The thirteenth drop from Curtis Electronix comes courtesy of veteran of the electronic music scene. Edward Upton has been producing music since 1994 and much has changed since he unveiled his debut release under the DMX-KREW alisas. Warp Zone LP showcases the great mastery of his studio, his technical expertise and his exceptional ability to create monolithic soundscapes using very few elements. Each layer contributes to a rich, immersive experience, each element resonates with depth, highlighting his deep understanding of club music, sonic texture and space.

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Brains rule for the next No Static / Automatic release as the hyper-prolific DMX Krew presents five new tracks of laser gun acid, bleepy electro and mutant tunnelling techno on Brain Mutants EP.

NS/A could not be more honoured to bring DMX Krew to the label, hugely influential in UK’s electronic music world, the sheer mass and relentless ingenuity of his release history is breathtaking. There’s over 24 albums and even more EPs released to date, found on Rephlex Records, his own Breakin and Fresh Up labels, and more recently a string of albums on Hypercolour Records. It really would not be right to pin him down to one style of beat with the expanse of his work covering braindance, electro funk, pop, acid, ambient, techno and beyond.

Working with the Aphex Twin created Sample Brain, old disco records and analogue synth notes were fed into the sample mashing web app to create the sounds used on this EP. Label boss Ara-u picked out his favourites from the palette which DMX Krew cut up, looped and added in rock-hard drums. The results are super playful, high calibre club tracks you expect from the one and only DMX Krew - designed for heavy impact on the club floor.

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Veteran electrohead and former artist on the Rephlex Records roseter DMX Krew's Ed DMX takes the well-known story by Jorge Luis Borges of The Library of Babel, said to contain all the different languages of the earth. Some deep philosophical thought has gone into the album's concept, but we'll leave that to Ed to explain. Instead, we'll tell you that from beginning to end there's plenty of the kind of trademark 80s synth playfulness in evidence, with a generally more mellow and soundtrack-related rather than frenetic and dancefloor-filling vibe in evidence, even on faster tracks like 'The Combed Thunderclap'. Still, Ed knows what he's doing when it comes to this kind of leftfield electro gear, and it's a rewarding, never boring listen.

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Black Vinyl!

The Rephlex alumni and all around electro legend DMX Krew channels the Minneapolis sound, boogie, and freestyle in this classic 2005 Japan-exclusive, now pressed on vinyl for the first time by the good people at Cold Blow.

Kiss Goodbye showcases Ed DMX in his absolute finest form in songwriting and richness of production. A guaranteed antidepressant with timeless moments from an ode to a mature lady in “D.I.V.O.R.C.E.E.”, to a rap about a cheating girlfriend in “Who’s That Guy?". Full of classic quotables combined with funk that would make Morris Day proud.

The 2xLP is available in standard black, and a special sexy red edition. Mastered by Noel Summerville whose CV includes too many classics to mention, from Newcleus and Hashim to Ohio Players and Rick Astley! The sleeve has received redesign treatment by the Organic Analogue’s Benedetta Sodini.

Essential!

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Red Vinyl!

The Rephlex alumni and all around electro legend DMX Krew channels the Minneapolis sound, boogie, and freestyle in this classic 2005 Japan-exclusive, now pressed on vinyl for the first time by the good people at Cold Blow.

Kiss Goodbye showcases Ed DMX in his absolute finest form in songwriting and richness of production. A guaranteed antidepressant with timeless moments from an ode to a mature lady in “D.I.V.O.R.C.E.E.”, to a rap about a cheating girlfriend in “Who’s That Guy?". Full of classic quotables combined with funk that would make Morris Day proud.

The 2xLP is available in standard black, and a special sexy red edition. Mastered by Noel Summerville whose CV includes too many classics to mention, from Newcleus and Hashim to Ohio Players and Rick Astley! The sleeve has received redesign treatment by the Organic Analogue’s Benedetta Sodini.

Essential!

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The Rephlex alumni and Rinse.fm resident DMX Krew channels Prince’s spirit in this new electro-pop maxi on Cold Blow.

Picking up his electro-pop and synth-funk hat from where it was laid on 2022’s Party Life LP, Ed DMX is switching gears and picking up the pace with four dance-inducing tracks. Another one of the brilliant releases that we’ve become to expect from the consistently hot Cold Blow! The titular track “Still Got It” is a brand new production with vocal and dub versions of driving bassline and Linn fills, exclaiming “I still got the music in me, and it sets me free!” amidst heartbreak. Teardrops on the dancefloor, anyone?

On the flip side, we are treated with an archive gem from the Rephlex era! The Telex-like pacey vocoder synth pop “Paranoia” was recorded around the time of “We Are DMX” album in 1999, and what a treat it is!

The closing track is the only previously released one. A dub version of “Cold Love” borrowed from the Japan-exclusive, CD-only 2005 album “Kiss Goodbye” which Cold Blow has announced to be reissued soon!

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It is a privilege to welcome Ed Upton back to Shipwrec for his sixth release with the label. An artist who has been at the forefront of electronic music for three decades, under his well-honed DMX Krew guise the British musician has crafted icy electro, thoughtful electronica and textured techno. It is a combination of these styles that culminate in Tree in Space. A steady kick tethers "Parasite" to reality, a thick earthen melody countered by twinkling refrains as soaked drums splash. Off-centre bleep and beats introduce the title piece. Solid basslines are lightened by playful brassy electrofunk notes as genre limitations melt into Summer warmth. Skeletal scales find themselves confronted by a bruising bulwark of bass in "Unbelief." Balancing these angular and globular tones are arcing keys that draw the disparate elements into unity. "Meltdown" is the closer. Blending a spread of sounds, acid, braindance and techno, DMX Krew serves up something truly special. Brooding notes are met by cracked percussion and simmering 303 squawk in a track that pursues its own path. An EP from a musician that continues to stretch boundaries and imaginations.

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Today [21st March 2023] DMX Krew announces his return to Peggy Gou's Gudu Records with a new four-track EP, sharing the dreamy, Detroit-inspired title track, ‘Return to Jupiter’. The full EP - out 14th April 2023 - will be his second release for the label and Gudu’s first release of 2023, set to be the label’s busiest year yet. Ed DMX made his debut for Gudu with 2019’s Don’t You Wanna Play? EP, becoming the first artist to release on the label outside Peggy herself. Ed and Gudu have retained a regular working relationship ever since: he mastered Indonesian crate-digger Dea’s ‘Glazer Drum’ release for Gudu, contributed a pair of remixes to the reissue of Riff’s South African electro curio ‘Jacks Jive’, and now returns to the label with Return to Jupiter, a new original four-track EP. Ed has been one of electronic music’s most respected faces for over 25 years. Debuting in the mid-1990s, he released his first decade of music almost exclusively through Grant Wilson-Claridge and Aphex Twin’s Rephlex label and his own Breakin’ imprint, but recent years have seen him ply his trade across a who’s who of dance music’s most respected underground labels: including Hypercolour, Balkan Vinyl, Central Processing Unit and, of course, Gudu. Inspired by the futurist funk and vivid synthesiser epics of classic Detroit, ‘Return to Jupiter’ is dripping with richness and colour, driven by the sort of thick analogue basslines and distinctive melodies that have come to define Ed’s catalogue. The EP’s title track sets the tone for what’s to follow, introducing a language of sorts for the record - before ‘Altered Chords’ turns the funk up to 11, ‘U Ain’t Down’ aims its distorted kicks and wiggy, manipulated lead straight at peak time dancefloors, and ‘I Love Juan’ closes the EP on a star-gazing tip.

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New label Operation Madness records curated by french young blood DVDE has just dropped his first release with legendary producer DMX Krew! A BOMB EP composed by 6 hot tracks between funky synths, groovy bass lines and crazy beats ! A definitely needed record as it is pure madness…!

Operation Madness Records is a brand new label from France curated by young blood DVDE, based in Paris and defending real underground music in gender as electro break-beat, electro-funk, acid, IDM, Rave 90 etc. First release will come out on 10th of April 2023 with legendary producer DMX KREW and a lot of others are already scheduled with artists such as Matt Whitehead, the obscure band Tache Noire or Wedding Acid Group!

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DMX Krew is back on Furthur Electronix! Here with a fine versatile EP, ranging in style from tripped out downbeat to Bleepy Sheffield style bass techno and acidic breakbeats. All in all another fine release from one of our greatest living underground legends.

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DMX Krew here on a timesless mind blowing ambient, IDM & deeper electronix trip. Highly recommended!

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Limited collectors gatefold edition on double white vinyl. The best Comtron's songs are now finally available on vinyl. Comtron, the electro-duo of Dutch producers Bas Bron (Fatima Yamaha, De Jeugd Van Tegenwoordig) and Rimer London (Le Le) collected their best work, only released digitally so far. For the real electro heads

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Housepainters is a dynamic post-punk and no-wave ensemble. The band's inspiration is a fusion of krautrock, wave-punk, and dub. Their debut LP is based on dystopian films like 1984 and Basic Instinct. Big tip for fans of Saada Bonaire, ESG & Liquid Liquid. Most essential 2024 Post-punk, disco-no-disco release.

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'SOL' features 10 solid electro-funk tracks, each with the unmistakable Bas Bron sound. From club-ready four to the floor to dreamy melodies, the whole album is another innovative blend of vocoder-electro and machine funk exploration. Following the success of his previous album "Spontaneous Order", the EP "Built Back Bangers" and more recently the OST for the Dutch documentary 'Onzichtbaar'. Fatima Yamaha is back with a new chapter. 'SOL' showcases Fatima Yamaha's evolution, while staying true to his fundamentals. In conjunction with the album release, Fatima Yamaha will embark on an extensive tour this spring, bringing his live performances to audiences in London, Glasgow, Paris, Amsterdam, and more.

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Fatima Yamaha's soundtrack for the Dutch documentary 'Onzichtbaar' directed by Gabrielle Provaas is temporarily available on limited LP and was only for sale during the live show at ADE 2023. Only a handful of LP's are available for sale and won't be repressed. The documentary sheds light on the invisible heroes who tirelessly keep the Netherlands clean day and night. From schools and offices to hospitals and streets, they work tirelessly and humbly. Their hard work keeps society running smoothly. 'Onzichtbaar' challenges viewers to reflect on their own involvement and unveils the price we pay for the facade of cleanliness we hold dear.

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Dive into the captivating world of Lenxi with her electrifying debut EP, Silent Treatment. This mesmerizing blend of Acid, Electro, and melancholic pop influences takes you on an immersive journey, where soothing tones evolve into hypnotic depths. Hailing from London and based in Amsterdam, Lenxi is a versatile producer, songwriter, DJ, and musician. Experience the enchantment of Silent Treatment and embark on a musical adventure like no other.

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Belgian electro sensation Borokov Borokov unleashes Electrifying Album 'POTATO,' a unique mix of Outsider Electro, Punk, and Acid. Known for their fearless experimentation and unapologetic attitude, Borokov Borokov has garnered a devoted following that transcends borders. 'POTATO' embodies the essence of Borokov Borokov's artistic vision and their unrelenting dedication to pushing musical boundaries. This album is a wild and thrilling ride, seamlessly fusing the infectious energy of punk, electrifying electro, and mind-altering twists of acid.

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De Witte Kunst is for lovers of Ton Lebbink, Palmbomen and New Order. De Witte Kunst is Lyckle Willem Pier de Jong and Koen van Bommel. Lyckle Willem Pier is a teacher. He plays the instruments. Koen is a singing mime. On their second EP 'Spek & Bonen they dream about sunken lands and cities of gold, while standing at the sidelines of society. Between all the sharp and playful lyrics (written by Koen) you'll find instrumental intermezzos of another level.

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2099 is the debut EP of the talented Figi who is on a mission to bring Boogie back to the 21st century. The EP is a clash of time. Taking sounds from the 70's/80's on a trip through space, traveling through wormholes, ending up with bass-driven disco tracks with a strong eighties feel inspired by proto-house. '2099' is recorded using sessions of musicians playing the ideas of the young producer. The entire album has been recorded in separate takes: layer by layer. And as a special guest you'll find San Proper on both vocals and guitar.

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After releasing his last album "Spontaneous Order" Yamaha is back with a new EP "Built Back Bangers". Build It Up on the a-side is a stompin' and pumpin' track that builds and builds. A slow and long burner in true house fashion. "Own Nothing" is an organ lead techno track that sounds more like the Fatima Yamaha we all know and love. Permission is a vocal ear worm with vocals from Wiwa, rapstar from his native Holland. And last but not least is the eerie, slightly bombastic sound of Reset Me Nots.

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Pavel Fedoseev is KIKOK. As one of the few remaining members of the Komi tribe, he used the Komi words Ki (= arm) and Kok (= leg) as his brandname "Pretty important elements for a human being, aren't they?" he says of the name. Born in Kudymkar (capital of the Komi-Permyak nation) , now lives in Perm, no less than a 22-hour train journey east of Moscow, placing Fedoseev in what, he says, feels like cultural and social isolation.This 10 track album acts as a means to escape the monotonous cycle of his hometown. The end result is a record that sounds both propulsive and hypnotic, an album that sounds like moving forward and in circles at the same time. Rich lashings of synthesisers pulse over beats that switch between techno thump and restrained ambience, with tracks seamlessly moving from dance floor stomp to woozy comedown let-up. Russian Rave Pop at it's best. Perm is a disgusting city," says KIKOK's Pavel of his hometown. "It's dirty, boring and rough. I'm afraid of walking outside; that's why I sit at home and watch movies and make music." Comes in yellow vinyl.

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After a long hiatus in Comtron releases they are back. Stronger than ever. Comtron (Fatima Yamaha and Rimer London) are known for they're critical view on society, the financial and political world. From dark and twisted electro tracks to pumpin' big room, gimmicky techno, deep swirling ambient and slow house beats, this double 12" has no flaws.

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Verstop vlug uw vinyl van de soundtrack van de succesvolle fictiepodcast?Gothrecht?van de VPRO, daar komt het management stampvoetend aangestormd! Alle twaalf liedjes uit de serie geproduceerd door Stippenlift en geschreven door Stippenlift en Faberyayo, oppassen met koffievlekken dus. Het werk bedraagt vocale gastbijdragen van niemand meer of minder van o.a. Georgina Verbaan, Annet Malherbe en Firoza. En bovendien een selectie van de originele score door Betonkust in de vorm van interludes. Een muzikale samenvatting van de eigenzinnige podcast en haar unieke karakters, nu voor het eerst op vinyl! Ideaal voor wie zich al thuiswerkend op een spannend kantoor te wagen, te zaam zingen wij de negen-tot-vijf heimwee blues. Soundtrack of the radio play Gothrecht. Twelve songs produced by Stippenlift and written by Faberyayo and Stippenlift. Featuring vocals by Georgina Verbaan, Annet Malherbe and Firoza, as well a wide selection of the original score by Betonkust.

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Karel's second EP "The Work" is being re-released January 4th of 2021. After the success of his first EP, "Life", released on Job Jobse's label (De Vlieger) last year. He has been playing shows all over the Netherlands and Europe. He played major festivals like Lentekabinet this year and has been touring France, Germany and Belgium too. Last year he played Down the Rabbit Hole festival, where he was reviewed by 3voor12, (the major Dutch music platform) in the top 3 after Nick Cave & David Byrne. He also played the biggest festival in The Netherlands, Lowlands and has been a regular at the coolest local clubs in Amsterdam like Garage Noord and Skate Cafe. He has become very popular locally and is a live sensation, looking to expand the possibilities of performance. He is known for climbing up things, swinging in on a rope and other signature moves. He has a John Maus like, synth-pop/ wave/ 80s sound and creates a warm vibe wherever he is playing.

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Tracklist:

01 DROPS IN THE OCEAN
02 DAY WE MET
03 BAR BODEGA "THAT'S IT!"
04 MONDERMAN
05 HAPPY HOUR AT HAYEK'S
06 SPONTANEOUS ORDER
07 UNWASHED
08 DAIO ALTERNATE HISTORY
09 MASTER ZHUANG
10 WE ARE DROPS

Bas Bron aka Fatima Yamaha follows up 2015's successful Imaginary Lines. Refusing to conform, he's continued to work in his own way. 'Spontaneous Order' is an odyssey that remains in touch with its creator's long held love of P-Funk, Detroit and Chicago House, but takes on additional dimensions too. Loud and Quiet gives it a 9/10 and thinks that "Fatima Yamaha is one such artist whose huge hit ('What's A Girl To Do') dwarfs the rest of his catalogue, but thankfully with Spontaneous Order, his first outing since he blew up, he bucks the received wisdom: here, across a tight 45-minute record of strutting retro electro nerd-funk, sad computer-game music, and the kind of euphoric/melancholic vocodered disco that sounds perfect at sundown pouring out over a Balearic beach bar, Yamaha shows that he's got far more range than one monster smash might suggest."

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1 DAY WE MET (ORIGINAL)
2 BETONKUST RMX
3 DMX KREW RMX
4 LEGOWELT RMX
5 ORLANDO VOORN RMX
The first single from the long awaited new Fatima Yamaha album is the poppy Day We Met and it comes with 4 outstanding remixes by highly esteemed remixers. Legowelt delivers a very deep and mesmerising instrumental remix in true Legowelt style; spacious, warm and trippy. The pianoladen remix by Betonkust is probably the most powerful of the four, sheer clubgold, that, in normal times would have set dancefloors ablaze around the world. Spacefunkateer DMX Krew takes the poppyness of the track to another level, adding extra layers and a keyboardsolo. And last but definitely not least is Mr. Fix, Orlando Voorn with his signature funk sound. Strongly rooted in Chicago, funky basslines tummble over pumpin' house beats and off the charts (and beat) synth leads. Twisting the whole track around.

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