money back.“ Friedrich laughs. To cut a long story short, the two met again the same evening, money and CD-players were exchanged, but luckily so was their passion for house and disco music. It was at that very moment that Rhode & Brown was born.

A lot has happened since the two played their first gigs together and made baby steps in music production. In the past 10 years they established themselves as one of the most reliable house producers around with rock solid releases on Toy Tonics, Shall Not Fade, Public Possession or their own Slam City Jams imprint. As well as becoming a household name in the DJ world, sharing the booth with the likes of Palms Trax, Dam Swindle, Jamie Tiller or Octo Octa - spreading their infectious "Dancing Deejays" vibes around the globe.

Following the great reception of last years „Aku Aku“ EP, June 2021 will see the release of Rhode & Brown’s debut album on Permanent Vacation. A record that showcases their open minded approach to making music and a passion for the nuances between genres - „We found inspiration for this album in all corners of our record collection. That means we are as much influenced by disco or 80s synth-pop as by house and techno of the last decades or the latest viral trap hit on Spotify“, the guys say.

On "Everything In Motion" you'll hear piano house / Italo disco hybrids alongside dreamy Balearic soundscapes and '90s-infused acid breakbeats flawlessly accompanying '80s synth pop anthems. Always infused with that signature Rhode & Brown magic. The album also finds them collaborating with some of the finest vocalists of the moment: Peaking Lights' own Indra Dunis is lending her voice to the title track for this special laid back California vibe, while Berlin's hottest export DJ City evokes a neon light romance affair on "Memory Palace", with a longing poem that makes you wander the rainy streets at night with your walkman on.

At a time when suddenly everything seems to be standing still, Rhode & Brown undeterred moving forward... true to their LP’s title.







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A boy named Suzanne. Travelling from Los Angeles to Portland and back to Los Angeles again, Suzanne Kraft's vinyl debut (check out his previous efforts on http://discothequerecords.wordpress.com/tag/suzanne-kraft/) features four tracks of frenetic sunshine ecstasy. Chill rave, pill wave, hypno disco, Balearic beats or slow-motion house made by the careless youth of the US-American west coast? Call it what you want, at the end of the day or the night it's simply joyful music made to make you happy. On Kraft's "Green Flash EP", the contemplative romance of "Green Flash" counteracts the straightness of "Morning Come", while "Turning" and especially "Femme Cosmic" are the icing on the cake. Let's face it, old people: The kids are all right! First 5000 copies housed in a killer and tremendously flamboyant sleeve. Bite into summer.

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“Freedom Party” is a new born project with focus on the large universe that house music is. 4 selected tracks all
licensed and fresh for todays community.

Tracklist:
A1- Look Once – Movin’ (Club Mix)
A2- Mederic Nebinger & Function – Emilion
B1- Steal Vybe ft. Rich Medina – Spiritual Life ( Main Mix)
B2- Underground Circuit – Crazy ‘Bout (Pumping House Mix)

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Tracklist 12":

A1 Gome - Elevator Man
A2 Gome & David Bay – Television
B1 Gome - Elevator Man (Mike Dunn BlackBall Remix)
B2 Gome - Elevator Man (Telephones Remix)

New record by Gome with fat remixes by Mike Dunn and Telephones.






















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Territories: Worldwide no restrictions

Format Notes: 2023 reissue, 140g vinyl

Track List:

A1 Shakin' 5:52
A2 Hang Tight 4:10
A3 Can't Get Enough (Do It All Night) 4:10
A4 Who Do You Love 5:23
---
B1 Changes 4:48
B2 One Minute More 4:48
B3 Risin' To The Top 5:16
B4 All Night 4:46

Release Notes:

Keni Burke's seminal Changes yielded the eternal club classic "Risin' To The Top". You need this record for this iconic steppers anthem alone. However, it's crucial to acknowledge that the whole of Changes, first released in 1982 on RCA but now a tricky one to find, is something truly special. It's a masterpiece of sophisticated 80s groove, containing first class funky soul that sounds as fresh as ever. This is multi-tempo soul music conceived in heaven.

Ace bass player, songwriter, arranger and producer, Keni Burke was discovered by Curtis Mayfield and a childhood member of the Five Stairsteps. Emanating from that magical 81-83 era and pristinely recorded at Philadelphia's legendary Sigma Sound Studios, his third solo album Changes really perfected Keni's groove. It incorporated tight, snappy rhythm arrangements which, despite the era, featured *real drums* courtesy of Steve Ferrone (from Average White Band) to compliment Keni's meaty bass lines. With Dean "Sir" Gant on synths and keyboards and Ed Walsh handling the Vocoder-OBX and Prophet 5, wonderful lines from Earth, Wind & Fire's legendary horn section and hooky rhythm and lead guitar riffs courtesy of Ed "Tree" Walsh, Keni was truly spoiled for excellence. With Doc Gibbs on percussion and Vince Montana on vibes elevating the sensational writing and arrangements, Keni couldn't really go wrong.

“Risin’ To The Top” is undoubtedly the defining crown and lasting legacy of this album. Wth its instantly captivating bassline, slowly creepin' groove and uplifting lyrics, it was a favourite among both the 80s soul steppers and hip-hop crowd and remains canonical to this day. Written by Burke, Allan Felder, and former Chic member Norma Jean Wright, it incredibly failed to garner much American radio play or really trouble the soul charts. Whilst it was an instant classic in the U.K., in the States it took the hip-hop generation and later R&B and hip-hop samples of the tune to finally make it popular, many years later. Of note, Big Daddy Kane sampled it for "Smooth Operator", LL Cool J for "Around The Way Girl", Pete Rock & CL Smooth for "Take You There" and O.C. with "Born 2 Live".

But the highlights are not restricted to this one behemoth. For example, the track which precedes "Risin'" on Side B is another steppers favourite. "One Minute More" is a perfect mid-tempo ballad and the epitome of deep modern soul. A truly timeless work of genius. We, for one, struggle to think of a better song segue than the moment you're still reeling from the intense beauty of "One Minute More" and "Risin'" elegantly stirs into action. Frisson in excelsis. The propulsive, bass-heavy opener "Shakin" is an indisputable cracker and its followed by the timeless mid-tempo class of "Hang Tight". Just gorgeous. Next up, "Can't Get Enough" is another emotional, horn heavy chugger. The side closes with the sparse, tender, floating sl-o-o-w jam "Who Do You Love"; a truly divine ballad. The B-side beings with the title-track, "Changes", a squelchy, melodic boogie banger with fantastic keys, incredible vocals, ace shuffling percussion and spacey synths. It's followed by the ultimate one-two in "One Minute More" and "Risin'" before this sensational set closes with the glorious easy glide "All Night".

An absolutely essential record for fans of deeply soulful modern-funk, Changes was mastered for vinyl by Simon Francis and cut by Cicely Balston for Alchemy at AIR Studios. The artwork was restored at Be With HQ over many painstaking months so, hopefully, this fresh new edition ensures this long-lusted after album is no longer so awkward to find.

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Hi, we´re offering a discounted Version with bumped corners/partial dog--ears, no returns with more than 30 % discount. These are the last 21 copies, we´re (obviously) out of sleeves and won´t repress.

LP, Limited, Discount Version


Genre: Balearic, Disco, Indie Dance, Electonic

Tracklist 12":

A1 Coconut Cake 04:36
A2 Into The Blue 04:55
A3 Melon Cocktails 03:48
A4 Find Your Ocean 03:39

B1 Piano Love 05:25
B2 Daydreams 04:33
B3 La Mer 04:50



Short Info:


Following in the footsteps of Giorgio Lopez we have another newcomer on Horisontal Mambo.
Behind this balearic EP(or Donauleric perhaps?)we have Attila and Szilard aka Pleasure Voyage from Budapest.
Teaming up as a dj and production team in 2018 they found a mutual love of disco and balearic sounds.
In their own words "Pleasure Voyage is a cruise through the universe of feel-good music".
After a little touch up and additional mixing by Prins Thomas at Asker's B15 lab we're
content on classifying this as a modern balearic classic.

Mambo HQ, Summer 2021






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Tracklist:

A1. Pulsar Diaries
A2. Delphic Expanse
A3. Blackburn Tales
B1. Fourth Amendment
B2. Farewell Theme
B2. Ursa Major

Release Info:

The Croatian production powerhouse and disco boogie impresario steps up to International Feel, and takes a left turn into deep space with a new six track LP Pulsar Diaries.

Ilija’s discography stretches back to 2003, and over those 20 years he’s packed it full with albums, versions, remixes and singles. His releases are often perfectly-penned love letters to ‘80s boogie, electro and disco, and like postcards from an old flame, they’ve landed in an array of record label catalogs, from Bear Funk, Rong, and Electric Minds, to Is It Balearic? as well as his own Red Music and Imogen Recordings. He’s long-been an active voice on the underground club scene, and if you’ve been out dancing in Zagreb, Berlin or even Tisno beach, chances are you’ve gotten down to one of his beautifully blended sets of cosmic-tinged electro funk and disco dubs.

On Pulsar Diaries, Ilija delivers a panoramic collection of spaced-out synths and drum machine grooves, dedicated to the planet and our place in the universe. The A side opens up with the blissful, weightless pads of the title track, before it breaks out into filtered stabs over a minimal b-boy bounce. Delphic Expanse ebbs and flows like a lunar eclipse, sounding like a futuristic version of Key-Matic’s Breaking In Space, all uprock rhythms and syrupy synth horns as it spins off beyond the asteroid belt. Side A closes out with Blackburn Tales, a suspenseful and spacious electro rhythm packed with strings and 303 squelch, which you might call anti-gravity acid, if you were so inclined.

Side B picks up the tempo with Fourth Amendment, perfect for the space station discotheque with its sweeping bass filters and ice-cold synth melodies hovering in orbit. Farewell Theme takes an introspective moment, slowing the pace to a cosmic 90 bpm and inviting a certain cinematic feel to proceedings. This feeling applies not just to the vivid landscapes we travel through, but also wider thoughts about humankind: as we pause for a breath and look around, we find ourselves in Ilija’s space, considering human motivations, like the pursuit of happiness, or the eternal struggle with the self.

Every journey begins with a goodbye, and so the last track of the album feels like the arrival at a new destination: Ursa Major is ablaze with cascading drum fills, bubble-wrapped bass riffs and bright synth chords that sparkle like city lights underneath a re-orbiting satellite.

With Pulsar Diaries, Ilija Rudman has created a rare artifact: an album that straddles several worlds at once. Part soundtrack to space travel, part meditation on the human condition, part deep-burning dancefloor dynamo - whether in the club surrounded by friends or at home by yourself, this is a record that expands the mind and lets the imagination soar.









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2LP - Part I/II

Special Remarks : Gatefold Vinyl, Liner Notes by Gerd Janson


Tracklist

A1. Deep 6 – We’re Going Deep
A2. Ralph Falcon – Every Now And Then
A3. Tronic Pulse – Early A.M.
B1. Global Goone - Fin
B2. Low Key – Try Me Baby (Low Key’s Original Mix)
C1. The Afrodizzact – Strange
C2. Da Rebels – House Nation Under A Groove
D1. Iz & Diz – Down 4 U
D2. Kings Of Tomorrow – Untitled

Release Info:

The next issue in the on-going Mastermix series features a centerpiece of Frankfurt’s club history: Wild Pitch Club.

A predecessor to the esteemed Robert Johnson and a stepping stone for Panorama Bar’s very own nd_baumecker.

Founded by Playhouse masterminds Ata and the late Heiko M/S/O it was a Thursday club night that heavily featured house music as a prescription to the ongoing techno fever. Enamored with the US-American roots of it and all things deep, it not only presented the right records, but also their creators and protagonists. With a string of guest DJs from Robert Hood and Claude Young to Kerri Chandler and Theo Parrish as well as talent from the UK and Europe, it was one of the culture’s hubs at the time.

Here you have its testimony. Selected and mixed by Ata and nd_baumecker, it’s an authentic snapshot of the club’s vibe and spirit, spread over two 2x12” volumes, a collectable tape (download included) and a pleasant streaming version, it’s the full dosage. Like Roach Motel confessed: Wild Pitch, I love you.












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